#that’s where they filmed ted lasso | Explore Tumblr posts and blogs

wlntrsldler · 10 months ago

Note

Hiiiiii!!!! I love Apple Pie by Lizzy McAlpine!! Can I get Jamie Tartt to apple pie?

apple pie | jamie tartt

based on the song apple pie by lizzy mcalpine

description: jamie gets insecure sometimes, but having you with him helps.

pairing: jamie tartt x actress!reader (f!reader she/her)

warnings: lots of kissing, self-doubt, insecurities, mention of jamie's dad

word count: 2631

ted lasso requests are open | main masterlist

When Jamie first got into a relationship with you, he knew that both of your busy schedules would pose a problem down the road. With his football career seemingly reaching new peaks every season and your acting career taking off after being cast in what is being called “the film that revived the dying genre of romantic comedies,” the amount of time you get to spend with each other decreased significantly since the start of your relationship.

You first met Jamie halfway through his returning season at AFC Richmond. You met him at a birthday dinner party for a friend of a friend where you relentlessly teased him for his ridiculous, but outstanding performance, on Lust Conquers All. You had originally praised him for it when you were fully under the impression that he was putting on an act. You didn’t find out that he was just being his prick-ish self, albeit his younger prick-ish self, until about four months into your relationship when he embarrassedly admitted it to you. That’s how you found yourself rewatching the entire season together on his couch until 2 hours before Roy knocked on his door for his training session.

At first, Jamie thought you were making fun of him. His insecurities would still peek in here and there and sometimes he couldn’t help but worry that you’d see him as nothing more than a dumb footballer like everyone else does. He quickly realized, though, that while you were losing your mind laughing at how he acted in the show, making fun of him was the last thing you wanted to do.

“Why’d ya wanna watch this shit anyways?” he grumbled, trying not to let his emotions get the better of him. “It’s just poopy. ‘M not even like that anymore.”

“I know,” you sat up, pausing the show when you heard his voice crack. You knew the tone of Jamie’s voice when he was cracking jokes and when he was happy, and this voice wasn’t one or the other. You turned your body to face him, “I know you aren’t like this anymore, I just thought it would be funny.”

“I dunno, I suppose it doesn’t make much sense to me.”

“What doesn’t?” you questioned. “Why I want to watch it?”

“Yeah,” Jamie replied. His eyes were looking at everything but at you. He was playing with the threads of the blanket loosely draped over his legs. He rubbed his nose with his balled-up fist. “Why does it matter how I was before you? I’m better now, yeah? Unless you don’t think so...”

“Oh, love,” you grabbed his face, forcing him to look at you. You were so engrossed in the episode on the TV that you didn’t realize how uncomfortable Jamie was feeling about the whole situation. “I’m sorry, I should’ve been paying more attention to how you were feeling about this. We can stop watching it.”

“Yeah, I’d like that.” He hummed, tugging on your hoodie to pull you closer to him. “I just don’t want you to see how I used to be and realize you don’t want to be with a prick like that, even if I have changed, you know? I don’t know… I just thought that with ya, I’d have a fresh start.”

“Jamie Tartt, enough of that now,” You took over being the big spoon, which made Jamie nuzzle into your neck contently, “You have changed. You’re an amazing man and the best boyfriend I’ve ever had. I only wanted to watch this show because it’s such a shitty show that it’s nice to just unwind. When I watch this Jamie on the screen, my brain can’t even comprehend that it’s you.”

“You don’t think I’m a prick anymore, yeah?” Jamie asked again, hoping that he’d get a confirmation, “Like you wouldn’t leave me over that?”

You’ve learned over the past few months things about Jamie– one of which is that he needs to be told positive things or else he’d spiral. The thing is, if you could go into his mind and turn off that control box that spews self-doubt and insecurities to him, you would do it in a heartbeat. But since you can’t, you were more than happy to shower him with love and adoration in hopes that your voice can drown the rest of them out.

“Never,” you placed your lips on his in a soft kiss. “You’d have to work a hell of a lot harder to get rid of me.”

“I’m working double overtime just so you’d keep me, love,” he murmured, pulling you in for another kiss. His hand reached for the remote to turn the TV off to leave you both in the glow of the floor lamp in his living room.

“You don’t have to work hard for that.”

Jamie had gotten used to having you around his flat. He would leave for 4 AM training with Roy with you on his bed, often naked, then return at around 6:30 AM to shower and join you back in bed for another hour before you woke up. He’d wake up for the second time that day with you drawing patterns on his chest and a soft smile on your face. He’d lean over and place a loving kiss on your lips and he’d feel prepared to start the day.

You were filming a show in London for three months, which meant that for three months, this was Jamie’s life. In between projects, you stayed at his place. For two weeks after the wrap party, you came home to him, visited him at the facility, and went to all the team outings, home games, and away games with him. He was with you 24/7 and he wouldn’t have it any other way. He didn’t realize how he took it for granted until filming ended.

Three weeks ago, you flew to New York City to begin filming another movie. With training and games, Jamie hasn’t been able to take time off to visit you, and with filming just starting, you couldn’t fly back to Richmond either.

Jamie was doing fine– as fine as someone can be when their daily routine was abruptly disrupted. He was proud of you. The premise of the movie seemed perfect for you and was a seamless continuation of the romantic comedy trend you were on. People were buzzing for your next project, especially after your last one was so well received. He was so proud of you…. But he also missed you.

During the three weeks that you were gone, you and Jamie still texted each other constantly and FaceTimed everyday, despite the crazy time difference. He wanted to make it work, and so did you, so you did what you could to stay in touch. While not being able to hold you and kiss you for three weeks was killing Jamie, he was glad he was still able to spend time with you. Things didn’t get to Jamie until Jan Maas made an off-handed comment about it.

All of them were packing up after training, feeling extremely antsy with the Man City match on the horizon, Jamie especially. There were a lot of things on his mind, including the possibility of seeing his father, who he hadn’t seen since Wembley, and playing against his old team was always a trip. In short, he wasn’t feeling his best and the fact that you weren’t nearby made it worse.

“Jamie, we have not seen Y/N in a while,” Sam noted, “Is everything okay with you two?”

“She’s filming a movie in New York, bruv,” Isaac replied before Jamie could speak, “Right, Tartt?”

Jamie nodded, putting his shirt over his head, “Yeah. She’ll be gone for a few months, at least.”

“I do not know how you’re gonna survive, Jamie,” Jan Maas said. “You are so clingy when it comes to her. I don’t think you can make it all those months.”

The rest of the team chuckled at Jan’s teasing tone, but Jamie furrowed his eyebrows in thought. Was he clingy? He frowned as he continued to put his things away. He picked up his phone from his cubby, smiling when he received a few messages from you while he was at training. As he was about to respond, Jan’s comment made him stop in his tracks.

Maybe it would be best to let you have a night to yourself. You had a life outside of him and you deserve to be able to live it without having him cling to you all the time. He rubbed his eyes tiredly, slipping his phone in his back pocket, before walking out of the locker room to head to his place.

When you woke up to no text from Jamie, you assumed that he was just worn out from training and didn’t have the energy to reply. You’ve seen the intense training he went through, so you wouldn’t be surprised if that was the case. But as the day went on and there was still no word from Jamie– you’d even checked the timezone clock on your phone to make sure you weren’t being unreasonable– you began to worry. FaceTime calls went unanswered and instead, you were met with the Apple automated response, “Sorry, can’t talk right now.”

To: lover boy <3

“Hi, love. Got some exciting news, you free to chat? Xx”

By the time you were boarding the plane to Manchester, Jamie still hadn’t texted you back. After begging the producers to give you a week off filming, they finally agreed. You asked for this week in particular, knowing that you wanted to be there for Jamie for the Man City match. There was a lot on the line for Jamie and you wanted to be there for him no matter what happened.

The entire plane ride back to England was filled with dread and anxiety. It wasn’t like Jamie to not respond. Unless he was at a game, training, or sleeping, but even then he had a special ringtone for you that wakes him up whenever you called, he always replied to your messages as soon as possible. When you landed, everything that could go wrong went wrong. Your plane was stuck on the tarmac for an hour because there were problems with the gate. Your luggage got delayed which left you sitting at baggage claim for another 45 minutes. When you finally arrived at the hotel the team was staying at– shoutout to Ted for being yours and Jamie’s number one supporter and telling you where they were staying– Jamie was nowhere to be found.

You dragged your luggage to Jamie’s room, plopping on the bed tiredly. You glanced at the digital clock on the nightstand. 9:28 PM. Ted mentioned that there was a 10 PM curfew so you hoped that tonight was not one of the nights where Jamie decided to break the rules. Ted also mentioned that Jamie has not been himself lately, which did nothing to soothe your panic. You hopped in the shower to rinse yourself from the long day you’ve had. You did your night routine and dug into Jamie’s bag to retrieve his AFC Richmond hoodie. Before putting it on, you held it up to your nose, sighing as your senses were filled with Jamie. You missed him.

It was 9:57 PM when you heard the door unlock. You were on his bed, scrolling aimlessly on social media, when you saw him. You sat up, shutting your phone off. He walked in with his head low. His shoulders were hunched over a bit, but he looked okay. He looked better than how Ted described him.

He kicked off his shoes, before looking at you on his bed, startled. His eyes widened, first in fear that there was someone in his room, then in surprise that it was you in his room. His lips curved down in a frown, eyebrows furrowed in sadness.

“Baby,” you whispered, moving to the side of the bed to make room for him.

Jamie knew that he needed to not be clingy. He didn’t want to bother you too much. He was trying to be cool. But when you called him “baby,” with that voice, in his hoodie on his bed, his resolve crumbled to pieces.

He ran to you, nearly tackling you off the bed when he engulfed you in his arms. He buried his face in your neck, a mix of your lotion and the cologne he sprays on his clothes surrounding him. You cradled the back of his head, mumbling how much you missed him into his shoulder. Jamie could cry. He hasn’t seen you in so long, but here you are now.

“What are you doing here?” He asked when he finally pulled away from you. He couldn’t stray too far though. His arm was still wrapped around you while you cuddled into his side. “I thought you were in New York.”

“Well, if you bothered to answer my texts,” you trailed off, faking a voice of sadness. You poked his side, “You would’ve seen that I had exciting news. The producers gave me a week off after begging them since I first got to New York and this week is perfect because I know tomorrow’s match is gonna be a lot for you. I wanted to be here for you, whatever the outcome is.”

“Oh.” Jamie was speechless. Here he was ignoring you like a prick while you were planning to come back just to be here for him. He didn’t deserve you.

“Yeah,” you continued, “If tomorrow we celebrate, I’ll be here making sure that you drink enough water so that your hangover the next day won’t be too much. If tomorrow we try to never think about it again, I’ll sit next to you on the bus in silence holding your hand and when we get home we can do the same thing.”

Home. You were here and he felt like he was home.

“I missed you so much,” Jamie sighed. He kissed you all over your face, giving your lips extra attention. “‘M sorry if I was bothering you by texting and calling so much over the last few weeks… I just missed you loads and I wanted to talk to you.”

