#that's the only (logical) reason i can think of at least. i mean it's also possible that techs have just quit en masse

[1moreff-creator]

Select Two, Choose One: How will the Culprit get Found?

Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.

Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion

As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.

I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.

-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.

Here’s more or less the train of thought Eden might have had if she’s the killer.

Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.

Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.

Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D

The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…

I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.

-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.

Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.

Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.

Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.

And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.

In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…

-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.

Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?

Anyways, inconclusive (we’ll talk Eden later).

-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.

-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.

I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).

She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.

Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.

But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.

Impossible to tell, I fear.

-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.

The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.

(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)

-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.

-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.

And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.

That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?

-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.

Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.

-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…

-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.

-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.

-Random garbage:

Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.

-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.

I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.

(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)

Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.

Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.

-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.

-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.

There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:

-The shoulder band thingy:

Ace: Too fucking bad. Mine now. I’m keeping it.

Yep. This one.

For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.

More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.

And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.

(He he I snuck the image into a fourth post >:D)

I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.

So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.

I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.

Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.

It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.

———

There’s probably more, but that’s all I can think of for now.

Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!

Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!

[cowboy-robooty]

not going to name names bc thats messed up but omfg i was tryna find records of old heta fandom shit to show inu right and i found a hetalia iceberg and I SAW MY 2019 OPP ON THERE. IT WAS SO FUCKING FUNNY LIKE MY EYES BULGED OUT OF MY SKULL BECAUSE IM NOT EVEN JOKING I HATED THIS BITCH SO MUCH WHEN I WAS 14 AND NGL I STILL HATE HER. I DIDNT SAY NOTHING AND KEPT CURTIOUS AND NORMAL OBVIOUSLY BUT ON THE INSIDE I WANTED HER ASS DEAD EVERYDAY AND WELL... you all know im never in the loop with things and had no fucking clue that she was just the antichrist for an entire group of people lol. SHE WAS MY ANTICHRIST THO. I HATED HER AND SHE HATED ME OKAY AND IM LIKE RODF SEEING HOW SHES ON THE FUCKING HETALIA ICEBERG I WAS LIKE OMG.... I THOUGHT ONLY I FUCKING DESPISED HER

[risuola]

III — GAMBARE, GAMBARE // In the world of crime and blood, Sukuna knows what's off limits. You certainly are one of those things and yet, he's unable to stop thinking of you.

contents: smut, little angst-ish in some places, mafia!au, unprotected sex, a hint of body worshipping, violence, mentions of death, subtle threats, reader discretion is advised — 3,2k words

a/n: third part, thank you so much for support guys! it means the world to me to see how INSANELY big is the tag list now. i literally love y'all~ ❤️ also, just as the first part got inspired by the absolutely menacing quote from our king, it only felt natural to include the famous gambare, gambare (do your best) into this one.

ᴅᴇᴀᴅʟʏ ᴀᴛᴛʀᴀᴄᴛɪᴏɴ | masterlist

Sukuna prefers to think of himself as one of significant intelligence. Over the years, during which he ruled over the entire criminal milieu, he proved himself to stand atop of anyone who dared to even think of overturning his jurisdiction. All the exceptionally dumb bold ones that once wished to take the position of a boss from his hands had learned the hard way why troubles with Sukuna Ryomen are the least desirable fate of anyone who bears any volume of oil inside their brains.

It’s not only tactical or business intelligence that he’s priding himself with. It’s also the excessive knowledge about general rules of life that allowed him to comfortably push and pull the edges of what’s right and wrong, bending his own reality to his liking. Now it’s intuitive – he just knows where he can put more pressure and where it’s not worth his time. He knows what to bet his money on and what won’t realistically pay back. And most importantly, up until that point, Sukuna thought he can tell with his eyes closed which people he should consider crossing paths with, what men can be useful whilst he aims to reach his targets and which crowds he shouldn’t mess around with – for various reasons, most of which being just business and inconvenience. Same thing concerns women. Ryomen’s position works like a magnet and not a day passes by without girls, often way too young to even think of him, throwing themselves at him, led by fantasies of money and power veiled in the shades of love. If he wished, he could have a different toy every time the night falls and if he’d be just slightly less trained, he might have fallen for the temptation. But he didn’t.

Sukuna learned it from experience, not exactly his own, but of his pawns, that allowing random women in the proximity of their profession usually leads to catastrophes. Girls get persistent, they grow attached, they fall in love sooner than it’s even logical and then they threat, they blackmail; all of which eventually leads to their deaths because dealing with just barely adults that weaponize tears and screams is something he doesn’t allow in his circle. There were no exceptions, any man bearing similar power to Ryomen knows that there’s no place for romance in the world of death and bones, the one that’s stained in red and sorrow. If there happens to be love, it’s always of people from inside the criminal circle, sharing the same set of broken morals. Mafia should never tie itself romantically with civilians. Especially him, the leader, the menace that he is in the world of misdeed, murder and corruption, knew all too well why he should never, ever, even think of someone from outside of his tale as of anything more than one time plaything. That would be irresponsible, straight up naïve. It would be foolish. He knew all of that and not even once he felt any need to engage into any kind of relationship with someone that he deemed non-profitable to his general targets.

Then why the fuck he kept thinking of you? Why he kept seeing you after what was supposed to be a fun one-time fuck? Why did the taste of your lips and the sweet scent of your skin made him so completely addicted that he couldn’t focus on his own business without his mind wandering to the memory of you at least once an hour? He just liked your body, he told himself every time he thought of sending you a message. You were a good lay, it was purely physical. You did, after all, take his dick like you were born solely for this very purpose. He was meeting you only for sex and it was an accident that some of these meetings began with a dinner. All of the gifts he showered you with were just a form of payment for the service. Sukuna knew much better than to let his emotions take control of him.

“What’s on your mind?” Your quiet voice tore Ryomen out of the realm of his self-criticism. The tone that you spoked with was raspy, the testimony of the rough, throat-fucking he had used you for just few hours prior, and yet, it still somehow flowed with cottony softness, so characteristic to you.

“Nothing important,” he replied bluntly, lowering his gaze to where your face was buried into the broad muscle of his chest; your frame completely hidden in his own, much larger and stronger. It was another night you spent in his house, one of those that began with the reservation in one of Tokyo’s best restaurants that served traditional Japanese cuisine. You showed up in a dress made of dark olive silk, long enough to reach your high-heeled sandals and clinging to your shapes as if it was made to be worn over the divinity that was your body. The long, scandalous slit exposed one of your legs and the thin straps accentuated your shoulders and cleavage just perfectly. It was a dress that he himself bought and ordered to be delivered to you in an expensive box before that day. Now that very same gown was laying somewhere, discarded on the floor in the living room of his mansion.

“Sometimes I feel like you’re plotting my death,” you chuckled against his skin, the vibration of the act made him scoff because both him and you knew that the scenario you offered wasn’t exactly falling into the realm of fiction.

“If I were to kill you, I wouldn’t need to plot it. One bullet is all it would take,” he retorted with calm and despite any logic, instead of creating some distance, instead of running away you hummed at his statement and pressed your lips to the center of his chest.

You were way over fearing Sukuna and his world. The few months that you spend seeing him, you came to terms with the heavy weight of tragic fate that was now resting on your shoulders. It couldn’t end well, you shouldn’t tangle yourself with a man such as him, the path of your normal life should never come even close to the blood tainted one he was walking through. You should have never left the club with him and once you did, you should have run out his house the moment he gave you a chance. Instead of that, you stayed. That night, after the time of Ryomen’s pursue and the unfortunate event with Naoya and his gang, soon turned into two. Then just few more and then many more. The one-night stand evolved into continuous romance and though it was strewn with roses and intimacy, it came also with the realization that the more you see him, the less days you have left. There was no way for someone like you, an outsider, the mere civilian with no mafia bonds whatsoever, to be living a long life. Sukuna has enemies, there are people that want the power he holds and will eventually target you. That is, of course, if he doesn’t kill you himself over time – out of boredom or prevention. You knew a lot, he had told you more than he should.

But you loved him. You had seen him do some pretty dark things that would make most people’s eyes water, and in all honesty, it did the same thing to yours, but then, with you, Sukuna was always protective. You loved the way he always seemed to know just what you needed, the way he read you like an open book and knew just what to say or do to put you at ease. You loved the way he made you feel like the only woman in the world, how he made you feel beautiful, even on the days you felt like a total mess. He was a danger, a threat so deadly you shouldn’t play with it, he was a flame that you were bound to burn yourself on, but he was also the only person in the world you felt so safe around. Ever since you met, he had protected you. Even if his words were harsh and his own deeds rough, he never failed to envelop you in a bubble inside of which nothing and no one could hurt you.

“Oh, how much you’d miss me,” a certain sense of amusement hinted in the tone you used as the sheepish smile stretched your lips. Ryomen acted suddenly, grabbing the tiny thing that was your body and pressing your back to the mattress. His fingers wrapped around the frail of your neck; it wouldn’t take much of his strength to snap it and yet, you seemed rather comfortable with his grip secured around your airways. Over the time you managed to grow enough trust to know he won’t hurt you for no reason. Your lover was a man powerful enough, there was no need for seeding fear in you. You were also smart enough to differentiate the real danger from the playful acts. If Sukuna truly wanted you to be scared, you most definitely would be scared shitless.

“You think so?” His tone dropped an octave as he crawled above you; your bare figure now trapped underneath the weight of his presence. He got your legs between his initially, the heavy shaft of his dick rested over your lower belly as he shifted his hand from your throat down to cup your breasts. Your body seemed to never stop attract him, no matter how many times he touched and tasted it. You looked almost angelic in the dim light of that morning; the remnants of sleep still painted over your features and the only things that disturbed the innocence of your picture were the marks he had left on your plush, velvety skin. Red and angry spots that he sucked onto your flesh adorned the beauty of your frame, ultimately making you his own. “Aren’t you a little too confident?”

“I think I’m confident just enough,” you grinned playfully, smoothing over his hands, one staying on top of his palm on your breast and the other reaching up his arm to touch more of him. There was always a hunger lingering inside of you, you were never completely satiated and even if your body was utterly exhausted, you were always happy to take more. Sukuna made you feel ecstatic, like you were really his only one and though it was an illusion that you chose to believe in, it felt good to imagine yourself as his only care.

“And why would I miss you, huh? Aren’t you only a plaything for me?” The question he asked was meant to sound venomous but the sound of his voice betrayed the lighthearted intention. “Do you think I’ll blink twice when discarding you when I get bored of what you can give me?”

“I don’t think you’ll hesitate,” a chuckle once again shook your chest gently as you watched how Sukuna gently pulled your legs up from underneath him and brought one of your ankles to his face. The kisses he smeared along your shin were delicate, completely contrasting with the threatful impression that he was trying to make. He was worshipping you so openly, it made you blush every time. “But even though I know you wouldn’t think twice before killing me, I also think you’d miss me afterwards.”

