#that would also fit a modern setting

[quartergremlin]

i did a fuckton of color studies and then redesigned my spidersona. i think it looks slick as hell. > old design

[puppyeared]

fuck it. plaguesona

[discocandles]

Anytime I think about Steve, Eddie, Chrissy or Robin as famous musicians, I have to hold myself back from adding a shit ton of Lady Gaga references.

Like in the 2010s Lady Gaga appeared for an mtv music award show as this rugged, unkept greaser type character she made up named jo calderone. He's kinda known as "Lady Gaga's boyfriend that is also lady Gaga in drag". Steve Harrington, teen popstar trying to get away from his overbearing label would show up to the red carpet in drag as Amanda Miller, the girlfriend his label chose for him. She is dressed how they have their other popstar darling, Chrissy Cunningham dress. Amanda Miller later shows up in one of his music videos after he leaves the label. Both appearances of Amanda Miller cause mass bi panic online.

Speaking of fellow teen popstar Chrissy Cunningham, she starts openly thanking God and the Gays for the successes in her career. The label hates it, but they deal or else she's not gonna thank God either, causing problems with her religious fanbase(the impact of only letting her make ultra clean love songs for years). Also the idea of Chrissy disrespecting the interviewers who disrespect her is so healing. Think about it. Like yeah she ate that guy's script, and she'd do it again if he asks about her diet.

For rockstar eddie? So in Lady Gaga's song government hooker there's a spoken bit(not the jfk line the "back up and turn around" one). Those lines are spoken by Gaga's bodyguard Pete, who has a very thick Dutch accent after Lady gaga suddenly brought the idea that he be the "pervy robot voice" up during production.

Like Eddie would so do this, as I think creating songs gives him a lot of almost maniacal energy. Also for this one, the bodyguard is Italian Steve, but he's Jeff's bodyguard who Eddie's been constantly flirting with. That's perfectly fine by Eddie's actual bodyguard, who needs "a damn second to fucking breathe, you hyperactive bastard".

Indie rock vocalist Robin Buckley would have an album where she sings in like four different languages outside of English like lady Gaga did in born this way. And also sing in other languages fairly often. It's most often in French(like lady Gaga does), but every time Robin starts singing in a language that isn't English, the fans will scramble to figure out what tongue she's singing/speaking in now and what is she saying? What does google translate say she's saying?

There's paparazzi photos of vocalist Robin standing next to Jeff from Corroded Coffin but she's chatting in Italian with... his body guard? Apparently they met as teenagers on a trip abroad and became best friends then pen pals after. But we guess it evens out as robin's makeup artist/one woman glam team was best friends with Eddie in high school? And she won the prom queen tiara that CC wears in their iconic album cover. I dunno, just something that's been haunting my brain.

[greatgoddyke]

some bobbles (+ two unfinished things)

[aroaessidhe]

2024 reads / storygraph

The Principle of Moments

start of a scifi space opera series

a teen girl in the far future where humans are oppressed learns she has a destiny & a lost sister and escapes

and a young time traveler who’s given up trying to find his father through time, and is about to settle in 1812 with the prince he loves, but is unwillingly thrust into the future

they both learn their fates are entangled by a prophecy, and have to race across the galaxy, followed by a galactic emperor and the legacy of heroes from an ancient religion

[ajdrawshq]

i can almost guarantee ive said it before but. he would thrive in a zero escape game

[icewindandboringhorror]

I have a big google doc thing where I keep track of media and stuff (putting everything in loosely ranked categories), which is mostly just for my own reference so I know what tv shows I've already seen before, etc. and I never really look back through it, typically just a quick "okay, watched two movie in the past 8 months, need to quickly slap them somewhere in the lists. okay. done. save document. exit". But today I was actually reading through some of the old notes and there are like... MULTIPLE places where my comment is basically "It would have been good if it were about elves" or "I wish there was a fantasy show made in this same style" or "It's well made, but I just keep thinking about how I would like it more if everyone was an elf or was in old 1700s costumes" or etc like...... lol.... Most biased media ranking system on earth blatantly made by someone with an extremely hyperspecific range of narrow interests. It'd be like if a food reviewer only had 5 foods they actually liked, so they'd just go to a pizza place and be like "eh, the pizza was okay, but I just think it would be better if it was cereal instead. :/ ...2 out of 10"

[the-eclectic-wonderer]

A big thanks to @witchybitchybisexual who tagged me in this amazing 30-questions Golden Girls-themed game; I had a *great* time answering these! I look forward to reading everyone's answers (including yours, @witchybitchybisexual!).

I'm hiding all questions after #1 under a cut, because this got long haha!

1. How did you find out about the show?

Via another show I love -- Good Omens! Or, actually, via the amazing book that inspired it. One of the main characters, the demon Crowley, is a big fan of The Golden Girls; there's a great scene in which the forces of hell hijack one of Rose's monologues to send him a message while he's watching the show! I was in need of something new to watch at the time, and I figured if Crowley liked it so much, it was at least worth checking out. :)

2. One storyline you’d eliminate?

Hmm... probably Miles' witness protection program storyline? I don't mind it that much (it gave us some fun jokes and some memorable scenes!), but I feel like that was a turning point in Miles' character, and I just don't like the person he became after that turning point.

There was no question 3 here, so I made up my own! Hope that's not an issue :)

3. Best guest star/character?

Lynnie Greene takes the cake as the best guest star, for sure. I adore her and she played a phenomenal young!Dorothy. The second place goes to Dick Van Dyke, just because I love him in general!

As for the best guest character, I think the honour goes to Angela, Sophia's sister! She's absolutely hilarious and her comedic chemistry with Sophia is stellar. I also have to mention John Neretti from S6E23 What A Difference A Date Makes for being the best man in the series imho.

4. Character you most relate to?

Dorothy! My personality nowadays is a bit of a mix between Dorothy and Rose, I feel, but the Dorothy side is prevalent (and it was even more prevalent a few years back). I love reading and literature (and I enjoy learning about history, although I don't have her passion for it); I share her love for teaching (although I'm not a teacher); I was a great student in school, but not a popular kid at all; I'm level-headed and responsible, but I can be impulsive under the right circumstances; I'm very protective of the people I love; I'm Italian and was brought up a Catholic; I'm often the tallest girl in the room (I'm just a bit shorter than Bea Arthur was!) and I'm not attractive (not that Dorothy isn't -- but she is perceived as unattractive in the show), so I also understand her self-esteem issues fairly well.

I'm not as quick-witted as she is, unfortunately, and nowadays my outlook on life is more positive and easy-going than hers, but she's still the one I relate to the most.

5. Favourite character?

Blanche, although the other Girls are very, very close. I adore them all and I especially love to see them interact, but if I have to pick one, then it's Blanche. She's the one who surprised me the most! At the start of the show I kind of wrote her off as 'the man-crazy one', and that's as far removed from me as possible, so I didn't really focus much on her at the beginning. Then came S1E4 The Transplant, and then came her family issues, and then came all her memories of George, and before I knew it I was head-over-heels in love with her. Rue was masterful in how subtly she played her; she showed Blanche's depth as a character little by little, letting the audience peek behind the mask only for moments at a time, so when I realized I hadn't given her the attention she deserved, I was already in too deep.

6. Favourite story of a cast member?

Oh, so many good ones to choose from! The first one that comes to mind is Bea's anecdote about the time she was Tallulah Bankhead's understudy. The awe with which she describes her coming down the stairs is palpable -- but I mostly admire how she took Bankhead's mean comment and turned it into motivation. And Bea did get her 'coming down the stairs to thunderous applause' moment (more than once!), so her vow came true!

A fun one that involves all four main actresses is this blooper related to Blanche's Christmas gift to the girls, the 'The Men Of Blanche's Boudoir' calendar. Watching all of them lose their marbles over this prank is priceless -- it always puts a big smile on my face!

(Is this what you meant by this question? I wasn't sure!)

7. Which was the episode that got you hooked?

The pilot, lmao. It might be a cheesy answer, but it's true! I was immediately hooked from S1E1 scene one. Dorothy's incredible entrance got me.

8. You could wear one girl’s wardrobe for the rest of your life, who would you pick?

It's a toss-up between Blanche's and Dorothy's.

9. How many kids do you think they all actually had?

... this ask made me realize there are doubts about this, lmao. I've never done the math! Had to go check on wikipedia 😂

As far as I can tell, it's fairly set in stone that Rose had five children, of which we meet two (Kirsten, with two different faces 😂, and Brigit, who I assume is her youngest one).

