#that’s an essay for another day

[dilfsonic]

Personally so fucking glad sega did away with specific canon ages like cannot thank them enough. Tired of brain dead morons screaming “POWER IMBALANCE” between sonadow bc actual mouthbreathers interpret them as a 15 year old babychild and predatory 50 year old geezer and I love that those people have no leg to stand on in any sane universe.

[falmerbrook]

Falmer appearance and attire headcanons

(click on drawings for more details and notes!)

Hair

In Skyrim, we pretty much only see two hair styles to go off of: completely bald and the hair the "shaman" have (which are also the only females we see (a post for another day)).

In concept art, particularly Adam Adamowicz's, we see more potential hairstyles. He draws it as wispy and messy, as well as containing braids and the ties we see in the shaman in the game. This art is largely what defines my own interpretation of their hair.

I picture the typical Falmer hair as wavy, thin, wispy, and looking frizzy. Given the high number of hairless Falmer we see, I imagine baldness is common, particularly among males, and sometimes among females. Their hair can be commonly styled into braids or knots to keep it under control.

The ability to grow long, thick hair is less common, but those who can tend to style it in other unique ways. Especially among females, long hair is commonly styled into large dense locs (akin to a Polish plait) and held into shapes using ropes or leather ties.

(While I think the intention with the way their hair is drawn and modelled in the game models and concept art was that it was braided and held up with those ties, before looking at it closely I always sorta interpreted it as too stiff to just be braided. As a result, I developed the locs headcanon and have become kinda attached to it even though I have 0 in game or lore support for it)

Materials

The material used in their clothing is obviously dependent on what is accessible to them, and given their unique situation that makes the materials they use and value unique as well. In Skyrim, we see that almost all of their armor (which is mostly what we see them wearing) and homes are made of chaurus chitin (and potentially shellbug chitin), so this is likely the most common resource available to them for non-combative coverings as well. Other materials from their arthropods companions could include their cocoons, unhatched eggs, etc.

Bones from other creatures (draugr, skeevers, trolls, adventurers, bandits, etc.) underground or from aboveground raids could also be used fairly often. These could also provide a source of leather or fur, albeit not a lot of it.

Falmer groups and subcultures inside or in close proximity to Dwemer ruins probably make regular use of the materials present in those ruins as well. With all the metal and machinery present in Dwemer ruins, metal probably makes regular appearances in their clothing (and general decorations) even if they can't manipulate it themselves. Falmer more separated from Dwemer ruins would make much lesser use of these materials, however. Additionally, We see implications of Falmer preparing, cooking, and potentially cultivating fungus in-game, but see nothing indicating they have any plants in their diet, and therefore it is unlikely they regularly make or use textiles or fabrics in their clothing, and if they do they likely come form Dwemer ruins or raided adventurers/bandits/settlements from the surface.

On that note, we know that there have supposedly been incidents of Falmer coming to the surface to attack its inhabitants and travelers, as well as instances of them killing bandits, adventurers, and researchers who venture below, so it's not far fetched to believe that they have access to some materials from the surface. This could give them some access to furs from surface animals, beads, glass, jewelry, textiles, metal objects, etc. they might not otherwise have access to. The rarity of these material among the Falmer would depend on the amount of access any given group of Falmer have to the surface, but among many of them these materials could be seen as more valuable for their rarity and the difficulty to gain them.

While gemstones and ore might be accessible from both natural deposits and underground ruins, unless they had some kind of auditory function or unique texture, they might not have much value to Falmer.

General Attire/Accessories

I like to imagine that the Snow Elves, and by extension the Falmer, have an innate cold resistance in the same way Nords do, and therefore don't require clothes for the purpose of warmth even in the chilly caves of Skyrim. Additionally, their blindness likely means that wouldn't dress for visual aesthetic either. My thoughts are that they are then left with the sense of sound and touch to communicate with each other, and their clothing and accessories could reflect that.

Falmer clothing, decoration, and society in general is very heavily based on touch and texture and little on appearances. They touch each other very often for both communication, movement, and just general day-to-day interactions, and their clothes isn’t very modest, but the tactile patterns and materials used can communicate certain things such as position in society, “wealth”/power, whether they are taken, single, pregnant, with a child, etc., their roles, their age, notable achievements/skills, who is who, etc. on both their clothes and buildings. The more noise one makes, the more attention they draw and the more they drown out other noises, and the more noise making things they can “afford” to have, so the amount of noise one makes in a Falmer settlement is a status symbol. Certain types of noises or noise makers are more coveted than others (chitin beads are common, while furs are less common, and materials only gained from raiding the surface are rare and coveted).