Once the tender caresses finished, your calves landed on top of his shoulders as he leaned forward, squeezing a breathy moan out of you as he pushed his length into you to the very base of it, sliding on enough spit that it made the entrance easy. Ryomen learned your body through and through, he knew you can take it, he knew you’re always ready and eager to take him. Even if it’s early, even if it hurts. No matter when and where, if he told you to sit on his dick in the middle of a grocery store, you’d probably do just that and ask no questions. And yet, he knew where the boundaries are. Not once he pushed you when you were feeling bad. Not once he used you when you were not ready. The knowledge he now had about you came from observation.

“I think I would miss you,” he purred, his lips so close that they brushed against yours as he spoke. He’s got you in a mating press, filled to the brim with his bricked-up manhood and completely at his mercy. “You are addicting.”

“So keep me safe,” you whispered, cupping his face and chasing the kiss he was yet to give you. The request caught him slightly off guard. The pleading undertone made his heart clench; a feeling that he’s gone without for a decade at least and though he hated the odd sensation in his chest, he also couldn’t deny the warmth that spread throughout his body.

“You are safe with me,” the reassuring lie he followed with a heavy press onto your lips, sealing his words with his own tongue and silently promising you his protection. A vow that he wished to keep and yet, feared he won’t be able to. But now, it wasn’t important. Now you were here, in his bed, on his dick. Now there was just you and him.

Your dainty fingers found their place in his hair as he began thrusting into you. The new slick that combined with the remnants of the night made his movements easy as he dragged his hips back almost all the way out and then pushed back to the point of his pelvis clashing with the back of your thighs and your ass. The pace he set wasn’t fast. It wasn’t anything of what he’d most often pick, there was no violence intertwined into the melody of his hips. That morning it was sensual, it was deep and just rapid enough to stimulate every sweet spot inside of you. Stroke after stroke he was driving you crazy, he just barely started and already you felt yourself dripping. The filthy, wet sounds filled in the early aura and the muffled moans and whimpers accompanied them.

Sukuna allowed your legs to fall lower from where they were pressed against your chest and you hooked them around his hips. The newly earned access to his neck and shoulders you immediately used by allowing your hands to wander in the area, scratching his skin just to force a low purr from his throat. Every sound he made, you swallowed greedily as the kiss continued. Your tongues were dancing to the fiery rhythm of intimacy.

The coil in your stomach tightened all too quickly, you wished it to give you more time to enjoy what he was willing to give you but no matter how much you wanted your body to calm down, he made it absolutely impossible to achieve. Your veins were running with pure ecstasy and lust, the heated flurry that now was your brain was focused only on him, on the rhythm of his hips, on every sweet little lie that he whispered to you. Ryomen knew how to make you weak, he knew just how to angle his body to hit that one spot, the most sensitive one and you could feel him grinning against your lips. He knew you were close. The delicious squeezes that your cunt did on his girth were enough of a hint to notice and it gave him a sense of pride to be able to make you come undone so easily.

“Just few moments more,” he murmured and you nodded eagerly. Tears prickled in your eyes, gathering along your lash lines like crystals that he wished to kiss away, but was now too engulfed in the taste of your lips to part. His movements got quicker, just a little heavier as he began slamming into you with more force than at the beginning. Mornings tend to rid Sukuna from the ability to last – the ones that he spends with you in his arms, with your naked body pressed against his, unknowingly shifting against his dick for hours. That makes him unable to keep his composure for too long. Sometimes he feels like you strip him of all qualities that he once prided himself in, leaving him bare only to your eyes, with only the most primal needs exposed and he felt good with that kind of freedom.

“…don’t stop, oh god, ‘kuna~”, you were whimpering, arching your back underneath him and squeezing your little hands over his shoulders. “I can’t, I—”

“Oh, you can. Do your best,” Sukuna chuckled, teasing you with such impossible tasks. Your head fell back, your thighs were trembling against his sides and he could tell he’s losing you. You were far too deep in the realm of desire to hear his words; all of your world now came down to what you felt, to how you felt him and Sukuna loved your blissed out state. He loved the way he was the one to push you so far over the edge that you wouldn’t notice if the world was ending. But what he loved above that, was how you were gripping onto him; holding him tightly, pulling him closer as if you never wanted him to move away, as if he was everything you needed. And he was.

“God, you’re so beautiful,” he muttered against your throat, painting the skin over there with wet trails of kisses and new, red marks – the ones gentle enough to fade in a matter of hours. You moaned something incoherent. “Cum for me,” he allowed, not even sure if you’re registering his words. It had to be unconscious; the way your brain caught his voice between the blurry lines of everything else.

Your climax hit you like a rock; his name was slipping over your tongue continuously, so sweet and breathless that Sukuna was once again reassured that he never wants to hear anyone else calling him. Your walls were squeezing his throbbing length, he twitched and flexed inside you, groaning with satisfaction and before he allowed himself to come, he pushed himself up. As he sat on his heels, he pulled you with him; your body now on top of him and he used his hands to guide your hips up and down his dick. You wrapped yourself around him, finding a safe space for your face right where his neck connects with his muscular shoulder and all he needed to feel the bliss was the sensation of your teeth sinking into his skin.

White seed painted your insides as he shot it as deeply as he could reach with you on top of him. Few more moves, few more groans and you could feel him relax. His strong arms snaked around your waist as he shifted slightly to lean against the headboard, straightening his legs in front of him. You stayed pressed against his chest, catching your breath and feeling the tension leaving your body as the morning went by. And as Sukuna held you so close to his heart, he couldn’t rid himself of the feeling that it felt so right and that made the question bloom inside his brain. Was it still strictly physical? Was it ever only about sex?

taglist: @yihona-san06 @tiredscavengerskeleton @son4aras @vixorell @cecesharktales @isleqt @thickmacandcheese @captainchrisstan @bbylime @sad-darksoul @shartnart1 @kiki17483 @grimreaqueer @phoenix-eclipses @fan-of-encouragement @valleydoll @aleeeeeeees-stuff @marifujioka @going-to-californiaxx @just-pure-trash @edenofeve @impulsivethoughtsat2am @thigh-o-saur @heyohalie @matchat3a @bubblearts @littlemisspropaganda @aconstructofamind @lawislife18 @rzcnlb @sunukissed

[charliemwrites]

Awooooooo!

Content: Voyeurism, Dog Urination, Implied Non-Con Touching

Your dog is weird. Just.. just weird. Like, all dogs are weird. They have their quirks and their oddities, silly babies in fluffy bodies.

Johnny though…

He snuggles up in your bed every night; you don’t even bother trying to kick him out. He’s presses up tight against you, head almost on your pillow. Have to start sleeping in a shirt because one too many unfortunately placed cold nose bumps…. Yeah. But that’s fine. The fuzzy space heater is worth it.

(So what if you sort of wake up sometimes and half-dream its skin you’re snuggled up to. If you imagine a more human rasp to the quiet snores by your ear. If the tongue on your cheek is softer and smaller than you’re used to….

Your dating life has been dry for some time.)

Johnny pees in every room of your house at least once, but that’s not entirely surprising - he’s an intact male, after all. (Something you’re trying to, heh, fix. Though the appointment mysteriously keeps getting moved or cancelled.) thankfully, though, once he’s “marked his territory” he starts asking to go outside.

And that’s where the weirdness begins.

The first time you let him out off leash, he shoots off into the woods and only returns once he’s done. You panic, feel so stupid and irresponsible, near tears by the time he gets back. When he sees you upset, say on the porch steps, he darts to your side and leans into you until you calm down.

You stop worrying so much about his little “trips”. Means you dont have to clean up after him to keep the yard tidy after all.

The first time he bounds off into the woods and doesn’t come back after a few minutes, you almost go searching. But.., but well he’s a good boy. An hour later he comes back, scratching at the door.

You’re not sure what he’s up to and it makes you anxious. Don’t like the idea of an “outdoor” dog. All of yours have been in-home pets kept in sight at all times. You’re scared Johnny’s going to get hurt or bitten or hit by a car.

But he always comes back healthy whole.

One hour turns into two, then three. Entire mornings, only returning in the evening to climb into bed. Eventually a whole day. You have someone install a doggy door big enough for Johnny to slip through so that he can come and go as he pleases.

You get used to having a pet that’s only around sometimes, though you sniffle that you miss him when he’s gone. As if understanding, he’ll always lick at you, comforting.

The other weird thing - he demands to climb into bed while you’re doing “self care”. Again, dogs don’t get human social boundaries. He’s allowed on the bed so why is it that he wouldn’t be allowed up even if it’s not bedtime? It’s understandable dog logic, even if you have to stop the first several times it happens.

Keeping him out isn’t an option. Even if you manage to shut the bedroom door on him before he wriggles inside, he makes such a ruckus. Barking, howling, knocking over the trash and scratching at the door. You almost step directly into a puddle of pee once.

You just keep the lights off, close your eyes, and try to ignore the odd brush of fur or gust of air from his nose. Pretend he’s not there at all; and not staring the way he tends to.

Not getting off just isn’t an option. You make your peace with your dog too dumb to even turn away.

(You also learn very quickly to wash your toys as soon as you’re done. Can’t even wait to catch your breath. Calling him nasty makes his tail wag. You know it’s not reasonable to think he’s doing it on purpose.)

“Johnny, drop it!”

Instead of doing that, he drops his front half low, a lacy black pair of underwear in his teeth. He snatched it right out of your laundry basket while you were trying to start the washer.

“I’m going to turn you into a pair of boots. Put those down!”

Chasing a giant wolf-dog for your panties is ill-advised but what are you gonna do? Let him shred your underwear?

“I wanted to wear those out tonight, you bastard!”

You’re supposed to have a date. At this rate, you won’t even be able to shower, never mind get ready. Johnny’s been a nuisance all day, ever since you got off the phone with your mom this morning, updating her about your life and plans for the evening.

Determined, you give up and go to finish the laundry - only to hear a crash and a yelp. Johnny’s knocked over the mirror and stepped in the glass.

“Oh, baby boy,” you groan. “Dammit, John-Bon.”

You text your date for a rain check, then call ahead for the emergency vet. Huh… your first aid kit is much better stocked than you remember.

First | Previous | Next

Masterlist

[bramblepatch]

The thing about Omelas is, you know, they really want you to think there's only one kid in a hole.

That's how it's always phrased. The Kid in the Omelas Hole. The forsaken child, if you're feeling fancy. Sometimes if they're feeling really dogmatic, they almost seem to want to tell you there's only ever been one kid, even though that's completely stupid if you think about it. Kids grow up in Omelas. Most of them grow up perfectly happy and healthy, at least until they're old enough to be told about the kid in the hole and then they grow up mostly happy and healthy with a distinct strain of repression. Thinking logically, the kid in the hole must also grow up, or perhaps they don't, but they don't in the way that so many kids in other parts of the world fail to grow up.

