#that they're going to Build Off Of This

[saltpepperbeard]

OFMD Week Day 4: Favorite Ships/Fluff

The Kiss (Favorite Moments/Commentary/Fluffy Writing) 💙💋💜

So I've been wanting to step through the kiss bit by bit and point out/wax poetic ramble on about all the intricacies for so, so long. And on a day of OFMD Week dedicated to ships, fluff, and favorite moments, it was a match made in heaven!

I'll go ahead and start with the confession. The careful hesitance, the uncertainty, the moment right there in the air for both of them to take. The way Ed's lips barely even move with the whispered "...you" even when the weight of such an admittance is so strong. Yet, he does it. He goes for it. He finally frees the single word that has been clawing its way out of his chest for weeks.

But the way he's still so cautious, still so unsure. It's new to him. It's new to them both. He's likely never been in such a vulnerable position before. And it's a huge leap to make even if you're experienced anyway.

So, to see him slowly look over to gauge Stede's reaction, to see him so fragile...

...And then to see Stede smile.

Granted, Stede's expression hurts a bit because it's incredulous. The way his eyebrows shoot up—he can't fathom it. His mind can't process that he makes Edward Teach happy. He probably believes he hasn't made anyone happy, ever.

But still, he smiles. Something inside of him sings. Something inside of him rejoices, because Ed makes him so happy too. Ed makes him feel worthy, feel seen.

And that smile is him seeing Ed right back, meeting him in the vulnerability as they have before. Not a look of disgust, or judgement, or anything negative of the sort.

But acceptance. Mutuality. A sunrise over a new beginning.

So, of course Ed has to kiss him. Of course Ed has to take advantage of the moment. Of course Ed has to hush Stede by meeting his lips with his own. Words wouldn't have been as effective. Talking things through wouldn't have sufficed, not when things were so open.

Their mouths had to do a different sort of talking. Their souls had to breathe into each other, to finally meet as they had been wanting.

And oh, how they had been wanting. Even with the muddiness in Stede's mind, even with all the underlying complexities, they relax into each other. There's the split-second jolt of surprise, the utter shock that exists from suddenly sharing such intimacy.

But then their bodies melt. They both fall into the connection. Stede eases himself into it, and some of the tension in Ed's eyes lessens.

Even still, they don't move or actively kiss right away. But why should they? It's new. It's different. It's precious.

It's something to be experienced, something to be savored.

And something to be further explored, eventually.

Again, they meet each other. They know each other. They see each other.

When one body moves, so too, does the other. When one itches to try, to reach out just that little bit further, the other reaches back.

Ed started the kiss. Ed initiated. But Stede finds him—Stede kisses him in return.

And they seem to build off each other, to heighten their dance; when Stede kisses back, when Stede shows he's there, Ed seems that much more invigorated. He eases himself nearer, and pulls their bodies that much closer together...

With Stede following him and meeting his every move.

They're there. They're there with each other. There's nothing else but them in that moment.

Again, Ed steps, and again, Stede meets. A tilt of the head, a glide of their lips, answered by the softest hum. A breathy little something that screams bliss. A tiny noise that says, "I have never known this before, but I want to for the rest of my life."

And Stede's eyes remaining closed after they part really hammers that sentiment in.

His mind may be a mess. His emotions may be all over the place.

But his heart isn't. His heart assuredly isn't.

It is warm, and dazed, and just as dreamy as he.

Because goodness, the absolute fondness in his eyes. The sheer love in his eyes. The difference in his smiles—first stunned, then at home.

And again, another bit of mutuality. A returned breath in the space just for them.

"You make Stede happy."

And oh, how wondrous is that. Oh, how relieving is that.

They make each other happy.

They're in love.

Despite everything, despite what's beneath the surface, despite all that will come, they're in love.

They're there for each other in a way no one ever has been before, and no one ever will be. Ed can hold Stede so softly, regarding him so gently as though he'll shatter. Stede can stare right into Ed's eyes, breathing the same air as though it's the easiest thing in the world.

