#that was a fun tiny analysis

[zombie-bait]

Full Moon

Ok so I don’t normally post about Helluva Boss but the newest episode touched on an interesting concept I haven’t necessarily seen represented in media. Back when I was on Twitter (derogatory) a few years ago there was this now deleted viral thread where someone discussed how their struggles with mental health affected their relationship with their partner and I haven’t stopped thinking about it since. 

This is such a good, short example of how anxiety and depression can play tricks on you. It becomes so easy to envision yourself as a nuisance, a constant burden to those closest to you because they cannot possibly genuinely enjoy your company, right? But in doing so you create this arbitrarily cruel version of the people you love, people who would otherwise never behave like this outside of your own mind.

It's mean. Because your mind wants to be mean to you under these circumstances. It wants to put everyone else's emotions and desires above yours, both in worthiness and validity. And that starts bleeding into your understanding of other people, especially those you care about.

Now. Helluva Boss.

"Can I get a fucking MINUTE to think after everything you put me through you pompous rich ASSHOLE? Treat me like one of your little butler imps, you can’t just dismiss me like that! I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we’re smaller and not as important. Well I’m not letting you, BITCH! Let’s go!" - Blitz

I find it really interesting how Helluva Boss decided to approach this conflict between Stolas and Blitz. Obviously, the difference in power matters. It's the underlying tension of their entire relationship and their lives. Stolas is burdened by the mountain of expectations thrust upon him from a very young age while Blitz is constantly reminded that he can NEVER be part of that world, that he is "smaller and not as important" not just in Hell's hierarchy but in his own life and family. Stolas very literally has power over Blitz (through the grimoire, the arrangement, his position in society) and Blitz uses their relationship as an excuse to reverse those roles. But that power dynamic, in one form or another, never truly goes away. And for Blitz, it's a lot easier to paint Stolas as this manipulative symbol of power and himself as nothing more than Stolas' plaything. It's easier to be angry than to be vulnerable and accept that someone might care about him.

"Dismiss" is the keyword in that quote. All that Blitz has been able to process is that Stolas has decided to end the relationship that they have. He feels ls like a choice has been taken away from him so he lashes out because he's not ready to emotionally tackle what the rest of Stolas' offer might entail. If Stolas hates him, just wants to play with him, then he is justified in his anger, his self-destruction, his isolation. If the world is mean, you're "allowed" to be mean back.

But

In that moment he forgets that Stolas is someone he actually cares about. Someone he's known for way too long and clearly wants to keep in his life, no matter how reluctant he can be to admit it. Someone who is not innately cruel or manipulative but sad and desperate for connections in a lot of the same ways that Blitz is. And Blitz immediately sees that he's miscalculated something.

Somewhere along the way the fictional version of Stolas that he's allowed himself to be mad at and the real one that he's not ready to admit he cares about have merged into something real that he has actual power over. Stolas can get hurt and Blitz can be the one who does it. He has once again allowed his greatest fears (which Stolas so frequently symbolizes) to co-opt his loved ones, to give him an "out" even though he didn't actually want one in the first place.

I'm definitely not the first person to say this but I think this is an example of the miscommunication trope done right. Their individual struggles are what cause them to be unable to connect during this conversation or to even have a proper conversation in the first place. There is no convenient misunderstanding or third party fabricating this rift. Both of them have preconceived ideas of what the other one is thinking but those ideas are flawed and rooted in self-hatred. They also both shutdown in their unique ways when the conversation starts heading in the direction they'd feared it would.

Blitz and Stolas work because they're both fucked up in similar ways, because they want similar things. That's the same reason why they're uniquely designed to hurt one another. A fear of rejection and a yearning for happiness. To borrow a quote that has been used by literally everyone from Spiderman to Evangelical preachers, "hurt people hurt people."

anyway, I really liked this episode.

(twitter thread screenshots sourced from this reddit post)

[gayofthefae]

They could have had Mike say "it wasn't fate...", make it just a tiny bit more salvageable. Open it up for that subtext of "we weren't destined to meet originally, BUT-"

But no. "It's not fate". It's. It is not.

They could have had him say "It isn't fate that we met, I'm not special, anyone could have been so lucky, and one day she'll realize that" as was supported by the context (and the reason I misremember it). Instead, they had him say "It isn't fate that we're together now. It isn't destiny for us to be together. It's just dumb luck. Anyone can fulfill that role for her. And soon she'll realize that too", 'she's already started to' as is said in the original script.

His words are insults. No doubt about it. But they didn't have him insult the past, something he can reframe (to make it consistent with when he does in his speech to her later). They had him insult the present. That isn't about reframing and retrospect. That's what he feels now. He didn't call meeting her dumb. He called dating her dumb. They switched tenses in the MIDDLE to make sure of that.

Such a small change. They didn't make.

He thinks their relationship is dumb but for reasons he is desperate to hide. He thinks it's dumb but that's grounds for him to keep it, not end it. It'd be grounds for her to end it. She loves him, but he's not irreplaceable. He's praying she doesn't notice because to him, she is. A boyfriend who will love her is easy to find and as soon as she realizes that she'll stop settling for one who can't and leave him, looking around or waiting for someone who can. But a girlfriend who shields him from questionings like "You called a couple of times. It's been a year, Mike. Meanwhile El has like a book of letters from you" is dangerous to disappear for even a second.

Just like how he knew he loved her before he let it slip out in front of people in an emotional moment of fearing losing her, he already knew he thought their relationship was stupid and over too. He just knew if anyone ever heard him say it, they'd hold him to it, because those are the kinds of words a better person considers actionable.

tldr: he doesn't think meeting El was stupid, he thinks being with her is. He's not scared she'll realize it could have been anyone and wish it had been, he's scared she'll realize it could be anyone and replace him. Because if she ever thought their relationship was stupid, it would mean that they weren't right together and she'd end it. If he does, it means he's not right and he has to stay with her at all costs to hide that fact.

[jounosparticles]

jouno’s eyelashes - a quick analysis

yes im analyzing jouno’s eyelashes. im obsessed with him what can i say.

one thing i’ve noticed throughout my many rereads of jouno’s segments of the manga is that he is actually given eyelashes in a lot of the panels he is present in! often times they’re just thin white lines but they’re definitely there. here are some examples.

now, if we recall back to what harukawa said about eyes a long time ago:

the darker ones eyes are, the more tainted or corrupted a person is. someone who is doing good and/or feeling good may have whiter eyes. to rephrase, one who’s eyes are dark are typically doing something corrupt and/or are in an emotionally bad state. we see this numerous times throughout the manga with many characters, the shade of their eyes changes with their emotion at the time usually.

now what does this have to do with jouno? well, i believe his eyelashes are used to display his intentions since he keeps his eyes closed constantly.

now, there are definitely some exceptions to this. panels where his eyelashes are small could be hard to colour this way, so im looking past a few instances for that purpose.

anyways, i believe looking at his eyelashes in this perspective also hints towards his betrayal of fukuchi, since you can see he has good intent. more on this later.

i'd also like to preface this by reminding you that jouno believed he was in the right with most things he did. he was sure the agency was in the wrong for a long time, times where his lashes were white while dealing with the agency was likely because he believed himself to be doing what is good.

now, starting with his debut in chapter 57, his eyelids are almost completely black as he arrests dazai

his eyelashes appear a bit darker as he torments people i find.

such as shortly after he slices kunikida's notebook and asks tetchou to kill yosano.

one scene i actually want to put a lot of emphasis on here is chapter 78's interaction between jouno and kunikida.

here is his face when he first walks in, he's simply making small talk over how a terrorist attack is awful

we can see his lashes pretty well.

we can also see it well when he's talking about his asian pear. maybe he just really likes them.

however, as the conversation progresses onto tormenting kunikida, his eyelids casually grow darker.

they're not completely black yet, but you can tell he is enjoying bothering kunikida despite his claim of innocence.

after this, you can see his lashes are a little brighter as he announces that yosano is going to be executed.