It also seems reasonably certain that Dorothy had two kids -- Kate and Michael. I will say I've always thought Kate was much younger than she should have been in her appearances on the show, considering Dorothy was pregnant with her when she married, but maybe she just looked much younger than she actually was, I don't know.

Blanche is more complicated. We see both of her daughters, Janet and Rebecca, and in S3E3 Bringing Up Baby she mentions three sons, Matthew (also known as 'Skippy'), Doug, and Biff. In that same episode, though, she also says she's had four kids! I get where the disconnect comes from, haha. To be precise, her quote is:

"I have had four kids, I have never had a Mercedes."

This is just off the top of my head, but I wonder if she means 'I have had' in the sense of 'I have given birth to' here? This would imply one of her children is actually adopted (which is very interesting to think about!!). Since she directly mentions her three sons after this quote, I suppose our suspects are Janet and Becky. I'll have to give this some more thought, though -- for now my answer is that Blanche has five kids, and that 'four' is a continuity error on the writers' part.

10. Do you think the actresses would’ve gotten along with their characters if they met in real life? Why/Why not?

Interesting question! I think so, yes.

Dorothy and Bea seem fairly similar already -- as far as I know Bea was a big sweetheart, a private, gentle person, and Dorothy's a big sweetheart too. Plus I feel like Dorothy would have been respectful of Bea's introverted nature, and Bea would have been understanding and accepting of Dorothy's personal history (not to mention, she wouldn't have mocked her for not dating/for her appearance).

In all the interviews I've seen, Estelle seems very respectful and very fond of old people in general -- I think she'd find Sophia a riot! I seem to remember a clip in which she actually says she likes Sophia, so I feel pretty secure in stating they'd get along.

There's this famous quote by Rue in which she essentially says that she's similar to Blanche in everything but the fact that she's not from Atlanta 😂 so I feel justified in assuming they would have had fun with each other! Rue's stated that she felt an immediate connection to Blanche as a character, and that playing Blanche helped her gain more self-esteem and confidence, so I think meeting her in person would have had a similar effect! And Rue (being a very open, honest, compassionate person) might have helped Blanche drop her mask a little bit.

The only one I have an inkling of doubt about is Betty -- mostly because she'd run circles around Rose! But ultimately I think any 'mocking' would be gentle and affectionate, much like the Girls' jokes in the show. I think they would have liked each other -- and they could have bonded on their common love for animals alone!

11. What are your other comfort shows?

Apart from the aforementioned Good Omens, I'm also very fond of Only Murders In The Building, a really fun show about solving murders and found family that I wholeheartedly recommend. Derry Girls is another recent favourite. Oh, if you like cartoons too, I recommend Steven Universe, Hilda, and Avatar: The Last Airbender.

12. Headcanons? (Feel free to list as many as you’d like)

Oh, my god. I have so many and I'm for sure going to forget some. Let's see...

I've already said some time ago that in my mind Dorothy drives stick shift. Reasoning for this is that Italians (including yours truly, haha!) drive stick shift, and she's of Italian descent, so... she knows how to drive an automatic car, she just learned how to drive on a stick shift one (and in the streets of Brooklyn, no less!). Still on Dorothy: I think she has a very neat handwriting (she feels like the type of person who consciously decided to improve her handwriting at some point in her life), but she's prone to leaving ink stains on the page (and on her hands!!), especially when she's writing in a hurry.

Rose is really strong! Physically strong, I mean. I know she was a housewife for most of her life, but she was a farm girl first! Farming takes a lot of physical resilience, and that's the kind of strength that stays with you, I think. She's the one who lifts up the furniture when they clean (S2E12 The Sisters), and I don't think they'd let her do that if she couldn't handle it. Plus, remember that time she broke a whole ceramic cup with one bare hand (in S7E19 A Midwinter Night's Dream)? Yeah. I also subscribe to some mutuals' hc that she's autistic (although they'll be able to comment on it much better than I can, if they want to!).

Regarding Blanche, I really enjoy @\eeblouissant's hc that she has a permanent tan! She's from the South, she's lived near the coast for ages, *and* she's expressed an appreciation for sunbathing in the show, so it makes perfect sense to me. Also: she's a cover hog! In the show Rose is the one who admits to stealing the covers (in S2E5 Isn't It Romantic?, iirc), but I like to think Blanche is the worst offender. It's a good way to complete the Girls' trifecta of sleeping annoyances (Dorothy snores, Rose sleeptalks, Blanche steals the covers!), and I think it's thematically appropriate for her -- considering her Southern origin, I think she's more sensitive to the cold than Dorothy and Rose are, and she's always looking for affection, so...

Oh, regarding their sexuality: I don't have a marked preference for any of them, but I tend to think of Blanche as a bisexual with a lot of internalized homophobia. Rose is also bi, and somewhere on the asexual spectrum (and I have textual evidence for this!). @\hecatesbroom has completely convinced me to read Dorothy as a repressed lesbian, but I'm fine with people considering her bisexual too. I prefer queer interpretations of all of them, but I'm honestly fine with any take, as long as the strong (platonic or romantic) bond between them is preserved.

Most of my headcanons on Sophia are just traits borrowed from my grandmothers -- for example, I like to think that she started getting into gardening once she moved in with the Girls, and she's really gifted at it (like my grandma!).

13. What would you change (if anything) about the show/ characters if it was set in the modern day?

This is a really hard question to answer properly, because while the show is still very relevant to the present day, some aspects are so grounded in their time that a lot of things don't make as much sense when transposed into the future. For example -- would Dorothy end up marrying Stanley and staying married to him for 38 years if he'd gotten her pregnant in the 90s? Single mothers weren't exactly celebrated back then either (Madonna's Papa Don't Preach is from 1986), but they still had it much better than they did back in the 40s-50s -- and divorce has become much more accessible (and socially acceptable) in the past few decades. Would she have left him earlier? Would she have married him at all?

And what about Sophia? Being an Italian immigrant in the 50s seems different from being an Italian immigrant in the 20s -- there was a whole World War between the two, for starters. Would she still emigrate to the US? Would she even emigrate at all? How would she have survived the fascist regime in Italy?

Blanche and Rose are perhaps less grounded in their time. St Olaf is so absurd it might as well be the exact same in the present day (and dying in childbirth is unfortunately still too common, so it's not strange to think that Rose would be an orphan in any case), and considering how some people still think and behave nowadays, Blanche's biography and opinions seem plausible even when transposed 30-40 years into the future (at least to me). But still -- many of the issues they deal with were grounded in their time. Take Rose's AIDS scare: would she react in the same way in the present day, knowing that care for HIV patients has progressed so much?

To be fair, apart from all these questions, all of the Girls are still plausible (and relatable) characters from a modern POV; but society has changed a lot in the past 30-40 years, and I think a groundbreaking, socially advanced show like Golden Girls would necessarily have to change as a consequence. It's just in the spirit of the show! The core idea of four women sharing a life is still a perfect premise, but the problems the Girls face, their careers, their economic stability, their ideas on love and relationships -- there's a lot that could be different when transposed to the present day! I feel like this question requires much more space, time, and analysis to be answered properly.

One thing I like to think is that at least some of the Girls might have been explicitly queer if the show was set in the present day! Which opens up a lot of avenues for plot-lines and relationships :)

14. Which other Fictional Characters would you like each one of the golden girls to meet?

I have a storyboard in my notes for a little comic in which the Girls travel to England and meet Aziraphale and Crowley from Good Omens, so them, definitely 😂

Also, the Derry Girls! Check out this great crossover fic on Ao3 -- the chaotic energy is just off the charts, I love it.

15. Who were your favourite duo?

Oh, I can't choose. Any duo within the Girls. Their 1:1 interactions are all amazing, there's no way I can pick just one. I love the bond between Dorothy and Sophia, I love Dorothy and Blanche's chemistry, I love how fun and silly Blanche and Rose get to be together, I love the ironclad trust between Dorothy and Rose, I love Blanche and Sophia's love-(fake) hate friendship, I love the way Sophia hides her immense affection for Rose under a veil of humour and the way Rose sees right through it. I could write an essay on each pair of them.

