#that's what i'm most curious about

[time-to-write-and-suffer]

You guys are so fake >:(

The dragon wip wins every poll I make yet it only has 19 views on Wattbad? Crimes!!!

[swampybogg]

[14dayswithyou]

[24 May 2022] First, I love your demo, your art, god I can't get Ren out of my head since the first time I played. Now my stupid questions. Ren gets asked on the street if he cosplayed Haruko? Since he is a walking cosplay And.... Where do I sign my marriage certificate with Ren?

Ty ty!! ♡ Ren has been stopped maybe 2 or 3 times out in public due to the striking similarities between him and Haruko, but in actuality, he /doesn't/ look 100% like Haruko! He only took the hairstyle and dressing-style aspects of Haruko and ran with it ^^'

For reference; Haruko's design is much more vibrant and his hair is faaaar more fluffier. Plus you have to take into consideration that Haruko is an anime character in Ren's world (whereas Ren is considered human)

Also Ren’s on his way with the marriage certificate right now 💀

[a-star-that-burns-brightly]

drdt fandom !! since chapter 2 part 2 is at 100% completion and is more than likely just on the horizon, I'd like to know what everyone's final culprit theory is!! you can go in as much depth as you want to

[lucky-clover-gazette]

kings rising highlights & annotations

chapter 7

edit: there is much better analysis in this follow-up post, although it does build on the stuff i wrote here

indented text is from the book. some quotes have commentary, some do not. some comments are serious, and some are definitely not. most of them will only make sense to people who have read the series. and, like, there are spoilers. so please read the books first if you're interested!

also: part of the reason i'm doing such a close reading is to study cs pacat's style, especially in terms of how she does romance and erotica. there are "craft notes" that might seem weird, like i'm being redundant or restating something rather than analyzing, but those are more things that i want to remember/take away from the writing!

i'm going to tag these longer posts with "sam reads capri" in case anyone wants to read them all at once.

this is a google doc i wrote with overall content warnings for the captive prince series. it's not perfect, but i do think it's important to include.

There were very few problems, the public killings having been good for the soldiers’ morale.

so where are the people like me in this world who would like pass out witnessing that. just too desensitized to care?

The Veretian herald was named Hendric and he had very strong arms, because banners were heavy.

Damen and Laurent were to ride alongside one another. Neither one of them had the better horse.

THEIR HORSES!! BACK TOGETHER DESPITE ALL ODDS!! because they’re definitely the same ones that fell in love during prince's gambit shut up

Damen was taller, but nothing could be done about that, Hendric had said with an impenetrable expression. Hendric, Damen was learning, had something in common with Laurent, in that it was never a simple matter to tell when he was joking.

give laurent a comedically large hammer and he’ll find a way

‘I hope the injured boy was returned to you safely.’ ‘Thank you, he returned with Paschal,’ said Laurent. For a salve? Damen opened his mouth to say, and didn’t.

throwback <3 but kings can’t have inside jokes :(

In the next moment, the horns rang out, triumphant and lonely at the same time, the pure sound absorbed by the sky and the wide open landscape around them.

“triumphant and lonely” nice detail

He remembered exactly how it had looked, and that was why he didn’t recognise it at first: the forest of broken spears was gone, and there were no gouged ruts in the earth, no men face down in the churned mud. Marlas was now a tumble of grass and wildflowers in the blowy, sweet summer weather, shifting back and forth in the gentle air. Here and there an insect droned, a drowsy sound. A dragonfly dipped and darted.

i like this :) we don’t get a lot of love for nature in this series, so i’ll take what i get. especially nice when nature represents healing and the passage of time.

Lining the hall were two dozen slaves.

oh this is going to be a headache. but it’s a headache worth having, because i’ve approached these annotations so far with integrity and fairness, and i refuse to treat this subject any differently. i don’t want to just ignore the things that are more difficult or less fun to unpack in order to get to the fun shipping stuff, i want to analyze them to the best of my ability and feel as comfortable as i possibly can moving forward.

so let’s set up some context:

1) damen has come a long way from his stance on slavery in book 1. he is actively refusing to partake in this expected custom, and finds the institution disturbing and triggering. he has developed a new appreciation for sex with truly consenting (not trained) partners, aka laurent, and can’t really go back. still, his reasons for refraining here are almost entirely based on his evolving sense of morality, not really relating to his relationship with laurent at all. for more on that moral evolution, see my analysis in chapter 4. further proof of this Really Mattering to damen is the fact that by not taking slaves, he is losing points with his own people. another great hint of his development as a king, making his own authoritative decisions rather than upholding tradition.

2) laurent does not like slavery. he does not think it is morally correct, and has made many jabs at damen throughout the series for disagreeing. he is disturbed by idea of people who have been groomed into relinquishing their own free will. if put in the situation of damen in book 1, laurent would not have been nearly as compliant or allowing—honestly, he probably would have tried to kill his master, and failing that, kill himself.

HOWEVER. vere does not do slavery. slavery had never been a relevant issue to laurent, at least until he was gifted a slave of his own and was made to deal with them in negotiations with patras. slavery is a thing other countries do, to laurent, and his current objective is make nice with a country that keeps slaves. therefore, he knows that his only real option is to keep the appearance of partaking in the custom, even if damen can get away with refusal. and i think we can safely assume that in laurent’s vere, there will be no slavery, even if he’s taking up the appearance of a slave owner now. additionally, i think we can also assume that there will be reform of the country’s pet system, which is an issue much more relevant to laurent’s lived experience.

if the stuff with laurent and slaves here was simply performative and un-indulgent, i wouldn’t need to be writing anything more here. but it is, as it is, one of the few things in the series that makes me feel very conflicted (see also: the garden scene in book 1). because while it’s true that laurent doesn’t actually use isander as a sex slave, and does have this kind of passive disdain for slavery, he does use isander in another way. he uses isander, a non-consenting brainwashed slave, as a way to make damen, who has never actually been a slave, jealous. this is an abuse of power that directly conflicts with laurent’s stated and assumed values regarding free will and individual personhood. we’ve seen things like this before, in arles, but laurent had known that damen was a prince and not a slave the entire time. but isander is a victim of this system—even if isander himself doesn’t know that, laurent damn well does. and laurent historically is someone who advocates for victims. so the fact that his morals here are being set aside in favor of a petty gesture against damen, is… disappointing. everything i said in chapter 3/4 about laurent’s mean girl era still stands: he knows he’s being shitty, and he’s doing it because he doesn’t want to be vulnerable and insecure. better to be a villain than a victim, etc. but laurent being a villain to damen, who laurent knows is perfectly capable of defending himself, is distinctly different from laurent parading out isander the slave just to hurt damen’s feelings.

it’s wrong for the obvious moral reasons, which laurent perfectly understands in the abstract. but it’s not a hill he’s going to die on here, and that’s not just because of the political advantage. this is 100% about personal shit with damen too. and sorry laurent, but slavery does not stop being wrong when it’s useful in creating drama with your ex. in fact, indulging in it for that reason specifically trivializes all of the legitimate problems with the practice. it makes laurent a hypocrite and it crosses a line, in terms of his mean girl schtick. i just want to make that clear—that there is very much a difference between laurent just being kinda cunty to damen in general, and specifically using a slave as tool in that cuntiness.

laurent is, and always has been, a morally complex and often hypocritical character. he has done things that have made me feel uncomfortable to read, like the way he treats damen in the garden scene. and that’s okay, and it doesn’t make him a bad character, or even a bad person. and to be fair, he isn’t doing any practical harm here—if he hadn’t chosen isander to kinda just vaguely flirt with in public and then leave alone in private, someone else probably would have done far worse. and that is an easy cop-out, and it’s not wrong. but still.

the problem isn’t with laurent's actions here, necessarily, but the principle. which is usually what laurent himself cares about the most, as he often values the ends above the means. politics aside, i think that laurent would readily admit post-mean girl era that the ends of making damen jealous did not, and should not, justify the means of using another human being who does not possess free will. maybe he even does that in the text, eventually, and i’ve forgotten.

(also, let’s not forget that isander may have been trained to not have his own feelings, but definitely still has them, because he’s a human being. and it probably makes him feel pretty bad to be chosen and then ignored by laurent. not that it should, because the entire thing is super fucked up, but it’s what he’s been groomed to believe. like, i did just want to throw that in somewhere, even though it’s obviously predicated on brainwashing and a lack of free will. it’s still what he’s feeling, and his feelings matter. just as much as damen’s or laurent’s.)

basically: laurent is failing to be honorable in his usage of isander, even if he’s not using isander as a sex slave as intended. his abstract values about the wrongness of slavery take a back seat to the political and interpersonal advantage of not only passively partaking in the custom, but actively using it to make damen jealous. even if laurent needs to pretend to take a slave to be politically accepted, he does not need to do All That. and honestly, with laurent’s ability to convince and command a crowd, i think we all know deep down that if he didn’t at least want to do this at least a little bit, just to piss damen off, he would find a way out of it. and that is a reality of laurent’s characterization here that i have to deal with, similar to his actions in the garden scene.

and then there’s the other thing that laurent's "performance" with isander has in common with the garden scene:

it’s hot. it’s wrong, and hypocritical, and could have been done in a way that would better suit my personal tastes, but yes, it’s hot. and on top of that, it’s also VERY funny. laurent’s performance, damen’s reactions, and isander’s obliviousness are all very, very funny. and i do want to be able to enjoy them for the petty gestures they are, and joke about them, without constantly having to throw in a “but also this is bad.” so doing this initial disclaimer feels like a happy medium to me, where i’m not ignoring the complexity of the situation entirely, but i’m also conceding that it’s not necessarily meant to be taken seriously, and it’s ultimately written for the reader to enjoy. like, don’t get me wrong, most of the slavery stuff in this series has NOT been written for the reader’s enjoyment—the values here are very clear, especially in damen’s arc—but there are still some indulgent moments. and it is fiction. and these characters aren’t perfect, nor did they create the culture of the kingdoms that they’re about to rule. and they do ultimately change the things that they, and we the reader, know are wrong.

but just like with the garden scene, i can’t quite get myself to write “so it’s totally fine to just have fun with the whole slavery thing” as a conclusion. and honestly, i feel pretty okay about that hesitancy. when i make jokes about this subject in this specific context (laurent and isander), i don’t want it to be forgotten that the subject itself (slavery) is still entirely serious. so instead, i’ll say:

this is fun because manipulative petty lamen mind games are fun. this is hot because manipulative petty lamen mind games are hot. this is somewhat intended as a backhanded insult and display of moral superiority—laurent showing damen how awful he and his culture appear to non-slave owners—but that moral superiority ultimately falls short due to laurent’s hypocritical use of a slave to make damen jealous. all of those separate pieces of analysis are true to the overall experience of reading and interpreting these scenes. it’s a mixed bag, we know it’s a mixed bag, laurent knows it’s a mixed bag, and damen knows it’s a mixed bag. the only relevant person who doesn’t know it’s a mixed bag is isander, because he’s a slave and isn’t allowed to think for himself, and that fucking sucks.

