#that scene with all his monster parts definitely awakened something in me

[devotion-disorder]

when i was a wee little baby child watching inuyasha, too little to even actually comprehend much of the show, i had a big fat crush on not inuyasha, not even sesshomaru, but naraku. i vividly remember the scene when he was like, rebuilding his body in a basement????from demon parts??? and he was just a dismembered head among a mass of gross demon viscera but that really did it for baby me ig

so you see ive always had wonderful taste in men

[offtorivendell]

So,..I’ve read two different books that are elriel coded: NALINI SINGH’S Archangel’s Storm and Black Dagger Brotherhood, Lover Awakened. Books that if I’m not mistaken are one SJM’s favorites… Have you read it? It’s interesting that the both MMC are talented singers, scarred, killer and doesnt speak much. Jason, the angel who is a spymaster, shadow daddy and “hears secrets whispered in the winds” is so Azriel. Zsadist, the vampire with PTSD, similar personality as Jason. I saw a mixed of Jason and Zsadist in Azriel.

Their love interests are princess or aristocrat, very beautiful and well etiquette. Princess Mahiya, the angel (Jason’s mate), helped Jason with spying and she has puma eyes. She loves animal and can create a glowing ball of light. Bella, the vampire aristocrat that killed her kidnapper who is obsessed with her. I felt like I was reading Elriel in both books.

If SJM keeps the inspiration from Archangel’s Storm then it would make sense with the “fanged beast” on Elain’s part. I really think Elain may become a shape-shifter like faes from TOG and could create “a ball of light”, like Yrene or because of the starborn ability? (Oh btw, I was wondering if there’s a possibility that Yrene’s powers are connected to Starborn?)

Do you think Elain’s book will be more of beast themed? Something that is connected to Dusk Court… Anyway, what do you know of the first faes on Prythian? Are Starborn faes the oldest group that founded the Dusk Court, possibly migrating from the Erilea? It sounds like TOG faes are the first generation fae and they sort of evolved in Prythian and Lunathion? SJM made Lunathion connected to Prythian and Erilea. So, I’m wondering how Erilea is connected to Prythian? I know Aelin saw Rhys and Pregnant Feyre in KOA, but that’s it.

Ugh.. sorry for so many questions.. 🫣

Hi anon, and thanks for stopping by!

Disclaimer: the following is all theoretical; while I hope at least some of it will come true, we have to wait for SJM to let us know for sure.

Spoilers for the entire Maasverse, as well as parts of the Black Dagger Brotherhood series, are below.

I haven't read any Nalini Singh, though friends have recommended her to me a few times, so I really should fix that. I obviously cannot comment on any similarities - though I have heard similar rumours that SJM loves the books (but have never tried to corroborate them) - but @shitwillnotbegiven has posted a comparison of Elriel scenes with passages from 'Archangel's Storm' that is very compelling. I definitely recommend giving it a read. Of course we can't say for sure whether or not it was intentional, but yeah. There are similarities.

That being said, I have read the first five or so 'Black Dagger Brotherhood' books, and yeah. Read them for yourself of course, but there is a lot to notice. It was a couple of years ago now, so they're not fresh in my mind, but I remember being very 👀👀👀 at a lot of the similarities, especially between Zsadist, Bella and Phury with Azriel, Elain and Lucien. The lovely @silverdreamscapes has posted about many of the parallels existing between each trio, though imo it goes even further than shipping.

But first, I would like to state for the record that I do not think having an inner beast or monster makes someone bad or evil. I do think lightsingers could be a race of faeries that A) are related in some way to the shadowsingers - witches? - with whom we are all hunky dory (so no hate from me until proven otherwise), B) may in fact be facing persecution over some sort of un/intentional misunderstanding and/or rewritten history, and C) that the library actually acts as a sanctuary for these persecuted beings, in addition to any other battered women, who are both vilified and attacked for nothing but their species. Of course I could always be wrong, but I am expecting a twist that diverges from the "truth" about lightsingers that Cassian gave us in ACOSF.

But I digress. I've forgotten a lot, but I do remember that there was a character with teal eyes, who had been cursed by a goddess to carry a monster within him... if lightsingers have an inner beast* - and two of our teal-eyed priestesses have been lightsingers - you can see where I'm going (and for some fabulous rundowns on the lightsinger theory, please see posts by @silverlinedeyes and @merymoonbeam).

As I have said before, I suspect that shadowsingers and lightsingers could be more similar than we know. I wouldn't be surprised if they both have the ability to lure, and both have a beast form/some sort of inner monster or being. Because the teal-eyed character, Rhage, carries his beast in a sort of living tattoo... and whose shadows have been described as appearing like twins to the tattoos on his chest? You betcha. It's Azriel, our favourite shadowsinger.

A corner of Azriel’s mouth curled up, the shadows about him sliding over his neck like living tattoos, twins to the Illyrian ones marked beneath his leathers. Shadows different from anything my powers summoned, spoke to. Born in a lightless, airless prison meant to break him. Instead, he had learned its language. - ACOFAS, chapter 7

As for Elain's potential powers, I'm all aboard the shapeshifter train (please see @wingedblooms for some brilliant theories), and I cannot wait to see what sort of light she can wield (if any, of course, but I do think she has been tied to it in a lot of ways). Can she Sing light and dark (light) to See what she must? Or to travel someplace very far away? I also wouldn't be surprised if Elain and her light/s act as an executioner for whatever Valg-type being exists in Prythian, as Yrene did with Erawan in KOA. I suspect that the King of Hybern may have been possessed in some way, and that Elain's role in assassinating him could have purified him such that he could die, thus beginning her parallels with Yrene.

As for which Fae are the oldest, I personally suspect that the Starborn Fae did found the land that would have become the Dusk Court, and that some may have travelled to Erilea, but I haven't looked into it enough to have quotes at the ready so I'll tag in @wingedblooms and @silverlinedeyes - or anyone else who wants to join in - because they have had more thoughts on this than I have. It seems that the Starborn faeries are different to the shifter faeries from Erilea, and that both ended up in Midgard thanks to Rigelus and his machinations (but as to which is the original fae species, if any, it hasn't been explicitly stated).

Rigelus chuckled again. “We shall get to that in a moment.” He went on, “Danika realized that the shifters are Fae.” Bryce blinked. “What?” “Not your kind of Fae, of course—your breed dwelled in a lovely, verdant land, rich with magic. If it’s of any interest to you, your Starborn bloodline specifically hailed from a small isle a few miles from the mainland. And while the mainland had all manner of climes, the isle existed in beautiful, near-permanent twilight. But only a select few in the entirety of your world could shift from their humanoid forms to animal ones. The Midgard shifters were Fae from a different planet. All the Fae in that world shared their form with an animal. The mer descended from them, too. Perhaps they once shared a world with your breed of Fae, but they had been alone on their planet for long enough to develop their own gifts.” “They don’t have pointed ears.” “Oh, we bred that out of them. It was gone within a few generations.” An isle of near-permanent twilight, the home world of her breed of Fae … A land of Dusk. - HOSAB, chapter 73

A few of my friends and I - @psychologynerd, @elrieldreamer and @ladynightcourt3 - think/hope that IF we get a crossover of sorts in Elain's book it may be to Erilea, in the past. @psychologynerd has previously pointed out that a pretty faerie with raw magic (which Elain has as a Made faerie - here and here) once visited Mistward before being invited to meet Maeve in Doranelle, never to be heard from again. It's also possibly significant that Elain has been linked with owls - check out @wingedblooms Blodeuwedd and Suriel theories for starters - and Maeve had a healer trapped in owl form at her beck and call (thanks @ladynightcourt3 for your help with the quotes).

“But,” Luca chattered on, “no one here has any exciting or rare abilities. Like shape-shifting into whatever form they want, or controlling fire”—her stomach clenched at that—“or oracular sight. We did have a female wander in with raw magic two years ago—she could do anything she wanted, summon any element, and she was here a week before Maeve called her to Doranelle and we never heard from her again. A shame—she was so pretty, too. But it’s the same here as it is everywhere else: a few people with a pathetic trace of elemental powers that are really only fun for farmers.” - HOF, chapter 11

“It also explains why Aelin reported an owl at Maeve’s side when they first met,” Nesryn said, gesturing to Yrene, whose brows bunched. Then Yrene blurted, “The owl must be the Fae form of a healer. Some healer of hers that she keeps close—as a bodyguard. Has let everyone believe to be some pet …” - TOD, chapter 65

“Speak freely, Connall,” Maeve said, her faint smile remaining. The barn owl perched on the back of her throne watched with solemn, unblinking eyes. “Let your brother know these words are your own and not of my command.” - KOA, chapter 8

Some pet... as Hunt suggested he was for Bryce?

“I’m sorry,” Hunt interrupted, “but are you implying that I was made by you two assholes? As some sort of pet?” He pointed to Thanatos, then to Apollion. “Not a pet,” Apollion said darkly. “A weapon.” He nodded to Bryce. “For her, whenever she might come along.” - HOFAS, chapter 61

A weapon, just like Elain becoming "the knife in the dark" to assassinate - and potentially purify the Valg from - the King of Hybern?

I've theorised before that Elain might have plant/earth related powers - which ties in well with her reaction to the Hewn City in ACOSF, and what we learnt about Sathia/Flynn's reaction to being on Avallen in HOFAS - and many of us have long thought she may have some sort of healing magic (here and here). So was the pretty faerie Elain?

I would combust.

Anyway, I hope I answered everything, and I'm SO sorry for this response taking literal months. If you do see this, my bad.

[sleepy-bunbun-ace]

i'm still disappointed by no femc in the p3 remake so i'm gonna do what i do with all of my blorbos, isekai her.

this time i'm not gonna use pla but twst instead mostly because there's more opportunities to use personas in twst than in pla where the only way i see her getting access to her persona is during the red sky thing. i'm also gonna rotate between names since i don't feel like choosing a name.

prologue + chapter 1 only

so since the femc's route isn't canon, she doesn't become the great seal because makoto/minato is already the great seal.

whatever brings yuu to the twst wonderland world sees her up for grabs and brings her to the before prologue area where she's then isekai'd to twst.

not without erasing her memories, of course.

minako wakes up in a coffin, grim opens it with his fire, yadda yadda, the whole beginning of the prologue is the same.

the dark mirror takes an interest in her because while she doesn't belong in any of the dorms, she has incredible potential and takes notice of the contract she's not aware she has.

grim escapes and causes arson and hamuko goes off to help kalim who's butt is on fire.

she feels a connection trying to be made with him but something is preventing it from happening (sorry kotone, no social links yet).

again, things go the same for the most part in all honesty throughout the prologue just with hamuko having more dialogue inputs.

a key difference is no ghost fight when she first gets to ramshackle dorm because she somehow manages to befriend the ghosts (which causes questions as to how she's not afraid of them because she's most definitely never seen ghosts before).

another key difference is during the mine battle where kotone actually helps fighting the monster using a stick she found near the cabin while also giving out orders.

there's social links desperately wanting to be made with grim, ace and deuce but the time hasn't come for that yet.

on the night of the last day of the prologue, at exactly the point where 11:59 changes to midnight, the sky turns green and people turn into coffins for an hour, but nobody is awake to notice.

chapter 1

first day of classes for hamuko and grim. also ace got collared for eating a slice of a tart and decided he's a ramshackle kid now.

things mostly go the same for the most part but there are a few changes.

kotone runs into ortho when chasing after grim and immediately feels melancholic and sad. he reminds her of... of... who does he remind her of?

the whole lunch thing is a bit different too with minako immediately noticing how there's something off with jamil and how kalim seems to be hiding emotions (like her. but she isn't hiding her emotions, is she?). this does not affect chapter 1 but does affect chapter 4.

when kotone first meets riddle, it's like all her attention is immediately on him and not in the 'tyrant housewarden' way but in a 'he's somehow like me' way. a blue butterfly only she seems to notice flutters between them.

before i forget, the dreams!! they still do show the particular scenes from alice in wonderland but alice acts strange. she looks the same as in the movie but with yellow eyes instead. she tells minako to "save the queen, he has yet to awaken" or something along those lines.

I FORGOT TO MENTION THIS IN THE PROLOGUE SECTIONS BUT SHE GOES BY YUU BECAUSE SHE DOESN'T REMEMBER HER NAME.

okay, back to chapter 1. for the most part, it goes rather the same seeing as hamuko is trying to make sure her friends stay alive.

the day before the unbirthday party, the boys find out she's a girl and freak out as if they've never interacted with a girl in their lives. minako can understand why they thought she was a boy with how she looks but is just kinda done with them as they freak out.

crewel figures out she's a girl because it's crewel. you don't question him.

now, the whole battle for housewarden aftermath is different with kotone having more impact. she essentially rewords what ace is conveying towards riddle with her own observations. she's trying to make sure the situation doesn't get worse while also making riddle realize that maybe how he's been handling punishments isn't really good housewarden behavior.

it doesn't work, riddle still overblots.

now, just because minako doesn't remember the events of p3, that doesn't mean the skills she learned doesn't exactly go away. it only takes a few minutes for her to realize that they had to target the phantom and not riddle. she tells ace and deuce to focus on the phantom while she finds a way to separate it from the overblotted boy.

turns out jumping out a tree that started to float while you were climbing onto strings made of ink hurts a lot. feels like death.

so the memory thing goes quite different (i'm basing the concept off of on the eight wishes of a resident therapist by adaven on ao3). both riddle and kotone wake up in a void where the only other things there are a desk with two papers on it and a very familiar looking boy.

he tells them the only way to keep going is to sign the contract that will bind them to all responsibility of their actions.