And once you've worked that out, once you've realized that every so often they have to find another kid and put them in the hole, well, it's easy to stop there. To feel jaded and sad and maybe angry enough to walk away.

The walking away is important, for several reasons but also this one: walking away means you don't hang around Omelas and compare notes.

Because Omelas can live with there being One Child in One Hole that suffers so that everyone else can prosper. It's a shared shame that you're not supposed to talk about. If you can't live with it, you're suppose to leave. You're not supposed to go to your friends and say, look, I went back to the warehouse in the dock district and saw the kid in the hole again and I'm really struggling with it, because then your friends might look at you like you grew a second head and say, what warehouse.

And then you might learn that they have always known that the happiness and prosperity of Omelas depends on a kid locked away under a law firm uptown. And maybe you ask a few more people and some of them know about the same kids as the ones you and your friend were confronted with, but some of them might know about other kids entirely. And then, perhaps, it starts to become clear that Omelas is built entirely on holes occupied by children and if that's the case, walking away hardly seems like proportional reaction, does it?

If there are many kids in many holes maybe the question of how a kid in a hole is supposed to ensure the prosperity of the city bears some examining. Maybe you start to wonder why you've never seen a kid who isn't prospering except for in a hole. Maybe you wonder if there's other holes and maybe you remember that other places that aren't Omelas have things like attempted prison reform and social services and other such things that you've always been told Omelas doesn't need.

Or maybe you and your friends know about the same kid in the same hole. Maybe there's only one kid in one hole, after all. Maybe it's just not something that's pleasant to talk about, so no one ever does, and there's nothing more suspicious going on than a city where people don't know how to talk about hard subjects.

But you know, maybe. It's weird that they don't want you to talk about it, is all I'm saying. It's weird.

[thenerdyalien]

My headcanon about Arthur's mortality (or how I think he was able to survive before Merlin came to Camelot)

"(The griffin is a creature of magic.) It is born of magic, sire, and it can only be killed by magic." - Gaius, S1E5

Alright, since Merlin is trending again for no reason I'll share one of my lastest headcanons I came up with during my last Merlin rewatch.

There was something about this line from Gaius and the way the camera then directly pans out to Arthur that made me think of an interesting headcanon that would explain how Arthur managed to survive so long without Merlin.

You see, according to this logic, because he was born of magic, Arthur can only be killed by magic (or weapons forged by magic *winkwink*). So he could never really die from simple illnesses or battle wounds unless those were directly inflicted by magic. And, since Uther started the purge against magic right after Arthur was born, he probably wouldn't have had much contact with it in his early years (at least until he became a knight and started going out on quests, raids, etc).

That would explain why (much like Merlin) he seems able to endure so many injuries (broken ribs, poisoned arrows, etc) that other knights can't. (I mean, just the fact that this man didn't sustain some severe brain damage from all the times he's been knocked out is impressive lol)

What I'm saying is that being born of magic must have given him some sort of endurance that other mortals don't have, because by Gaius' logic the circumstances of his birth in itself made him a sort of creature of magic (just like Merlin).

It would also make for a good Canon divergence fic in which this was the reason that made Uther start the purge in the first place (to protect his son from the only thing that could kill him)...and it can get even more angsty if you add in the fact that Merlin is literally magic itself, but I digress.

Anyway, I'm probably reading way too much into this. I doubt the writers would've thought so far ahead as to put foreshadowing so early on in the series. But I just thought it was an interesting headcanon and just another fun parallel between Merlin and Arthur.

[walpu]

hey, hey, I don't know how many times I've read your post "pre-relationship" especially aventurine part (omg i love how you write abt him 😭). I wonder how it will be once they are in a relationship and the kissing part please :3 thank u and have a nice day!

THANK YOUUUUU

Hope you'll enjoy this post too💛💛💛

being in a relationship with Aventurine

characters - Aventurine notes - gn!reader, fluff, hurt/comfort (do I even write something other that hurt/comfort for him lmao), no beta

can be seen as a part 2 of this post but it can stan on it's own as well

Aventurine

It would take quite some time for Aventurine to move from the pre-relationship stage with you. Will dance around the subject, throwing hints and flirty remarks but as for making an actual move? Oof.

Would cling to your side and shamelessly say something like "aww, can't get enough of me? people may think we're dating <З unless that's what you want them to think haha"

Pathetic. /affectionally.

But seriously, he really wants to be sure that you like him before making a move. That you like him, not his money, not the idea of him. At least that's what he tells himself. And while this is part of the reason, the actual thing is that he's simply... confused. He's already more vulnerable around you than he ever was around anyone else. And dating means being even more vulnerable.

While he yearns for this genuine connection he's also a scared of it. Tim Kreider wrote the line "If we want the rewards of being loved we have to submit to the mortifying ordeal of being known" about him actually.

It would take some time for him to get used to being in relationship. In the previous post I've mentioned that he, most likely, had some short flings in the past. I seriously doubt that he ever had any serious relationship before you though. It's so new to him. At first it would seem like nothing has changed between the two of you at all. Surprisingly, it looks like he even became a bit more distant.

Aventurine doesn't want to attract any unwanted attention to your relationship since it will only endanger you. Plus he doesn't want to overwhelm you. Plus he doesn't want to overwhelm himself. Plus he is scared shitless.

He can't help but feel that he looses everything he holds dear. After all, it's been like that for all of his life. And he simply can't loose you.

Mini spoiler for his leaked character story, but there is a moment there when he looks at the aventurine stone Diamond gave him and he realizes that despite the fact that he worked so hard for it, now that he has it, it holds no real value since it doesn't fill the emptiness inside of him. Logically, he knows that this won't happen with you. He loves you too much. But there's this subconscious fear inside of him that he's just so messed up inside that he simply would not be able to love you like you deserve.

Be patient with him, this mans doesn't know what he's doing. Don't give up on him and he'll crawl to your side, holding onto you for dear life.

Once he will calm down a bit, he'll make it up for all those times when you were the one reaching out to him. Texts you, calls you, arranges spontaneous dates.

In the beginning of relationship would spoil you with expensive gifts. He knows what it's like to have nothing so he doesn't want you to ever feel this way. And the best way to prevent it? To make sure that you will have anything and everything. Maybe it's a subconscious way to bribe you. Maybe. Not like he realizes it himself.

Once he'll feel more stable and more confident, his gift giving tendencies will get less overwhelming. He still like giving you gifts but now he picks and chooses. His sugar darling deserves only the best, after all.

Acts all clingy, playful and unserious but actually listens to your every word and is ready to fulfil your every need.

Is actually very caring. Shows his care by pestering you and easing you tho.

If you feel down, will sit stay by your side. May randomly start tickling you, if you're ticklish. If not, will find another way to touch you in a playful and somewhat annoying way. After you cheer up a bit, Aven will put his chin on your shoulder and hugs your waist, softly asking what happen and why is his dearest darling seems sad.

As for kisses. Aven will loooove covering your face with butterfly kisses. And not only your face. Will randomly grab your hand and kiss your knuckles and fingertips. If you've made a mistake of exposing your shoulder then be ready for it to be kissed endlessly.

Adores kissing those parts of your body that are usually covered with clothes. It feels fore intimate for him.

And if you have freckles or/and beauty marks. Oh well. Will trace them with his fingertips, connecting them with some invisible lines and sometimes gasp playfully, saying that he found his constellation. Just a silly little guy being a silly little guy.

So touch-starved it's unreal.

Has very mixed feeling about his tattoo being kissed. Would feel... weirs if you would kiss it during your casual cuddling session. He exposes it for the world to see, yes. But still, when it attracts attention of someone who knows the meaning behind it... Makes him a bit tense, it catches him off-guard. However, if you kiss it after a lovemaking session or when he shares some painful memories with you, he will feel reassured.

Will slowly start crawling out of his shell when he's with you. Before he only shared some brief memories of his past with you, now he'll start slowly opening up about other, much more painful stuff.

It still happens randomly and out of the blue. He remembers something, he tenses up. But now, instead of repressing this feelings, he shares them with you.

Don't push him too talk, he'll slowly open up on his own.

Loves waking up next to you. Especially if you're still asleep. Seeing the sun shining on your face fills him with love and tenderness. Only with you by his side he feels truly safe.

[starcurtain]

Hey! I apologize if this question has been asked before since it seems like a pretty obvious one, but where do you think the idea of Aventurine being a sex slave came from? Other than the obvious factor of it being something fun for the fandom to mess around with, I mean.

It's something I kind of took for granted as being true before playing his quest, but after finishing it I realized there wasn't really any indication. The only thing I can really think of is his master's comments about him having a good body. Is there anything in his behavior you can think of that would lead to this conclusion if it wasn't a popular fan interpretation already/kind of just an easy conclusion to reach with a slave character?

(also kind of related but what do you think of the idea that he sleeps around/with his clients to make deals? he's obviously willing to sexualize himself with the boob window, but that doesn't necessarily mean he goes further.)

As far as I can tell, the idea that Aventurine was involved in sexual slavery comes from three (maybe four) places:

First, the comment from the master about Aventurine's appearance. People were holding this comment up as refutable proof that Aventurine was used in sexual slavery on top of being tossed into the Hunger Games; however, the response from other players on this interpretation, especially the Chinese side of the fandom, was very mixed, with a lot of people pointing out that the context in the game probably meant the slave master was talking about Aventurine's ability to attract attention from fans watching the literal Sigonian Hunger Games, rather than having a direct sexual-slavery connotation.

Second, the comment from Sparkle about stripping naked and getting on his knees for Sunday. This one has way more implication in English than I think it might for an Eastern audience, actually. In English, this pretty much sounds like Sparkle saying Aventurine trades sexual favors for success in his gambles. However, I suspect the original intention in Chinese was more about humiliation. Western audiences don't have as much history with honor-based prostration, i.e. accepting corporal humiliation as a form of reconciliation that Eastern audiences might be more familiar with. And in any case, Sparkle is Sparkle. She probably just went for the lowest blow she could think of here.

Third, the general assumption that if Sigonian slaves were being chained, branded, beaten, sent to death matches, etc., it seems logical that they would also be taken advantage of in other ways. I honestly think this is probably the fairest take--many, many real slaves around the world faced (and still face!) sexual abuse, so if slaves from Sigonia were treated so poorly you could make them fight to the death for entertainment, it stands to reason they were probably also not safe from other forms of assault. We also have no idea what happened to Kakavasha in any of the years between his being a tiny child fleeing the massacre and then being purchased as a slave as a late-teens-early-twenties person. That's a very long time for a child to have to survive on their own on an extremely hostile planet and not face risks of all kinds or end up needing to do unspeakable things to survive. So I think this is at least not that far-fetched, although it's important to say there's nothing in the game that directly confirms this.

