#thats the plot twist at the end there

[seaofserene]

every once in a while i am reminded about these two and also remembered animatic i made for them, which i dont think i ever actually posted.

ft. @shadowsceptered

[dungeons-and-dragon-age]

sometimes you just gotta draw obnoxious husbands u.u

[woennix]

wait??? bbh recovering his red color?? and also the green?? omg he is going to slowly transform into his christmas theme skin! that's so cool! surely it has no other meaning than green and red being the color used to symbolize christmas

[mouthpoisons]

victory laps are over im Thinking about it all now

i think the potential for an extremely sobering ''forgetting where you came from in your social climbing and losing the fucking plot when you think youre doing anything good for people back home/the dangers of assimilating to be palatable to your oppressors/guy with an inferiority complex whos big horrible realisation is he ended up caring more about his own legacy and being Seen as a Good Person vs actually contributing any good'' story was there especially if they compared him to ekko who would be instrumental in defeating him at the end, but as we know the writers pussied out of the whole piltzaun politics thing and made viktors whole crashout a essentially a personal skill issue instead of playing it back into his backstory and the person it turned him into . but ive got hands and a keyboard and plenny of time

[refractionfish]

interview with tetsuya chiba (artist behind ashita no joe as well titles like ore wa teppei and notari matsutaro) from 2022. apparently the "white ashes" beat was his idea — one has to wonder what author asao takamori (aka ikki kajiwara) even contributed.

eBookJapan. “インタビュー【漫画家のまんなか。vol.4 ちばてつや】弱さもダメなところもひっくるめて、人間の素晴らしさを描きたい - Ebjニュース＆トピックス,” April 18, 2022. https://ebookjapan.yahoo.co.jp/special/article/aa0243.html.

[hauntingblue]

ARCANE EPISODE 7!!!!

MY GOD I WASNT READY FOR ANY OF THIS!!! WHAT WAS THAT!!!

Also ekko wallpaper I got with my fries lmao

[iiusia]

anyone else ever up thinking about the disc finale or is it just me in this cave. please its so dark

[hballegro]

i am a metronome of 'this problem is easily solvable if you talk to a certain person in your life and it'll only get worse if you leave it be, calm down and bite the bullet' and 'you've already left it a long time and asking for help even from loved ones is really really hard so actually cry in a ball'

we must destroy the grey head jelly for being the most inconsistent and rude bastard in the world

[jazzellow]

i know it might be weird to see the amount of people surprised that we actually got bi!keeley when she acts like THAT around Rebecca or any woman in general, but the thing is, I think a lot of us knew keeley was bi from the start; we just weren't convinced that the writers knew. as a gay ass bitch myself, i was still so convinced that her flirting with women would never actually be addressed for what it is. I’ve seen female characters written like this time and time again, where they cheer on their gal pals, pour compliments on them and be all touchy but it's totally platonic because that's just their dynamic. with ted lasso (or any mainstream show), I feel like the writers have to really spell it out in order to reassure its audience that what we are seeing is in fact what they are going for because we’re so used to being baited.

[alchemiclee]

been looking in tags for a few days now to see if anyone else found the whole high cloud quintet and related story to be a bit.....poorly written, nonsensical, contradictory, full of plot holes and loose ends, etc. apparently i'm not the only one. (and i'm not even talking about shipping stuff, because any time I saw someone mad about bad writing, someone always replies to be homophobic and laugh about failed ships. weirdos.) it could have been so good but was thrown into the garbage for the most part (IF you noticed all the plot holes and contradiction. if not, then it's a fine enough story tbh. I expect most people to see it on surface level and not read all the little hidden lore bits and try to piece it together like my autistic brain did. which is ok! enjoy it if you liked it and ignore me 😆)

[box-dwelling]

OK so I am like a day past completing the Ansur dungeon and it's been enough time to let my thoughts on it settle. Spoilers ahead.

For context, first playthrough with a basic tav. I'm a good way through act three and have finished a few of the pc quest lines. Minsc, Jaheria and Astarion are done. I have yet to get the hammer or do the house of grief but I have done sorcerers sundries. Also I haven't refused Ulder yet but it like the next thing I'm doing. Other context is that dnd is a huge special interest of mine. I've been playing for about 7 years straight. Both dming and as pcs and I have played under professional dms before. This does affect how I view the game but it's mostly postively.

Disclaimer, I haven't finished the game so there may be some stuff that ends up being done that I just haven't seen but the quest line says it's over and from what I've read online it doesn't seem like that's the case so.