Isander was olive-skinned and lithe as a fawn, with dark hair and eyes: Akielon colouring. He shared that with Nikandros; with Damen.

yeah i’m sure that’s just a coincidence

Male, either in deference to Veretian customs, or to suit Laurent’s assumed preferences.

akielon slave owners, trying to assess laurent’s preferences:

(can you tell my heart still isn’t fully in the humor here…)

Nikandros would never offer royalty anything less than a slave’s First Night.

god, the first night thing is fucked up. in general, i love the lack of like… uh… traditionally conservative (read: christian) attitudes about sex in capri, so the few similarities especially give me the ick. i haven’t read or annotated the erasmus short story yet, but i know it’s going to piss me off too. basically, the closer we get to the handmaid’s tale, the more i want to read complicit characters dying horrifically on the page. nikandros and the other akielons are skirting by for now with the plausible deniability they have re: fully understanding how slaves are trained, but they’re on thin fucking ice.

also, lighter side question, what’s the recommended reading order for the short stories?

sweet grace of a palace slave

gag

‘I like that one,’ said Laurent.

>:(

‘Slaves are trained in the arts of pleasure, but they do not lie with another until their First Night,’ Kolnas said. ‘Here we use the same strict, classical training that is used in the royal palace. Skills are learned through instruction, and practised with indirect methods. The slave remains wholly untouched, kept pure for the first use of the Exalted.’

imagine if real-life cultural customs were built around grooming a certain group of people to be sexually submissive and modest as a thinly-veiled way to control their sexuality and ensure that they are attached to dominant societal figures from a young age without the education or free will to consider themselves actual human beings, so they can unquestioningly spend their entire lives as sex machines and domestic servants defined entirely by their responsibility to the family, and then they die and their headstone identifies them by their status as a possession of their dominant partner. wouldn’t that be fucked up

‘I never did learn how to command a bed slave,’ said Laurent. ‘Teach me.’

guys i wish i could find this hot or funny but now i’m just mad about disturbing stuff in real life that i can’t analyze out of existence. i’m taking a break and eating a chocolate strawberry greek yogurt popsicle and then i’ll try to refocus on the funny toxic gay people

‘They cannot speak Veretian, Your Highness,’ Kolnas explained. ‘In the Akielon language, using the plain form of address is appropriate. To command any act of service is to honour a slave. The more personal the service, the greater the honour.’ ‘Really? Come here,’ said Laurent.

laurent go sit in the corner.

Laurent extended the tip of his boot. ‘Kiss it,’ he said. His eyes were on Damen.

god this is so good. i hate it so much.

to be fair, there is no way to do this that would be more effective than laurent using a slave. because, y’know, damen was his “slave.” it wouldn’t hit the same with some random non-slave guy. laurent wants to fuck with damen’s head, and part of that is making him miss something he most certainly should not be missing. laurent is also fucking with my head, because this gesture is so conflictingly wrong and compelling, a word which in this case means "something i’m embarrassed/ashamed to say that i find hot."

‘Good boy,’ said Laurent, reaching down to pet Isander’s dark curls, while Isander’s eyes closed and he flushed over.

(easy joke to make, but we’re all probably thinking it) damen:

(also, this being the only “good boy” in the entire series is just diabolical. but i get why it is, because i think it might not be the only one—and if it isn’t the only one, that means the regent says it at some point, and that’s exactly why it’s never used in a lamen sex scene.)

Kolnas preened, pleased that his selection was appreciated. Damen could see that the fort’s household around them was also pleased, having gone to great lengths to make Laurent feel welcome. They had considered with intense thoughtfulness Veretian culture and Veretian practices.

i sense some slight snarkiness here—not even from damen, but from the narrative itself. there’s palpable irony in the “great lengths” and “thoughtfulness” of akielions considering veretian culture while presenting laurent with slaves, all while veretian culture doesn’t have slavery.

It was pointless. There were two dozen slaves here, while the number of times Laurent had had sex in his life could probably be counted on one hand. Laurent was just going to be dragging twenty-four young men back to his rooms to sit around doing nothing. They wouldn’t even be able to unlace Veretian clothing.

according to damen:

this is stupid.

laurent is, in all ways but physical, a loser virgin.

he’s going to set out board games for those sex slaves. he’s going to throw them a pizza party. he’s going to answer emails the entire time.

they don’t even know how to unlace laurent’s clothing like i do.

this is stupid.

‘Can he also serve me in the baths?’ said Laurent.

CUNT.

‘And at the feast for the bannermen this evening when they give their pledge, if that pleases you, Your Highness,’ said Kolnas. ‘It pleases me,’ said Laurent.

damen is about to throw up on the floor

Cloth wound around his waist and over his shoulder, the sort of ceremonial Akielon garb that you could unreel from a person by taking hold of one end and pulling while they rotated.

looney toons-ass imagery

He could feel their discomfort, their need to debase themselves; this sort of proximity to royalty permitted only the extreme submissiveness of slaves.

thank you damen for being the only normal person here. you've come a long way.

“discomfort, their need to debase themselves” is something book 1 damen would have found adorable and charming. he definitely wouldn’t have worded it like this, back then.

“this sort of proximity to royalty permitted only the extreme submissiveness of slaves” building on the damen vs. kingship theme, he thinks he can’t have real love or intimacy or vulnerability if he’s a king. he can’t truly be paired with an equal, because he needs to be exalted.

He had sent away the slaves.

damen you’re the only one i’m not at mad at in this chapter. actually i liked the funny banner guy, we’re chill too. and isander is just trying his best

Laurent, he knew, was rooming in the adjoining suite, separated from him by a single wall. Damen was in the King’s chambers, which any lord who built a fort installed, in the hope the King would stop there. But even the former lord of Marlas’s optimism had not stretched to the idea that the heads of two royal families would visit simultaneously. To preserve their arrangements of scrupulous equality, Laurent was in the Queen’s chambers, beyond that wall.

i’m getting so much whiplash from this chapter like yeah this is funny and cute but also is the slavery stuff just normal to people like i’m aware the series started from a specific subculture and kink and body of literary work, so i guess i’m the weird one and the outsider here for being so distracted??

Isander was probably tending him, gamely doing his best with the laces. He would have to unhook the lacings on the back of the neck of Laurent’s riding leathers before drawing them through their eyelets. Or Laurent had taken Isander into the baths, to be undressed by him there. Isander would be flushed with pride at being chosen for the task. Attend me. Damen felt his hands curl into fists.

i don’t think i need to point out in a note, every single time, that damen being jealous of isander is funny and his possessiveness of laurent is hot. but i will still highlight the passages where it happens.

He turned his mind to political matters.

good call buddy, you and i are going to get through this chapter together

Men and women reclined on couches

(said apprehensively, given the overall themes of this chapter) ...women?

Makedon leaned, selecting a slice of peeled orange. Pallas, the handsome officer-champion, reclined with the easy posture that spoke to his aristocratic blood. Straton had hitched his skirts up and drawn his legs onto the couch, crossing them at the ankles. Everyone whom rank or office entitled to be here was assembled, and with every northerner of standing gathered to give their pledge, the hall was packed full. The Veretians present were mostly vertical, standing awkwardly in small groups, one or two perched gingerly on the edge of a seat.

There was no trumpet flourish or herald’s announcement, as there would have been in Vere.

okay i didn’t realize there was a trumpet flourish in vere. that is very funny in retrospect. a trumpet is not the instrument i’d choose to announce laurent’s arrival. in arles especially, i personally think that a halloween sfx cd would have been much more appropriate

Laurent didn’t rise. He wasn’t required to. He just watched from his reclining couch, as the hall prostrated itself. He had cultivated an elegant sprawl, with his arm draped over his couch back, and his leg drawn up, revealing the arc of an exquisitely clad thigh. His fingers dangled. Silk rucked around his knee.

laurent lean #14. kings leaning.