And fourth: I read a tweet semi-recently that stated that one of the Chinese (or maybe it was Japanese) names for a quest Aventurine was involved in was actually a reference to a book about a teenage sexual assault survivor. However, when I tried to verify this myself, I couldn't find any quest Aventurine was in that was based on a book about sexual assault in either English, Chinese, or Japanese. It's possible I just missed something, but I'm taking this one with a bit of a grain of salt currently, since I can't confirm it personally.

Regarding your other question, about whether I think Aventurine sleeps around to make deals...

I definitely think he does not, for one major reason.

First, I will admit that Aventurine is definitely willing to use his appearance to his advantage. This is pretty obvious. He wears incredibly flashy clothes, baths himself in cologne, overloads on glittering golden jewels, and absolutely calls attention to his appearance when working with clients.

We see him actively doing this in his Moment Among the Stars video, where he is clearly using his looks as an equal tool (to his wealth), to daze his target.

It's not an accident that he says things like "Use me as you wish," with all the explicit connotations preserved. The implication is there. However, unless he was absolutely backed into a corner, I think that implication is all it will ever be.

The reason I think this is that the devs go out of their way to give Aventurine three fairly noticeable physical behaviors in his in-game scenes:

For one, he has some of the most closed off body language of any character in the game.

Aventurine's default conversation pose is arms crossed directly and tightly in front of himself. This is like "Defensive Body Language 101." By crossing your arms, you put a symbolic barrier between yourself and the person you're speaking to, and also ensure that your hands are up and available in case you actually need to physically defend yourself.

Virtually all of Aventurine's conversations take place from this stance, no matter who he is speaking to (from the Trailblazer all the way to Topaz). He deliberately closes his pose off and tightens up his silhouette, which just sends a glaring "Don't touch me" message.

This closing off is also blatantly apparent when you compare it to the deliberately open poses he strikes while trying to make himself seem accessible to others (like tempting clients) or seem powerful (to intimidate):

Complementing this habit of closing himself off is a second noticeable aspect of his body language: He frequently avoids eye contact to the point that he even holds conversations while entirely facing away from the person he's speaking to.

I might be a bit lenient and say maybe he's doing this to on purpose to be mysterious, whoo~~ But... in all honestly, he just does this with everyone, even with Ratio while trying to talk about an actual important issue (wanting to look into Acheron's real identity). Hell, even the fake Aventurine does it to himself!

We can even say that wearing the rose-tinted glasses in the first place is another intentional barrier, one Aventurine deliberately removes in specific moments to give people the (false) impression that he's "letting them in" to his circle:

Now, this might be a bit more complicated in Aventurine's case, because eye contact has a whole extra meaning when eyes are the defining trait of your species and come with particularly challenging racial stereotypes. So it may be that Aventurine is simply used to conducting conversation while looking away to minimize racial prejudice against his eyes' unique appearance.

However, I'd also argue that the devs deliberately turned his entire model away in cutscene after cutscene to create a clear sense of being inaccessible, unapproachable, and unwilling to engage in the physical intimacy of standing closely, directly facing, and staring at his conversation partners.

While he faces away, he controls both the figurative and the literal direction of conversation, forcing people to keep their eyes on him while he is free to move as he pleases. Over and over again, it just says "I want to be the one in control. I'm not afraid to show my back to you, but you are not welcome to come near me."

And, in fact, that's a third aspect of his character's body language that I am sure the devs did not include accidentally: More so than other characters, many of Aventurine's conversations are conducted from weirdly far distances. Like, half the time he's talking, he's standing all the way on the opposite side of the room!

This habit of speaking from a-larger-than-normal distance is apparent in the first scene with Himeko...

And then in just about every other conversation too:

The bubble is twenty feet in every direction.

Like yes, he does approach and have conversations like a normal person... sometimes... But it is significantly more noticeable with Aventurine than with other characters that he often conducts whole conversations--even with his allies--from a distance. Just genuinely weirdly far apart.

Leaving space for Gaiathra, I guess.

And it's because these significant decisions were made with Aventurine's in-game body language that, when he deliberately alters his own behavior, it is instantaneously noticeable.

In 2.0, he closes the distance, the glasses come off, and he gets directly up in the Trailblazer's face.

It's uncomfortable not just because the player is suddenly being loomed over, but because this behavior has already been subconsciously established for the player as out of character for Aventurine.

The barriers the character himself was putting up are deliberately stripped away so that he can use physicality and demanding eye contact to intimidate his target. He has to reverse his own normal body language in order to come across as domineering (and, I guess if you're into that, appealing in a domineering manner).

And ummmm, just a tiny aside here because I can't resist:

This does mean that when the game goes out of its way to demonstrate Aventurine altering his own normal habit of distant and defensive body language, it is absolutely intentional.

Yes, this is a Ratiorine post in disguise. There literally isn't any other character in the game that Aventurine is shown being comfortable standing so close to and interacting with in this manner. This doesn't occur in every one of their scenes, but Ratio is the only character that this happens with repeatedly. It's not an accident that the devs literally added "They were walking side-by-side" as flavor text.

But look, I'll be fair: There's a great example of this in Aventurine's scene with Acheron too, where he closes the distance and attempts to make eye contact with her--seeking her guidance and closeness--and she is actually the one stepping away, speaking with her back turned, demonstrating her power and control (and issues with connection!) in that scene.

Anyway, this was a whole longggg tangent into analyzing Aventurine's body language, but my point is that, overall, the devs deliberately adjusted his model's actions in-game to give the impression of a person who clearly wants to be in control of every interaction he has with other people, who insists on distance over intimacy, and whose stances and habits suggest that he is significantly less accessible and open than his "Use me as you wish" motto might suggest.

Long story longer, I think that there is almost zero chance Aventurine is willingly ceding control over himself or the actions expected of him to anyone he isn't 100% comfortable with, and I think that using physical intimacy of any kind would be an absolute last resort for him. Frankly, he comes across as more likely to shoot himself in the foot than let someone he doesn't trust lay hands on him.

To me, he reads very much as "You may look, but you may not touch."

[raven-at-the-writing-desk]

OMG RAVEN YOU’RE INTO EVER AFTER HIGH? I love it but can’t talk about it bc none of my friends have seen it 😭 I wish it was talked about more, especially with how deep their lore runs. I love EAH’s dynamics with the complexities of destiny. If twst followed the same logic as eah’s world it would be so interesting. How would you feel if the worlds were to mesh together and how it would work? You can interpret that in any way you want; the characters meeting or twst being bound to the same rules and societal expectations of eah, or whatnot.

Also who’s your favorite eah character compared to your favorite twst character (Leona)?Jade, right?

And have you read the eah books? I haven’t, but I’m going to try to sometime!

Eah alt account when?

I'm still salty that the Monster High x Ever After High crossover movie never saw the light of day-- Part of the reason why I don't like Disney (I mean the faceless corpo, not all Disney products) is because they have such a strong association with fairy tales that it pushes other interpretations out of the market or it leads to people assuming Disney "owns" those fairy tales. Ever After High's lore and themes run so much deeper than most other fairy tale reimaginings I've seen (and I've seen a lot). It's such a shame it doesn't get the respect and recognition it deserves even though EAH is the one out here challenging the status quo whereas modern Disney is content with mediocrity that appeals to the masses.

I think EAH and TWST, at their cores, share similar ideas so combining them would work well. Friendship, self-identity, defining your own future, questioning what "good" and "evil" truly are... It's all there. I'd imagine that if Twisted Wonderland (or at least NRC) followed the same rules as EAH, then everyone would be descendants of their Disney counterparts. (This is actually a common misperception of what TWST was to new fans; people mistakenly believe the TWST characters are children of the classic Disney villains. This has never been canon.) Unfortunately, I'd have to take away the Disney villains being twisted to be "good" guys in Twisted Wonderland's world in order for this to work by EAH rules, so... There's that to consider. This, in turn, can result in the student body splitting into Royals (pro-following one's destiny) and Rebels (anti-following one's destiny). Perhaps RSA and NRC could be one school in this AU...? Just so we have a mix of "good" and "evil" descended children in the same vicinity as one another. A must-have are the constantly bickering Narrators!! It's only really when Yuu shows up that the majority opinion starts to shift. Maybe then Crowley becomes concerned with students rising up and fighting back against the system that relies on them being complacent to keep the cycle of stories going. I've seen some readings of EAH which theorize that Royals guaranteed a happy ending is a stand-in for privilege, and that interpretation leads into very interesting conflicts when we also consider that magic in Twisted Wonderland is a privilege afforded to few.

To cover just the dorm leaders (because covering all the TWST characters would make this post way longer), I definitely see Riddle, Kalim, Idia, and Malleus as Royals and Leona, Azul, and Vil as Rebels. Here's my thought process:

Riddle is pretty self-explanatory. He comes from a background where he's used to being told what to do by his mother and so he also heavily relies on her strict, unyielding teachings to play by the book when he goes out there in the real world. Riddle is inflexible and hesitant to go against the grain--and, more importantly, he fully believes that following the rules will lead to his happiness... that doing as his fairy tale ordains will lead to a happy ending. What happens to the Queen of Hearts is dubious in the end since it's framed as Alice's dream, so I think that vagueness gives Riddle hope that by behaving himself, he'll earn the happiness he desires.

Leona is a Rebel, and not just because that's the aesthetic of his dorm. Being that he is highly intelligent and demonstrates a lot of foresight, he'd be aware of what future is in store for him and aggressively fighting against that. It would make him more desperate than ever to prove his worth, because not only does everyone see his powers as terrifying, but they also see him as a future brother murderer and dictator that will bleed the land dry of resources. It'd make the situation with his family even more strained than it already is, not to mention the extra jealousy he must feel toward Cheka, who is still too young to understand what's going to happen later.

Azul is someone who acts like a Royal but is actually a Rebel. He acts polite and like he plays by the rules, but clearly he doesn't behind the scenes. I see Azul as the kind of Rebel akin to Duchess Swan... as in, he believes he can steal away someone else's destiny for himself. Azul would constantly be looking for loopholes to save himself. He's put way too much stock into becoming a better, stronger person and he'd want to defend this new life he has made for himself. His obsession with protecting his contracts could translate well here.

Kalim is a Royal because he's mega rich and has been sheltered from the concept of bad things that happen to normal people; he has nothing to worry about. It also helps that Kalim is twisted from a character that doesn't meet a bad ending. I think he'd be aware of Jami's doomed destiny, but Kalim is so ignorant that he thinks it'll just be fine and it'll work itself out. Part of his growth could be being forced to reckon with the reality that Jamil is suffering under the legacy assigned to him and accepting the role that he plays in that by not acting.

Idia is a Royal--or at least pre-book 6 Idia is. He's a very pessimistic guy and repeatedly expresses hopelessness about the future, bemoaning the curse he and his family have to bear. Idia doesn't want to try to fight his fate, he's already accepted that it will happen and so closes himself off from others to save himself that heartbreak. Post-book 6 Idia will have swapped over to the Rebel side thanks to Ortho reviving the hope in him.