"i will chooseth this fate of mine own free will."

they sign the contracts and the boy disappears with a smile. impromptu therapy time as they go through riddle's memories.

he starts with denial in the beginning but nearing the end he just spills because he's so drained from everything that's been going on. he's tired and doesn't know what to do anymore.

hamuko promises to help him become better because "that's what friends are for" and riddle is so confused. "he wants to be my friend??? after everything i've done??"

they wake up after the promise (the social link isn't established yet) with riddle still looking like his overblot self but now in control of himself. the phantom is still alive, desperately trying to reconnect to riddle.

minako's pocket feels heavy and she pulls out something very similar to a gun. there's no time to think, she puts it up to her head while shielding riddle from the phantom.

orpheus makes her return from the sea of souls.

the battle is soon finished with riddle and kotone being the most injured (i think that attacks that use hp cause injuries on the users body). with only a few questions about orpheus before crowley shows back up, the chapter finishes as normal with only riddle and kotone being taken to the infirmary.

at the end of the chapter, hamuko tells riddle she remembers her name.

at the exact point where 11:59 changes to midnight, the sky turns green and people turn to coffins, only this time the two in the infirmary are awake to experience the hour.

[leoalvarez-clowncarcommittee]

Furry Visual Novel Book Club: Echo Week 7 SPOILERS

Hi everyone, here is the SPOILER FREE discussion post for “Echo - Carl’s Sunday-2 Electric Boogaloo???”  

Links: Previous - Next - Original - Spoiler Free Version

Feel free to respond in reblogs/replies/or asks :D

We open this section with Jenna on the scene, having just struck Carl with a stool 

Jenna ignores the ram she had just knocked over the head and explains she stumbled into the house looking for Tj and that things have been crazy after Carl and Chase left the lake... About Tj seeing Sydney among Leo acting strange. She continues that something is happening to everyone, mentioning gunshots from main-street. The trio explains that things aren’t much better here either. Really dying for the reverse Carl-Route fic with Tj, Flynn, and Leo

This is the really only ‘Silent Hill’ type route, where the party is trapped in a nightmare dimension while all other routes deal with experiencing the Hysteria. This initially disappointed me on my first play-through, because I got hooked on the Silent Hill aspect. We do get more, with the horrors generating themselves mostly as these the subconscious nightmares of the characters, but this is the only time it’s front and center. It’s definitely more in-line with Cosmic Horror nature of the Entity to do it the other way, but at least one more nightmare route would have been appreciated. Good fanfic space where we can throw out themes because the game did the themes though!

Raven opens the newly unlocked door, and the group all pass out. Chase awakens to Raven calling out for Chase and Carl, reminiscent of events of the kitchen. Chase hobbles downstairs in a new location, to find Jenna and Carl in front of wardrobe containing a screaming Raven. Raven is let out and the group determines they’re in a log cabin of some kind.

I think this is where Raven works the best in the narrative. They need someone a little dumb and someone a little detached from the horrors other than Chase to help ground things (As well as giving Jenna SOMEONE to talk to). Also is this a ‘Raven in the closet’ joke??? He’s obviously a LITTLE fruity, at least how he acts/responds. Maybe he’s just metro-sexual.

Chase peers out of a window for the source of beating drums and sees a large bonfire some ways from the cabin. The group see ‘something’ moving outside and resolve to find more evidence as Neutral kicks in, relaxing the mood. The group split up to look, with Chase commenting on Carl’s possession condition.

I was initially upset by the ending of the route where Carl and Chase don’t end up together, but seeing lines like this so before the ‘climax’ makes it make a lot more sense in full context. Carl was truly mostly gone.

The music cuts as Chase dwells on the feeling of being watched… From the lines “I hold still, then lean back, tiling my ear towards the sound,” a twenty second timer kicks in before playing ‘Bent’, an unsettling piece, accented by the ‘something’ from earlier presumably rustling around just outside the cabin. The ‘something’ appears in the window to Chase, Chase’s body freezing upon seeing it. An unknown voice commands it to stop, something from INSIDE the cabin. 

My best interruption is that this is ANOTHER Echo/Ghost of John Begay. With James I being the voice over Chase’s shoulder. Which leaves us with maybe three? The one possessing Jenna, the Smoke Monster, and now this fox. The spirits are also more ghost-like (white and appearing over shoulders). Definitely something I’m looking forward to getting some more concrete answers to in either TSR or a potential rewrite. (As this ‘entity is dropped too... unless it’s supposed to be the shadow monster from the next part too? And it’s just taking different forms to spook people??)

The creature cackles in response, replaying the cackling sound from earlier in the route. The rest of the group rush down stairs as Chase is finally able to scream. Carl badgers Chase for information on what he saw, only for the conversation to be interrupted by Raven finding a newspaper clip. The newspaper catches fire only after Raven is able to read a single line

Carl and Jenna argue about the burned paper, attacking and defending Raven over igniting it with a candle on accident respectfully. The group end up searching for a few hours and decide to sleep on different floors for the ‘evening’. Chase comments that all of Carl’s mannerisms are different and the two settle into bed together to sleep. Carl embraces Chase, pulling the otter into him. Chase has trouble falling asleep, and after doing so, explores downstairs to find water after waking. Chase finds Raven asleep, and a convenient cup of water on the table.

-----

mmhhh... buppy <3

-------

He takes a sip only to spit out a foul liquid. A loud sound scares Chase and he goes into the adjoining room to investigate. The wardrobe Raven was trapped in early starts to shake. 

Black tendrils from the wardrobe make the shape of hands and feet, before the wardrobe opens violently, followed by a black creature from within attacking Chase. Chase suffocates as the creature engulfs him… Chase wakes up from a nightmare, only to see Carl over him in bed.

We also see this kind of creature in another game doing something very ... similar. It feels at least especially inspired by this line too...

EXCELLENT use of nightmare setup. We’re already conditioned to just accept whatever weird thing is happening, and with the layers of nightmares already seen, it fits in while still being ‘explained.’ Also was the liquid in the cup this route’s piss joke?

I had completely misread this scene wrong the first time. I thought Carl/James I was shaking Chase awake/drove off the monster... but it does sound like he was trying to ‘mount’ Chase in his sleep and the weight on top of him caused his sleep paralysis nightmare...

Jenna barges into the room as “Anger” begins to play. Jenna tackles Carl out of bed and starts to beat on Carl who is now on the floor. Chase notices a shadow making Jenna appear larger… only for Chase to notice the same kind of shadow around Carl. Raven shows up to drag Jenna away from the scene. He questions her and she responds: 

The forms of the shadows disappear, and Chase helps Carl up. 

Neutral comes back in as the two talk and have a serious talk about ‘them’. Intimate plays as the two discuss what’s going on, asking how much of James influenced the ram. 

(Hi, as soon as Silent Echoes is wrapped up, I’m going to be entering my Carl Brain-Rot era after replying this scene)

This is where the Route splits into two branching narratives. For the purpose of this Book Club, we will be selecting ‘Fight it.’ We will cover ‘Let it help us.’ at a different time! In my opinion this was the ‘harder’ route split option to choose ‘correctly’. They really did make Carl to be a bit inept, and I was on the bamboozle train that John was the child abuser not James I (which after a scene in TSR, maybe they both are????)

Chase doesn’t trust the entity and tells Carl to fight it. 

‘We ARE in this together’... the ship that only sails when Carl has the pedo-ghost... truly fucking tragic these two idiots don’t ever talk to each other otherwise because they make such a good/cute pair when they do.

------- 

🐺   🪢  ......... I like to think this was on purpose

------

Chase awakens to Carl spooning him, and the two let themselves enjoy the moment. 

They eventually remember the spooky hell dimension they’re in after being a little to loud.

Personal Note: BOOOOOO, GET BACK TO THE BED AND STOP THINKING. Also this frumpy, bloodied up Carl sprite is TOP FUCKING TIER

Chase heads downstairs to resume the search… 

------------------

And that wraps our reading for this week. Despite the ‘length’ of this section, not much happens. The new setting is certainly interesting and Jenna and Carl’s worsening conditions sure are interesting.

Next week will be our longest one, approximately double the length of previous weeks. There’s a fail state on the next choice, so make sure to save in case you don’t remember/want to reread the death scene yourself. It’s not very long but I’ll be sure to cover it!

This will be the end of Carl’s Route. Be on the look out for a poll about the branching narrative option!

Remember, this is the spoiler version, Spoiler Free Version HERE

[pjunicornart]

Back at it again with more PJ's Daycare shit! WOOOO! This time with more of a focus on PJ and... Hudson~

OKAY. So. First image here... more focused on PJ. With Hudson's very early concept design. I threw in some of the other daycare employees (Melon and Cali) as little cameos, and I even did a scene of them reenacting that one funny video of the kid because I was watching a meme comp. and I thought it would be funny. Plus, let's be honest... PJ's new addiction to coffee definitely has... side effects.

Yes, I believe PJ has an "addictive personality". Which basically means it's really easy for him to get addicted to things. Well, hey... at least coffee is better than alcohol.

Plus, PJ's sudden bisexual awakening!

Second image, more focused on Hudson and PJ. I tweaked his design a bit, but I still wasn't quite happy with it. You'll see that later. But here I established these things: - PJ has a son with his previous partner, Omni. Unfortunately, shit happened, Omni was fed up, and they got a divorce. His son's name is Monochrome, and due to current circumstances, PJ cannot see him until he is cleared by the program he is in. In order to get a sense of how PJ might feel about this, I would listen to "My Little Love" by Adele. - Both Hudson and PJ are tall. But Hudson is only slightly taller than PJ. - Hudson has a daughter named Elaine, and he drops her off at the daycare PJ is assigned to do community service in. Hudson probably works a very demanding day job, hence the nachos. I'm thinking this day job is something within the medical field. - Hudson having a daughter means he also has a previous partner. His previous partner, in Hudson's words: "He was very controlling. Had to have everything a certain way, including me." They got a divorce two years ago. - Hudson's daughter is biological to both him and his ex. This is because Seedling (his species) anatomy is VASTLY different compared to other species, making this possible. I would delve into it, but that's a bit NSFW for this post. - PJ is head over heels for Hudson. But due to past and current trauma, he is having trouble letting Hudson inside. I mean that he's afraid to let Hudson in on his... whole world, so to speak. - PJ probably has a fear of abandonment, as well as issues with intimacy. (Again, caused by his past trauma.) - Hudson, on the other hand, is very chill. He goes to therapy and is actively trying to better himself. He also works out. It's part of his self love campaign. - They probably have one night stands a lot, but because PJ is not fully healed, he's afraid to make it something more. Hudson probably wants to be more, but PJ isn't ready/scared to.

Third and final image! Woo! And here we see Hudson's final, official design! Isn't he cute? Yeah...

So I mentioned that he's a Seedling, yeah? Well, to be more specific - he's a type of Seedling called a "Clover Seedling". No duh, right? Now, all Seedlings are characterized by having skin like soil, moss on their bodies in areas, hair like grass, and three to five "tails" or "sprouts" coming from their tail bones. Different Seedling types have different flora growing from their person naturally. Clover Seedlings have clovers, Apple Seedlings have apples, Buttercup Seedlings have buttercups... you get the gist.

Seedlings are a plant based Monster. Meaning... long walks in the rain or Sun are Hudson's cup of tea! Hudson can even make clovers grow around him by touching the earth. Isn't that cool? Also... no. The blue tipped clover on his chest is not a layering mistake. That's because Seedlings have a sprout on their chest that senses the moods of others. When Hudson is around PJ, it's either an intense pink (passion, lust, love) or varying shades of blue (sadness, depression). Sometimes, it will be purple (fear, anxiety, uncertainty).

Anyways... this image basically solidifies that PJ is holding back a lot with Hudson. Almost like he's not allowing himself to be happy.

WOW THAT WAS A LOT OF INFORMATION. But I hope you enjoyed it somewhat. At this point I might as well just start a Rebooted PJ's Daycare comic.

Hm... we'll see. If I get enough people yelling at me then I guess I'll do it...

(Just an FYI, Seedlings are a closed species of mine.)

[popopretty]

Storm Bringer Spoilers (3)

Another small excerpt from CODE;04, a.k.a how to make Dazai fight with all his might lol He is so cute here btw. 

This is when Verlaine’s final form was released and Dazai called Mori asking him to flee.

(Sorry because I keep translating parts with Dazai. Chuuya is amazing in this novel and I cannot even choose my favorite part. But honestly when it comes to translation, I find myself most motivated to do scenes with Dazai so I am gonna prioritize that. )

CODE;04 

....

Hirotsu and Dazai were watching the giant monsters steps in the woods a short distance away.

“It is moving.” Hirotsu said, stunned. “That direction is... the city... Yokohama...”

“That thing is the incarnation of hatred.” Dazai said as if he was reading from a book. “It will react to the attacks, or in other words, the hatred of his enemies.” Some people from the city have already noticed the attack just now. It reacted to that, and that’s why it’s heading for Yokohama.”

“Then, if it goes on like this...”

“Yes, millions of people are going to die.” Dazai took out his two-way radio. “It looks like it’s about time.” Then he adjusted the frequency of his radio and started speaking. “Mori-san? You’d better flee now. It is heading over there.” 

On the top floor of the Port Mafia building, at the desk inside the Boss’ office. 

Mori was sitting there, looking out through the window.

The room was dark, and a great view of Yokohama at night could be seen through the window. The sky far beyond his gaze, far beyond the city was faintly glowing in a crimson red color. The clouds were lit up by the battle that happens in the distance and the fire from the woods. 

“I could see the attack just now from here too.” Mori spoke with a calm voice. “Looks like an amazing turn of event.”

“There is nothing amazing about that.” Dazai said. “That thing is just another Arahabaki. When Arahabaki was awaken nine years ago, it blew up the whole city in just a moment and created the huge Suribachi crater. If it unleash that kind of power in the city continuously, Yokohama will sink to the bottom of the sea. There is nothing we can do now.”

Mori didn’t flinch one bit at those words. He just breathed quietly, and said. 

“Dazai-kun. Do you know why I am able to do what I do as the boss?”

“Mori-san.” Dazai said with a rather bitter, blaming voice. “It’s no time to talk about such thing.”

“I don’t have a handy ability like you all over there. Instead, there is one thing that I am a little bit better than you. That is the intuition to estimate the necessary resources and send them to the battlefield.”

Dazai went silence for a short moment. “You are telling us to take that thing down?”

“You told me to run. But with that monster as the opponent, where do you think I should run to?”, There was a calmness in Mori’s tone showing that he was only stating the fact. “Rather than that, I would like to see how you... you and Chuuya-kun will cut your way through this crisis. That will definitely, become a beginning of the new era.” 