Maybe because it is.

Because they're in love.

[mikeybutnotway]

"Nobody could be that clever"

"You could"

[lapelduide]

It's the way Colin looked hurt that she'd even think something like that (i'm talking about 'because i embarrass you' this gif is his reaction to this) for me

[profounddefendorcrusade-blog]

Starlo's personality

I'm still confused about this man's 'true self,' gotta admit. How much of 'himself' IS there in 'North Star'?

What we know about real Star:

He's a nerd/geek obsessed with westerns; that's where he got the inspiration to build WE

He looks different than with the hat on and used to wear braces

Was shy in his teenage years around Ceroba (no idea how he acted normally) + couldn't confess to her

His mom (after killing him) says how he's never been the one to follow rules. I wonder what she meant by that. Rules, like, you're supposed to hate humans like everyone else or rules, like, no sneaking off to practice your shooting and lasso skills? Both?

Ed describes the 'old him' as a fearless leader and as a monster who could 'make his own fun in the little things' (you mean he used to be more humble but at the same time remained an ambitious risk-taker?)

Is insecure about where he comes from and what he looks like

We don't have enough info to know what he was like as a kid. I'm curious if absolutely everything about North Star is the opposite of Starlo (I don't think it is); both are kind and protective. Still, I can't help but wonder if the Starlo after Showdown, in both routes, is the real him or not. Maybe 50% yes and 50% no

Just from the end credits, the only thing I got about him was that he's kind and friendly and optimistic and charming (North Star is this way too, but more exaggerated). Nothing new

So maybe Starlo IS North Star, but more modest (aka not as exaggerated)

I'm curious about your thoughts guys.

Also I forgot to mention how he wanted to plan a PARTY for Kanako, in neutral says that the PARTY in the saloon was great (and the letter he sent was pretty charming), wants to accompany Ceroba in the Steamworks, is open about how he feels (immediately openly confronts Ceroba and calls her out; he's assertive), not afraid to get physical if it means protecting Clover & Martlet, can be pretty loud (like when he spotted Clover after sparing him in neutral, he was like "DEPUTY!!!"

I'm left wondering if all this is the real him or not. I think it is. Just maybe toned down a bit :) It's the only explanation for the fact he's been doing all this for a really long time and never showing signs of wanting to stop/that it exhausted him

[loopdile]

transcription under the cut!

The worst ship chart ever.

Ship name: Loopdile

[insert very tiny math] Ages: 43 and 31? Age difference: 8?

Portrait of Odile with an eyebrow raised saying "I'm not telling." Name: Odile. Gender: trans woman (maybe nb but idrc rn). Sexuality: Aro lesbian.

Portrait of Loop with a finger raised saying "I'm not telling~" Name: Loop. Gender: Nonbinary (??? what is identity). Sexuality: Ace bi

General sliders. "Relationship starts quickly vs the slowest burn you can possibly imagine" is marked fairly close to slowly and trails off towards slow burn. "They'll be together forever vs They'll break up after 2 months tops" has two marks, one at 2 months and one really close to forever. "Cute couple vs dear god they're ugly" is marked a quarter slider away from cute. "Reasonably healthy and normal relationship vs They're dying and getting killed and hurt man" has a wide mark all the way from the halfway point to a quarter away from healthy. "Extremely popular ship vs literally no one ships this but me" is marked fairly close to no one.

Specific sliders. "Giddy and happy to be in love vs they just killed themselves 40 times in their head at the idea of being in love" has loop at died and odile fairly close to died. "The madoka vs the homura" has loop at homura and odile a third of the slider away. "Telling anyone who will listen about their partner vs rarely brings up that they're in a relationship" has loop a quarter away from telling anyone and odile fairly close to rarely. "eats and/or encourages a healthy diet vs eats dry instant noodles only" has loop at noodles and odile a third away from healthy. "crazy ass vs truck freak" has loop at crazy ass and odile fairly close to truck freak.