Vil is a Rebel simply for the fact that he fights social conventions. He's already out here shattering gender roles, but finds it much harder to breach that expectation that villains are just villains and nothing more. Vil keeps getting rejected at every turn, told that it's impossible to rewrite his story, that his frustrations are the natural result of jealousy and an ugly heart that festers in side of him. He steels himself to prove that notion wrong, working himself to the bone to get up on that stage and stay on it, waiting to be lavished with praise that he truly is the fairest one of all. I feel this would be so fascinating for Vil's own arc about self acceptance; maybe he wears himself down emotionally because he HAS to basically be perfect due to his job but also denies himself normal feelings like anger and jealousy because confessing that you have such "ugly" feelings only validates that you're shallow just like the stories say you will be.

Malleus is a tough one, but I settled for Royal in the end. Maleficent is doomed to be slain by a sword, right? So am I saying that THE Malleus Draconia, who is infamously arrogant about his magical abilities, would lie down and take a stab like that? Of course not! However, I do think that Malleus is initially someone who values tradition and living up to noblesse oblige. As the future ruler of a nation, people's stories are relying on him to play his expected role out, which he'd be fully cognizant of. I also think Malleus would be afforded the luxury of not having to face his destiny as soon as his peers are due to his long life span. This is in part because the person destined to slay him doesn't come into his life for literally hundreds of years. Then when book 7 arrives, Malleus has to deal with his loved ones leaving and/or betraying him as well as the realization that this is his destiny: dying alone and unloved. That'd just break him.

ahdbiqwdbqwli I COULD TALK ABOUT THIS AU FOR FOREVER BUT I'LL CUT IT SHORT OR ELSE I'LL NEVER SHUT UP 😭

EAH has so many good characters and interesting storylines, it's hard for me to pick a favorite! I of course love Apple and Raven's dilemmas, but I feel like it's cheating to pick one of them as my favorite. The whole Wonderland gang is also fantastic... I'm a sucker for their aesthetic, but they're so fun and silly in general. Kitty, Lizzie, and especially Madeline are 👌

Mmm, when I think long and hard about it, I think my favorite EAH character has to be Briar Beauty, daughter of Sleeping Beauty. Firstly, I love all the pink, roses, and bramble in her design. Secondly, I love the layers to why she is the way she is. Briar's a party girl not because "lmao, wouldn't that be a funny haha subversion of Sleeping Beauty" but because she wants to live life up before she falls asleep for 100 years and literally loses all her friends and family to the natural passage of time. That's seriously so smart and such an inventive way to think about the trauma a descendant of Sleeping Beauty might have. Seeing Briar transition from one of Apple's besties and biggest supporters to an outright rebel is satisfying as heck. (Gotta take a moment to shout out this classic moment :3)

I don't know if I would compare Briar to Jade since they're entirely different characters. However, looking at the source material, I'm actually surprised I like Briar as much as I do since I have never cared for the story of Sleeping Beauty. A part of me finds this ironic since Malleus harbors a similar fear as Briar (losing loved ones) yet I see Malleus's desire as way more selfish and self-serving than Briar's. I believe that's because Briar doesn't have the same arrogance as Malleus, so I'm more forgiving with her. EAH's actual equivalent to Malleus is Faybelle, daughter of the Dark Fairy, but I don't like her as much as I do Briar (hence why I'm comparing Malleus and Briar, not Malleus and Faybelle).

I haven't read the EAH books but I want to one day! I'd prefer to borrow them since I don't have enough space in my room for more physical books, so as soon as I find copies at a library or something...

This blog has kind of become a place where I occasionally talk about my other interests, generally as it relates to TWST, my main interest. I'd like to keep it like this since managing multiple blogs can be so draining. It already takes quite a bit of time to regularly write responses to asks just on one blog!

[steddiealltheway]

Steve wakes up and feels like his head is being split into two. The light coming from his blinds is too bright, his mouth is dry as hell and tastes like shit, and why is his body so sore?

Yeah, fuck, he needs to stop drinking.

He groans and turns only to find that he's not alone in his bed. Oh, and he's definitely naked. Shit.

He tries to rack his brain last night for any type of memory as he checks the girl out. She's facing away from him and her wild curly hair is a mess scattered all over her face and Steve's pillow. But he gets distracted because the stranger has kicked off the blanket sometime in the middle of the night and well... she has a really nice ass.

Steve tears his eyes away. Maybe they didn't sleep together, and, if so, it is entirely not okay for him to stare.

...but it's a really nice ass... Plus, come on, they're both naked in his bed so...

A faint memory of the day before pops up. He remembers Robin, Nancy, and Eddie coming over at some point because they had planned to hang out earlier that day... right?

They definitely got into the pool at some point. At least, he and Eddie did if he remembers correctly, but that doesn't explain why this random stranger is in his bed and-

Wait... did he... did he kiss Eddie? Oh fuc-

The so-called stranger grunts in their sleep, and Steve's eyes snap to them. Yeah, he knows that curly mane and he has no idea how he didn't recognize it in the first place, and oh my god he was checking out Eddie Munson's ass. Is checking out his ass. Fuck, he needs to stop staring at his ass!

Steve does the only logical thing and shoves the blanket back over the boy and turns away. Okay, so all he has to do is put on some clothes, tiptoe the hell out of there, and pretend like nothing happened.

Because nothing happened... Right?

Right. Steve wakes up naked next to one of his best friends who is also naked and has been the subject of some of Steve's late-night thoughts for a while now and-

"Fuck," Eddie groans next to him and turns to lie on his back and brush the hair out of his face. "Where the fuck..." he trails off as he looks around squinting and blinking the sleep out of his eyes.

Well, there goes Steve's plan of running out of there and pretending nothing happened. He watches as Eddie sits up, lifts the blankets to peek under them, and then puts them back down. "Hey Steve?"

"Yes Eddie?" Steve asks as he turns his head to stare at the ceiling.

"I'm naked," is all that Eddie says, no joking tone just kind of listing the facts.

Steve nods and replies, "Mhm."

"You're naked."

"Yep," Steve says and cringes before slowly sitting up. His back protests, and, Christ, what happened last night?

Eddie nods his head with his eyes wide. "So, uhhh, do you remember what happened? If... anything happened?"

Steve squints and tries to think but comes up with nothing except... "I think I may have kissed you."

Eddie lets out a deep breath and nods again. "So, we may have kissed at some point and now we're both naked in your bed..."

For some reason, Steve decides to just accept the facts and goes on to say, "Yeah, and I don't know about you, but I'm really sore. So, I think we..."

"Yeah because I'm sore as hell too."

Steve puts his head in his hands and sighs, "This is not how I wanted this to happen."

There's a panicked chuckle to his right, "Yeah, man, if you just want to pretend nothing happened we can totally- wait." Eddie pauses and Steve can feel the bed shift. "What do you mean this isn't how you wanted this to happen."

Oh shit. Steve glances over at Eddie whose eyebrows are raised as he waits for Steve to answer. "Uh," Steve starts and clears his throat then runs a hand through his hair. Might as well come clean about this. "Okay, well since this already happened, let's just say anything we say can be completely like forgotten along with last night if we want that."

"Okay..." Eddie says and nervously fidgets with a thread on Steve's blanket.

"So, I think it's probably clear now but uh... This is definitely not the first time I thought of you in... this way. And it sucks because I would never want our first time to be forgettable or hell, not consensual. Oh, fuck." Steve runs his hands through his hair. Oh fuck drunk him, he's never drinking again. "Eddie I'm so sorry that I may have taken advantage of you and-"

"Fuck, I was scared I had somehow taken advantage of you. You have no idea how long I've wanted this," Eddie says in what sounds like one breath.

Steve's heart races. "Really?"

Eddie nods and then laughs, "Of course, the only way I would ever confess something like this was if I was drunk off my ass. I should've known drinking so much around you was a bad idea."

"Shit," Steve says and laughs. Honestly, it sucks that he has absolutely zero memory of the night before, but he's almost grateful to have been drunk enough to get his feelings across to Eddie... well... sort of. "Hey Eddie?"

"Mhm?"

Steve runs a hand through his hair and notices it feels worse than usual but he'll have to figure that out later. "After I shower, brush my teeth, make us breakfast, and start feeling human again... do you want to actually do something memorable?"

"Steve, are you asking me if we can do the deed again? Because I am more than happy," Eddie says with a wide smile.

Steve groans, "Oh, please don't call it that."

Eddie laughs and launches into multiple horrible euphemisms for having sex that Steve will never be able to unhear.

-:-:-:-:-:-

A few hours later, Steve kisses Eddie sweetly and whispers against his lips that he has to call Robin and he'll be right back. Eddie tiredly just hums and burrows deeper into his pillow.

Steve wanders downstairs and laughs again at the line of clothes he and Eddie had at some point stripped off on the way to his bedroom from the night before. This is going to be an interesting call.

Steve dials Robin's number and is glad to hear it's her and not her mom. "Hey, Robin."

Robin groans, "Are you calling to apologize for what you and Eddie put us through last night?"

Oh, shit, what did they do in front of poor Robin and Nancy? Steve sits on his counter and frowns. "Actually, I was hoping that you would fill that part of the night in since neither of us remember."

There's a sigh on the other line before Robin launches into it, "Well, for some reason you two decided to see who could drink more which turn into the two of you wondering who could swim better drunk. Let me tell you, you both were seriously struggling out there but refused to admit it, but Nancy and I had to stay because we were too afraid you two would drown. Then, you both got out and said you were freezing, and Eddie told you how he had heard that people with hypothermia can get hot really fast when they huddle up naked under the sheets."

Oh shit.

"Then, Nancy and I had to witness you two drunkenly stumble your way up the stairs while trying to take off your clothes, and you two would not listen to us telling you that maybe that wasn't a good idea. Luckily, when we went to check on you two, you were both already passed out. Now tell me how awkward this morning was,"

So... soreness because of all the swimming in the pool. Stripping to get wet clothes off... and, "So you're telling me Eddie and I didn't get drunk and sleep together?"

Robin cackles on the other line, "Please tell me you dinguses really believed that."

Steve takes a deep breath and confesses, "Is it worse that we decided that if we had no memory of it then maybe we should make a memory of it?"

The cackling stops on the other line before Robin whispers, "No fucking way."

Steve nods then realizes Robin can't see him, but he remembers something and asks, "Wait, I remember kissing Eddie! What about that?"

There's a pause on the other line and Robin says, "Maybe that happened but..." There's another giggle on the line. Oh no.

"But what?"

"I think you're remembering when you kissed us all on the forehead and wished us goodnight - including Eddie."

Steve groans and sighs, but all things considered, "I'm really glad I didn't call you and ask you about it this morning," Steve confesses.

"Yeah?" Robin asks and Steve can hear the smile in her voice.

"Yeah," Steve says. "But I have no idea how I'm going to tell Eddie."

"Tell me what?"