15. Who should’ve got more 1:1 screen time with each other?

I'm pretty happy with the amount of 1:1 time each pair of Girls got with each other, actually! One of the strengths of the show imho is how well-balanced the interactions between the main cast are. If I really have to nitpick, I think I might have liked a couple of episodes specifically on Dorothy and Rose in the last couple of seasons; it feels like they interacted 1:1 less after S5, but that might just be me.

I also think the Girls' interactions with secondary characters and guests were well-balanced, in general; I can't think of any specific example where I wished for one of the Girls to have more interactions with a certain character.

... okay, there is one instance, but it's not really a matter of screen time, more of what happened during said screen time. I really, really wanted to see Blanche (with Rose as support) tear into Stan. I think we deserved a scene where she tells him off for the way he treats Dorothy -- she's already pretty caustic in the show when it comes to him (except in S6, for some reason...), and a proper confrontation would have been glorious.

16. Calmest season?

Is there one? 😂 the first season, I guess? It feels a bit more 'domestic' and contained in scope, likely because it was the first -- but it's still a wild ride!!

17. Most chaotic season?

Season 3, for sure. It's a bit all over the place, and it contains some of the wildest premises in the whole series -- I mean, Bringing Up Baby? Letter to Gorbachev? Mister Terrific? I could go on -- there's lots of chaotic episodes in there! (Just to be clear: I love the chaos! S3 is not my favourite season, but it's still great -- and it's got some amazing episodes!)

18. Favorite Season?

I think the honour goes to season 5! It would probably be S6, if not for the whole 'Dorothy falls back in love with Stan' plot line. S7 is the one that contains the highest count of favourite episodes for me, but I think S5 is stronger as a whole, and it's got some true gems.

19. If the girls hadn’t had their established careers, what other ones could you picture them doing?

Oh, let's see! Stan mentions Dorothy always wanted to open an antique shop back in S1E11 The Return of Dorothy's Ex, and I think that really fits her. I can also see her as a (very passionate) librarian! And, of course, she'd be great as a college professor / history researcher.

Despite the Girls' lack of confidence in her ability to keep things alive, I think with proper training Rose would work well as a nurse. She already volunteers for the hospital, she can be competent when given the chance, she's a giving person, and she loves taking care of people, so I think she at least has the right attitude for it -- although I'd never place her in a stressful unit, especially at the start of the show! Apart from this, anything to do with animals, of course -- a zoo, a farm, a pet shop, she'd excel in all of them!

I can see Blanche thriving as a trophy wife, haha 😂 but that's not properly a career, so it's not a valid answer. Taking her keen artistic eye into account, I think she'd be great as a designer -- either a fashion designer, or an interior decorator. She also showed some talent and interest in psychology during the series, although I'm not sure she'd manage to remain completely professional as a psychologist. 😅

As for Sophia, I think she'd do well in any position that allows her to be a motivator! She's great at encouraging people through a bit of tough love, and she's a very driven person herself -- so I think she'd do well as a manager of sorts, although the kind of manager that still works hands-on too. I believe she'd manage to hold her own in more or less any field; she's very adaptable! I do think she's at her best in a kitchen, though.

20. Best aspects of the show in your opinion?

There's a lot! The writing, the performances, the costume department, it was all exceptional. I think the best aspect to me is the premise, and how seriously they took it! The idea of a show centered on four older women living together is groundbreaking, especially since it didn't make a mockery of them -- the Girls are serious, well-rounded characters, with full lives, written with lots of love and respect. I think this show really convinced me that life isn't over once you hit 30, and that there's plenty to look forward to as you age! A lot of people my age are terrified of growing older, and here I am, eager to see what's coming next -- and I owe at least some of this attitude to this show. I'm really grateful!

21. (This question is for my fellow cheesecake lovers) favourite cheesecake flavour?

:) Great question! I love cheesecakes in general, but I'm especially partial to raspberry cheesecakes.

22. Storyline you wished they had expanded upon?

The show has an unfortunate tendency to introduce characters and then forget about them, which allowed for more variety in the stories they chose to tell, but I would have liked to see some of the Girls' relatives and friends return! Like, I don't know -- Jean, for example, or Blanche's nephew from back in S1. Some of the guests' arcs are complete within their episode (as happens eg for Lily, Rose's sister), but others remained a bit 'in the air', and I think it would have been nice to see them again.

Oh, and also -- I would have liked some little references to the Girls' issues and problems outside of the episodes they're tackled in! References to Blanche's pacemaker, for example, or to Rose's addiction, or to Dorothy's CFS (or her hearing aid!!). I understand that the time was limited, but even a small callback or two would have been nice!

23. Questions you’d ask the actresses?

Does 'will you marry me' count? 😭

I'm not sure -- knowing me, I'd probably be unable to utter a word in their presence! Rather than ask questions, I think I'd just thank them for bringing such an incredible, wonderful show to life. It wouldn't have been the same without them.

24. Episode that brings you the most comfort?

Most of them, really. Even the sad ones; I hear the first few notes of the opening theme and my spirits are already lifted. I can pick one per season, if that's alright:

S1E25 The Way We Met

S2E17 Bedtime Story

S3E3 Bringing Up Baby

S4E4 Yokel Hero

S5E23 The Mangiacavallo Curse Makes a Lousy Wedding Present

S6E26 Henny Penny -- Straight, No Chaser

S7E23/24 Home Again, Rose

But honestly there's so many more I could mention! I just love these ladies so much and I love to watch them in situations, haha.

25. Episode that made you laugh the hardest?

This is a cruel choice! Golden Girls is infamous in my house as 'the show that makes the-eclectic-wonderer howl with laughter', and I think that speaks for itself 😂

Let me pick at least three: S2E4 It's a Miserable Life, S7E2 The Case of the Libertine Belle, and S7E4 That's For Me To Know.

26. Which other work that the actresses did you enjoy the most?

I believe most of Estelle's career prior to The Golden Girls was in the theater, so I'm not sure it's even possible to watch her other works, unfortunately.

Show me Bea Arthur singing literally anything and I will be on my knees in seconds. Her musical performances are peak. Also -- I still haven't watched Maude, but I already know I'll love it.

Maude includes Rue as well -- I cannot wait to fall in love with her as Vivian too! And I have one of her early movies in my watch list, although I'm waiting for the right moment to watch it (homegirl plays a stripper and I'm not sure I can handle it in company without making a fool of myself, considering my big gay crush on her).

As for Betty -- Life With Elizabeth, absolutely. She's so funny and so beautiful and so captivating in it! She's simply charming, I love her to bits.

27. Best St Olaf Story?

The Great Herring War from S1E25 The Way We Met, no question. It's not necessarily the strongest from a comedy point of view (although it's certainly up there -- it's hilarious!), but the context and the way Dorothy and Blanche contribute to it make it the most memorable one, imho. It's my favourite, for sure.

(The story of Gunilla Bjorndunker, St Olaf's tallest woman, as told in S6E3 If At Last You Do Succeed is in second place).

28. Best slut story?

It changes every time I hear one, lmao! I love all of Blanche's stories!

If I must pick one -- I really enjoy Blanche's retelling of that time she realized she was even more devastating by moonlight in S1E25 The Way We Met, if only for that incredible final line ("It was at that moment I realized my bosoms had the power to make music!"). I'm not sure if it counts, because it's so brief, but her involuntary remembrance of that time she had to call a cab to get home because the sailor she hooked up with wouldn't wake up (S2E17 Bedtime Story) always has me in stitches -- I love how unexpected and effective it is!

Oh, and I'm really fond of the one she tells her mama in S3E25 Mother's Day. I'm very sensitive to the theme of loved ones getting older and having trouble remembering stuff, so that whole flashback hits close to home for me, and I love how Blanche's story helps her and her mama connect over shared memories. It's really touching (and Rue's acting is spectacular).

29. Best Sicily story?

Sophia's alleged encounter with Pablo Picasso, as narrated in S6E24 Never Yell Fire In A Crowded Retirement Home: Part 1. I somehow didn't anticipate the punchline, and I lost my shit when Sophia name-dropped Picasso. I still lose my shit every time I listen to it. It's a classic.

30. Which girl would you be most interested in seeing a prequel of? And at which point in their life?

I would pay dearly for a young!Dorothy show. It might be depressing (because her life with Stan was... well... yikes) but also imagine -- Dorothy learning how to be a mom, her life at college, building herself a life... so many possibilities!!! And it would be even better if it featured some flashbacks to Sophia's life in Sicily!

