#the “experts” now say.

[nando161mando]

BREAKING: Germans should prepare basement rooms and seek shelter there in case of war, the "experts" now say.

[hinamie]

unconditionally

[infiniteglitterfall]

I guess this might be why the UK seemed to go so antisemitic so quickly

I'm researching the 1947 pogroms in the UK. (Actually, I'm researching all the pogroms and massacres of Jews in the past 200 years. Which today led me to discover that there were pogroms in the UK in 1947.)

From an article on "The Postwar Revival of British Fascism," all emphasis mine:

Given the rising antisemitism and widespread ignorance about Zionism [in the UK in 1947], fascists were easily able to conflate Zionist paramilitary attacks with Judaism in their speeches, meaning British Jews came to be seen as complicit in violence in Palestine.

Bertrand Duke Pile, a key member of Hamm’s League, informed a cheering crowd that “the Jews have no right to Palestine and the Jews have no right to the power which they hold in this country of ours.” Denouncing Zionism as a way to introduce a wider domestic antisemitic stance was common to many speakers at fascist events and rallies. Fascists hid their ideology and ideological antisemitism behind the rhetorical facade of preaching against paramilitary violence in Palestine.

One of the league’s speakers called for retribution against “the Jews” for the death of British soldiers in Palestine. This was, he told his audience, hardly an antisemitic expression. “Is it antisemitism to denounce the murderers of your own flesh and blood in Palestine?” he asked his audience. Many audience members, fascist or not, may well have felt the speaker had a point. ...[The photo of two British sergeants hanged by the Irgun in retaliation for the Brits hanging three of their members] promptly made numerous appearances at fascist meetings, often attached to the speaker’s platform. In at least one meeting, several British soldiers on leave from serving in Palestine attended Hamm’s speech, giving further legitimacy to his remarks. And with soldiers and policemen in Palestine showing increasing signs of overt antisemitism as a result of their experiences, the director of public prosecutions warned that the fascists might receive a steady stream of new recruits.

MI5, the U.K. domestic security service, noted with some alarm that “as a general rule, the crowd is now sympathetic and even spontaneously enthusiastic.” Opposition, it was noted in the same Home Office Bulletin of 1947, “is only met when there is an organized group of Jews or Communists in the audience.”

The major opposition came from the 43 Group, formed by the British-Jewish ex-paratrooper Gerry Flamberg and his friends in September 1946 to fight the fascists using the only language they felt fascists understood — violence. The group disrupted fascist meetings for two purposes: to get them shut down by the police for disorder, and to discourage attendance in the future by doling out beatings with fists and blunt instruments. By the summer of 1947, the group had around 500 active members who took part in such activities. Among these was a young hairdresser by the name of Vidal Sassoon, who would often turn up armed with his hairdressing scissors.

The 43 Group had considerable success with these actions, but public anger was spreading faster than they could counter the hate that accompanied it. The deaths of Martin and Paice had touched a nerve with the populace. On Aug. 1, 1947, the beginning of the bank holiday weekend and two days after the deaths of the sergeants, anti-Jewish rioting began in Liverpool. The violence lasted for five days. Across the country, the scene was repeated: London, Manchester, Hull, Brighton and Glasgow all saw widespread violence. Isolated instances were also recorded in Plymouth, Birmingham, Cardiff, Swansea, Newcastle and Davenport. Elsewhere, antisemitic graffiti and threatening phone calls to Jewish places of worship stood in for physical violence. Jewish-owned shops had their windows smashed, Jewish homes were targeted, an attempt was made to burn down Liverpool Crown Street Synagogue while a wooden synagogue in Glasgow was set alight. In a handful of cases, individuals were personally intimidated or assaulted. A Jewish man was threatened with a pistol in Northampton and an empty mine was placed in a Jewish-owned tailor shop in Davenport.

And an important addendum:

I've read a whole bunch of articles about the pogroms in Liverpool, Manchester, Salford, Eccles, Glasgow, etc.

