#that was a long ass rant

[piperslovebot]

You know, as much as I hate Ross, he really taught me a valuable life lesson

Ross Geller taught me that I should be happy for my partner when they get a job and not say that the guy only gave it to fuck them. Ross Geller taught me that when I'm on a break with someone, that doesn't mean that we're broken up and isn't a code to fuck someone and lie about it. Ross Geller taught me to never body shame my sibling or anyone else in my life because people should be allowed to exist and not be bullied. Ross Geller taught me to never date someone in their early twenties while over thirty because there's a big power imbalance. Ross Geller taught me to never let someone take the blame for some I did several years ago to the point where their s/o's parents hate him. Ross Geller taught me that I should let my kid play with any play toy he/she/they wants and not give a fuck about gender norms. Ross Geller taught me that I shouldn't judge that my kid's nanny is a man and definitely not assume his sexuality just because he has a job that not considered traditonally masculine. Ross Geller taught me everything I shouldn't do in life.

[riza-hawks-eye]

The Royai moments the anime adaptations left out bc they are COWARDS

(I believe in fma manga supremacy)

Riza's Grandpa asks Roy to marry her.

So this one needs outside material to explain, but Arakawa confirmed in the 2nd Guidebook (released only in Japanese and French) that Grumman is Riza's maternal grandfather. Not necessarily a big Royai moment but, still it's interesting how Riza's only known living family ships it, and that Roy doesn't exactly say "no" to his request.

I am forever fascinated as to why any of this exists in the first place, what did you mean by this Arakawa? why have Grumman make this suggestion in the first place? 👀👀👀👀👀👀 What were you suggesting? 👀👀👀👀👀👀👀

Anyway, I wish we had an in-text confirmation of Riza's relation to Grumman and I wish this moment had come back to the story at some point. Even if it was just Riza glaring at Grumman being like "Grandpa why are you trying to marry me off?????"

2. Roy's "Get your hands off my wife!" moment.

He really said, "is he bothering you queen?" I wish we had more protective Roy and frankly, I don't understand how this scene didn't make it to Brotherhood? Riza was getting manhandled by a tin can and clearly not into it. The fact that a tin can serial killer developed a crush on her is concerning to begin with. It just wouldn't be in character for Roy to be cool with this. Roy is also a jealous boyfriend, what can I say?

3. The "I'm glad you're alive" moment.

For some dumb reason, Brotherhood changed this so when Riza apologises for worrying him, he just snaps "save it for the end of the mission!" Like, why Brotherhood? why would Roy ever snap at Riza like that? especially when Riza is generally the one who is laser-focused on the mission. Roy has enough faith in her, he's not going to see this brief apology as her being distracted or less competent. The manga dialogue is also meant to show how Maes's death is still a fresh wound for Roy, so of course he's on edge at the prospect of losing Riza too.

4. He literally asks her out

I feel like both anime adaptations really wanted Roy to be more of a womaniser than he actually is. But this scene lowkey confirms Roy has limited game and he only really wants Riza. It feels like dude jumped at the opportunity to ask Riza out the moment she technically stopped being his subordinate.

5. Roy's codename for Riza actually coming back

Seriously, I love how Arakawa took the time to establish "Elizabeth" as Riza's codename only to use it later to have Madame Christmas suggest that Roy regularly spends time with "Elizabeth" to the point where it's weird that he isn't with her now. And then, when Roy bemoans how "another man took Elizabeth" (an obvious reference to Riza being taken hostage by Bradley) one of Christmas's girls gets excited at the idea she might have a chance with Roy. The suggestion is that Roy isn't normally available on account of his seeing Elizabeth.

It's a strong hint to the idea that Riza and Roy might have *something* going on and are bypassing the fraternization laws through codes. At the very least it suggests that Roy isn't interested in anyone but "Elizabeth". Also look how bummed out he is that his wife is gone. Why did the anime rob us of so much pathetic whipped Roy? WHY?

6. Just a lot more touching in general

There's actually a lot of touching between these two in the manga. It's mostly during the big fights like the Promised Day or the battle with Lust and it really cements them as a true battle couple.