I would enjoy a show about teenage Blanche's adventures, too, but a part of me thinks those stories are at their best when retold by Blanche herself (ie when there's a good amount of doubt as to their veracity, lmao).

[dravidious]

You're more amazing than face-down cards

White commons! Enchantments aplenty!

To be clear, the cards with capitalized names are existing cards that I'm using as reprints. Some, like Karametra's Blessing, will get new names eventually.

Also, using Elemental as a creature type was mostly just a placeholder, and now that I'm settling on the flavor I'm looking for a better subtype. The flavor is that they're spawned from human emotion, like faith, hope, or devotion for the enchantments, or passion or creativity for the artifacts. I scrolled through the creature types, but none really stuck out to me as a solid fit. The best I could come up with was spirit, but I figured I'd ask for ideas before committing to changing every instance of the Elemental type. I could even go with a totally new subtype, but I couldn't think of any good names.

[ralofofriverwoods]

The ever present urge to mark my characters have a lazy eye… girl u just like me but why are you so hard to draw effectively. Come on man please

[starpros-sunshine]

If I loved Wataei less I might be able to talk about them more....

[mxtxfanatic]

@sunbunnyyy I’m sorry, but none of this answers any of the questions I asked nor is it accurate to the novel or mxtx’s intentions:

The framework of the world he was written into valued filial piety and repaying debts, the two things that Jiang Cheng blatantly and explicitly disregards throughout the entire novel. He upheld no Jiang traditions, which is why Lotus Pier is nigh unrecognizable by the time Wei Wuxian returns in his second life. He repaid no debts, which is why he ends up having two separate breakdowns over the golden core transfer. If we are going only by these two standards of morality that the story, itself, sets up, then Jiang Cheng is right next to Jin Guangyao in his immorality.

The framework of the story was created by a modern woman with a modern sense of ethics and morality that she expresses clearly in both the novel and her interviews about the novel, therefore you don’t need to know the morality of “that time period” because it doesn’t exist. The book was written now. The time period is literally now! To say that “we just can’t judge” like this fantasy novel written about a fantasy time period was written in that fantasy time period is not a good way to frame analysis.

I think he is not a moral person, based on my standards, because of some of the things I’ve listed above and quite a few more things I have not listed. I have evidence from the book that justifies that reading. I want to know whether you think he is moral or has moments where he acted morally and where in the book corroborates that reading. While the book and author take a clear stance on his character, you’re right, not everyone reads it the same when actually going through the book. Hence me straight up asking why people formed a conclusion that I do not see supported from the text, because it might be there but my feelings have given me a divergent understanding than others.

I have two Jiang Cheng-centric questions about how and why people perceive him the way that they do. This is only for people who do not think that Jiang Cheng is a bad person (not whether or not you like his character, but whether or not this character, if real, would be considered a good person by the average person). The questions are:

1) if you believe that he is or attempted to be a moral person, where are places in the novel where he displays, in your eyes, either moral action or intent?

2) in what moments does Jiang Cheng take the initiative in a given situation (being a leader, following his own desires, ect.) where he is neither prompted by an authority figure or following the lead of his peers?

(If it’s not an idea you got from the novel, you could say that, too, but I’m really looking for the opinions of people who are convinced that mxtx wrote his character to be at least “decent.”)

[tinystarbites]

accidents | Spencer Reid x Reader

Summary: during a long case away, Spencer accidentally sees Reader's nudes on her phone and can't cope because he is a MESS for reader whoops [5.5k]

Warnings: SMUT MDNI, 18+ only, fem!reader, fluff, some angst mainly Spencer doubting himself aww :(, Spencer is PINING for you hard (haha get it), nudes, Spencer loves you so much, pls someone give him a hug, m!masturbation, talk about sex, proofread but prolly not perfect lol, like you aren't probably ready for the amount of longing in this, *slaps Spencer* this bad boy can fit so much pining and yearning

read pt.II here

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Spencer swears it was an accident.

You were all away on a case, somewhere in Florida. And of course, something like that can only happen in Florida, because as much as he dislikes connecting random events with random locations, non-sequitur fallacy and all that, he cannot not say that many of his most embarrassing moments aren’t attributable to the south-eastern state. (He will not elaborate on these moments, he very much likes to keep most of his dignity still intact, thank you very much.)

But his dignity isn’t really the only thing that had been shattered to pieces by… by the accident. Far from it really and it- well, it- God, this really won’t end well for him, will it? He’s well and truly, as Emily likes to say, fucked.

It happened on the fourth day he and the team were cooped up in a small, dingy police station, chasing down an unsub that liked to paint intricate body art on the victim’s corpses as part of his MO. Aside from, y’know, slitting their throats with what seemed to be an old, rusty saw. The paradoxical duality of these two aspects, of the interplay of carefulness and diligence put into the painting process and the absolute careless way the unsub ends his victims was fascinating really – but not as much as it is disturbing, still.

Thus, this case is a very photography-heavy one. Most of the cases they solve involve photographs of some kinds of course, but Spencer has never sat in front of quite as many pictures of art and gore in his life before. It was strange, to say the least, even to him. Strange and annoying, to be honest.

Because Spencer isn’t exactly fond of all things that come with some electrical inner life, i.e. smartphones, his old brick of a phone isn’t exactly helpful for this case. He still feels the need to roll his eyes at Garcia after she, for the umpteenth time, called him an old grandpa and his phone a potato trying to pass as a phone. And failing miserably, especially when looking at the pictures it takes and their quality. Well, Penelope would say “pictures”, because she would also say that a resolution of beneath 60 PPI should be considered a war crime against modern technology, but Spencer doesn’t know and doesn’t want to know what that even means, so. Jokes on her.

Well, actually, the joke is on him. And yes, he knows, the joke is almost always on him, he knows his pipe-cleaner physique and too big eyes and long hair and everything about him really, makes him the perfect target for the occasional bullying he gets still as an adult, but he’s used to that. It’s normal, part of his everyday life. He can deal with that (more or less).

What he so brilliantly cannot deal with however, is having you around him almost 24/7. Because Hotch had had the amazing idea of fixing you to his hip as his personal photographer to circumvent his technological potato-problem. Uh- not that you, that you take pictures of him, why would you ever do that, but more like, taking pictures for him. Of their victims. And the body art.

Spencer was actually waiting for your protest, because there seems to be nothing worse for you than to stay inside the office when you could be out there, on the fields, in midst of all the action. Where Spencer usually isn’t. But that’s fine of course. Completely, absolutely fine. Spencer doesn’t look up every time the door to the tiny room he’s set up his camp in opens to see if it’s you bringing him another coffee just the way he likes, if it’s your smile that will make him feel more energized than any overly sweet coffee ever could. If it’s your voice and smell and aura (Penelope is definitely getting into his head) that for the short while you are there, makes everything seem so much more manageable.

It’s an energy burst unlike any other and Spencer is aware of what that means, so aware his body burns with it sometimes… Often. Okay, fine, most of the time. He just prefers to ignore it and enjoy the precarious friendship he built with you for what it is because he just likes to have you around so very much and – this was so not the point he wanted to make. He’s hopeless, when it comes to you, and it really is kind of embarrassing.

So, this is why the joke is so entirely on him that it’s not even a joke anymore. It’s basically bullying, he feels bullied. Because you actually had beamed the prettiest smile he’s ever seen at him, said ‘Oh finally, I can unpack all the dark hidden talents from within me’ which was so cryptic but so you and then you also winked at him. And well, Spencer has to lie if he were to say that he was being totally normal about this. That you didn’t just upheave his insides like an earthquake of magnitude eight with a single wink. Oh, he’s in so much trouble.

The first two days the two of you work side by side proceed without any unforeseen occurrences. And Spencer is so glad about that he could cry. From the moment you had joined the team two years ago, from the moment he met you, it was an undeniable fact that you were nice. Not only that, but truly, selflessly kind in a way that has left him all too choked up to even speak on multiple occasions now. The team is nice to Spencer, of course they are, they’re his family. But nothing in the entire world could have adequately prepared him to the spring of kindness you so freely distribute to anyone willing to receive it. And god, Spencer is willing. Is it every time you listen to him ramble on and on, unable to really hold his tongue despite the embarrassment clouding his cheeks darker. Is it every time you ask him about the book he’s reading, every time you ask him how his mother is doing and just- all these tiny things that add up and completely smush his brain into a fuzzy mess of warmth that leaks down his body.