Tell me why your ship is interesting... go!

What draws them together? Odile is the only motherfucker that can handle them; Loop is weird and intriguing.

What stands in the way? Poor communication skills; Loop is clingy but Odile often needs space; Loop lashes out and self-isolates.

What are their good traits? They're both hilarious and dedicated to the bit; they're both devoted to their loved ones.

What makes them hopeless at romance? Odile is aro-spec and uninterested in romance; Loop both hates/fears and craves romance; Luckily they can just be something stranger!

Describe them with one trope: found family, deadpan x emotional, secret third thing, I'll protect you from yourself.

[kebriones]

Minoan monkeys my beloveds.

[backpackingspace]

Okay but it must have been a political disaster for xie lian to have ascended. Like he was the only heir wasn't he? Only child that he was. Who inherited next? Was it qi rong? Can you imagine

[imminent-danger-came]

Ne Zha and MK parallels for me please. Do it for me

[malakaie]

serious thoughts

i'm glad that wasn't a complete squash! HoB are beyond the point where they need that and it was nice to see the local guys have an actual shot to show themselves a bit

however - it's an interesting choice given their trajectory. malakai said on instagram live the other day that he's writing some stuff he's excited about for next year - so my thought is that they're keeping their spot warm and keeping their names relevant so they can build toward whatever they're planning

[batsplat]

jorge martin is just an off-brand motogp version of george russell. both incredible qualifiers, hard racers, have issues sometimes keeping their tyres together, have stayed in a satellite/backmarker team for three years begging the big manufacturer to accept them into the main fold and will randomly decide that they are actually done with race by beefing it into the gravel/walls on the last laps.

this is why ducati did not hire martin, he hasn’t done the power point presentation

strong last line but hm... do I agree with this...

I don't entirely disagree with the profile of racer, though jorge's a bit more in the flame bright and early mould (partly also just because of the different rhythms of those two racing series). he cut his teeth not just on being an exceptional qualifier but also a starter. even though this year, you do kinda have to say pecco's just?? uh?? he's never been a BAD starter but I swear he didn't used to be this good? some of his starts from the second or third row this year have been genuine works of art. this isn't relevant, just needed to mention it. that's part of why jorge does so well at sprints... he's really good at that abbreviated format, where it's just all out from the very start. mr russell was considered quite a poor starter in his williams days (though lbr that may have partly been car characteristics) - the qualifying's very strong and very consistent, but for a while the question was of capitalising off the line. he's got a few more drives that are about working his way through the field... like qatar last year. I just don't really associate jorge with that?

the bottling thing is debatable and we could get into that debate, but like, never mind that. we're leaving sports analysis now and getting back into vibes territory. the thing about jorge is that he has had a competitive bike from the word go. mr russell, whatever you think about how clutch he is or isn't, did not set a foot wrong in terms of making the mercedes case for himself. what happened with him was basically just... a series of unfortunate events that got him stuck in a spectacularly uncompetitive car for three years. got one shot in a good car in said three years (sakhir 2020) and delivered the perfect performance. but jorge!! jorge had 2022!! he blew it!! he did get unlucky with the gp22 vs the gp21 comparison early that season and how bastianini was able to take advantage of the early stage factory spec malaise, and he's far from the only gp22 who was struggling early on (cf one 'pecco bagnaia'). but still, some of his rides that year were. truly horrendous. and the way the whole thing played out left him with a massive chip on the shoulder.... that's the thing, right, I think what's so key about jorge is that sense of grievance, the fact that he was rejected for that factory seat and we're now several years on from that. and it's a really thin line between that being a good thing and a bad thing. like, anything that's a potential source of motivation fundamentally can be helpful, right? in 2007, casey showed up at ducati as not their first choice, kinda a stopgap, and also after yamaha had pulled the plug on a potential contract not once but twice. he has spoken again and again how yamaha and honda's behaviour towards him made him want to show them exactly what they were missing out on. he used that! it was good for him as a competitor that he had something to get worked up over! he's done it throughout his career! but on the flip side, if you're so busy feeling victimised that you're kind of already... primed for failure, then you've got a problem. like, if the takeaway is you're probably screwed anyway because you're being sabotaged by the factory, then even if that were true you're fucked before you start competing. you've already lost in your own head, you've made excuses before you've even started. it's a thin line! thinking the world is out to get you can either be a good way to get yourself to going, or it can be a loser mindset