“You said it so casually.” Dazai replied with a bored voice. “But Chuuya is probably dead already. When the monster appeared, he was the closest to it. And he didn’t response to our calls at all. Even if he used gravity to guard himself and survived somehow, he might have already been in that monster’s stomach by now... How about I tell you what I think about that?”

Mori didn’t answer, just slightly shrugged his shoulder. Dazai waited for a moment and continued.

“I think this is one hell of a good chance. If I am hit by such an ability, I will definitely disappear without any trace in a blink of an eye. There will be no pain nor suffering, not even an ugly sight after I die. A one-in-a-million chance that I will never see again in the future.”

Mori didn’t reply to that right away. He was rolling the answers inside his mouth, his eyes looked as if he was considering something. He stayed quiet, tapping his lip with his fingers. 

“You are probably right.” Mori said after a long pause. “But you will stand up against that monster and fight it with all you have. I know that.”

“No way. But I will at least hear your reason.”

“The reason is extremely simple.” Mori grinned. “If you get killed by that monster and die now, no one will be able to save Chuuya, and he will die too. In other words, doesn’t that mean your long-awaited death will be accomplished in the form of a double suicide with Chuuya?”

There was a silence for a good ten seconds.

Then from the other side of the radio, Dazai went “Wow”.

“What is that “Wow” just now?”

“Nothing. Anyway, you are wasting your time trying to manipulate me. Hanging up now.” Dazai said, then cut off the call.

Mori held the radio in his hand with a smile on his face.

After turning off the radio, Dazai froze. 

He then held the radio, rolled up, and screamed at the ground.

“That only is unacceptable!!!!!!!!!!”

...

[masterhandss]

May I ask, what happens in the short stories included in the Hamefura manga volumes? (e.g. highschool AU, kindergarten AU, genderbend AU, etc.)

Well, okay! I'm not good at summarizing stuff, so sorry in advance! I'm also writing these without rereading the Bonus SS so there may be small inaccuracies in these summaries. Some of these are gonna be longer than others depending on how much of I still remember lmao

I still suggest everyone go buy the manga volumes and give them a read, these extra chapters are so fun it makes me wish the anime fillers are always these wacky and entertaining (in fact I had to put writing this on hold because Season 2 adapted one of these, kinda XDD)

// spoilers for the hamefura manga volume bonus ss/special oneshots

Volume 1 - Untitled

Bakarina wakes up and realizes that she has no control over her body. She is confronted with a familiar scene of Katarina bullying Maria in Fortune Lover, and realizes that she's experiencing it from a first person point of view: through Katarina's eyes. She comments on how cruel Katarina is and explains the different ways she'd treat Maria differently, until Keith and Geordo arrive to save Maria. Bakarina feels unnerved and saddened by the angry and hateful looks that Keith and Geordo are giving her (Well it's Katarina, but Bakarina feels like they are look at her), and nervously wakes up from the dream. It is revealed that the dream took place some time before her arrival at the Magic Academy, and that she vows to work hard not to fall into a Bad End so that she'll never receive such hateful looks and be scorned by the otome game characters who she now considers to be her closest friends.

Volume 2 - Doom Route★Private School

Katarina gets awoken by Anne telling her that she needs to get ready to school. Katarina is surprised to find out that she has a school uniform and that she'll be heading to school in a fancy car. Anne tells Katarina that Keith won't be coming with her because he's already at school. When she gets there, she gets greeted by Keith who is part of the School's Disciplinary Committee. She is also greeted by Geordo, the SC President and his twin brother Alan, the Secretary. Keith's job is to check everyone's uniforms, so he reprimands the twins for their custom uniforms. Geordo tells him that he'll just have the rule changed, and that Keith's uptight attitude is why he doesn't have a girlfriend. This is how Katarina finds out that the engagement between Geordo and her is a verbal agreement between families, so she's technically engaged to him but it's not official.

After meeting up with all her friends, Katarina enters the classroom to find it looking just like her old one in Japan. She finds that she had scribbled doom flag avoidance plans on her desk and notebooks, and realizes that she's still in an otome game. Maria then enters and is introduced as the new scholarship student, and Katarina runs out to read her notebook. Everything is the same, from capture targets to rival characters , except the setting is a modern. Katarina finds out that her bad ends only lead to her getting either expelled and transferred or getting a restraining order. Katarina becomes confident in befriending Maria, and enthusiastically plans to enjoy her new life in a modern school. The chapter ends with Katarina buying lots of melon bread from the cafeteria, and wakes up form the dream before she could eat it.

Volume 3 - My Next Life in a Fantasy RPG

Katarina is awaken by Miri, who tells her that she is late and that she needs to eat breakfast. Katarina dresses up and realizes that her clothes looks like a cute outfit form an RPG. After being greeted by her father and being given a simple japanese breakfast (which made a bit emotional), Miri scolds her and tells her to hurry since she and Keith needs to check up on a few things before they leave. When Katarina asks where they are going, Luigi tells her that she and Keith are headed on a journey to become heroes and defeat the demon lord. She is told that they are the two chosen from the village as representatives. Katarina, being confused about being in an RPG-like world instead of an otome-line one, realizes that she is in a dream and is excited to play a heroine role in the fight against the monsters. Katarina is awoken by Keith during their carriage ride, and told that they were at the castle. Despite being representatives of their village, they still need to be selected as a true hero. She asks on how they were selected as the representative, and Keith tells her that it's done by lottery. Katarina admires the RPG-style outfits of everyone in the crowd, before the high priest arrives and announces the details of the selection.

Everyone is divided into small groups and left to face monsters in order to assess their abilities. Katarina, who has never fought before, is scared of the task because she's never fought monster before. Unlike Keith who looked like a knight, her weapon is a hoe. She asks the officiate beside her if she can just eliminate herself and watch from the side, to which Keith sighs in disbeliefs and the man giggles at the confession. As the officiate yelled at the sight of a world, everyone got ready for battle. While Katarina admired the fight from afar, she realized that something else was growling besides the wolf. Timeskip to hours later, Katarina was selected as a hero with the title of "Monster Tamer", and the officiate reveals himself to be Prince Geordo and asks to be a part of her party. As Katarina and her party march on to face the demon king, they encounter a witch, who reveals herself to be Miri with a book of manners. Katarina then wakes up from the dream.

Volume 4 - Dreamland Genderbender

Katarina wakes up to the sight of a male butler waking her up to tell her that she is late for school. When she asks him who he is, he says that he is Anne, Katarina's faithful butler. Katarina realizes that Anne is a man, and that she isn't a she, but a HE! Katarina freaks out at the fact that he is a man and realizes that there is something on his waist that definitely shouldn't be there. Before Katarina could ponder about it for too long, Anne helps him prepare for school. He gets greeted by Keith, and he becomes overwhelmed by how cute (and yet somehow very Keith-looking) she was. When they got to the Academy, Katarina is greeted by Geordo and Alan, who are princesses instead of princes. Due to the fact that everyone's names were still the same despite being gender-switched, she realizes she's in a dream and plays along. Mary greets Katarina good morning, and Katarina notes how gentlemanly and dashing he looked. Katarina was then greeted by Nicol, whose smile was so lovely it made everyone blush. As she pondered on whether the female Nicol was more charming than her male counterpart, Sophia greets Katarina.

On their way to class, Katarina looks into a window and feels bad about how mostly the same he looked despite being a boy. Geordo clings onto his right arm as she tries to lead him to class (emphasizing her chest while doing so, which Katarina notes as being possibly bigger than Mary's), while Keith takes the other arm and gets angry at the princess for her behavior. Katarina is overwhelmed by Keith's adorable height, and lets go of both of them to hug her. Geordo takes a hold of Katarina, vocalizing his jealousy over his touchy-ness with Keith and demands the same treatment because they are engaged and because she is much more attractive than Keith. The argument between Geordo and Keith becomes heated, discussing whether or not a huge chest is much more attractive in a woman. Alan doesn't want to be a part of it, and Nicol stops their discussion as it is embarrassing to hear for the other students. Katarina doesn't know how to react since she is a boy in this situation. When they get to the classroom, they are greeted by Maria, which prompts Katarina to contemplate on what the differences are in the world now that they all swapped genders. When they get to student council room, Katarina compliments Raphael on how small and adorable she looks, bringing back the heated discussion between the girls about chest sizes. Katarina shouts that he has no preference, and then wakes up from the dream.

Volume 5 - Doom Route Kindergarten

Anne introduces herself as a daycare worker at Doom Route Kindergarten, and awaits the arrival of the students. First car arrives with Geordo and Alan, children from a well-off family. Anne is asked to take care of the two, who she nicknames "Sebastian the Butler". Anne notes on how well mannered the two are, and how they are apparently children of a government figure. Next car arrives with Mary, who is a the very feminine fashionista among the children, who loves flowers and fashion. Next car arrives with Nicol and Sophia, who were admired by the staff because their loving parents drop and pick them up from school themselves. Nicol is rumored to be a future seducer by the staff, and Anne notes on how they used to never interact with other children until recently. Next comes a woman on a bike, revealing herself to be Maria's mother who is there to drop Maria off. Despite being the daughter of a normal company employee, Maria was able to enroll into a private kindergarten through a scholarship due to her talent in baking despite her young age. Maria used to have a hard time adjusting to being a school for rich kids, but she had become more enthusiastic about school more recently.

When Maria asked Anne if Katarina will like the treats she made, on cue, another car arrives. Miri angrily drags a half asleep Katarina out of the car, reprimanding her for napping as soon as she finished eating breakfast. Miri apologizes for her daughters rudeness, and Anne replies that she's used to it. Anne tries to wake up Katarina by telling her that Maria made treats for her, which works and jolts Katarina awake. Katarina constantly clings onto Anne and asks her to play with her, while the other children tries to get Katarina to play with them instead. Anne notes how happy she is that Katarina likes her so much, even if she gets glared at by the children as a result. After receiving so much offers of different activities to do, Katarina settles on challenging Alan, which everyone follows them to. Anne runs after them telling them not to climb any trees again. After that, Katarina wakes up from the dream.

Volume 6 - Magical★Girl Flag Breakers

I already made an attempt to translate this chapter, since Manga Volume 6 has yet to come out in english, so I suggest reading it! I'll still summarize it though I guess

Katarina is on her way to school, running with a cucumber in her mouth, until she accidentally bumps into what looks like a small doll. The doll talks back to her, making her realize that it is sentient. Katarina and the doll, who reveals himself to be Raphael the Spirit, have a quick banter that escalates into a discussions about the nature of spirits and the danger that the planet will soon face. As Raphael finishes his explanation, monsters summoned by the evil organization began to attack in a nearby park. Katarina and Raphael checks it, and finds a giant stuffed bear rampaging. Katarina attempts to flee, but Raphael asks her to help him. In a panic, Katarina says yes, and the two form a contract. Katarina transforms into a magical girl and attempts to fight the monster. Despite being confused, she was able to win, and thus beginning her journey as a magical girl.

Timeskip to a few weeks/months later, Katarina mentions that she had found more magical girls among students in her school which includes Mary from the Gardening Club, Sophia from the Literature Club and Maria from the Student Council. The three were recruited by a spirit named Anne. The four are close friends who walk together to school. During one of their walks, they are interrupted by Geordo, one of the Four Kings of Ruin who are part of the Evil Organization. Mary, Sophia and Maria get angry at him for ruining the moment between the girls, and Geordo calls upon his allies in order to be alone with Katarina. From the sky descends the other members of the Four Kings: Alan, Keith and Nicol. Rather than being excited for battle, the three instead berated Geordo for calling them during their free time. Geordo asks them to fight off the other three girls so that he can be alone with Katarina, but instead they interact with Katarina whom they have already met prior. In the end, Geordo is arguing with Mary and Sophia, Alan and Keith are flushed in the corner at the sight of Katarina, and Nicol and Maria are sharing food (since he dropped his pasta after being summoned by Geordo). Katarina wonders if she really is a magical girl since they haven't actually been fighting whenever they encounter each other, and then wakes up from the dream.

Rereading this now, I may have made these summaries a little too long... I hope this doesn't discourage anyone from reading the Bonus SS yourselves!! Please read them, they are so funny and good!!

Detective Katarina's Office isn't available yet, I might edit this post when that drops.

Thank you for the ask (help my fingers hurt from typing jshdfg)

[thehomothings]

Analysis of Kite's conflicting moralities, relationship with death, and the toll reincarnation may take on one's psyche

So, today I decided to compile all the thoughts I have had about Kite's interesting worldview since the first time I saw him into one post, mostly for my own sake, really. If you're familiar with the few posts I've made, you know it's gonna be a mess, but hopefully a comprehensible mess.

A heads up, this is going to be spoiler-heavy, and very much deal with subjects of death and dying as a whole. Also, some of these conclusions are drawn from my own experiences and close brushes with death, I'm not going to go into much detail but it might get personal and definitely dark. I'm not even sure if I can call this a meta-analysis, and I'm obviously no expert, so mayhaps take all of this with a grain of salt.

Been getting into drawing lately, and during the more simple and mindless part of the painstaking process of dotting every single star in this, I let my thoughts wander through the latest part of the fic I'm writing, and I got a better grasp on what exactly made Kite such an elusive character to me.

I'm not quite sure why I got so attached to Kite. Perhaps it was the air of tragedy surrounding him, how despite his sordid past he remained still open and gentle even if outlined by a healthy dose of cynicism.

But sometimes, I think it's the fact that he is so paradoxical. He's brave, yet fears death to such a degree that creates a whole Nen ability around it, is a pacifist yet will not hesitate to spill blood for his own sake or someone else's. Despite the many ultimatums and warnings of 'I will not protect you', he gave his arm and then his life to save Gon and Killua. He approaches each hunt and battle with a clear plan of action in mind, but his Hatsu takes the form of a roulette that gives him random weapons which are never what he wants, but what he seems to need for that exact situation, which he cannot dispel without using. When he draws a weapon, the decision is locked in and his or his opponent's fate is sealed. That's why each time he dubbs his weapon a bad roll. Every time he has to gamble, he sees himself as having run out of luck. When it comes to having to choose between himself and somebody else...well, there had never been a choice. In fact his aversion to using it may feed into its sheer power that we, unfortunately, saw too little of.