Not one of them has mentioned that the Irgun, though clearly a terrorist group, was formed in response to 18 years of openly antisemitic terrorism, including multiple incredibly violent massacres. Or that it consistently acted in response to the murders of Jewish civilians, not on the offensive. Or that at this point, militant Arab Nationalist groups with volunteers and arms from the Arab League countries had been attacking Jewish and mixed Arab-Jewish neighborhoods for months.

I just think the "Jewish militants had been attacking the British occupiers" angle is incredibly Anglocentric.

Yeah, they were attacking the British occupiers. But also, that's barely the tip of the iceberg.

Everyone involved hated the Brits at this point. If only al-Husseini and his ilk had hated the Brits more than they hated the Jews, Britain could at least have united them by giving them a common enemy.

[elvisqueso]

Times they had to say goodbye — [4/4]

Pocahontas (1995)

[poorly-drawn-mdzs]

Bingqiu ponies (Happy Birthday @Piosplayhouse!)

[nero-neptune]

“Roy was the engineer, and anything related to engineering, in any specialism, would have to pass through his hands. This included assembling the plane’s radio, just like he’d fixed the small battery-operated Spika radio and made it work.

“Adolfo sat down beside him. He explained to Roy that it was not a matter of expertise in electronics but one of ignorance, and pointed out that Roy was the least ignorant of everybody in that department. Roy argued that he had never seen an airplane radio in his life, not even in a book. Adolfo put his hand over Roy’s. ‘I know that, Roy. We all know that. I only wanted to tell you that you were the best one at handling the wires and the terminals, that’s all. But right now that’s a lot, it makes a huge difference … you are the engineer.’

“Roy, almost breathless, added something that his older friend already knew: ‘I am barely in my first year in Engineering, I’m only twenty years old, and the only time I’ve ever been remotely close to anything like this was when I helped instal a damn audio system for my cousins.’

“‘And you fixed the Spika radio,’ Adolfo responded, as if it were a thermonuclear station and not a basic portable radio the size of a pack of cigarettes. Before Adolfo even said the next sentence he knew clearly that it was as painful for him to say as it was for his friend to hear it. ‘Roy, the group needs your abilities. All we’re asking is that you try.’ ”

– “Is Anybody Listening?” from Society of the Snow: The Definitive Account of the World’s Greatest Survival Story by Pablo Vierci

LA SOCIEDAD DE LA NIEVE | SOCIETY OF THE SNOW (2023) dir. J. A. Bayona

[pigeonstab]

So, I actually managed 1005 words! which is like 250 more than i had before, yippee!!

I think some CWs are needed for this one, basically this is a bit of insight into Cross's childhood, he's probably around 13 here?

//CW vomiting & child abuse??// (lmk if there are any more needed)

Raindrops hit the car window, blurring the sight of the city lights behind the panes with a soft pattering sound. Cross was cold. The air was humid and he wanted to go home. Wherever that was.

The car ride had been spent in silence, as had all the other ones these past months. Cross kept himself entertained, watching flashes of light pass through the darkness of the car, observing as they shifted and bent with the shape of the seats or as they passed over his legs. He didn’t know if he could do this again, if he’d find the courage to. He wanted to say something though he knew he shouldn’t, protesting never got him anything but remarks and lectures.

He’d never been good at keeping his mouth shut.

“I don’t wanna go.” His throat felt tight and there was a growing pressure behind his eyes. he had to tell someone.

A heavy sigh came from the driver’s seat and Cross winced “And I don’t wanna hear it Cross. This is your third placement in three months. You know how these things go.” her tone stayed stern and cold. He didn’t know why he ever tried. A beat passed “You know if you would just behave–”

“I know” he snapped at her, holding his brow, a low growl building in his throat.

“See? This is exactly what I mean!”

“Oh, fuck off!” He knew he’d made a mistake as soon as the words left him.

The car came to an abrupt stop at the red light and Cross flinched when she twisted around to face him, her face contorted with rage, pointing an accusing finger in his face.

“I’m doing this for you, you know that right?” She started “I’m driving you there but if you wanna be like that, you can get out of the car and walk your stuff to the new house. And then you could do the introductions and explain all that’s wrong with you. Since you like talking so much. Is that what you want? Huh?”

Cross stayed quiet, curling up on himself. He knew this was a shit idea anyway. She never listened. Tears ran down his cheeks as he kept his eyes glued to the floor. “’m sorry..”