Isander was prostrated, an inch from Laurent’s casually draped fingertips, his lithe body bare. He wore a brief garment like a Vaskian man’s cloth. His collar fit him like a second skin. Laurent sat relaxed, every line of his body arranged tastefully against the couch. Damen made himself stroll forward through the silence. Their twin couches were next to each other. ‘Brother,’ Laurent said, pleasantly.

no comment

The eyes of everyone in the hall were on him. He felt their gazes, their underfed curiosity. He heard the murmurs—it really is him, Damianos, alive and here—accompanied by the brazen looks, looking at him, looking at the gold cuff on his wrist, looking at Laurent in his Veretian clothes like an exotic ornament—so that is the Veretian Prince. And beneath that the speculation that was never spoken aloud.

at least one akielon politics rpf truther is losing their mind rn. we have gaylor, this world has gaymianos

Laurent was scrupulously correct in the face of it, his behaviour immaculate, even his use of the slave was an act of unimpeachable etiquette. In Akielos it pleased the host for a guest to make use of his hospitality. And it pleased the Akielon people for their royal family to take slaves, a sign of virility and power, and a cause of great pride.

narrows my eyes

Barieus stepped forward. ‘I want assurances that Vere does not hold undue influence over Akielos.’ Undue influence. ‘Speak plainly.’ ‘They say the Prince of Vere is your lover.’

found the gaymianos truther

‘Who we take to our bed is not your concern.’

well i mean if you’re using the royal “we” to represent the kingdom, then yeah… it kinda is?

‘Shall I tell them what really happened between us? They want to know,’ Laurent said. Laurent began to unlace the cuff of his sleeve, drawing the ties through the eyelets, then opening the fabric to expose the fine underside of his wrist—and then the unmistakable gold of the slave cuff.

Laurent leaned his wrist elegantly on the curved arm of the couch, the open sleeve reminiscent of a delicate open shirt collar, its laces trailing. ‘Do I have the question clear?’ said Laurent, speaking in Akielon. ‘You are asking if I lay with the man who killed my own brother?’ Laurent wore the slave cuff with utter disregard. He had no owner, the aristocratic arrogance of his posture said that. Laurent had always possessed an essential quality of the untouchable. He cultivated a faultless grace on the reclining couch, his chiselled profile and marble-chip eyes those of a statue. The idea that he would let anyone fuck him was impossible.

and damen is so into it. love love love the contrast with the description of slaves in this chapter. damen doesn’t want them, he wants laurent. he sees laurent as a complete and compelling person. there is honor in laurent’s performative submission—wearing the cuff—because damen respects laurent’s personhood. but he’s no longer able to see the submission of slaves as honorable, because he knows they’re fucking slaves who have been robbed of their personhood entirely.

Barieus said, ‘A man would have to be ice-cold to sleep with his brother’s killer.’ ‘Then you have your answer,’ said Laurent. There was a silence, in which Laurent’s gaze held that of Barieus. ‘Yes, Exalted.’ Barieus bowed his head, and unconsciously used the Akielon Exalted, rather than the Veretian titles Highness or Majesty.

a vine boom echoed through the court

‘Well, Barieus?’ said Damen. Barieus knelt two steps before the dais. ‘I will pledge. I see that the Prince of Vere stands with you. It’s right that we swear to you here, on the site of your greatest victory.’

“he is simply too cunty for us to deny his authority.”

Slaves brought the food. Squires served Damen, since he had made his preferences clear. It was an awkward arrangement that displeased everyone in the hall.

YES DAMEN!

Isander was utterly in love with his master. He strove continuously to do well, selecting each delicacy for Laurent to sample, bringing him only the best, in small, shallow dishes, refreshing the water bowl for Laurent to clean his fingers. He did it all with perfect form, discreetly attentive, and never drawing attention to himself. His eyelashes drew attention to themselves. Damen made himself look elsewhere.

but that’s not real love, and damen knows it. laurent knows it too. and damen did it way better in nesson-elroy

Laurent said, ‘Play The Fall of Inachtos,’ and a murmur of approval passed over the hall. Kolnas, the Keeper of Slaves, congratulated Laurent on his knowledge of Akielon epics. ‘It’s one of your favourites, isn’t it?’ said Laurent, transferring his gaze to Damen.

diabolical. need this energy for the lamen divorce playlists (they each have their own)

He had always liked the depiction of Akielons cutting down their enemies, as Nisos rode out to kill Inachtos, and take his walled city. He didn’t want to hear it now.

yayyy character development

It was Loyse and not Guion that Jord was approaching. She gave him a cursory look. ‘Yes?’ There was an awkward pause. ‘I just wanted to say . . . that I’m sorry for your loss. Your son was a good fighter.’ ‘Thank you, soldier.’ She gave him the token attention a lady might give to any servant, and turned back to her conversation with her husband.

loyse hiiiiiii loyse (said with appropriate sadness for her current state of grief)

Jord gazed at him for a long moment, then indicated Laurent with his chin. ‘I’m glad you two are friends,’ said Jord.

jord always knows exactly when to show up and make ill-timed commentary on damen and laurent's relationship

‘I thought when he found out about you, he’d swear revenge,’ said Jord. ‘He knew all along,’ said Damen. ‘It’s good that you could trust each other,’ said Jord. And then: ‘I think before you came, he didn’t really trust anyone.’ Damen said, ‘He didn’t.’

also isn’t it like SUPER awkward for jord to be around guion and loyse right now

Isander was bringing Laurent a sprig of grapes in a small dish. Laurent said something approving, and gestured for Isander to join him on the reclining couch. Isander glowed, shyly besotted. As Damen watched, Isander picked a single grape from the sprig, and lifted it to Laurent’s lips. Laurent leaned in. He twined a finger around a curl of Isander’s hair and allowed himself to be fed, grape by grape, a prince with a new favourite.

damen is about to start scratching the walls like a cat confronted with a closed door

He lifted the wine blindly. The cup was empty. Straton wasn’t the only Akielon departing with a slave; men and women throughout the hall were availing themselves. The wine, and the slaves enacting the battle were breaking down inhibitions. Akielon voices grew loud, emboldened by wine.

between the heavy drinking and sex practices, the akielon court actually sounds like my living hell. and we haven’t even gotten to the naked sports chapter yet

Laurent leaned in further to murmur something intimately into Isander’s ear, and then, as the recitation reached its climax, the clash of swords like the hammering in his chest, Damen saw Laurent tap Isander’s shoulder, and rise. I’d wager you never thought a prince could be jealous of a slave. At this moment I’d trade places with you in a heartbeat. Torveld’s words. He said, ‘Excuse me.’

The entire court around him rose as he pushed up from his couch-throne.

“couch-throne”

Trying to follow Laurent out, he got tangled in ceremony, the hall a stifling press of bodies and noise, and, as a blond head disappeared towards the doorway, he was stopped by party after party blocking his path.

okay i’m so curious what he’s meaning to do when he catches up to laurent. yell at him? yell at isander? throw up?

He ought to have brought a slave of his own, then the crowd would have melted away, understanding: the King wished privacy.

i am begging the protagonists of this book to stop using human people as objects. again maybe that’s just a me problem, this isn’t my usual genre and the akielon slavery system clearly doesn’t align with my kink sensibilities, but COME ON

The corridor was empty when he strode out into it. His heart was pounding. He turned the first corner into a section of the passage, half expecting to catch Laurent’s retreating figure. Instead, he saw a stark, empty arch with all its Veretian lattice stripped away. Under the arch was Isander, standing with his fawn eyes, looking confused and abandoned. His confusion was such that for a moment he just stared at Damen with wide eyes before he seemed to understand what was happening, and folded to the floor, forehead to the stone. Damen said, ‘Where is he?’ Isander was well trained, even if nothing was happening as he had expected tonight; and even if, rather mortifyingly, he was being asked to report this fact to his King. ‘His Highness of Vere has gone for a ride.’

well at least if “going on a ride” is laurent code for “feeling morally and emotionally troubled,” that’s… less disappointing, i guess.

also, i do realize that this is the place where laurent’s brother was killed, currently taken over by the nation that orchestrated and benefitted from his death. so there’s probably a twisted vindication in learning exactly how fucked up their culture is (asking about the first night, etc), and getting whatever kind of enjoyment out of the whole situation he can (pissing off damen). but there still had to be a crash, and as soon as laurent was excused from his duties he dipped to deal with it alone.

‘At the stables a handler might know his destination. This slave can inquire.’

i caaaaaan’t stand the way they’re denied use of personal pronouns

Closer; the approach was difficult because it was sharp with memory. Here was the place where their left flank had fallen. Here was the place where he had ordered men to attack the lines that would not fall, the starburst banner that did not falter. Here was the place where he had killed the last of the Prince’s Guard, and come face to face with Auguste. He dismounted from his horse, looping its reins over the cracked stone column of an overgrown pillar. The landscape was old, and the pieces of stone were old; and he remembered this place, remembered the torn soil and the desperation of the fight. Clearing a last jut of stone, he saw the curve of a shoulder in the moonlight, the white of a loose shirt, his outer garments stripped, all wrists and exposed throat. Laurent was sitting on a stone outcrop. His jacket was discarded uncharacteristically. He was sitting on it.

this is a beautifully set scene.

A stone slid under his heel. Laurent turned. For a moment, Laurent looked at him wide-eyed, young, and then the look in his eyes changed, as though the universe had fulfilled an ineluctable promise. ‘Oh,’ he said, ‘perfect.’

a moment of surprise and vulnerability, and then practiced cool again. onto Some More Bullshit, i guess

this isn’t the chapter to really tackle this, but i will eventually write a long essay about how laurent goes through his own mini character growth arc, completely off the page, during the lamen divorce era. it’s just that damen has custody of the reader, so we don’t get to see it—only hints, like this moment here. laurent must have had a lot on his mind, too, ever since their last heated conversation. i have some ideas about what that “a lot” might be, but again, i don’t think i’ve gotten quite enough from laurent yet to really start forming a conclusion.

Damen said, ‘I thought you might want—’ ‘Want?’ ‘A friend,’ said Damen. He used Jord’s word. His chest felt tight. ‘If you’d prefer me to leave, I will.’ ‘Why cavil?’ said Laurent. ‘Let’s fuck.’

ON YOUR BROTHER’S FIGURATIVE GRAVE WITH HIS MURDERER????