“Baby, you didn’t text and call me enough,” you played with his hair, running your fingers through the strands. “If it was possible, I would stay on a call with you all day, everyday. Can’t get enough of ya.”

He smiled, his worries disappearing with every word you said, “Yeah?”

“Oh yeah, I love you, Jamie Tartt.” You kissed him deeply. “Couldn’t get tired of you even after a million years. Now, catch me up! Tell me everything.”

Jamie, feeling like himself again, began to tell you everything you missed over the last few weeks– meeting Sam’s father, meeting Ted’s mum, Roy and Keeley, and seeing his mum earlier that night, which is why he came home late. He talked about how a visit to Georgie and Simon helped lift his spirits, and how Georgie was gushing about you and asking him when you’ll come to visit again.

Then he talked about his fears for tomorrow and everything that’s been piling up on him ever since you left. As he spoke, you rubbed his back comfortingly, a small reminder that you’ll always be here no matter what.

Jamie knew that he still had a lot of work to do. He knew that his insecurities could get the best of him sometimes and it can cause him to push back on people who love and care about him, but he was trying. You believed in him and that’s all he needed.

#ted lasso fics #ted lasso #ted lasso imagines #ted lasso imagine #jamie tartt #jamie tartt x y/n #jamie tartt fanfic #jamie tartt imagine #jamie tartt x reader #jamie tartt x yn #jamie tartt oneshot #frances writes #frances song fics

444 notes · View notes

wistfulcynic · 2 years ago

Text

as an American who’s spent the past 15 years in the UK it’s always been both interesting and clear to me that Ted Lasso, while set and filmed in the UK with mostly non-American actors, is a show made for Americans. The language choices, the references--even many of those made by non-American characters--are all chosen for maximum impact on an American audience.

never has that been clearer than in this latest episode. Isaac, who we know was raised in London, hears a fan call his best friend what the team later refers to as “the other f-word.” His temper snaps and he leaps into the stands to confront the fan in Colin’s defence.

it’s a powerful scene and--with an American audience in mind--it does make sense that the writers would choose that word as the one to set Isaac off. It’s a word some Youths have been reclaiming recently, but for American-grown people my age (not coincidentally also Jason Sudeikis’ age), we grew up knowing it as a vicious slur and have a visceral reaction to hearing it.

British people don’t. They use it casually, in reference to a cigarette. In its longer form it means meatballs. People here are broadly aware that it’s a slur in American English but they don’t feel the impact of that, not the way Americans do. It was years before i stopped flinching every time my coworkers went out for a cigarette. I’ve had gay coworkers who used it (to mean cigarette) without a twitch. Both Isaac and that fan would have grown up hearing it, would be completely inured to it as a word that carries a powerful message of hate. It’s unlikely both that the fan would use the word as a slur and that Isaac would have such a deeply felt reaction to it.

and honestly? That did take me out of the scene a little bit. Similar to the S1 episode where Keeley teases Roy about meeting in a “parking lot.”

however, unlike parking lot which has no place in that dialogue, i fully understand the choice of “the other f-word” over a British slur. The aim of the scene was to provoke a visceral response from viewers, to make them want to get up in that fan’s face the way Isaac did. No British word, however more authentic to the setting and characters, would provoke the necessary reaction from American viewers. Call it linguistic licence, i guess.

it’s very interesting though how Ted Lasso is set firmly in Britain when it wants to be a fish-out-of-water comedy but can’t be so British that it confuses American viewers. A delicate balance. Jokes about biscuits and tea are a-okay but car park goes a step too far. There’s a linguistics dissertation lurking in there somewhere.

someone else can write it.

#ted lasso #ted lasso meta #ted lasso spoilers #isaac mcadoo #colin hughes #the multitude of englishes #linguistics

643 notes · View notes

devotioncrater · 2 years ago

Text

The Tedependent Tinhat Thesis

Welcome! Welcome to The Tedependent Tinhat Thesis.

As of writing this, only Episode 1 of Season 3 has been released so far. If you feel the need to send me an anon about how Ted/Trent won’t happen, I implore you to remember when fandom culture used to encourage people to ship characters freely — even when those characters never interacted. This is all written in good fun, and to critically analyze Ted Lasso through a queer lens.

Disclaimer: This meta compiles various topics discussed by people in the Tedependent camp. I cannot take credit for everything. If anything, this is a love letter to them.

To make this a bit easier to digest (and write), I’ve divided this meta into the following sections:

Queerness in the Media. Ted Lasso and His Subtextual Bisexuality. Trent Crimm, Independent. Tedependent Evidence. Rom-com Tropes and Structure. Narratives and Storytelling. Unexpected Ending.

So let’s begin on a base level of understanding about queerness in the media and how that history does and doesn’t tie into Ted Lasso.

Queerness in the Media

The presence of queer people in film has been a contentious topic since the enactment of the Hays Code in 1934. The Hays Code sanitized/censored what could be shown on-screen, and catered to an audience of white, straight men. This sanitization/censorship of media went hand in hand with the American societal shift into conservatism at the end of the Great Depression and WWI.

The Hays Code remained in effect until 1968, when the political landscape of America once again shifted — this time into a more progressive light. Until 1968, filmmakers and creatives within the industry sought out ways to bend and push the Code’s rules. The invention of television helped play a role in the dissolution of the Code, as did the growing number of foreign films which depicted things like queerness and women’s sexuality.

Why is this relevant to Ted Lasso, a television show made in 2020?

30 years of conservative censorship and catering to straight, white men does a number on what people deem “acceptable” to show in film. This thinking extends into the world of television. The Hays Code was rooted in conservative ideology and created a system in Hollywood that prioritized white, straight men’s stories — to the point where there was little representation of anyone else. Its effects are still felt today, 55 years on from dissolution. There still is a terrible underrepresentation problem in Hollywood that runs from POC stories to women’s stories to queer stories. Even worse if any of those stories intersect with each other.

Before we dive into the topic of queer-coding in television, we need to understand the history of queer signaling. Queer signaling emerged so that queer people could identify themselves to other queer people without outing themselves to danger. It is by nature subtle to ensure safety within a homophobic society. Men wearing green carnations on their lapels, women giving other women violets, and the use of lavender are all queer signals that were used back in the day. Fashion choices are another signal (the old hanky code), as are certain phrases (“Are you a friend of Dorothy?”).

When you leave things to be subtle, it allows for people on the outside to interpret the information in a way that is easiest for them to digest. That has ramifications on queer history to be erased or explained away or rewritten to better push a heterosexual "default". You see it time and time again when historians call women who lived together for decades "good friends" or when historians laugh at the possibility of someone like Abe Lincoln being queer. There's this homophobic undercurrent of: How can this beloved, well-known person be queer? Why would you even imply something like that?

The same thing happens to queer characters on-screen. Queerness in television, specifically, has a history of being coded. Queer-coded characters are characters who are not explicitly queer — sometimes even are mentioned as straight —, but through their mannerisms and traits can be perceived as queer to the audience. Well known queer signals help aid in queer-coding. Harmful stereotypes also are utilizied to code a character. Therefore it is important to discern the intent and the use of these signals and/or stereotypes.

(Please note: Queer-coding is different than Queer-baiting. To code a character as queer is inherently neutral, while to bait a character as queer is almost always negative.)

The ambiguity of coding allows for the show/studio to not have to present overt representation at the risk of alienating its audience. Hello, Hays Code.

Queer-coding is a reflection on society's stance on queer people at the time the character is written. In the 1980’s, when the AIDS Crisis was labeled a “Gay Cancer”, Disney films queer-coded their villains (notable ones include Ursula and Scar). In the 1990’s, Chandler Bing in Friends became a queer-coded character, but instead of villainizing him, it served to ridicule him. Even jumping forward to today, characters (such as Deborah in Hacks) still remain coded despite other characters within the same show being explicitly queer.

And while the queer-coded characters of today are not targets of outright villainization, there lies an undercurrent rationalization to their subtextual queerness. For example, characters like Wednesday and Enid Sinclair from Wednesday are explained away as: “Well they’re just friends”.

Characters like Ted in Ted Lasso can be explained away as: “Well he isn’t toxically masculine”.

Ted Lasso and His Subtextual Bisexuality

Ted? A queer-coded character? Afraid so, bucko.

He isn’t the only one in the show, either. Keeley, Colin, and Trent are also queer-coded for their own reasons. Colin most notably for his Grindr comment; Keeley most notably for her various sapphic comments. Trent…we will get to later on.

(It is worth noting that as of writing this, there are still no explicitly confirmed queer characters in the show. Although the case can be made that Keeley is confirmed bisexual already).

Focusing back on Ted, there is a good amount of evidence for bisexuality that can admittingly be explained away. People can point out that he’s secure in his heterosexuality, that he isn’t toxically masculine, that that is just how his character is. And yes, those viewpoints are all true and well and good, but I want to pose a question:

Why are we so adamant that Ted Lasso isn’t queer?

Explaining away a queer-coded character’s subtextual queerness is perhaps the easiest route fans can take. Whether there is (implicit) homophobia attached or simply because of the fan’s strict adherence to what’s been canonically established so far, quite a few people’s knee-jerk reaction to reading a theory their beloved main character could be queer is: “Nope! No way, José!”

Let’s challenge that reaction for a second. Let’s put down the explanations. Let’s take a look into what, exactly, I am talking about when I say that Ted can be read as a bisexual man.

“Rugby. What a game. It’s like if American football and sumo wrestling gave birth to a baby with huge muscular thighs all caked in mud.” — Season 3, Episode 1.

This is a peek into how Ted views the sport of Rugby, and it sure is telling to what he pays attention to. It’s also said in the context of asking if Sharon is seeing anyone. The phrase “huge muscular thighs all caked in mud” draws up quite the image, which when paired up with the direct conversation context, lends itself into an erotic visual. Rugby is known to be a homoerotic sport, too.

(Please note: The “baby" in this sentence is Rugby personified to help segue the listener from imagining the sport as an abstract to imagining the sport as tangible. “It’s like if ___ and ___ gave birth to a baby” is a common figure of speech used to mean the combination of two things. The focus in this sentence is not the baby, but rather the muscular thighs.)

Ted could have said anything else about Rugby. But he didn’t. The first association he has with the sport is “muscular thighs caked in mud”. Why is that?

“Guys have underestimated me my entire life. And for years, I never understood why. It used to really bother me. But then one day, I was driving my little boy to school, and I saw this quote by Walt Whitman, and it was painted on the wall there. It said, ‘Be curious, not judgmental.’ I like that.” — Season 1, Episode 8

Walt Whitman was an openly gay poet in the 1800’s. His famous body of work Leaves of Grass has clear homoeroticism within it. The quote Ted references, though, isn’t a Whitman quote. But Ted believes it to be. “Be curious, not judgmental” is an aspired quote that reminds us to be more open-minded.

Added layer: Not understanding why peers underestimate you or treat you different is a common experience in the queer community.

“That’s funny, when it comes to small talk I often ask myself what would Dolly Parton do? Start with the 9 to 5 and end with God Only Knows” — Official Twitter. Sept 28, 2021

“And next week is, if I remember correctly, Shania Twain.” — Season 2, Episode 1

Dolly Parton and Shania Twain are gay icons, especially to country folk.