Let's go over his very first appearance when he saves Gon from the mother Foxbear.

It's not hard to see the strain searching for Ging has put on him; he's rash, prone to anger and punching a child for daring to get into trouble. In his mind, he's failing at his most important task, has not yet earned the right to call himself a hunter despite being in possession of his very own hunter license.

After killing the mother Foxbear and raging about having done so, he says this interesting line:

So yes, he finds killing for any reason rather irksome as most would do, yet I think something deeper caused him to absolutely lose it in this scene:

He had not been aware of Gon's identity, and despite being an animal lover and a naturalist, he made a choice to save the human instead of allowing nature to run its course. In fact, he says: 'No beast that harms a human must be allowed to live.'

How does one weight one life against another? How is the worth of it determined? The value of life... an impossible choice he's faced with and a choice which he seems to regret to some degree.

The Foxbear cub.

Here, he's speaking from experience, a tangible loss he has felt himself, and a hard and bitter life he does not want to impose on the cub.

His backstory is exclusive to the 2011 anime adaptation but there are hints alluding to it in the manga, for example, the fact that he does not seem to know his birthplace, or:

The choice of words is chilling.

Reading between the lines, one could draw the conclusion that he is an orphan. Something supporting this hypothesis is how he visibly deflates after Gon tells him his parents have (presumably) died.

So we see he is willing to go against his own moral code of not killing as to not doom another living being to the life he led, a lonely, hopeless existence that could barely be called one. He saw it best to put down the cub rather than leave it to die a painful, slow death.

The reason Kite himself isn't as cynical and cold-hearted as one would be after witnessing cruelty in its rawest form is those small crumbs of human kindness which he may have found in Ging.

It was not only a chance at an honorable life being Ging's apprentice gave him, but it also 'saved' him from being broken and twisted into what he hated and worst of all, death.

If we take that one minute of backstory as canon to his character-which I find myself inclined to do- these quirks of his make much more sense. He lived on the run. He lived on the knife's edge between giving up or pushing forwards. He lived as so a wrong move could be the difference between survival and the end.

Between rock and a hard place creates a mentality of black and white, absolute good or extreme evil, this or that. Except in reality, it's much harder than that. Deciding who to save and who to strike down is a heavy burden to bear.

It's almost easy to see how struggling to keep surviving could lend itself to a crippling fear of death and subsequently developing a Nen ability which once more goes against his own moral code in order to give himself a second chance...yet something about it strikes me as unlikely when I look at it this way.

Living life knowing it could end at any moment has the opposite effect, at least for me it did. One comes to accept that it is fleeting and while not eager to let it go, when death eventually and inevitably does come, there is no fighting it.

Especially when there is no hope that tomorrow will be a better day than this one.

Frequent near-death experiences numb one's fear in a way, even if it drives them to take precautions that render it unlikely to happen again and results in c-PTSD, but still, it does. It sparks a certain nihilistic view of 'if it all can end so easily, then what's the point of it all?'

Unless there are things to live for, a sure promise of a better future, and Ging gave Kite that. When he faced the threat of losing his second chance at life:

Really, what else could lead someone to develop the ability of 'the hell I'm going to die like this'?

I think a separate event, an even more brutal near-death experience that almost cost him his life as the hunter he so strived to be set him off to develop the secret roll of Crazy Slots, what I call Roll No.0, Ars moriendi. Unlike other weapons, it cannot come up in random and is directly summoned by him, or better said, summon by his overwhelming will to keep going and hopelessness of fighting a losing battle. I don't believe roll No.3 was the weapon that allowed him to reincarnate. I've named that one Wand of Fortune, a sort of armor instead of an offensive weapon since I find it hard to believe Kite, a Conjurer, would not focus on defences as well, and I will go into both mechanisms of these weapons hopefully in his backstory.

Despite knowing this battle to be a pointless one and being acutely aware of his soon to be demise, he did not immediately draw Ars moriendi, no, he stayed back and fought for the sake of the boys, kept Neferpitou occupied until they could reach safety. We can see evidence of this in the aftermath of the battle that seemed to have gone on until dawn, a torn apart landscape only signaling a fraction of the devastation that was Kite's power unleashed. It still wasn't enough.

In the anime sub I watched, when Gon apologizes to Ging about Kite's death, Ging said a sentence that infuriated me, because it belittled the utter suffering of the NGL trio.

"He would not die in your place." (No screenshot, sorry)

And I remember practically shouting at the screen, screaming 'how could you possibly say that? Of course he did. He absolutely did die in their place. How could you not know your own apprentice? Why-'

It was only last night that it hit me why Ging would say that.

Once upon a time, maybe Kite would not have given his life for anybody under any circumstances, even if he had a way out of it all. He would still need to die to come back to life.

His Thanatophobia could be attributed to the (possibly untreated) PTSD of the near-death experience in his later life, being so certain of dying that finding himself alive afterwards drove him to never want to go through that again. He quieted his fear by creating a sort of a loophole, that even if he lost the battle he would remain. Ging remembered that, but as evidence shows, something changed. Maybe he healed a bit, perhaps growing up dulled his fear to a certain degree, but eventually when it came down to his life or another's, he didn't choose himself.

Now, I can hear you saying 'but he didn't die, so what are you going on about??' And so I reply: Yes, he is alive, but he did die. He experienced that painful, horrible moment of staring death in the eyes and thinking 'This is it, this is the end', went through the actual process of having his soul removed from his body. And that moment stretches into infinity, ten lifetimes condensed into the mere seconds before oblivion.

Dying isn't so hard if one stays dead.

It's not so easy to open one's eyes and find oneself alive again after that, no matter how much that is the heart's desire. It's difficult, nigh-impossible to reconcile with life and walk amongst the living when everything had been so final, when death had been accepted to its fullest.

So Kite awakens, the twin of Meruem and back from the dead, his mind and identity both intact and fractured. In that he is Kite is no mistaking, yet he is not the same gentle pacifist whose first reaction upon sensing a monster's aura was to shield two kids from it at the cost of his arm.

I don't think many of you are familiar with Zoroastrian ideology, but Togashi is known for loving his religious imagery, and it's not only Christianism he derives inspiration from (evidence of which can be seen all over Kite's character and resurrection).

In Zurvanism-a branch of Zoroastrianism- there is talk of the twin spirits: Ahura Mazda -epitome of all that is good- and Ahriman -epitome of all that is evil-, the parent god Zurvin decides that the firstborn may rule in order to bring "heaven, hell, and everything in between."

Upon becoming aware of this fact, Ahriman forcibly tears through the womb to emerge first. Sounding familiar yet?

Zurvan relents to this turn of events only on one condition: Ahriman is given kingship for 9000 years, and then Ahura Mazda may rule for eternity.

Meruem ruled for 40 days, his death leaving the throne vacant for ant Kite, wearing a dead girl's face and seeming to be brewing some nefarious plan. No more is there any sign of that unrelenting pacifism and the sanctity of life he held so high, losing his own may have only served to show him how meaningless the pain and suffering he went through had been, dying only to be reborn as a member of the species that killed him. It may be that he has no desire to rule over the remaining Chimera ants or create an army of his own-

Yet I dread to think what a broken mind possessing limitless power might do to the world.

And that's it. If you made it this far, thank you for reading! If you found it interesting, stay tuned, as I think a lot and I will make it your problem.

[haditadelchampu]

so since i’ve been studying tarot cards & deeper meanings for a while, i’ve decided to make a post on how the three of swords could connect to the chaos chapter: freeze & how it has also always connected to the TXT +U.

so let’s start with the upright wisdom as that is how it is tattooed:

- awakening to suffering

- heartbreak

- tending to the heart

- growth through pain

- betrayal

- resentment

- delays

the three of swords is a card that helps one through painful realizations. while the goal is to evolve & expand, you might experience/be experiencing a difficult recognition (i’ll get to how that connects to the +U). pulling this card may refer to news or an event that has awakened your suffering. in love it could be heartbreak, for relationships in general its a sign that what you have with a person will bring a dosage of hurt. once you acknowledge this pain, avoidance can only make it worse.

we know that their friendship has had many obstacles. & while many see soobin as the savior and yeonjun as the one who always has to face death, it’s deeper than what we see at surface.

yeonjun repeatedly going through the same thing could be the consequence of not allowing himself to grow to his full potential. there is still so much to see until our question of “why?” or “who or what is holding him back exactly?” is answered for sure.

but until then, yeonjun has to go through constant rebirth in order to find what he is missing & to break through that blockage. this picture below connects back to the term of recognition, & it may be why he is the one who has that tattoo placed on him. (also, engaging in self love/putting yourself first is a form of healing the wounds the three of swords points out, so yeonjun is definitely the one who goes through the most because him not doing so causes schisms in their group.)

the three of swords being about heartbreak & loss makes it impossible to not come in contact with sorrow and anger. quarrels & miscommunications (plus distance) are bound to happen, especially with those we are close to.

& as we know the group has been together since they were little kids meaning that even though they have seen each other grow up, that does not necessarily mean they acknowledged each other’s mental & emotional growth due to being together all of the time. we have seen each of them going through a moment/moments of outgrowth whether it’s from one person or their friend group in general.

because of this, that’s why the periods of them putting the hardships to the side for a while seems so magical and dreamlike. it’s almost as if in this (difficult) time of their friendship, that “happy” stage is impossible to achieve.

now lets get into betrayal and resentment. strong personalities could be at play, & not everyone is telling the truth. just from my pov, it seems that they are avoiding confrontations with each other. sometimes i see their reactions stem from them constantly hurting each other. there is the theory that beomgyu was never a part of their group, and he feels hurt whenever he is ignored. he might not speak up about it, but he definitely knows where he stands/his role in their group (awareness). could the reason he tried to suffocate taehyun be because he thought “if you are gone, that means there will be one less and my hopes of becoming that one friend that belongs will be fulfilled”?

keep in mind, built up vexation only makes things worse which is most likely why they have entered the three of swords stage. (side note for betrayal, cant you see me is literally the epitome of this. “who’s a liar”, yeonjuns “shh” with the fire scene, etc. once again, avoidance as well as oblivion).

i am not saying this is a straight up toxic friendship, it is just one full of miscommunication due to the fact that confrontations with one another could rise into conflicts. what are they so silent about? if they’re friends, shouldn’t it be easy to talk to one another? well, confrontations could lead to one walking away despite everything they have gone through together. it seems they fear this because it would mean they could potentially face the obstacles & consequences by themselves knowing they wouldn’t be able to handle it.

i can certainly see this new chapter being the outcome of what they created: chaos. they need to move on from their past, confront the present, & not avoid their responsibilities before they start to heal. this could be an opportunity of forgiveness which will result in understanding if done w/ effort. them trying to deal with monsters & the “evil” in their story distracts them from what they need to focus on before all else: each other individually & where their friendship stands. the three of swords doesn’t necessarily mean the end of a relationship nor is it always connecting to something negative, it’s just a symbol that a difficult time period will be powering over a situation for a while but healing will occur and one will move on.

i hope you enjoyed this read! feel free to comment your thoughts! <3 (this was an original thread on my twitter: @/emiliavaientina)

[pashfoxx]

Elements AU

Pre-hotchreid

Before reading, I want to say that this is the first work that I publish, and that it has more than a thousand words, also that my first language is not English and that I am sorry for any misspelling

you can know some more things about this au here

Fire and ice have always been considered polar opposites.

But people are wrong are not polar opposites. In fact they are quite close.

Aaron hotchner was born into an upper middle class family, his father was a renowned lawyer, and although his element was air, the man was cold as ice, with hurtful and icy words. And an even worse right hook. Aaron always believed that man should never have been a father.

Finally when Aaron was fourteen years old, the fury and helplessness that he felt towards his father for every blow and kick he received from him. He turned too much, a blast of fire breaking through from his forearms, with which he had been trying to cover himself from the blows. The flames burned his father's hand, Aaron opened his eyes, and saw his father grab his right hand, which was red and with what Aaron believed could be second and third degree burns, Aaron heard his father murmur a "bloody monster" Before leaving the room, at a hurried pace. Aaron got up feeling strangely good, the pain that he felt in his body did not matter to him, in return a sick feeling of satisfaction lodged in his chest, when he saw how his father had fled.

It was not until the next morning that Aaron finally understood how much things had changed after that night, The fire was not good, it was destructive, dangerous and unreliable, a week after what happened, Aaron was on his way to boarding school far from Virginia.

Over time, Aaron learned to never use or say the element of him, because then, people would walk away, just like all the people who had known.

The years passed and finally there are only ashes of that teenager fearful of his father, in return this Hotch is serious and stoic, who made his way through the court and the FBI as if he were a bullet, Hotch who only needed to snap his fingers to be able to create magnificent flames, but also very dangerous. Although Hotch has never used them. Because at the end of the day Hotch is just a forest fire, a forest that burns itself.

He hates it.

Spencer Reíd is the son of a literature teacher, who is also a paranoid schizophrenic. When Spencer was ten years old his father abandoned them, after that Spencer barely managed to earn enough money to keep him and his mother alive, and to buy some of his mother's expensive medications.

That coupled with the fact that Spencer was a Genius in a las vegas public school, just complicates everything.

Things got worse when the soccer team tried to strip him naked, and tie him to the goalpost. Spencer only remembered closing his eyes tightly and thinking that he wanted that to end no matter how, when he opened his eyes again, everything was covered in ice the football team with frost all over his body the rope in the captain's hand completely frozen. Spencer didn't think twice, she grabbed his shirt and bag and then ran out of the place.

Spencer had read all about the elements, he knew that the people who controlled the ice, along with the people who controlled the fire, were the minority in society. Spencer had learned the hard way, that people hated people with the element of ice. Ever since he awakened the element of him he had been accused of having no feelings, having little empathy and occasionally being a psychopath. Did people know that he misused the term?

Things really got better for Spencer, when he met Jason Gideon, and later he joined the FBI. In the FBI they were not obliged to tell the element of him, of course this was in the file of each agent, but you were not obliged to tell your element to another agent if you did not want to. Spencer really appreciated it, because the people of the water element avoided him like the plague when he found out that he controlled ice.

