#that's how much they messed up

[forabeatofadrum]

El WooWoo! Happy 11/20 to Persona 5 fans, I guess. And thank you @nausikaaa, @that-disabled-princess, @artsyunderstudy and @you-remind-me-of-the-babe for tagging me in the past two weeks.

Folks, writing is hard. I am not working on Ljubili se, even though a part of me wants to, and instead I am just coming up with WIPs left and right. Honestly, I almost started a My Time at Sandrock Owen/Logan fic! Basically, it feels like my mind is all over the place and I keep trying to start new things in order to get back into the flow of things (see last week's Klaine snippet) only to fall flat again or get stuck.

All of this to stay that I started a fic about BBC's Class, the failed Doctor Who spin-off that is very near to my heart (no, seriously, watch Class). In this story I want to explore the extremely weird relationship between Charlie, Quill and Matteusz, since they end up living together. They all have different views of morality and it does get explored into the show, but not so much between Matteusz and Quill.

I did get stuck on it as well, but I think I have managed to find a way to get unstuck. I just have to delete this part:

Sometimes Matteusz wonders if his life is some elaborate joke. How did he end up here, with woman unconscious on the ground after Matteusz beat her down from behind, just to prevent her from shooting Charlie, who was fighting with Quill about using an alien genocidal Cabinet? Matteusz throws the gun out on the balcony. He’s had enough of guns. Charlie places the sphere back, much to Quill’s anger. Quill truly wants Charlie to kill all the Shadow Kin. Matteusz has stepped in front of Charlie to protect him from her before, and he will do it again. Luckily, Quill walks out without punching Charlie again. The Shadow Kin get rid of the petals and it looks like it’s all over without Charlie having to use the Cabinet. When Charlie admits that he doesn’t know what he would’ve done, Matteusz feels an ache in his chest. He had hoped to hear a clear refusal.

I wrote this part because I felt like I needed to recap what happened in the episodes Co-Owner of a Lonely Heart and Brave-Ish Heart, but also, people who read Class fic probably already know this. And this fic is meant to add to the story of the show, not rehash it. I'm probably going to cut this, rewrite a previous 'missing scene' to place it AFTER these episodes, and see where I go. Also, I want the fic to focus on the time after the main episodes, where all the characters have to deal with what happened. Class unfortunately ended on a cliffhanger, but that does make it free real estate for writers!

And now, the weather: @quizasvivamos @coffeegleek @caramelcoffeeaddict @raenestee @tectonicduck 

@nightimedreamersworld @urban-sith @bookish-bogwitch @confused-bi-queer @special-bc-ur-part-of-it

@larkral @cutestkilla​ @facewithoutheart​ @shrekgogurt @rockitmans @bitbybitwrites 

@whatevertheweather @shame-is-a-wasted-emotion @esilher @kurtsascot @blackberrysummerblog 

@nightimedreamersghost @ivelovedhimthroughworse @thnxforknowingme @martsonmars

[malenjoyer]

WE'RE SO BACK

[akanemnon]

I don't like this place. It's turning everyone edgy and sad.

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[valictini]

I’ve already said it, I’ll say it again, Mal du Pays is such a visceral and clever word to describe Siffrin’s Sadness. When I first saw it in game it genuinely made me pause like. Yes, it translates to homesickness. But it has the literal word for country in it. “Country sickness”. For a guy whose core problem is that his childhood, his culture, his country is missing. One could argue it’s a twisted pun. I’m obsessed with it.

[isjasz]

🗝️⚙️🔥🔥🔥🔥🔥

For December in the Hermit Heartthrobs Calendar from @hotguycalendar :D!!!

Also bottom page for the calendar ft stress and joe under the cut ↓

[kingkrillin]

just need to share how much I dislike this post lol

people will fully expect trans men to put ourselves on the line for everyone else and meanwhile the only time they acknowledge our existence is to talk about how "low risk" we are (obviously untrue) or to volunteer us out as a community for potentially dangerous activist endeavors that they wouldn't risk doing themselves

"we need to get uncomfortable!" and what's actually being discussed is convincing a subset of the community to be uncomfortable on your behalf while you do nothing to show solidarity with us

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots

[casscainmainly]

Jason and Cass' opposing views on murder is so interesting. Their conflict is not purely moralistic - that is to say, it's not purely that Jason thinks murder is okay, and Cass doesn't. It's their identities, their original and most fundamental worldview. Jason is a murder victim and Cass is a murderer. Yes, Jason kills people as Red Hood, and yes, Cass dies multiple times, but this never truly erases how they see themselves. Jason will always have been murdered, and Cass will always be a murderer. They are unable to fully extricate themselves from those roles, and thus will never approach life or death the same way.

[hinamie]

itakugi sillies fr the soul

[egophiliac]

I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!

I am not normal about any of these characters!

[borderlinereminders]

Messing up while trying to learn healthier coping skills or communication skills doesn't mean your progress ceases to exist.

If you lashed out at someone during an argument instead of using your coping skills, it's okay to forgive yourself. If you reacted based on your emotional urge instead of looking at the situation, that's okay. It happens.