“Shoot, I know I got goosebumps. I remember being a little kid, sitting in front of the television and watching Queen perform right over there during Live Aid.” — Season 2, Episode 8

Queen is not only an iconic band, but interwoven with queer culture. Freddie Mercury was bisexual.

“Last time I saw equipment this impressive, I was about 20 minutes into Boogie Nights.” — Official Twitter. Aug 30, 2022.

Boogie Nights is a 1997 film about a man becoming an adult-film sensation in the 1970’s. Twenty minutes in, there is a scene referencing the main character’s dick.

Boogie Nights also draws heavily from the disco genre for it’s soundtrack. Disco is a staple in queer culture as it allowed people freedom to express their identities in the nightlife scene. It didn’t matter who danced with who in the clubs.

“I feel like you two [Beard and Nate] are about to do some improv comedy or tell me that you’re dating each other. Either one’s cool with me. ‘Cause your suggestion is: ally.” — Season 1, Episode 9

Ted is supportive of queer relationships. An ally, as he says. But maybe he isn’t just an ally.

He repeatedly calls members of the Diamond Dogs pet names/terms of endearment. “Sweetie” “Baby” “Honey”, the list goes on. When this began in Season 1, Episode 6, Beard found it out of character for Ted to do so. (Nate asking him if Ted’s alright and Beard laughing, “No!”). What makes me pause on this is that the origin of Ted’s terms of endearment stem from Michelle leaving him. Ted’s looking for emotional comfort or familiarity in other men that he can no longer give to or receive from his ex-wife.

Other straight men in the show (like Roy) don’t engage in this behavior.

Ted also really enjoys musical theatre. He references musicals a lot. I mention this information now because it is important later.

There are more examples in the show, but I hope I’ve laid out enough to get you to at least see the repeated mentions of queer culture. They’re spinkled in, sure, but they are there. And they’re given in a way that gives an impression that maybe, maybe Ted isn’t as straight as we’re led to believe.

Keep in mind that sexuality is fluid, bisexuality exists, and characters evolve over the course of their stories. Is it really so out there to imagine Ted developing into his own?

Let’s move on to Trent.

Trent Crimm, Independent

We do not know much of Trent’s backstory. Yet. James Lance has said in interviews that Jason Sudeikis brought it up to him early on. Interesting, as Trent hadn’t yet become a series regular. Was there always a plan in store for his character?

Well what do we know of Trent? From other character’s reactions and comments about him, we know he is someone who writes scathing exposés as a journalist. We know he’s highly obervant, blunt, and at times aloof. He takes his job seriously and he loves the sport of football. A “tough cookie” as Ted put it. People listen to what he writes about, as Rebecca mentions in Season 1 Episode 3. He’s established in his profession.

We also come to discover that he’s grown dissatisfied with his career. He’s “looking for something deeper”. He goes from disliking Ted (“Is this a fucking joke?”) to burning his source out of personal respect for Ted (“My source was Nate”). This shift in character is pretty drastic, though believable if you pay attention to how he acts in the press room and the questions he asks throughout Seasons 1 & 2.

He has a je ne sais quoi about him that queer fans of Ted Lasso have picked up on. Perhaps it’s the way he dresses, his hair, or his overall vibe. Perhaps it’s the way he looks at Ted like he’s endlessly fascinated by him. Trent Crimm, Independent inexplicably reads as gay.

Tedependent Evidence and Speculation

Keeping everything we’ve established so far in mind, let’s go through some of their scenes together. Keyword: some. This meta is long enough as is.

Lasting First Impressions

In the Pilot episode, one of the first things Ted says to Trent is, “I like your glasses.” To which Trent takes them off, looks at them, and replies, “Oh, thank you.” And then it becomes a recurring move he does nearly every time he talks to Ted.

In Season 1 Episode 3, Trent greets Ted, “Hello Coach Ted Lasso from America.” to which Ted replies, “Hello Trent Crimm from the Independent.” And then that becomes a recurring joke between them.

Speaking of Season 1 Episode 3, if you jump to 18:29, you’ll catch Trent giving Ted a full body check as Ted finishes getting ready.

Bring It On!

“Make like Dunst and Union and Bring It On, baby!” Ted says to Trent in Season 2, Episode 3.

The 2000 film Bring It On! includes a storyline about a gay cheerleader who is comfortable in his sexuality. The movie addresses issues of racism, appropriation, and systemic inequality. It’s become a beloved cult classic.

It is also the first time Ted uses a term of endearment on Trent. He doesn’t do that to any of the other journalists, indicating that they’re on personal friendly terms. Most of their interactions seem to happen off-screen. Ted baked birthday biscuits (and decorated them) for Trent’s daughter. Trent and Ted may have swapped phone numbers somewhere along the way too, seeing as Trent’s able to text him about Nate later on in the season.

The Tie Between Oklahoma! and Casablanca

When Ted references Oklahoma! in Season 1, Episode 5, it’s to specify that the musical is ruined for him due to it becoming a safeword in his marriage with Michelle. The direct quote is:

“So if either of us says ‘Oklahoma,’ the other one has to tell the God’s honest truth… Did ruin the musical for me though. So now every time I hear, ‘Oh, What a Beautiful Mornin’,’ or, uh… what… ‘Surrey with the Fringe on Top,’…”

“Surrey with the Fringe on Top” makes an appearance in the 1989 rom-com film When Harry Met Sally. Harry and Sally sing it together impromptu on a karaoke machine in an electronics store. Sally’s profession in the film is in journalism.

What else is referenced in When Harry Met Sally…? So glad you asked. Casablanca is referenced in the film a couple times. In the beginning and in the middle. It serves the narrative purpose to indicate how Harry and Sally’s outlook on love has developed over the years.

Casablanca is a hallmark of the romance genre. And it’s also been referenced in Ted Lasso. In Season 2 Episode 7, when Trent leaves his date to go over to talk to Ted, he says, “Of all the pub joints!”

The Casablanca quote is: “Of all the gin joints in all the towns in all the world, she walks into mine.” It is said by Rick about meeting Ilsa again.

Season 3 Episode 8 is allegedly titled “We’ll Never Have Paris”, which is a subversion of the Casablanca quote “We’ll always have Paris”.

Now for the absolutely insane bonkers speculation. That quote is said in the final scene of the film right after Ilsa asks Rick, “What about us?”. Rick isn’t getting on the plane with her, they’re separating, this is the end of their story. “We’ll always have Paris” is a reassurance that they’ll always be together in their memories.

So if “We’ll always have Paris” is a signifier to the end of a romance, it is possible that “We’ll Never Have Paris” is a signifier to the start of a romance. And who else in Ted Lasso has referenced Casablanca? No one. The only reference in the entire show so far has been said by Trent to Ted.

Twelfth Night

Want to get even more insane in the membrane? Of course you do.

Before Trent walks over to where Ted sits at the bar, Mae makes a reference to the Shakespearan play Twelfth Night. Her direct quote is: “If music be the food of love, play on. Give me excess of it.”

To which Ted replies: “If that's your fancy way of asking if I want another one, you guessed right.”

Sidebar here — because I love connecting the dots even if it turns out I haven’t connected jackshit — Ted’s reply could be a double entendre. He doesn’t say “if I want another drink”, he says “if I want another one”. Another one of what? It’s clear in the context of the bar it’s another one (beer), but it could also foreshadow to mean another one (love). The latter makes sense when combined with Mae’s reference.

Because Twelfth Night is a love story. It’s a romantic comedy. It’s a queer romantic comedy.

So Mae makes a cryptic reference — unprompted — to the opening of a queer love story, and then immediately afterwards we get Trent greeting Ted with a reference to another famous love story.

Remember how Trent did a full body check on Ted in Season 1 Episode 3? Well now it’s Ted’s turn. He does a full body check on Trent around the 31:50 mark in this episode. And he seems genuinely happy to see Trent until Trent puts his journalist cap on.

This happiness is also short-lived if we jump forward to Season 2 Episode 12. When Trent texts Ted initially, Ted smiles at his phone. The smile goes away as soon as Trent sends him the article he wrote.

Burning A Source

Trent burned his source for Ted. This serious, established journalist burned his source.

The Carpark

“Hey! There he is. I was worried about you. I thought you might’ve been in a bike accident or something.”

“Actually, I don’t know how to ride a bicycle.”

“Really? That surprises me.”

“Why? Cause of the hair and the whole vibe?”

“Yeah, I guess so.”

— Season 2, Episode 12

Let’s break this down.

Remember how I said certain phrases are used as queer signaling? Bicycle is one of them. Bi-cycle used to be slang for bisexual (an example of this in pop culture is Queen’s song “Bicycle Race”). Trent saying he doesn’t know how to ride a bicycle could be a double entendre, with the hidden meaning that he isn’t bisexual. He then goes on to ask Ted about “the hair and the whole vibe”, which could be another double entendre. This time with the hidden meaning to ask if Ted’s got a gaydar. The pause at the end of his question and the way he asks it is equally important. He’s testing the waters with Ted.

And Ted passes the test with, “Yeah, I guess so.”

They are also in a carpark, which is a callback and parallel to not just Ted and Michelle, but also to Roy and Keeley.

This entire scene is coded and contains heavy foreshadowing. There’s a lot to unpack. From Trent’s choice of words to locking himself out of his car to Ted saying, “Do what The Man says and try to follow your bliss.”

Speaking of Ted, this is the last scene we see of him in Season 2.

Rom-com Tropes and Structure

So how does that evidence fit in with the story structure? We all know Ted Lasso is a rom-com. So let’s dissect the genre’s tropes and how its typically set-up.

Perhaps one of the most common rom-com tropes is the journalist falling in love (sometimes with who they’re writing about). Sleepless in Seattle, When Harry Met Sally, He’s Just Not That Into You, How to Lose a Guy in 10 Days, etc. This profession is popular.

There are also the friends of the romantic leads who help guide them. Diamond Dogs, anyone?

The anatomy of a rom-com is typically done in three acts.

ACT ONE: Meet-Cute

Every rom-com has a meet-cute. It’s integral to the structure. And oftentimes — if the rom-com includes someone who is a journalist — that meet-cute happens in the workplace. During this act, the two characters get to know one another and start to fall in love.

ACT TWO: Lose

This stage typically happens two-thirds of the way through. There’s a dissolution of some sort. One character betrays another or they argue or something gets in between them. Either way, one of them leaves.

ACT THREE: Declaration

Whoever left realizes “Wait a minute…I’m in love.” and then the rest of the film leads up to an iconic declaration of love. The characters reconcile and it’s — generally speaking — a happy ending.

It would make sense for Ted Lasso — which references rom-coms and rom-communism out the wazoo — to incorporate this structure. And I think that it already has somewhat in regards to Ted and Trent’s storyline, if you view each act as a corresponding season.

Narratives and Storytelling

Before we saw Ted’s panic attacks and now chronic depression, we got inklings of it. The writers consistently sprinkle foreshadowing into every major plot point in Ted Lasso. The situations in the show feel plausible and real because they’re given the space and the time to breathe, grow, and develop. Pacing is integral to this.

