#that's something i can't help but think

[dawnthefluffyduck]

Sunday doodles

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[fairsweetlonging]

time travel au where liu qingge and shen qingqiu (yuan) end up accidentally traveling a decade back in time before luo binghe was amitted to qing jing peak and before shen qingqiu had his qi deviation, but after their generation has risen to peak lords.

which means, shen yuan realizes quickly, as they're accosted by said peak lords, that he will have to face shen jiu.

as they're being cleared for demonic energy and the likes, mu qingfang of course instantly detects the poison without a cure eating away at shen yuan's meridians. liu qingge pulls a copy of the treatment plan out of his sleeve (shen yuan blushes a bit, did liu qingge always keep that on hand?), and just like in the current timeline, they agree to keep it under wraps.

shen jiu tries various times to get a moment alone with shen yuan, but he never quite manages because liu qingge is there, who is also... nice?? to him?? for some reason?? shen jiu gets a bit flustered at the solemn politeness and skitters off.

it comes out pretty quickly that shen yuan has "memory loss", and thus can't remember anything that's currently taking place in this time. shen yuan expects scorn, hatred and disdain from shen jiu, expects to be grabbed and interrogated, to arouse suspicion.

but shen jiu looks....... sad???

being transported here threw shen yuan's qi off-balance (even liu qingge had to sit down, which means it's bad), and his cultivation is already so unstable, so when the peak lords are all squabbling and arguing and threatening and raising their voice, he can feel his body shut down. he sees yue qingyuan start to move towards him, which, knowing the future yue qingyuan, he really isn't up for right now—but before the sect leader can get to him someone else is at his back, transferring him qi, holding him up gently by his shoulders, then coaxing him up, leading him outside

shen yuan's been fed qi by every peak lord at least once. he doesn't recognize this one. that means it can only be one person.

he looks up. it's shen jiu.

and it's bizarre, getting fussed over by the scum villain, having gentle hands run along his back, his hair, that clear, soothing voice calming him down. and somehow shen jiu knows exactly what to do?? somehow it works perfectly on him?? it's almost as if shen jiu has known him his whole—

oh.

bodies, like homes, hold memories, even if the original occupants are no longer there. it's the milestone marks on the doorpost that chart a child's growth, blurry photographs faded by time, scuffed floors from well-walked paths, and tiny holes in the walls where pictures once hung.

shen jiu takes him to the bamboo house, pours him tea, and asks, calmly, what he remembers from their childhood.

it's not his childhood, so shen yuan doesn't actually remember anything, but the body he's in does. the memories it holds are emotional rather than visual; he remembers being alone, scared, and hungry. he remembers anger, pain. a dark room. loud voices. he remembers his heart skipping a beat when heavy boots stomp his way. the sound of a whip.

he doesn't have to lie. the memories aren't his own, and they're from long ago, which means shen jiu has them too. and, he supposes, this is his only chance to find out what really happened.

but shen jiu doesn't say anything about it. he just nods and stares, intensely. then he asks shen yuan if he remembers yue qingyuan. shen yuan says no, he doesn't. the conversation takes a very strange turn after that. shen yuan can't help but feel a little queasy when shen jiu asks him if yue qingyuan has taken advantage of his memory loss.

"has he come into your home? has he brought you gifts, sweets? does he invite you for tea? did you accept?"

he has. shen yuan doesn't know why that would be a problem, the sect leader has been nothing but kind and helpful and patient. and generous, too.

when he says yes shen jiu looks furious.

liu qingge (his one) comes to pick him up, and his time with shen jiu is cut short. somewhere he's glad, cuddling into liu qingge's back as he holds him while they fly. he feels a little bad for yue qingyuan, knowing he's probably caused a big fight, but it doesn't sit right with him. he wishes he knew what happened.

.

liu qingge, meanwhile, is having the time of his life fighting himself. it's good practice!

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[poorly-drawn-mdzs]

Swift travels.

[First] Prev <–-> Next

[canisalbus]

Hello! I wanted to ask if you got any inspiration for Machete’s outfits? I would love to find an outfit similar to one of theirs for personal wear but I can never find anything that similar.

Most of his canon outfits are just slightly modified cardinal's cassocks.

Jehan Georges Vibert's paintings have been a recurring inspiration.

The buttoning on his shoes is visually reminescent to late 19th/early 20th century boots and spats.

[joycrispy]

I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):

It's a phrase taken from the Book of Job. Here's the quote in full (King James version):

When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls. --(Job 30:29)

Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.

Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.

They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.

Your punishment is terrible, tormenting loneliness.

(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)

To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the most tragic of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.

So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.

Because this story is about Aziraphale.

The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.

He does so fully believing that he's giving in to a temptation.

He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.

And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.

Fallen or not, that's the kind of knowledge that...separates you.

(Whoooo-eeeeee, tormenting loneliness!!!)

Aziraphale is the companion.

...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:

Check out Crowley's glasses.

(screenshots from @seedsofwinter)

Crowley is the owl.

Crowley is the goddamn owl.

[danicloth]

It’s cold 🩷🩵…

My delulu is slowly coming back =w=✨

[lazylittledragon]

ok so this is Extremely specific but it's the middle of the night and i can't stop thinking about it: anyone who was/is involved in the les mis fandom, did i hallucinate the enjolras cosplayer who made a fan novel and also a fan film and then later was exposed for cheating on his partner, divorcing them and abandoning his child with cancer to go and become a jewish lawyer or was that something that actually happened

[waitineedaname]

I think the effects of leaving a fandom unsupervised for too long needs to be studied

[equill]

Reuniting with a distorted past.

Extra:(New personality tested gone wrong)

wanted to play with rin living in the aftermath aus aswell and had these drawings laying around to share so yay

Panel 1: Was buried alive.

Comic 1: Who are you supposed to be?

new friends

Comic 2: Misguided protection.

obito still sensing the warning signs of rin losing her temper. anyways they proceeded to be dragged into the ocean by rin like some sea monster

Comic 3: Finding out (Now what will you do?)

obito is harshly brought back from his delusions because now its not just kushina but rin too who he needs to ripped out the tail beast from

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[somegrumpynerd]

Assorted Horror and Killer doodles since there aren't enough of them c:

Killer by Rahafwabas Horror by Sour-apple-studios

[dennisboobs]

:) i certainly have no issue dressing in drag :)

^guy who has no issue dressing in drag btw

glenn said that dennis' drag name is victoria von hemen btw

(Source)