He literally could spend every minute of every day just sitting next to you and soak up your presence and he would be the happiest person alive. That’s why he cherishes your friendship to him so strongly, and that’s why it’s the worst thing that Spencer is, well, himself.

He knows that you would probably be too nice to outright state that something he does unsettles you. Changes the way you think about him. Still. There is the worry. Buried so deep in his mind it’s as if he was born with it. And that’s why he’s so relieved that he is keeping the worst of the ‘Reid effect’ at bay while working with you on this twisted painter case.

It all goes well, until it doesn’t. Of course. Good things never seem to last for Spencer.

It’s already later in the afternoon on the fourth day you are working the case, no end in sight, unfortunately. Spencer is bend over the table, hands entwined in front of his mouth as he’s staring down the printed pictures of the unsub’s latest victim from three days ago. The brushstrokes seem remarkably stable, the colours uncannily vibrant. Spencer does not know much about art, but he does recognise talent when he sees it. And this unsub seems to have it in abundance. It’s almost a shame he’s a deranged killer. But oh well.

He jumps in his seat when the door to his room abruptly bangs open and a dishevelled looking you is bustling into the room.

Your expression turns apologetic. “Oh Spencer, shit, sorry. I didn’t wanna startle you, but they just found another victim.”

And oh. Spencer feels his heart sink in his chest. Guilt tugging it further down into the abyss. Why wasn’t he faster with figuring out these paintings?

“Really? Where?”

You immediately launch into a rapid-fire list of details, all in the wrong order because you do tend to be a bit all over the place. Spencer doesn’t mind. Gives him a bit more of a challenge to order the information in his brain the way it works for him. You two work surprisingly well in that regard.

While talking, you round the desk that almost takes up all the little space available in the room. You sit in the chair next to him, so close he can feel the stressed warmth radiating from you and it takes a very good portion of his brain’s capacity to stop his hand from reaching out. Or do something else even stupider. More stupid? Oh hell. It’s a wonder he can talk in complete sentences with you.

He watches you pull out your phone, fingers typing in the passcode he guessed right after two weeks of knowing you. The indignant expression on your face had been adorable. That’s why he still guesses your new passwords weekly, just to mess with you a little bit. Because he’s apparently insane like that.

“Here”, you turn the display of your phone towards him, “Precinct’s out of ink. Do you mind looking at the pictures on my phone until I come back from the store?”

This is where Spencer should have said no. Declined politely, smile on his face. Tell you that sorry, I don’t really get the same detail on screen like on a printed version. Should’ve emigrated to Tristan da Cunha, change his name to Ferdinand. Whatever. Anything, except say, “Oh, of course. That’s no trouble.”

You smile that breathtaking smile of yours, fingers touching his slightly while giving him your phone. Spencer sucks his lower lip between his teeth to keep himself from making any kind of noise at the tingly feeling skittering down his back.

He can’t not smile back at you. It’s one of his many weaknesses. Jello, trying to out-solve himself every day with New York Times’ new crossword puzzles, dairy. Halloween themed socks. Old obscure movies no one has ever heard of. Reading the most difficult books in twenty minutes. You.

Once you left, Spencer starts diligently going through the photographs of their latest victim. Not yet identified white male. Average height, average weight. Short-buzzed sandy brown hair. Striking blue eyes that seem to stare at him accusingly even after death.

He works through approximately forty pictures taken off the intricate and detailed body art. This time, the unsub left many smaller paintings woven in a bigger, overall painting. There’s still one that Spencer hasn’t seen a close up of, that’s kind of hidden behind the victim’s ears. Maybe you saved it to a different folder. He clicks around your gallery for some time, opening and closing folders full of holiday pictures. Pictures of you, smiling, at the beach. A folder full of memes that he doesn’t get but is familiar with because you keep sending them to him anyways. Spencer is aware that he probably shouldn’t have just- perused your gallery like that. But he was in case-mode. Hyper-focused on finding the next clue, on detangling the next hint that would bring them further. That would finally be the key to end this case and bring justice to all the victims.

He isn’t really thinking, when he clicks on a folder titled ‘xxx lol’. Thinks it’s another one full of memes because of the abbreviation, but maybe you accidentally saved pictures of the case in there, wouldn’t be too out of character for you and-

Spencer sucks in a breath.

Drops your phone almost as an afterthought. The noise of it clattering to the table makes him flinch.

It lands display down. Small mercies and all that.

And Spencer is- he is-

… That was not-

Not -

There’s a weird buzzy feeling in his limbs, his chest and head. Like his blood turned into a swarm of bees. He feels like someone dumped a bucket of ice over his head and like he’s on fire simultaneously.

Okay. Okay.

That was not- pictures of the case.

Definitely not.

Oh Jesus Christ.

Spencer was definitely not supposed to see. That. Not supposed to see you- like that. Ever.

His heart is totally beating itself into a frenzy. There are at least two litres of blood rushing to his head. The other four are gathering somewhere down down down and oh. Oh shit.

Spencer is actually fucked. More than that. He wants to get fucked and that’s. Just. Even worse.

He wants to scream.

He ends up biting his knuckles and letting out a frustrated noise against his fingers.

Did he really.

Did he really just see your nudes?

(And yes, he knows that word. Penelope is a bad influence on him.)

His head is kind of a- a mess. More than usual when you are around. And… what. What does he do now? He can’t just- can’t just leave your phone like that. You’d obviously see what he was looking at and that’s just- unacceptable.

But the other option appears just as preposterous. Because, because, he’d have to look at your phone again. At you, like that, again. To get out of ‘xxx lol’. Damn you. Why did you have to be so unserious and name your, uhm, very personal folder like that? And no password-block?

Spencer feels a different kind of warmth enveloping him because it’s just- so you, silly and funny and kind of unbelievable and Spencer is so deeply in love with you that he feels like he’s going crazy with it. Of course, you’d be like that about stuff like that as well. Spencer would give everything to just once experience what it’d feel like to kiss you. To feel your lips twisted in a silly smile against his, flicking a finger at his ear because you would. Do that. When kissing someone. And okay. Okay. Spencer needs to get his shit together, like, yesterday.

You could come back any second now, actually and fuck. He needs to close the gallery app on your phone, asap.

His hands are trembling as they retrieve your phone from the table.

He allows himself a deep breath. And then. With eyes squeezed almost close, he taps the return arrow. Well, tries to. He thinks he managed to escape your nudes-folder without any hiccups but well.

Spencer is freaking inept with technology.

So. He finds himself looking at another picture of you and god, it actually might kill him.

It’s inappropriate. So so so so inappropriate. You would kill him dead if you ever knew Spencer was ogling your pictures like that. Like a perverted stalker.

But. But.

There shouldn’t even be a ‘but’.

But.

You’re just. You’re just- You’re incredible. Not even in a sexual way, just-

You’re so beautiful it hurts.

And call Spencer selfish, a pervert, whatever. Because he knows, okay? But he also knows that he’d never, ever get to see you like that. And it hurts in a different way now, because Spencer just wants. Wants you so much. You and you, just you.

But…he’d never get to have you. Which is fine, of course. Having you as a friend is actually one of the best things that ever happened to him, and he’d never do anything to endanger that-

…Well. He’s not perfect. So, sue him, for only once, giving into his deepest darkest desires. He’s only human. And pathetically in love with you. And attracted to you. Oh, he wants to be with you so badly. Wants to- wants to get kissed and held by you. Wants to make love with you, which just. Sounds so dumb and cliche. But maybe he just is that for you.

Still. He shouldn’t think how absolutely breathtaking you look, sprawled across the white linen of presumably your bed. He knew you worked out regularly, but. Spencer feels hot all over when he thinks how easily you could just. Manhandle him around. To wherever you wanted him. And this is something he apparently likes. (He consciously stores that information away for later. Later.)

He shouldn’t think how you would tease him, how you would make him beg for you before he’d even taken off his clothes. He would. He would beg for you, go on his knees. Everything, everything.

He shouldn’t think how warm and safe you’d make him feel, even after knowing he’s inexperienced in everything. You’d take his face in your hands, smile at him so beautifully he’d cry. Tell that ugly internalized shame to go ‘fuck off to Jupiter’.

Oh, he shouldn’t be looking at you like this. He shouldn’t, shouldn’t, shouldn’t.

But there’s always so much he shouldn’t do. Friends shouldn’t think of other friends like that. Friends don’t imagine how it would feel to be taken apart and put together again by their friend. Friends shouldn’t want to touch, touch, touch-

Maybe, for once, he just. Has enough of that. Maybe, he could just. Indulge. For a minute. To know what it’d be like. Just. A little.