quickly circling back to georgie boy, my main feeling is that they kinda have a different type of malaise. one is an overthinker and the other is at times very much an under-thinker. grussy actually shares the overthinking trait with his fellow 63 more than anyone else... all three kinda have this fun meeting point of a lot of cockiness and a lot of insecurity - they just balance them in other ways. and russell reminds me more of pecco in that kind of... being constantly thrown up against a Big Legacy of someone you admire, being in the shadow of greats and having to make your own name... you're very much part of a succession plan that leaves you with massive shoes to fill... (though admittedly grussy has also gone through the unenviable experience of getting to work closely with his hero and eventually having most of said hero's fans absolutely despise him. can happen, I suppose.) jorge is a bit more baggage-free. he's very much the main character in his own story, not so much faffing about with the narrative implications of all this shit. more straightforward! if jorge wins, it's about him. if he loses, it's also about him. ducati has been his world for the past few years, to the point where he's gotten a bit parochial about the whole thing. early this season, he was talking like - sure, the championship lead is important, BUT this is also giving him power in contract negotiations!! which... yes, that's true, but also that should be way down the order of priorities my man. jorge martin might be the only person in this universe who... genuinely might be more obsessed with beating pecco than marc? like, beating the marc marquez would be great and all, 8x world champion bla bla, but pecco is his personal antagonist! he's known him for years! that's ducati's golden boy! he needs to beat pecco so badly! there's something really fun about a rivalry where it feels like at least one side's feelings towards the other... kinda go beyond a personal relationship, like at a certain point it becomes about what the other guy Represents. jorge isn't worried about legacy and the shoes he's got to fill and can he truly live up to all those expectations as much as he's worried about himself and also occasionally pecco bagnaia

anyway, I've been thinking about the bottling thing... what jorge said about it earlier's been rattling around in my head since I saw the quote

man, it must be really tough, right? like, you don't know why it's happening... it's not just cockiness - though there is an element of someone who's kinda used to bulldozing his way through problems with sheer obstinacy and stubborn self belief (another distinction with the 63's, who are more introspective and prone to self-flagellation following mistakes). but it's also just... you can't figure out why it's such a fundamental shortcoming of your game! today, from the way pecco and also luca (apparently) were talking about it, it seems like there was something noticeable about how jorge was gradually losing a bit in his control and precision as a result of how the tyres were going off, as a sort of precursor of the fatal error. which... well, it's at least a somewhat understandable mistake, because it comes from pressure? it's not just the tyres going off each time - the mugello sprint crash was lap four, jerez was lap ten. but an interesting thing about his big errors this year is that they have all come as a result of serious pressure - as a result of pecco directly behind him in the case of jerez and sachsenring and like... in anticipation of the massive points damage he knew he was probably going to take in mugello. it sounds obvious to say pressure is more likely to generate mistakes, but of course that's not always true of our title contenders! pecco only really wakes up when he's already dug a hole halfway to the centre of the earth - but when he faces actual pressure, his track record is mostly very strong. his biggest howlers this season, portimao + catalunya sprints, both came when he was leading comfortably. martin has also made these pressure-light mistakes in the past, most memorably indonesia last year but... well