Some noise making accessories could include:

Dangling metal, bones, beads, chitin, etc. that hangs off of their clothing or ears and jingle/clank against each other (in my drawing I show them as pretty uniform in shape and size, but they would probably be much more irregular than I depicted them)

Bells (metal or other materials) that are affixed to or dangle off of their clothing or as earrings.

Hollow bracelets, anklets, necklaces, or other accessories that are filled with rocks or beads.

Rattles tied to the body (made of chitin, dried hollow chaurus eggs, dried chaurus cocoons, beads, etc.) with leather or rope.

Flute or whistle like tubes made of metal, chitin, or dried and treated tube-like fungus that makes a woodwind-esque noise when air passes through it in a certain way. They have been designed to make noise easily from even the slightest movements.

Dried grasses (more temporary) tied to the body that make a swishy noise. More permanently, a similar thing can be achieved with hair. The hair can be sourced from Falmer (either through just cutting hair or through taking it from fallen enemies) or killed humans/mer/draugr. That sort of thing can also act as a kind of trophy.

Necklaces with various materials dangling close together that jingle against each other.

Various materials can be tied into braids or the leather ties in their hair as well.

Some textural accessories could include:

Beads. Since they wouldn't have the ability to tell the color of the beads, the patterning of beadwork would be based on the roughness, material, size, or shape of the beads. (I'm sorry I suck as drawing beads)

Furs. This wouldn't be as common since the Falmer likely don't have too much interaction with furry mammals, but some they may have access to that are big enough to make clothing/accessories out of include skeevers or trolls (and potentially rarely animals from the surface). A potential meaning of wearing furs could be as hunting trophies, but it could have other meanings as well.

Chaurus chitin would like be the most common material in Falmer attire, and depending on the part of the chaurus body, the size of the chaurus, or the life stage of the chaurus it was sourced from it could have different textures. Some chitin parts could include large spikes and deep groves, while other parts could be smoother and less rough. The use of this chitin in clothing could take advantage of this contrast in textures. Additionally, chitin or shells from shell bugs might be a different texture from the chaurus chitin. (it's unclear to me whether shell bugs are exclusive to the caves around the Forgotten Vale or if we should consider them distributed throughout Skyrim's underground)

The placement of textured components on the body could have their own meaning to it alongside what accessories or textures are being used.

Specific Falmer Subcultures

While most Falmer settlements we see in Skyrim are just a small-ish collection of huts and chaurus corrals, there are two distinctive settlements that are larger, seemingly more organized, and I like to think have their own distinct subcultures worth mentioning: Blackreach and the Forgotten Vale. The unique scope and environment of these Falmer cities (as I like to think of them) could lend to unique clothing cultures as well.

The Falmer of Blackreach have access to a vast Dwemer settlement and have has the space to spread out throughout it more fully since it seems to be more in tact than other Dwemer ruins we see. These guys would likely have a clothing culture much more heavily based on what the can access from these Dwemer ruins (metal scraps, leftover fabrics, etc.)

The Falmer of the Forgotten Vale would also have access to unique resources, such as Vale deer, Vale sabre cats, and frost giants for fur and leather. Additionally, materials accessed from the Chantry of Auri-El such as textiles from clothing, bedding, tapestries, etc. could give them a greater access to fabrics than other Falmer groups. We don't see many close Dwemer settlements to the Vale, so they would have less Dwemeri influence in their clothing than other Falmer groups.

I like to think that the Falmer's evolution exclusively underground has made them poorly equipped to handle the outdoors during the day and has made them particularly susceptible to sunburn, necessitating the need for covering for those in the Forgotten Vale who have significant settlements outdoors. With greater access to textiles and leather, they could use them as coverings when outdoors.

Armor

I actually have very few notes on armor, for two reasons. 1) I hate designing and drawing armor. It is the bane of my existence. 2) I really like the armor they have in game! I think they look awesome aesthetically, and I like how clearly they are made from chaurus chitin. Per usual, Adam Adamowicz's designs seem to have been the major inspiration for the Falmer armor, and he did a great jobs (even if it isn't the most functional looking armor ever).

(off topic but I also just want to add that he draws them with little hairs and tufts on their ears and I love it. ok that is all)

I do have a few thoughts about armor though.