To know what it’d be like if this picture was meant for him. What it’d be like- Be like to see you. And for you to see him. Like that. What it’d feel like to crawl into your lap, bury his face in your neck. Set his teeth on the gentle skin there and hear you gasp for him. How you’d bury your hands in his hair, and he’d make the most miserable noises until you pulled and-

Something in the corner of his eyes catches his attention and- shit.

Shit shit shit shit shit shit shit.

That’s you. Walking towards the door.

His hands are shaking so badly he has difficulties navigating your phone. But thankfully, this time, he manages to leave ‘xxx lol’ and find his way back to the evidence folder.

Oh god.

Oh god.

Did he actually- He actually-

The door springs open. Spencer startles kind of violently.

(Oh god.)

You have a big grin on your face. Some magenta ink smutched across your left cheek. And Spencer knows what you look like without-

“Heya, Spence, you won’t believe what just happened-“

(Oh god.)

“Uh… you okay there?”

His face feels like it’s on fire. His heartbeat is spiking and, well. He’s never been quite this turned on his entire life. He feels himself hard and aching against his trousers and Spencer wants you to push him down on the table and-

Oh god oh god oh god oh god oh god-

He needs to- leave. Right now.

“Fine”, he squeaks, voice all over the place and he cringes, “Just-“

He wags his hands around in a very confusing, general manner. Grabs some photographs.

“I need to- Need to. Bathroom”, is all he somehow manages, photographs surely placed in front of his, ahhhh, problem.

You look at him as if he lost his mind. He probably has.  “Oh-kay? Then… go?”

Spencer goes.

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Spencer can’t stop thinking about those pictures.

He’d known it would come to this. Him, lying wide awake on the uncomfortable hotel bed.

Having an eidetic memory has never felt more like a curse to him as now.

He buries his head further into the pillow. Fingers digging into it. Pulling his legs closer to him and, ah. That. Probably wasn’t the greatest idea of his.

He’s still- turned on. Uncomfortably so.But just thinking of taking care of that. Well. He’s 100% sure that that’s not the way to go about forgetting these pictures.

Also, it’s bad enough already that he even saw them. It would be so much creepier to jerk himself off to them. To you. His best friend. But- ugh.

It’s always kind of uncomfy for him to be away on a case. He prefers his own four walls over anything else, kind of, except maybe the university library. And now, being sexually frustrated away on a case that requires even more focus than other cases do?

Oh, Spencer is so fucked.

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You notice that something is off with him. It really would have been a miracle if not, because then Spencer would’ve had to question your profiling skills. But even then- he doesn’t think that you’d even need to have these skills to notice him acting off.

Because Spencer is so not the person to play incidents like that cool. He is painfully aware of that, thank you very much.

So, the next day, when you came to say hi to him (“Hey there, Mr. Doctor.”), after he basically ran off the day before, and you, as always, casually put your hand on his shoulder, Spencer, he-

He spit out his coffee.

He could feel you freeze through the hand on his shoulder. Your expression would’ve been comical if Spencer wasn’t dying.

“Uhh… Do you… Do you need a moment?”

Well, that was a freaking understatement. Spencer needs not a moment but all of them to try to get his act together.

…which he didn’t. Not for the rest of that day, and also not for the day after. And the day after. This case apparently will never end. Fucking Florida.

You, of course being the kind soul you are, tried talking to him.

(“Spencer, are you okay? You’ve been acting kinda-“

“What? What do you mean? I’m fine, completely.”

“Uhm… Sure. If you wanna talk about it, you got my number.”)

And well. Spencer feels like he is going insane.

It’s come down to him not being able to spend more than thirty minutes uninterrupted in your vicinity without getting semi-hard, because he knows. Without him almost doing something stupid and drop to his knees then and there and beg you to either forgive him or to please let him eat you out.

Ah, yes, because apart from being so frustrated he could scream, he’s also feeling so guilty it’s slowly killing him.

There you are, still being his absolute favourite person on the planet, unaware of what kind of person you are laughing with. Of what Spencer did. It was an accident yes, but- He should’ve said something. Maybe warned you so that it would not happen again. Ugh, but the more time passes the worse it gets. The more impossible it feels to just- go to you and say ‘ah, uhm, by the way, I saw your nudes and maybe you should put those behind a password block’.

Spencer is just- the worst friend. What friend doesn’t give their friend a heads-up about something like that? He’ so, hopeless, incompetent, and he gets it now why he didn’t have that many friends in school. 

It’s gotten so bad so quickly that the others started noticing too, obviously. It really is a curse working with profilers. Spencer should reconsider his move to Tristan da Cunha.

“What’s got pretty boy so worked up, huh?”, Morgan asked him on the day after the incident.

“Did something happen, Spence?”, JJ pulled him aside on the second day after.

“Are they cancelling Doctor Who?”, Emily, on the first day after.

“Kid, you need to eat something”, as Rossi pressed a protein bar into his hands.

Even Penelope texted him.

is it what i think it is? ;))))))

He did not dignify her with an answer.

When Hotch comes to him on the evening on the second day after, Spencer is a mess. He’s practically spent the entire day in some state of fluster. He noticed he’s trailing off when he’s info-dumping. That he’s just- staring off into space more often than he usually does. That he can’t talk to you properly without stuttering, that he avoids looking you in the eyes. So, it really was only a matter of time until their unit chief would scold him. Or whatever Hotch is here to do.

“Listen, Reid”, he says, tone of voice a little too similar to when he is talking to Jack when he did something mildly inconvenient, “whatever it is, and I don’t want to know unless it’s something bad, deal with it. We need you with a clear head here, okay?”

And well, that could’ve gone a lot worse.

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He still thinks so once he falls into bed that evening. But now-

Deal with it.

How? How should he deal with that? It’s not like he can just press the ‘Delete’-button in his memories. Thanks for nothing, Hotch.

His eyes strain from staring at the ceiling in the dark. Closing them doesn’t really help because all he’d see is you. He’s such a mess.

A pining, pathetic loser mess and he’s so hard again he can’t properly think. It’s just- Spencer has had rather inappropriate thoughts about you before. Has actually spent way too many hours in his apartment just lazing around, thoughts occupied on all the countless ways he’d like you to make him lose his goddamn mind. It had been kind of an accident (isn’t that just the story of his life), the first time it happened.

Spencer had almost been finished with his report, he’d just needed an additional detail from you to finish up. He’d asked Morgan where you were, and this is how he found himself walking down the corridor to Penelope’s ‘Dungeon’. Which, he’d never say out loud because that’s just ridiculous, right?

He saw the door to her office was slightly ajar, a mix of yellowish-red light splitting the hallway in half where it spilled out of the open gap.

There’s a giggle coming from inside the room and Spencer smiles- can’t help it really, because your laugh is just so absolutely ridiculous, a kind of high-pitched screech that ends in airy laughter and he’s so obsessed with it he wants to engrave it on a CD to listen to it again and again.

“No way, gorgeous, I don’t believe that”, Penelope whisper-giggled.

Spencer didn’t realize his steps slowed down, too curious by what you two could be talking about. And also, kind of forgetting that you shouldn’t just listen to other people’s conversations like that.

“Oh yes”, your voice was low, and Spencer would be lying if he said it didn’t send a tingle along his spine, “He broke up with me, but he came crawling back to me not even two months later because I apparently ‘ruined him’ for anyone else.”

Ruined him? What did you mean?

Both Penelope and you were laughing now, louder than before.

“You really, really gotta teach me your devious ways, buttercup.”

You snicker. “I guess it all boils down to making them come so hard they cry and forget their own name, really.”

Spencer didn’t get the detail he needed from you that day.

He’d gotten something much worse and that was curious. From the limited sexual encounters he’s had in his life before (a rushed hand-job somewhen in university in a toilet cubicle by that one other student he was into back then) he couldn’t really imagine something like sexual gratification that made one cry. Sure, getting himself off felt good. Sure, that orgasm had been fine. But… it could feel better?

He kind of didn’t think of that before.

So, when flustered-he had returned to his apartment after that overheard conversation, he kind of… thought about what these things could be that you did, to make others feel so good they lose the basic functions of their memory.

And the rest is basically history.

Of course, he’d never touched himself while doing… research about your techniques. It just felt- wrong. You are his friend and despite of his crush on you, it didn’t feel right.