In the case of the Promised day they are literally fighting in each other's arms. Riza is leaning on Roy as she's on the verge of passing out from her wounds, and Roy is clinging onto her now that she has become his eyes. The way they hold each other shows how they are each other's crutch and how one always empowers the other. It also symbolises how inseparable these two are as moments ago Roy was at the Gate and before that Riza was on the brink of death, they could have lost in each other for good but they're still standing strong together in spite of everything.

The post-Lust fight is just a nice moment were Roy clings onto Riza out of sheer relief that she's okay and he hasn't lost another loved one. Even though he's on the verge of passing out from pain and blood loss, he still finds the strength to reach out to her.

Then there's the scene in the tunnels where he lowers her gun for her. The noticeable difference in the manga is that he does this after he takes off his ignition gloves.

The anime forgets to do this. It seems like a minor difference but it's kind of a big point of characterisation. Because we know that Riza has been hurt by flame alchemy, from the process of having the tattoo done to her by a trusted parental figure at a young age, to the trauma of seeing how much damage it did at ishval, to her very literally being burned by the flames so that it won't do anymore damage. Roy is the one who burned her, he's the one who used her secret to do unspeakable damage and suffering, why would he hurt her again by letting her go anywhere near flame alchemy?

My final thoughts: Manga Roy is altogether more dorky and in love with Riza than his anime counterparts and I miss his adorkable self.

I also feel like Arakawa was so good at subtly hinting at how in love these two are and how they basically *do* function like a couple even if they might not be together in the conventional het married with babies way.

[yakichoufd]

I got that issue thinking I would have a fun read and it was interesting but so disappointing too. There will be a of lof of spoilers here, so don't read my post if you want to enjoy that story first. It will also become an illustrated "fanfiction" cause I had to draw few things haha! I liked that Scott and Alex's parents survived their plane crash and both boys could have a normal childhood. The story is from Alex's point of view which is quite interesting. He barely remembers the plane accident, but Scott does (even if he never talks about it, but him remembering that event is important). Alex doesn't really know where he belongs since his big brother is "great at everything". Scott is great at school, sport, he has friends, he cares for his baby brother etc... and Alex feels like he is living in his brother's shadow. Then Scott get his mutation and get a personnality switch. Even if he controls his beams, he still freaks out and panics most of the time (which is fair, his power is very destructive after all). Then the story takes a direction I did not enjoy, so I won't talk about it. I will just explain what I would have liked to read instead. I would have loved for the two brothers to bond over what Scott was dealing with. For once Alex's big brother needed help and support. Alex could have been there for his so "perfect" big brother. It could have reversed their roles and boost Alex's confidence. It could have create a deep relationship between the two brothers.

Scott is traumatised by the plane accident. He has a nightmare seeing aliens looking after them when their plane hit the ground. It is during that nightmare that Scott's power manifests. Maybe him freaking out about his powerful mutation is linked to that traumatic event. Maybe he is scared of destruction since their plane got hit by alien's weapons? Maybe he thinks the aliens did this to him? I don't know but he is a very scared kid who is cclearly afraid of that attack. Scott could have talk about that to his parents. They are very supportive and caring. That story could have grown their family bond stronger. Plus both brothers have a destructive mutation, that could have made them closer than ever. Continuing with that alternative universe. Xavier gives up on Scott a bit too fast (which makes little sense imo) but I would have find it interesting that a less awkward Scott meet Warren, Hank, Bobby and Jean. He could have joined the mansion still as a lost teenager but his social understanding would have been so much better.

I do not think he would have fall for Jean like he did in the comics. Maybe he would never have fall for her since he was popular back home. I think comic Scott always fell for Jean because she was so perfect and he was a lost kid who had nothing but a lot of love to give. Or he could fall for her once he is more mature. I love that HC that Scott is a bisexual bean, so he could have had a boyfriend back home. Bobby could have understand himself a bit faster seeing Scott with another boy.

Scott being in a loving family he would be at ease with his sexuality and he and his family's popularity in town made everyone accepting everything easily. However Scott still being afraid about his mutation, he wouldn't have tell anyone why he went to Xavier's mansion. Whcih would confure his mutant friends a lot. Scott could still have trouble with accepting who he is and how his loved ones see him which will be his personnal dilemma.