this makes sense remembering that he is under the belief that yosano is guilty of terrorism and is getting the punishment he believes she deserves.

after this, jouno walks away as kunikida cries out in anger.

his eyelashes are almost completely black here, likely because he is getting nothing but personal enjoyment out of kunikida's grief. he isn't doing good by this and this could definitely be seen as corrupt behaviour.

a huge contrast to what i've been saying falls in chapters 71 and 72, the cafe scenes.

you can see the white of his eyelashes in nearly every panel he's in.

what makes this different than when he was bothering kunikida is that bothering the cafe owner was moving his case forward. he believed he was pursuing justice and doing what is right by extracting important information here; as opposed to doing nothing but mentally torturing someone who isn't improving his case. from his perspective, his actions weren't tainted in anyway except possibly approach, but since he was doing what was right his eyelids were painted white.

another example of this is in chapters 60 and 61, when he is fighting the agency for the first time.

and when the agency escapes and he's surprised to find out the pursued terrorist group would have allies in chapter 62.

i found that these three chapters had a lot of small panels where you couldn't really see the detail of his eyes, but generally they were white as he caught the criminals. they were also white as they escaped, since he was likely confused that people were easily supporting the group he perceived as evil.

my last example of this is his eyes being very white as he tortures the bank robbers in the flashback scenes in chapter 92.5.

he believes that he is seeking justice here. the robber gets what they deserve, and his intentions are what he believes in just which explains his eyes being white.

anyways, to summarize this all: jouno's eyelashes colour often displays his morality. his lashes seem to be coloured more white when he is doing what is morally right from his perspective. even if what he is doing is considered brutal by most, his eyes glow white if it is in pursing of justice or good. in contrast, if what he is doing has no overall benefit and he is just distressing someone for purely his own enjoyment, his eyelids often are coloured much darker.

however, as i said above i believe this subtly hinted at jouno's betrayal of fukuchi.

in chapter 92, we can still see by his eyelashes that he has the right intentions when hunting for the agency.

and towards the end of the chapter we see his eyes still have a small white streak, implying his bluff on actually being willing to switch to the other side. at the same time, the thinness of the lash could be so small because he is lying to his superior as well, which i suppose could also be seen as tainted behaviour.

however, after fukuchi's plan is unraveled we see the brightness shine again.

as i stated above, when he isn't doing what he believes is right or is tormenting people for no reason but his own enjoyment, his eyes look black. but if you look at the image below you can see his eyes are partially coloured white, hinting that he was going to do what was right. it is subtle colouring, i assume that is partially due to the fact that his face was rather small on the page. but regardless it is still noticeable.

and what do we know? he did switch up and betray fukuchi shortly after saying this.

with that in mind, there's one scene i deliberately avoided bringing up until now; the scene i believe heavily tries to avoid hinting at jouno's betrayal of fukuchi. im referring to the scene where jouno confronts aya.

as i said, if jouno is acting corrupt towards someone for his own fun, his eyelids are dark, but if he's doing something that he believes is just his lashes remain partially white. i believe that out of context his eyes would likely be black as he torments aya, however since he secretly had good intention they would have actually been white.

however, the readers had yet to know the context of his approach until the end of chapter 93, so they needed to hide the fact that he may have had good intent here.

so harukawa kept his eyes covered (or coloured his face differently) throughout the scene.

the most we see of his face in this whole scene is his side profile, which is small enough to not need to colour his eyelashes in.

i believe this was an intentional choice to keep the readers from guessing that he was doing something he believes is right here.

anyways, to sum up this segment i believe that jouno's eyelashes in chapter 92-92.5 subtly hinted at the fact that he was indeed siding with aya and was preparing to betray fukuchi.

in conclusion, i believe jouno's eyelashes hint at his true intent a lot. they show that he is a good person hiding behind a facade. the shading of his eyelids is a lot more subtle than how most character's eyes look in the manga, which i believe helps add more to jouno's somewhat moral ambiguity. he is an incredibly well-written character and i can't wait to see more of him!

[lilacthebooklover]

An Analysis of the Choreography and Physical Acting in the "Nerdy Prudes Must Die" Song

the choreography in this song is exquisite (lauren lopez, you never cease to amaze), and the use of physical skills in jon and will's acting is absolutely phenomenal. here, i'm going to explain why.

first of all, the facial expressions. will pulls off max's rage and loathing flawlessly, down to way his face scrunches up and his lip curls at the start of the song as he walks through the audience. the movements are jerky, his head tilts and the broad gestures of his hands showing both how confident and furious he is. richie seems terrified, the way he crosses his arms over his chest and backs away at the start of the song showing just how scared he is- the actions look almost involuntary. he's shaking, and looks like he's on the verge of tears.

max is confident as ever, believing himself to be invincible. he bares his teeth like a predator on the hunt, and richie runs like his prey. this is a game to max, that much is obvious. he has full control here- richie tries to run behind him, but max holds out a hand to his chest and turns his head, and richie cannot move. his chest heaves and he hunches in on himself, petrified, after max moves away again. even the little things, like max shaking his hand as though disgusted after touching richie as he walks away, have such a cool effect on the performance.

as max talks about the smoke club, he adds their special hand gesture- he knows who they are, and could quite possibly have been a part of them at some point. then, he forcefully throws his arms to the side, glaring out at richie.

after that is one of my favourite bits of choreography in the scene: the levitation segment.

max steps forward and lifts his arm as though holding something up, and richie rises too, head tilted away, back arched away, neck exposed. then, max throws his arm down, therefore throwing richie down, and jon pulls off the fall perfectly. the syncronisation is on point, and that tumble looks painful.

the power max holds over richhie is clear even from afar. this works not only in conveying his control and the fruitlessness of richie's attempted escape in this scene, but also works as a metaphor for the control he's had over the cast throughout their school years. pete's afraid to talk to steph because max forbids it, richie's afraid to make friends because max has branded him as a loser. there are so many layers to the effect his bullying's had on pete, richie and ruth, and him quite literally controlling richie without even touching him works excellently to demonstrate this.

richie runs off, scrambling to his feet and towards the audience, where max came from. max doesn't pay attention to him, caught up in imagining the aftermath of the victory he knows is coming. he looks out to the audience at "the jock you demonised", then turns to richie, addressing him again. richie looks over and sees that max is watching him, freezing for a moment before running again, quicker than before. but max just raises his arms, and richie startles at the exit to the theatre; it seems like max has been able to lock them in using his lovely new ghost powers.

at "buried and left me", max moves closer to the floor, almost reenacting what happened. with each new accusation, he moves closer to richie, then points at "you pushed me off the edge": he's blaming richie for what's happening.

max's tongue sticks out in apparent disgust at the next segment, even the flouncy hand movements he uses mocking how "well-behaved" the world is. the next gesture he does is condescending too, like he's explaining to richie that he's "too weak to be enslaved".

most of the next chorus just seems like dancing, but that in itself holds a message. max is having fun with this. again, it's all a game; he's toying with richie, with everyone, high on power. he speaks to someone who isn't there, vividly envisioning his dreams.

at "expose the bloody lines", his hands move out slowly, being exposed to the audience. then, max looks at them, literally saying that the blood will be on his hands. he plans to kill every "nerd" at hatchetfield high, imagining doing so with vigour.

i believe that the line "watch me spawn/ and prey upon/ you anti-socialites" could have a dual meaning. the first being that he is, again, a predator, and the nerds are his prey. the second, however, could be "pray upon", tying into his god complex- he's still addressing the nerds, telling them to watch & pray upon him. here, he does a classic, monster-style pose; the very opposite of a god, but an excellent callback to 'literal monster' earlier on.

he doesn't even look at richie as he runs past, max just raising his arm and easily throwing richie to the floor. the use of levels here is phenomenal; it's a perfect way of showing that max is the one with all the power here, richie completely at his mercy, and max has none.