She merely scoffed, turning back to the road as the light turned green. “And stop crying.”

–––––––––––––––––––

Now, Cross stood quietly, his backpack in hand, and in it all his meager belongings. He cringed as his social worker rung the doorbell of the new house.

The door opened, blinding Cross with the warm light coming from inside. He felt like he could cry again. Wanting nothing more than to go back to the car.

His social worker greeted the man at the door, a smile plastered on her face that she only used when talking to the foster parents. Cross was disgusted at her hypocrisy. This house would be just like the other ones, they’d act nice for a bit while he was quiet and docile and then at the first sign of resistance they’d realize he’s nothing but a wild animal, ‘a problem child’. Once he snaps at them, once he’s not just a way to give them good conscience. He hated them already, he hated this.

He wanted out. He liked it better with Epic. He should’ve stayed with him.

“Cross, are you coming?” He was pulled from of his thoughts as she called him inside. She’d already told his new foster parents about the protocol for his shifts, he knew because the man he’d seen earlier was holding a vial of wolfsbane in his hand. He shuddered, it was rare when foster parents let him spend full moons without sedation. He didn’t like the way they looked at him.

Like they were nice, like they weren’t going to hurt him. Cross hoped they’d let him keep his books. Maybe they wouldn’t be as bad as the last ones.

–––––––––––––––––––

Cross knew this placement had been a bad idea. He panted and whined as he struggled against the silver shackles attaching him to the basement radiator, his arms were pulled back uncomfortably and the silver was burning him, he could hear his own flesh start to sizzle.

He’d been annoying, he knew he’d been bad, but he didn’t think they’d even keep him around long enough to deal with a full moon. They’d laced his water with wolfsbane at dinner. Of course that wouldn’t be a problem if only they hadn’t put this much. It wasn’t his usual dose and he could feel his body rejecting it, his stomach clenched and he tried his best to fight it as he gagged, his diaphragm working to expel the poison from his metabolism, his chest heaved and Cross retched, only slightly purple tinted bile left him as he sobbed.

Everything was aching, his limbs weren’t responding and he felt sluggish, his senses held in a panicked torpor. He didn’t know how long he’d been crying, his wrists feel raw and chaffed. He felt his body forcing itself into a different shape as the full moon rose and illuminated the basement through a small window, his mind stuck in an exhausting loop of unfinished thoughts and panic, and he howled in pain as the first cracks rang out and echoed in the basement.

The smell of blood permeated the air. he couldn’t think. The poison left him immobile, save for the slight shivering that wracked his small furry form. Cross wanted out.

Closing his eyes and letting his tired mind drift off, he thought of green grass and cool air, the sound of the leaves rustling with the wind, feeling his paws hit the earth with each bound, wind rushing past him, ruffling his fur, it was enough to satiate the instincts clawing at the back of his head. And in the morning he’d wake up wishing he hadn’t. But for now, hurting and laying on cold damp concrete floor, hidden back into the retreat of his mind, he felt calmer.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[leisi-lilacdreams]

lil summer themed wip

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[maliciousalice]

@thresholdbb omg tumblr ate your ask but thankyou for asking!!!!

👕Character whose fashion you like.

Phoar! Startrek really isn't a show I associate with being fashionable. It's very camp isn't it? In theory a lot of the wardrobe is really cool and they wanted to gain that retro-future aesthetic. Did it work? I'm not sure. However it does make a statement. The Startrek aesthetic is really recognizable and that's important! I think that's where modern trek kind of looses the plot. It's not as careful about the unique visual design as a whole anymore and as a result it doesn't settle in our minds. Is it bad artistry? No but it's not as stringent. What I mean by that is older trek cared about nuance. For example every haircut was done the same way on men, or suits were tailored in a way to look sleek but practical (they weren't). Gaudy patterns were important to denote things like status. It looks ugly on the outside but when you're watching the show it envelops you and makes you feel welcomed into the universe.

I digress.

To answer this, the most fashionable character, hands down, is Quark! That mfer always looks good, and has the finest drip in the galaxy. Love that.

🥲 ST moment that makes you cry.