No one is perfect all the time. I think we expect so much more of ourselves. In my case, because I felt so ashamed of who I used to be. It makes me feel extra pressure to "do better". But the reality is, people who aren't in recovery mess up too. And sometimes they may not even notice it.

You don't need to beat yourself up about it. In fact, beating yourself up about it doesn't really help anyone. You can learn from it. Was there something going on that made it harder to use your coping skills? Was there a certain trigger? Maybe a bad day? Take your new knowledge and move forward.

Your progress still very much exists. I promise.

[arrimorr]

Every security guard in Hl1 being the same freaking dude is still one of the funniest things ever to me. Barneys.....

Like what the hell is this.

[wojtekaneko]

John design, based on this post. He's a worm, he's a bird, he's a tree, he's whoever he wants to be. But most importantly he is a kitchen faucet! Love drawing him! Closeups under the cut c:

[codenamethebird]

God I have so much to say about Melinoe's characterization, and the fasinating implications about her future arc/the overarching plot of hades 2. I want to make a larger think piece with pictures but for the moment I'm just going to focus on this one specific thread.

In the wake of the Prometheus reveal, she has a slew of convos about his motivations for siding with Chronos, and the gods basically all go: this is his vengeance for us punishing him a tad cruelly. And Nemesis is like, yeah the gods 100% deserve it. But Meli's responds that he must have more motivation than just vengeance, it can't just be that. But when Prometheus explicitly goes, 'I'm doing this because the gods are horrible to humanity and I love humans,' she basically goes, no he must be lying. That motivation is both too pure, but also humans kind of suck why would you care about them?

Mel's humanity hot takes deserve it's own essay (Ms I think Humans should have never gotten fire and are better when they are dead), and I just want to focus on the former for now. She can not comprehend that Prometheus is fighting the gods for noble reasons. It just does not make sense to her. Mel's world is so black and white. She doesn't understand the nuance of the situation, and the thought that the gods might be actually in the wrong doesn't even get close to crossing her mind.

It's a fascinating (and horrifying) result of her upbringing. Of the constant state of war and the very convenient big bad that is Chronos, the evil monster who stole her family. If she accepts that his side isn't completely evil, that they might even be right in some (even many) respects, she would have to grapple with her whole life. Everything she believes would be thrown into question, the literal thing she was training her whole life for.

She can't have Prometheus fighting for a noble cause, because he fights for Chronos whose the Bad Guy tm. But he also can't be fighting for something as simple as vengeance, because that would also mean she would need to really think about what he's angry about. If the punishment was truly so unnecessary cruel.

When talking to Odysseus about Prometheus, when Ody's saying how much he respected him for stealing the fire despite knowing the consequences, Mel says that it was the price to be paid for breaking Olympus's decree. To her, Olympus's rules are sacred and ultimately good. Unquestionably. Prometheus broke the rules with intent, so to her, why would he be so angry at the consequences? Especially if he knew because of his power they were going to happen.

So he must have another reason, some secret machiavellian plan that drives him. Except as I already said, it brings her right back to him doing it for humanity, which she also can't accept. Because that would be admiting that the gods did something wrong to humans. She twists herself into knots to justify her worldview, and it's fascinating! She's so messy I adore her.

Please Supergiant please the final surface boss has to be a human pleeeaaasse (preferably a living one). Or at least have one (or more) show up in some other capacity. Mel needs to come face to face with the other side and have it utterly destroy her worldview.

And/or have (Pan)Dora betray her for Prometheus, that would also be very fun haha.

[multiversal-pudding]

A fun Danny Phantom idea:

One of those “mediums tormented by the fact they can’t turn Off the ability to see ghosts” types moves to Amity, and for the most part, it’s great! Like yeah maybe there’s still ghosts everywhere, but now they can react normally, because finally for once in their life everyone else sees the ghosts too. Granted, judging from what everyone else says it sounds like they’re seeing significantly tamer humanoid proper-manifestations than the near-incomprehensible masses of emotion, spectral energy, and whatever that particular spirit’s associated with they’re used to seeing, but eh- between how jaded they are to seeing stuff like that after all these years and the fact that in practice the response of “GTFO” tends to be applicable regardless of whether you’re dealing with a poltergheist in overalls who likes hucking boxes at people, a giant robot guy who’s yelling about world domination, or reality breaking fever dream vomit, it’s not too big a deal

…There’s just ooooone little problem

Which is that when people look at the Fenton’s youngest kid and when people see local town hero/cryptid The Phantom, clearly everyone ELSE is seeing two different people/entities, but in their case, all they see is the same wild plasma-lightning living tear in reality either way, and they’re afraid if they mix the two “identities” up they’re either A) gonna fuck up some poor kid’s life/put him and those around him in danger, B) piss off a very powerful spirit whose repeatedly proven why that’s a very bad idea, or C) both-

(Bonus points if it’s some completely mundane guy like Ted the Bus Driver/ the county deputy in training/ some poor janitor who’d be reasonably expected to come in contact with either one fairly frequently-)