‘That isn’t what I meant.’ ‘It might not be what you meant, but it’s what you want.’ Laurent said, ‘You want to fuck me.’ Anyone else would have been drunk. Laurent was dangerously sober.

yeah, no, he’s definitely being going through Some Shit on his own. lots of self-loathing, especially due to the fact that he can’t hate damen as much as he knows he should. yearning, more self-loathing because of that yearning. companionship withdrawals, a return to isolation. a revived sense of grief for his brother, and nicaise, and damen (not damianos) and even his relationship with his uncle, who he hadn’t thought would be capable of trying to kill him. hating himself and blaming himself and regretting things he’s done to push people away. just an all-around bad time, but a necessary time of reflection that he needs to experience on his own. damen can’t just swoop in and fix laurent, laurent has to decide that he’s worth saving first. he’s not there yet, clearly, assuming that damen only wants him as a sexual object. whiiiiich was probably why he went so hard on the eroticism with isander easlier, it was an easy victory to get damen hot and bothered. a game he could win, among the many other games he knows he’s losing—especially the ones against himself.

i’ll put together something more coherent before the divorce era ends. tbh, i kinda think this scene should have been a separate chapter, because there is some pretty massive whiplash here. although maybe not, maybe the buildup of emotional and sexual tension was the point. yeah, it was. the slavery stuff just made it more frustrating to read. never mind.

‘You’ve been thinking about it since Ravenel. Since Nesson.’ He knew this mood. He should have expected it. He made himself say the words. ‘I came because I thought you might want to talk.’ ‘Not particularly.’

it almost sounds like laurent played himself, for the millionth time, by getting himself worked up with isander when he just really wanted damen

He said, ‘About your brother.’ ‘I never fucked my brother,’ said Laurent, with a strange edge to the words. ‘That is incest.’ They were standing in the place where his brother had died. With a disorientating sensation Damen realised they weren’t going to talk about that. They were going to talk about this.

"yes, honey..."

‘You’re right,’ said Damen. ‘I’ve been thinking about it since Ravenel. I haven’t been able to stop thinking about it.’ ‘Why?’ said Laurent. ‘Was I that good?’ ‘No. You fucked like a virgin,’ said Damen,

deserved

‘half the time. The rest of the time—’ ‘Like I knew what to do?’ ‘Like you knew what you were used to.’ He saw the words impact. Laurent swayed, like he’d been dealt a blow. Laurent said, ‘I’m not certain I can take your particular brand of honesty just at the moment.’

oh well this is particularly horrifying with [redacted] context. also i think the quote “i’m not certain i can take your particular brand of honesty just at the moment” says A LOT about how laurent has always viewed damen, for better or for worse. laurent can count on damen to tell him what he needs to hear, not what he wants to hear. so it makes sense that he’s been avoiding damen lately, because laurent is going through his own crisis of personal reflection

Damen said, ‘I don’t prefer sophistication in bed, if you were wondering.’ ‘That’s right,’ said Laurent. ‘You like it simple.’ All the breath left his throat. He stood, stripped, unready for it. Will you use even that against me? he wanted to say, and didn’t. Laurent’s breathing was shallow too, holding his ground.

is “that” just laurent making fun of the way damen is earnest in bed? seems like an overreaction from damen if that's the case, so it’s probably something else i’m missing. maybe laurent is accusing damen of keeping the secret of his identity, even when they fucked, to make things simpler between them? that would support my previous theory that laurent is convinced that damen wouldn’t want him how he really is, as damen really is, with all the complications between them. or it’s a dig about auguste somehow, and i just can’t figure out how it connects.

‘He died well,’ Damen made himself say. ‘He fought better than any man I’ve known. It was a fair fight, and he felt no pain. The end was quick.’

like i said—what laurent needs to hear, not what he wants to hear. even if damen thinks that it’s going to make laurent hate him more, he still has the integrity to say it.

‘You sent your men out to look for me too?’ said Laurent, his mouth twisting. ‘No,’ said Damen, and pushed Laurent hard out of sight, into the shelter of one of the huge, crumbling blocks of stone. In the next second, the troop was on them, at least two hundred men, so that the air was thick with the passage of horses. Damen pressed Laurent firmly into the rock, and held him in place with his body. The riders didn’t slow, even on this uncertain ground in the dark, and any man in their path would be trampled, tumbled, kicked from hoof to hoof. Discovery was a real threat, the rock cool under his palms, the dark shuddering with the pounding of hooves and heavy lethal horseflesh. He could feel Laurent against him, the barely contained tension, adrenalin mixed with his dislike of the proximity, the urge in him to prise himself out and away, stifled by necessity.

throwback <3 i think this is very intentionally placed in this conversation, as a reminder that they are the same people they were in prince’s gambit

‘I know you’re not cold,’ said Damen. ‘You weren’t cold when you ordered me tied to the post. You weren’t cold when you pushed me down on your bed.’

more true things laurent does not want to hear right now! also i like the use of warmth, as the opposite of cold, to signify both vengeful rage and romantic/sexual passion. two sides of the same coin

‘A fair fight?’ said Laurent, turning back to him. ‘No fight’s ever fair. Someone’s always stronger.’

rewinding to their previous argument. aren’t they both tired? i’m tired.

[artemispanthar]

I've been into podcasts lately so I'm curious what podcasts you guys like and if anyone has any recommendations for podcasts. I like ones where you don't have to listen to every episode, you can just pick up ones that sound interesting or maybe ones where a story is told over 2 or 3 episodes. Preferably not ones with a continuous story over dozens of episodes or something you need to keep up on. I like both fiction and non-fiction. I especially like anything horror themed. However I'm open to whatever.

Also if you have something that doesn't fit my criteria but you want to recommend anyway it 'cause you love it, please feel free.

[nadiajustbe]

Fan fact: Howl's Moving Castle book is an official part of the Ukrainian school curriculum of foreign literature! We study it in the seventh grade (from 11 or 12, depending on the year you started school), in the section of modern literature, with excerpts from the novel.

We were recommended to read the full text, so that's what I did, at the age about 13, still probably my fav school reads of all time. So say thanks to Ukrainian curriculum, it probably had made a bunch of HMC fans!

[thecoffeelovingfreak]

𝒔𝒐𝒘 𝒂 𝒔𝒆𝒆𝒅 𝒐𝒇 𝒎𝒆𝒎𝒐𝒓𝒚

sequel to eyes of the ranger

pairing: boothill x gn!ex-undertaker!reader

genres: western!au, angst, domestic fluff, bits of hurt/comfort

word count: 8.6k

warnings: spoilers for boothill's backstory, death, heavy angst, explorations of grief, gun violence, blood, implied suicidal thoughts, unhealthy coping mechanisms

notes: I've only seen the bare minimum of his story leaks, and they've been spinning around my head ever since. Some details of the timeline might be tweaked, or imagined/added, but that's just for the au. Still, please enjoy this sequel, and what more I've added to this world! Here's some flowers again :) 💐