as max walks away, richie can be seen trying to crawl away in the background, only to freeze when max turns around again and focuses on him, knowing there's no way of escaping. he's curled in on himself and trembling, but he stays where he is, still looking like he's about to start sobbing.

max's face softens, looking almost sympathetic at the line "who will pray for me". it's a sharp contrast to the order from seconds before, and richie hastens to follow it, slightly delayed as he sits up and discreetly tries to continue crawling back. max's face hardens again at "when i'm gone", and while richie continues moving back, he's focused now, arm shaking as much as his voice.

at "or until another richie comes along", max leans over him, back to being as intimidating as possible. richie sits up further in alarm, looking like he's about to run for it and stretching a hand out as he asks max to repeat himself.

where richie is weak, barely able to move, max is still full of energy, his movements much more fluid now that he's used to this form. up until them, they've been jerky and sharp- a nice nod to the dismemberment of his limbs in the waylon house- but now, they're even stronger than before. he's putting his all into this, because if he's going out, he's going out with a bang.

he's not talking to richie anymore when the chorus repeats. "is this the eternal dark without a dawn?" shows that clearly enough. he's wondering who will pray for him when he's gone, and the answer is no-one. he's seen how things have changed, and in the grand scheme of things, it's clear max meant nothing, not even to the place he had such an influence on. and that affects him more than anything- he sees himself as a god, and does not appreciate people preferring richie lipschitz of all people to him.

he turns back to richie, pointing at him again as the chorus repeats, his movements once again giving the impression that he's envisioning what's about to happen. the other cast members march in like soldiers, oblivious to what's happening to richie as they focus on their own lives and social statuses, characters like grace and pete obvious amongst them- neither of whom had too large of a reaction to richie's death, too busy running from max and the police. meanwhile, richie himself is forcing himself to do what max says, face scrunched up like he's bracing for an attack.

at "i'm not a loser", he leans forward, eyes tightly shut as he tries to hold onto the reality he's formed for himself since max's death. he's losing everything fast, but by defying max's order of repeating after him, he holds onto a shred of that newfound confidence and social standing.

at the same time, max's stance is broad, his fists coming down as he blames richie for both of their deaths, trying to make richie believe that too. it takes him a moment to realise richie isn't copying him anymore, but when he does, he turns to him furiously with a yell, glaring spitefully. the lighting change here is also very effective (creating a more solemn atmosphere and plunging the stage into much colder, foreboding colours than the anger and tension of what had come just before), but i won't go too deeply into that since this is an analysis of movement.

as richie begs for max to not kill him, he shakes his head quickly, panting as he stays below him, unable to defend himself. at his second "i'm not a loser", his mouth twitches into something akin to a smile, because richie isn't a loser, not anymore. he's found his place, he's well-liked, he's worthy of being friends with, and he won't let max convince him otherwise anymore. so instead, he tries to convince max that he's right. and max does not appreciate it in the slightest.

he shifts back into his jock persona, straightening up and using the same condescending voice and jerks of his chin as he did before his death. he wants to intimidate richie, and by using that familiar attitude and approaching him slowly, max wipes the half-smile off of richie's face. richie jerks, falling a little as he tries to get to his feet. it's an excellent echo to the earlier hallway scene between him and max; he's reverting back to that state of powerlessness and terror again, but now, it's further exemplified by the threat on his life.

max comes to a stop in front of richie, placing the audience's focus on himself as richie looks up at him desperately. he's in power, he's above richie, and he demands attention as he looks down on him.

pete, steph, ruth and grace stand behind him in the shadows, steadfast and stoic as they look straight ahead, not at richie or max. they don't seem to care about his death, and have hidden max's, and they're not there to help him get away, no matter how much he wishes they could.

max makes himself seem larger, looking at his hands and holding them out like claws, seeming like the true image of a monster. he stands directly over richie as the lights dim, richie pleading and curling in on himself more with every second that passes. just before the blackout, max dives down and grabs richie by the throat, a sweeping motion that seems almost inhuman.

to conclude, this song is a masterpiece, and lauren lopez is a genius at choreography. i might edit this later, it's around 1am and i am very tired, but i'd love to hear your thoughts in the replies/reblogs! i'll probably also do an analysis on this song based more on the vocal acting and lyrics themselves because i've been listening to it non-stop this past week- maybe i'll add some elements of lighting in too; it's very effective in this scene, especially at the "who will pray for me" part. thanks for reading!

[tantive404]

Recently, I came across these tweets, and I kind of can’t stop thinking about this.

I adore villain x heroine ships and dynamics, and frequently find myself pondering what it is I love so much about them. One thing I’ve come to notice is this very idea: the importance of the male villain’s desire for her… his near-obsession and the fact that he is threatened by her. And, as mentioned in those tweets, part of what makes that so special is the rarity of seeing men or male characters treat women as being so important, as being valid or worthy of consideration as a threat. To me, it can be almost empowering to explore such dynamics through fiction.

One of my favorite movies, of course, is Star Wars: A New Hope, and primarily because I’ve always been absolutely obsessed with whatever is going on with Leia and Vader and Tarkin there. It always draws me right in… the powerful Dark Lord near-obsessively chasing down this tiny defiant young princess, slaying so many soldiers and going through such effort, so adamant that she be brought to him alive.

And from there, she’s treated as a high-class prisoner, heavily guarded and locked up tight, interrogated ruthlessly… but resisting with all the strength and pride of a leader in an underdog rebel movement. She’s essentially the one who is the key to the entire story.

As for Tarkin, he spends much of his screen time dealing with Leia… focused on how best to break the rebel prisoner who holds such key information in this galaxy-spanning war. Most famously, of course, this is illustrated with the destruction of Alderaan… an entire planet wiped away as an act of spite and a means to manipulate the girl he regards as a critical enemy. He is rather creepy and demeaning to her, too, but this only serves to add to a complex power dynamic worth exploring….

Moreover, I imagine it is rare to see a powerful military man treating a nineteen-year-old young woman as a credible threat to his Empire, but in ANH, it’s very much the case. And with the villain/heroine subtext I rather enjoy envisioning from their little scenes together, it can be quite captivating and unique.

There are a lot of similarly enjoyable pairings in many mahou shoujo series— Usagi and Dimande in Sailor Moon, Ichigo and Kisshu in Tokyo Mew Mew, and all manner of Pretty Cure rarepairs— where young girls simply trying their best are the ultimate key to defeating evil and have an ongoing rivalry/love-hate relationship with the worst of monsters. The subtext in such dynamics is fun to explore just as it popular in fandom to do with many popular male superheroes and their archenemies— Batman and the Joker, for instance.

In fact, even when it comes to the most cliche and stereotypical damsel-in-distress stories, the inciting incident, the villain’s capture of the innocent girl, always comes from his inherent desire for her— whether it be her beauty or status, or some form of obstacle which she presents to his evil plan.

It’s so strange and fascinating to think that these sorts of dynamics, particularly when it comes to ship discourse in fandom, are often decried as “toxic” and “abusive”. It’s not as if there aren’t some very dangerous power dynamics at play— which only makes these relationships that much more fun to explore in fiction— but so too can they truly serve as a power fantasy for women and girls, who are so often told made to feel as if we aren’t important.

Sometimes I just need a villain to chase me across the galaxy and regard me as his “worthy foe”, you know? 🥺🥰

[thedrotter]

hello dearest gamers ... today I have spent 3 hours translating the little character descriptions in the Re:Kinder page of Parun's website for the sake of me doing some wiki pages for em' characters and now i will share it with you!!! (ᵔ◡ᵔ) Here it is!! It's very likely a bit flimsy but it gets the point across (i hope).

(Oh yeah by the way the text in brackets "[ ]" is me butting in to clarify things not actual translated text)

Shunsuke

The protagonist of this story.

He holds the key to the story. [to unclasp it, or to solve it! The word used implies that, but I wasn't sure how to write it in in a way that sounded natural.]

A third grader in elementary school.

Ryou

He is Shunsuke's childhood friend!

