#that thing in the desert

[hopiufame]

Venti would be cool with it tho

[proxycrit]

Day 39– ARBITER'S GROUNDS

Weird Gross Skinned Things in the Sand that burn in the light!?!? The desert is WET? We are not off to a good start.

(This totk au is called Familiar Familiar! It all started when Zelda did not get whisked back in time and devolved from there.)

((Want to see behind the scenes and other sketchbook crimes? Check out my patreon!))

[awildcardisactive]

Literally what the hell was Session 5 lol

[isjasz]

[Day 365 | Ref to Day 1]

And that's a wrap 🪻🥀

===

fhksjdkwjw ITS OVER. ITS OVERRRRR I MADE ITTTTT

Screaming and losing it. It only started to feel real as I'm posting this rn HRKSJAKSJLELH. A year... 365 pieces (probably a bit less bc I did post wips?) of desert duo... I would make a collage maybe but its prob a lot of work HJASKDHAHEHW

🫵 @vesperionnox @cherrysherin without u guys I wouldn't have been here <3 This challenge kinda became its own thing at some point, but I didn't forget where I started :D

💥💥💥 AAA I hope you guys enjoyed this challenge as much as I did!! but also WOOOOOOOOOOOOO FREEDOM. I WILL DEF STILL BE DRAWING DESERTDUO THO LOL BUT LETS FREAKING GO ONE YEARRRR

[planariaareneat]

How The Nocturnal Bottleneck and Nipples Make Us Human

Almost every post here considers what humans do have, really. It’s a little tiring; realistically every world has its harsh environments and vicious species and a sophont to match. We probably wouldn’t be unique for our adaptability or our persistence or even adrenaline

But our evolution is fucked up as hell, to put it lightly.

Mammals went through what’s been dubbed the nocturnal bottleneck essentially since the start of the mesozoic right up until the Cretaceous ended the archosaur’s exclusive hold over the daylight. We lost a lot of things from every mammal spending most of its time in either a cramped, suffocating burrow or scrounging around in the faint hours of nighttime. Our blood cells lost their nuclei to hold more oxygen while we spent time deep underground, we lost protections against ultraviolet rays in our skin and eyes, we can’t even repair our own DNA using the light of the sun. Most aliens probably wouldn’t have such traits unless their evolution followed a very similar path to ours. They’d be able to see ultraviolet and wouldn’t have to worry about sunburn and all the wonderful privileges essentially all fish, birds, amphibians, and reptiles enjoy as we speak. 

There’s also what we gained from spending so much time in the dark.

Brown fat is only found in mammals, it’s a special type of fat which bear cells with several oil droplets and are utterly jammed with mitochondria. This lets it make heat, a lot of it, fast. We don’t even need to shiver to induce this heat generation from brown adipose tissue - factor in our downright hyperactive mitochondria, and we can warm up quickly. Sure, it doesn’t have too much use in adult humans, but it keeps our infants warm and still provides a little boost the whole run we have in this universe.

Unless aliens also went through a time where their small ancestors had to face cold nights, they’d have to produce heat the old fashioned way when chilled. Aliens might have to shiver the whole time they’re in a cold room while the human watches in confusion, quite literally unshaken, and wonders if the room is a lot colder than the thermostat set to 60 says. The aliens stare at their companion in confusion, it’s just a normal temperature to shiver at after all, how is the human sitting so still?

Our small ancestors spending all their time out foraging at night is also why we have such a good sense of touch, smell, and hearing. They were more important senses than vision (we’re lucky to have even redeveloped basic color vision, frankly) at the time and place and simply ended up continuing to serve us well. Birds and reptiles rarely have acute senses of smell and the latter especially are lucky to have acute hearing, and birds rarely have impeccable hearing themselves either. Our skin is free of scales and honed to sensitivity, and our external ears and complicated ear bones provide an immense range of hearing (from 20 all the way to 17,000 hertz!).