Read it on ao3!

~~~

Candles cast their glow brightly across wood panels as you hummed a lilting melody. Hands played with your hair, tugging on the strands to draw your attention away from the swirling pot of stew.

“Papa?"

"He'll be back soon, sweetie."

Your daughter shifted on your arm as you placed the spoon back in its resting spot. Her head fell against your shoulder, no doubt growing bored as crackles of fire echoed across the cabin.

You resumed the tune, bouncing slightly from side to side. She perked up once more as you took her hand over your first two fingers, thumb covering its small size. Her eyes began to crinkle as her first few teeth were revealed by a smile. She always loved dancing and music, likely because of her "silly papa".

When he left for town in the afternoon, he tripped over the porch's last step – on purpose, you suspected. She quickly laughed from where she sat with you in the rocking chair, calling him the nickname as he straightened up again. In just a couple strides he was back in front of you, fingertip meeting her nose before she swatted at him. He chuckled, leaving another kiss on both of your foreheads and embarking again.

As you gently spun, her gaze drifted to the window. She lit up, brighter than any heavenly body, and pointed to the door.

"Papa! Papa!"

The sound of approaching hooves met your ears softly, leading you to peer through the glass panes. Unfortunately, your vision was greeted by the furthest people from Boothill.

The National Hunter's Agency had grown to infamy everywhere you went. They had been given many pardons, and bought off plenty of sheriffs and their higher-ups to be able to operate as they pleased in numerous states. It seems now, after two years, they had caught wind of your bounty and wanted to cash in.

You carefully set her down on the floor, hands staying at her sides in case she lost balance. With some support, you walked her to your shared bedroom, guiding her to hide in your shaker wardrobe.

An anxious hand rotated the knob on the front door, leaving you face to face with a row of five men. Two in suits at the center, and three dressed more rugged at their side.

"Good evening." one greeted, smoke flowing from his mouth. "I assume you know why we're here."

The reverberations of your boots ceased before the steps as you stared at the lineup. "Naturally."

He hummed, throwing the remains of his cigarette to the dirt.

The agent at his right spoke up, "Why don't you walk down here, then."

“Isn’t it your job to capture me?”

“Continue resisting and you don’t have to be the only one we take.”

Your resolution faltered, and the hunters closed in. “I’m afraid I don’t know what you’re talkin’ about.”

“Are you sure?”

Glass shattered behind you, followed by heavy thumping. Tendrils of dread inched in, their freeze creeping over your bones.

“Step down.”

Despite every instinct screaming for you to move, to follow their commands, denial and fear kept you in place.

“You’ve got about one minute before we force you to.”

A glaze fell over your surroundings, the situation tumbling to the wayside as your thoughts and blood rushed in unison. It was five against one, and each of them were armed – you were not. They had more information than they were letting on. Someone was searching the cabin for your daughter, likely their sixth. She would be weaponized if she was caught, stuck in the crossfire of your bounty.

Was there a way out of this? To prevent what seemed increasingly inevitable?

Well, yes. You could give yourself up.

But there was no guarantee of her safety afterward, or that you would remain alive.

Still, you and Boothill had made a promise when you first took her in, just one year ago. If danger ever presented itself, you would lay down your lives to protect her.

One of the hunters drew his pistol as your boot hit the first step.

Another dismounted, his dirtied white shirt twisting, then straightening once more as he approached you. A rough grip captured your arms, dragging them behind your back. Something hard hit the ground at your right, a rope thrown by one of his partners. It was wrapped and tied around your wrists, the friction beginning to cast a light burning sensation over the skin.

A foot met the back of your knees as he tightened the restraints, dust rising at the impact. One of the agents joined you, the scent of smoke lingering on his fingers as he brought your head up to meet his eyes. They returned to his side a moment later as his gaze turned to the cabin.

A hunter had your little girl in his grasp, her steps short, frightened, and struggling as she was led down the stairs. She looked at you, searching for answers or what to do.

The saddled agent’s voice sounded from behind, “The NHA seeks to rid these ranges of their impurities. When you wish to uproot an evil such as yourself, no trace must remain.”

He gestured toward the four hunters, and his fellow agent disappeared from your view.

Then the brutality they were known for reared its unforgettable head.

The low flat heel of a dress shoe met your back, staying there as you writhed on the ground, watching up at your daughter.

A metallic barrel crept to the rear of her head.

The tendrils of dread became horrible claws, sinking into every organ and twisting.

Warm ruby droplets cascaded over pale brown and flesh, as the shot’s echo dulled your senses and her body crumbled to the ground.

The claws dug open a void as a defeated cry exit your lips. You were released from under the agent’s foot, flipped over to stare at the cloud-stricken dusk. Voices yelled around you, the words fading into one persistent cacophony. A hand pressed itself down onto your shoulder, before a pain blossomed in the other. A rugged face peered down at you, contempt rising in their features. A new flower of sharp ache grew in your left thigh, tears finally stinging at your eyes.

A fresh splattering of blood flowed over your face, shocking you out of despair. Their body went limp over yours, and you quickly brushed them to the side. Now free from the hunter’s reach, you sunk your hands into the dirt beside you, slowly turning yourself back to your stomach. The hilt of a knife hit the ground as you did so, veins coming alight with panic from its twist in your wound.

Despite every injury, you only had one focus – to see your daughter one last time.

Sharp gravel digged uncomfortably underneath your legs as your restrained hands inched forward. Blood thrummed in your ears, yet the unmistakable sound of gunshots broke through. Within a matter of seconds someone rushed to your crawling form. They called for you, voice breaking at the scene as a hand brushed through your hair.

“Darlin’?”

Your head rose at every emotion kept within that one word, asked by a husky voice you could find in any darkness. Anguish cast itself over his face when he finally saw what you were headed toward. He sank to his knees next to you, a wrecked sob reaching into the evening only to be greeted by no comfort.

Reluctantly, you gazed at your daughter’s corpse, journeying silently past Boothill to finally touch her.

A sticky scarlet liquid mocked you, revealing your sorrow-stricken features coated in its kind within the pool. Your fingers rose to her, a warmth lingering below as she was turned. You summoned any last inkling of strength you had, smiling down to her and speaking softly.

“You were my pride and joy, sweetheart. I’ve had no greater honor than being your parent.”

You leaned down, a soft kiss landing on her forehead before you cried a chant of apologies. When any words you could conjure finally entered oblivion, your eyes looked back to Boothill. He hadn’t moved an inch, rendered paralyzed by the gravity of what he arrived home to. It seemed as though he had been ripped apart, every wire inside of him fraying.

This was your fault, and you were sure he knew that too.

Regret became a well in your heart, rising from the depths and overflowing onto its dying grass. Your head ached, thoughts swirling until each one sinked in grief’s whirlpool. In resignation, you lie beside her, holding her chilled hands between your fingers. If you closed your eyes, you could still see her smile as you danced making dinner.

It would feel best if you never opened them again, but you couldn’t leave Boothill to carry this weight alone. He didn’t deserve such a fate.

A hand swiped over your stained cheek, drawing you back to miserable reality. Tears descended from silver, embers kindling beneath their despair. You lifted your hands from hers, closing her lifeless eyes. Boothill’s hat rested at his chest, head downturned from where he knelt.

Together, you mourned.

—

PART I - Fatherhood And Other Dreams

"Papa! The moo-moos!"

"I see them!" Boothill chuckled, watching a finger point at their pasture.

Rena wriggled against his side, wanting to move closer to them. He complied, jogging to the wooden fence as she smiled.

Her small hands reached past the log fence, petting along one of the cow's heads as it grazed. She had such an affinity for the animals here, something you always joked she got from him.

Every morning like clockwork, she would point them out, longing to go and sit with them for a while. He would join her, occasionally teaching her things about their diets or hair as she would get close and stare into their big brown eyes.

Today she angled back against his leg and smiled at her altered reflection in them, before you tousled her growing hair. He hadn’t heard you approach, too absorbed in the scene to hear your boots kick up dust. His hand rose to rub against the back of your neck as you leaned into him, sipping on your mug of black coffee.

He had noticed your odd positioning on the pillow, no doubt leaving you with some pains when you woke. Quiet snores filled the room; something he would laugh with Rena about, her high-pitched giggles overtaking the silence of the night as her hands pat against your cheeks. Your light snoring would cease, and your face would scrunch up at the unexpected disturbance before you recognized the poking of your daughter. He watched as you tickled the side of her neck, placing a hand on her back when she fell on your chest and wiggled around in joy.

He’s never felt more love than in those little moments, witnessing his entire world as two shining stars amidst the murky midnight.

“In!”

“Brush first?”

“Yeah!”

He was brought back to you after a quick shake of his head, two gazes of the same color waiting for him. One enthusiastic, the other fond and patient as he bent down to pick up Rena. She played with his low braided hair, pulling a few small strands free. You ventured to the stables, likely fetching a brush that she had dropped on one of the chairs yesterday.

The grass was fresh with dew, shining under the morning rays. He opened the gate with ease, feeling a breeze run over his cheeks as he shut it behind him. The pasture was wide, yet filled with only ten cows. Each one would be brushed daily by Rena, starting with one patterned in brown and white. It was an activity she had adored since the first time you had brought her out to help just a couple months ago. Seeing how much she enjoyed it, he joined the two of you only a week later.

You came to his side, handing the brush over to her as you sipped on your coffee. He gestured at you with his chin as bristles met little hairs. With a smile, you turned the mug in his direction, a warm and bitter liquid flowing over his tongue.

A gentle laugh left your lips when the cow’s head moved, rising up into the brush and slightly twisting into it. Rena turned to you, beaming as she moved the brush to another spot. The cow reacted in turn, and you laughed again.

~

The wood ceiling of the barn came into view as Boothill’s head was tugged backward. A light chuckle echoed through the space, falling in time with the noon bird's chirp. His hat tumbled to the hay and dust riddled floor, yet it didn’t remain for long. Little hands left the ends of his hair, snatching the hat instead. He watched, bale in hand, as you scooped up Rena. In a swift motion, you placed his hat on her head, one arm wrapped around your neck and the other reaching for the large brim.

The bale crashed onto the floor, beginning a new stack by one of the stables. The sound brought Rena's attention to him, her head tilting backward to spot him from underneath the hat.

“Like papa!”

“You wanna be like him?"

"Yeah!"

"Then we're gonna have a lot to teach you."

He grinned, the brightness of the sun’s rays and his daughter’s admiration seeping into his smile. With her now distracted by one of the horses, he wrapped an arm around your waist, leaving a kiss on your lips before continuing his work.