one of the most fascinating bits of sports are like... limits and ceilings and how your build-up as an athlete kinda determines what's possible for you. like, sports is sort of where you experiment with notions of fate and inevitability and all that, where you question whether it's possible for anyone to ever really change. is it once a choker, always a choker? if you know that you have this problem, this flaw that is always just there in the background, waiting to be actualised - what can you do? does it give you more or less hope that there's not a clear root cause? how debilitating that must be for confidence too, always knowing that you could cause everything you've worked for to crash down in a moment.... this is where. y'know, the thing with pecco, right, is that he's now gotten to a weird place where psychologically he has to be wary of the mistakes he himself makes - but he knows that he can also bounce back from them. he has that muscle memory, because he's done it before. he chucked it down the road in india and he won the title! jorge did it in thailand and he didn't! and the problem is that it becomes a self-reinforcing cycle of sorts, because even though the margin between the two of them at the end of last year ended up being relatively slim... one of them still won and one of them still lost. which actually means that even though pecco and jorge both have made serious mistakes this year (though pecco's track record is cleaner - in portimao the points punishment didn't quite fit the crime and in the jerez/le mans sprints he was kinda just unlucky), only one of them knows they can do this shit and win the title anyway

and now jorge has an entire summer break to go away and think about that. can be a good thing, get some distance, and it's easy to slip into a run of bad form that you can't escape if there's no interruption. can be an awful thing because you're sitting with your mistakes for weeks on end with no chance to rectify them. I'm naturally a pessimist on the 'can any athlete ever really change' question because life has very much worn me down on this topic over the last few years (aka some sports results made me really sad). but I always want to be optimistic! I want to believe athletes can fix their fatal flaws! I want to believe they can get better at managing their tyres and not folding under pressure. and pressure works weirdly... sometimes it's not really a test of 'mental strength' as much as it is of what kind of in-built margin an athlete has (btw this is my best guess for what goes wrong with martin). sometimes it's beneficial in sharpening the mind and erasing the possibility of you just... not being sufficiently concentrated (which is my best guess for what happens with pecco when he's not being pressured). can you truly get better at dealing with that? or at a certain point, have you already accumulated so much mental scar tissue that you're always going to get in your own way? who knows! maybe we're all doomed to repeat the mistakes of the past forever and ever. who knows

anyway. in response to this ask. I do think it's more a case of 63's aligned in being too stuck in their own head, too concerned with legacy, and walking a very thin line between arrogance and insecurity. all three of them, though, have a bad case of 'coming through the ranks in an era of greats they'll always be disparagingly compared to'. what's new can never be as good as what came before, right? and they're constantly struggling to manage or maybe even overcome basic flaws that seem to be embedded in their make up as competitors... maybe they'll make it, just a little. maybe they never will. but it sure is fun to watch them try!

[gay-robot-boyfriends]

I FINISHED BUILDING X! VILE IS UPSET! X IS AMUSED!

Vile: "What the hell is going on here? Why the fuck are you so big?!" X: *shrug* :)

Vile: "Rookie, put me the fuck down right fucking now, or I'll torch your face off!" X: "But you're such a cute baby girl now. Awww, are you blushing?" Vile: "SHUT UP!!"

[pensivespacepirate]

it feels like the whole purpose of venom 3 is to kill off venom what the fuck

[bitegore]

if your ocs were bosses in a video game, what do you think their boss fight would be like?

[sunnykeysmash]

the structure in mac and dennis break up

this is gonna be a short post tbh, I just rewatched the episode and I have a couple of thoughts.

if you need a refresher on what I think the structure is in general, I talk about it here.

I think Mac and Dennis Break Up shows us an example of Mac and Dennis (and Charlie and Frank) working properly in regards to the structure, let me explain why:

First... I don't think there's a need for me to describe the plot of the episode, we all know.

What I want to focus on, is that at one point Mac moves in with Frank and Charlie, and starts bringing his way of life to them.

At first, Frank is thrilled.

"I could use a little structure in my life here." he says.

This reminds me of dialogue from Carries a Corpse.

"Nobody admit this to Mac, but... I feel like he was carrying a ton of weight."