This was how he ended up creating a three-step plan so that no one would find out, number one, avoid physical contact, his body temperature could become below zero, it was practically a miracle that no frost formed on his body, number two, be careful with liquids, you still have problems so that they do not freeze when you touch them, and number three, never use your element.

And everything was going well he had friends, for the first time since college, of course he still missed Elle but he still has Gideon. But then the Hankel case happens.

Nothing is good anymore. Gideon left, he only left him a letter, but that does not prevent it from hurting less, the man abandoned him just like his father.

This in the bathroom he just injected dilaudid, he probably missed the dose because he does not feel his legs and everything is blurry.

He can't go on like this anymore. This will kill him, he doesn't want to die, not even at least. With shaky legs he got up off the ground. A single thought in his head.

He must get rid of the dilaudid.

The next seven days are like hell on earth.

When the worst of the withdrawal is over, Spencer forces herself to go back to work, she still had a few days off, but staying in his apartment hasn't helped her stop thinking about the dilaudid. His hands have a slight tremor, and his control over his element has diminished, causing him to freeze the odd thing in his path.

Spencer has probably been trying to complete this file for a little more than half an hour, she knows that Morgan and Prentiss have already noticed, but Spencer prefers to ignore the worried looks that they both give her, her eyes wander to the pencil in her hand, Note how the frost has completely spread over it, and is starting to do the same with the file.

Spencer quickly gets up from his desk, he can't allow that to continue happening, no matter how he just wants it to stop, he's fed up with not even being able to complete his paperwork, enters the bathrooms, and goes to the sink that you always use it, just touch it, it starts to fill with frost, you want it to stop, it doesn't matter how, you just want it to stop.

Reid had always intrigued Hotch. Since he met him, the young man had attracted him, there was something about Spencer, that caught Hotch's attention. At first Aaron worried that someone as young as Reid would see such bloody scenes, like the ones Aaron had seen over the years, soon Reid showed them that this was not a problem for him, and Aaron learned that while Reid could be extremely young, he was also extremely mature and contrary to many of the young agents if he respected orders.

The team had a no-profiling rule, Hotch knew that. Hell, he had been one of those who proposed her, but he couldn't help it he knew Reid was hiding something from them, he wanted to believe that he would tell them when he felt comfortable. Gideon wouldn't have pulled all those strings, if it was something dangerous.

It only took a hug for Hotch to notice. Reid had held him when they found him with Hankel, the way he felt the cold creep across his normally warm skin, a sensation he hadn't felt since he was a teenager.

It all fell into place slowly, how Reid looked nervous when someone tried to touch him, how Reid would look confused when Morgan tasted his coffee and complained that it was too sweet and icy.

After that he couldn't help but notice the details, every single thing Reid would do differently, to keep it a secret from him.

Then when he saw the young man get up from his desk and practically run to the bathrooms. Hotch worried, thought for a moment before getting up and heading to the bathrooms in search of Spencer.

When he opened the bathroom door, Aaron saw Spencer looking at himself in the mirror, firmly grasping the hand wash, the young man did not notice his presence at the moment, more concerned about how, the frost was expanding through the mirror and the hand wash, When Spencer finally noticed Aaron's presence, she was quick to hide her hands behind her back.

- I - I can explain it - the panic was noticeable in Reid.

- Spenc ...

- I know it's not normal, that's why I hide it, people don't usually trust people like me, I'll understand if you want me to transfer ...

- Spencer! - Hotch exclaimed again, to get the young man's attention.

Spencer finally forced himself to look at Hotch, he saw how his boss did not seem angry, the man extended his palm and from one moment to another small flames appeared in the lines of his fingers,

Spencer looked at him with surprise written on his face, he always believed that Hotch's element was earth or air, in addition to the fact that the chances, that two people, with some of the rarest elements, would work in the same place were extremely low. .

- I would never ask you to transfer, Spencer you are a fundamental part of this team, besides we would all miss you - Hotch said looking at the young man who was hugging himself - you don't know? He - he added belatedly, although he only received a small nod from Spencer.

Hotch made the flames disappear from his hand and took a step toward Spencer, bringing his hand closer to Spencer before quickly pulling it away.

- can I touch you? - Hotch asked, receiving another nod from Spencer, Hotch approached to wrap him in a hug.

"Maybe you don't think so right now, but you're important to all of us Spencer," Aaron said.

Spencer's arms wrapped Hotch in a soft hug. The fire hurt Spencer, and the ice made Hotch feel weak.

But it was worth it.

Hotch observed, as a slight smile, made its way across Spencer's face, who seemed to be much calmer.

Yes, it was definitely worth it.

[belit0]

Commission for @GlitterBomba!

Part 2 of this!! I don't feel it's as angsty as it should be, but for some reason, my creativity wanted it that way? It's been a long time since I've last written, and this was definitely a challenge... First part was produced way too long ago, so it was also challenging to connect with what I felt when I wrote it! But here it is, and I hope you like it, GlitterBomba. Thanks for trusting me!

My Ko-fi page~ Buy me a coffee if anyone wants part 3 ❤（っ＾▿＾）

It took you days to awaken from your deep sleep, days which became weeks, and weeks transformed into months. There was no hope for your life among the healers, but the tenacity and insistence of those elders who saved you forced them to continue providing methods and energy, herbs, talismans to keep you breathing.

Impossible to explain how that mortal blow did not steal your last breath, not when the perpetrator was the greatest tyrant in the current world, the monster everyone learned to fear and flee from. In the small place where you are kept hidden, rumor has it the treacherous one repented as soon as his hand affected your body, causing you not to succumb immediately.

It wasn’t until after he vanished, shrouded in lightning and hatred, when one of Ashura’s subordinates came upon the scene of your sad fate. A pool of blood acting as a bed over a pale body, devoid of any warmth and life. Everyone was quick to write you off for dead after such an event, and only when one of the village elders took your pulse did he find your incredible attempt to resist despite all odds.

Keeping you along with the new leader and his people would not be a good idea. Not when you barely escaped with your life from the beast. In case he came back and besieged his younger brother, it would be better if he didn’t find you there. That man proved to have an unquenchable thirst for revenge.

Tempting fate once is more than enough.

That led a group of elderly men, those who defended your slight pulse when everyone thought you were dead, to ask Ashura’s permission before disappearing and taking you to a safe place, making use of some of the village healers to ensure your health. 8 men of different ages vanish with you, swearing on their lives to do everything possible for you to open your eyes again.

Winters turned into warm seasons, and autumn leaves were waning. Two whole years quickly go by before your consciousness returns. The world is different. You understand through your guardians that life passed with you as a ghostly presence, a bedridden legend they fought all this time to preserve.

No one mentions what happened to you, though. No one names him.

To everyone’s surprise, you don’t really ask about the village; you don’t ask about your birthplace and your home. You don’t ask... about him.

Your healers discover you memory was damaged after exhaustive examinations beyond your comprehension. Theories why this happened are various in your little home; some argue the loss of blood hurt your brain, others believe the trauma of that betrayal forced you to block it all out, and there are those who think maybe you ignored the past on purpose.

Still, there is an unspoken rule forbidding the mention of what happened, of the village, of those two brothers. After experiencing hell, what would be the benefit of forcibly bringing you back to that horrible past? In this remote place, you have the chance to start from scratch, and your rescuers believe it is the least you deserve.

Little by little, you gradually learn everything all over again. Your own name, your age, information about those around you. You ask with animosity about everything you don’t understand, and the only thing there is reluctance to answer is when you want to know about who you were before... this.

Healers get the problem off their shoulders, rushing you to ask such questions to the older people. They shoo you out of their humble hut with nervousness and red faces, panic in their eyes.

Seniors sigh as they stare into nothingness, sadness and nostalgia, painting their countenances with something you cannot grasp. Some even drop a couple of tears to the rhythm of a depressing whisper, “oh poor child...”

The scene makes you feel so guilty you end up consoling them, assuring it’ s not a big deal and you don’t need to be told. That your life in this small place with them is all you need to be happy, past or no past.

Regardless, it is the scar monstrously painting your stomach which makes you uneasy. While tracing the edges of that sensitive skin with your fingertips, you feel its reason for existence is on the tip of your tongue. As if reminders of what happened to you are lingering there, buried in your head, but creeping closer to your memory every time you look at your navel.

What happened? What terrible thing could have left such an enormous mark on your skin, but not in your head?

It’s frustrating.

Eventually, curiosity to explore beyond your own narrow world peaks. It’s quite natural, considering four older men and four medicine buffs rarely make for an interesting group of company. Older men drink tea most of the day, when they’re not napping in the sun, of course. The rest read rigorously and debate among themselves about their newly gained knowledge.

Getting permission is a complicated task. They are terribly afraid of your departure, scared of your fate, frightened of what dangers you might encounter.

But how to keep you there forever, when you have seen the vivid movement the closest town has?

Perhaps it was your rescuers’ mistake for allowing you to go exploring within the boundaries they considered safe, yet you inevitably discovered such a place, so close and yet so far away, so full of people and... life. Persons of all ages walking from one side to the other, food you never saw before displayed in various stalls, children playing with each other, unaware of the surrounding universe. Everything looks completely natural, as if folks are used to this kind of lifestyle since long ago, and you wonder if you ever lived in a similar environment.

Just what hides in your past?

After insistence and great pleas against the overprotection imparted on you, they understand it is simply hopeless to make you give up your idea unless they expose all those shocking events, unless they explain from what kind of danger it is necessary for you to hide, from whom it is imperative you escape.

No one knew anymore about that demon after his disappearance the same day, and it is uncertain where he is. Whether he is hiding or far from your current home, it is unknown to anyone, and it would invoke bad luck if your guardians expected you to meet him face to face once you get away from them.

Preparation of weeks and many directions, you finally depart from your unnoticed hideout in the world, leaving behind anxious seniors and worried healers.

It was agreed you could explore for a couple of months, but your eventual return is a binding closure on the deal you reluctantly struck. Each new destination brings with it new discoveries, tastes, experiences. You always find charitable souls willing to help when you are short of food, water or shelter, people who offer to give directions when you get disoriented, people who share stories with you on lonely, nostalgic nights.

With each step you take in the outside world, less you understand what your guardians are afraid of. Everyone is well meaning, and no one seeks to take advantage of your innocence. It is incomprehensible why this was denied to you for so long, and every time you think of your precious little home, an emptiness grows in your heart.

Weeks slowly pass, and having experienced so much in such a short time, you find the need to recount it to those you consider your family. As initially agreed, it may be time to return, to prove the world is not as terrible as they feared.

A few miles from homeland, just as you feel you are walking the grounds of your family again, you stop at a stream to get a drink of water, determined not to slow down until you reach your destination. It is too much of a thrill to witness those 8 insane people bickering and arguing. You absentmindedly smile as you rinse your face.

In your distraction, you cannot hear footsteps approaching at your back. It’s not like you would have detected them if you were paying attention either, for the person stalking you is deliberately careful, calculating.

Turning, your face affects directly into a solid mass of muscle, sending you tumbling down the riverbank again. Any woman would have assumed the worst when connecting glances with a man who invades her personal space unannounced, but from your mouth comes a concerned “Are you okay?”

The man, who is watching you as if a ghost were sitting next to you in the water and you were unaware of it, bleeds. Profusely, indeed. Both of his hands are deeply cut, distinct wounds on his palms dripping thickly to the ground.

There is no answer to your question, and the man’s countenance is difficult to decipher. His eyes glow a red which fades too quickly to analyze, his complexion is completely pale and unhealthy, his hair points in all directions, forming a long brown tangle which you deduce has not been combed for some time. For moments, it is as if there are words trying to pierce his lips, but the stupor of the individual continues.

“Your hands... we really should take care of them, shouldn’t we? Aiya, let this humble one help you heal.”

There is no reaction as you stand up and take him by the arm, guiding him to a large rock away from the water and helping him to sit up. His gaze is still completely fixed on your face, searching for something you’ re oblivious to. His mouth opens and closes rapidly, agitated breaths accompanied by sounds resembling syllables.

“Look at this mess alone... sir, you should be cautious walking along the bed of these waters. They are treacherous, hm?”

Ripping off one of your sleeves, previously dampened when you fell into the water, you use the cloth to clean his wounds. There’s not much you can do here, out in the open and in these conditions, but judging by the man’s appearance, he was probably recently attacked. When you mention your little home a few miles away, the man doesn’t refuse or accept.  

Still, when you head back to the road, you find the fellow following you from behind, head down and staring at the ground. In his hands he tightly clenches the cloth of your sleeve, and blood stains the fabric completely at this point. You talk about the healers in your place, and how they can help him get better, but no matter how much you try, the man never responds. You ponder whether, perhaps, the situation he experienced before he ran into you may have been intense, and you attribute his perturbation to that.

After walking without pause all afternoon, your silent companion always keeping your own pace, your destination appears in front of you. From afar, you can see the elders sitting on the engawa of their cottage, sharing tea and quietly waiting for dusk. All is silent, and your announcement of arrival is the only thing disturbing the atmosphere.

Your arms wave vigorously to catch the attention of those you regard as family, a splendorous smile planted on your face, walking at an increased speed to catch up with them. An extended curtsey bow is given before them, and only after raising your head you dare to give them all a group hug, false formality forgotten as much as your guest.

The man slowly approaches this scene and analyzes the faces of those present as the embrace takes place. Had you not been turning your back on him, you may have noticed the change in his countenance, coldness creeping over his features from one moment to the next. None of the elders noticed his noiseless presence, not even having sensed it to begin with, and it is not until one of them finishes smiling and opens his eyes to come face to face with their worst fear.

Suddenly the hug is interrupted when this old man lets out a shriek, trying to back away and losing his balance. You follow his line of sight while turning, and find that innocent-looking stranger again, disoriented. There are screams all around you. Seniors are horrified and collapse on the floor next to each other, completely surrendered to the gaze of the demon fixed on them.

“Don’t behave like that! It would appear it wasn’t you guys who taught me manners... I’m so sorry, sir, they’re not used to dealing with travelers, let alone wounded ones... if you’d be so kind as to follow me?”

