#it would be a healing experience i think

[fairsweetlonging]

time travel au where liu qingge and shen qingqiu (yuan) end up accidentally traveling a decade back in time before luo binghe was amitted to qing jing peak and before shen qingqiu had his qi deviation, but after their generation has risen to peak lords.

which means, shen yuan realizes quickly, as they're accosted by said peak lords, that he will have to face shen jiu.

as they're being cleared for demonic energy and the likes, mu qingfang of course instantly detects the poison without a cure eating away at shen yuan's meridians. liu qingge pulls a copy of the treatment plan out of his sleeve (shen yuan blushes a bit, did liu qingge always keep that on hand?), and just like in the current timeline, they agree to keep it under wraps.

shen jiu tries various times to get a moment alone with shen yuan, but he never quite manages because liu qingge is there, who is also... nice?? to him?? for some reason?? shen jiu gets a bit flustered at the solemn politeness and skitters off.

it comes out pretty quickly that shen yuan has "memory loss", and thus can't remember anything that's currently taking place in this time. shen yuan expects scorn, hatred and disdain from shen jiu, expects to be grabbed and interrogated, to arouse suspicion.

but shen jiu looks....... sad???

being transported here threw shen yuan's qi off-balance (even liu qingge had to sit down, which means it's bad), and his cultivation is already so unstable, so when the peak lords are all squabbling and arguing and threatening and raising their voice, he can feel his body shut down. he sees yue qingyuan start to move towards him, which, knowing the future yue qingyuan, he really isn't up for right now—but before the sect leader can get to him someone else is at his back, transferring him qi, holding him up gently by his shoulders, then coaxing him up, leading him outside

shen yuan's been fed qi by every peak lord at least once. he doesn't recognize this one. that means it can only be one person.

he looks up. it's shen jiu.

and it's bizarre, getting fussed over by the scum villain, having gentle hands run along his back, his hair, that clear, soothing voice calming him down. and somehow shen jiu knows exactly what to do?? somehow it works perfectly on him?? it's almost as if shen jiu has known him his whole—

oh.

bodies, like homes, hold memories, even if the original occupants are no longer there. it's the milestone marks on the doorpost that chart a child's growth, blurry photographs faded by time, scuffed floors from well-walked paths, and tiny holes in the walls where pictures once hung.

shen jiu takes him to the bamboo house, pours him tea, and asks, calmly, what he remembers from their childhood.

it's not his childhood, so shen yuan doesn't actually remember anything, but the body he's in does. the memories it holds are emotional rather than visual; he remembers being alone, scared, and hungry. he remembers anger, pain. a dark room. loud voices. he remembers his heart skipping a beat when heavy boots stomp his way. the sound of a whip.

he doesn't have to lie. the memories aren't his own, and they're from long ago, which means shen jiu has them too. and, he supposes, this is his only chance to find out what really happened.

but shen jiu doesn't say anything about it. he just nods and stares, intensely. then he asks shen yuan if he remembers yue qingyuan. shen yuan says no, he doesn't. the conversation takes a very strange turn after that. shen yuan can't help but feel a little queasy when shen jiu asks him if yue qingyuan has taken advantage of his memory loss.

"has he come into your home? has he brought you gifts, sweets? does he invite you for tea? did you accept?"

he has. shen yuan doesn't know why that would be a problem, the sect leader has been nothing but kind and helpful and patient. and generous, too.

when he says yes shen jiu looks furious.

liu qingge (his one) comes to pick him up, and his time with shen jiu is cut short. somewhere he's glad, cuddling into liu qingge's back as he holds him while they fly. he feels a little bad for yue qingyuan, knowing he's probably caused a big fight, but it doesn't sit right with him. he wishes he knew what happened.

.

liu qingge, meanwhile, is having the time of his life fighting himself. it's good practice!

[inkskinned]

he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.

except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?

at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.

except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.

about a decade from this experience, you'll type into google: how to know if a relationship is codependent.

he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.

[bylrndgm]

JULIE AND THE PHANTOMS (2020) // JULIE E OS FANTASMAS (2011) 1.01 - Wake Up // 1.01 - Enfrentando Fantasmas -> Julie meets the Band.

[natjennie]

i am so fucking glad cap can just be gay now. like it isnt a question, there isnt a moment of hesitation, it isn't covered up. he just is. and the he that he is is gay. like in previous seasons, that "lets not be too hasty" might have still happened, but the ghosts would make a face. and cap would clear his throat and deflect and bloviate like "by which I mean, of course, that I'm very interested. ahem. in the upcoming weather, and- well, eaughghg" but now he just gets to. find a man attractive. and say it. and no one bats an eye. I'm just so proud of him. and so glad he has that.

like, I can imagine the look on his face when button house holds a pride meetup and everyone is sitting around talking about their experiences and just. casually being queer and existing together. and he can just sit in one of the plastic chairs and listen and close his eyes and pretend for a moment that he is part of that community. yknow what i mean.