Even attire made of textiles make noise when someone moves in them, and I can imagine moving around in armor, especially armor made of hard, insect shells would make a lot of noise when someone moves around in it. When you're relying on sound to navigate your environment and pinpoint potential threats or targets, wearing something making a lot of noise would not be ideal. On the other hand, getting into a fight unarmored would be a problem.

So here's my solution: heavy armor (see below) would only be worm within the camps/settlements where noise was already high and space is more cramped (and therefore more risky in a fight) as a sort of guard in case they were attacked. Those guarding the settlements along the outside might still wear armor as well, but less of it. Those going out to scout or hunt (if they do hunt) would wear as little armor as possible, and try to wear it strategically so that it wouldn't rub against itself and make noise. This is why most Falmer we encounter in the game are wearing little except for loin cloths and kneepads.

One more idea I have for armor is a specific armor piece. On the note of guarding or protecting a camp or settlement, I imagine the noises of it all (especially with the noise based headcanons I've laid out here) would make it hard to actually catch any potential threats when you can't see. A large slightly concave piece of armor worn behind the head could block out noises from behind the wearer, as well as a help focus sounds ahead of them.

That is all! Thank you for reading! A lot of these concepts around the culture of sound I think could also be applied to their buildings and even a culture of music, but those are posts for another time.

All of the concept art I used was taken from here and all of the Skyrim screenshots are from UESP.

[tsururoach]

you ship ryomina because ryoji is a disaster of a bisexual. I ship ryomina because of the beauty of a suicidal boy that can love life enough that death can agree.

[lukecastellanshandholder]

I think that the one thing that I will always absolutely loathe the movies for (other than single handedly screwing up the whole plot of the story) is for making up that bullshit rule about Zeus declaring that no god can have any kind of contact with their children. That’s completely not true but now a huge chunk of people in the fandom believe that rule as canon( because most like to pick and chose what is canon and what is not, and sell head canons as being canon to the books ).

The only rules that are stated in the books relating to demigods and their parents is that 1). Gods cannot blatantly and outwardly help their demigod children during a basic quest (such as help them fight monsters or help them travel somewhere for the quest). 2). That as of the time right after WW2 the big 3 gods are not to sire any demigod children as part of their oath that they made on the River Styx (which Zeus and Poseidon definitely didn’t break ). Gods are still able to spend time with their demigod children and mortal lovers on times out side of quests. However, it’s seen as taboo mainly because the other gods use them having to much to do, and too many demigod children as an excuse to just not do anything for them. Not send them a birthday card, not a visit, and not even being claimed in most cases.

That’s giving the gods too much slack! People like to say "well, they’re gods. They’re trying their best." No they’re not! And this is what Luke’s character blatantly points out!

Hermes not even bothering to visit every once and a while? Hermes not trying to help in even any little way with Luke and May's situation? It’s a main reason why Luke becomes so angry at the gods and even thinks about saying yes to Kronos’ proposal.

And who is the example of what could’ve happened if Hermes would’ve done literally anything? Anything at all? Percy.

Percy didn’t like the gods and Poseidon very much in the beginning ( he doesn’t really like them much now but, you know) but Poseidon at least helps Percy in little ways that can fly under the radar of Zeus and the others. The Pearls to help Percy escape from the underworld? Tyson? Poseidon even crashes Percy’s birthday party ffs! Sure Poseidon isn’t there every time Percy scrapes his knee or fights a monster, but he still shows Percy that he somewhat cares about him.

All Hermes does is tell others how much he cares for Luke and "really truly loves him", but does nothing to prove to Luke that he truly cares. But it’s not just Hermes who does this, almost all of the gods do this! Why? Because they know that they can just say "oh, well I was busy and I tried my best" and others will just believe them and carry on. Or worse, they’ll take what the gods say to heart and demonize anyone who would try to oppose the gods so that it’s seen as a bad thing to hold the Gods accountable for the way they act.

And this is a clear example of the overarching theme that the gods are actually just an oppressive establishment that won’t ever really change unless it’s destroyed or overthrown.