~

The orange and golden rays of sunset beckoned your gaze to the large window overlooking the front porch. Rena slept peacefully on your chest, a combination of a full stomach and boredom likely the cause. You brought the book in your right hand to the other supporting her, flipping the page carefully.

The slow thumping of boots echoed through the door, prompting Rena to stir. She had always been a light sleeper, though she didn't always fully awaken. It seemed that this evening she would, leaning backward into your hand as the door opened. Boothill's figure emerged, lit by the bright horizon. She shuffled as her eyes opened to meet his, slowly laying further backward against your hand. Letting the leather-bound book fall from your lap, you wrapped both hands around her. She whined, leading one of your brows to raise.

Boothill inched closer, stopping at the edge of the rug in your little living area. You set Rena down, your hands staying at her sides. She watched the floor intently, gaze shifting between it and her papa. Quickly you picked up on her intentions, standing behind her and holding her hands just above her head.

Her foot moved forward slightly, and excitement blossomed on both your and Boothill's faces. He knelt down, holding his arms out for her. Feeling encouraged, she moved faster, taking her first few steps with your support. When she finally reached her papa, he lifted her up, cheering at her along with you. She beamed, her feet kicking back and forth in the air as she giggled.

~

The stars twinkled in the growing twilight, contrasting with the auburn and violet hues on the horizon. Cool grass stood between your fingers, the tranquility of the coming night bleeding into your spirit. The hill provided a lovely view of the valley below as crickets began to chirp. A thin herd of deer moved like whispers just a few feet before you.

One startled in your direction, the sound of Rena picking at strings increasing its paranoia. She was transfixed by the instrument, plucking as she sat in Boothill’s lap. His affectionate gaze watched down at her, adjusting the blanket over her legs.

There were many nights over the past few days you would wake to find Boothill absent from your bed. Rena would stir at your side, face scrunching further into the pillow as she murmured. After returning her stuffed bear from the other side of the bed, you would walk to find him at the kitchen table. The fire lit various scenes; some filled with brushes and varnish, others with whittling tools and etched knobs. Sometimes he would be passed out against the table, shavings coating his cheek. He wanted to complete the gift as soon as possible, his wish of sharing and passing on melodies and lyrics from his life fueling his craft.

Feeling fingers brush through his hair, Boothill would awaken to your soft gaze. Wordlessly you wiped his cheek, taking his hand in yours and bringing him to bed.

Gentle singing met your ears, skilled strumming of a guitar accompanying it. One large hand shifted up and down the strings, holding, shaking, and lifting to change the tune. The other encased one of Rena’s guiding her through the song.

The sun completed its descent underneath the horizon, and the herd of deer found their way back into the forest. Hints of light hung in the sky, now joined by colors of dandelions and the deep sea. The high-pitched babbling of your daughter chimed in during certain sections, forming a heart-warming duet. With your head on Boothill’s shoulder, you hummed along.

—

The town of Iris Creek was blissful, wilted blossoms gathering on the path's edges from the growing heat. The watery flow of its namesake echoed through the grand trees, calming your mind as you approached with Boothill at your side. After your most recent hunt, a week of rest was well-deserved.

Leaning down, you let the velvety liquid rush between your fingers. Its chill permeated your flesh, a content smile on your face as Boothill toyed with your hair.

“I enjoy seeing you this way.” he whispered, staring at you lovingly.

You turned, removing your hand from the water and laying back on the grass.

“At ease?” you questioned.

He nodded, resting down beside you, hat on his chest. You brushed aside his lengthening bangs, turning the strands together before running a thumb over his cheek.

He leaned into your touch as you asked, “Do you watch me sleep then?”

Embarrassed, his face angled toward the ground.

“Gettin’ shy on me, cowboy?”

He gave no response, simply meeting your eyes with a tender silver. Your lips met his cheek, feeling the bashful warmth gracing his features.

“I like it.” you spoke softly in his ear, leaving a little bite along the lobe.

One hand came up to your waist, holding tightly as your focus shifted to his neck. The other fell into your hair, gripping after a bold lick to the revealed skin.

“Can’t help but be at your mercy, sugar.”

“Such a charmer.”

“Around someone like you, it’s only natural.”

A nibble at the edge of his jaw led his fingers to rub underneath your shirt.

“What do you mean by that?”

“Well, look at you. One conversation and I was hooked.”

“All it took was one challenge for you to love me?” you chuckled.

“Sugar, all it took was one glance.”

A cry reverberated down the creek as you finally kissed Boothill’s lips. It was panicked and small, drawing you almost entirely from the moment.

Pushing off of his chest, you sat up to survey your surroundings. Boothill rubbed your thigh, looking at you curiously. Just a minute later the two of you stood, spotting a tarnished cloth amongst the bank’s brush.

“Do you see that?”

He followed your gaze, walking ahead of you only to kneel down and lift the sullied fabric. His eyes widened as he beckoned you over. The crying intensified, a tiny head turning from side to side.

A baby.

Boothill was the first to move, cradling them gently in his arms. You brought a finger to their grabbing hands, brushing another one over their forehead.

“What should we do?” you wondered aloud.

“Take them in?” he uttered.

“Are we ready for that, though? We’re wanted criminals, Boothill. That’s no life for a child.”

“Then we settle down.”

“There’s still no guarantee we won’t be hunted or ambushed.”

Your hands fell back to your side, unsure eyes watching the gears turn in his mind.

“We would be their parents, together we can take anybody. Lay down our lives if necessary. We could find somewhere more isolated, maybe even further out of this state. Teach them some of our methods as they get older.”

A heavy sigh left your lungs, the weight of dozens of questions slowly dissipating. There were many details to discuss and new plans to craft. Nonetheless, your head landed on Boothill’s shoulder, two adoring gazes on your child.

~

Butter-colored rays bore through the train car’s windows, wide mountains of tan rock and green bushes waiting outside. A bundle of blankets lay in your arms, encasing your daughter in comfort and warmth.

Boothill had left for them not long after you brought her back to the hotel, returning worriedly with them in hand. They were soft and luscious, leading you to wonder who he had stolen them from. “Only the best for our little girl” – it wasn’t just a statement but a promise.

Another was sworn that evening, your daughter finally clean and sleeping in your arms. Boothill rest behind you in the bed, shielding your small family from any danger while wrapping you in care.

“What should we name her?” he asked quietly, warm breath fanning over your neck.

You pondered silently, letting your head lay on his shoulder. “How about Rena?”

He hummed, a thick finger running over her forehead. “From that play of Effie's, right?”

“I think her story was admirable. Live freely, out on your own road, never waste your time with what you can’t change.”

“Now I like the ring of that.”

“See?” you smiled, a teasing slant to it. “When I wrote to her a few days ago she added in a thought or two about the characters. She said Rena also meant melody, at least according to what she could find in Thatcher's library.”

“Then it's settled.”

His chin landed in the crook of your neck as he simply watched her be, absorbed in thoughts of the future. It wasn’t until she stirred, eyes opening and hands seeking, that you witnessed him take on a gentleness formerly reserved for only you.

His eyes began to water as she held his finger close, staring up in his direction yet unable to pin him down. When she finally did, he sat like a spooked deer, only releasing a low, happy chuckle after your own.

A cough down the car broke you from idle reminiscence. Boothill read a crinkled paper, the letter sent from the ranch you were seeking out. He had come back one evening with the result after days of asking around. Down near Iron Springs, there was someone with plenty of land – could provide decent wages and a cabin to stay in. A suitable place to settle down, with much for Rena to learn and experience.

Taking his cheek between your empty fingers, you pinched and watched him grumble. Despite your lifestyle, you could only hope that this would be a lovely and safe life for her.

—

PART II - A Luminous Star, Ephemeral

Murky skies cried chilling droplets, harshly soaking your bloodstained shirt. The evening had to be setting in, but any hope of seeing the sun finally fade had long since dissipated with the storm’s onslaught. A frayed splinter dug into your palm, the weight of the shovel increasing as the hole in the ground deepened. The dirt was malleable, easy to unearth and pile up.

Many graves were dug by your hand, and you prayed this would be the last.

Boothill wept only a few feet away, Rena’s corpse in his arms underneath a sturdy tree. Ashamed, your gaze fell back to the emptying plot.

Heavy throbbing found its home along your left side, yet still, you had to dig. The pain was deserved – a punishment that fit your crime. Crusting edges tug and bent at the surrounding skin, the quickly cauterized wounds only growing more irritated by the rainwater.

Trickles of pink traversed down your cheeks, blood washing away slowly with your tears. Leaning on the shovel, your eyes rose from the ground. A strong and steady breeze cast the rain in sheets, carving figures in the mist. Discerning who they were was useless, you could remember them anywhere.

Your father, the Weston family, and your daughter.

The mud and soil coating your fingers shifted to a deep scarlet, beads falling from their tips and hitting your boots. Trees morphed into tombstones, and you found yourself paralyzed. Mr. Whitfield’s gravelly voice rang in your ears, drowning out any natural melodies.

“Dearly beloved, we are gathered here today to mourn a pure soul, lost too soon. Rena Blackwell was an adored child, and she will continue to be so in our thoughts, and all the way to the depths of our hearts. Her smile could dispel any darkness, and her curiosity persisted to the ends of the earth. Her fascinations lie with animals and music, her greatest friends a pony and her papa’s guitar. May she find eternal peace amidst these mountains and plains, their windy song carrying her gently to the hereafter.”

Lightning crackled across the sky, an omen of your judgment day. Boothill’s shadowed figure stand illuminated by the last ounce of daylight breaking from the clouds. Rena lay delicately in the grave, eyes closed and hands folded, his hat just beneath their union. Wordlessly he took the shovel, leaving you to kneel at her side as dirt cascaded over her corpse.

Stars found their stages in the wisp-struck night sky, their beaming light mocking. If they were tangible to Earth, you would have left plenty of rounds in them. Mourning was an act displayed to you since childhood, but it never came easily. Perhaps that was part of the point. Loss would never be simple, and humanity is far too complex to handle it so. Death was an odd thing, and despite working so intimately with the inevitable specter, it had yet to reveal every one of its forms.

Every body you would prepare never revealed its secrets. No amount of soap and water could cleanse it's invasiveness. No number of incisions and blood drained could release the agony. The fluids injected could not provide life, and clothes would only emulate. Death was permanent, and excruciating to all.

You could shoot a man without hesitation, but being along the receiving end of that cruelty, you could only resign yourself to regret. You killed bad men, yet they still had lives. Friends and family they found or created.