There are two moments that make me particularly sad. Kate's acting in the climax of Resistance is incredible. I read somewhere she had a special-wink-wink- relationship with the Director in the early seasons and she was being tested by this episode in some regard. I think it paid off. I treasure any time her captain-hood is removed, and the extreme vulnerability of Janeway is on display-MWAH MWAH poignant. This episode is beautifully intimate, particularly this scene. It's overall gorgeous and unique in how she whispers to him, as if there is nothing more important than to secure his peace of mind as he dies, and it's heart rending when it ends with her just crouching there, emotionally alone. I love how Janeway is forced into the father-daughter dynamic between her and Caylem, one that she would ordinarily resist (heh themes) because I think it inherently weakens her status. The back and forth throughout the episode of them taking care of each other's welfare is so it's terribly sad when it's torn down and we discover the truth behind Caylem's family. If you've dug around her character you know that her Admiral-Father has had impact on her life. She's haunted by him in both a figurative way by being a Captain, and literal sense later on in Coda. Much like Caylem, she looses her father in a violent manner that she has to carry around while she forges ahead. It also reflects well on Kate's relationship with her actual father, she recently revealed that she was never able to get him on her page, but in spite that she adore him with all her might. So a scene like this is really revealing-I believe she was able to draw upon those feelings and that's kinda neat to be so raw as an actor. SIGH.

This one just straight up made me cry fr because Prodigy s1 is a really mature, well done piece of (Startrek) media. Holo Janeway has an irony about it where in the end she is program designed to be a teacher, and she didn't expect to develop a strong bond with the crew. Her final moments are of displaying a huge amount of selflessness and courage to help the kids get out of trouble, similarly to how Janeway would approach dire circumstances. The music swelling and the ship activating is just OOOOF!!! I love how it parallels Dal's initiation of the first Protojump in a Moral Star. By that means It suggests how proud she is to get to do this for them. As a character she is really interesting to think about, in a way I can't entirely articulate. A lot of her moments are quite sad in general, she has to keep an active role so she isn't ignored, and help where help is needed, but at the same time she has constraints, one being that she manipulated by the antagonists. And In contrast to that, the kids do their best to help her feel like she is important and more than a command program to be used insincerely. She grew to love the Protostar crew, that's evident in her body language in this scene. She has a lot of depth overall. Equal to the real Janeway she deeply feels love, guilt and pain, but importantly she is transformed by the her time on the Protostar and while active, learns and grows with Dal, Rok-tak, Zero, Jankom and Gwyn. It's REALLY sweet that they care all care about each other.

I love her and I love JANEWAY!!!!

🥹 Favourite behind the scenes picture.

Ooooh I love all behind the scenes stuff. My brother in Christ It's super difficult to just name one thing and I'm very greedy!! I wish we had more BTS content for Voyager but sadly, it's a matter of grab what you can, however you can. Anyway, I have an inherent interest in seeing the cogs behind the wheel. I chose these samples because I think they're charming.

The continuity polaroid's are so fun and a lost technique, I like to think about assistants having to pull the actors aside and asking them to take those. How daunting! Kate's grin in the one where she is offset is SO cute. So she must have been in a good mood, super Cheeky!

Following that is a screenshot from a video of her having her makeup done. A rare catch. I like this because she often sooks about how much time hair and makeup was spent on her to become Captain Janeway. I get it's a huge time-sink, but love or hate it, the full irony is that her early season appearance is really iconic and in it's own right adds to Captain Janeway's sensibility. Silly goose Kate! Besides that, she looks hot checking herself out, haha.

Moreover, I love on-set editorial photos of actors in costume. While we did have heaps of them in the Starfleet uniform, I wish we had a larger collection with clearer releases, it would have given an opportunity to see in things of interest better detail. Particularly the lower half of unique costumes. For whatever reason special outfits weren't often established or framed for us to see the legs in the show, so a nice big photograph would have solved that. Also I love that these style of pictures capture an impression of an episode without giving it away.

Similarly, fly on the wall on-set photos are cool. They're way more intimate and candid than anything else and it makes me feel as though I am spying on the actors, but they're also a good way to document how things might have been on set.