For a show to be so progressive yet not have an explicitly queer character seems strange to me. It feels off. We are given hints, though, which lead me to believe that sexuality will be a major plot point in Season 3. For it being the last season, it’s not going to be enough to potentially only have Colin be the One Gay in the entire cast of characters. That would feel uncharacteristically dismissive from the writers on a show about inclusion and found family.

It would also completely throw out a chance to further enrich the story and deepen the characters. Think about the wasted comedic potential of Trent becoming an accidental gay mentor to Colin. Or the wasted dramatic potential of the Richmond team banding together against homophobia. Or, I don’t know, the wasted dramedy in Ted talking to the Diamond Dogs about how he’s realizing he’s got feelings for men, and there’s a moment where they’re like, “No shit.”

Beyond foreshadowing, another common style the Ted Lasso writers love to utilize is the red herring. A red herring is a misleading bit of information used to distract the audience from the relevant information. We saw it in Season 2 between Ted and Rebecca and Sam. Some people didn’t connect the dots between Sam’s Bantr storyline and Rebecca’s Bantr storyline because Ted — the red herring in this example — was shown also texting on his phone. Editing played a part in this too, as some shots cut to Ted directly after Rebecca had a Bantr Moment.

I honestly think we’re going to get a subversion of this in Season 3. Only this time Rebecca will be the red herring to distract from Ted and Trent. Here’s why:

There are multiple parallels between scenes where Ted interacts with Rebecca and with Trent. This gifset captures those parallels. He gets through both of their barriers (hopping over Rebecca’s “fence” and softening Trent’s “tough cookie” exterior). It’s the Lasso Effect, baby!

What’s more, a larger portion of the audience watching Ted Lasso are primed to expect Ted and Rebecca as endgame. It’s what happens in shows between two main characters of the opposite gender, right? They get together, live happily ever after. Especially if they’re good friends.

Anyone expecting the Ted and Rebecca ending will probably disregard anything developing between Ted and Trent even if its right in front of them. Because historically two men don’t end up together on-screen. Especially not in a show as big as Ted Lasso.

But what if a queer endgame is what Jason Sudeikis means when he says in interviews that the ending is not what we’ll expect?

Unexpected Ending

Before we look at the ending, we must look at the beginning.

The first shot of the season is of Ted’s depressed face in an airport. Since Ted Lasso has so far began and ended each season with a juxtaposition shot, it would make sense for the last shot in Season 3 to be of Ted’s happy face. Whether or not that’s in an airport remains to be seen.

The teaser trailer for this season dropped on Valentine’s Day, which was our first look into Season 3. Season 3 ends on May 31, 2023, one day before June. Or, in other words, one day before Pride Month. The combination here of Valentine’s Day and Pride Month lends itself to an interesting choice.

The official Season 3 playlist dropped on Apple Music. So far all the song’s have been in order, and as there are 56 songs on the playlist, I’m inclined to believe that it’s the entire season.

“Wigwam” by Bob Dylan is the first song of the season. It’s got a melancholic, drifting feel to it, with no real lyrics. If it still stands that the songs are in order, then the last song on the show is “I Am What I Am” by Donald Pippin & George Hearn from the 1983 Broadway musical La Cage aux Folles. It’s got a purposeful, proud feel to it, with meaningful lyrics.

Remember how I said that Ted is a huge musical theatre nerd? La Cage aux Folles is an insane pick — in the best way — to end the show. It’s cultural impact was huge when it came out, as it was the first hit Broadway show that centered on a gay couple, Albin and Georges. “I Am What I Am” quickly became a gay anthem. I can’t give notable lyrics because the entire song is a love letter to being out and proud of who you are. It’s also worth noting that Albin and Georges are fathers to a son.

But why would they pick this particular song from this particular musical? Why choose a gay anthem?

I cannot say for certain that Ted and Trent will end up together by the end of Season 3. All I can say is that it would make sense if they do. From the set-up to the Rom-com tropes to the unexpected ending. And if it doesn’t, if all this ends up being wrong, that’s okay too.

Still, though, I can’t help but root for them.

#ted lasso #ted lasso meta #trent crimm #tedependent #ted lasso speculation #tedtrent #can you fuckign believe this is over 4k words....jesus #there was so much i did not include such as interviews from both james and jason #hope this made sense LMAO

431 notes · View notes

illiterateaffairs · 1 year ago

Text

behind the scenes chapter five | fifty fake dates

masterlist | prev | next

pairing: jamie tartt x actress!reader (ted lasso)

rating: T

word count: 6,388

summary: you and jamie face the biggest test of your fake relationship so far; a double date with keeley and roy

a/n: this is once again a bit later than i had hoped to post, but this is my favorite chapter so far so i hope its worth the wait! i cannot wait to hear what you all think, especially in regards to the reader's scenes with roy and keeley :)

Jamie could be a very cocky person, but he could honestly say, in a completely unbiased way that you two were absolutely crushing this fake dating thing.

Not only had your movie premiere hard launch gone incredibly well the other week, you’d had many successful fake dates since. You’d been seen on various breakfast, lunch and dinner dates, as well as on walks together and even outside your flat again. You’d also posted a couple Instagram posts and stories here and there for good measure, slowly ramping up in a way that felt natural to a real relationship.

The public was eating it up. From fans to journalists, everyone thought you were adorable together. Jamie knew for a fact no one in the world suspected this was all for show.

Unfortunately, the pitfall of doing such a good job meant that not only had his coworkers bought the whole ordeal, but demanded to see it up close. And while fooling Roy and Keeley was a major cornerstone of the whole plot, he wasn’t exactly prepared for what Keeley had in store for them.

“A double date?” Jamie squints at her, after she’d cornered him in the locker room at the end of training one evening.

“Yeah, doesn’t that sound like fun!” Keeley nods, “It was actually Roy’s idea.”

“No!” Roy exclaims raspily from where he was sitting in the coaches office. The three of them were conveniently the last ones to leave for the night.

Keeley shakes her head, “You were the one who said you wanted to meet her.” She turns back to Jamie, “And I for one think a night out, just the four of us, would be a perfect way for all of us to get to know each other.”

Jamie hesitates. Again, he knows that’s the whole point of this charade. But he hadn’t been mentally prepared for when the opportunity to show you off actually came.

“I mean, I’m having dinner with her tonight,” he starts out slowly, “There’s no guarantee she’ll be available, you know, her being a hugely popular and successful actress and everything. But I’ll bring it up.”

Keeley smiles, “That’s all I ask!”

Jamie gives her a tight smile, before bidding her and Roy a good night.

Well, this should be fun.

“Hi, sorry I’m late. Filming ran long,” you say hurriedly as you breeze over to the table Jamie is sitting at. Despite there not being any photographers in this dimly lit restaurant, you feel the need to press a kiss onto his cheek, and he doesn’t seem to mind at all.

Jamie shrugs as you slide into the seat across from him, “No worries.”

You sigh, and mutter quietly, “Well, isn’t the point of this whole thing to be seen entering places together?”

“It's fine, really,” he insists. And then with a smirk, “We’ll be seen leaving together and I think that’s a little more important.”

You can’t help but chuckle as you finally catch your breath from rushing in. As you’re collecting yourself, you notice a glass of wine and an otherwise empty table in front of you.

“No menu?” you question.

Jamie shrugs again, this time a little awkwardly, “I went ahead and ordered for you. I figured you were filming late and thought you’d be eager to eat quickly. You like chicken parmesan, right?”

An impressed smile takes over your face, “Wow. As far as fake boyfriends go, you’re pretty good.”

A bashful smile takes over his own face. “I do my best.”

“And let me guess, you got the steak but you’re going to tell Roy you got a salad.”

Jamie quirks an amused eyebrow, “You’re not so bad yourself.”

You’re both equally proud and yet surprised at how quickly you’d become accustomed to each other’s lives and habits. And how natural it felt to fold one another into your own.

Jamie lets you take a healthy sip of wine before taking a deep breath, “Speaking of Roy.”

“Oh?” You raise an eyebrow this time in question.

“Yeah, uh, he and Keeley actually asked me something earlier. They - well, more Keeley - thought it would be fun for us to go on a sort-of double date? I told them I’d ask you, but I didn’t promise them anything. So, if it's not something you’re up for that's totally fine, I can blow them off.”

You bite back a laugh at how quickly and anxiously he’s speaking. You think it's best to cut him off before he passes out. “Jamie,” you reach across the table and take his hand, “I think that sounds fun.”

Jamie squints, “Really? Because we seriously don’t have to.”

“I’m serious! I think it would be fun to meet the people that sent you into a spiral and made you ask to fake date me,” Jamie scoffs but a smile starts breaking through again, “Besides, this deal is a two way street. You’ve done plenty to help boost my rep so far, it's time I return the favor.”

Now Jamie fully smiles, but still asks, “If you’re sure?”

“I’m positive!”

“Alright. Well, since you’re the one that has to pretend to be obsessed with me all night, I think it’s only fair that you get to pick the activity. What do you want to do?”

You mull it over in your end until the perfect idea strikes you.

“Can I tell you something?”

“Of course.”

“I am absolutely shit at bowling.”

From the passenger's seat of Jamie’s car, you let out a cackle. “There’s no way that’s true.”

“There absolutely is.” Jamie frowns beside you, completely unamused.

“Wow, finally something Jamie Tartt isn’t amazing at.”

“You know you haven’t seen me do that much,” he points out.

You hold your hand up and tick things off, “Amazing footballer, amazing fake-boyfriend. What else is there?”

This gets a laugh out of him.

The two of you are currently parked outside a bowling alley that is surprisingly empty for a Saturday evening. Jamie had received a text from Keeley saying she and Roy had arrived a few minutes prior, so now the two of your were mentally preparing for the night ahead.

“You know you could have told me this before and we could have done something else?” you asked after a few moments had passed.

Jamie lets out a deep breath, “But you were so excited about it when you brought it up.”

You chew the inside of your cheek to prevent yourself from smiling. “Well, I appreciate that. And I’m sure you’re not as bad as you think.”

“Let me know if you think that when you see me play.”

“Well, I can’t do that unless we actually go inside,” you whisper to him like it's a secret he hadn’t caught onto.

Jamie sighs deeply again.

“Hey,” you reach across the console and squeeze his hand briefly, “Tonight’s gonna be great. We’re gonna play a game, I’m gonna wow your friends, we’re gonna drink a shit ton of beers and have a shit ton of nachos, and have a good time.”

The side of Jamie’s mouth tilts up, “I think my vocabulary is rubbing off on you.”

You chuckle, shoving him lightly, “Come on, let’s get this show on the road already.”

“God, you’re impatient,” Jamie teases, but he’s finally pushing his car door open.

“Time is money, money is power, power is pizza, let's do this!”

If you were being honest, you had googled Roy Kent and Keeley Jones before. However, nothing could prepare you for how intimidating Roy was and how drop-dead gorgeous Keeley was in real life.

You and Jamie approached them hand-in-hand, and took little to no time for you to clock that you were the only people in the establishment. You’re confused about this, but you have to quickly bury any questions when Keeley pulls you into a tight hug.