"That would be another one of his annoying identities... the man who could carry stuff."

He's been shown carrying Dennis, on top of generally being inclined to micromanage, take care of others so they're safe, and make decisions or at least demand to be consulted in them (like which movie to watch on movie night).

That's when Mac works best, so I assume that Mac generally brings structure (or is a man of action, as he describes it).

Later on, we see Mac take this too far, and Frank doesn't like it anymore. To me, this is because what this episode tells us is that Charlie and Frank don't work well with a set structure, the way that Mac provides. They're more free.

I think this reading is important because it shows me why The Gang Gets Romantic fundamentally fails in its objective (not as an episode god forbid, I mean in the narrative, especially for Mac and Dennis).

It applies the romcom structure to Charlie and Frank, while it doesn't to Mac and Dennis, when it should be the opposite. Throughout the episode we see that Mac and Dennis keep fitting the tropes to the romcom structure, but they refuse to follow it, and thus it crumbles. It can't work.

Here's another thing.

Dennis' back broke in the S15 finale.

That is funny, yes, but what does this mean when I say that Mac is the (his) structure, then?

Well... Carries a Corpse implies that Mac was carrying most of the weight of the corpse, and the corpse is meant to be the show... and most show meta is basically the same as Dennis meta (most meta lines seem to relate to him, whether the fact he left for north dakota and came back, or the fact he's a dad, being between life and death, breaking his back aka the structure, and so on), as I have discussed better in my other post.

Point being, Mac carries Dennis. That's what he's meant to do, and what he does best in their relationship.

This makes me think of another recent scene that I think is emblematic of their dynamic... but in an interesting way.

So, in 2020: a Year in Review, Mac and Dennis work together on a song.

They seem to be in harmony, but eventually start disagreeing and stop altogether to focus on something else. Why?

Because Dennis is working on the backup vocals, and Mac is working on the words. Which means their roles are reversed. Mac is supposed to be carrying the song, like the wind beneath his wings that he is, and Dennis, like the man of words that he is, should be responsible for the lyrics. They're doing each other's job, which means any harmony they reach is still bound to crack a bit the moment the song doesn't work for them.

Their seating position on their sofa reflects this.

Compare it to Mac and Dennis Break Up, which is supposed to be our ideal.

They're in each other's places, in 2020.

This isn't new, they've been sitting in each other's places ever since Break Up. Mac was sitting in Dennis' place in MFHP, Dennis was sitting in Mac's place in Gets Romantic.

So tl;dr... Mac and Dennis work well under structure, when Mac is the one to bring it and carry Dennis. They fit a proper couple structure after all. Charlie and Frank don't work as well under structure, since their relationship is more unique and doesn't quite abide by normal rules because of that.

This does bring me to one last consideration though...

They're back in their right spots, in season 16! Only problem is... couch is different. I would argue an inflatable couch doesn't offer the same amount of support (structure) that a normal one would...

Now that Dennis' structural essence broke, is he gonna feel what it's like when Mac is absent?

Perhaps this is why in Cursed we get Mac as the lucky one while the others as so unlucky they start to believe they're cursed (according to the synopsis...).

So the whole gang needs Mac?

Well...

In Goes To Hell pt2, when they build the human pyramid, it's both Mac and Dennis that end up at the bottom, as its structure.

So maybe... Dennis needs Mac as his structure, and the gang needs them to be in sync so they can both, together, support them (or shut the hell up about it, as both madbu and s15 would argue). Maybe this realization could be what brings the gang to work together in order to get them together. But that's getting into just speculation so imma end it here.