Throwing a withering glance at the group of elders, you direct your guest to the house the healers occupy. True, your little family is not used to encountering men in the state this very one is in, but you never expected such an exaggeration. A bit of unkempt hair and blood, pale skin, and they’re all screaming on the floor?

The reaction of the healers is not much different, and after reprimanding them for behaving so shamefully, you get them to treat the man’s hands. Leaving them alone so as not to disturb the setting, you make your way to the third and final cottage, your own. Since the other houses occupy four people each, it would be problematic to ask them to accommodate your own guest, and you take your time assembling an extra bed, improvising with blankets.

Nighttime is delightfully quiet, and as the door opens without warning, you greet the individual with a smile. Elders have taken the trouble to bring food for both you and him, announcing neither they nor the healers were in the mood to share dinner together.

The man’s hands are bandaged, his palms completely covered, and his thumbs trapped in the wrappings. He looks uncomfortable, and it shows in his inability to do anything on his own. His chopsticks are impossible to hold as he kneels on the floor and tries to eat, and after many urgings from you, he nods silently and almost imperceptibly, allowing you to help him.

“You see... you’re here, eating my food, under my roof, safe and comfortable... and I still don’t know your name...”

Teasing is imminent in your voice, hoping to relax him, if only a little. As he takes another bite and chews, his eyes are fixed on the table, like trying to hide from your presence.

After analyzing the end of your day alongside this presence, you assessed this man must be terribly shy, perhaps someone properly introverted. Still, observing his features, you get a strange familiarity, a feeling making you let your guard down and relax in front of him. A secret knocking at the door of your mind, demanding to burst in front of you but being invisible at the same time.

“... Uchiha...”

Without expecting an answer anymore, after several minutes, his voice surprises you. It sounds like that of someone who rarely uses it, raspy and rusty, as if it had been forgotten long ago, and not even the man himself remembers its ringing.

“Um?”

“Lord Uchiha...”

His name, you realize. Formal, a title.

Lord Uchiha continues in the same position, just like his words had been an illusion. It is impossible to keep giving him food, his attitude surly and refusing, and you wonder if he plans to spend the entire night in the same position if you allow him to.

Demandingly, you get him up and offer him your bed for the night.

He tries to take the spot you set up on the floor, and displays physical strength far beyond what you thought he had. There are firm muscles hiding under his stained white tunic, and they flex slightly every time he tries to change the course you both walk. He is probably holding back, you realize, for the way his forearm tenses. The stubbornness of this individual… as if he were someone unaccustomed to taking orders, leading rather than listening. Either way, he ends up tucked inside your room, buried under sheets and quilts so he doesn’t get cold.

You find your own resting place after closing the door and leaving your guest. There is not much room inside your small home, and yet, the greatest comforts are offered to those who really need them.

That night, a fearsome nightmare assaults your dreams. A pitch-black claw pierces your stomach from both sides, long nails tearing through skin and tissue like cloth. Blood pools at your feet, solidifying and making escape impossible. You feel your lips move in a choked scream, and a single word escapes your throat along with another red waterfall.

“... Indra...”

[hei-ch0u]

It’s long...(fair warning) ✰

 Shingeki no Kyojin 139 (Theories)

Since everyone is throwing around their theories from the wild to the more likely, I thought I should contribute. After all, it will be the last time we can theorise this amazing manga full of all its twists and turns. Like most, I do agree with the popular fan theories simply because this manga is consistently unpredictable with each chapter. Let’s face it, some stories are easily picked apart these days and finding one that continuously has you thinking about what could occur is a winning tale. So first, I will start off by saying that I am so sad that Shingeki no Kyojin is coming to an end. But! I will never forget this amazing manga as I have grown so attached to the characters and the story as you can tell from the past nearly 9 years of running this blog. So, thank you yams for being such a genius! Regardless of the ending, it will go down in history as one of the best stories I personally have ever read and witnessed.

With typical fan theories, I won’t go into them too much as I feel the concept of the “time loop” has been written about to filth and I think it is very blatantly clear at this point that the concept of a time loop is very likely in one way or another given the overall concept within aot/snk in general - there is a obvious manipulation of past, present and future. I will hold my hands up and say that I definitely do agree with ‘some’ popular fan theories and will list a fair few below in brief detail - as I do think they are highly likely to be true in some way or at least implied within the last chapter. Now, with the usual leak dates coming up on the horizon, I wanted to put my input in before hand. Although, because of recent prosecution warnings for leaking the final chapter - I would advise others just to wait for the 9th of April on official release for concrete facts rather than speculations and leaks simply because we have seen with past few chapters that a lot of false spoilers get released and I think with the final chapter it would be wise to wait as I have previously stated on here that it will be the ‘revelation’ chapter that ties this manga together.

So! With the typical fan theories, we see the likes of:

Eren being the baby daddy to Historia’s baby

Eren sacrificing his reason for living - freedom. By being the greater evil to bring about the greater good

The baby itself could become the new beast titan or baby Eren/Ymir reborn

Eren isn’t dead, but on Paradis by way of transferring his subconscious into a crystallised version of himself

Eren and Ymir have struck a deal

And of course - the time loop concept

…The list is endless of popular fan theories. It would be silly not to agree with any of them given the story and where we are currently at, its very clear that Historia, Eren and Ymir will play a big part somehow in the final chapter (if not id be genuinely shocked) since majority of the past few chapters they have been absent in full form and I feel this needs to be explained. After all we still haven’t seen the full extent of the memories of past/future that Eren was aware of from his contact with Historia and his connection with Ymir in Paths. We saw 137 being predominantly Armin based, 138 being Mikasa based and I think it is only reasonable given his absence as the initial protagonist that Eren will be the revelation within 139. Ultimately culminating EMA / the trio as a whole. We began with them, so it only makes sense to end with them (albeit separately as individuals).

Moving on, as you can see I agree with said fan theories as I think any route could be possible! The thing with Shingeki no Kyojin is that it has many hidden ‘Easter eggs’ (how fitting given its easter), whether it be in the background of scenes, characters wording, placement of scenes/characters, flashbacks, paths and even in the opening and ending credits of the anime we see hidden meanings through imagery. It has all been laid out very well for our finding, its just if we have an intuitive enough imagination to pick it apart and figure things out. This leads on to my own theory/theories (it can go any way and I wont sugarcoat it - I could be reaching)

I generally have 2 theories that run about in my head with how the story itself could turn out or how it works. Both theories kind of tie together in one way or another featuring predominantly Eren and then Mikasa or overall ‘Ackerman’ blood/gene concept and its potential involvement in control of said time loop. I will do my best to include manga panels to give visual insight to the points.

To begin, I want to touch on Mikasa's “dream” in 138 - although devastating, I think it is being taken as the opposite of what it was and personally I see many looking at it through rose tinted glasses. This wasn’t an alternative universe (in my opinion), this was Mikasa’s Ideal life - her dream. When it comes to Eren as a connection to Mikasa, he is her reason for being, even in death she chooses not to part with him for her own good and creates a dreamlike reality for herself to make herself go through with the deed. She as a character has dominantly surrounded her existence on Eren, he is categorised many times within the manga as ‘home’ - like other fan theories have stated, it has been mentioned many times Mikasa referencing the word ‘home’ and also how she wants to ‘be close to him’ because it gives her comfort and strength. The Ackermans as a whole have attachments to people and this is where they ultimately gain strength from. Without any of the Ackermans ‘attachments’ being in danger or being killed, their powers wouldn’t be awakened and without them I feel their strength almost weakens until they find a new reason for living to keep moving forward. I’ll touch more on the ‘Ackerman’ theory later as its one of the open loopholes still currently alive within the manga.

Mikasa has always been a character that confuses me, particularly with the way she acts and things she says or thinks. She has said many things that don’t make sense unless she has a certain belief system or knows of things from past lives.

Examples:

As you can see and I will produce more evidence of such comments further in. She implies that she either believes in reincarnation or she is aware of different periods within the said time loop. She speaks of starting over, being dead and returning and implies in different ways that she is scared of the same thing happening again. The last panel - what plan is she on about here? Her own plan. In my opinion it is - "Don't let Eren die". As we have seen, that may be what has to happen. It's fate. She interferes with this and never lets him go.

Mikasa does have an unhealthy bond with Eren, I do think he loves her ( I’m not dismissing that ) but do I think its the type of intense love she feels? no. Some things she has came out with has even shocked other characters and countless times her comrades have tried to ‘break the barrier’ to get her to realise her way of thinking when it comes to Eren is unhealthy. Hence why I think we seen Jean in this particular scene below so frustrated

not because he himself has feelings for her, but because she’s not letting them get through to her that she is refusing to believe Eren could ultimately be a changed person (which he definitely is, I’ll not go into my rant of why he isn’t ‘evil or a ‘monster’ because i’ve done so already) but overall, Mikasa constantly makes excuses for Eren and doesn’t recognise it, her life revolves around being close to Eren and she gets very emotionally troubled at the idea of not being with him or him ultimately taking a path that doesn’t involve her. We even seen Annie question her and this wasn't many chapters ago and she replies with the same mindset of bringing back "the old Eren". He is not the person he once was particularly as a child. Something that is implied at beginning of manga, it opens with them as children and somehow links with 138.

As stated by Armin below we see him even explaining to Mikasa that Eren’s never close, he always takes his own route and that ultimately both Armin and Mikasa aren’t his reason for living. Let’s face it - Freedom is Eren’s reason for being, his only desire. Armin has also expressed disbelief and almost frustration at her way of thinking when it comes to him (below examples) I think in a way the famed ‘table scene’ was Eren trying to break the bond, but he’s not doing that for no reason, its implied he does it to protect them, but it could also be because of what he has seen in memories past and future - he has perhaps became aware of Mikasa’s involvement within paths and the loop. He has to try to alter her way of thinking to protect her, but maybe also himself.

Armin + Other comrades reactions to Mikasa’s mindset 

Another visual point to make regarding Mikasa’s ties with previous loops and Armin, was her comment made about him at a very early stage in the manga just after Eren had been eaten by a titan after saving Armin - leaving his fate at this point unknown. 

this is implying that Mikasa has some knowledge of previous times Armin has helped them with his ‘ability’ which if we are referencing him as a character is his methodical intelligence. But, even here he is confused by the comment, simply because at this point there has been no signs of Armin’s usage of this ability - mainly fear and lack of confidence with that in comparison of his peers. We don’t necessarily see this until perhaps even a chapter later and as far as we are aware, Mikasa doesn't follow through with “i’ll tell you about it later”.

I don’t know about anyone else, but it seems odd she has such an attachment to Eren like this that is so intense. It’s not normal to be as intense as she is about someone unless she is used to losing that person over and over. Even as children Mikasa acted possessive over the ‘concept’ of Eren dying - it wasn’t allowed to happen. She doesn’t have this intense reaction with Armin or other comrades. She fixates on the idea of Eren being her saviour, the one to give her a ‘home’ and a ‘purpose’. Mikasa consistently opposes his death and his death alone, I can only see this from a standpoint that deep within her own memory she has experienced his death countless times before. She even uses force a couple of times to increase this intensity. Here are some examples of this even in childhood -

There are many more examples of this throughout the manga and her refusal to accept that what she doesn’t want, may just happen. Now this might just be my over active imagination or my own ability of media studies kicking in. But, previously I had been under the impression in the presence of a time loop that Eren was in charge of it and controlling it, that somehow it would constantly reoccur when he himself died and he would have to come up with a way to either prevent his death or ultimately stop the timeline of the titans. Whether that be under making a deal with Ymir herself or by essentially “breaking the wheel” and turning others against him to show Eldians as triumphant heroes.

However, the more i’ve thought about it and given the revelations of 138 - i would be more inclined to say it is Mikasa Ackerman herself due to either her specifically or her Ackerman gene. There is something about the bloodline that is missing and we have not had the fabled Ackertalk or much explanation of how they work (something I’d like to see covered in 139 - although i feel it will be an Eren chapter, I also think it will include the visions Eren has seen to give an explanation of why the previous 138 chapters played out the way they did)

I think there is a possibility Eren had to break the wheel on the loop,  Mikasa would go back each time and always Eren would die, something we’ve established she tries to prevent and never accepts. The only escape was her accepting his death therefore he did everything he could to push her away, break the bond and push her to kill him to end the cycle (since he’s seen the future). As I have a hunch previously in other loops he was not killed by her hand - it had to be her to break the cycle or vice versa (but we will get to this).

there is hints of this in the “Lost Girls” OVA. Yes, I am aware it’s said that OVAS are not necessarily canon per say, but I don’t think it would have so many open links if Isayama himself didn't want it to. This particular one gives many hints to Mikasa’s involvement in the loop and alternative universe theories. The anime adaptations are on point with showing us details we only recognise after more plot points are revealed. It may explain the headaches, every time Eren dies, she reverses the loop or changes realities. This ailment could be a product of her memory issues. In the OVA we see Mikasa in real time thinking about Eren and his constant state of taking his own path.

After this moment, the said “Scene” she speaks of is revealed to us. Another example of Mikasa’s dreamlike state or perhaps another timeline? We are taken back to the time where she had given up, had ran out of gas, a titan was approaching and she was ‘lost’ - her reason for being was gone and she knew her death was coming, but also in the manga during this scene she is “worried” she’ll have to start again (above in examples). This again implies she knows something we don’t. We then hear Mikasa’s voice speaking to Mikasa herself, telling her that if she simply didn’t like this reality she could choose the place she wanted, but as we have seen before - she can’t stop his death.

The peculiar scene in this OVA that got me intrigued by this theory is the masked figure and young mikasa scene. Mikasa is rushing to meet with Eren and Armin to escape the walls in a hot air balloon, but she has to be there by a certain time or the plan fails. As she is running she is stopped by a mysterious masked figure who asks her to join in on his hypnotism trick to spectators. Comments he makes involve him telling her that her ‘friend’ will ultimately leave her and that she couldn’t accept his death and created this universe. Also, that he is no one, but someone at the same time. I think this holds great significance since the strange thing about this is that his voice mirages into a distant adult Mikasa.

implying that she has to ‘kill’ a part of herself or she has to die to prevent and hault the loop. She has to return from her idealistic dreams of keeping him alive as it will only fail otherwise. Upon hearing of Eren’s yet again untimely death within this universe, she begins to have memory flashes of multiple scenes appearing within her eyes with a typical media ‘rewind’ sound as she wakes up back in the street with no gas and a titan approaching but... she says something I find interesting and links to what Eren says at the beginning of the manga 

“the feeling I’ve had a really long dream”

We witness Mikasa have these “headaches” multiple times within the manga and in the anime they are heavily focused on whenever it happens, which we can only recognise that this is an important part of the story itself. Eren too has random headaches, just not as much as Mikasa, he mainly experiences them when he accesses new memories. However, what if Mikasa too is affected by memories she cannot tap into or it is paths/ackerman gene warning her she is repeating past mistakes?