“Hi, it’s so great to meet you, I’m Keeley!” she greets enthusiastically, before pulling away from you abruptly, “Holy shit, I’m sorry. The last thing you probably want is a random stranger hugging you out of nowhere. I’m sure you’re on edge all the time from the attention you get.”

You can’t help but flush when anyone makes a reference to your level of fame, not one to dwell on it yourself. However, Keeley’s energy is so bubbly and kind, you can’t help but feel comfortable as well as amused at how hard she’s trying.

“No, no, not at all. Hugging is great,” You give her a big smile as reassurance, “Besides, you’re not a random stranger, you’re one of Jamie’s best friends, so you’re automatically already a cool person in my book.”

Keeley matches your smile before turning to Jamie, “Oh, my God, you were right about how nice she is.”

You turn to Jamie as well with a curious look, and he can barely make eye contact with you. “So, now you know Keeley, and that scruffy old-man behind her is Roy.”

You turn to the man in question, and give him a kind smile and small wave, “Hey! I take it you’re probably not going to bear-hug me like your girlfriend, but it’d be funny if you did.”

To everyone’s surprise, Roy cracks a smile at your joke. It’s a small one but it's there. The bearded man gives you an approving nod before the four of you start making your way to your table. As you and Jamie trail behind the other couple, he gives you an impressed smile and you beam back at him.

Once you’re seated, you and Keeley send the boys off to grab bowling shoes and snacks for the group.

“So, am I crazy or is this place extremely vacant for a Saturday night?” you ask the blonde as you type your name into the scoreboard.

Keeley chuckles, “Oh yeah, we actually rented the place out for the next couple of hours.”

Your eyebrows shoot up, “Okay. Boujee.”

Keeley shrugs, “We don’t normally do things like that, but Jamie thought you’d prefer a night not being bothered by fans and such.”

Oh.

“While I normally don’t do things like this either, it does sound nice to have a normal night out.”

“It’ll be fun!” Keeley says cheerfully.

“Definitely,” you nod along, feeling warmed by her vibrant personality. “Even more so because apparently Jamie is really bad at bowling.”

Keeley snorts, “Oh, good. I mean, I’m not so great myself and Roy didn’t seem too enthused about this,” at your alarmed look, she quickly continues, “He’s never enthused about anything, don’t take it personally.”

You nod again, still a bit unsure. While you’d seemingly appeased Roy with your joke earlier, you were still anxious to get on his good side for some reason. You were a people pleaser through and through, but especially when the people in question were hard to crack.

You don’t have much time to dwell on your thoughts when Jamie and Roy reappear with beer, nachos, and bowling shoes.

Soon after the game begins. Between the consistent and easy flowing small talk, you bowl first with a respectable 8 pins down for your first go. You were just getting warmed up. Then Keeley takes a turn and manages 5 pins. You try to keep your laughter at bay when Jamie lands his first roll in the gutter, before just barely hitting 2 pins on his second attempt.

“I told you I was shit,” Jamie frowns, plopping down beside you after his turn.

You give him a playful pout, rubbing his arm. “Hey, the night is young, babe. You can still redeem yourself.”

You miss the flush on his cheeks from the pet name, as you and Keeley turn to Roy stepping up to the lane.

“You got this Roy-o!” Keeley claps.

Roy lets out a deep sigh before casually rolling the ball down the lane only to get a strike.

You and Jamie sit up straight in surprise, as Keeley’s eyes nearly bulge out of their sockets.

“I thought you hated bowling?” she exclaims, Roy sitting beside her and taking a gulp of his beer.

“I said I didn’t like it, never said I was bad at it,” he corrects, “Phoebe had like 3 birthdays here.”

“Phoebe’s Roy’s niece,” Keeley says, facing you before you could even ask, “You’d love her.”

You hum in response. You give Roy a friendly yet challenging grin, “Looks like I have stiffer competition than I expected.”

You catch a glimmer of competitiveness in Roy’s eye as you stand up to take your next turn. While you weren’t sure he’d be down for a little competition, he seems intrigued by your retort.

You’re pleased when you score a spare this round. Jamie and Keeley cheer for you, the former planting a celebratory kiss on your cheek when you return. Roy, for his part, looks impressed. It was on.

The game practically flies by after that. You and Roy are pretty evenly matched, taking turns between scoring strikes and fumbling a bit under the pressure. Keeley holds her own as well, but she’s mostly just happy to be there, cheering both you and Roy on. Jamie for his part manages to do better little by little, but he’s certainly no stranger to a gutter-bar or ill-fated split. And while he was resistant at first, he starts laughing along with your groups playful jabs at his expense.

Between rounds, you thoroughly enjoy getting to know Roy and Keeley. Keeley is a bit more forthcoming in conversations, but after a couple beers, Roy loosens up a bit himself and you’re pleased to learn he has a fun sense of humor.

By the end of the game, you manage to one-up Roy Kent by mere single digits. And while he’s graceful in the loss, he can’t help but point out he was a bit rusty.

“Okay, now that you’re warmed up, why don’t we make the next game a little more interesting,” you challenge.

Roy raises one of his thick eyebrows, “Go on.”

“Let’s say the next loser between us picks up the tab for the night?” you suggest.

Roy chuckles, “Big talk from someone with all that Hollywood money.”

“Oh, come on, I’m sure the highest paid coach in the premier league can handle it,” you throw back.

Keeley and Jamie amusedly watch you two like a tennis match.

A mischievous smile makes its way onto Roy’s face, before he extends his hand to you, “It’s a deal.”

You smirk, shaking his hand.

“Alright, if we’re doing this again, I need another beer,” Jamie announces, standing up from the booth.

“Ooh, I’ll come with,” Keeley says, jumping up as well.

“Wait, wait,” you call out, grabbing Jamie’s hand so he turns back around.

“Yeah, love?” Jamie asks, startled by the ease in which the pet name rolls off his own tongue.

“Can you get me some chicken wings, please?” you ask, with the sweetest smile you can muster.

Jamie chuckles, “Of course.”

“Thank you,” you sing-song. He watches your eyes glance over at Roy and Keeley quickly and discreetly, before looking back up at him. Then you blink twice.

Jamie doesn’t hold back the small smile that takes over his face as he leans down to press a chaste kiss on your lips. He forces himself not to linger, so he and Keeley can head to the snack bar.

This leaves you alone with Roy for the first time tonight. You have half a second to worry you’d be sitting in awkward silence before the man himself is speaking up.

“I like you,” he says suddenly.

You sit up in surprise for the second time tonight. Roy didn’t come across as the most transparent person when it came to feelings, and you’re once again sure the alcohol was helping, but it still took you aback.

“Oh?” is all you can manage to say in response.

He nods, sipping on his beverage. “You’re good for Jamie. You treat him well, but you don’t take his shit. He needs that.”

You give him a small smile, touched by his words. You were both relieved you were pulling off the girlfriend thing so well, and also happy that he thought you were making a positive impact on Jamie. Your situation may be temporary - and mostly fake - but it felt good that you were a decent influence in the time you have.

“Thanks, Roy.”

He tilts his beer bottle in your direction, and you raise yours as well.

“You’re also a hell of a bowler, but you are going down this next game.”

You scoff, “You wish, Kent.”

Meanwhile, Keeley is also singing your praises at the concessions stand with Jamie.

“Bravo, Jamie,” Keeley grins, shaking Jamie’s arm with an affectionate squeeze, “Not only is she fucking fit and talented - at acting and bowling nonetheless - she’s so fucking cool. She’s perfect for you.”

Jamie smiles bashfully, but accepts Keeley’s compliments of you. She was right. You were amazing.

“And, I’m so happy you’re happy,” she adds, even more sincerely, “It always seemed like you were going through the motions in your past relationships, before and after me. And during me, I guess.”

Jamie moves to apologize but she shakes her head.

“You don’t need to do that,” she states forcefully, “You’ve grown so much. You deserve all the good things happening in your life. And this,” she nods in the direction you and Roy were sitting, “Is such a good thing.”

Jamie’s smile wobbles a little, “You know I wasn’t just going through the motions with you, right? I really, really cared about you Keeley.”

Keeley instantly sobers as well, nodding aggressively, “I know that.”

“Good.”

“But I can tell this is different,” she insists. “You’re different. She’s different. And like I said, that’s a good thing.”

Jamie nods. Keeley’s words weigh heavily on him. Maybe that was the thing about him and her all along. You could care about a person, but that didn’t make you two the right fit. He considers this thought as he and Keeley carry their food back to the table. You and him were different. But not the different Keeley thought. You were just acting, and you were doing a hell of a good job of it. But that was the point, wasn’t it? Keeley and Roy were believing all of it, just like he wanted. So why doesn’t he feel as relieved as he should?

He buries those thoughts as you excitedly stand up to start the next game. That wasn’t before you happily thank him for the wings with yet another peck on the lips. And with that and more alcohol flowing through his veins, he can hardly remember any of his worries.

After you score another strike right off the bat, instead of returning to your seat you gesture for Jamie to join you in front of the lane.

“What are you gonna do?” he questions, “Wrap your arms around me to show me the right technique?”

“While that would be adorable, no,” you retort with a laugh, “But I can give you some pointers.”

Jamie can barely focus on the tips you’re telling him, because even if you’re not physically showing him how to move, you’re still standing in such close proximity, and whispering to him nonetheless. How was he meant to pay attention? When you’re done with your explanation, you give him another quick kiss, wishing him good luck, before skipping back to the booth.

Whether it was the tutorial or the kiss, he’d never know, but he somehow managed 7 pins that first try, and knocked down 2 more his second go. That was almost a spare. He’d be proud either way, but was even more so when you excitedly cheered for him on his way back to the table.

The second game is just as much of a blur as the first, except this time as the competition and the alcohol levels grow, you and Jamie become much more affectionate. He knows you don’t love PDA, so you keep the kissing to a minimum around Roy and Keeley, but there’s no shortage of hugging and hand holding as you rack up points on the scoreboard. Towards the end of the game, you manage the first Turkey of the night, and Jamie picks you up and spins you around.

Before you know it, everyone’s down to their last shot. The score is so close, with you getting yet another strike at the last moment. Jamie and Keeley finish with respectable scores - Jamie having improved a lot this go - but they’re nowhere near you and Roy.

Roy’s final roll is what makes or breaks the game. If he scores a strike, he wins. But even a spare means you’d win. Everyone watches with baited breath as he steps up to the lane. Its as if the ball rolls in slow motion, but as it hits the pins and you all watch as each and every pin gets knocked down, various exclamations are shouted.

“He must’ve cheated!” is Jamie’s contribution to the yelling, but he and you are both half laughing at the same time.

You, for your part, can’t be too disappointed when you’ve had such a fun night with more than amazing company. You also watch as Keeley gives Roy a sweet, congratulatory kiss, which was the first time they’d done so all night. Your heart pangs in your chest a little, feeling envious for the first time for what another couple had. It’s not something you’ve felt often in your life, but seeing how well the pair complemented each other all night made you long for the same thing with someone one day.