Steve jumps and turns to find Eddie standing in the doorway to his kitchen.

"Have fun!" Robin says with another laugh before hanging up.

Steve sighs and starts, "So, funny story..."

Eddie ends up laughing his ass off while Steve sighs and goes on about how Robin will never let him live it down.

But he won't lie, he's absolutely relieved that his first time with Eddie was sober and entirely memorable. But he's also still convinced that drinking around Eddie is definitely a bad idea since he ended up sleeping without washing the chlorine out of his hair.

The things he does for Eddie Munson...

[immaturityofthomasastruc]

EVEN MORE SPOILERS FOR SEASON 6

I figured since I already read it, I'd give my thoughts on the recent interview Astruc and Thibaudeau took part in.

Due to incompatibility with the new animation engine, SAMG will not be working on the next seasons of ‘Miraculous’. The series is now being developed entirely in France, with the integration of Dwarf Animation.

Okay, props for no more outsourcing, even if I'm not sure what this means for the other ZAG shows.

Season 6 is considered to be “a new beginning”, aside from being a new story arc. It is sometimes referred to by the writers as Season 1.

I'm sure that isn't confusing to the executives at all. Also, maybe don't imply you're starting from scratch when you're already reusing the plot of the main villain using the Butterfly Miraculous.

The writing team already has concrete ideas for how Seasons 7, 8 and 9 will begin and end. They also have ambitions to make it to a Season 12, only if the support of viewers and executives allows them to do so. With this, they emphasize the fact that they would not continue with the show if it were no longer needed or interesting.

So basically, they're planning to keep this up for as long as they can until someone pulls the plug.

The opening of the sixth season is still undecided. They are still discussing whether they will change the musical arrangement or not. Thomas also considers the possibility of making a brand-new theme song. A song has been confirmed for S6. They have the music, the arrangement and a female singer. The character remains unknown.

Imagine how funny it would be if they brought back the woman who sang for Marinette in the movie instead of having Cristina Vee sing again.

Despite leaving Paris at the end of ‘Revolution’ (5x23), Chloé Bourgeois will return in Season 6.

Putting aside all the things I've said about her "damnation arc", what is even the point of bringing her back at this point? She has no powers, no influence, no allies, and isn't a threat of any kind. This makes her not being the next Hawkmoth make even less sense, becuse she has more of a reason to hate Ladybug than Lila does.

Also, with the news that Chloe is coming back, this means that she essentially escaped punishment or at least found a way to rebound like Lila did. So that's a grand total of ZERO villains who actually got punished for their actions after five seasons. I'm starting to think Ladybug and Cat Noir really suck at their jobs.

Sebastien Thibadeau: “[Cerise] (IOTA: I'm still calling her Lila for simplicity's sake) is a villain without costume. She is a villain all the time. There is a reason why, but this reason, neither I nor Astruc will reveal to you yet.” Interviewer: “You mean you already intend to tell it?” Thomas Astruc: “Yes. And you know what, we have already told it, but you haven’t noticed.”

Translation: Ladies and gentlemen, LET'S GET READY FOR RETCOOOOOONNNNS!

Seriously, we are approaching the sixth season of this show. It has been eight years since Lila first appeared all the way back in "Volpina", and we still know nothing about her other than the fact that she has some three moms for some reason. You can't pull the whole "This is something you need to rewatch to understand!" excuse because the last two seasons hinged on breaking the rules about Sentimonsters.

Speaking of, I love how this comment about Lila accidentally implies that Gabriel never did anything evil when he wasn't Hawkmoth/Shadowmoth/Monarch. All that emotional abuse and isolation Adrien suffered was all out of love!

Thomas Astruc on Chloe redemption arc: “We put the characters in situations, and then we say to ourselves: “what would be the logic?” How would the character logically react in “such and such” a situation? And we tried, we tried everything. But every time, we say to ourselves: “if we write this, it’ll be wrong”. There’ll be no reason, it’ll come out of nowhere, the fact that she’ll face something nice and say: “Oh, I’ve been horrible, Marinette what have I done! From now on, I’ll be...” No, nonsense. I understand people’s desire for Chloe to be nice. I’d like that too. But I’d like it if in real life, people with a lot of power suddenly started doing nice things. But Chloé has no interest in changing. She has no reason to change, unfortunately.”

Ah, yes because Gabriel (Global terrorist and abusive parent), Felix (Betrayed Ladybug and temporarily wiped out all of humanity on a whim), Nathalie (Willing accomplice to Gabriel) Andre (corrupt politician and Chloe's primary enabler), Sabrina (Willing accomplice to Chloe) all had compelling reasons to change their ways.

Also, "I've been horrible, what have I done?"

MY BROTHER IN CHRIST, THAT'S HOW VIRTUALLY EVERY REDEMPTION ON THIS SHOW IS EXECUTED.

The fact that he's seriously acting like he actually wanted to write a redemption arc is insulting. Not only does it ignore all the things he's said to fans who were upset at the turn of events, but it makes no sense for him to take this stance because he's a writer. If Chloe turning a new leaf is too strange of an idea, then write an actual character arc allowing her to progress to a state where she recognizes what she's done is wrong. You control the character for God's sake! It's not like you're training a dog to stop humping the couch. You can change things to make a redemption arc possible.

In other words, Astruc is either lying to save his ass, or THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES about writing characters.

Sebastien Thibadeau talks about Andre's character development: In contrast to Chloe, “Andre Bourgeois evolved as a character because we had already imagined a back story. He had the potential to change, and that’s where the beautiful scene comes from — I think it’s magnificent — between Gabriel and himself on the roof of the Grand Palace, where he says: “But Gabriel, what’s become of us? We’ve forgotten the kids we used to be”. But we [writers] know what kids they used to be, and we’d like to tell the story one day, to show what young kids they were, when they were struggling through Paris and weren’t yet what you’ve come to know in the series. He’s sad about what’s happening to his daughter [Chloe], and he’s trying to change it, but he can’t. He is proof that a character can change.”

This. This right here is what cinched it for me. I've tried for years not to say it because it's a word that has been flung around a lot over these last few years, but I feel like this little snippet is enough of a reason for me to say it.

These writers are sexist.

They may not believe it, but whether they intended for it or not, they wrote a story arc where a grown man was shown to have more sympathetic qualities than his daughter. How the hell can you defend it in a way that doesn't highlight the misogyny that this show runs on?

The fact that they gush over how much "potential" Andre had right after saying how that same kind of potential wasn't enough of a reason to attempt a redemption arc with Chloe really shows how confusing their priorities are. I'm sorry to keep saying this, but for a show that takes a heavy anti-capitalist philosophy, it seems like the members of the 1% are the characters who get the most depth and sympathy... unless you're under 18 and lack a Y chromosome, that is.

A meeting will be set up in the coming weeks to decide on whether or not to make a live-action for ‘Miraculous’, Thomas Astruc reveals.

As a former Arrowverse fan, I'm willing to see this out. Not only did the Netflix One Piece series prove you can make an animated property work in live-action, Ladybug & Cat Noir: The Movie managed to do really well even without the usual writers behind it.

Thomas when asked about Gabriel’s wish in ‘Re-Creation’ (5x26) and whether he brought Emilie back to life: “All the answers are in the episode.”

For the love of--STOP SAYING THAT!

You keep claiming that we just need to rewatch the episode to understand things, but between the continuity errors and abandoned subplots, it's hard to tell what's important and what isn't. Either say "No comment" or give us an honest answer.

If people are still confused about how the season ended after almost a year, and you keep giving answers like this:

Maybe you need to change the way you tell the story.

Astruc when asked about ‘The Supreme’: “Oh, if only you knew... Nothing we do is meaningless.”

Sebastien Thibadeau on Season 7: “Once you’ve seen the start of season 7, I can swear you’ll watch season 6 a second time. That’s all I can say.”

Because it'll make Season 6 look like a masterpiece by comparison?

Thomas Astruc on the worldbuilding: There are Kwamis and Renlings, what makes you think there aren’t others [creatures]?

I swear, by the time we get to Season 10, we're going to get stuff like aliens, demons and talking mushrooms, or at least something ludicrous like that.

Zoe had a love at first sight when she met Marinette in ‘Sole Crusher’ (4x07), they confirm.

Of course! That's why it wasn't framed any differently from something like the umbrella scene and Zoe showed absolutely no signs of attraction to Marinette! It's genius!

Executives had Thomas write several alternative concepts for ‘Miraculous’, very different from what we know today or even the early PV. Among them, “a concept where Ladybug is the head of a group of superheroines, like Sailor Moon. There was no love story.”

Can you imagine a world without the Love Square?

The script writers’ favorite episode is ‘Simpleman’ (4x19) as it represents a personal, work and family attachment. Marinette’s grandfather, Roland Dupain, is inspired by Thomas Astruc’s grandfather.

Okay, either Astruc had a complicated relationship with his grandpa or he's been dead for years. While I understand that older generations have outdated views (for example, my great-grandmother yelled at me for saying I wanted to learn Japanese because "They tried to kill us!"), the fact that a caricture of a grumpy old man was based on his grandpa is a little concerning.

Also, between this and Sabine being based off an old flame of his, this only makes the theory that Chloe is based off a real person Astruc knew more plausible.

Astruc: “This is why our work is so difficult. We have to manage to bring in this generation of younger ones, and at the same time, we have to satisfy the generation that was here before and that grows with the series.”

First, if you're trying to please older fans, maybe don't get into fights with them on Twitter.

Second, you made a thread after "Simpleman" aired where you insulted fans for not getting the "meta" element to the episode and compared them to the character you just said was based on your grandfather.

You've also been burning away a lot of the older fans' goodwill over the years. Trust me, I have a few examples.

Despite sharing a similar appearance, the symbol on Nino’s T-shirt is not related to Hack-San.

Okay, is this a fan theory I missed back when Season 4 was airing? Why would anyone draw that conclusion?

Thomas Astruc talks about Season 6: “I’ll say it sincerely, I was very doubtful at the end of Season 5. I said to myself: “if we were to continue, how would we exceed?” Well, we did. It’s been a great season. The new writers have brought us a lot of great stuff. All the episodes we’ve written in Season 6 are fabulous. Each episode is on point, there is no unnecessary lines. All the scenes are really interesting, really well-crafted.”

Translation: Tons of filler, bad comedy, reused Akumas, and more Love Square drama that we're trying to claim hasn't been done before.

Thomas when asked if Marinette will get akumatized: “We never give any information about what may or may not happen.”

JUST. SAY. NO. COMMENT.

There are many important details throughout the series that no one has noticed. Thomas says that when we see the next seasons, we’ll think, “Oh, the writers had it all planned.”

You know, like how Season 3 established that Sentimonsters can be sent out of control by Cataclysm a few episodes before Adrien, a Sentimonster, gets hit by a Cataclysm and is affected in a different way. It was all planned from the beginning.

The Ladybug PV was an animation test and was not intended to be public. Jeremy Zag decided to leak it himself.