The Timeless one is interesting too because it's of a deleted scene, we never see Chakotay look at a dead Janeway (how deliciously macabre!), but at some point in time it was in the script and they filmed it.

Hmm this bts picture of Janeway in the Cardigan is adorable! I believe it was worn by Kate for a Charity but look how cute she looks? Makes me wish we saw her mess around with things like that more because 7 Years is a long ass time to be in uniform everyday ( coming from someone who went to school in a Uniform and enjoyed it for the most part). Casual Fridays anyone?

I love this gif. It's from the first shoots of Caretaker and Kate looks so radiant! Her smile is is breathtaking! Whenever I see this gif I get a sense of delight. Poor thing had no idea what she was getting herself into, haha. Really though, check out the original Caretaker photos, they're super-cool. The history behind it is fascinating; I'd love to see more footage from that version of the pilot episode. Unfortunately, it's probably not preserved well, much like lots of Paramount's historical material.

On a similar trend, it's fun to see this set of pictures too. It's for the First Contact film / maybe the Universal studios ride, when she reprised her role as Vice AdmiralJaneway. Kate was genuinely delighted to do this cameo and it shows. As per her operandum she put her whole self into this small segment and that's so darling. It makes me wish we had more of this Janeway at that point in time. I love post Endgame chubby-Janeway. In a fictional sense it denotes that she is comfortable or stressed to be an Admiral (sadly it's the latter in real life) or whatever and I love that for her.

These kind of pictures are fun because it's been said that at times it was the most playful set to be on. There are tales that the cast were not that serious all the time. You get that impression here, and it's probably why the majority of them are still good friends to this day. They're like a family bros!!! Having worked in media I know that wrapping up after working on something for a long time is really rewarding and I bet they had a good time at parties.

Apropos previous, the opposite can be said. While they had fun, the hours were long and the scripts intensive. Kate was around for all of the episodes of Voyager in one way or another, and still managed to bring her A-game each time. She is truly admirable! Seeing her so exhausted is charming. She had a lot of weight to carry for the franchise and did an exemplary job performing her way through 7 years of weird and wonderful material. I wonder how often they fell asleep on set? I know I would. Get some rest queen!

Finally, I've been following Prodigy bts as best I can, and because of my career in animation I get pretty interested in Production art. I love seeing the fast metamorphosis of a visual style. It's really impressive how much attention they applied to the designs, maintaining the older stuff, while adapting a new frontier. One of the lead artists made some pretty neat observations to get Kate's appearance right. It's so cool that they documented that journey, because from my dabbling I know she has a very beautiful, distinct face that isn't easy to capture.

ANYWAY Thankyou for reading my fat thesis fellas. tl;dr i love this stinky Startrek Voyager and by extension the franchise.

[butwhatifidothis]

(regarding the Fort Merceus scene)

"Claude doesn't know as much about the Seiros faith because he's an outsider" thanks for ignoring the entire point of Claude's route just to insist he doesn't grow as a character

Ohhh wait, no, it's not that he's not knowledgeable, it's just him definitely lying! Because disagreements? Regarding tenets of a religion? Impossible! Claude must be feigning ignorance and lying because that's all he does as a character! He's tricking the diligent Lorenz into thinking things that aren't true, because Church Bad and Claude would never tell the truth!

[mokeonn]

Before I go to sleep I leave you all with this piece of advice: sometimes you don't actually have to answer big political questions, sometimes you can just say "I am not smart enough to know that, I just know the small things I do to help." Like you can often times completely avoid making a fool of yourself if you just say you don't know.

[aouiaa]

few days ago, watched a analysis of dina and ellie’s relationship, and now so ready to write the dina-saur requests in my inbox! 😊

[tiffanyachings]

the beths expert in a dying field (2022) have done it. they've broken down the twenty something existential dread climate crisis late stage capitalism experience to its bare essentials

[ducktracy]

reminder that if you're not watching Crayon Shin-chan then you are living a hollow and empty life. this is not edited. this ripped straight from the movie (Movie 8: Jungle That Invites the Storm, highly recommend for fellow Masaaki Yuasa lovers)

if you need further convincing: these monkeys run an animation sweatshop