(Todd is the OC boyfriend haha) Warren and Scott could have been close friends and maybe more. Angel is a very caring character too and he would have understand Scott's scasred mind. I think Scott could still have being brainswhased to become a child soldier (which would terrified his parents) but it would have helped Scott to accept his power. He could still become an amazing field leader but I do not think he would have stayed under Xavier's manipulation long. He would have take his own path eventually. He has the confidence and his years with the X-men would have created his network. I think that AU has a lot of potential and it didn't need to become over dramatic as the original issue did. Siniter could have shown up later or not at all. I do not think he needs to be present in Scott's life in every universe. Being a mutant is already hard as it is, you can always find dama around that if you want a dramaticc story.

[vi-as-in-violet]

i think the main feeling i have about this season so far is that i crave to see MORE, but not in a good way. i love the themes this season is working with, i love the conflicts, i love the characters but it feels like i don't see enough of the story playing out and it leaves me feeling like something is missing.

I wanted to SEE and experience the underground resistance growing, i wanted to actually see how Jinx became a symbol and how that united the underground. I wanted to see the process of it and how it affected her! I feel like the writers really should've gone with the traditional show-don't-tell rule here instead of just showing us the aftermath which left me with exactly zero emotions about such crazy impressive and important events. The entire Underground got united (!!!!) but we saw zero of the unification process and got like two scenes before they were all arrested, released and then the entire revolution idea was completely forgotten and not addressed once in the rest of the act (as far as I recall).

Jinx was clearly struggling with the newfound worship, so much so she went into HIDING. how must've she felt knowing that so many people find hope in her when she sees herself as a literal jinx? how did she deal with becoming people's hope instead of their curse? I wanted to see her work through this so bad since that is what Arcane has always been good at, it's what season one did so well - it walked you through the emotions and motives and therefore, the conclusion to personal plot lines felt SATISFYING and left massive impression. this was completely missing for me this act for most plot lines

Same goes for pitfighter!Vi and her descent into self-destructive hell. We don't get to see the emotional fall out of her being fucking punched and left lying on the ground by the only person she thought she had left - we just got a montage showing the aftermath of her spiraling. which is cool but it left me with feeling pretty much nothing about it all because seeing the conclusion to her struggling without the build-up just fell flat for me. i was looking forward this specific internal conflict of the protector archetype with nothing left to protect and therefore completely losing themselves before finding their purpose again SO much and it ended up being completely brushed over. i wanted to be able to pick Vi's thoughts apart when she was at her lowest point in life since her time in the jail and see how her behaviour and relationship with people/alcohol/violence changes in the process. like later in act 2 when she punches Isha, she doesn't even react (holy shit?). that is SO far from the Vi we saw in act 1 of this season and it feels super out of character because we did not actually get to SEE her behaviour and priorities changing - we can obviously figure out the reason and understand why she ended up this way but since we weren't actually shown how it happened, it still initially felt like it came out of nowhere and majorly ooc for the character we've known so far

and don't even let me start with Cait and her dictator arc. I was getting ready for the emotional fall out and internal conflict and the political powerplay with Embessa but we got SO LITTLE of it. i could go on and on about this but i feel like a lot of people might agree her dictator arc was pretty underdeveloped so I am not going to discuss it further (plus the immediate switch when she met Vi again was just ??? because we can't really see how she feels about this entire thing with the exception of her thinking Embessa is too brutal and that it seems to be weighting on her. PLUS she has at least a situationship with that sunshine enforcer and even tho she is clearly mentally elsewhere, we have no reason to think she is still pinning after Vi?).

I'm not even going to address Jayce because What.

On a positive note, I think Victor's arc has been handled pretty damn well. But aside from that, this season just leaves me craving more and it is quite clear to me the writers absolutely did not have enough time (nine episodes is not a lot) to develop the story they wanted to portray in full.

Now, I watched the latest three episodes while on a plane and since the act is so plot heavy, i might have totally missed or misunderstood something, lemme know if that is the case

i am super interested in how's everyone feeling about this so feel free to add your thoughts!!!