In this essay I will…

[starrycomics]

Reading Batman #138 has just confirmed for me that one of the main themes of Zdarksy's run is the line Bruce's loved ones (particularly the Robins) walk between Family and Soldier, and his struggle to separate the two

It's shown pretty plainly from Zdarksy's first Batman comic where Tim gets shot in the throat. In the heat of the moment, Bruce cradles Tim in his arms and calls him 'son', prioritising Tim's safety over evacuating civilians

But then in the car a couple of pages later, you get these amazingly horrific panels showing Bruce de-costuming Jason and Tim's bodies, referring to them as 'soldiers’

At this point I read his soldier description as almost sarcastically bitter - he clearly hates that ‘the mission' drives him to treat his sons like impersonal soldiers, but he does it anyway

And this is something Tim completely goes along with - Bruce doesn't even visit him in hospital, but he's back out soon after with a bandage still on his neck. When he's back in the field he has an argument with Batman that with hindsight feels like an obvious set up for Gotham War

Bruce questions Tim's judgement and berates him for something he did in the field, while Tim says that Batman can't control him

Bruce is, at this point in the story, pre-Zur, and obviously doing this from a place of concern for his son rather than as something more coldly militaristic, but it's still the same type of justification Zur will later use during his fight with the rest of the Bats

Batman #138 is when this turns on his head, when he becomes more drill sergeant than concerned father, where having a son in place of a soldier is a hindrance rather than a gift

And that’s the whole point of Gotham War - a lot of people have been bogged down debating the logic of Selina’s plan, when it was really no more than a MacGuffin to put the Bats’ fault lines on show and illustrate the strain of being a father to your soldiers

And if you’re viewing this with a completely cold, mission-first mentality, then Bruce-as-Zur is kind of right - he’s allowing the rest of the Bats, his soldiers, to essentially mutiny against him because he’s tied to them by his love. Obviously that’s a good thing, he absolutely should care about his children like that, but it objectively makes him weaker

Tying back to Tim getting shot - the most fatherly thing to do in that situation would be to damn their identities, prioritise Tim’s well-being and take him straight into hospital without wasting time with his uniform. That would ruin him as Batman, but it’s still something he considers out of love for his son. Throughout his run and especially in Gotham War, Zdarsky is putting that love to the test and exploring what’s more important to Bruce, justice or family

I could say a lot more about Bruce’s role as a parent (personally, while I do think he can be fatherly, there is something inherently unethical about sending your children to war - him and Batwoman’s dad have a lot in common in that regard imo)

Mostly I just love the fact that Zdarksy’s exploring the complex dynamics between Bruce and his Robins, and I can’t wait to see where he takes it

[rivkae-winters]

Zack Fair, Violence, and Tragedy

Over the last month or two I’ve seen several posts about the nature of Zack Fair’s tragedy and his seeming heel-toe-turn and thought I’d chime in. 

Also like last time: this is only my interpretation of canon, there is no one true analysis to take as gospel. If you disagree/differ in opinion/even just want to talk please reblog or dm! I enjoy talking to other people about this sort of thing, fandom is all about discussion after all!

While I agree with the sentiment I’ve seen going around that Zack’s relationship to violence plays a role there are other nuances and factors at play here. I’d argue that it’s more accurate to say that Zack is becoming more aware of personal and professional culture outside of SOLDIER and outside of both ShinRa’s constraining grip and Angeal’s attempts at protection. Even then it takes great personal tragedy caused by the inherent contradictions of ShinRa’s reality for him to realize that he has functionally been on the wrong side.  

Sure he’s not callous like Cloud is in the beginning of original and Remake, but he certainly isn’t horrified at his actions just because there is violence. I’d argue the violence of his actions isn’t the main horror to him in isolation. I’d argue that even the death that results from violence isn’t what the core of the issue is either. 

Zack’s hinging point is more his loyalty and his pride. What he does for other people and what he believes in and of himself. Specifically these things in conjunction with his desire to be a good person. 

The language of Pride, the non-localized direct translation of the word hokori or 誇り(JP CC Script), is what’s going to be used here rather than Honor. 

誇り | Hokori - To take pride in; To boast of

Definition Sources: 1, 2, 3

Just keep in mind that I’ve written this from as neutral a point of view as possible on the matter of pride since the Western perception definitively does not apply. To be proud is not a crime and it is not foolish it simply is. 

Zack initially places his pride in SOLDIER- in what being a SOLDIER means to him. In how being a SOLDIER is his and that they are his people and thus he lets ShinRa policies define how he frames his morality. Thus ShinRa defines good in Zack Fair’s life. 

Zack wants to be a hero. He wants to help people. He is trusting and kind and respectful to people consistently outside of the conflict of the mass desertion. Zack genuinely wants to be a good person and help other people, good or otherwise. He is led to believe by ShinRa propaganda that the best way to help people or to be anything meaningful in this world is through them. This is a baited trap that he falls into, Zack is prime prey this trap was intended to catch. 