Aliens might not be able to pin down the chirp of a cricket or the light click of a lock being picked. The human might be the only one on board a ship that can pick out the finer sounds of the engine’s constant thrum and know the critical difference between when everything is fine and when something is wrong. The human could probably pick out the sounds of an approaching enemy’s careless footsteps - they’re only as light enough for *them* to stop hearing them, after all - and be the one to see the horrified expression (well, more on that later) on their face when we get the drop on them in spite of their perceived stealth. 

But perhaps the most versatile, convoluted, amazing, and utterly unique trait we have is right on your face this instant. Lips.

Lips in most animals are a simple seal to hold in the mouth’s moisture and protect the teeth, even if they’re supple they’re NEVER muscular except in mammals, and we have only one thing to thank for it; milk and nipples. Lips evolved exclusively to allow babies to suckle, it required a vacuum to be created in the mouth, and with no other animal having anything like a nipple it never happened in other animals. Many animals make milk, to be frank, but no other animal has nipples.

Your cheeks and lips are a marvel among tetrapods, no other animal can suck like mammals can. Aliens wouldn’t have straws or even be able to sip from the edge of a glass, they’d have to have a proboscis or simply tilt the whole thing back. Aliens likely won’t have woodwind instruments or balloons you can blow into. We take so much about our lips for granted. Hell, our muscular faces are vital for expressions, we’re probably absolute facial contortionists among a cast of creatures with mandibles and beaks and expressionless scaly maws. Aliens might find us ridiculously easy to read, if anything, compared to their own kind (all the better to deceive them) - or perhaps they’d find us hard to decipher anyways, with our lack of color-changing skin or erectable crests of bright feathers. Baring teeth might not be seen as a sign of aggression in most of the universe, smiling would be all too distinctly human. 

Perhaps with how infectious we are sometimes, that’s what we’d contribute to the universe; others might have to make do with opening their mouths just enough to show their teeth or splaying their innumerable mouthparts with just the right curve, but perhaps we’d teach the galaxy to smile, one ally at a time. 

Wouldn’t that be amazing?

[poppyberry]

Everybody NEEDS to listen to the new Wild Life retrospective on Imp and Skizz's podcast. They got Grian called in and they give so many cool insights into the series (and honestly say so many things I think people need to hear)

Highlights for me:

Grian designed each wild card to be weaponized and wanted everyone to take advantage of them. He goes over each individually and all the thought he put into them and all the work the backend team put into their execution. He's rightfully really proud of them. Him gushing about Trivia Bot and how excited he was to show his friends the "coolest snail ever" is particularly sweet.

Skizz says discovering each wild card was a LOT of fun. He says something like "I can't believe as an adult I get to have so much fun." Impulse is really impressed with the execution of each, citing stuff like making it rain when the time one activated and the passive mobs spawning in before being replaced, and how the little details like that built excitement and tension.

Grian says how he understands that some viewers maybe just want more seasons of the essentially the same series, ie six seasons of just Third Life, but it's more important to him that the Lifers get to experience something new and fresh. He also doesn't like comparing each series, preferring to consider each one as its own thing.

Impulse can't wait to do another Life series, Skizz is equally excited but tries to hold discussion about it back since he doesn't want anyone pressuring Grian, who is palpably burned out. Like, you can hear how tired this man is. Grian says there will probably be more series since everyone is still enjoying it, but he's not trying to outdo himself and not to expect him to keep escalating.

Skizz always tries to do something new each season yet feels like he always falls back into the same habits and dynamics, but not this time: he feels like he got to explore a new dynamic with the Spanners and had a blast doing it. He and Grian gush about how much fun they had with their "big brother trying to keep his little brothers alive" routine.

They have a grand time making fun of Impulse and his "Sweats". Impulse is unabashedly still hungry to win a series.

Impulse didn't want to kill zombie Skizz, because of the five minute cooldown, but Skizz makes clear that he was really happy with being a zombie, even if there was a lot of doing nothing in between summons. He says it means a lot to him that he got to help with the burden of facilitating the series, even just a little bit.

Grian gives good insight into his personal life strategy: he does some things to deliberately test his relationship with other players. Standing in the Danger Zone was a trust exercise, testing Jimmy and Scar. Jimmy and Scar failed.