I like these thoughts though... Mac and Dennis being the foundation, the structure of the whole thing :)

[cuddlytogas]

an incomplete list of terrible but extremely popular Our Flag Means Death takes that I would like to never see again please

(and I do mean popular, as in, lots of people seem to think they're canon, to the point where I feel slightly insane and like I was watching a different show to everyone else)

1. Ed's mum was loving and nice and supportive, if hampered by her bad situation

this comes up more in fic than analysis, to be fair, but good god, what show were some of you watching? this isn't to vilify her, because yeah, she's clearly a product of colonialism, white christian supremacy, and domestic abuse, but like. that doesn't make how she raised Ed good. clearly she was trying to keep him safe, but "we don't deserve nice things", and especially "it's not up to us, it's up to god", speaks to me of someone who squashes down any ambition on her son's part, has fully bought into the lies of christian colonialism, and tries to pass them down to her son.

as does happen in colonised communities, particularly among older generations. I know us white people like to think that every indigenous person is a perfect left-wing anti-imperial activist, but that's simply not the case, and Ed's mum is so clearly an example of an older conservative christian indigenous parent who had to believe the lies told by their coloniser in order to survive, but is now passing on that trauma to their children. and I just...

if I read one more fic where Ed's mum is a perfect loving supportive angel who always believed in her kid and always supported and protected him, I'm gonna scream. yes, it's sweet, and it's fun to sometimes veer from canon and give your blorbo nice things, but it's still veering from canon. and yet, I see very few people acknowledge that, or actually talk about the nuances of Ed's mother, and how she definitely tried to protect him, but was far from sweet, doting, and unconditionally supportive.

2. Ed's loving look when Stede is picking food from his beard in 1x07

like most of these things, I enjoyed it as a joke or exaggeration at first, until I realised that people were actually being serious. but every time I watch that scene, I see Ed looking absently-mindedly over Stede's shoulder, because a) that's what you do when someone leans in to pick something off you, and b) surely the point of the scene is that they're so comfortable and easy together that they don't notice the intimacy of what they're doing, but Lucius, an outside observer, thinks it's obvious. right?? I can't be the only one seeing it???

[sigh]

anyway. finally, the really really big one:

3. Ed is a soft uwu babygirl princess femme bottom sub who loves her cat collar and is teaching Stede how to dom him in the "say you're the captain" scene

I mean, there's not much to say except to link to duke's absolutely phenomenal twitter thread about "how the 'babygirlfication' and infantilization of ofmd ed teach is an extension of racist perceptions of indigenous men being inherently violent and thus needing to be emasculated to be considered sympathetic"

but especially That One Fucking Scene, good lord. talk about taking shit out of context. everyone looked at a slowed-down gif of one shot in the trailer and cried "babygirl!! he's such a simp, he just wants to be dommed!!", when actually that scene is about how a) Stede is cringefail and terrible at being a typical harsh, commanding pirate, and b) Ed is lovingly embarrassed by this. he encourages Stede to assert himself (and give Ed something to do during his probation/help him make amends with the crew), but like. normally. he's acting perfectly normal in that scene, and mostly annoyed by the outfit and embarrassed by how badly Stede fails. but just because he's sitting down while Stede is standing, and he happens to take a breath in that one shot (because, you know, people breathe sometimes), everyone's doubled down on their "submissive babygirl" bullshit, and I can't get the fuck away from it.

which - listen, it's fun for me, too! it's fun to explore exaggerated aspects of a character, it's fun to read/write/draw that angle in smut, I get it! but I keep seeing people keep claim it's literally canon, and I cannot stress enough that that is Straight Up False. for the love of god, please just watch the show without your (potentially kinda racist) bias glasses on, and remember to treat the characters with respect instead of projecting onto their every interaction a shallow dom/sub binary just because you find it hot.

Our Flag is a show very specifically about masculinity, and what it means to be a man; how assumptions about that can harm and restrict men; and how men can grow beyond them. it's a nuanced and sympathetic examination of this. the whole point is that Ed is allowed to like nice fabrics and be tired of violent piracy and still be a man. the point is that two men fall in love - equal, honest, sincere love - and are still men, still exactly who they are.