He is angry at Genesis and horrified by Angeal, especially at the beginning, not for cruelty or violence or even really death… He is angry at them for their betrayal. Sure he is violent and angry in the instance he thinks Angeal has murdered his own mother, as with Genesis and his parents, but that does not define his antagonism, his hatred, his regret, his sense of justice with them at all. 

 Zack does not raise his sword at Genesis for the people of Banora, he raises his sword for SOLDIER. 

Zack understandably feels, and has been, betrayed. 

He is hurt and angry and alone in a way he’s never been since he got into the SOLDIER program. He falls deeper into the illusions of ShinRa for that reason, angry and hurting and grieving the life he had with people in it who will never return. There is a deep sense of nostalgia throughout Crisis Core in the sense of the word’s initial meaning: the pain of missing home. Specifically the homes we find in people.

Even as he believes in ShinRa's twisted reality Zack wants to help. He wants to protect those he cares for. Zack wants to be good. Unfortunately in Zack Fair’s life the undisputed definition of good is now written by the ShinRa Electric Power Corporation alone.

Then he meets Aerith. 

Suddenly ShinRa’s version of right and wrong have opposition but the control that ShinRa has over his life, total and complete as it is, prevents that from sinking in. Zack is perceptive though, around Aerith he is her version of good and then he has to go back to what equates to his phase of reality. A sanctuary is not safe, not truly, when watchers are peering in through the back door ready to drag you out by your feet if you misstep. 

Zack wants to be a man Aerith or anyone won’t be scared of. He wants to do that not because he is suddenly horrified at his own violence but rather in consideration of others. Zack is highly empathetic after all once he can see someone else’s perspective. He wants to be what Aerith wants, even if he doesn’t really and truly understand it yet, because he cares about her and cares about her opinion. He cares about her comfort. Zack still puts most of his pride within SOLDIER though. That means that Aerith’s morals cannot sink through his skin to his center, not like Angeal’s had. She makes him think but she is not shaping his mind, he is left to do that himself.

 Zack spends a lot of time questioning Angeal and being upset at and about him off screen even more than on screen. We don’t get a front row seat for all of it. The big takeaway is that Zack doesn’t shed Angeal’s morals that he’s taken on himself. He can’t after all, not with ShinRa only just seeming tarnished. ShinRa would need to rust and crumble fully before he actually can let them go. Before he can be free in his own mind.

ShinRa chips and rusts in an instant under Sephiroth’s hand. The last holdout crumbled in the fight of two victims of ShinRa and someone who will become one soon. ShinRa is no longer the defined of good, not after what Zack sees is the response to the Nibelheim Incident.

ShinRa not being good, worse even ShinRa being bad breaks the entire morality system. The illusions crack and Zack is forced to examine himself, his actions, and his biases in ways Aerith made him want to but that he couldn’t afford to truly indulge in. Even more that he was scared of self introspection in a sense, of the paradigm of his reality shifting even further. 

He eventually truly reframes his actions and has to reckon with them (and himself) at the end of the game, chapter 9 and onwards. It is only then that he actually LOOKS and is fully horrified by what he sees of himself. That horror only progresses as he fights for both his and Cloud’s lives. That horror only builds as he realizes he’s exactly the person who his girlfriend SHOULD be terrified of despite his best attempts- that he’s everything she was talking about. He’s everything she was talking about even after trying to change the way he acts around her. 

To abuse the innate metaphors: Zack Fair goes to Nibelheim, a well trained attack dog, still seeing relatively little wrong with fulfilling ShinRa’s orders. Zack is only then on the cusp of figuring out that he does not want to be there, that he is the antagonist of the planet’s (and Aerith’s) story unwittingly. 

Zack Fair leaves Nibelheim beaten. He tries to go back to the safety of what was once his home prior to ShinRa only to be waylaid. 

Zack Fair leaves Banora free and irrevocably changed. 

He is free in the sense that the illusions he held himself too are crumbling even more with knowledge that his demons are men too. He is free through the knowledge that he is one of those demons. , that he has been shaped to be one, and that good intentions pave a terribly walkable path to hell. 

Zack leaves with the knowledge that he was the monster in the closet. The knowledge that his sword was not just the executioner’s blade but the enforcer’s. The sword kept clean in favor of bloody hands and higher risks is now drowning in pools of it. Zack leaves with the knowledge that he never would have been truly free. 