Has a gentle and kind personality.

A third grader in elementary school.

Sayaka

A friend of Shunsuke and Ryou.

She is usually kind, but can be scary sometimes.

A third grader in elementary school.

Aya

Has a shy and quiet personality. [this sentence was a bit tricky to translate, there's a nuance to it i could not understand but this is basically what it's trying to say]

She has just recently moved into town.

A fourth grader in elementary school.

Rei

Has a strong personality that puts even that of the boys to shame. [in other words, it outshines theirs!]

She also cares about being fashionable.

A fifth grader in elementary school.

Hiroto

Oldest member of the group. [in between the kids, ignore Mami for a second Dx]

Seems older than he actually is, with a composed personality.

A sixth grader in elementary school.

Takumi

Has a weak and frightened personality. [which can also be read as timid and nervous (though it implies fear so frightened it is).]

For all the things that happen [to him] in the story, I give my condolences.

A third grader in elementary school.

Mami

Shunsuke's older sister [a sister figure, not literally his sister but wasn't sure how to write that in] next door.

She and Shunsuke are close friends!

A second year student in high school.

Yuuichi

Appears in the middle of the story.

A young boy that is a bit strange.

A second grader in elementary school.

Was it anything completely new and mindblowing no but is it fun to know what it says yes !!! 😊

[parakeetpark]

I could not contain myself and asked my mother if she saw the homoeroticism in ep4 of Midnight Mass

She's so used to me now she just went "yeah definitely" and we started talking about vampires and intimacy and mused again about Anne Rice going back on her extremely gay writing

OH and we talked about that brilliant exchange where Father Paul asks Riley why he came back to the rec centre that night, and you get to see the changes in expression on both of their faces as Riley basically says 'Because you lied to me'. Wonderful stuff. Actors are so skilled at what they do

[bylerschmyler]

Vecna - The Warlock

I'm currrently diving a little bit into D&D because me and some friends are currently preparing for our first campaign. So while I was browsing through the classes on https://www.dndbeyond.com/ I noticed some intersting connections to some characters from Stranger Things.

Obviously I am not an expert in D&D nor its lore and I firmly believe their were others before me who found those parallels. Everything I present to you in this post I found simply by going through the class and spell descriptions and doing some background info checks here and there.

I will try to explain other characters and their probably not so obvious undertones from time but I wanna start with Vecna. Why? Well I browsed the Warlock Class description today and was pretty suprised how much of it I saw represented by our behated S4 villain.

Vecna never gets called a warlock in the show. This simply due to the fact, that warlocks weren't introduced before 2004. So Dustin and Eddie calling him a dark wizard or spellcaster still resembles the warlock trope.

Just for the start here is the general description dndbeyond give us on warlocks:

Warlock Class Details

With a pseudodragon curled on his shoulder, a young elf in golden robes smiles warmly, weaving a magical charm into his honeyed words and bending the palace sentinel to his will.

As flames spring to life in her hands, a wizened human whispers the secret name of her demonic patron, infusing her spell with fiendish magic.

Shifting his gaze between a battered tome and the odd alignment of the stars overhead, a wild-eyed tiefling chants the mystic ritual that will open a doorway to a distant world.

Warlocks are seekers of the knowledge that lies hidden in the fabric of the multiverse. Through pacts made with mysterious beings of supernatural power, warlocks unlock magical effects both subtle and spectacular. Drawing on the ancient knowledge of beings such as fey nobles, demons, devils, hags, and alien entities of the Far Realm, warlocks piece together arcane secrets to bolster their own power.

The Pseudodragon: It's funny how the first thing mentioned here is the pseudodragon because their desciriptions reminded me of demobats.

Keen senses relate to how Vecna uses them as spies (S4E7 - the bat on the lamp when the teen drive to Eddie's trailer). Limited Telepathy basically a reference to the hive mind. That they have a biting attack and potentitally posinous sting attack (Steves rabies) makes it even funnier.

Odd alignment of the stars: Stranger Things has so many references of stars. In S4 specificially there are the stars on Jason's and Patrick's jackets. S3 Will had robes with stars during the campaign and the show literally starts with the star filled sky in S1.

open a doorway to a distant world.: Do we really have to talk about that? I mean the not marked reference about chanting a mythic ritual is even more fitting. Vecna used ritualistic sacrifices to open the gates in S4.

seekers of the knowledge: Vecna describes himself as adventurer when he taunts El before he trie to kill Max. He also searched for ways to open the gates and found his answer in El. Thats why he stole her powers (The bite in S3). He also seeks for knowledge to tourment his victims. Going through their memories to reveal their bigest secrets.

alien entities of the Far Realm: Demogorgons and Mind Flayer we see in his flashbacks.

warlocks piece together arcane secrets to bolster their own power: Also ties to the adventurer thing Vecna mentioned himself. The whole consuming the other numbers to grow stronger himself is also bound to this description.

Sworn and Beholden

A warlock is defined by a pact with an otherworldly being. Sometimes the relationship between warlock and patron is like that of a cleric and a deity, though the beings that serve as patrons for warlocks are not gods. A warlock might lead a cult dedicated to a demon prince, an archdevil, or an utterly alien entity—beings not typically served by clerics. More often, though, the arrangement is similar to that between a master and an apprentice. The warlock learns and grows in power, at the cost of occasional services performed on the patron’s behalf.

The magic bestowed on a warlock ranges from minor but lasting alterations to the warlock’s being (such as the ability to see in darkness or to read any language) to access to powerful spells. Unlike bookish wizards, warlocks supplement their magic with some facility at hand-to-hand combat. They are comfortable in light armor and know how to use simple weapons.

Pact: I don't want to start a discussion about who is the big bad. Imo it's clearly Vecna. But I still think that Vecna has made a pact to the Upside down itself. I don't if he just controls it by I think he draws some power of it and that's why he gets hooked up to the vines.

Cult: The mention of a cult is so S4 vibes. But a cult specifically dedicated to an alien entity was exactly what happened with the flayed in S3.

Alterations: His creepy claw hand and his kind of blinded eyes as well as the ability to communicate/command the UD creatures.

Spells: Also a reference to how the Vines in the UD give him the power to target and kill the teens in S4.

Delvers into Secrets

Warlocks are driven by an insatiable need for knowledge and power, which compels them into their pacts and shapes their lives. This thirst drives warlocks into their pacts and shapes their later careers as well.

Stories of warlocks binding themselves to fiends are widely known. But many warlocks serve patrons that are not fiendish. Sometimes a traveler in the wilds comes to a strangely beautiful tower, meets its fey lord or lady, and stumbles into a pact without being fully aware of it. And sometimes, while poring over tomes of forbidden lore, a brilliant but crazed student’s mind is opened to realities beyond the material world and to the alien beings that dwell in the outer void.

Once a pact is made, a warlock’s thirst for knowledge and power can’t be slaked with mere study and research. No one makes a pact with such a mighty patron if he or she doesn’t intend to use the power thus gained. Rather, the vast majority of warlocks spend their days in active pursuit of their goals, which typically means some kind of adventuring. Furthermore, the demands of their patrons drive warlocks toward adventure.

Secrets: Seeking other people secrets to use it against them.

Drive: Vecna want his very own world how he sees fit and that's why wants to become more powerfull. He also sees himself superior to other humans.

Forbidden: He consumes people. That's why Brenner controled him through the soteria chip.

Alien: Yet again something you can connect to the Upside Down.

Goals: Ties in to Drive. Also supported by his own explanation how he waited for a door to open ("I just needed someone to open the door")

Adventuring: I repeat myself here. He sees himself as an adventurer.

Now that we have a good overview about what a warlock is in general let's take a look into what he can do.

So one of his first perks is this:

Armor of Shadows and the use of Mage Amor. This could he relate in how Vecna was able to survive Nancy's shots and the burning.

He basically uses Ascendant Step everytime he gets hooked up to Vines.

Basically the way he is able to hold up the mirror.