[shit-sorry-fuck-mybad]

You wanna know who’s the best ally? It’s Ron “Slider” Kerner HEAR ME OUT—

It starts with Ice, because Slider was never homophobic, mainly because he never considered the idea of people around him being gay, he thinks he doesn’t have a reason to care

But then he meets Tom Kazansky and Tom Kazansky very quickly becomes his best friend, his brother

So when his brother tells him, voice shaking, hands fidgeting, eyes at the verge of tears, that he’s gay, Slider decides there and then that he would never be a reason for Ice to be scared

Of course he then meets Maverick Mitchell and thinks he might actually be homophobic because the thing Ice and Mav have going on is driving him insane

Slider realizes, as the relationship between Ice and Mav progresses, that now he needs to watch out for the both of them. He wants to convince himself that he’s only taking care of Mav because if they get caught then Ice goes down too, but deep down he cares, because he wouldn’t want Ice to be alone, to have no one on his side, no one watching his back, and Mav has no one, so it’s Slider’s job

Also I truly think Slider is the only straight person in his friend group but I didn’t want to make this post too long so I cut that out

[soupinaboot]

His Letterboxd must be insane.

[taffywabbit]

idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.

i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?

when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).

i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.

but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)

anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).

i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.

[cherries-in-wine]

𝑷𝒂𝒓𝒂𝒍𝒍𝒆𝒍𝒔 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒍𝒐𝒍𝒊𝒕𝒂 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒗𝒊𝒓𝒈𝒊𝒏 𝒔𝒖𝒊𝒄𝒊𝒅𝒆𝒔 ‧₊ ☁️⋅♡ ࣪ ִֶָ☾.

People call Vladimir Nabokov a disgusting creep for writing from the perspective of a pedophile when in reality if you read the book, Humbert Humbert is not likeable in the slightest. He's an unreliable narrator that's so stuck in his own delusions that he can't see how miserable dolores is because of him. Nabokov is a great writer and lolita is really well written. It's a great satire in the sense that it's pathetic to see Humbert Humbert think he's sooo charming and these "nymphets" are soooo in love with him. Dolores' trauma is obvious to any competent reader, I don't know how people are so charmed by Humbert Humbert that they can't see how dolores' defiance which he refers to as "teenage rebellion" or "tantrums" is a very apparent cry for help. Lolita is a Gothic horror, a cautionary tale. It's a genius work of art and what's most horrific about it is how society reacted to it, how it's so normalised to sexualise little girls that blatant pedophilia is interpreted as a tragic love story. Nabokov himself referred to dolores as his "poor little girl". He had a lot of empathy for her and it must be so heartbreaking to see her getting sexualised.

When I first read the virgin suicides i thought it was a great work of satire. I adore the Lisbon girls with all my heart, I see a part of myself in all of them by varying degrees. The boys who claimed they loved these girls, only saw them as some fantasy. Even in death they never truly respected any of these girls. How when they found Cecelia's diary, instead of trying to make sense of why she killed herself, they selfishly searched for their own names. I loved the irony of the boys claiming they loved these girls when they didn't know anything about them. It showed how their "love" was really shallow and surface level. I thought Jeffrey Eugenides really understood me in that sense. But in reality he didn't mean any of the things the boys did to be interpreted as satire. According to him, peaking through windows, stealing used tampons, joking about groping dead girls, these grown men still picturing those little girls years later while they had sex with their wives etc was supposed to show that teenage boys are not disgusting horny dogs, but romantic softies (if anything this made me think teenage boys are much more repulsive than i thought). According to Eugenides the book is satire, but in the sense that you never know what was going through a person's head when they committed suicide and you can't make sense of it no matter how hard you try. Everything about how the boys viewed the girls was not satire and was to be taken at face value. This really broke my heart, an author who i thought really did get me and understood me, ended up making me feel watched instead of seen.

It's so interesting how lolita which is supposed to be from the perspective of an unreliable narrator was taken at face value and the virgin suicides which was to be taken at face value was perceived as satire.

The director of Lolita didn't get her at all, even he thought she was some kind of a seductress instead of a child that was abused repeatedly. While the virgin suicides movie was so much better than the book, Sofia Coppola, the director, understood the Lisbon girls so well and she did them justice.

[tsukasalover]

it’s kinda stupid to call rui “sassy” or say he was acting “mean” for simply doing what any person would do realistically after tsukasa humiliated nene in the main story. i swear this fandom has gone over this a thousand times and yet for some reason it’s still so hard for people to accept that tsukasa was being a self centered asshole. that’s not even exaggerating anything that’s just the truth.

btw (if im wrong correct me) but rui has never gotten angry at someone unreasonably he’s actually quite mature and doesn’t just?? explode over things so i dont know why him refusing to work with tsukasa even after nene forgave him is seen as a “mean” thing… let’s not forget he still believed tsukasa hadnt changed at all and only wanted to be in shows for selfish purposes. it’s not bad to admit that tsukasa is egotistical and has acted much more mean in unacceptable ways than rui + has had to own up to this and work hard to grow as a person over time

[meldelen]

So earlier today I saw this post on Instagram musing about Sauron in The Rings of Power, labelling him as a tragic antihero, with a chance to be redeemed/saved but definitely doomed, and that making him quite attractive as character to the viewer public.

