attackwulf

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excuse me he ask for no pickles

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welcome to the theater of death

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Заросли грибами мины, и плющом увило танк Воскресила бледным милым перепуганных солдат, Из края в край гуляю, всё крою и изменяю, Мир очнется новым просто так!

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Mushrooms have grown over mines, ivy has twined over tanks I have brought the terrified soldiers back to life for their pale darlings, Wandering from town to town, shaping and changing everything, A new world will awaken just for fun!

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Showed Surge to a friend and her first reaction was to send me a picture of goofy from kingdom hearts. I don’t know how to process this

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while playign clara's route, my friend and i went to sleep one day to Eva's and when we tried to get out she randomly locked us in and stole everything in our inventory....

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starting a collection. please add on

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Translation: They talk about how there could have been a fair in the square, but that didn’t happen. The child says that they would still sell everything the same as in the shops, and not something interesting like toys, toffees and confetti firecrackers. The Bachelor says: "Yes, I like confetti firecrackers too."

I can't. Out of ALL things in the world he likes CONFETTI CRACKERS?

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i just needed to share this cat with more people ❤️

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Okay, so I try hard to cover global queer history, and this isn't marking a stop to that, but I am aware that most of my audience is American, and I want to address them very directly right now.

Google Removed Pride Month From Its Calendar App, and Stonewall National Monument's "LGBTQ" status was changed to "LGB" on the government website. This is the beginning of the erasure of queer history, not the end. I don't know what the future of the United States looks like, as someone who studies queer history and has done so for many years, I want to share some tools with you.

Now is a good time to prioritize local queer history, Making Gay History is a great project, so is the Digital Transgender Archive, but also check your city and see what resources there are.

Read and buy books about queer history. I have an affiliate list with some of the books I personally recommend.

If you use Google Calendar, repopulate that resource with so much queer history with a free queer history calendar plug-in, it has names from queer history that you can also learn more about for free when they come up. As the author of these articles, feel free to save them, print them off, whatever makes them freely accessible as suppression get's worse.

Use your local library. Email the board about book bans, request banned books, request queer books, and make your voice heard.

Make queer art. Share queer art. Protect queer art. Here is some public-domain queer art to use as you wish.

Keep up with queer news, THEM is a great resource.

All of these tools are currently freely accessible with an internet connection. Queer history is a community responsibility, do your part.

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compilation

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Executor :p

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i think the worst thing in the world is seeing two characters with something weird as hell going on between them and you think to urself "wow i love the weird as hell thing these characters have going on between them" and you open archiveofourown.org and find out everyone else thinks they would actually be in a very normal romantic relationship

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artemy burakh's catchprase: это как

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Plagueniil from Roots, Rain, Reflections for @kristalliankka :D

he's such a silly guy I'm really glad you love him so much

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Day 6....

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has anyone else noticed that the writers were absolutely reluctant to fully commit to the darker implications of piltover's actions? like the gas attack on zaun? but tbh the writers' self-sabotaging of arcane's potential as social commentary is not what's really frustrating, it's that it's not just a missed opportunity, it’s a deliberate avoidance. the writers couldn't make piltover that bad, at least not through the characters we have to follow.

with the gas attack, what we get are scattered hints: a single man coughing, kids praying to janna in a song (in a way that’s super easy to miss), and worship of a painting of janna. but the show never fully depicts the suffering caused by the gas. it never commits to the atrocity and by refusing to depict the actual impact, the show softens piltover’s culpability and allows a big part of the audience to either overlook or justify it.

but the gas attack aside, the writers had two opportunities to make an explicit statement about systemic oppression, environmental racism, and the true cost of unchecked industrial power but they avoided doing so. and those two clearest instances of this avoidance are in how the show handles viktor and orianna:

in season 2, viktor’s story is literally warped to avoid blaming piltover. viktor, a character who should represent the suffering zaunites endure because of piltover’s neglect, is instead pushed into the role of an irredeemable villain for a marvelesque shit show. his transformation discards his humanity so blatantly that the audience is distracted from the actual injustice: he was dying because of piltover.

his ending is framed around jayce’s “beauty in imperfection” speech as if he should have just accepted his disability rather than seeking a cure, when the reality is, he wasn’t just disabled, he was dying because of the system piltover built. that was his entire struggle in season 1, but by season 2’s end, the narrative no longer engages with it to protect piltover.

as for orianna, she is reduced to an easter egg as a gift to league of legends fans (which is funny because the show ruined her lore for them), but more importantly, to avoid critiquing piltover.

her lore was an explicit condemnation of piltover’s disregard for zaunite lives. she was a little girl who helped zaunites, got sick due to piltover’s pollution, and had to slowly replace her own body with machinery until she lost all humanity. but arcane erases this. she’s barely a cameo, and the audience isn’t even told how she died. the show doesn’t just sideline her suffering, it removes it entirely, sanitizing piltover’s guilt in the process.

more importantly, all of this lets a big part of the audience defend piltover. for instance, by never showing the gas’s impact, the show gives certain viewers the option to ignore it: no bodies, no long-term sickness, no undeniable, inescapable horror. and i'm sure we've all seen how this allows for interpretations that justify piltover’s actions in the fandom, whether that means erasing the gas attack’s consequences or framing it as acceptable because the victims are zaunites (who are often conveniently portrayed as violent criminals).

also, ekko’s line about rescuing more people because of gang fighting is a perfect example of how the show subtly misdirects the audience. yes, gang violence is an issue, but it’s not the only crisis. the gas remains, it spreads, it poisons the people, especially the children working in factories. those are also people the firelights must have rescued. but the show chooses to highlight one crisis over another, and we know why ...

anyway, it's sad that the writers had no balls. they let so many people feel comfortable not thinking too hard about piltover’s crimes, and comfortable enough to insult anyone who criticizes characters participating in those crimes, especially caitlyn and her squad.