So let's start off with the pros because I honestly have less to say there

As a dm I can and always do look at the dungeon design. Larian is genuinely really really good at this, and this dungeon is no exception. I loved the puzzles though a few could use some tweaking. They arent all great. But there's ideas there that I will probably introduce in my games some time. A chess puzzle especially is such a great idea. That was so cool and the fact bring gale along means you can get the answer free I'd you don't play chess makes perfect sense. Genuinely great.

I also liked the visual design. I had expected the appearance to be what I was starting to dub in my head as the "character development dungeon aesthetic " given that really in terms of design and function cazadors dungeon, the gauntlet of shar and the sorcerers sundries vaults are very very similar. But this one wasn't and I'm very happy about that. Give me some variety.

The Ansur fight itself, AMAZING. Great boss battle. I loved the hell out of it. I'd have to dig into the code to properly tell but it looked like they used a varient of the colossus fighting rules which while I've actually never run but I have been at tables where it has been run to incredible effect. They're good rules. I'm glad to see them used. It honestly makes me consider running them myself.

Last pro, on the face of it, I like the idea. I like the concept of wylls character development dungeon being about learning about the tenants of being a hero from one he looked up to. That tracks. It's a good place to take his charcater at least in theory.

As for the cons, it's mostly one but it's also a big one that has majorly pissed me off. Because Wyll is in my joint top 3 for favourite characters and they did him so fucking dirty.

I really really hated how they handled the twist with the Emperor. I don't dislike him as a charcater but I think it's at least to me pretty unambiguous that he's a pretty shady and morally grey charcater. Which is fine. In fact, it's actually a pretty interesting way to take Wyll's arc. That he looked up to this hero, internalised his mindset through the chambers and then learns that he was actually a pretty shady morally complex figure that doesn't live up to wylls expectation, that is a GOLD mine of character development. That is absolutely fascinating. Except, it doesn't do that. He barely even comments on it. Just says he's forged into a new hero by the trials while ignoring the person who set them is the very shady figure who has honestly fucked us over a lot.

You know who's another hero wyll probably looked up to? Minsc! And the Emperor is a real fucking bitch about letting him join the party.

This is compounded by the fact his good/bad ending choice rather than being a slow build up like everyone else where they get tempted by power and then have to turn it away, he instead just says "hey I could become grand duke" out of no where and then doesn't even need a persuasion check to get talked out of it like everyone else does.

So, I would be remiss without giving a way I'd fix it. So here is that.

Th ansur dungeon isn't given to us by florrick in the lower city. It's given somewhere else before you get there.

I'd recommend like, it being in a book or something in Wyrms crossing. The location is tied to wyll anyway. Maybe add in his childhood bedroom that he asks to go visit. You can put in some environmental storytelling telling that can expand on his complicated relationship ulder. Maybe the room is bordered up and untouched but when you get inside there evidence of genuine love.

When you get there you get the story of ansurs legend and wyll becomes obsessed with using this as a way to help save the city.

The ansur dungeon then gets basically left untouched. Twist and all.

But at the end of it, rather than just deciding he's going to become grand duke, it becomes a question. He can't become grand duke while Ulder is alive. And Bauldrian the great adventurer became a politician after wards. Give the Emperor a reason to not want ulder alive. Maybe Ulder risks not being able to defeat the elder brain in some way, and tie it into his reaction to Wyll taking a deal with Mizora.

Wyll is now conflicted. If his father dies he can carry on in both his and Bauldrans footsteps. Ulder left his child in command of an army before he was an adult. Can he really be trusted to take care of the city? Of course wyll loves him and of course wyll wants to save him but there's that doubt there. I have been reforged in to bauldarns heir. I could do a better job. I could save more people. He abandoned me. Why should I save him? If he breaks his pact this is also fed into by the fact it puts him at very active threat from mizora. It's not that prevelant. Wyll is wyll he's not that susceptible to corruption but a little bit of doubt, coaxed on by the Emperor is all he needs.

Then the lower city.

Make sure you have to get minsc before continuing his quest line. Have wyll have a reaction to the Emperor 's distrust of minsc. These are two of his childhood hero's fighting. Play that up for some drama.