I was thinking about it and I don't really think this fits nor Sauron as character in Tolkien's original lore, but neither in The Rings of Power. Sauron is not an antihero. The way I see it - and I accept I might be wrong - an antihero is a character that has some redeeming qualities, someone who acknowledges that has done evil - which Sauron does - and might repent or not, but unlike Sauron they're not driven by malice, they do not actively seek to cause harm even if they will do at some point, and maybe they will act to repay/compensate the evil done in the past - whether is recent or not - or try to do so, even if it implies the cost of their own life. Morally grey characters, if you want, but with cracks of light in their grey armor.

If you're familiar with Game of Thrones, which is rich in these kind of morally grey characters, I see, for example, Theon Greyjoy or Jaime Lannister as examples of antiheroes. I also want to see an antihero in Raistlin Majere - if you're familiar with Dragonlance - even if he has done so much more evil than the other examples. But the more I try to apply it to Sauron, the less it convinces me.

Maybe Halbrand could've been that antihero they're seeking, if Halbrand had been real. If he had wanted to take the redeeming path he claimed to have when Galadriel was still open to him.

But there's no Halbrand. There's only Sauron. And you can see all his choices as Halbrand, even if claimed to try to find his peace, are poor choices, because he's driven by selfishness: letting Diarmid die and getting the Kingfisher heraldry instead of helping him, abandoning the castaways in the raft to save his own skin, stealing the guild crest instead of earning it, and over all, faking a Southlander king's identity even if reluctant at the beginning. Now, if Halbrand was real, for how much pain he might have caused in the past, this doesn't look like a redeeming path. This doesn't look like antihero, or someone who can be redeemed/saved. Neither is he doomed. Because these are his personal choices, and he could do differently, only he just doesn't want to.

As Annatar, he shows more clearly what he is: a villain, a pure chaotic evil being. The Rings of Power works wonderfully showing he's incredibly complex, and cunning, and clever; not one-dimensional, not the typical mwahahaha villain he was hinted in Peter Jackson's movies because the narrative didn't allow him to be expanded further, but a villain, nevertheless. He does evil, he causes pain, and he does it for his agenda, because he wants it this way, even if he believes otherwise.

The discourse about wanting to heal Middle Earth, creating perfect peace and rejecting Morgoth's sadism and cruelty is just the discourse of a narcissist that believes his own lies and thinks he can do better. Celebrimbor tells him: "You're truly the Great Deceiver. You can even deceive yourself." He really believes in his own bullshit. He thinks he can do better, if only everyone else bend to his will and do what he says when he says so.

Shipping is fun and nice but if you watch season 2 with attention it's horrifying to see what Sauron really is throughout his actions, even if wrapped in the fairest of forms. His cruelty, brutality and outright Machiavellian way with which he manipulates and punishes are painful to watch, specially in the case of Celebrimbor, whom he also admired as a craftsman. The repugnant and sadist way in which he tortures and brutalizes Galadriel with Morgoth's crown because she has rejected him again was the foulest allegory of rape I've ever seen, in an universe where you'll never get sexual scenes, while loyal to Tolkien's lore. He claims not wanting to hurt her, but moments later, he enjoys her agony. And the way he excuses and absolves himself of all his sins because he wants to heal Middle Earth - save, and rule, he sees no difference - and because he was brutalized by Morgoth is also painful to watch.

Tolkien wrote - more or less - that he had served/suffered so much under Morgoth's grip that he fell easily back into evil, for he didn't want to see anymore other way of doing things. He could've done differently, but the exit to his labyrinth was to throw himself at the feet of Manwë and the other Valar and be judged, accepting whatever punishment went to him. But he didn't, for he's unmeasurably proud and would not suffer such humiliation. Beautiful how the show puts in Halbrand's mouth the words "and I knew if ever I was to be forgiven that I had to heal everything that I helped ruin", nice excuse to not go to bow to the Valar. I like to think he's also terrified of the idea he might be cast into the void where Morgoth is now, and be reunited with his former torturer. He made no secret about how much Morgoth still haunts him. But all this sadness and suffering absolve him of his present sins? Of course not. But he thinks they do.