“You put up a good fight,” Roy salutes you, settling back down next to his girlfriend.

You smile, “It was a close game, but I’ll hand it to you.”

You begin to take out your credit card, when Jamie pushes your hand away, already taking out his own wallet.

“I’ve got this,” he says.

You frown, “I don’t remember you being a part of the deal.”

Jamie shrugs, “A lady should never pay on a date, so your bill is now my bill.”

Normally, you’d argue on account of feminism, but you’re feeling a little loopy. Most likely from the beer and not at all from the boy in front of you with that lopsided grin.

After Jamie closes your group’s tab, the four of you change back into your regular shoes and start saying your goodbyes.

“This was so fun!” Keeley smiles, pulling you in for another hug, which you gladly reciprocate, “We should do it again soon.”

“For sure,” you agree, before pulling away and addressing Roy, “I would like a rematch.”

Roy chuckles, “You’re on.” And then he surprises you by giving you a quick hug himself.

With a final goodbye, Roy and Keeley start heading for the exit. Jamie gives you a sly grin once they’re far enough away.

“I’d say we did a good job tonight,” he says.

You nod, “We definitely did. You’re friends love me, and you know what? I love them, too.”

Jamie laughs, “Good.” He gestures his hand to the doors, “Shall we?”

You give Jamie your own secretive grin, “There’s one more thing I have to do before we leave.”

Jamie furrows his brows, “What’s that?”

Your grin only grows, before you grip his hand and pull him towards the far side of the bowling alley that housed a handful of arcade games.

Jamie cackles when you stop in front of one of them.

“The claw machine?”

You only nod, already shoving quarters into the machine, “I was hoping they’d have one of these.”

Jamie shakes his head, watching as you navigate the claw around the machine, “There’s no way you win this. You know these things are rigged, right?”

Before the words are fully out of his mouth, you’re already dropping a bright orange dragon in to the opening before pulling it out of the bottom.

Jamie stares at you with wide eyes, “How the fuck did you do that?”

You shrug, “I’m amazing at arcade games. And I needed a win.”

Jamie laughs again, “I’d say you’re far from a loser. Did you see whose name was at the bottom of the scoreboard?”

You giggle, and then hold out the dragon to him, “Well here. A consolation prize.”

Jamie takes the stuffed toy from your hands, “For me?”

“Of course. I mean, as long as you treat him right and give him a name.”

Jamie studies the dragon’s face for a moment. “Alfred.”

You snort, “Alfred?”

“Alfred the Dragon.” Jamie says, assuredly.

“Well, I love it.”

“Good,” Jamie laughs along with you. “Well, the reservation we had on this place is about to end. People are going to start showing up any second so we should probably go.”

“Wait,” you grab Jamie’s hands again, “It's only, what, 9PM? Let’s go out and do something else.”

“Really?” Jamie asks, both surprised and amused.

“Yeah, why not? I hardly ever get out like this, might as well make the most of it while I have the mental energy,” you say with a laugh. “Come on, you’re the guy who knows all the spots where we can enjoy a drink on the down low right? Any bars like that?”

A smile starts to grow on Jamie’s face again, “Well, there is one.”

“Did you bring me to a karaoke bar?” you question, but there’s an excited grin on your face.

Jamie shrugs from the driver’s seat of his car, relieved he’d stayed sober enough to keep the night going. He feared that wouldn’t last much longer, though.

“Everyone at this place is so pissed they’d never realize they were around a famous actress, even if you wore a shirt that said ‘I was in Study Break’.”

You laugh embarrassedly, rubbing your face. “Of course you’ve seen the sitcom I was in.”

Jamie smiles, “That and Parks and Rec are only two of the greatest comedies of all time.”

“That’s generous,” you say. “If we’re at a karaoke bar, does that mean you’re going to sing?”

Jamie huffs, “Hell no. I would need several drinks for that.”

“I think we can make that happen,” you smirk. “Do you think Alfred will be okay to wait in the car?”

You both turn back to where Jamie had buckled the plush dragon in behind the two of you.

“Does that make us neglectful parents to leave our kid in the car?” he asks.

“Eh, he’ll survive.” You shrug, before the two of you jump out of the car.

You and Jamie immediately camp out at open spots at the bar and order drinks. While much of the beer from earlier had worn off, Jamie could still tell you were feeling lighter, bopping along to the horrible singing from the karaoke performer on the stage in the front of the room. He’s adored getting to see such a playful side of you tonight. He hopes he can start to bring it out of you even when alcohol wasn’t involved.

“I just realized when we conducted our research on each other, I didn’t ask if you had a go to karaoke song,” you ask him after a few minutes of quiet between the two of you.

Jamie thinks for a beat. Not that he’d participated in the activity often, he did have a few go-to’s. “Probably something by The Beatles. Or Britney Spears.”

You cackle, “Those two couldn’t be more different options and yet they’re both so perfect for you.”

Jamie laughs along with you, “What about you?”

“Hmm, I like a good 80’s song. Some Madonna, or Pat Benetar.”

“Those are solid.”

“And this isn't the 80's, but if I can get someone to do a duet with me, The Chain by Fleetwood Mac.”

“That is a bold karaoke song.”

“Sure, but it's so powerful.”

You both sip on your drinks as you keep humming along to the next singer who's doing a rough version of Bennie and the Jets.

“I know another question I didn’t ask you that feels like an oversight,” Jamie says this time, “What is Miss Movie Star’s favorite movie?” Jamie’s immediately intrigued when you become embarrassed by the question. He pokes your stomach gently. “What? Now you’ve got to tell me.”

You answer so softly, he can barely hear you over the music. “When Harry Met Sally.”

Jamie’s mouth is agape, “Excuse me, When Harry Met Sally? The girl who hates romance’s favorite movie is a romantic comedy?”

You squeeze your eyes shut, “I never said I hated romance, I just said some movies set unrealistic expectations.”

“Still!” Jamie exclaims with wide eyes.

“I know, I know. But it’s just so comforting! And Meg Ryan and Billy Crystal are so good together.”

“I mean, yeah.” Jamie agrees, like it's the most obvious thing in the world.

“But I stand by the fact that most romcoms can be a bit far fetched.”

“Okay, that’s fair. What other movies are your favorites then?”

You once again look afraid to answer, but inevitably do. “13 Going on 30…Notting Hill…”

“Are you kidding me? 13 Going On 30 is the most unrealistic. It's about a girl who goes from a 13 year old to a full grown adult overnight!”

“Yes, but Mark Ruffalo!”

“And Notting Hill is about the biggest actress in the world moving across the world for a random bookstore owner, how is that realistic?”

“Well, I mean I’m pretending to date you!” you retort before thinking through what you’re saying.

Jamie doesn’t dwell on it, “Did you just compare yourself to Julia Roberts?”

You sputter, “Not fully, but that would make you Hugh Grant!”

Jamie gives you a look, “I’m of a little higher rank than a bookstore owner.”

You gesture between the two of you, “So you’re saying the two of us come across as realistic. That’s good, that's what we want.”

Jamie chuckles, as you ground your conversation back in reality. “That’s fair.”

You smile slightly, “And again; I never said I hated romance and stuff. I just wish it was easier to come by like it seems on screen.”

Jamie nods, speaking more softly, “Yeah, me too.”

Before you lose yourself in Jamie’s gaze, you turn the topic on him, “What’s your favorite movie, then? Bend It Like Beckham?”

Jamie snorts, “While that’s a great film, I wouldn’t say it's my favorite.”

“Fair. But if you say another one of my movies, I’ll punch you.”

Your conversation continues just as smoothly as your cocktails go down after that. You bounce between learning more about one another, to mindless conversations about seemingly nothing. You also take many breaks to belt the lyrics to songs you love as more and more drunk patrons lousily perform.

Before you know it, you’re both nearly as drunk as the karaoke singers. Jamie soon realizes though, you’re much more of a lightweight, constantly coming up with random topics.

“I like the way you say Keeley’s name,” you tell him at one point, completely unrelated to the conversation you were having.

Jamie furrows his eyebrows, “Keeley?”

You shove your index finger in his face, “See, like that! Keeley.”

He chuckles at your poor, yet adorable imitation of his accent.

“You’re from where again?” you ask.

“Manchester.”

“So, that’s what? A Manchester-an accent?”

Jamie laughs again, “Mancunian.”

“Mancunian,” you slur, making yourself laugh this time. “I like it.”

“Do you like the way I say your name?” Jamie asks teasingly.

You bob your head up and down, “I like the way you say everything.”

Jamie didn’t expect that answer. Even in his inebriated state, he feels his stomach flip.

It’s around midnight that Jamie realizes that even under the influence, you were still a sneaky one. You’re laughing through a story about you and your friend Katie, when the MC calls Jamie’s name out as the next singer. Jamie looks towards the stage in confusion, before it dawns on him. His suspicions are confirmed when he sees the cheeky grin plastered across your face.

“How did you- when did you??” he stutters.

“When I said I had to go to the bathroom like 20 minutes ago,” you hiccup.

Jamie shakes his head, “I can’t go up there.”

“Sure you can!” you exclaim, attempting to push him off the barstool, although you’re doing a pretty pathetic job of it.

As the MC repeats his name, some people around you clock that he’s The Jamie Tartt and start chanting for him.

He gives you a look, “So much for staying under the radar.”

In your state, you don’t even seem to care, instead joining the crowd, “Jamie. Jamie. Jamie.”

He truly believes if he were a little less drunk, he would have resisted harder. But what was Jamie Tartt if not a crowd pleaser?

He eventually makes his way to the stage, receiving a louder than normal applause from the bar crowd. He reminds himself that even if they’re aware of who he is now, they certainly won't remember this tomorrow. As he pulls the microphone off the stand, he realizes he doesn’t know what song he’s singing, until the unmistakable first beats of Toxic by Britney Spears play through the speakers. He locks eyes with you immediately back by the bar, and you have a shit eating grin still plastered on your face. He can’t help but smile back.

At this point Jamie’s inevitably given into the absurdity of the night, and unashamedly gives a full fledged performance. The bar goes wild, but he’s only really aware of you. He somehow hears your cheers above the roar of the crowd, and is egged on by your amusement. Under normal circumstances, he may be embarrassed by how seriously he was taking this, but he’s surrendered to the simple fact that if it made you happy, he didn’t care how ridiculous he looked.

By the time he’s reached the final chorus of the song, you were up from your seat and the whole bar was singing along. Everyone cheers even louder when he’s done, and he gives them an over dramatic bow. As he bounds back down the stage, the people he passes offer high fives and tell him they’re huge fans. He even hears a few people breakout into his football chant.

“Wow, you were so good!” you tell him genuinely, putting each one of your hands on his shoulders, “Football better watch out, cause you could have a real career as a singer.”

Jamie rolls his eyes with a laugh, “Sure I do.”

You laugh along with him, “Either way, now that I know you kill at karaoke, we definitely have to come back.”

“Alright, alright, but next time you’re singing with me.”

“As long as its Fleetwood Mac, I’m down.”