Honestly? Dick move on Zag's part. You have to wonder how pissed off Astruc was.

According to Thomas Astruc, what the ‘Miraculous’ series is today represents only 5% of what he wrote in the original bible he presented to Jeremy Zag. “The universe has evolved a lot since. I don’t know if the ideas I put there will be reused someday. It was very extensive.”

Thomas Astruc and Sebastien Thibadeau discuss the parallels between Marinette and Gabriel: Astruc: “Gabriel’s personal back story is the cause of his misery, not his will. And above all, it creates a beautiful mirror with Marinette, which is what’s interesting. They both have a lot of love for Adrien, they’re both designers, they both have a Miraculous, but it’s other choices.” Thibadeau: “That’s what makes it a great hero-villain contrast. Even if they don’t know it from the start, they have a real point in common. As we see at the end of Season 5, they both love Adrien. Except there’s one who does it by doing the right thing, and then there’s another who does it by doing the wrong thing, hurting people, to get there.”

And the one who did the wrong thing by hurting people ended up winning. What does that say about the contrast?

------------------------------------------------------------------

And that's it for the interview. I have to say Season 6 does not look pretty so far.

[peppermintquartz]

The second time Tommy meets Philip and Margaret is not under the best of circumstances.

Maddie is wrecked with worry, Jee is confused about why her daddy can't sleep at home and why her Uncle Buck isn't here, and Tommy himself is approximately three broken Kit-Kat bars from completely snapping.

So when the Buckley parents show up at the hospital, Tommy is not in the best of moods.

"Why are you here?" Margaret says when she sees him, instead of asking "How's my son?"

"Because I'm waiting for the outcome of the surgery," Tommy says, pretty curtly, but after fourteen hours following a full shift he is about to keel over. He's seated right now, having no further energy to pace, with his elbows on his knees, his head aching from the fluorescent lights and endless activity all around him, and his heart steeled against the worst possible outcome. "I mean, it's certainly not for the ambience."

"Maddie called and told us that Howard and Evan were in the building when it collapsed," Philip says before Margaret can react to the sarcasm. "We wanted to be here for Maddie."

"For Maddie, of course it's for her," Tommy says, and he is so beyond sick with worry that he can't force aside the irritation nor hide it with civility. "She's gone home with Jee-yun. I promised to keep her updated. If you're looking for her, I suggest doing so tomorrow morning when she's had hopefully at least an hour of sleep."

Margaret glances at the light above the operating theater doors and wrings her hands. "How long has it been? I can't bear this."

Tommy doesn't even look at his watch anymore. "Fourteen hours, thereabouts. Howie's just come out two hours ago."

A whole building. A three-storey building. Howie was on the top floor, so he was freed from the rubble first. Evan was on the ground floor. The 217 and the 124 had been on the scene, Tommy flying five casualties from the wreck directly to hospital, one of whom was his friend. All the while he had to internally battle the screaming need to claw apart the debris, with his bare hands if necessary, to get his Evan out of there.

Philip hugs Margaret. "He'll survive. He's always done so, since he was a kid. You know how it is with him. Scrapes and cuts and falls. He'll come out of this without trouble."

"I can't bear waiting here," Margaret whispers again. "You know I don't like..." She shuts her eyes and shakes her head.

"I know, I know it feels like it's Daniel inside, but it isn't."

And Tommy loses it.

Logically, he knows that Philip is merely trying to reassure his wife. Logically, he knows that they are trying; the mere fact that they are in hospital to check on Evan and Howie is a statement that they are trying.

Every other part of Tommy, however, explodes with incandescent rage.

"Daniel? Daniel?! Evan's in there, fighting for his life, and you can't even focus on that?" he spits out. "The only reason why I am even talking to you is because you made Evan. You brought him to this world. And you don't deserve him. Every day I see how much he loves, how openly and how bravely he loves, and to know that you both treated him the way you did... And now you come here, to the hospital, and you talk about being here for Maddie and, and thinking about Daniel, instead of your son who could've died today!"

Taking a deep, shuddering breath, Tommy realizes that he's on his feet, his fists clenched, towering over two older persons who are shrinking away from his six foot two frame. Suddenly drained, Tommy licks his dry lips.

"Go see Howie," he says in a low voice. "You probably can't go in yet, but find out what you can to tell Maddie."

Philip clears his throat. "You'll let us know when Evan is out?"

"I'll call Maddie." Tommy sits again and stares at the wall opposite. Green. Dull, lifeless, bland hospital green. He hears the Buckleys walk away. "Philip, wait."

"Yes?"

"Sorry about the outburst. Also, you're supposed to call him Buck. Remember that."

Philip sighs again. "Of course. We'll see you later, when Ev- Buck is out of surgery."

[s1ater]

the only thing that matters.

pairings. finnick odair x fem!reader

about. finnick is the only one to have ever gotten past your quiet and stoic shell, but neither of you think it’s for the good.

warnings. eh idk

ricky rocks. the hunger games series is honest to god one of the best to ever touch screens.

johanna hated watching you and finnick. it killed her.

since day one, johanna, like all of the others were closely fixated on you and every move you made. you were alluring solely due to the fact that you were silent and completely detached from the destruction of your reality. there was a large admiration for you and whether it was due to your great skill in combat or ability to keep an unwavering face when under the worse of pressure, no one could choose. you were a mystery.

johanna couldn’t figure you out; not for the life of her, and it was absolutely frustrating. especially when her greatest competition did.

of course. of fucking course it was finnick. she wasn’t surprised the more she thought about it—finnick could get anybody to talk. so of course it had to be him who would unravel you like a ball of yarn.

he was prying, and had no problem with being a pest if that meant he got what he wanted—and he always got what he wanted.

it was astounding to say the least.

“they’re sickening aren’t they?” katniss almost jumped at johanna’s jarring words that interrupted the silence.

it took her a moment to realize that the girl was talking about you and finnick and johanna had caught her staring.

“i don’t know… i think it’s interesting,” katniss bit the inside of her cheek as she watched finnick smile genuinely while watching you speak. the two of you were the only thing keeping the group from not seeming depressive. “they seem like polar opposites and yet this is the first time i have ever seen her smile… and it’s because of him.”

once you had gotten out of the blood rain with johanna, crossing paths with katniss and finnick and the rest of their group—you had begun to clean yourself off in the water before finnick had dunked you with reunition. there was no reason, and katniss had thought you would kill him once you came back up, but there you had been; gut laughing, trying to catch your breath while also attempting to return the favor.

johanna chuckles, “he’s a fucking dickhead for that,” she tsks, shaking her head, still watching the two of you, “but i guess it’s sweet in some fucked up way. both found each other amidst of all… this.”

she hated watching the two of you, because it reminded her of something she couldn’t have, something she lost, and something the two of you could so fastly lose as well with any wrong step.

“this is where we finally die, isn’t it?” your eyes watch the calm waves as they slowly wash up further onto the shore, just enough to kiss your feet.

your words make finnick narrow his brows, almost frowning real hard as he looks over to you. you feel distant, out of body and too far for him to reach and yet you were more than close. he feels uneasy at the tone of your voice, like you were almost ready to give up.

“far from it…” he slightly tips his head to look at your face, but he sees nothing, receives nothing despite his hope that you’d be in touch and full of emotion like all other times the two of you have been together. “hey, why?”

his hand holds your shoulder, almost reaching for your face, but you meet his eyes before he could further do so. the concern melted into his face made you inhale sharply, feeling slightly bad for causing the borderline stress in his eyes, “finn, i didn’t mean it… like that.”

“you ready to give up on me?” his eyebrows raise, trying to curve his lips in a accustomed smirk, but you can still see the worry.

“not yet,” you shook your head, almost scoffing as you look back out to the sun sinking into the trees, “just thinking.”

“think more logically, y/n,” he settles more comfortably and over the panic, using his index finger to lightly you tap on the side of your cheekbone. “if i die, who’s going to be your friend? keep you alive?”

you rolled your eyes, mumbling, “we both know i’m more than capable keeping myself alive.”

“we do,” it wasn’t the answer he was looking for. “but outside of the games, what’re you going to do with yourself?”

you shook your head at his silly scenarios, now looking to him with something he didn’t like, “we just try to die together then.”

“she’s the only thing he cares about,” johanna stares harder than katniss was, watching the way his hand clasps the back of your neck while pulling you closer to him. “truly.”

“this is unlike you. since when is death a concern to you?”

“since i met you,” you purse your lips, almost in shame that an obvious dent was made in your principles when you met finnick. “you make me feel so helpless.”

he chuckles, shaking his head at the words coming from your mouth that some could find offense in, “oh, i know you love me.” but it was finnick, and he knew your meaning behind them and he knew exactly how you felt.

before, you were both considered some of the capitols top killers with nothing to lose. but now, everything seemed to not be in your favor the moment you met each other. you had everything to lose now and you both knew it.

“we’ll be the death of each other, y/n.”

navigation.

@transias @cc13723things @thehuntress09 @afidiofobia @savedbythegraceofsoutherncharm @demigirl-with-problems @nyx3028 @missaryasstuff @hizziestial @ritz-hell-hotel @kayalect @mystic-writings @stitch-flo @ancientimes @s0urw00lf @straightzoinked @i44nishi @falcvns @alexxavicry @grxcisxhy-wp @lupinsluvbot

[clairedaring]

if you're hoping for joe 2.0 to get his 'revenge' in the second half of the series...

warning: mild novel spoilers (but also not really because i'm just discussing things that have been shown in the trailer)

i really think you should either drop the series or give up the hopes of a satisfying makjang revenge storyline in my stand-in instead of setting yourself up for disappointment. because that simply isn't the story that my stand-in is trying to tell.

so what is my stand-in about really?

well, for me i think its a romance tragicomedy drama about an idiotic scum male lead losing the person he loves most because of his own arrogance and refusal to listen to his heart and the series of unfortunate events that happened consequently for our protagonist who was living a peaceful and quiet life as a stunt actor before the scum male lead entered his life.

joe 2.0 and his approach to life

i've mentioned it twice now that one of my favorite traits of joe/zhou xiang is that kindness in his strength where even if he can be choose to be mean or cruel, he simply doesn't because he has such a soft heart and he's weak to see others in pain (joe is my fellow enfp people pleaser okay) (⁠っ⁠˘̩⁠╭⁠╮⁠˘̩⁠)⁠っ which is why even in his 2.0 life, you won't get to see joe turning 180 degree and going around to hurt everyone who's ever hurt him like it's some makjang kdrama.

and while that seems like it could be fun, i think the reason why i loved professional body double (my stand-in novel) so much in the first place is because that very distinction between joe and other rebirth/second chance at life protagonists that you often see in revenge kdramas/cdramas/thai lakorns.

logically, if my stand-in was a 24-episode one31 lakorn/thai soap opera, joe would be full of hatred and burning rage after his rebirth and started his intricated revenge plot while still falling in love with ming whom he should hate the most.

and yet he isn't (or at least it seems to me so far).

if you read the lyrics 'Die For You' - the opening ost of my stand-in, i think you can have a good guess of what the second half of the story will be like.