In the end what we have is a cruel, prideful, sadistic, vain and narcissistic villain who has convinced himself that the world will be better when he rules it, and in his mind the order he wants is the suppression of Middle-Earth's people's free will. That doesn't mean he could not have good feelings; as I said, he felt respect and admiration for Celebrimbor, he rejoices at the beauty and peace in Númenor and Eregion - which he'll later destroy - and whatever he feels for Galadriel is genuine as well - it is moving to see how easily he admits and displays his feelings -, but that works as long as they respond to his wishes. When this turns differently, he starts breaking his toys, even if with Galadriel he takes a great amount of patience.

But these genuine feelings are not redeeming qualities. Neither is he doomed, as I said before, he could walk away from this path, he just doesn't want to. He thinks he's the good guy, compared with the monstrosity Morgoth was, he only will use whatever means he needs to meet his ends. And there is not love - the way we understand it, a selfless act of self-delivering - in anything he does, neither towards Galadriel who gets a special treatment in comparison to other characters - Mirdania for example - because unlike the latter, Galadriel means something to him, he sees someone with a similar pride, a similar ambition. What he fails to see is that Galadriel is not driven by evil and malice, because he's unable to recognize that evil and malice in himself.

So, in the end, not antihero, but villain. The worst kind, refusing to see that the real illness of Middle-Earth is himself. As Galadriel very well puts in, "You want to heal Middle-Earth? Heal yourself."

We know he won't listen, and that does not make him tragic either, for tragedy is something uncontrolled, left for the fates, and he is conscious of every step he takes, even if when something fails he lets himself get taken in a wave of rage and despair, as the pathetic being he really is.

The real tragic antihero here has always been Adar. At least him, for much pain and destruction he might have caused serving in Morgoth's/Sauron's armies, wanted something better for his Uruk, and was able to put his pride aside for a different outcome, even if it was too late for him. Now that's a redeeming quality.

[guawowow]

Going crazy thinking about the complexities of Donatello and his relationship with his emotions in tottmnt just auuaua !!!!

Like, he's outwardly and unabashedly kind in this iteration and I'm SO here for it !!! And it doesn't diminish his ability to be snarky and witty, he still throws jabs at his brothers, but I feel like this donnie is a return to form in the sense that the center of his character, the motivation for his intelligence and penitent for creation, is kindness- more importantly, empathy.

routinely he is described as thoughtful, 'non-threatening', and usually very placid; we see mention of his temper when his computers are messed with, but he's extraordinary patient- polite, even- with the killer robot chasing him, subway security, and the deaf conductor, all while under high-pressure stress. When confronting the Mechazoids for the first time, he keeps them at a distance and straight up complements the engineering ingenuity! Same when confronting bishop in the subway! He talks enthusiastically, respectfully, with her about her system setup! His first instinct is to diffuse the situation, approach her with humility and establish common ground. Dude like even when running away from the Mechazoid he was always thinking of the people around him.. he was telling everyone to get out of the way, waited for cars to clear (his brothers just straight ran through traffic and jumped over moving carsss), tried to usher people away from train cars he was fighting in, etc. And in the narrated recaps between episodes, donnie is the first brother to consider bishops motivations in an empathetic manner, "maybe she has a tragic back story". Of course that serves as thematic foreshadowing buy he was still the first to offer the kindness of reason to bishops character, maybe there's a reason she's doing this, not just anger that she is.

Not to mention he full ass built a robot to protect his brothers and took the extra time to program in impeccable manners. just for funsies heheh. eueueu Metalhead my beloveddddd😭🙏💙💙💙💙

ALL THIS and yet still, in episode 10, donnie considers himself non-emotional. He says he's 'all left brained' and implys that he operates differently from his brothers who he considers more outwardly emotionally expressive. And yet, in the same episode, he spends a majority of it comforting wingnut. He lends his ear and speaks to her kindly even when her panic exasperates their situation, he doesn't get mad when she freaks out, he takes the time to talk things through with her and make her comfortable whenever able. Even when they think Leatherhead has unmutated, he's sad but tries to put himself in her situation and understand her actions. HES SO SWEET IT HURTS DUDE ❗️❗️❗️ main point being, I dont think he considers himself emotional because he operates on a mode of empathy that is reason driven. He's emotionally logical, of that makes sense. It shows an INSANE amount of emotional intelligence and maturity, I just don't think he understands that because to him, this is logical, and his brother are anything but.