Exchange Monsters with scared teens and we have the final stage of his curse.

This is how he is able to sense El when she is searching for Billy in the void. And if Will has powers, this is how he found out he had them.

Another possible explanation to his survival.

Gaze of two Minds is the reason he is not able to block Nancy, Steve and Robin when they enter the attic.

Lifedrinker sound to me like the curse. They take damage through the symtoms.

This what he does with Max's mom.

This is partly why he looks like he looks (not human anymore).

Maybe that is why the demogorgon in S1 just sometimes (diss)appears.

So if we look at Max having music from a DnD angle that would mean music is giving you an huge advantage. She basically saves herself with a Wisdom save.

Screaming Hive Mind.

There are a lot more spells that a tied to a warlock. Many of which are basically how he attacks. But this post is long enough anyway so I won't dive down that rabbit hole too.

To the end here just another funny connection to Stranger Things:

The Fiend

You have made a pact with a fiend from the lower planes of existence, a being whose aims are evil, even if you strive against those aims. Such beings desire the corruption or destruction of all things, ultimately including you. Fiends powerful enough to forge a pact include demon lords such as Demogorgon, Orcus, Fraz’Urb-luu, and Baphomet; archdevils such as Asmodeus, Dispater, Mephistopheles, and Belial; pit fiends and balors that are especially mighty; and ultroloths and other lords of the yugoloths.

AND (Screaming Will in S2)

That should be it for now. If you have thought about this or ideas how other warlock stuff is connected to Vecna please share! I do want to know everything there is.

Next up will be Mike.

[starscreamingg]

Local man gets home from work while family's asleep turns simple sleepytime routine into a playthrough of the last of us

[seveneyesoup]

never being sure if people have majority bad takes or if they just simplify things for jokes and actually know better

[nasa]

Roman's primary structure hangs from cables as it moves into the big clean room at NASA's Goddard Space Flight Center.

What Makes the Clean Room So Clean?

When you picture NASA’s most important creations, you probably think of a satellite, telescope, or maybe a rover. But what about the room they’re made in? Believe it or not, the room itself where these instruments are put together—a clean room—is pretty special. 

A clean room is a space that protects technology from contamination. This is especially important when sending very sensitive items into space that even small particles could interfere with.

There are two main categories of contamination that we have to keep away from our instruments. The first is particulate contamination, like dust. The second is molecular contamination, which is more like oil or grease. Both types affect a telescope’s image quality, as well as the time it takes to capture imagery. Having too many particles on our instruments is like looking through a dirty window. A clean room makes for clean science!

Two technicians clean the floor of Goddard’s big clean room.

Our Goddard Space Flight Center in Greenbelt, Maryland has the largest clean room of its kind in the world. It’s as tall as an eight-story building and as wide as two basketball courts.

Goddard’s clean room has fewer than 3,000 micron-size particles per cubic meter of air. If you lined up all those tiny particles, they’d be no longer than a sesame seed. If those particles were the size of 16-inch (0.4-meter) inflatable beach balls, we’d find only 3,000 spread throughout the whole body of Mount Everest!

A clean room technician observes a sample under a microscope.

The clean room keeps out particles larger than five microns across, just seven percent of the width of an average human hair. It does this via special filters that remove around 99.97% of particles 0.3 microns and larger from incoming air. Six fans the size of school buses spin to keep air flowing and pressurize the room. Since the pressure inside is higher, the clean air keeps unclean air out when doors open.

A technician analyzes a sample under ultraviolet light.

In addition, anyone who enters must wear a “bunny suit” to keep their body particles away from the machinery. A bunny suit covers most of the person inside. Sometimes scientists have trouble recognizing each other while in the suits, but they do get to know each other’s mannerisms very well.

This illustration depicts the anatomy of a bunny suit, which covers clean room technicians from head to toe to protect sensitive technology.

The bunny suit is only the beginning: before putting it on, team members undergo a preparation routine involving a hairnet and an air shower. Fun fact – you’re not allowed to wear products like perfume, lotion, or deodorant. Even odors can transfer easily!

Six of Goddard’s clean room technicians (left to right: Daniel DaCosta, Jill Bender, Anne Martino, Leon Bailey, Frank D’Annunzio, and Josh Thomas).

It takes a lot of specialists to run Goddard’s clean room. There are 10 people on the Contamination Control Technician Team, 30 people on the Clean Room Engineering Team to cover all Goddard missions, and another 10 people on the Facilities Team to monitor the clean room itself. They check on its temperature, humidity, and particle counts.

A technician rinses critical hardware with isopropyl alcohol and separates the particulate and isopropyl alcohol to leave the particles on a membrane for microscopic analysis.

Besides the standard mopping and vacuuming, the team uses tools such as isopropyl alcohol, acetone, wipes, swabs, white light, and ultraviolet light. Plus, they have a particle monitor that uses a laser to measure air particle count and size.

The team keeping the clean room spotless plays an integral role in the success of NASA’s missions. So, the next time you have to clean your bedroom, consider yourself lucky that the stakes aren’t so high!

Make sure to follow us on Tumblr for your regular dose of space!

[lyesander]

Not crazy about people writing off the Titan submersible incident as some schadenfreudic buzzstory they can rag on for a handful of internet funny points. I get the frustration, I really do. At least three of the passengers had to shell out $250,000 a ticket for a glorified deep sea Disney ride. The CEO of OceanGate is a capitalist wackjob who has been complaining about and bypassing safety regulations for years, despite multiple warnings, and now the retrieval is taking up time and resources from multiple countries that could have been put to better use. But one of the crew members on board was also the nineteen year old son of another passenger. I doubt his involvement extended much beyond “I’m going on a fun trip with my dad.” Another was an unaffiliated researcher who joined the expedition to collect environmental samples for DNA analysis. Not everyone on board was a high-rolling corporate yuppie. (And even if they were, it’s still a pretty objectively horrific way to die.) Instead of memes, I’d rather see this prompt a discussion on the ethics and potential regulation of scientific tourism.

The above also doesn’t change the fact that this is dragging media attention away from more pressing issues, such as the sinking of the Andriana. I guess “THE TITANIC CLAIMS ANOTHER FIVE VICTIMS” is a more colorful headline than “the EU’s xenophobic migration policies have led to the deaths of hundreds of migrants seeking asylum in Italy, and an active cover up is now taking place, headed by Greek authorities.” Seeing all this energy be funneled towards dragging this tiny capsule out of the Atlantic when up to five hundred refugees - mostly women and children - were locked in the hull of a ship and left to suffer the exact same fate, while Coast Guard vessels looked on and did nothing (or even had an active role in the capsize after a botched attempt to tow it, according to some testimonies), illustrates the sway money and race have in what we pay attention to. It’s a gruesome example of inequity in action.

I had compared what happened to the Titan to the Kursk incident, but the Andriana doesn’t have the luxury of being a freak accident. Over 25,000 migrants have disappeared or drowned trying to cross the Mediterranean since 2014, with over 2,000 deaths taking place in 2022 alone. Those are staggering numbers. Protests have broken out across Greece over the past week in the wake of the tragedy, advocating for migration reform.

While these sorts of mass casualty events tend to leave us feeling disheartened and helpless, there are ways to help. Below is a link to SOS Humanity’s donation page. Reputable search and rescue organizations such as SOS Humanity or SOS Mediterranée built their mission statements around helping migrants like the ones on board the Andriana. Donate if you can, spread the word if you can’t.

[andy-wm]

i'm wondering how your thesis of "idols will come out when they want" fits into your insane shadow analysis attempting to prove jimin and jungkook fucked in the middle of their travel show (amongst other things)? like do you get joy out or trying to drag someone out of a closet they might not be in? or is it something else? just curious! 😀

Hey wdcmaxy

Since you have the guts to use your name I'll respond :)

So, you read my thesis?

*Sips whisky*

Cool. And you read my insane shadow analysis too?

Hmmm... do you come here often?

Let me answer your question then.