Yet he is in the sense that he can choose- actually choose- what he wants, what he values. He chooses Aerith and he chooses Cloud as he has each time before. He chooses violence. It is something he knows and among what he is good at. It is not all he is but it is a tool he can use. 

He chooses to pay the price of freedom. 

Crisis Core is a tragedy and Zack and Genesis both are tragic figures at its center. Zack’s arc is angled to the viewer for maximum effect but Genesis’s does mirror it in a way just on an offset path already initiated. Sephiroth is also a tragic character, undeniably so. However structure wise his role is more murky given the way he has the ability to be the god waiting in the machine, a guaranteed victory or unavoidable altered trajectory should he choose to act, for most of the story. 

And that’s a large part of why I love Zack as a character, aside from things I’ve said before about what makes him such a good narrator. Zack is the unlucky prodigy at the center of a story about wars, abusers, connections, and perspectives. He wants to be good, he wants to be a person that helps. 

He can’t, not really, not in the way he wants. 

Crisis Core is a cautionary tale about exactly that going wrong and how anyone can be taken advantage of. 

[legendoftherisingtide]

[intro]

Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.

He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.

Then why is he standing in the rain.

To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.

He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change. 

Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.

He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.

So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that. 

I hate the rain. But I will brave it for you. 

He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya. 

For Izuku.

He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.

He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.

But now it’s different.

There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.

But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.

But when did it become something else? 

When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?

Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about. 

He tells Midoriya he shouldn’t try to win this on his own. 

He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.

But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature. 

There are two reasons and both are a sacrifice of something in the moment.

It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay. 

But the sacrifice of ideology. 

With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.

Midoriya changed him.

He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation. 

Everyone sees how Bakugou feels about Midoriya.

He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting. 

There can not be a world that doesn’t have him in it.

This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.

But the final sacrifice is the culmination of Bakugou’s character.

He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.

This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.

I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.

It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.

I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.  

But can I still be with you?

The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.

And the last thing on his mind is if he can still be able to be by Midoriya’s side.

He won’t let him go again. 

[kitcatkillua]

just realized how much Kishimoto actually weaved the concept of Yin and Yang into the plot. so we know Sasuke is Moon/Yin and Naruto is Sun/Yang, right?

so, Yin/Yang symbolizes the difference in Sasuke and Naruto's solution to the war/hate problem; Sasuke wants to destroy and rebuild things from the ground up, while Naruto wants to work with the current system, both with the goal for a better future

neither solution is fully wrong nor right, and the true answer is that they're meant to come together to form a whole. this is why having Sasuke and Naruto ultimately come to a compromise is so important

but, this is where Kishimoto fumbles his symbolism. because at the end, there is no compromise. he ends up framing Naruto's solution as the correct one, by making Sasuke "lose" (although, there does seem to be some nuance, because Kishimoto doesn't quite allow Sasuke to fully surrender, keeping him traveling and away from Konoha's bureaucracy and familial expectations)

[arcanegifs]

[lizzydizzyyo]

I think what's really compelling about House's absolute unwillingness to bow down to anything or anyone (the ethical board, the law, extra rich CEO, vindictive police officer, and even the patients themselves) regardless of how absolutely batshit and downright illegal his actions are, is because it's coming from a chronically disabled person, in more ways than one.

He cannot walk without agony or his cane. His chronic and severe pain led him down the path of deep Vicodin addiction until he also becomes psychologically dependent on it too (once, Dr Cuddy gives him saline placebo and it "works", in that he is not feeling his leg pain anymore for a few hours).

He understands it deeply just how desperate people can be when they're in pain and nobody can (or are willing to) help them—at least, so far, until they land on his doorstep. Which is canonically the most extreme step patients take when everything else fails—you don't just go straight to Plainsborough Teaching Hospital and to Dr Gregory House MD's office; you have to go through dozens of other doctors in various specialties and failed treatments too.

(Although that's a separate discussion about how doctors, particularly resident ones, are overworked and underpaid and redtaped by shithead insurance companies even if they do know how to treat a patient and want to).

He knows, from the bottom of his heart, that having such a painful and life-limitting debilitating condition is comparable to hell on earth, because he has one. He knows, that despite his disability being visible to everyone, yet no one wants to put an effort to help him deal with it—is also hell on earth.