But now…

He really really shouldn’t. But, he’s just so- desperate. For you and for things to go back to how they were. Without him almost bursting at the seams each time you look at him because before, he never had any problems with categorizing his mind like he does now.

So maybe… Maybe he can just… Do it once? Real quick, to get it out of his system?

The longer Spencer turns the thought in his head, the more… it seems like a good idea. You’d never know. Spencer could forget about- about the accident and move on. Solve the case and finally leave cursed Florida behind. If he just does it this one time, it’s not that bad right?

The fuzzy pleasure that shoots up his spine when he finally, finally presses his hand against himself through his pyjama pants answers him. Yes, yes, it says and more more more-

Spencer has never been good in denying himself things that make him feel good, better than good, things that make him forget about any pain that has nestled inside of his body or mind. Right now, that thing is you. Oh, perfect beautiful lovely you. He can’t stop the way his lips twitch into a smile, almost shy, even though he’s alone. But something about you just- 

He gasps, back arching a little when he slides the palm of his hand along himself, still through two layers of fabric.

Something about you just- god, how can he put this into words- something about you just makes him feel- safe. Seen. Taken care of. And it’s just, so foreign to him. Strange. He’s always been looking after himself. After dad left and mom-

He’s kind of addicted to it. To the way you make him feel. Spencer can’t get enough of it, can’t get enough of you. Never never enough.

His fingers trail circles around the head of his cock, light and unhurried, enjoying the shivers of good good amazing it sends through his limbs, to his fingertips. Spencer can feel the tension leaking out of him, can feel his muscles relax and his mind become hazy. He should do this more often, god he always forgets how good it is, it feels.

He almost forgets why he decided to get off right now. It had something to do with you. You. Naked and there, here with Spencer. He whines a little because you aren’t here, why aren’t you here he wants that so badly-

But all he has is the crystal-clear mental snapshot of your nudes. Spencer doesn’t remember ever remembering something with such clarity before. He feels kind of embarrassed by that, how obviously desperate he is for you. How he would do everything for you, with you. But this feels so good that he doesn’t care about any kind of embarrassment or shame that might trigger his self-loathing.

He increases the pressure of his palm slightly, oh god oh oh, it’s so good already and Spencer hasn’t even touched yet, not properly at least, but oh. Oh, he wants moremoremore-

It’s so easy letting his thoughts tangle, mixing old and new. Fantasies and reality. The you from the pictures merges with the you from his daydreams and oh shit. Oh fuck.

Spencer moans, high and needy at the back of his throat and god how are you so beautiful?

Imagined-you has absolutely nothing on the real you. Spencer could have never himself come up with you because he just lacks the imaginative capabilities to conjure the absolute vision you are. The vision you portray on those freaking pictures that have branded themselves into his very neurons. He’s sure, absolutely sure, that he will never get over them. Over you. Doesn’t even really want to.

Because he is quite certain that the sight of you, your stomach your thighs your arms your tits your- oh he forgot where he was going with this.

By now, Spencer’s hand has dipped beneath his pyjamas and beneath his boxers and he moans again, his lips pulled between his teeth and eyes shut because the feeling of good good better more almost peaks when he grabs himself, finally.

His right hand starts an even, slow pace along his cock because if he is only ever doing this once, he is going to make most of it.

It doesn’t take long for him to get close, though. He’s been so wound up the last few days, it really is no surprise. It’s actually more surprising he hasn’t come all over himself already.

Soft, keening noises are continuously spilling from between his lips, hips moving together with his hand because he just can’t help himself. The heat in his abdomen is building and building and he whimpers because he wants it to be you so so badly, his thoughts are a mess, he is a mess and he wishes he could be your mess, yours, yours to make a mess of and oh god he’s going to-

A knock. On his door.

He freezes, blood rushing loud in his ears, heart pounding and his cock hot in his hand and begging him to not stop but-

“Spencer? It’s me, can you let me in?”

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pt. II? 👀

[dawnslight-aegis]

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

[stevebabey]

have sum steddie! maybe modern!au, no upside down!au & a meet cute <3 | ao3

Steve sits in the booth, his foot tapping away mindlessly under the table, with half a mind to abandon the table entirely.

In fact, the only reason he hadn’t yet was because of the $20 he was hanging out for at the end. And the bragging rights, of course.

Robin had set him up on this blind date, plied him with all the promises in the world that he would enjoy it — said she’d spent a decent amount of time hunting for the right first gay date for Steve.

She also conceded that if he, for whatever reason, didn’t enjoy it, she would cough up 20 whole bucks for his wasted time. But he had to actually see the date through for the prize to be claimed.

And the bragging rights were so that Robin — with her uppity, healthy, and happy relationship that Steve was only a little bit envious of — could ease onto the breaks when it came to Steve’s love life.

So it was looking a little bleak at the moment, so what? Every stallion or… lion or whatever had their moments, right? Moments where their mane is a little uncouth and food is low and…. Where was he going with this?

The point was, that Robin got into one relationship and suddenly decided she was fit to become a high and mighty matchmaker. Never mind that Steve had reminded her numerous times that he had dated a lot more than she had.

So, for 20 bucks and the right to stick his tongue out at his best friend when she tried to meddle, Steve could stick one night out.

Besides, she was right about one thing. They weren’t in Hawkins anymore — and San Francisco had a hell of a larger dating pool than his hometown.

Still, that didn’t make people anymore for prompt for dates though, apparently. Steve’s foot taps incessantly under the table, his knee bouncing up and down in his nerves. He runs a hand through his hair and checks his watch again.

7 o’clock, Harvey’s Diner, a cute little Italian place that Steve had begun to frequent since they moved to the city, and a date with a dude called Daniel whom Steve had no idea what he looked like.

This was his Friday night plans.

His watch reads 7:12pm and Steve sighs, his fingers beginning to fiddle with the strap of his watch just for something to do. Great. He had gotten all dressed up for this? To be stood up? How was this any better than his usual Friday night plans that Robin claimed were so pathe—

“Hi.”

Someone sits down in the booth across from Steve, landing with a thump loud enough to give him a fright.

Steve’s head whips up from its focus on fiddling with his watch and— woah. Steve blinks once, twice, and feels his jaw unhinge a little, his lips parting an inch as he gazes at the stranger across from him.

Holy shit, this dude was hot.

He’s got curls for days, dark chocolate ringlets all messy and unkept spilling over his shoulders— long and probably perfect for burying your hands into. Steve flushes a little at the unexpected thought.

He has beautiful brown eyes, widened with a smudge of eyeliner and framed with long lashes. Steve thinks he can spy a smattering of freckles across his forehead. His nose is long and his lips are plush and pink and holy shit, this dude was pretty.

“Oh— hi.” Steve manages to remember his manners. Only after he fully checked this dude out, of course.

God, couldn’t Robin have given him a better warning than just ‘he’s probably your type’? Couldn’t she have warned him that this dude was ‘do-a-double-take-on-the-street type hot?’ What the fuck Robin?

The man across from him grins, wicked and alluring all at once, and shucks off his heavy leather jacket. His eyes do a once-over on Steve, taking his time to check him out— which is great because Steve is stuck on all the glorious tattoos that have just been revealed. So much skin shown in his roughly chopped muscle-tee, swirling ink all down his arms. This dude is hot.

Silently, Steve curses Robin and the 20 dollars that is totally slipping away from him. Why did she have to be right all the time?

“Been waiting long?” The man, Daniel, asks as he makes himself comfortable across the table. He pushes his hair back with both hands, using one hand to gather it into a ponytail, holding it up to air out his neck and Steve now realises he is slightly puffed.

He must’ve run part of the way here, to avoid being later than he was. Steve can’t help but be slightly endeared by that fact.

The man grins again, “Promise I was trying to be on time but, you know how the subway is.”

Steve huffs out a laugh, any annoyance at being kept waiting melting away at his date’s sincerity.

“Not too long,” Steve admits, smiling to ease Daniel’s apparent concern. Across the table, Daniel slumps a little and releases his hair, his curls pooling back around his shoulders. Steve watches, entranced.

“Well, that’s good,” Daniel smiles, eyes bright like he really means it, and his hand darts out to steal the drinks menu from the edge of the table. He looks back over to Steve, a furrow in his brows. “You didn’t order anything?”

“I thought I should wait,” Steve says with a shrug. No point paying for food if your date never shows up.