The two of you don’t last much longer after that. As soon as Jamie can tell you’re starting to grow tired, he announces you should call it a night. He calls a car this time though, planning to pick up his car the following day when he was much more sober. You beg him to take Alfred the Dragon, though, stating sincerely that you’d cry if he was left in the car alone all night long. He immediately hates the idea of you crying and hurriedly unlocked the car to retrieve the stuffed animal.

When the car pulls up to your flat, he tells the driver he’d be a few minutes while he walked you to the door.

Jamie amusedly watches you very carefully walk up the concrete stairs. Despite not feeling quite that steady himself, he still follows closely behind in case you trip.

You stumble a little when you reach the top and Jamie gently takes hold of your arms, the two of you unable to keep from giggling.

“Well, this is me!” you announce, standing up straight in his arms.

“You don’t say?” Jamie jokes.

“You can stay here, you know,” you say, “The couch is pretty comfortable. I fell right to sleep at the end of Ratatouille the other night.”

“You were watching Ratatouille?” he asks incredulously.

“Ratatouille,” you mimic his accent again, pinching one of his cheeks lightly, “I fucking love your accent.”

Jamie laughs, a little less amused this time with you in such close proximity, “Well, thank you.”

You nod to the door, “So, you wanna stay? I bet people would go crazy if they heard about you leaving my place tomorrow morning.”

Jamie huffs. He considers it. He does. He’s exhausted, and he’d also love more time with you. And you’re right, this would be good for the ruse. But even as the alcohol slowly wears off of both of you, he thinks maybe tonight isn’t the best time

“Maybe another night,” he eventually responds softly. He nods behind him, “I can’t keep the driver waiting much longer.”

You pout playfully but nod, “Okayyy. I’ll talk to you tomorrow though?”

He nods back, “Of course.” A beat passes, “Thank you again for coming out tonight. With Keeley and Roy. Meant a lot.”

You smile at him brightly, “Anytime. Like you said, we’re a team.” Then you slide out of his arms that he’s long forgotten were even wound around you. “Good night, boyfriend.” you say dramatically, before turning to the door.

He smiles wistfully at the back of your head, “Good night, girlfriend.”

Just as you manage to get your door unlocked, you abruptly turn back around to face him. Before he can question anything, you’re gripping his shoulders and pulling him in for a quick, albeit sloppy kiss - and not on the cheek, but the lips.

Jamie can hardly process what is happening before you pull away from him. He looks at you curiously as you give him a coy smile and whisper, “Google Earth.”

Jamie breathes out a surprised and shaky laugh, “Always taking pics.”

You giggle with him, before once again going back to your front door. You wish him another good night, before entering your flat and shutting the door.

Jamie shakes his head. You definitely wouldn’t remember much of the last couple hours of your night. Part of him wishes he could forget some of it, too. That would make things a lot simpler.

a/n: it's a race to the who falls first finish line! who do we think will admit to it first? also two notes- 1) criminal that jamie wasn't on the team when they went to karaoke in season 1, 2) idk enough about bowling scores to make this completely accurate, so work with me on this haha

taglist: @respondingtoshowerthoughts-blog @royalestrellas @torpedo--belly @skewedcherries @littlemisssunshine192 @hopefulromances @breakmyheartlater @ohpuckyeah @alipap3 @meg-ro @rexorangecouny @pythagothug @bonesbonesetc @xxenia14 @rockchickrebel @thatonedogwithablog @percysaidnever @msjb2002 @loveforaugust @dicgohargreeves @whimsical-roasting @tortilla-maria1 @rubyliquor @taytaylala12 @kno-way-home @gcidrvsh @lightninginab0ttle @beekprsdaughter it wouldn’t let me tag the last couple of you, but i will keep trying <3

#jamie tartt x reader #jamie tartt imagine #jamie tartt fanfiction #jamie tartt x female reader #jamie tartt fanfic #jamie tartt x f!reader #mine #ted lasso fanfiction #ted lasso fanfic #behind the scenes series

217 notes · View notes

weclassybouquetfun · 2 months ago

Text

Okay, what's Jason Sudeikis' finsta, because Hannah and Kola post birthday wishes to Jason on Instagram if he doesn't have an account?

Hannah even made a nice little montage set to Stevie Wonder's "As". Since I can't post more than one video, I've joined it with clips of Kola from CELEBRITY RACE AROUND THE WORLD and a post-show interview where he and his cousin (Kola confirmed elsewhere that his sister Yinka was to be his race partner, but she fell pregnant, so his cousin was the only one he could think of who wouldn't want to kill him) discuss their spending habits and Kola talks losing his father to dementia and his mixed race heritage.

My fashionable TED LASSO babies.

What are some of the other TED LASSO alums up to?

Brett Goldstein was recently at the Toronto Film Festival for his film ALL OF YOU, co-starring the recently single Imogen Poots.

Dapper Brett.

He's also still doing his comedy shows and hob-knobbing with other celebs.

Brett will be back in front of the camera soon when he pairs up with TED LASSO fan, Jennifer Lopez.

Phil Dunster is hopping back onstage - two times: one for a charity event "An Evening with Phil Dunster & Friends" which will benefits pediatric cancer. One of participants will be actor/comedian Rob Delaney who has talked about the loss of his little boy Henry from cancer.

and he will be in the play, "BRACE BRACE"

And that's not even talking about series two of DEVIL's HOUR and whenever series two of SURFACE drops.

Also doing the theater thing is Nick Mohammed who returns as Mr. Swallow for A CHRISTMAS CAROL-ISH.

-James Lance returns for THE FAMOUS FIVE. There will be two films instead of three, this time.

Uncle Quentin hair at the ready.

-Stephen Manas continues to be the most fascinating man and is just living life, coast to coast, country to country.

youtube

#ted lasso #ted lasso cast #hannah waddingham #kola bokinni #jason sudeikis #brett goldstein #phil dunster #james lance #ted lasso alums #Youtube #nick mohammed

24 notes · View notes

ericdeggans · 11 months ago

Text

My List of the Best TV in 2023: An Abundance of Quality Even in Adversity

What’s the surest proof that there truly is too much television available these days?

The fact that, even though 2023 featured historic performers and writers strikes in Hollywood which crippled film and TV production for months, there was still enough great series and projects to fill an entire notebook page.

Way too many, in fact, for me to cover in my small part of NPR’s awesome annual listing of the best TV and film of the year, compiled among six different critics. It’s one reason the strikes went on so long in the first place – for fans of great TV, it didn’t really seem like much changed, as streaming services kept dropping cool stuff, thanks to their long production lead times.

Ironically, viewers may notice the strikes’ impact more next year – in part, because a lot of cool TV shows left us in 2023 (pour one out for Barry, The Marvelous Mrs. Maisel, The Crown, Reservation Dogs, Succession, and, possibly, Ted Lasso) and also because the streamers will spend some time rebuilding lineups which got depleted.

Here, where I have a lot more room is my highly subjective and surprisingly long list of the Best TV of 2024:

TOP PICK - Succession – A show which perfectly captured how the dysfunctions of wealthy families can impact the world delivered a note-perfect finale that surprised – though I did predict Tom would win out – and yet felt completely inevitable. All while the world was second-guessing and writing their own endings. Masterful.

The Last of Us – Who knew reinventing the zombie apocalypse story was simple as coming up with a new cause – fungus, eww! – and the willingness to hand big chunks of the story over to compelling, fully drawn supporting characters. Doesn’t hurt to have ultimate zaddy Pedro Pascal and precocious acting genius Bella Ramsey on the case, either.

The Bear - Speaking of compelling supporting characters…this show’s second season sparkled by giving the other employees in Carmy’s greasy spoon-becoming-a-great-restaurant lots of narrative room. But it took flight with unexpected, brilliant cameos from Jon Bernthal, Olivia Colman, Oliver Platt, Bob Odenkirk, Sarah Paulson, and the legendary Jamie Lee Curtis.

youtube

Reservation Dogs – Proof of the amazing, authentic, original stories which come from letting indigenous people tells their own stories, smashing together a crushing realism with the sense that a jarring visit from the spirit world is always around the next corner.

Fargo – Not sure I love the ultimate message on the healing power of suburban, white, upper middle class Midwestern family life (or what happens to the one major Black character). But crackling performances from Juno Temple, Jon Hamm, Jennifer Jason leigh and Dave Foley make this year’s installment the best version in many years.

Shrinking – An emotional and truly funny comedy that reminds us how hilarious Harrison Ford and Jessica Williams can be while not making us spend too much time on Jason Segel’s angsty privileged white guy shtick.

Star Trek: Strange New Worlds – The TV series which scored the most by taking the boldest swings, leaning into Trek’s original heritage as an adventure-of-the-week which told the most ambitious stories on the small screen.

youtube

(The dancing, dubstepping, boy band-style Klingons on Strange New Worlds powered my favorite TV scene of the year.)

Star Trek: Picard – Yeah, I put TWO Trek series here, because everyone else in critic-land seems to be sleeping on the fact that they made more than one excellent season of a new Trek series filled with nods to what came before, including this show, which reunited the Next Generation cast in a storyline basically about old people saving the universe from young, clueless, mind-controlled pawns.

Barry – Wasn’t thrilled about how grim this series’ finale eventually became. But respected the fact that co-creator/star Bill Hader never shied away from the fact that the show was going to be his laboratory for all the directing and storytelling tricks he ever wanted to try, and a dark comedy about a hitman-turned-actor has to be seriously dark to mean something.

Beef – A road rage incident becomes a crackling, entertaining look at everything from Asian family culture to Elon Musk-level mogul dysfunction while also proving my girl Ali Wong can act her ass off.

Still: A Michael J. Fox Story – While other celebrities are executive producing documentaries to show how legendarily cool they are, Fox helped create an up close look at his struggle with Parkinson’s disease which show how hard it is to put on socks and take a walk on a new York street without crashing to the ground right in front of a concerned fan.

Only Murders in the Building – A comedy about over-privileged crime podcasters in an Upper West side apartment building should not stay entertaining over three seasons. But this show pulls it off, tossing in against-the-grain cameos by Paul Rudd and Meryl Streep that provide the best icing on a very fine cake.

Slow Horses – This show about a department filled with failed British intelligence agents not only subverts the spy genre, it subverts the satires which originally subverted classic spy dramas, like Get Smart. Topped by mesmerizing performances from Gary Oldman and Kristin Scott Thomas, I would have subtitled this one, Get Smarter.

Happy Valley - This series about an experienced, ball-busting divorced single mom of a police sergeant in a mid-size town in Britain notched an underappreciated series finale featuring the amazing Sarah Lancashire as Catharine Cawood, finally confronting the man she blamed for her daughter’s suicide and her grandson’s emotional turmoil.

youtube

BS High – A great documentary often tells a story which keeps going deeper and better, like a descent into a spellbinding madness. This film achieved that by giving center stage to master manipulator/football coach Roy Johnson, who got ESPN to air a game featuring his Bishop Sycamore High School team; the film contends their crushing loss eventually exposed that the school didn’t really exist.

I’m a Virgo – Creator and activist Boots Riley made an urban parable where Black excellence became superpowers and the world’s exploitive class came for a 13-foot-tall Black teen played by the always compelling Jharrel Jerome. Always inspiring to see how Boots turns mainstream media’s tropes and expectations against itself.