Even running away to death can't help. If my heart had chosen to stop at you I'll have to surrender with the confusion I feel. To come back to the same old place. Even if I have to die, disappear and then be reborn But the love is still buried deep inside, even if it's been shattered into pieces Even if my life ends, I can't stop my heart from calling out to you Because this whole body, life, spirit It is yours only, for all eternity.

and even from the trailer of my stand-in, you can tell that joe 2.0 has a lot of internal conflicting feelings about whether he could trust ming again after the betrayal he faced in his 1.0 life. and i feel like essentially the journey of ming proving to joe 2.0 that he really does love joe is very much the central plot in the second half part of the story.

so i'd like to take this part to note how well the series has done to adapt the novel so far. i think a good adapted change they've made is this early realization of feelings for ming in the joe 1.0 timeline. i do think the novel made him realized his feelings a little bit later but my stand-in did well to show within ep.3 what happiness could have looked like for joe 1.0 and ming and i think it rationalizes a bit more more for why joe 2.0 would still have feelings for ming 'buried deep inside' even when he's been badly hurt the first time around. and reading the story i've always found it interesting that they took this route to focus on the re-entangled complex relationship between mingjoe rather than going for a joe-centric revenge makjang plot (i swear if this was your typical thai lakorn, joe would seduce ming while planning to take down his whole family or something).

of course, that's not to dismiss that there's a lot of character growth for joe in the second half of the story, especially in his building of self-confidence, self-worth, the ability to put himself first and the fight for his own happiness above all. but like i've mentioned above, his growth journey is not at the expense of a drastic personality change in regards to the kind hearted joe we saw in his 1.0 life. instead, we get kind hearted joe 2.0 who quickly adapts to his new life and attempts to start anew while conflicted feelings resurface for him as he is pulled back into the relationships he once had.

all in all, my stand-in is still at the heart of it, a love story. perhaps, a dark romance as my friend @dragonsandphoenix would call it, but a romance nonetheless. i think that is what also makes professional body double such a compelling read too, because the progression in the feelings and complex emotions of these characters are so tightly written that it's convincing enough for me (maybe not for others though) to believe that yan ming xiu has/will always love zhou xiang (to the point ymx would probably eliminate anyone else who dared to steal zx from him). obsessive love? yes. do they both need therapy? probably. yet i still believe in their happy ending? of course.

final note/disclaimer: then again, this is just my PERSONAL opinions based on the novel and up til 3 episodes of my stand-in (which seems to be very faithful to the novel so far), who knows maybe they can anger novel fans and adapt it completely differently later on (something i sure hope they don't but we'll seeeee) ƪ(˘⌣˘)ʃ

[fellshish]

I understand that. Michael Sheen is attractive but the more I think about Aziraphale, the more he pisses me off because the worst thing he could have said was turning Crowley back into an angel. Crowley hates heaven and doesn’t wanna be an angel. Why does Aziraphale refuse to admit that both heaven and hell suck and why does he say that Crowley is a bad guy when he isn’t one?

Don’t worry, I didn’t think you were calling Michael Sheen unattractive :))

Ok, a lot to unpack here. But i love thinking about good omens so thank you for asking.

First of all, Aziraphale didn’t say Crowley is a bad guy. Crowley said that they asked him back to hell but he’s “not rejoining their team” and he said no. To that aziraphale replied “obviously you said no to hell, you’re the bad guys”. Not the most diplomatic way to say it, he should have said “they’re the bad guys”, but beneath the words is this: he thinks it’s logical crowley said no because he doesn’t think crowley is a right fit for hell. Because crowley is good.

Does he think crowley is right for heaven, then? Not as is — but perhaps as it could be. They could make it better, together. Crowley would be safe there: no longer hated and hunted by heaven or hell. Under aziraphale’s protection. The metatron made it very clear he knew what him and crowley had been up to for all those years, and there was a veiled threat in that, in my opinion.

Now aziraphale & heaven — it’s complicated. Aziraphale doesn’t like thinking about it. He likes living in blissful ignorance enjoying human delights such as books and theater. The last thing he wants to do is work. And over the past 6,000 years he has learned to see shades of grey but he’s also been unable to make real changes. And overall he considers heaven to be better than hell, still. There’s no real alternative.

His choice at the end of season 2, to me, makes a lot of sense. Let’s put it this way. Let’s say you’ve been working for a big charity for the longest time. There are flaws in the company: not everyone who deserves it, is getting help. The charity is being run really badly.

Then, they offer you a new position. You can run the charity. You can change it, but it’ll be hard and you’ll have to give up your current life. Your best friend says: we should just run off together and be happy together. Could you turn your back on the charity? Knowing you could’ve made a difference — or at least tried? That there are people who need help, that aren’t getting it, because you made a selfish choice?

Aziraphale and crowley both have their own flaws in their reasoning, their own motivations. I don’t think aziraphale is more wrong for choosing heaven than crowley is wrong for wanting to be cut off from everything.

The truth is this: the second coming is being put into motion. Aziraphale and crowley are humanity’s only hope.

Aziraphale thinks he can make a difference by influencing heaven. I don’t think he’s mean, or out of character, for that choice.

I do think he should tell crowley he loves him though.

[cer-rata]

An incomplete but very angry diatribe about the missed potential of the Star Sapphires

So back in the day Geoff Johns and co decided to open up the Green Lantern mythos and add some more flavor and expand the concept of sci-fi tech powered by elemental emotion to more than just willpower. Which yes, is not an emotion, we ignore it and move on.

Anyway we got some really cool stuff! A rage tyrant fueled by experiencing incredible injustice on a personal and cosmic scale, whose vendetta twisted him into something terrible. An avatar of greed who was never allowed to have anything, not freedom, not family, not safety, who takes and takes and takes to fill a void that can never be satisfied. A priest who lost everything but presses on through his unshakable hope that the future can and will be better. It's a lot of fun stuff!

So in this great creative re-imagining, they had to do something clever and fun with the idea of an all female corps powered by love right? They took the opportunity to move past the purely romantic, sexual idea of love and the obsessed femme fatale archetype, because they had the chance to really explore different types of affection now that there were a bunch of different avatars with different stories to pull from right?

Right?

Nope! The only Sapphires we ever learn about are heartbroken over a cursed romance like Carol, grieving a dead fiance like Miri Riam, forcibly mind controlled to be one like Fatality, or just Miss Bloss who...kind of said she wanted to join up? No clue what her deal is, as far as I'm aware that's never really explained. And then we just never learn about anyone else, and still haven't. The hell is "The Lost Sapphire"? No idea, we'll likely never know.

It's frustrating because not only is this a glaring example of the depth of plotlines offered to women in comics compared to their male counterparts, but also a wild lack of imagination. Love is one of the most complicated emotions we experience. Fear, anger, hope, all pretty easy to quickly define. Love is multifaceted, cultural, incredibly contextual and a factor in so many different kinds of relationship. Just thinking logically it should be much easier to flesh out the motivations of a group pulling from such a nuanced source of power, versus something as clear-cut as rage. But no, the red lanterns got so many varied reasons for their rage, the male ones especially: Bleez being the woman was of course given the SA narrative, which I don't think is inappropriate on its own, that's an incredibly valid reason to be angry, but as the ONLY truly prominent female Red Lantern it's like...c'mon guys. But still, at least she and Atrocitus had different reasons for becoming what they are, and that variation was played for plot and drama.

But there's not a single Star Sapphire that personally champions something other than romantic love. And before you shoot me, it is explicitly mentioned that they DO protect other forms of love, so there's no reason for them to all be sexy and obsessed with kissing people. There are no Sapphires that are driven by:

The love of their children and families, even in a tragic sense, like Atrocitus and Saint Walker and Larfleez are...

Their love of their people, or their culture. It would have been interesting if Fatality was inducted BECAUSE of her pain at losing her world, but no, they just...replaced her anger with lovey vibes and called it a day.

Their love for nature. Not everyone is social, but social love isn't the only way to strongly experience the emotion.

Their love for themselves. Where is the fun narcissistic ass who loves their own self image to the point of getting powers? It would have been a fun twist and a cool way to get another villainous Sapphire if you wanted to.

Their platonic love of ANYTHING really. Are ace/aro people just...not capable of love then? It doesn't mean anything to be willing to drive cross country to help a friend move just because they needed it and you care? No? You need to be fucking for it to count?

It's like...fascinating if you really think about it. In this vast fantasy universe full of alien races with wildly different perceptions and life cycles, and where the other corps have plenty of non-human, truly alien looking members, that the women's only love corps is full of only hot hot scantily clad baddies. Most love that people experience in their lives isn't even romantic! You will have far more experiences with friends and family members and even loving strangers than you will have with romantic partners.

Like the reason is clearly sexism, duh, but we know sexism is bad, that's obvious, what I really want to make clear is how much this blatant, unexplored sexism just completely desecrated the potential of the worldbuilding here.

From another angle even: Let's say this this WAS the sex and romance all the time corps. Let's say that you wanted to keep it all women. I hate the idea that women are capable of love in a way that men aren't, that's such a bad take and just regressive and unhelpful, but let's just play ball for a moment. They're not even hot? Their designs are such ridiculously narrow versions of feminine attractiveness that they're not even successful at really being mass appeal sexy. I haven't even reached the point of complaining about the fatphobia and criminal lack of different body types yet, I'm still just saying that from the standpoint of fantasy sexy it's not even good at being stereotypical offensive fantasy sexy. It's just boring! They're all so visually boring! You can be scantily clad and still have an interesting and coherent character design! But that is not what they gave these women! They actually redesigned the classic Star Sapphire costume and made it MORE sexist and boring:

Yeah it was cheesy but it was also cute and fun? The design is playful classic sci-fi girl and this is when she was still a dangerous unhinged villain. Its fun to look at and feels tonally coherent next to Green Lantern.

And then they just...

No actually, I will not explain this one, you have eyes.

And yeah they fixed her costume finally,

But! She's still stuck as Hal Jordan's romantic punching bag, and has not gotten to have any new adventures on her own.

So.

What I'm saying is it's a flop all around. 2/10, and only because despite everything Fatality STILL managed to serve. I actually think that all of the corps have been poorly used since blackest night, even the greens actually, but they never even gave the Sapphires a chance. They last showed up in...a WW annual I think? During the whole dark gods event, they needed Diana to help them fight the evil god of love, and there was a guy in the corp finally, and they talked about sisterhood and then we haven't heard a peep from them since. I think Carol might be due to get her ring back in the GL ongoing but she's not really been treated well so far, so I'm not hopeful for anything fresh and well reasoned.

So my lovely ladies (and that one unnamed guy), until they let you get it together it may be time to