Notice how there is a lot of emphasis on the word ‘again’ when it comes to her headaches or the thought of losing Eren. It is constantly repeated. I think it is highly likely she only remembers some parts from previous loops, but the one that sticks is simply - she has to save Eren each time, but fails. Everything begins again after his or her’s demise. Perhaps each time Eren is the one who dies first, creating a somewhat butterfly effect. That maybe Mikasa has died once like she implies in previous example. However, the one to die first (in this case primarily Eren) loses all memories of the past loops - again this is implied as Eren does tell Mikasa he cannot remember his dream. I think deep within his mind Mikasa does remember, but given the fact she has potentially reversed the outcome many times...her memory is simply warped - that or she died in the previous loop and lost those components. 

Will she not remember due to her memories being altered in her death?

Either way something needs to change. Eren Kruger says this in Eren’s attack titan memories. They are doing something wrong.

I believe Eren in 138 within Mikasa’s dream, was trying to tell her to move on, not necessarily forget him, but at least accept his passing - to stop the loop reoccurring, he influenced part of her reality...maybe with the help of Ymir. In a way it could be implied Eren almost regrets wrapping the scarf around her (this is heavily emphasised as a symbol of their relationship), for me the scarf seems like a softer symbolism for a chain - a binding if you will. By wrapping it round Mikasa he binds her to him. He has always insisted she should throw it away, even in 138 within her own conjured reality he says the same. She needs to kill this part of herself or “the same history” will be repeated. I do have a HUGE feeling in my heart, head and gut that Mikasa may need to end up dead first as I do have another HUGE feeling that Eren is not dead (maybe its wishful thinking, but his death doesn’t make sense right now, so Yams I trust in you for explanation). His death seemed too convenient.

Now, before I go onto “Ackerman” gene factors, I’ll briefly bring in another peculiarity I have always had about a particular scene in the beginning of the manga. After it is decided Eren will carry the boulder to plug the wall, Eren (the attack titan) seemingly loses control and succumbs to pure rage, in turn he attacks Mikasa. Something he hasn’t done against humans unless its free will.

However, a part of me has always felt that this could be the attack titan itself (in past inhabitants and memories) recognising her as a threat and trying to rid her of the world first to avoid the loop of Eren dying first to Mikasa controlling the loop to return to try to save Eren - nothing changes. This is what I meant by “breaking the wheel”, we have saw it in other tales, things can’t change unless you choose a different path than the same one with the same brutal cycle. As Kruger says, to save Mikasa and Armin, Eren has to change things - this could be to separate not only Armin, but Mikasa from him, that maybe in previous loops...they follow him. In this instance, he has definitely separated Armin and by way of second hand - Mikasa too. Hence why Ymir says goodbye to Eren in 138, he is free. Another notable concept is that aot/snk is made up of trios, we see it in:

Eren / Mikasa / Armin

Reiner / Bertholdt / Annie

Connie / Jean / Sasha

Hanji / Erwin / Levi

Levi / Farlan / Isabel 

Kenny / Levi / Mikasa

It would partially make sense for the trio to be the reasoning for the ending. Almost illuminati based - very yams style. 

Why not Mikasa?

Lets talk Ackerman and a slightly different theory, but with relation! 

(Obviously, I cannot provide much evidence to support any Ackerman based theories other than what has already been provided, which isn’t a lot to be fair. Dammit Yams)

I want to briefly start off on the Ackerman front with a brief comparison of our two currently known Ackermans: Levi and Mikasa. The main categorising difference between these two is that Levi moves on regardless of what happens to him or his comrades or his ‘attachments’. He also does not appear to experience these headaches, some say he does, but I can’t find evidence. Isayama shows these headaches with a throbbing sign around Mikasa’s head - so unless the Ackertalk happens and Levi confirms it, its still absent in theory. Levi treats Ackerman-ism as moving on, making choices with no regrets (as his backstory indicates) and even in current states he has said he doesn’t regret his decisions. It is why he is able to move forward and keep surviving. Its simple...his mindset is stronger than Mikasa's, she is the weaker link. This could be due to age difference and overall past experience, Levi has more life experience as an Ackerman to have mastered his emotion and reactions to outcomes - he accepts the bad. 

Mikasa is weaker in this regard, perhaps if you link it back to the theory of her control of the loop...due to this weakness she creates the loop since she can’t accept his death and tries to return to make amends. I think in reality, Eren knows due to the attack titan ability - he will die. Hence why he appeared so shocked upon making contact with Historia to then very depressed and detached before vanishing in Marley. He became aware of the outcome and I don’t know about anyone else, but I’d be depressed too after finding out my life was made to end especially since all he wanted as a character was Freedom. Eren x Freedom will be the only canon ship at this rate.

However, I do think the only way she can create said loop is through her Ackerman gene. Ackermans are products of ‘titan science’, they were genetically engineered (if you want to put it that way) to have titan like abilities while still maintaining their human form and sense of self being. Created to protect the Fritz family (royal blood), to eventually being ostracised for their dismissal of the plan to wipe Eldian’s memories. Therefore banished, but allowed to live, I can only see there being one reason why - they would be still useful at some point and their deaths/extinction would be wasteful. 

From what we know and can tell from mere viewing, the Ackermans are very skilled and powerful beings that have ‘hosts’ or attachments (I like this name better) to channel their goals, strength and energy into. They were made to protect, fight and survive. The only surviving Ackermans are Levi and Mikasa.

They cannot be affected by the founding titan and their memories cannot be altered. But, this brings about another question. Why were they created to protect the founding titan, yet could not be controlled by it? The theory with this bloodline is that they can do more than what we see, that they themselves don’t know it yet. One in particular can alter realities - that being Mikasa (as we don’t have mass amounts of information on Levi’s experiences other than his surge of power awakenings demonstrated throughout the manga to confirm his part) due to fact Levi really only knew he was an Ackerman within his 30′s after the previous Ackerman - Kenny, dies and informs him of this. Mikasa has always been aware. 

Mikasa’s ‘Power’ ultimately has something to do with the Attack Titan and the Founding titan - that being Eren and Ymir combined. In past loops, I believe each time she has seen Eren die she has said “see you later, Eren”... hence the ending of 138 and the beginning of the manga. Isayama did say the beginning would relate to the ending. Each time this happens they are transcended to the point Eren wakes up at the tree within the walls to begin once more, its the only clear explanation for why Eren comments of her hair length. The attack titan itself is the component of Ymir that captivates her freedom, it continues to move forward for 2000 years each successor until one has the power (the desire for freedom like her) to release her from enslavement to the power of the titans. In this instance Eren too has been a slave to the power, lets for arguments sake blame Grisha for passing it on to him. 

Again, with the Ackermans there is something I’ve always noticed between Levi and Mikasa - they have never touched skin to skin. It has always been over their clothing. I wonder if their Ackerman powers may stem similar to how Eren draws memories from contact with the royal family, i.e. Historia. They need to touch in order to access Paths and manifest it into their control. Eren is aware of this due to his connection to Ymir - there is heavy implied material to denote the idea of Ragnarok and reincarnation. Eren is the reincarnate of Ymir and previously I don’t think they were aware of this.

For anyone not familiar with the term “Ragnorok” - its definition has multiple meanings in Norse mythology. Particularly - development, origin, cause, relation and fate. It is a series of events that often lead to a great battle, the deaths of multiple people of importance to the ultimate end revelation of the world being remade and fertile (the opposite of Zeke’s plan) with the remaining ‘gods’ returning and ‘two’ human survivors repopulating the world. I personally believe this to be either two of these: Levi and Mikasa or Eren and Historia by the way of Ymir as the ultimate god, but just in different ways. The Ragnorok element is particularly of importance within Germanic studies, this would connect with Shingeki no Kyojin since it is implied its set in early germany/europe and given characters name origins - it makes sense.

The two human survivors are that of Lif and Lifbrasir (shown below) who survive by ‘hiding’ in the woods while the great battle commences. 

They repopulate the world starting with a daughter. In germanic regions, the concept of mankind originated from trees is an ancient notion “the tree of life” essentially. Trees have a massive importance and connection in Shingeki no Kyojin, we see Eren wake up at one in the beginning, the main Path coordinate resembles a tree, Ymir originated from trees and being within the woods would indicate “trees”. This would make me more inclined to believe the Eren and Historia theory to be likely, simply because Historia is all the way back in Paradis and potentially Eren himself by transferring subconscious. To me it seems very likely the leaked final panel released by Yams himself is Eren holding a child rather than anyone else as whoever this figure is tells the child they are free and this could only relate to both Ymir and Eren, the ones who sought freedom. This could mean in this instance Levi and Mikasa are the ‘gods’, the ones with the power to restore and mend, again through the concept of the Ackerman Gene being more than what meets the eye. Ymir will be reborn ultimately and no longer enslaved as will Eren. 

Ragnarok and Shingeki no Kyojin combined have connotations of ‘fate’ being a big part of their depths. It is fated. Everything is. Just like Eren’s death and potentially ability to be reborn into another timeline. Just like Eren’s fate to obtain the founding titan and attack titan, both very powerful titans in the manipulation of time and events. Eren makes a statement around chapter 123 in Paths when talking with Zeke that if someone tried to take his freedom, no matter who, he would remove theirs. That he has been like that since birth because he was “born into this world”.

Zeke: “Since birth?”

this further implies fate. He was born free, he expresses detest for people who aren’t free and bound by something, 2000 years, Ymir etc. This only ties together if Eren himself in past lives was someone with the same views and personality traits, like Mikasa, except hers are the opposite. Paths has always been there and everything that has happened in the past is imbedded within its clutches through Ymir. These two titans needed to be combined, Grisha was informed by Eren himself through Kruger and future versions of himself that he had to obtain the founder or nothing could be changed. Grisha is even seen asking Eren to show him everything that happens, whether carla dies etc. He did not have full control, this was made for Eren’s inhabitant period and he did not have access to all memories due to only being able to access the ones the future successor sends back in time. Like the mirror scene for example, Eren is speaking to someone else, not himself. Grisha was only instructed to go within the walls and have a family. Eren was instructed to save everyone. Remember that the common rule with time is that you cannot change the past or it significantly alters the future.

I believe all the memories (the ones we are seeing even now) are actually in paths, the story has always had an indication it is being ‘narrated’ by someone - in most instances this is Armin. This has implied he will survive into the future, but that others may not. How this will happen...I can only theorise that Ymir will factor into who lives or dies. She will need to leave paths however, the only way the titan curse will end is if she leaves and no one is there to build titans. She will be either reborn to capture her freedom or reborn through Eren for them both to obtain the same dream. There has been multiple theories that some other titan other than the attack titan could be the key or another character, like that of the Ackermans or armin for example as I do think the trio concept is likely. But, remember the manga is called “Shingeki no Kyojin” meaning “the attack titan” - its always been the key and Eren is that key...again, key? Eren. scarf? Mikasa. Equals symbolism.

At the end of the day, the characters who I feel personally will tie together the ending are Eren, Ymir, Historia and Levi, Mikasa, Armin - both trios on different sides of the coin. Just remember, this isn’t the type of story where the characters get what they desire and that they could die without obtaining these desires. Erwin died before learning the truth of the outside world. Hanji died. Sasha died, Niccolo lost her. Floch did not live to see Eldian rule. Levi may have killed Zeke, but what for? He killed a different version of him, not the one who murdered innocents in Shinganshina. Levi lost every attachment of his. Mikasa lost Eren. I’d be angry and sad for him, but Eren also could lose his freedom by striking a deal with Ymir for her own freedom. But! he could free the world and his friends through both Mikasa and Armin, the chain will break, the titan curse will end and he will cease to exist or be lost in Paths dormant, unlike Ymir for 2000 years. This would be a good culmination of Eren’s character, extremely heart breaking, but fitting. A character who only sought freedom for humanity. He is humanity’s hope after all. Remember, Kaji Yuki (Eren’s Japanese voice actor) expressed extreme sadness at learning Eren’s fate from Isayama. It has always been a manga that indicates a bittersweet ending, so this could also be highly likely. (Eren is my favourite character...so this guts my heart from my chest)

To conclude, these are merely my own speculation of the final events within 139 and although sad of its ending, my excitement for this final instalment knows no bounds. I can only wish for the best and I know Isayama will deliver. 

[athena-is-a-chaotic-lil-shit]

Of Ice and Blood

Part 4

Welcome back! Hope you enjoy✨

Pairing: Tai'chi Kashharzol (Orc) x Pearl Blackbell (Human OC/Reader)

Warnings: Violence, cursing, shouting, and fighting. No blood mention. Just broken bones and stuff.

2.1k+ words [originally 1.6k but I revised it and added more details!]

Part 1

Part 2

Part 3

Part 5 Part 6

Sensing another one behind me, I went low and struck his leg with mine, using his fall to punch his chin with my right fist this time, being careful to use a controlled amount of force or else the nerve I hit will result to permanent brain injury and can be fatal.

I got up, swift in my actions as I saw the guy with a raised baseball bat heading towards me from my left flank, and the other one from the right, fast.

On reflex, I leaned back, the bat that was aimed at me hitting his comrade on the shoulder instead. Guy's lucky, actually. He would have suffered internal bleeding if it bashed the side of his skull.

Four down, two to go.

I took my stance once again to ready myself. This dude was a foot taller than me, with muscles packed with raw strength, but even so, pale in comparison to Tai'chi's p—

Stop thinking that! Focus!

"Smash her head Dan!" The man behind him yelled.