#tv #youtube #npr #best tv of 2023 #succession #succession hbo #the last of us #the bear #beef #reservation dogs #Youtube

73 notes · View notes

lunar-years · 2 years ago

Note

Why do I get the feeling that picture from the next episode with Roy and Jamie is Roy telling Jamie they will be doing early 4AM training even in Amsterdam so Jamie can't go out on the town with the rest of the lads because Jamie's expression is saying "Aw Roy, yer killin' my fun man!"

that would be so mean of Roy. I would love to see it!

#filming spoilers but...........[this is the episode where they go bike riding]#[i am ready to implode]#[they are so codependent this season. it is everything.]#ted lasso #ted lasso spoilers #jamie tartt #roy kent #royjamie #asks

29 notes · View notes

gottagobackintime · 1 year ago

Text

Music (and movies) and queerness in Ted Lasso. Particularly in relation to Ted (and Trent)

I want to start with a line from the show that contains the word music.

“If music be the food of love, play on. Give me excess of it.” Said by Mae to Ted in a scene where a few moments later Trent walks up to him after leaving his date to go talk to him. It’s a quote from the VERY queer Shakespeare play “Twelfth Night”. The line implies that the speaker wants to be fed more, to the point of it making them sick so that they won’t desire, love in this case, anymore. Because he’s unhappily in love with someone who he can’t have (Michelle?). BUT he falls in love with someone else later. And in the context of Ted Lasso, this line just so happens to be said right before they show us that Trent is there. Ted also answers Mae, not by asking if she’s asking him if he wants more but “If that’s your fancy way of asking if I want another one, you guessed right”.Another love?And according to James Lance, it was when he was on his way to film this scene that he found out that Trent is gay and that he is “with that guy” as he himself puts it. A man who has a moustache very similar to Ted’s and wears similar clothes.

(Also, this happens in season 2 episode 7. In season 3, episode 7 Ted talks about the red string/thread of fate myth while Trent wears a red bracelet and they are connected by red several times and season 3, episodes 7 and 11 are connected via “You’ve got Mail”, the opening scene in episode 7 being a “tribute” to the movie, and there are other smaller references. And the team, and Trent, watching the movie in episode 11. AndTrent also wears the bracelet in episode 11, an episode I’ll bring up later in this post).

Now, let us get to the music.

Bruce Springsteen If you google “Bruce Springsteen queer” you get a lot of results discussing queerness in his songs and so on, so to put him in this post is a must.

Bruce Springsteen is brought up by Dottie in season 3 episode 11. She tells Trent about the time Ted got onstage and danced with Bruce Springsteen (which turns out to be a lie) but the connection to Springsteen is still there, because Ted did get onstage with a Bruce Springsteen cover band and sang with them. So, we’ve established a connection between Ted (and Trent) and Bruce Springsteen.

Let’s connect it to something else that happened in the episode. They watch “You’ve Got Mail” starring Tom Hanks and Meg Ryan (I’ll come back to “You’ve Got Mail” later, the important part here is Tom Hanks). Ted states that the superior Nora Ephron/Tom Hanks and Meg Ryan movie is “Sleepless in Seattle”,a movie about a reporter falling for a single dad simply because of the way he talks about things and what he talks about. He brings the movie up twice, once to say that it’s superior and once telling someone to watch it. Now what does “Sleepless in Seattle” have to do with Bruce Springsteen? “Sleepless in Seattle” came out in 1993, as did “Philadelphia” a movie about a gay man played by Tom Hanks. Springsteen made a song called “Streets of Philadelphia”, specifically for this movie. A bit farfetched? Eh, perhaps, but I’m including it anyway.

So, in this episode Trent, a gay man, is told by Ted’s mum that Ted once went onstage with Bruce Springsteen and that’s the story he needs to confirm straight away. He practically skips towards Ted’s office to ask about it. Why that story? Surely she told him about other things too. And he heard the stories she told the team. But this was the story he was excited to get confirmed. A story about Ted’s connection to an artist that has several queer connections and who can also be connected to something else that is brought up in the episode.

Queen Let’s get the obvious out of the way. Their lead singer was queer.

And I talked about Fat Bottomed Girls and Queen/Freddie/Brian in THIS post. And I talk a little bit about the connection between Ted and Freddie Mercury in THIS post.

Queen has been used a lot throughout “Ted Lasso”, a lot more than I remembered. When I went back to look at the soundtrack for season 1 and 2, I found quite a few Queen songs. I also discovered that two of the trailers for season 2 had Queen songs in the background. “Under Pressure” (which also features David Bowie, another queer artist) and “We Will Rock You”.

Ted talks about having watched Queen at Live Aid on TV when he was younger, in season 2, episode 8 (that episode is called “Man City”, Ted mentions both Queen and Freddie Mercury. Season 3 episode 11 is called “Mom City” and Freddie Mercury is brought up again and a Queen song plays.) “Tear It Up” plays in season 2, episode 2 “We Are the Champions” plays in season 2, episode 9 “Fat Bottomed Girls” are both mentioned and played in season 3, episode 11 And, while not a Queen song, “Fought & Lost” by Sam Ryder featuring Brian May is also played in season 3, episode 11.

But let’s focus on “Fat Bottomed Girls”. Now, I’ve already talked about it in THIS post, that I also linked above. So, I won’t go over all that again. But a little recap, “Fat Bottomed Girls” is linked to “Bicycle Race” which is sometimes seen as a metaphor for being bi. They were both on the same single and they reference each other. The song is brought up by Higgins when he tells Keeley and Rebecca that Freddie, when he briefly owned Richmond in 1980, tried to make that song Richmond’s song but that it didn’t work. Rebecca then brings up that her dad went to art school with Freddie and that according to him if you would have asked Freddie what his greatest talent was, he would have said “flipping straights”.

We’ve already established Ted’s connection to Queen. And we’ve heard Ted refer to himself as straight just a few episodes ago (episode 7, and I’ve already pointed out the connection between episodes 7 and 11, this is another connection) now we get to hear Rebecca say that Freddie Mercury’s biggest talent was “flipping straights”. Ted is, as far as I know, and I’ve checked, the only person who refers to himself as straight, in the whole show. Not a single other character does that. Once in the Christmas special, once in season 3, episode 7, that’s two times. Will the rule of three apply here? Will he say that he’s straight a third time or will he subvert expectations or if you will, flip the script and say that he’s something else?

Dolly Parton Trent has worn a Dolly Parton shirt twice. Dolly Parton is a queer icon. In season 3, episode 11 Beard feels the need to call dibs on Dolly’s part in “Islands in the Stream” at karaoke. Implying that Ted perhaps snags that part for himself a lot of the time. Ted then walks away singing “Islands in the Stream”. Yet another queer connection between Trent and Ted via music.

Harry Nilsson/ (Judy Garland) Back to “You’ve got Mail”. The last scene of “You’ve got mail” ends with Tom Hanks and Meg Ryan meeting up and they kiss while Harry Nilsson’s cover of “Somewhere over the Rainbow” plays in the background. We’re shown that scene, not just by witnessing the characters watching it, but by it filling our own screen for a while. “Somewhere over the Rainbow” is of course from “The Wizard of Oz” originally, sung by Judy Garland. A queer icon. The connection to “The Wizard of Oz” and Ted Lasso has been brought up before. But in this episode, it’s very front and centre. Ted is standing at “The Wizard of Oz” pinball machine, staring at the spinning house. And of course, Ted’s connection to Kansas is always there. And it’s brought up in a very important way this episode, with his mother more or less telling him he should go home to Kansas.

So, we have a well-established connection between Ted and Kansas and “The Wizard of Oz”. Let’s talk more about Judy Garland, Dorothy, the original singer of “Somewhere over the Rainbow”. As I mentioned above, Judy Garland was and is a queer icon. And “The Wizard of Oz” was and is a big part of the queer community. Then we have the “Friend of Dorothy” euphemism, a way to recognise other queer people, and it’s strongly associated with Judy Garland’s Dorothy. In episode 11 we are introduced to Ted’s mother, Dottie, which is a nickname/shortening of Dorothy. Another very clear queer connection to Ted.

And let us also look at James Lance who has said that there is a story arc for Trent’s shirts. And he wore a t-shirt with Dorothy’s ruby slippers to an event that is connected to Ted Lasso. And when asked why he was wearing that shirt, why he chose to honour Dorothy. It feels like he’s deflecting when he says “Well, every good character’s got to have a good pair of shoes, right. And these are surely, surely,the best pair of shoes in showbiz. So, you know, they get their own t-shirt. There aren’t many shoes to do that.” That’s suspicious. And we now know that James has had a lot of input into Trent’s costume, with him suggesting things and getting a thumbs up a lot of the time. He clearly thinks that clothes are important and can send a message. And he chose to wear a Dorothy shirt to a red carpet. When we now know that the eleventh episode of season three had several heavy references to “The Wizard of Oz”.

And to go back to Harry Nilsson. A song sung by him was on the soundtrack for Midnight Cowboy, starring Dustin Hoffman and Jon Voight, a queer movie. (And let’s remember that Trent himself said that Dustin Hoffman would probably play him in a movie).

Honourable mention

Mumford & Sons/Marcus Mumford

Why would I add Mumford & Sons and Marcus Mumford? Because Marcus Mumford made the theme song to Ted Lasso and the instrumental songs for the soundtrack, they’ve also used both Mumford & Sons and Marcus Mumford songs in the show. And the band have a connection to Jason Sudeikis. He was in the official music video for Mumford & Sons’ song “Hopeless Wanderer”, inthat video he clearly plays a version of Marcus, and he kisses another man in it. I think that deserves an honourable mention.

So, to sum it all up, there is queer subtext in the music and the artists that they mention and play in Ted Lasso, and these are just the ones that I personally can connect to Ted (and Ted/Trent). I don’t know if it is a coincidence, but I feel like there is way too much to just be a coincidence. To borrow part of Trent’s line “Through thousands of imperceptible moments, all leading to their inevitable conclusion.” Number four, that doesn’t even matter (but it actually does), LOVE. Queer love.

#ted lasso #ted lasso spoilers #tedependent #trent crimm #ted/trent #ted x trent #nicole watches stuff #I really hope this post makes sense #this post can be summed up with the words:#started making it had a breakdown... bon appétit #I'm sorry to say that I've literally gone insane #just look at this post #I didn't even mean to make this post #I was just going to make a little gifset about the times they've had Queen in the episodes #because I'm a fan of Queen #and then I fell down the rabbit hole #and I ended up with this #and then I thought hey let's go out with a bang you know #if it truly is the last ever episode of ted lasso next week then let's have some fun #the more I looked the more everything connected #like the things that happen in season 2 and 3 episode 7 #also discovered that in one of the trailers for season 2 they have a shot of trent smiling at ted in the press room #a shot that isn't in the episode #so yeah... um...#I went deep #I really hope you all get some enjoyment out of this post #I put more effort into this post than I did when I tried (and failed) to write a researched paper at uni (that paper made me drop out again

141 notes · View notes