Then saving ulder becomes the thing that either makes him the blade of avernus or the grand duke. He can either choose to not save his father, take on the title of grand duke and rule the city following in baulderans footsteps or, he can kill mizora and swear his life to killing demons as a the blade of avernus. . Later becoming a ranger just like minsc. Even give minsc a few lines giving him a pep talk about it. Maybe even having him explain that wyll need to be his own kind of hero taking the infulances he has from the past and learning from them to become a better one. If the pact stays he just remains the blade of the frontiers if he saves ulder but can become grand duke if he doesnt.

Then, have ulder apologise and then reconcile. Have wyll learn to actually recognise his father as a flawed man who hurt him but who is also complex. Maybe even have an option for if he chooses to fully reconnect their relationship or not.

The bones of a really really really good story are here. Please, for the love of God, larian actually tell it.

[nicastamatis]

mafaus again. she says he has good teeth but they are very obviously bleach-white veneers (or bonding. or, god forbid, turkey teeth) that just. stand out. on his face. and not in a good way.

[floorpancakes]

its about perspective dont look at me

[lbhslefttiddie]

Could you talk a bit about how you plan out your longer fanfics? I’ve have a long fic I’ve been wanting to write, but I’m not sure how to plan/outline it, and I’d love to hear what your process is!!!

Mouse and the Thorn and Into This Wild Abyss had some very different things going on in the planning stage—it really came down to what kind of story i was telling and what was important for executing that!

(longish sowwy)

ITWA, from the moment i conceived it, revolved around sqq going through a largely preordained plot, and so i created a longass bullet list of all the major plot points and moved them around into the general order i felt it was best for them to happen. I generally kept the points brief and without flavour, lest it mess with the writing of the scene itself or I get bored of it before i even start. There was some variance in the writing stage, partially because i (cough) forgot to add several plot points in the originally planned spaces (see: xin mo), and partially because that's just sort of how it goes when you're actually feeling out a chapter, but the outline was like a guide that i would be able to pull back towards if i strayed too far, and allowed me to keep the end destination in mind, and keep track of important details. All told, the core aspects laid out in the outline didn't change much in the finished product. Frankly, it was huge relief to have that outline!! It definitely saved my ass many times. Truly a revelatory experience for me.

MotT, on the other hand, doesn't so much have a hard plot—lbh is currently 13 years old, before even the beginning of scum villain, so even the plot that comes built into this universe is a very distant thing. We basically just have a core cast of a few inextricably connected characters who are constantly influencing each other, and the "plot" is really just who is going through what character arc at this particular point in time.

Trying to create an outline would, to me, feel horribly rigid, when a lot of flexibility is necessary for something like this. Instead, i have a handful of cool scenes in my head, a general sense for where each character is at and where they're going, and it's just a matter of passing the mic around in a way that feels balanced for whatever arc we're in.

............It's worth mentioning that the way i've written/am writing MotT, while i think is for the best for this project, is also way fucking harder than how ITWA was planned and written. I've mentioned this before in passing i think, but on multiple occasions, i'll have written entire scenes out, and then need to push them back or move them around way more than anticipated because Something Else Needs To Happen First. (this also reflects in my art; the files are listed by date rather than chapter, and so some clusters of art are actually in backwards order--i did the art for what became ch 16 before 15, and 15 before 14)

It's not necessarily a problem, and I'm certainly enjoying myself, but this messy and fluid way of putting a story together straight up would not be possible if i did not already have a solid sense for pacing and balancing emotional elements. I'm absolutely certain that even a few years ago i would not have had the skill to write this fic without writing myself into a corner or rushing everything in a forced way or losing something important to the core of the story; i would go so far as to say this story is only possible because I wrote ITWA first.

I definitely would not recommend this strategy for your first longfic, personally. obviously, do what feels right for yourself, etc, and at the end of the day you should never let concerns of skill or experience stop you from writing the stories you want, but i think this process could, uh. Cause headaches. If you're out of your depth

[alchemist-shizun]

I've come to the realization that I've known about mdzs for about 4 months and so far I've been juggling in my head 3 different songxuexiao fic ideas (ones actually not ship fic only about post canon song lan and inner turmoil which we love) and SOMEHOW all of them involve little kids to a certain degree, either raising them or having a group of little ducklings following u everywhere u go.

This is a first and a pattern I wasn't expecting but I guess I'm welcoming it!

[dollarstoreartsupplies]

Nvm sorry last chapter of Cinderella Richie now I’m thinking about how fem reddie would make the funniest fucking Schmigadoon au because Eddie’s butch and everyone is just like ‘guess that’s just a small man right there this is golden age musical theater I can’t see anything wrong with that’ and also just Mel is so Richie tozier coded I could throw up