For a majority of his life, the only other people he has to compare himself to are his brothers. When up against anxiety riddled Leonardo, chronically angry Raph, and Mikey's carefree disregard, of course he sees himself and goes, 'ah ok. I must be less emotionally prone because I don't react like they do to these situations'.

I think he just understands the whole social song and dance of understanding better than he thinks.

I know the whole thing with tottmnt is the aspect of unreliable narration, but even then! Like if Leo wrote donnie like this then it probably because he routinely displays this kind of understanding behavior. Plus idk bout yall but I kinda consider the events of tottmnt as like a blurry semi-cannon? I think there are nuggest of truth in there, the broad strokes yk? Like the flood arc referenced 'the bishop situation' like it was a thing that actually happened, albiet in passing, and not just something to poke fun at Leo. It's got legs, there's ideas there to work with ajaja

[maerhiya]

in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."

like, you're right, but it can and will offend us.

when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.

media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.

which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)

any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?

[absolutelynotsanebaby]

Okay, so I've seen a lot of posts on the "should Morro have stayed dead or should he have been given a redemption arc" and all that and I just kind of wanted to share my thoughts on the topic. I don't think his canon ending is bad, in fact there's a lot I like about it. It's a tragedy and a very good one at that. The way it ends with him and Wu, and with the whole "you can only save those who wish to be saved" quote? That's poignant, that has narrative weight. I think to say that it's bad is to ignore a lot of what makes Morro a good character. He's a reflection of Wu as a teacher, his teachings, and he's a foil to Kai specifically. He shows us why Wu works better now, and why he teaches the way he does. A large component of what makes his story have depth isn't just that he died young and was traumatized it's that he continued a cycle of trauma on with Lloyd (and Cole, if you considered that he dies indirectly due to Morro's actions but that's another topic). He's a bad person, he did really bad things, that's part of who he is. But, I think it's a misstep to call him irredeemable. I think that misses the point of his character entirely actually, like severely. Morro isn't irredeemable, he shows that he's capable of growth in the very scene he dies in! That's part of the tragedy too! It's not a 'hot-take' to miss the point of a character because it's the cool fandom opinion of the month actually. I know people are frustrated at the fandom misogyny in how people talk about Morro vs. Harumi and I agree, it is frustrating, but y'all are just spreading around just plain bad takes and that's getting frustrating.