[evelynpr]

Might be a hot take as a bkdk and tgck truther here, but I find izuocha endlessly fascinating, beautiful, but also tearfully tragic.

I see their love for each other as something representative of their innocence and naivety when they only knew so little about who they were, and what was to come.

I think the main barrier of their relationship is that its rooted in how they see each other very idealistically, specifically that they're attached to the image of their Best Heroic Selves, and not the deeply selfish, destructive, freaky, and egotistical parts of them. To each other, they need to keep fulfilling that image or else that same person they looked up to would almost die in front of them, and that would be too cruel. Although that hero is still there, that same person they looked up to is not the same now because of...well...everything.

Izuku had barely even talked to girls when he first met her. She was Izuku's first ever real friend (Sorry Kats, everyone and him knows he was terrible), so he saved her in that entrance exam even if it was so dangerous. She gave a new meaning to his derogatory nickname just by being a friend that believed in him. After that, she saved him several more times (Blackwhip and Megaphone are the biggest samples iirc). It makes perfect sense that she is Deku's hero.

Ochako hardly knew what it meant to be a hero when she first got into UA. Just by reaching out to some kid tripping, she made a new friend who would then save her in that exam, then save him again in return. This boy then became someone who was always working so hard to save everyone in trouble, and she realized she wanted to be just like him too. "I want to save people"

But...Deku changes. The weight of One for All is on his shoulders and he needs someone to carry this burden with him. He continues to want to save other people at the expense of himself, still not letting his true selfishness and ego ever show- and it only grows more and more unbearable.

Then...Ochako fell in love with Himiko. Truly, relentlessly, selfishly and devotedly in love with a girl who then dies giving her blood to her- the greatest expression of love Himiko could ever give.

Not that they can't love each other because of this happening (and...so many other things oh god), I'm honestly not sure how to explain it- But them ending up together after losing that innocence and naivety? After Ochako will forever grieve the girl who showed her love in its most beautiful and ugly form? After Izuku changed so fundamentally as a person that the butterflies of a nice girl talking to you doesn't exist anymore? After that simple image of being a hero and being in love has completely changed for them both?

Even so, I believe they still love each other. There is no label I know of that can properly describe them though. They are each other's image of being a hero when it comes to saving people. Aside from Shoto, no one else can grasp the grief of the person you tried to save dying in your hands. They would no doubt try to cope with these losses together, and just try to get better together...but so much has changed. They've changed. The world changed. What are they now? Who are they now?

"What happened...to us?"

[melooooo17]

@openphrase123 your fanfic(s but i mainly made art of the mira and siffrin one because i cant remember words for the life of me for i do not speak french) IS???? ? SO GOOD. SO GOOD IM FOAMING AT THE MOUTH finally something to look forward to in the week fr

Mild spoilers for it ig!! But nothing too explicitly groundbreaking i dont think it'll kill your mom to look at these without having read the ff first

Don't mind the shit quality i??? I drew all these so fast theyre kinda shit and i have yet to fully acclamate isat to my artstyle so it's mid

Teehee me when i make shitty rushed fanart to show my appreciation that i cannot put into words for my faovorite games and also authors

peep the rant in the tags

[blueskittlesart]

do you have any thoughts on zelda not staying as a dragon? me personally I like it and am very cool with it mostly because I think zelda should get to be happy forever (and because I'm smart enough to know she changed back because of recall and not some ambiguous power of love lmao) but a lot of people seem to dislike that it made the draconification inconsequential?

i think there's like. some valid concerns surrounding inconsequentiality/"curing" the physical problems characters have as a way of giving them a "happy ending" but I think those concerns don't necessarily apply to totk in the way people seem to be applying them, especially irt zelda's draconification and link's arm.

most of the time when the criticism of this "magic cure" trope is applied to media, it's because the trope is used as a cure-all to erase a character's suffering or trauma and make them "normal" again, and often ignores the character development or themes of the story in favor of giving the character a happy ending. I don't think that applies to totk, though, because the "curing" link and zelda experience is both within the realm of possibility given the worldbuilding present in the game (recall could easily have done it, as you mentioned) AND thematically consistent with the rest of the game. One of if not the most important central themes of totk is the idea of failure and second chances. we see a hyrule that has been given a second chance after link's initial failure with the calamity brought it to the brink of destruction. we see characters who were deeply unhappy and entrenched in the shame of their precalamity mistakes like purah and zelda become active, beloved members of their communities. we see the people of lurelin village take back and rebuild their destroyed home. we watch this kingdom and its people make an unprecedented comeback after a century of struggle and ruin.