The grating sound of a knife on wood reached your ears, breaking into your thoughts. Boothill sat opposite to you, a neat piece of bark in his hands. Raging thunder rolled, sending a chill down your spine. Paranoia created the shattering sense that you would be reunited with Rena by dawn. Either by your own hands or someone else’s; perhaps the heavens would shoot back, sanctioned by some higher force that heard your monologue.

You watched him work, one tainted hand of yours rubbing back and forth over the dirt housing your daughter. His actions soon faded to oblivion as the song of the storm played on.

When a new bolt of lightning crashed, you became privy to her tombstone.

Rena Blackwell

Beloved star

1892 - 1892

Boothill stood, utterly dejected and tear-stained, before extending a hand down to you. His head met your shoulder once you rose, and one of your hands reached his hair. Strength was needed of you, not misery. The only comfort you received was a fact – no harm would befall you in Boothill’s arms, unless he pointed the gun at you instead.

—

Cheers ascended from under the floorboards, filling your pitch-black room with taunting joy. Your eyes remained on the ceiling, hands at your sides as you lay still – attempting to sink into the hard mattress while the hurricane to your left continued. It was the sixth night ending like this. Boothill had yet to find slumber, his journey to it only filled with suffering. He never reached out, always keeping his back to you and his face toward the pillow.

Despite the stinging urge to run your fingers through his hair, not once could you ever. Conflicting instincts wanting nothing more than to soothe him, but craving an escape.

You rubbed your eyes, throwing the sheet off of your body. The night chill creeped in, the sensation a welcome dissipation for your tenseness. A sniff echoed before a heavy sigh, and not even a moment later the bed resumed its light shaking. Stomps came in unison from the bar below, startling you to jump. With a worn exhale you sat up, feet touching the rough floor. In just a couple quick movements, you were dressed well and ready to face the ruckus below.

A saddened silver gaze finally revealed itself in the sliver of light from the doorway, but yours focused only on the ground, afraid to face him.

Instead, you would find solace in a bartender’s hands, the liquor he poured leaving a delightful blaze in your throat – easing the pain one sip at a time. It was only now you could understand why Isaiah Weston made the choices he did. Too cowardly to navigate his emotions, much less his son’s. The vulnerability intimidating, and any words gone with the wind. A weight too heavy to hold, but various fears preventing you from ever sharing it.

Getting lost in the bottle was a romantic escape, then, even if you would come to regret it. That blossomed the vicious cycle, when your method of coping only added more guilt – defeating the purpose of this night to begin with.

A hand placed itself on your shoulder, bringing your gaze from empty shot glasses to a familiarly styled head of black hair. Tears rapidly welled in your eyes, spirit feeling despondent when their hand returned to the counter.

“Jasper?” you whispered, feeble hope fueling your delusion.

They shook their head at you, “I’m afraid that’s not my name.”

“My apologies.” you nodded, downing another round as they began talking to the bartender.

He was dead, the first to meet the end of your revolver. There was no place to find him besides six feet under, at the very cemetery you first met.

Perhaps a visit to Fort Talia was what you needed. It had been four or five years since you left that fateful night with Boothill, never to look back. Although now, after everything, maybe looking back is the right thing to do. Return to, and learn from the past in order to glance forward. Walk the deck of the funeral parlor, stop by your old house. Finally speak to your mother again.

It was decided. Talk to Boothill come morning and see if he would join you.

—

Bright noon rays lit up the dusty buildings of Fort Talia, its peaceful people walking past Boothill with nods and greetings. Under any other circumstance he would respond, however words failed him now. The brim of his new hat hung low, obscuring his features and providing a bit of comfort. The less others saw of him the better.

He was fractured, too many pieces scattered across the range for him to find. Conversation would not come easy when he could hardly even handle a talk with himself. Your hotel rooms had become suffocating as of late. Silence reigning and gazes only ever in opposing directions. It was cold – a sensation Boothill had become unfamiliar with after all these years. That only served to make your icy temperament feel like a burning hell. No words exit your lips, eyes focused out of windows, on the ceiling or the floor. It was unbearable, the shunning that leaked from your figure.

What had he done to make you feel so? Was he even to blame?

Silver watched the clouds drift over the sky, a horrible longing to join them occupying his mind. A nearly impossible fate for him, now feared more than ever.

“Papa!”

A small, light voice shouted excitedly, followed by the pattering of boots on the deck.

Boothill turned expectantly, arms shifting and ready to pick up his daughter.

Instead he was made a fool.

He quickly returned to a regular stance, leaving down the nearby alleyway to lean himself against the wood. That was somebody else’s child, not his. The title he came to love most would never be used again, abandoned amidst the Iron Springs forest. “Papa” was her first word, and possibly even her last.

He recalled the tears you shared when she spoke, listening to her babble about him. Her voice was that of angels, as if he was finally worthy of speaking to the heavens.

Now he lost that angel, the most vivid star in the sky.

~

Three moss-coated tombstones lay before you, names that you first came to know at fifteen.

Isaiah, Callie, and Jasper.

Ellis must rest in Warren, then. Forever separated from his family.

A couple desert marigolds grew along the path to the cemetery, and you left one at each of their graves. Six in total gathered in your hand – one for each person you were to visit, as well as two extras for whoever you saw fit.

Boots trudged through the dry ground, avoiding stones that shaped plots or decorated the base of a tombstone. Rocks of grey and tan sat below your father’s and the one now beside it.

Upon reading the inscription, the marigolds fell to the dust.

Your mother was buried at his right, her death only one year ago.

With your forehead to the fine wood of said tombstone, your resolve finally crumbled. Any strength you wished to hold forsaken for the misery you denied. Tears flowed and fell frenzied, patiently creating a mud where your fingertips dug into the ground.

All of this loss, but why?

Why cherish anything if it would only be ripped away?

Holding your precious little girl one moment, only for her blood to splash over your face the next. Befriend a lonely boy, one who you found a kinship with, just for him to be shot by your hand.

Your mother, who despite her own mourning, still silently reached out to you, giving you what support she could muster. Your father, who robbed and killed unbeknownst to you, still provided and taught you things he knew about the world that would never be shared at the old schoolhouse.

They all had one common thread – loving you.

Burden, plague, curse. All words that could describe what a detriment you were. If they never loved you, never met or created you, perhaps their fates would be different.

What of Boothill, then?

—

Droplet-stained windows displayed a wagon of bottles stopping outside of the saloon. One of the drivers lept from its front, unlocking the back panel and pulling out two jugs. He lifted them in each hand, a big smile on his face as he cheered through the doors.

The crude and familiar scent of cigarette smoke curled through the window as you cracked it open, the stale quietude of your hotel room grating your nerves. Boothill observed you idly from the bed as you inhaled deeply, palms on the framing. The smell was lovely now, soothing almost. His gaze bore into you, seemingly trying to decipher your inner world.

"What is it?" you spoke softly, head turning toward him.

He sighed, eyes shifting to the ceiling. "I… You've just been so… cold I guess. I try not to take it personally, but I can't help it sometimes."

"Our daughter died, Boothill."

He sat up, "You think I don't know that?"

With a heavy exhale, you faced him. "Of course you do, but I just…"

"Every day begins and ends with her. Not a second goes by where that scene ain't fillin' my head."

"You assume it isn't the same for me? I watched them shoot her – her blood was on my face for hours! Do you think I can forget that?"

"I'm not askin' you to!"

"It sure sounds like it!"

"I just want some answers and for you to recognize that you're not the only one hurtin' here. Shutting me out hasn't been doing any good."

"Shutting you out? I recall you doing that to me. Any time I reach out, you leave or move away from me, and I get no words, nothing! You've got no love or respect for me anymore!"

"Don't you go there." He stood, inching closer to you with every word. "How dare you say that I feel nothing for you. If anything, you've been giving that treatment to me. Do you know how it feels to lay there cryin', wishing that your partner would just run their fingers through your hair and share that pain with you? No. Instead they go out for the night doin' who the heaven knows what, and then return at dawn like nothing happened. Like they didn't just abandon you to return reeking of alcohol or bruised and bloodied. Do you know how powerless that makes somebody?"

"I'm handlin' my own pain my way. I'm tryin' to be strong for you!"

"I don't want you to be strong for me! I want to know that my partner is here, and never leavin'! You remember what I said? I take care of you and you take care of me. That was the promise!"

"Well how are you takin' care of me exactly?"

"How am I supposed to begin if you never let me in!"

"Rich comin' from the likes of you."

"Why're you talkin' down to me? Do you think that helps?"

He paused before you, staring down into your eyes with a mixture of fire and love – an undertone of concern and fear. His hands came to hold your shoulders, and you hesitantly accepted the touch. One drifted up to the side of your neck, his thumb tracing your jaw and the edge of your cheek. The way he'd always comfort you. A guilt began setting in, tearing and biting at your throat, preventing any words from leaving you – likely for the better after your childish retorts.

"I don't wanna fight with you, darlin'. Please, just talk to me."

Wordlessly, you placed your arms around his neck, hugging him cheek to cheek. His own came to encase you when you finally whispered everything in his ear.

"I miss you… so much it hurts. I'm so sorry for all of the turmoil I've given you. That was never my intention. I just… I felt like you hated me. Blamed me for her… death."

"I never could."

"And I know that now. I didn't mean to be so cold, and I understand how you need me. I must admit I'd like to be selfish and have you do the same."

"That's not selfish."

You sniffed, "My… my mama died a year ago."

"Darlin'..."

"I didn't know." Fresh tears welled in your eyes. "She had no way to write to me. I have no idea what could have happened to her. She was all alone, lost to the world in our little house."

His hands descended to your hips, carefully stepping backward as you clung to him reluctant to move. He turned, setting you down on the bed before walking to get a blanket off of one of the chairs. The soft wool came into your hands before a weight settled behind you.

“Lay down.”

You shifted up the bed, throwing the blanket over your legs and resting your head. Boothill shuffled up next to you, his cheek to your chest. He stared up at you, eyes closing when your fingers finally ran through his hair. A sigh filled the room, mingling with gentle neighing from the street below. Silver was revealed to you once more, a low and husky whisper reaching your ears.

"We had this huge tree, back on the farm down in Redhawk. Its branches were wide and overflowing with leaves, but on a windy night you could see the stars through them. My fathers, they were always dreaming -- planning for our future. We'd sit out there and they'd talk for a while, answer any of my questions and teach me some life lessons. Eventually, one would get to strummin' on the guitar and we'd sing and cheer along – it was the most fun when some of their friends would come to visit or we'd host some guests from the road.