I think we both know the shadows analysis isn't really insane - it's based on very basic earth science. Shadows grow longer as the day progresses because of the rotation of the earth on its axis. You sound reasonably literate so i assume you know this already.

I guess your description of my shadow analysis ( I think I'll name my next racehorse 'Shadow Analysis') as insane is an attempt to discredit the idea that a fair bit of time passed while Tae was out of the house? But that was kinda silly on your part. Even children know that shadows change as the day passes.

Nothing insane about it.

He was gone for hours, no debate.

Now let's move on to the fucking part, and when and how idols choose to come out.

This is actually worth discussing.

As flattered as i am that you think my tiny insignificant blog could be a game changer for anyone, let's be real.

How many people, besides yourself, do you think read my blog?

Serious question.

I'm estimating maybe 100. Double that on a good day. Maybe 300 if i write something REALLY profound which doesn't happen often.

I am way less excited about my impact on the world than you are, because I'm a realist.

BUT if by some strange twist of fate my blog came to the attention of someone whose opinion mattered (I'm not counting you, don't worry) do you think they would take it seriously? Do you REALLY imagine a random tumblr post about shadows could make someone believe that an idol was gay if they didn't already believe it?

Here's a great example of how that wouldn't happen:

You, dear reader.

You're my example.

You came here to tell me I'm speaking shit and that I should pull my head in, correct? My insane shadow analysis hasn't changed your beliefs at all. You're here, throwing a tantrum on my page, because you don't agree with what I'm saying, not because you suddenly believe it.

Or ...

Perhaps you suspect it's true and that scares you. Maybe you can't be absolutely sure I'm wrong and that's why you need to yell at me? Could that be it? Time for a bit of self reflection?

Either way, it's not going to make an iota of difference in the grand scheme of things.

We are all just dust motes floating through time and space, my friend. You dont need to worry so much. The universe is unfolding exactly as intended.

However... There are a couple of things we should agree on:

The fact is that the shadows grew long and therefore, time passed. And Tae was out for several hours. Maybe he went out for a bit of afternoon delight himself? Maybe Jimin and Jungkook played Pokemon Go all afternoon, or prayed, or practiced their English, or braided each other's hair.

Regardless of whether they did or didn't fuck, or how many times, or on what surfaces, the time still passed.

And whether I write my blog or not, people will believe what they believe. And they will be gay or they won't be gay.

And even though I never mentioned anything about them fucking in that post, whether you like it or not Jimin and Jungkook might be fucking right now, as you read this.

One last thing...

Please bear in mind, through all of this, that fucking is not the be all and end all of life. Sure its a lot of fun if you do it right but the notion that it's more meaningful than sharing your innermost thoughts and feelings, or giving someone your time and energy, is bullshit.

You can have a roots-deep love for someone and never even think of fucking them. Or you can meet someone in a public toilet and have at it, and leave without even knowing their name.

Sex does not equal love. Fucking is not that big of a big deal.

Unless...

Unless you're fucking someone the patriarchy doesn't want you to fuck. Then its a major issue.

Hear me out.

The need to control who we fuck is based a patriarchal need to control material wealth.

To control material wealth, the patriarchy needs to control reproduction (so they can be sure their wealth stays with their bloodline, because wealth is built over many generations) and to do THAT they need to control womens' bodies.... and to do that, of course they need to control who women fuck. And who men fuck too!

Do you know what the ACTUAL issue is with men who like dick? They don't automatically buy into the patriarchal way of life. (where's the solidarity, lads?)

Why don't they?

Because lifelong monogamy and marriage and nuclear families don't matter as much when you're not equating love with sex, and sex with reproduction. When your goal isn't to accumulate wealth and pass it down to your children.

Same thing applies to women who love women. They aren't focused on being demure and pleasing the men in power. They aren't focused on making themselves wife material. They will challenge the status quo and maybe even (shock! horror!) decide not to have children. How the heck do you make sure your money and power stays in the family, how do you build an empire, when the women are perfectly happy having sex with each other and don't want to love, honour and obey??

And whose fault is all this?

Its got to be the damned queers, right? They're making people think there might be other ways to share your life with those you care about! That's why its important to squash down gayness whenever you can, right, wdcmaxy?

Look at them destroying the fabric of society!

If Jimin and Jungkook ARE fucking every chance they get, good for them. I hope they're balls deep and breathless, hitting all those sweet spots for each other having a really good time.

And if they're not fucking, it actually doesn't matter to me because the way they support each other and share their hearts is beautiful. (I do think they are fucking though)

Truthfully, whatever they're doing, as long as they're happy I'm happy.

Can you say the same, wdcmaxy?

Peace.

[honnelander]

surprises

WOW OK i can't believe i did this!! i needed a small break from my writer's block with Sanji and wanted to try my hand at another opla character that i find really interesting! and cute i'm sorry this was a lot of fun to write and i enjoyed the change of pace so i hope you enjoy! if you want to be tagged in any of my work, please read this

gif credit @zsuo

WARNINGS: none

word count: 2k

pairing: opla!buggy x reader

summary: reader is on 'clown duty' on the Going Merry while the crew searches for Nami, but the more you talk with Buggy, the more you realize you like him.

masterlist

taglist: @yarnnerdally @miloonmetis @fa1rybubbl3z @feelinmatcha @buggy0827 @uncomfortableshoelace @notasgard @deserticwren @shadydeanmuffin @ohsilk @antrenna @laviiv

Ok, you’ll admit it, you’ll finally admit it. You were finally going to admit to yourself the tiny, stupid, and annoying thought that has been plaguing the back of your mind for days now: 

You thought the clown was hot. 

Even saying that small, little sentence to yourself in your mind made you cringe and want to smack yourself into next week. 

You thought the clown was attractive? Buggy the freaking clown? Buggy, the flashy fool? Buggy, the... what, something-something jester? The guy that constantly wore that silly circus make up all the time, so you didn’t really know what his face even looked like exactly? The person who rivaled Usopp in always having the most shit to say? It was ridiculous.  

What was even worse, was the fact that he was just a head at this point, he wasn’t even a full person with a body. You had no idea what the rest of him looked like and you hated the fact that you were just so god damn curious to find out. It was embarrassing- you were attracted to a literal talking head! 

Apparently though, the rest of the crew had said, sans Sanji since you both had joined Luffy’s crew at the same time, that this Buggy guy was bad news. Why exactly? You didn’t really know, but it had something to do with Buggy attempting to drown Luffy to obtain the map to the Grand Line and decimating a town a couple of weeks ago. 

But it looked like that warning of ‘Buggy is dangerous’ had turned into ‘Buggy is just annoying’ since all he was now, at this point in time, was just a talking head that never seemed to shut up. That talking head, however, was your crew’s only ticket to find a rogue Nami so you all had no choice but to put up with his antics. 

“Can’t you just tell us where Arlong is?” you asked the clown head offhandedly one morning out on deck as you sharpened your daggers. “Without, you know, all the theatrics?”  

“God,” Buggy groaned, rolling his eyes to the heavens. “Are you deaf or are you just stupid?” he asked exasperatedly as his head hopped around and turned to face you. “For the millionth time- I can’t just tell you where Arlong is. My powers don’t work like that. I’m not a compass or a map.” 

“Well, actually, you kind of are, aren’t you?” you asked curiously with an eyebrow raised, not put off by his rude tone. “I mean, think about it,” you started, pointing the tip of your dagger to look at him. “You could like, ‘leave’ a toe or something anywhere you wanted to remember a certain thing or place, and you could then just... sense where to go to get it back. Exactly like a map.” You were silent for a minute as you went back to sharpening the blade. “But I guess you already did that, right? Since that’s how you found Luffy at the Baratie?” you asked with a thoughtful hum. 

“Wow,” Buggy laughed condescendingly. “You’re a real sharpshooter, aren’t you? Thanks for that master analysis, captain obvious. What do you think I’m doing right now?” 