Similarly, totk's gameplay is LINK's second chance, his comeback from the initial mistake of losing zelda, of specifically being unable to reach her with his injured hand when they fell. The consequences of that--the master sword's corruption, the loss of his arm, and zelda's draconification, are all supposed to SEEM irreversible, because that's how LINK initially sees them. he believes that he doomed both himself and zelda all because of that SINGLE moment in which he wasn't enough, a viewpoint which is obviously left over from the pressure he experienced to perform to an impossible standard of perfection pre-calamity. The story of totk is about deconstructing that belief and proving it wrong. the mistake he made caused harm, but it's never too late to repair things. he can fix the regional phenomena ganondorf causes and rebuild those communities. he can revitalize the master sword. he can GET ZELDA BACK, with his own arm, uninjured and able to reach her this time. no matter how impossible those things may initially seem, no matter the perceived finality of his mistakes and their consequences, there is always hope. there is always a second chance. no one person's single mistake can doom an entire kingdom for eternity. the fate of hyrule was NEVER resting on link's shoulders alone. he was never their final hope. there was always going to be an after. the whole POINT of the draconification and the loss of link's arm is that they AREN'T final. they ARE inconsequential, because they were born of one mistake and ONE MISTAKE IS NOT THE END ALL.

[seventeendeer]

just watched the barbie movie everyone was discoursing about last year and I can't help but feel like a lot of the problems in its execution could have been avoided if the kid character's arc had been about learning to embrace girly stuff as an act of rebellion against the adultification of teen girls while barbie went full butch transmasc

[screamingwiththewolves]

I generally don't make posts like this, cause I don't wanna start an argument or disagreement, but I do find the "Is Hyde really a person?" discourse, a bit odd...I know it's a comic, and maybe I'll be proved horribly incorrect but...

Does he have emotions, with personality traits and preferences? Yes.

Does he insist he's a person? Yes.

Then he is, in fact, a person.

[jimmyandthegiraffes]

Where’s that post I made about Mike being the companion that broke under the horrors bc I’m still right. When I think abt the THINGS some companions have had to endure and have still seemingly been fine, and then I think of mike losing himself and his values to a festering psychological wound that left him open to radicalisation, it’s like he is the evidence that actually everything isn’t fine.

Which is why it’s so important that he should be next seen in meditation, in the seeking of peace, in quietness and healing because not only is he a character that needs it he’s also a character that knows he needs it and seeks it out for himself, because he doesn’t recognise who he is anymore and he wants, not to redeem himself in the eyes of others (he won’t even go near UNIT, not even when he needs their help, he goes through Sarah Jane instead!), but to become a better person, to stop being a threat, and to heal for his own soul’s sake.

And so he goes from someone who was willing to see the entirety of human history erased, to someone who will risk his life for one person and the fact that that ultimately saves his life always imo comes across as a bit easy if you watch planet of the spiders without this context in mind. But when you do think about where Mike has been, psychologically, from the green death through to planet of the spiders, it doesn’t seem easy at all but actually a significant if understated character moment.

[thebirdandhersong]

in my you're on your own kid era again (I never left)

[mushroominaforest]

I mean yes, definitely, but I also just really like projecting lmfao

[uncanny-tranny]

I've been thinking about compiling a list of flags that I have experienced in therapy and the broader mental health field, and my list of that would be...

Red Flags:

Prioritizes the cessation of behaviours over the mental wellbeing of the person

Doesn't listen to patient feedback or relies solely on their expertise and how a patient "should" respond

Talks about other patients in a derogatory manner - even if the patient is not named nor identifying information about them is revealed

(Specific to minors) Will listen to the legal guardians over the minor, even about subject manner said minor can speak about. The professional placates to the wishes of the parent, even if placation is detrimental to the minor.

Leaves patient uneducated about treatment plan or diagnoses, or waves away explanation to the patient.

Abandons treatment without ensuring patient will be adequately taken care of

These are red flags I have observed or experienced as a patient. Broadly speaking, many indications that an expert is a bad fit is lack of communication and/or lack of listening or compassion toward the patient.

Green flags:

Fully listens to patient, validates concerns, emotions, or fears

Educates patient about any diagnoses when applicable, answers questions honestly and compassionately

Relates to patient in a professional way, doesn't force patient to divulge if they are not able or willing to at the time

Prioritizes harm reduction in tandem with addressing the underlying cause of problematic behaviour

Makes a personalized plan for the patient and regards highly what the patient assesses their needs and/or goals are

Again, I must stress that this advice is not coming from a professional. However, I have had over a decades' worth of experience with a variety of mental health professionals, each with their own red and green flags. Some of these red flags have been detrimental to my mental health and have set me back in terms of healing, which is why I stress the importance of patient advocacy and for patients to trust their institution about new mental health providers.

[quietwingsinthesky]

you think sam ever wonders if dean would have tricked him into saying yes to lucifer again if it meant saving his life.

[vaguely-concerned]

I think rye really likes chocolate, but like... mostly very very dark chocolate. boring bitter barely sweetened adult person chocolate, to the point where most of the others find it borderline inedible. it's a regular occurrence for someone to raid the lighthouse kitchen for snacks and light up like 'ooooh wait we've got chocolate???' and someone else has to go 'yeah but it's only rook chocolate tho sorry :/'. 'oh okay :')'

[givemethedamnflowers]

As a fandom we read aftg and collectively thought "andrew has piercings" like 90% of fanart i see he has at the very minimum 3/4 earrings

And i just love that for us