One was more pragmatic than the other, though they both had sharp minds. He could talk to anybody, find out anything he wanted to know. More caring and gentle, but still very strong. My other was a great gunslinger, and charismatic to a fault. He was a little rough around the edges, but I loved him anyway. They were my idols; taught me nearly everything I knew before I started goin' on the round-ups. Wasn't until I went back to our farm just a couple years later that I found it tore apart, two letters on the dining table for me. They were gone -- one captured and killed by the NHA and the other off to get revenge. He left me one of his revolvers, the same one I still use today."

Your fingers ran over his exposed cheek, noting the brimming water in his eyes matching your own.

“They raised a brilliant son.”

Your voice cracked as you finished speaking, watching him cry into you as you released your own burdens. The euphoria of budding forgiveness and the grief previously set aside catching up to you. It seemed that nearly every pain of yours was one he shared at some point or another, and it only emphasized the resolution of your argument.

You needed each other now more than ever.

—

“Are my eyes playin’ tricks on me?”

“Well I don’t believe it either.”

A man shook hands strongly with Boothill, hitting his other down on his shoulder. He had a confident glint in his hazel gaze, a boisterous air around him.

“How’ve you been, you beautiful piece of scrap?” he chuckled.

“Times have certainly been better.”

“I’m sorry to hear that, friend.” was his somber reply.

You extended your hand, feeling a calloused one against your palm.

“I see you’re his partner in crime, undertaker.”

“You got one of your own yet?” you asked, trying to keep the atmosphere light.

“Of course! You’re more than welcome to come by tonight and meet her, our kids as well! We’ve got two of them raisin’ hell all over the place.”

“Thank you, but-”

“We’ll be there.” Boothill interrupted, a sharp smile contrasting with his sullen eyes.

“I’m happy to hear that!” Lee beamed, “Some supper'll be ready for you.”

His hand hit your elbow playfully before he focused on Boothill.

“What liquor do you like now, ‘Hill?”

~

Lee’s porch was well-lit, a small garden out front with bright flowers and a structure of twigs resting alongside the stairs. It was likely built by his children, or whoever got distracted while watering and left puddles on the steps. A light knock reverberated through the door, summoning a figure that stood as tall as the knob to open it.

“Hello!”

Quick steps came from behind them, before the door was tugged open further.

“Come in, please!”

You were the first to cross the threshold, a large fireplace and a set table coming into view. Chairs were gathered immediately to your left, some books and a half-built pyramid of empty cans decorating the scene. Blankets were gathered against the wall, dark brown eyes meeting yours as a shaggy dog rose from its bed.

Lee carried a pot to the table, a white cloth protecting his hands from the hot handles. He uttered warnings of the heat to his kids, the same ones who greeted you at the door. Another figure, just slightly taller than him, followed behind with a pitcher of water in one hand and a bottle of bourbon in the other.

While they continued preparing the food and adjusting the ambience, one child tugged on the ends of Boothill’s coat. The other peppered him with questions, looking excitedly at his gun and even more so at the chamber kept in his arm. A small smile grew on his face at their attention before they returned to Lee, wanting to know stories about his “heroic” friend. He followed them to the table, pouring two cups of water from the pitcher and handing it to them. Joyfully, they thanked him and resumed their conversation with Lee.

Seeing what he had raised mixed feelings. You were happy that he had found somebody of his own, that they seemed to love each other and work well together. That joy still couldn’t bury the tinge of envy sinking in, created from how it hurt to be reminded of what your family could have been had Rena simply been allowed to grow.

Scratching behind one of the dog’s ears, a tap landed on your shoulder and grey fingers came into view. They held a glass out to you, filled with clear liquid.

“For you, darlin’.”

The undertone of his words were not lost on you – avoid drinking tonight. Let me take care of you.

“Would you like some stew?”

The welcoming voice of Evelyn sounded from the dining table, a bowl and ladle in her hands. You accepted her offer, watching her gold wedding band glint in the light as you approached her. Their dog followed just behind, its nose occasionally bumping into the back of your leg.

The stew was warm in your hands, making a soft thud against the counter as you sat beside Boothill. A savory broth coated your tongue, the heat of a home-cooked meal comforting amidst the chilly desert night. Conversation flowed easily between all of you, as if you were playing back at the saloon years ago. It wasn’t until there were scraps in bowls and empty glasses covering the table that it took a more serious turn.

Evelyn dismissed their children, Emmett and Mable, from the table. Begrudgingly they went to the living area, playing with the dog and continuing to build their pyramid.

"What happened, 'Hill?" Lee questioned lowly.

You placed your hand along the back of Boothill's neck, meeting his somber gaze. “Let’s talk about it.”

He sighed, his eyes leaving yours and looking at the couple on the opposite side of the table. "Just eight or nine months ago we found a baby up in Iris Creek. We took her in as our own, raising her at that ranch I was tellin’ you about in Iron Springs.” He paused a moment, and you brushed your thumb against his nape, your focus remaining on the wood floor. “About… About three weeks ago the NHA came knockin'. They killed her right in front of them." His gaze turned to you momentarily. "I arrived shortly after."

"I'm so incredibly sorry to hear that." Evelyn spoke gently, placing her hands over one of yours and Boothill's. "I won't pretend to know that pain, but we're here if you need anything."

Lee reciprocated her action, a grit in his voice that was vastly different from hers. "Those cruel bastards will get their judgment day." He exhaled after a glance from his wife, solemnly looking at you, then at Boothill. "She's right, though. A room, food, company, whatever you need. There'll always be a warm fire ready here for you."

—

Bidding farewell to the McHale’s was difficult. They wanted nothing more than to continue catching up, but the night was passing and grogginess collectively set in. Emmett and Mable shouted their goodbyes from the porch, accompanied by the waves of Evelyn and Lee. You returned their gestures, slowly riding off from their home. Boothill’s gaze turned to the stars after saying his own goodbyes, watching the sky as he shifted back and forth. There was much to ponder after that visit, especially for him. The two of you hadn’t talked much in the past few hours, occupied by your own worlds and memories of the past.

Life had been fulfilling thus far, though one world-altering regret weighed heavily on that idea. A certain finality came with it, a need for eventual acceptance lest you meet that finality yourself. In time you would arrive there, but for now it was best to let the pain run its course – feel it and share in it. Boothill had no expectation of you than to simply be there for him as he is for you. Rena had two parents, and lived the best, most beautiful life you could provide for her.

There was one thing you had learned about death -- all that it claimed were eternally benevolent, either in life or the hereafter. If your parents, or Boothill's fathers were here right now, made of flesh and blood, they would want the best for you. For you to live another day and find your place in this wide and bittersweet world. They strived the same as you, to give their child the life they deserved. Perhaps Jasper's notions in the face of death's door were correct. Family would reunite, free of burdens and earthly matters. Spirits would live on in bliss, their memory preserved by each generation.

When you picture all that you've lost, you see a beautiful ranch -- just like the one you worked in Iron Springs. There would be a grand tree, housing Boothill's fathers and little Rena giggling and tugging on one's hair just like she would with you. Your parents would exit a cabin with various drinks and a bowl of apples, stopping to share one with a horse on their way to the meeting spot. Maybe even the Weston's were there, Isaiah smiling from a rocking chair on the porch. Callie would be happy, free of sickly features and whistling a tune. Ellis, cleaning his guns right beside his father. And Jasper would walk from the door, giving each of them a hug before running over to your parents and helping them carry their goods.

If the day ever came, when you would face that reaper with your boots on, that was the life you craved to return to. One where you could drink, laugh, and settle things with your large family -- everyone you ever held dear gathered 'round to celebrate the day. You would wait for Boothill, the inevitable fact being that he would outlive you. It was an idea accepted long ago. Confronting reality was necessary for the life you lead.

Yet that was the other thing about death -- love surpasses it. No matter what kind that love was, it would dance across the edge into the realm of departure. While it may alter itself, those living would still hold its fondness.

If the day ever came that Boothill joined you, either as he is now or as Jesse Blackwell, you would greet him with arms wide open. That very same love remaining with the dead, living in their own peaceful way at your little ranch.

"What's on your mind, darlin'?" he whispered, gazing at you now, instead of the night sky.

"You, and our dreams." you replied with a small smile.

“How romantic of you.” he chuckled, a contrasting and heavy look in his eyes.

Silence rode along between you for a moment until you spoke up, “Where do we go from here?”

He exhaled, a defeated yet promising sound. “Let’s just start with our hotel room. Take it one day at a time from there.”

[miraculouslbcnreactions]

Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

[necrotic-nephilim]

in lieu of having posted any writing/headcanons/asks in the past few days because i have been *so* busy and unable to do anything fandom-related which is terrible and evil, i have a poll out of morbid curiosity and self-indulgence. i've been meaning to ramble here about how i feel about DC's lack fo Deaf representation and which Batfam members i would personally make Deaf, but i am mildly curious about the larger opinion and now i will subject you all to the question, i would love to hear thoughts/opinions/headcanons on any specific choices. (would love d/Deaf/HoH opinions esp but i'm mostly expecting this to reach the hearing crowd, so opinions from hearing ppl are ones i'm very curious about. if you've never given it thought before you are going to now or else /lh)

[prettyinpwn]

Ford fans, I have a poll for thee fine souls to quench mine own curiosity...

[quatregats]

Also I realize that the answer is probably just reading enough period sources but as a linguist I really do need to pick Patrick O'Brian's brain about where in the world he got his different speech patterns from

[ofbardsandmen]

nothing ever excites me more than a spontaneous genshin, or more particularly, mondstadt discovery. i sat diluc upon the barbatos statue as a nice spot to go afk on without being interrupted by repetitive idle animations and voicelines (sorry diluc, this is nothing personal). my volume was turned up more than regularly by accident, and my in-game music was off despite how much i like the original game soundtrack. aNYHOW- i was about to go afk when i heard some strange noises that i didn't recall hearing in mondt before. it made me pause and turn my volume up even more. in the video above, it's kind of hard to discern the brief sounds over the noise of the wind up on the statue and in mondstadt in general, but when the wind dies down a little, you can distinctly hear voices of people, and what shocked me the most – neighs of horses. i have no clue whether it is just me discovering this only now, after 4 years of playing this godforsaken game and clearly not having paid enough attention to mondstadt's sfx before, but i still felt the need to share this terribly interesting tidbit in case there's other clueless mondstadt enthusiasts like me.