Cuddy simply throws money at him and turns the other way to his Vicodin abuse, like she is saying, "I don't care if he takes 10 Vicodin pills a day or more, and I have to pay at least $1M every year for lawsuits, as long as he gets the job done," (and when they decide to go into relationship, she immediately drops him when he relapses, even if the reason for his relapse is her—although, yes, there is another discussion to be had about keeping yourself and your child(ren) safe being a priority compared to helping an addict, recovering or not). Wilson, as loyal as he is to House, simply either enables him or lectures him without going into the root of the issue and thoroughly help House that way. His subordinates, especially after the original trio, are simply too scared, too ignorant, or too ambitious to even approach the issue and choose to keep their job than help House (also another discussion to be had about how you can't help people who don't want to help themselves and so on).

So when he sees a patient who has gone through hell trying to get a correct diagnosis and treatment, he becomes laser-focused on doing everything under the sun to get to the bottom of it and cure the patient. He doesn't care if he has to break into countless of houses (haha pun) and collect insane and probably biohazard samples to do it—he absolutely will, no question.

Yes, hate-criming and being a bigot is his favorite hobby (still livid at the asexual ep and the production's choice for the resolution, let's just say I still have beef with Hugh Laurie and the entire production team for it), and so is insulting patients in so many ways that Shakespeare would personally fly to New Jersey and shake his hands if someone manage to successfully perform necromancy on ol' Billy boy. But House is no one if not dedicated. "Yes, my patient is an idiot, everyone is an idiot too, but I WILL cure their condition like my life depends on it," is basically his middle name.

Besides, you can make the argument that he is more compassionate than all the other doctors around him, because despite his absolute disdain towards some of his patients' beliefs and stupidity, he still works his ass off to treat them. He will call your god an idiot in 7 different languages while putting you in a diagnostic machine he manipulated the whole hospital into letting him use so that you could get a test which weren't available to you before. He will tell you that your currently-happy marriage will end in a bloody divorce and your ex will leave you penniless so love is not real while injecting you with a medication he had to hack the CDC's database for.

There are even episodes that show him being truly earnest, like the clinic duty scene where he is snarky as usual to a girl who seemingly stupidly had unprotected sex until she lashes out, and House is like, "Oh shit, this is above my paygrade", and immediately goes to Cuddy with a very serious expression and no sarcastic dilly-daliying, demanding her to transfer the patient to someone else because he is not good with "curing" rape case (interesting choice on the writers' part to make the patient insist to have therapy with House, though).

There is an episode about a very workaholic woman executive in a fashion company who has tremor and partial paralysis, and later on it's shown that she seems to tie her worth as a person to her corporate success while band-aiding her deep psychological issue like her suicidal ideation, and House genuinely asks her, "Do you want to live? I cannot help you unless you want me to," or something along the line.

There is also the cursed 9-year-old terminal brain cancer episode where Chase kissed the patient (ew), where at first it shows House being a usual misanthophe to Wilson and saying, "She is not brave, it's the brain tumor clot talking because it must be near the amygdala." Later in the episode, House sits near the patient alone, and compassionately asks her if she even wants to live, going through the rest of her short-lived but horrible agony, even if they catch the clot. The surgery to find and get rid of the clot is risky and can debilitate her even more, and this is why House is laying the decision to her hands. That she gets to choose. This is what truly reveals to him that she is genuinely brave (aside from the scan showing the clot to be so far away from her amygdala), but for the wrong reason. She is brave for her mom, willing to go through horrible surgery and drag out her already painful cancer-ridden life because, "My mom needs me". When everyone is congratulating her in the end, you can tell House has a bittersweet expression of both awe towards her bravery, and sadness that this 9-year-old sick girl has to bear the brunt of her horrible pain just so that her mother is not sad. That he couldn't convince her to be a child until the nearing end of her life.

The most interesting evidence of his compassion to me is the gunman hostage episode. It might sound weird because in the whole episode, he is depicted to first want to outsmart the gunman patient, then becomes laser-focused but only because he sees it as a puzzle, then absolutely selfish and dangerous because he volunteers himself as the last hostage and gives the gun back to the guy after the MRI. I do think it's true that his dedication to solving patients-are-just-puzzle-to-me conditions shines through in the episode, especially the scene of him returning his gun, but there is something else I catch when I rewatched it before.