On the topic of missteps, as much as I do like it, I also think it was a misstep in how DOTD handled Morro. In general DOTD has some interesting ideas and concepts but is overall flat and under-cooked. Morro's part in it isn't excluded from that. DOTD brings him back, it shows that he is extremely capable of change and growth, and understanding (which is something you guys like to ignore too, actually). Then, it has him just leave again, die and I understand why but I think it's very genuinely sad in a way I don't think was intended, or well done. I think it backtracks on the narrative weight his conclusion in Possessed had. Possessions' ending for him is sad but it has depth and weight. DOTD just brings him back for fan service, and again, just has him die, and it's because he wants to. I understand they were going for a "at peace" kind of approach with him but it just falls flat in my opinion. If they were going to bring him back, and I know this is kind of a debated topic, I think they should've just kept him. And everyone who says that he wouldn't be capable of change for that is dead-wrong, the show proves it, and just because you don't like it doesn't make it bad. In terms of how it's handled in fanon, I think it's a mixed bag. Some people do it really well, faithful to his character but other times I think he just gets hit with the fanonization beam really hard. Sometimes you see his woobification of him based on the trauma and death he went through, and that erases what makes him and any sort of possible redemption or relationships with him interesting. I think people tend to miss the idea that a redemption is both not something a character has to 'deserve' (because redemption doesn't equal forgiveness) and also something a character has to work towards. The idea a redemption has to be deserved (as a moral concept not a narrative concept), instead of something worked towards by the character presents in people downplaying his actions and effects, but also in people acting like redemption is inherently reductive to his character because he's bad guys, he's a bad guy guys. Bad guys don't deserve redemption guys (/sarcastic). To be entirely real, I do think redemption can and does have a place in his writing. You can't look at how he acted at the end of possession and DOTD and tell me otherwise. Redemption in fiction at the end of the day is a narrative device and trope, and how a character is written informs their development. Additionally, I think some of you guys take his "you can only save those who want to be saved" way way too literally. That, too, is tragic and it's not because it's right. When characters speak, nine times out of ten, you're not supposed to baselessly accept and internalize what they say as correct and true. Was it true when Cole said he wasn't a ninja after dying in the same season? Was it true when Kai said he deserves to be the green ninja, just because he said it? Come on. Also, just, I think sometimes this fandom needs to accept different people find different things appealing and cathartic. It's okay to prefer a tragedy, but it's also okay to prefer the idea of him redeeming himself (because it takes work) and healing. There's this whole argument about whether or not saying he should've gotten a redemption arc (kind of a stupid question to begin with, in my opinion) but at the end of the day, it's already done. Also, both ends of the spectrum can have the most frustrating takes on him, and yeah I'm going to be annoyed and salty about it if you couldn't already tell. Anyways, there's no proper point to this because it's really just be ranting about several things I find really frustrating about how people handle this topic, so take it as you will. You can disagree, but I'm not saying his ending is bad nor that his tragedy is bad. In fact if you disagree I encourage that this fandom is way too prone to just parroting each others (mostly bigger blogs) opinions and not their own personal ones, so yeah.

[freakbullet]

cant believe when im consuming deltarune theories i have to sit through takes like "yeah I guess ANOTHER HIM sounds kinda like gasters theme but theres no proof" or "yeah people assume the intro narrator is gaster but we dont actually know"

like do yall need Toby to spell it out in big block letters for you?

OH WAIT. HE DID.

[amelia-yap]

AUEGH

[moistrodent]

long exhaustive rant about WHY I hate the poison scene

In quite a few posts on my blog I mentioned I didn’t like the poison scene, in this post I want to explain why I don’t like it.

My main issue is the person who the boarded the scene, raphielle, who actively ships Valentino x Angel Dust and who SEXUALLY HARASSED A MINOR. They also cosplayed as Angel Dust and uploaded photos of them and a Valentino cosplayer making out.

Along with creating this comic:

Also a quote in this comic is actually in the show. Straight from the comic, maybe it’s just an insane coincidence who fucking knows /sar.

*I have not watched the animatic Raph made, but I have heard some things about it and THIS. FUCKING THIS IS THE CONTENT WARNING. THIS IS SO DISTASTEFUL.

This person story boarded Angel Dust getting raped to a pop song, they have stated they are not an SA survivor. They ship Angel Dust and his rapist. This is grounds to be uncomfortable with the poison scene, but it doesn’t end there!

Vivziepop argued with SA survivors on if the representation of SA in Hazbin Hotel was good, LYING ABOUT RAPH BEING AN SA SURVIVOR.

An official remix of Poison was made for Angel Dust’s birthday, this remix includes voice lines of Valentino. Vivziepop then liked a Valentino x Angel Dust tweet.

Vivziepop has also shown a clear interest in Valentino/shipping him with others, and liking a bunch of VoxVal tweets.

Also the original song…

“'Cause I know you're poison You're feedin' me poison Addicted to this feelin', I can't help but swallow Up your poison I made my choice and Every night I'm livin' like there's no tomorrow”

What the fuck is this. During these lines Angel Dust is dancing with Valentino, looking happy. I’ve seen people thinking that these scenes actually showed Valentino and Angel Dust’s honeymoon phase, but CONTEXT! CONTEXT I SAY, CONTEXT! PLEASE READ THE REST OF THE POST CLOSELY!

“Oh but Rowan (hi if anyone is looking at this post, my name is Rowan) you’re just media illiterate and think any representation is fetishised!” Dead wrong actually. I enjoy seeing my trauma represented, it’s a good thing. Once again, CONTEXT.

The Living Tombstone wrote a song in which Angel Dust gets graphically raped, storyboarded by someone with a rape fetish. The MV shows Angel Dust in these eye candy outfits and pretty colour palettes.

~ sincerely, a very annoyed CSA survivor who likes having good representation.