The corner of your mouth twitched upwards. “Acting like a map to get your body back,” you answered without hesitation and a twinge of smugness. “Maybe you should be called ‘Buggy the Map’ instead. It has a nice ring to it.” 

The clown’s patronizing smile dropped, his expression deadpanning. “Haha, very funny,” Buggy said in a humorless voice. “And here I thought you weren’t anything more than just a pretty face.” 

Your eyes darted to him, quickly scanning over his expression to see if he was seriously calling you pretty or if he was just joking. When you saw no hint of sincerity in his green eyes (wow they were pretty), you cleared your throat and refocused your attention back onto your blade.  

“Yeah, well, I’m full of surprises actually,” you said matter-of-factly without thinking, your mouth having a mind of its own. Your eyes widened slightly, your line of sight not budging from your dagger as your hand running along the blade stilled for a second.  

Were you flirting with Buggy?

Were you insane? 

Buggy’s attention was already wandering but at your choice of words, his eyes snapped right back to your face. For once in his life, he was at a loss for words. “Uh... ok?” He blinked. “Like what?” 

You felt your cheeks flush slightly, running your sharpening stone along the blade at a quicker pace. “Wouldn’t you like to know.” 

The clown furrowed his eyebrows, scrunching up his face in confusion as he looked at you. He felt like he had entered the Twilight zone or something.  

“Uh, yeah. You’re the one who brought it up, sweet cheeks,” he said as he watched you intently focus on your task at hand. Buggy then quirked an eyebrow as he added in snooty tone, “Well, whatever ‘surprise skills’ you have can’t possibly be knife sharpening because you’ve been working on that same blade all morning.” 

Shit. He was right, you realized. You had been out here longer than you initially thought and had been working on the same dagger ever since you sat down with him.  

In a quick attempt to hide your embarrassment at being called out, you swiftly sat up and stabbed the tip of your small blade into the wooden barrel next to where his head was. “Watch your mouth clown!” 

But Buggy didn’t even flinch. “Pfft, nice try sweetheart,” he scoffed. “But blades don’t scare me. I’m immune to cuts, remember? I’m literally just a head right now.” 

Crap. He got you. Again. You leaned back in your seat, pulling out your other blade to sharpen.  

“Oooo, another dagger, huh?” he asked with feigned interest, catching your gaze. “I guess you really are ‘full of surprises’,” he teased with an overly flirtatious tone and an exaggerated wink. 

At that, your face reddened. You knew he was just joking, but the combination of you admitting to yourself that you found him attractive coupled with his flirty teasing and that wink... it was causing your heart rate to accelerate like you had a schoolgirl crush.  

And crushing on Buggy? The talking clown head? It was just all too ridiculous. 

You resumed your blade sharpening ritual, trying to pretend like he wasn’t affecting you. “Well, I did tell you that, didn’t I?” you asked, trying to turn the tables back on him. 

Buggy was silent for a beat as his eyes regarded you. HIs voice dropped an octave lower, intentionally or not, you weren’t sure, as he said in a more earnest tone, “Yeah... but I didn’t think it was true.” 

Your eyebrows shot up at hearing his admission, his tone surprising you as you quickly turned your head towards him. When you saw the look in his eyes, the way that he was still staring at you, it caused your heart to skip a beat. It was like he was seeing you for the first time, really seeing you. 

‘Being more than a pretty face’ wasn’t something you took lightly; it was something you lived by. It had become your mantra of some sort. Your whole life, you were underestimated, rarely ever being taken seriously because you ‘had a pretty face’ that you could ‘coast by’ on. People (men) always assumed you were too dumb to understand things or be smart and have talents because you were pretty, and it absolutely infuriated you.  

You shook your head, clearing up those thoughts. You didn’t feel like delving into that right now and especially not with Buggy of all people, so instead of biting back, you said with a curt, humorless laugh as you went back to your blade, “There’s always more to people than meets the eye, you know.” 

Buggy let out a snort, his green eyes looking towards the sky for a second. “Yeah,” he agreed. “No kidding.” 

Both of you became quiet, a few beats of strangely comfortable silence passing between the two of you before you broke it. 

“But probably not with you though,” you joked. “You’re probably just all clown, complete with bad jokes and questionable make up. And,” you looked at him, a spark of mischief in your eyes, “you’re probably not even that tall.” 

You hoped to God that Buggy really did have a sense a humor and that your playful jabs didn’t go over his bandana cladded head because you really didn’t want to make an enemy out of him. And if he didn’t get your sense of humor, then you and him probably would never work out anyway.  

Your stomach fell to your feet at the thought. What were you even saying?? Jesus, you really were delusional. The quicker you guys found Arlong and split ways with Buggy, the better. 

But of course, the universe had different plans for you, because Buggy did in fact have a sense of humor and took your mockery of his height in stride. 

“What- not tall?? Please,” his voice becoming playfully haughty. “Just wait until you see my body, sweetheart. I’ll be looking down at you, telling you the best jokes you’ve ever heard in your life with some fresh clown make-up on,” he said, winking at you with a click of his tongue. “I call it ‘the Buggy trifecta.’” 

You looked away from him, hiding your flushed cheeks as you shook your head, a smile on your face as you opened your mouth to say something back when Sanji came up to the upper deck, a small smile on his face when he saw you and effectively cutting off your banter. 

“Ah, there you are y/n!” the blonde cook called out. “I’ve been looking for you. I didn’t realize you’d be out here on, uh,” his blue eyes darted to Buggy for a nanosecond before looking back at you, “clown duty.” 

Buggy scoffed and rolled his eyes. “Well, good morning to you too, happy feet.” 

Sanji glanced at Buggy again, furrowing his eyebrows for a second before shaking his head once with a blink and letting out a small sigh as he turned his attention back to you, deciding it wasn’t worth it to argue with the clown head. 

“Yeah, so, uh, anyway,” he said as he put his hands in his pockets. “Breakfast is ready,” he relayed, jabbing a thumb behind him. “I wanted to let you know before it got cold.” 

“Hey, what about my breakfast, blondie?” Buggy complained. “I might just be a head right now, but a clown’s gotta eat, you know?” When he saw the questionable stares from you and Sanji, Buggy shook his head. “Don’t ask me how it works,” he said before either of you could say anything. “But it just does. I still get hungry and need to eat.” He looked back up at Sanji, his green eyes expectant. “So how about whipping me up some scrambled eggs, huh?” 

Sanji blinked. “Oh, well, sure-” 

“I got it, Sanji,” you said, cutting off your lifelong friend. You stood up from your seat, sheathing your daggers back into their holsters on your hips. “I’ll make you some eggs Buggy.” 

“Ooo, look at that,” Buggy laughed. “You really are full of surprises, aren’t you?” he asked, wiggling his eyebrows. 

Ignoring the questioning look Sanji was giving you, you walked past the two men, well, man and talking head, and started going down the stairs. “Here’s another surprise: I’ll cook you your eggs once I’m done eating, in like an hour. How does that sound?” 

“Whoa, wait, wait, wait! I didn’t mean it like that, y/n!” Buggy quickly backtracked, trying his best to smooth things over with you as fast as he could. “I meant that as like, a good surprise! Really!” 

You smirked to yourself, finding it funny how quickly Buggy switched up his mannerisms in order to get what he wanted. “Sanji, you’re on clown duty!” You called out, tunning Buggy out, leaving him begging and pleading with a confused Sanji, who was wondering what the heck he just witnessed between you two. 