Despite Scar failing the trust exercise, Grian heard the disappointment in Scar's voice about the Snail Bot thing and immediately caved, but he's really happy that it led them to in-canon reconciling and becoming strong allies again.

Grian's favorite moment was making Jimmy pay for the failed trust exercise by blowing up the bunker, particularly pleased with his one liner of "it was always gonna be like this". He says Wild Life as a whole has been the most enjoyable series for him, even though he didn't get to have as much fun as the other players due to knowing all the wild cards.

All three of them gush over the scene of everybody failing to kill Joel as he teleports around, laughing about how it was straight out of a movie or an anime. Impulse feels like Joel took his superpower to a new level, but Grian reminds him the he didn't have an army chasing him around trying to kill him. They're all super impressed with how the finale turned out.

Some of the powers were assigned (Cleo, BigB, BDubs, Scar, Lizzie), some were random (Impulse, Martyn). Some were based on players' names, others on their personal narratives, but coming up with ~16 different powers without including any that would just be exploited for cheap instakills was really difficult, which is why there were so many espionage ones. Hilariously, Grian was hoping Scar would accidentally kill Jimmy by punching him off a cliff because of their ritual of trying punching in the earlier episodes. He also gave Scar that power because he knew Scar wouldn't feel bad about killing people with it.

Grian chose to give himself the mimic so he could show people how their powers worked if he needed to, and so that it wasn't given to somebody else who'd have to spend the whole session figuring out the mechanics of 15 separate superpowers and potentially dying because of it. And because he thinks its the coolest one and he wanted it (lol)

All around there's tons of fun details and stuff in this episode of the podcast and absolutely everybody should listen to it all the way through.

[duinoelegies]

something so crazy-making about unhealthy mentor-protegé relationships. we're foils, we're mirrors, we're the same person, we're a parent and a child, we're lovers, we're enemies, we'd be better off without each other, we'd kill and die for each other

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[raczou]

Pretty little things wilt away

unfiltered / no text under cut

[astrowarr]

in martyn's lore stream, he decided that the watchers can "project" their vision onto the players, creating mirages, i.e. when martyn had those pumpkin version of the southlanders in last life. martyn was fully seeing his friends, and that it was imposed onto him by the watchers

what i'm thinking about is this in connection with the shadow people that scar sees back in his secret life lore. these figures are mirages of all the people he knows. maybe he can speak to them; maybe they speak back. regardless, though, we know the shadow people bring scar comfort in his lonely little world. they help keep him sane when they come around, even if it isn't often.

and what watcher do we know who might want to use his powers to bring scar even the smallest bit of comfort? what watcher do we know who might want to use his powers for good, in juxtaposition to the other watchers using this very power to torture martyn so many seasons ago?

grian is absolutely Watching over scar in that sunflower field and it is Killing me

[stiffyck]

HOLD ON HOLD ON THAT ONE POST ABOUT S10 AROACE GRIAN AND THAT ONE POST ABOUT SIREN SCAR-

Aroace Grian who's a fisherman and friends with Scar, a siren, because Scars magic doesn't work on him.

Scar Is also aroace. He just likes eating people.

[sasmeo-bisaster]

Do you ever think how in the third life finale grian was so mad after becoming red and ready to get vengeance but the moment scar answered with "you can kill me" he immediately folded? Any bloodlust, any anger, any feeling of betrayal just gone as fast as they came which is insane considering grian is freshly red

[applepixls]

I CAUGHT HIM

I FOUND IT.

grian didnt include it in his own episode and lizzie didn't include it either and i didn't see it in mumbos episode? but in skizz's episode you see him add the <3 by his name and then spin around really quickly like he's scared someone saw

[roe-oo]

u + me world domination ☁️

[isjasz]

warning signs definitelynottober - day 13

shoutout to my friend who helped me figure out the song choice <3💥 This day got very derailed from what I was gonna draw originally because I found. these and proceeded to just blank out and put them on my canvas (hope these still make relatively some kinda sense HDKDNEKFN)

[morirryan]

i have to draw 3rd life desertduo every once in a while or else i'll explode