Daniel looks up from the menu through his lashes and smiles, placing his elbow on the table and dropping his chin in the palm of his hand. “Aw, you’re sweet.”

Steve is a little embarrassed by how easily the compliment makes him blush, feeling his cheeks glow lightly. Across the table, Daniel seems to revel in it, drinking in the way Steve’s face filled with colour with a cheeky smile. His eyes flick back down to the menu.

“You know,” Daniel begins, keeping his eyes on the menu, scanning it with a hum. “Chrissy said you were good looking but I think she seriously undersold you.”

He takes his eyes off the menu to trail up Steve’s body, his gaze heavy. Steve feels a delighted zing go up his spine, feels the way he preens at Daniel’s attraction. Steve opens his mouth to respond, more than ready to return the flirt when—

“Can I get you two started with anything?”

The waitress interrupts. She’s poised with her notepad, standing at the edge of the booth. Daniel perks up and nods.

“Can I get a chocolate milkshake please?” He asks with a polite smile. Steve laughs lightly at his selection and Daniel’s gaze cuts from the waitress to Steve.

“What? Not a milkshake man?”

Steve tries to contain his grin, all too endeared by the man before him. He shakes his head and raises his hand in defense. “Nothing against milkshakes just… for dinner?”

Daniel gasps theatrically and his head snaps back to the waitress. “This man has never had the delight of a Harvey’s milkshake with his dinner. Please bring us two chocolate milkshakes!”

Steve watches as the waitress dutifully writes down the order and turns on her heel, heading for the kitchen. He turns back to his date and gapes, taken aback by the forwardness.

“Did you just order for me?”

“Did you just diss milkshakes?”

Steve scoffs, but even then he can’t stop his lips from curling up into a smile. He can’t believe it but he’s genuinely glad he waited this date out. It's not at all like he was expecting. Even Robin's short description of this dude pales in comparison to the real thing. Steve nudges his foot forward into Daniel’s shin lightly.

“I did not diss milkshakes,” Steve argues, his smile widening at how Daniel’s eyes dart to the table before back up at Steve with a grin.

“Uh huh,” Daniel nods, his voice sarcastic and 100% unbelieving of Steve’s insistence. “Just wait, okay? You’ll be changing your tune soon enough. Harvey’s milkshakes are class. I’ve had a thousand of my best ideas in here, sipping on a chocolate milkshake.”

Steve grins and leans back in his seat, crossing his arms over his chest. Under the table, he feels Daniel’s boot nudge against his leg gently— and he laughs to himself. This has gotta be the most teenage way of flirting and he’s fucking loving it.

“You know,” Steve begins hesitantly, letting his forearms lean up against the table. “You’re not quite what I expected, Daniel.”

Across the table, Daniel scrunches up his face, his expression one of pure befuddlement. He puts his hands flat on the table and leans forward.

“Wait, you think my name is Daniel?”

Steve splutters for a moment because even though the answer is duh, yes, it’s become increasingly apparent that the man across from him is not who he was expecting. But if he’s not Daniel, who is he?

Suddenly, the door chimes and someone else is entering the diner. It’s a man dressed like Steve — on the preppy side with hair that must’ve taken at least an hour. He scans the booth and spots Steve’s booth, wandering over, his eyes fixed on the man across from Steve.

“Hey, are you Eddie?” He asks confidently, ignoring Steve’s presence on the other side of the booth.

The man — Eddie — freezes as he glances up at the newcomer and then back down to Steve ahead of him. Steve deflates a little inside as he realises abruptly what’s happened— a mix-up of wrong dates that was completely warranted because this dude dresses exactly like Steve. Steve doesn't stare too long to see if he's any hotter.

Instead, he tries to give Eddie the all-clear with his eyes. He smiles polite as he can and gives a little nod to let him know it was alright to abandon him for the date he was supposed to go on. Not to get stuck with Steve.

Eddie clears his throat and smiles, not cheeky like he had with Steve, but stiff and polite. “Ah sorry man, I think you’ve got the wrong guy. My name's Daniel.”

Huh? Steve takes his eyes off the table to steal a glimpse at Eddie (is his name even Eddie?) and something inside him burns hotly when the man glances across at Steve and winks.

The man standing by the booth wavers for a moment, glancing between them in the booth as Steve schools his expression to neutral. After a moment of silence, there's a half-assed apology as the man retreats, heading back out the door he had just come through. The door chimes again on his way out.

Steve straightens up and peers over his shoulder, watching the door slowly swing shut. He turns back to the man across the booth and squints at him. The waitress returns briefly, dropping two large chocolate shakes onto the table, topped with a mountain of cream. She murmurs something about coming back to take their order in a moment.

"Wait, so who are you?" Steve asks, gently sliding his shake closer to him. "Daniel or Eddie?"

His date —well, his new date— has already begun taking a big long sip from his own milkshake, so enamored with it that when he pulls away there's a dot of cream on the end of his nose. He swallows with a satisfied ah and grins across the table at Steve, not noticing the dairy on his face.

"I'm whoever gets me talking with you a little bit longer."

Steve grins, an endeared roll of his eye at the blatant flirting but he can't deny how it makes his chest warm. He grabs one of the napkins and reaches forward, adoring how Eddie goes cross-eyed as he watches Steve smudge away the cream on his nose. He laughs sheepishly, giving his nose a little wipe with his own hand.

"I'm Eddie." He says, finally introducing himself. He doesn't offer his hand, just gives Steve a little nudge under the table and a grin over his milkshake. "And I think you just saved me from a terrible date."

Steve laughs, giving a little shake of his head. He finally goes in for a sip of his own milkshake— and it's just as heavenly as Eddie had promised, glorious chocolate dancing over his taste buds.

Steve groans quietly, eyes bright when he glances at the other man over his glass, entirely amused by how wide-eyed Eddie has become. He releases the straw and sits back, more invested in this date than he has been in... years. Stallion's got its mojo back. Or lion. Whatever.

"I'm Steve," He responds, giving a little nudge back under the table and a grin of his own. "And I think you saved me from being stood up."

[squapejuice]

"Hyur are so boring, why would you play a human in a fantasy game?"

Fine. Whatever. You find the idea of playing a human boring. But I'm kind of getting sick of people saying this to me, a hyur enjoyer, sometimes even directly under my own screenshots of my OCs.

Hyur in FFXIV are a *wildly* fascinating take on the "humans in a fantasy setting" that we often see in video games. They're an almost complete subversion of "humans are the dominant culture that everyone assimilates into and also they did a colonialism at some point, which is why their language is The Common One".

Meanwhile, hyur in ffxiv? They're MIGRANTS.

They're NOT the dominant culture. Are they the most numerous population in a lot of places? Sure. Because they have kids out the wazoo, but I digress. Hyur in ffxiv are defined by their adaptability and willingness to assimilate. They're *so* defined by adaptability that there are at least three major historical events throughout the astral and umbral eras called "The Great Hyur Migration". Hyur only arrived in Ishgard after the dragonsong war had started and you'd be hard pressed to find any modern Hyur born and raised in Ishgard who would define themself as anything *other* than Ishgardian. Their names may be slightly different than Ishgardian elezen, but I would theorize that might just come down to class dynamics as while hyuran noble houses exist, they're not common. However in Hingashi they've completely assimilated into eastern Raen culture, as an example. I actually hesitate to find any place we know ingame to be completely dominated by hyur, because in Gridania despite the elementals picking hyur to be padjal the culture seems to be most influenced by wildwood elezen, and in ala mhigo while hyur are the most populous of demographics, the entire culture seems to be a marriage of hellsguard and miqo'te. Ul'dah is clearly highly influenced by lalafell above all, and limsa lominsa is heavily developed by the sea wolf roegadyn. Hyur just kind of fit themselves in and adapt to what everyone around them is doing.

So why is the language spoken by all the peoples in Eorzea the same? Isn't that the hyuran language? Nope! It's pretty explicitly said that the common language is a pidgin tongue that was deliberately developed by merchants and was adopted widespread out of convenience. They even say that Tural took inspiration from this in developing their own (and it's only coincidentally similar enough that your party can understand it with minimal language barrier, funnily enough. That's a hilarious way to handwave 'eh, game mechanics' tbh).

Anyway hyurs are really cool and I really want to see more people appreciating them for the interesting lore they do have and also exploring this concept more. Like making their hyurs naturally predisposed to learning multiple languages for example.