[hellsite-proteins]

Gay gay homosexual gay gay gay

happy pride everyone! i managed to get this one in before the end of june :)

letter sequence in this ask matching protein-coding amino acids:

Gaygayhmsealgaygaygay

protein guy analysis:

this turned out really well, with confidence ratings of 80% or more throughout most of the alpha helix. the side chains are also interesting to look at, because the glycine (G) and alanine (A) are tiny, while the tyrosine (T) is pretty bulky and aromatic. i don't really know what this little guy would do inside a cell, but its pretty fun to look at on the screen

predicted protein structure:

cartoon representation

cartoon with side chains shown as sticks

[hypnoneghoul]

absolution live 2017/2023

here I am with my over 1,5k word autistic ramble about the differences between absolution live from 2017 and 2023. at the end there is an audio file of both versions put together, if anyone would be interested in that. it sound very cool heh

also tags for people who showed interest in this: @forest-rot @ghuleh-recs @counting-eyerolls @ngnt-writes @ghnosis @rain-ghoul-appreciator @sister-rosemary-marie

anyway, under the cut

I will start with an analysis of instruments and players separately, one by one, and then I’ll talk about the whole thing a little bit. Also I’m using only ghoul names in there, but when I’m talking about styles and skills I obviously mean the unmasked folks.

Both in 2017 and 2023 we have Mountain on drums, which gives us a very fun comparison opportunity. In 2017 he goes heavy on the cymbals—according to the original version of the song—but it makes the whole thing a bit too crashy and too clogged. The drums are very widely mixed and set—slightly focused on the left side following the stage layout from then—but I think the cymbals could be a bit quieter in comparison to the actual drums, especially the floor tom. In general we can hear how smaller Mountain’s kit was in 2017. In 2023 the entire drum part is sharper and deeper, more bassy and it’s focused more in the middle. The way it feels to me, in 2017 the drums are the background and in 2023 they are the core. Mountain has better fills in 2023, he obviously got more comfortable just jamming in there and having fun over the years.

Dewdrop on bass in 2017; we can hear (or at least I can) that he is not a bassist. He scrapes his pick on the strings a lot which is connected to him being primarily a guitarist—it’s about the picking hand placement and angle. The bass is pretty quiet and it has overdrive on it. It helps conceal his buzzing a little bit, because it happens a fair amount for Dewdrop. Again—bass is not his main instrument. We can also hear exactly when he slams it, like we know he loves doing. In general sometimes he’s quieter and sometimes he’s louder and it’s mostly caused by his picking; how he angles his hand in certain moments and how much strength he puts into it. At the end he goes absolutely feral. Not surprising.

Rain in 2023 is amazing. He’s very skilled, and it’s a huge shame Ghost doesn’t have any songs that could really allow him to show off. He hit his cue a bit too fast at one point, but it might as well be intentional. He’s so much clearer and cleaner, both due to his skills and the settings. Rain has more drop, he most likely has his bass on a different pickup setup than Dewdrop, plus they used different basses—Rain’s with additional mods. One of those mods is a very heavy bridge—Badass Bass—and I bet we can thank that piece for the sustain and note definition in Rain’s playing. In general it flows more, fits into the whole image better. His changes in volume are controlled, not accidental like it happens for Dewdrop. Rain puts more slides, tiny additions and note changes into his live playing, it makes it a bit more lively to me. He’s put perfectly in the middle, nicely blended with the drums.

Unfortunately there isn’t much I can say about Ifrit, Dewdrop, Aether and Phantom mainly because “Absolution” isn’t really a guitar focused song and so it isn't the best song to compare guitar skills, either. The most interesting part—guitar wise—is the solo and little fills on the rhythm now and then.

Ifrit is very precise, I couldn’t hear any mistakes from him, but also the lead is surprisingly quiet in general. His palm muting is on spot, pull-offs and hammer-ons both in the chorus and the solo are very clean and he is simply a pro, he’s got super skills and I wish we could’ve gotten more (</3). He makes the whole song as lively as his stage personality, it sounds flowy but packed with emotions and still so precise it hurts.

Dewdrop’s sound is way better, though he and Ifrit are close skill wise. The difference between Hagstrom Fantomen and Fender Stratocaster is a big one, the main aspect that we can hear is the sharpness of the former and more grounded sound of the latter. Those two guitars also have a very different pickup arrangements—Dew’s strat has SSS (3x single-coils) pickups and he uses the bridge one (which is a Seymour Duncan Hot Rail), and the Fantomen’s has HH (two humbuckers that can be slip, but as far as I’m aware no ghoul used that feature), also with the bridge one used more frequently. In “Absolution” Dewdrop doesn’t add very much—as he does to some other songs—so it’s pretty much the same as the original version. There are small differences that inherently come with his style and that is what makes his version differ from both Ifrit’s and the album's, but it’s all very slight. Dew also makes a very good use of his pedals, mainly wah—especially at the end.

Aether is a bit off tempo in some parts. He plays well, mostly clean, but we can pick out some slight mistakes—mostly sounds that aren’t supposed to be there. His palm muting is a bit too light. He goes heavy on the pick which makes his part of the solo a bit sharp (especially that he’s playing the higher harmony) and square-ish. The sharpness is, again, something we can partially blame on the Fantomen. Only partially because both Ifrit and Phantom prove that it’s manageable. 

Phantom is very clean, he adds a lot of slides which is a feature of his personal style. Said style of his is very lively and fun, to me it sounds and feels like a slinky (don’t laugh at me it’s the autism). He’s more fluid both in the solo and the rest of the song than Aether, but makes one—barely noticeable—mistake in the solo where he misses a note.

Also Phantom and Dewdrop in 2023 are more in sync than Aether and Ifrit in 2017. For whatever reason.

Now keyboard; Zephyr goes absolutely ham on the keys, but it is a piano song so that’s not only understandable, but also desirable, I would say. Key’s are in the right ear with slight migration to the middle when it matters, again according to the stage layout. Their precision and speed and overall skill is insane, the ending when they go wild is the most impressive part, because the song itself doesn’t give many opportunities. If you haven’t seen a video of Zephyr playing that ending you gotta do it now because it really is insane (RIP to that Nord Stage 2 though). The synth fill before the solo in 2017 is played back, in 2023 it’s played live by Cirrus.

In 2023 Cirrus plays the main chorus keyboard part, it can be heard easily on the left side (so once again stage layout accordingly). It’s clean and precise, she’s also very skilled, but unfortunately doesn’t really show off at the end like Zephyr does. Cumulus plays some chords before the solo while Cirrus plays the synth fill.

Vocals are not my thing so I’m only going to say what most of us can hear; Terzo is very nasal, but cleaner, and sings a bit higher. Clear pronunciation, good flow. It’s closest to Tobias’ normal singing voice. Copia is even more nasal, more growly and raspy. They’re both, obviously, in the middle in case of mixing.

Backing vocals in 2017 are all play-back for obvious reasons—pretty simple, taken straight off of the album recording. It’s put on the left, but it could be more favorable in the middle. 2023 is way more spectacular thanks to—mainly—the backing vocals. They are 90% Aurora and Cumulus, with lower levels of Cirrus and barely anything of Swiss. He’s louder by the end. I’m still conflicted about the growls—if it is Swiss or Papa’s play-back—but it’s a great addition that was very mild in 2017’s play-back. The backing vocals are on the sides, accordingly to the stage layout. It all just adds more spice, I adore them.

Sound engineering and mixing is so much better in 2023. We can easily tie it to the budget (though I’d like to “blame” it on Hayden’s part in the engineering, he’s a mastermind, too). The sound is much clearer and fluid than in 2017, it highlights all the instruments perfectly at the same time. Mixing in 2017 is more blunt, it’s a bit duller and some changes in volumes and placements of instruments could—or even should—be made. It doesn’t mean 2017 sucks—far from it—it’s just a technical difference which actually warms my heart if we look at how far has Ghost come. So, once again, considering the budget in 2017 vs. 2023 it’s all understandable. Also the crowd sound control in 2023 is very fun; it makes a great use of all the yelling causing the whole song to sound warmer and fuller.

Both 2017 and 2023 are on the exact same tempo, they can be put over each other perfectly (which I did). They slide apart at the end and the break before the outro is longer in 2023. The 2023 outro itself is pretty boring in comparison to 2017, most likely because in 2023 it’s not a closing song. Below there’s both “Absolutions” over each other; 2023 in the left and 2017 in the right headphone.