(on that note, insisting that Ed is canonically trans or femme because of these things often ends up just leaning into gendered stereotypes: men are harsh and active and dominant, and women are soft and passive and submissive, and if Ed's not the former, he must be the latter, right? it also tends to hetero-ify the central relationship, casting Stede as "the boy" and Ed as "the girl", needing one to be masc and one femme. not always, and again, I understand and have enjoyed transformative works that take those elements and run with them, and explore what the story could be like if Ed were trans/nb/etc - but it's still a transformative interpretation. it's not canon.)

relatedly: those fucking wedding toppers! it seemed blatantly obvious to me that half the point of those scenes was that Ed is distraught and blaming himself for Stede leaving because he wasn't the ideal partner. it's his entire arc for the first half of season 2! Ed hates himself and believes there's something wrong about him that makes him unlovable. so he keeps and then discards the wedding toppers, painting himself onto one of them, because he's projecting himself onto an image of ideal/successful romantic love that he thinks Stede wants, and in which he doesn't fit. he's trying to mould himself into someone else to make himself lovable, not realising that Stede already loves him for himself.

like, it's important that the groom figure isn't actually like Stede, either. yes, it's blond and has a nice, peach-coloured suit, but a) Stede was very specifically unhappy in the posh, heterosexual, married state the figures represent, and b) Stede by this point looks nothing like that figurine. it's directly contrasted with the image of him in the rowboat, scruffy and plain and earnestly in love, rather than fancy, cold ceramic.

so it's important to the whole narrative that Ed's yearning for/projection onto the wedding toppers is false, and born from his insecurity. he gets drunk, and play-acts a stereotypical image of romantic happiness into which he doesn't fit, but real love looks nothing like that, because real love isn't found in stifling hegemonic cultural structures, but honest, emotional connections between people allowed to be their whole, vulnerable selves. Stede is not like the groom, and Ed is not like the bride, because they shouldn't have to be. Ed should not (and does not) have to warp himself into a demure bride in order to be worthy of love: he's already lovable and loved exactly as he is! that's the point!! of the scene!!!!!!

but no, I have to wade through swathes of art and fic and meta about how badly Ed wants to be a sweet little demure kitty princess, how he wants a wedding night and a ring to prove he's Stede's property, and acting as if this is somehow canon, because people on the internet have zero reading comprehension and are scared of brown men.

the whole point of Our Flag is that you don't need to compress yourself into prescribed social roles, and in fact, doing so will only make you miserable; and that racist, patriarchal, colonial institutions should be resisted and dismantled at every opportunity.

so tell me again why the ultimate message is that Ed and Stede should get married under an arch in front of an altar and their lined-up friends, with flowers and rice falling around them, all dressed in white, one in a suit and one in a dress, with rings and a kiss and a honeymoon after, before they move into a detached house with a yard and a fence and re-adopt the kids that Stede abandoned? and this isn't about promises, fidelity, or even monogamy - I'm specifically talking about everyone in this fandom who seems to think that the ultimate goal is the most stereotypical 20th century cisheteropatriarchal christian wedding, but with the name "matelotage" slapped on top, as if that takes away all of the underlying baggage.

just - I know we're all meant to hate men and masculinity and yadda yadda yadda, but actually, to be earnest for a second, men deserve respect too, because all people and all genders do. and two men are allowed to be in a relationship and still both be men - complex men, with their own, layered relationships to their gender - without having to fall into neatly-arranged dom/sub masc/femme roles, or seal the deal with a hegemonically-approved ceremony.

so please, stop reducing an indigenous lead character to a caricature of a femme uwu princess bottom just because he has long hair, wore a robe once, and you're too scared of brown men to imagine him with proper agency. and then please, for the love of god, stop claiming that that interpretation is canon.

[thegreatyin]

Is the Scoundrel not afraid of Fingerking possession?

okay see that's the thing. to be afraid would require that they actively think about it as a thing that could potentially happen to them in the first place. and the thing is that they, uh, well,

they don't.