When the gunman patient is put in the MRI because Cameron tells him a theory through the hostage call, the remaining doctors in the room including House are wary at the gunman but also hopeful. Yet, when the result shows up on the screen, he realizes that the theory is wrong and the guy let go his only bargaining chip for nothing. If you watch this part carefully, you'll notice that House actually looks pitying and sad at the gunman's disappointed demeanor and expression. He realizes he is going to be another notch in the guy's failed doctors list, and at this point (with the gun given away and even the best, most talented doctor also not finding out what's wrong with him), the guy has given up hope that he will ever see the day he will be cured, certainly not behind the bars.

Yes, his thirst for puzzle is House's big driving force in giving back the gun, but you'll be lying to yourself if you don't notice House's compassion for the guy because he doesn't want the guy to go out empty-handed, with absolutely no more hope because House knows once they step out of the door, this guy will never, ever be allowed to be in the vicinity of any hospital or doctor ever again in his life, aside from jail's bare-minimum exams and medications. House can't handle the thought of putting someone else through his own disappointment—that nothing works to help his leg pain. He especially doesn't want to be the cause for this gunman guy's case either. Even in the end when House realizes the guy is a fucking moron because he doesn't know that Florida is, in fact, in earthwide-horizontal tropical zone and this is what stumps most of the guy's previous doctors—House still gives him a subtle salute to the guy while being handcuffed and led away, almost to say, "Enjoy your healing and the defeat of your arch nemesis The Sickness™, glad to be part of it."

Majority of his drive to stop at nothing until his patient is cured is definitely thanks to his own fucked-up leg, even if there are some dialogues with Cuddy and Stacy Warner (House's ex wife) that seem to imply he has always been a misanthrophe whose hobby is getting into malpractice (or general) lawsuits. I wholeheartedly believe that after his leg clot rendered him disabled and with chronic pain, he became much more dedicated and obsessed with getting to the bottom of a patient's medical information, even for info that seems innocuous or irrelevant that always turn out to be important (probably more like a plot armor than established characterization, to be honest), almost like this is his method of relating to the patients in his own weirdly human way, and maybe a little bit (actually, a lot) of projecting.

Thank you for coming to my TED Talk.

[simcardiac-arrested]

wait, that elias?

[poorly-drawn-mdzs]

Imagine if Jin Zixuan DID yeet his brother from another mother (🥲) down the stairs.

Meng Yao: I'm your brother. Happy birthday! 🥰

Jin Zixuan: There can only be one. YEET

I am truly sad he didn't; think of the 'No Doubles' memes that we could have had...

[videogamelover99]

U should drop your reverse skk designs

It's funny of you guys to ask~

[relicsongmel]

As much as Phoenix using Maya/Mia to get information out of Victor Kudo during Recipe for Turnabout makes me uncomfortable because he basically blindsided her with a situation in which her being ogled was literally the whole point (even if he didn't foresee it not working and Maya deciding to channel her sister as a result), I can't help but be fascinated by Mia's whole behavior in that scene and how it reminds me of Dahlia. The fact that they both hide that they'd really rather not be there with a polite smile and take full advantage of their femininity to nullify the potential threat of men and get what they want from them? It can't be a coincidence—it's gotta be a deliberate parallel on the part of the writers because there's simply no way they weren't highlighting that Mia and Dahlia can't wash away the similarity of their mannerisms despite the fact they're mortal (immortal?) enemies. There's no way they weren't using this to slyly foreshadow the fact that they're related do you guys SEE MY VISION

[skuaclan]

[choices-binglebonkus]

Since the very first book, Kaitlyn’s always been kind of a wild card, but this, I think, is the exact moment her character took a turn for the worse and never recovered.

The gang puts up flyers all around campus for Kaitlyn’s band performances, cheers her on and encourages her when she performs for the first time, the MC helps her reinvent herself with a makeover to boost her confidence, and the gang all goes out of their way to attend Kaitlyn’s band performances even though Natasha and Rachel openly and repeatedly treat them badly just to support their friend.

But then the MC gets knocked down in the mosh pit, Zig leaps to her defense, and then violence erupts all around her and the rest of the gang, through no fault of her own. And what’s Kaitlyn’s first concern after things get violent? Not the safety of the MC or her other friends, but the fact that her band might get blacklisted from the venue because of the fighting.

And then, she even goes so far as to accuse the MC of egging Zig on to get back at her because of the fight she and Abbie had…the fight that stemmed from Kaitlyn’s lack of receptiveness to the concerns Abbie expressed about her skipping classes after late nights with her band.

But somehow…the MC has never been interested in supporting her with the band. Right.

There are definitely worse characters out there…but shit, Kaitlyn grinds my gears like you wouldn’t believe.