This 'Dan' went straight to me with his bat raised with intent once more.

Breathe in.

Everything slowed down. I let my heart rate decelerate, my hearing sharpened, my sense of smell heightening even further.

I closed my eyes, letting the rest of my senses take over. Years of practice, days of pain from training, each motion engraved to my entire body with purpose. To defend not only myself, but also those who are looked down upon, discriminated and stepped on like dirt. My parents had always taught me to defend myself. Me. Don't get me wrong, my parents are good people, albeit wary of the other races in our community. But the moment I left the roof of my home, I knew it was time for me to defend someone other than myself. I don't give a damn about where we come from or what kind of blood flows within our veins. I will protect those who need protecting, and set anyone straight and down to the ground when they deserve it.

Breathe out.

At the last few moments, with my eyes still shut, I changed my form. I followed his aura and pictured out the shape that was drawing up to land a serious blow to my head. Dan is solid and heavy, but everyone has at least one weakness. And this guy is not spared from that.

The bigger they are, the harder they fall.

I opened my right fist, right foot forward and relaxed my arms, my legs serving as a firm foundation for my upper body. With the bat inches away from me, I smoothly dodged to the side, using my palm to push away the hand holding the weapon and punched a vital pressure point right under his bicep.

I bent my legs even lower and struck the center of his ribs with my thumb, closing my hands as I jabbed his sciatic nerve on each side at the same time, both located in the middle line of the thigh between the groin and the knee. A solid blow to those nerve points will cause intense pain and shock to the person, along with a temporary immobility of the feet.

a/n: Self defense 101! Remember that dear readers♥

With the support of my left leg, I went behind the man, standing straight and proud. Calm, I opened my eyes when I heard his fall, staring right into the fearful ones of the moron that started all of this.

"Y-You- You killed them!"

Is he that dumb?

"Correction, I didn't. I knocked them unconscious is all. And the fellow that attacked me first? Well, he passed out from the pain of his now funny-looking arm." I stated flatly as I trudged to where he was standing.

"S-Stay away from me! Monster! Freak!" He stumbled, his ass on the ground and away from me until he felt a tree trunk on his back.

I scoffed and withdrew my knuckle dusters back under my baggy sleeve.

"You wanna know who the real monster is?" I stopped and held him in place with my scrutinizing gaze. He was trembling like a wimp at this point.

"It's you.

"You and your disgusting racist friends.

"You, along with all the people who view and treats anyone other than humankind as lowlifes and pests that are meant to be squished and eradicated from the society.

"No, it's you, and the ones who have the same mentality as you, who are monsters under the guise of a human."

I paused, not even blinking as I bore holes into his skull.

"I am human, down to every inch of my being. But unlike you, I respect and treat everyone, regardless of kind or gender, and to those who deserve it, fair and right."

Before I could continue, I scented new people coming into the scene. It was the teaching staff, along with the uni's guard.

Shocked of what they have seen, they turned towards me, angry, surprised, confused expressions on different faces.

"What have you done?!" A female, human instructor, looking to be around her late 20s shouted.

"Ma'am, if you would just let me explain—"

"You are hereby expelled from this institution, young lady!"

All the color of my skin left me as I heard the words I have dreaded even before I set foot in the campus grounds.

"Now let's not go straight to conclusions. We need to deal with this professionally AND properly Miss Holson. You are also not in authority to suspend this student." A heavily bearded dwarven professor, clad in a brown suit and Oxfords, told her off firmly.

"What are you saying Mr. Dulrik? Look at her! Look at this! She murdered students and oh my God, is that the dean's son?!"

For the love of— she blind? Why does everybody think I killed someone???

"Ma'am they are—" I was about to tell her but got cut off, again!

"Helpmehelpmehelpme!" He scrambled away from me and ran to the group of teachers and hugged the young instructor. "I don't know what came over her! She just attacked us out of nowhere!"

The audacity of this fucking bitch!

"Pardon me? Attacked you? YOU were the one who followed me out here! You and your" —I gestured to the bodies laying flat on the ground— " buddies over there!"

"She is lying! The orc was with her and and and—"

It dawned on me that I almost forgot about Tai'chi. My eyes widened, and I frantically scanned the area around for him. And there he was, standing by the oak tree, right where I told him not to move.

He seemed...irritated?

Oh no. At me?

"I have not moved an inch from where I am standing ever since I planted my feet here." He said with his deep baritone voice, turning to confront the staff. "What she's speaking is the truth. They were the ones who followed her here and attacked her, first."

"And how can we be sure you are telling the truth, orc?" Miss Holson replied spitefully.

Even the teacher, huh? Her odor smells like vomit. I mean, I knew she was...foul, but I thought it was because of the situation. Guess not.

Tai'chi did not respond. Instead, he moved to look at me in the eyes. His gaze, searching, but not in an awful way. Was he asking me what I'll do?

"How about we discuss this in the office, shall we?" An elderly professor spoke. She was wearing the university's formal teaching uniform together with black, flat, closed toe sandals. "And Miss Holson, please quiet down. As Mr. Dulrik said, we should not jump into baseless conclusions."

Miss Holson fumed and shut her mouth, holding the coward in her arms.

"Now then, Miss...?"

"Blackbell."

The woman paused. I caught a smell of surprise and... astonishment?

She cleared her throat "Well, then Miss Blackbell, please follow us to the Dean's office, along with your, companion."

Weird.

"Oh and Mr. Smith, kindly call for assistance and take the unconscious students to the infirmary to be treated and looked unto. Thank you." She told the guard. With that, she and the rest of the faculty started walking back.

I glanced at Tai'chi once more to find him, again, staring. I approached him warily, expecting him to be mad at me.

"Uh. Hi?"

I let out a long exhale when he replied, with a slight tug of his lips, his tusk jutting out. "Hi."

I fidgeted, trying to come up with words to explain myself.

"I uh, uhm. Are you mad?"

With his brow raised, "Why would I be?"

Yeah why would he be?

"I-I never told why I keep wearing my mask." I stuttered, "You see I—"

"You two! Start moving before I force you to." A teacher yelled at us from a distance.

"We'll talk later, Pearl. For now let's get this resolved first. I know for a fact that they won't expel you unless they ignore the ill intentions of the ones who attempted to harm you first. But better be safe than sorry, he was the dean's son afterall."

"Yeah... Thanks. We should.. go." I turned and started walking along his side.

******pov shift for a bit*******

Little did Pearl know, he was thinking about how...nice, yeah that's the word, definitely not sexy, you were when he witnessed your skills in combat. It awakened something in him that it took a lot of control not to get aroused there and then, which was the real reason why he stood there, unmoving from his place. Not once did he leave his eyes from you, almost jumping to help you when the guy with the baseball bat was closer than we would have liked. But oh no, he was not surprised, he was astonished and shookt , amazed when you pulled that last technique, sending the human plummeting to the ground almost soundlessly. And the way you stood right after, he knew he was smitten. That proud and intense aura you gave off was enough to make him bow down at your feet. He could feel it. He could smell it. That was his secret, he can scent people and catch any mood shift they make. Even though he told her that her eyes and brows gave it away, it was not entirely true as he could smell, literally, you and the changes on your scent.

Oh but little did he know you could to. Just not as observant as he is.

:>

*******************************

Wow— when I copy pasted the original thing from my notes to my drafts in Tumblr I was like "okay, so. I should read it AGAIN before I post it if I wanna avoid more unnoticed mistakes and keep editing it again and again even though I posted it already! " And I never though it would lead me to adding almost a half thousand words and a pov shift— which i found interesting and really nice! Should I do it more often? Like little inserts of what Tai'chi or another characters thoughts in second pov in between fics if necessary? It's just, nice, to put them in and write all out about what they were thinking outside of Pearl's pov! Let me know what you think and I hope you enjoyed reading❤

Tags: @kokokatsworld @crackinanutshell

[seb-owns-these-tatas]

Witcher Of The Night (Chapter 1)

WITCHER OF THE NIGHT MASTERLIST

Characters: Geralt of Rivia x small!Naive!Reader

Summary: You've woken up being hunted by an Alghoul. You were in a death race and hollered for help. Though, it seems like the human you've first seen didn't exactly appeared to look human all through out as his eyes glowed beneath the moon light. You've talked to him but he didn't seem friendly at all except for his awakened friend. The words coming out of their mouth seemed baffling because they were acting like they didn't live in earth, and deep inside you were in denial because they really weren't.

Warnings: Monsters? The word 'whores' and cusses? Blood? A lot of modern references because reader lives in modern day era in earth.

Words: 3,800+

A/N: Hello! Yes, this is my first Geralt fic! There will be eventual smut in the future chapters. I can just tell. LMAO. I ain't good with medieval things but I'm trying! I hope this isn't a failure nor a disappointment, spuds! 😅 Reader lives in modern day earth in this fic but magically woke up in The Witcher’s dimension, alright? This turned to be comedic because of the modern references from the reader. 😂🤣🤣 I had fun writing this! FOR REAL! 

TAGLIST IS OPEN FOR THIS ONE! Heehee! Don’t forget to REBLOG, COMMENT OR GIVE FEEDBACK IF YOU DID LOVE THIS FIRST PART! IT’LL MAKE ME SMILE!

Taglist: @alyxkbrl @himarisolace @barkingbullfrog​

Disclaimer: PNG's used in edits are not mine even the GIF's too. However, the edits and oneshots are definitely from moi. Characters and said monsters aren't from moi as well. (GIF taken from Tumblr!)

MY WORKS ARE NOT TO BE POSTED ON ANY OTHER WEBSITES. My official username in Wattpad is “TATATHEPOTATO” and that’s the only other site I have aside from Tumblr. Thank you, Tater tots!

Tweaks of branches echoed around the unspecified woodland. The satisfying crack of the frail wood felt on the soles of your feet which wore some nasty pink Havaianas slippers as the night sky became colder than from what you were accustomed with.

You were running away from god knows what as you've heard a loud thud beside the tree you've woken up with. Taking a trip down the memory lane, your forgetful mind could only recall a lake in which you were drowning in and the sudden flash of lightning occurred above you as the water rested upon your face.

Then after that terrifying nightmare, you suddenly woke up in the middle of nowhere. A slightly dead looking forest before you've heard the rustle of some twigs and leaves beside you.

Having a vacation in the forest of Switzerland has never been a dream and considering how God smacked you in the head unconscious and teleported you in Switzerland was entirely bewildering from the start.

Your heart was hurriedly pounding out of your chest as you sprinted as fast as you can. Abnormal shrills whistled with the wind that made you mewl as you ran for your life. There has been cuts and bruises across your knee from how you've stumbled upon a large log that hid beneath the earth-like soil. No pain has been sent to your nerves yet because of the adrenaline rush rising in every part of your veins with the need for the hushed voices to stop.

"Ah!" Another loss of one's footing, you've tripped over a large rock and fell face flat. Face now covered in grime and soot as you've heard the intangible whisper of words for the tenth time.

"Leave me the fuck alone! If this is a prank, it's not funny because I'm hurt!" you shrieked in the night and no one in particular. Limbs were turning feeble and shaky, but you've offered all your will power to survive in the damn forest if you were about to get murdered and be found after a year where your body has already been eaten by some wild animal.

The hushed voices were coming closer to a definite scare that took your heart out of your chest. You've pushed yourself up and began sprinting with a limp as you saw the end of the forest; like a meadow was waiting for your damn demise as you won't be outrunning the murderers behind you.

You stood in the middle of a grass field. So, this was the end for you. The voices inside your head spoke as you've scanned the whole area and saw a peculiar wooden house in the middle of the vast area.

The wooden house seemed to be made of Hazel twigs, daub and wattle. Its whole structure was darn weird to be seen in the era you knew you were in. Year 2020. It looked medieval, old and superannuated. The house's structure had a timber frame with a light glowing inside the open panels of its windows.

Human. Someone can help you. Based on the clothes that hung on the sides of a wooden fence in logs, you knew there was someone living inside the peculiar looking house.

Then, you've heard a loud roar. It was enough for you to spun on your heels and see who had been chasing you like a wild boar.

Yet, it wasn't a normal wild boar that could calm you down just a slight because it was just an animal.

The one chasing you didn't seem a murderer nor an animal. Its body appeared to live on the ground, like a zombie who came to life and had no lower body. Though, it had a large stomach and uses his burly arms to chase you down the forest. With Bright cardinal eyes wrathfully staring you down as you stood rooted on the ground in the middle of the field; your heart seeming to run out of oxygen because of what you were witnessing.

You didn't know if it was an alien or a zombie. Proper thinking thrown out of the window as you were running away from the nightmare that was bound to kill you in your sleep, if you were even sleeping.

Your feet ran a trek to the house; looking behind. Focal point completely at the fast carcass crawling to where you were, tons of disgusting looking saliva dripping out of its eroding jaw and you were screaming for help as you skedaddle away.

Until your head hit a hard wall, but not enough for you to fall unconscious.

Vision falling like a kaleidoscope world, you blinked repeatedly and squinted you eyes up at the wall. Though, you were met with a clothed robust chest and a strong warmth he radiated through the crispy, cold Autumn wind. You've scanned him from chest to face and noticed a coin-like silver necklace just a meter away from your face that had a symbol of a wolf.

You didn't know if you were just still dizzy from your newly awakened-self but it was as if your world spun around you as the brawny, marvelous man towered over you like a lion over a mouse. His jawline impressively great enough to cut a bitch; a prominent, cleft chin that can be quite tempting to poke at and eyes that were glowing in Aurum like a star in the night sky or a pot of gold in the other end of the rainbow, with majestic half-tied hair that ended below his shoulders tinted in ivory that stood upon the Tartarean night.

Though, despite of how dashing, grimy and haggard he appeared before you. The scowl on his face was enough to take you to step back from how disturbed he looked like.

You've seen him somewhere. In the movies back in your laptop when you were having a marathon of something.

Lord of the rings. Right, you were dreaming about it in the middle of being chased in your nightmare. That explains why he appeared.

You clapped excitedly as you lifted your chin to stare into his beautiful blazing gold eyes. The grumpy looking man cocked his head to the side as he scrutinized and studied your filth-filled face and you couldn't help but notice the concealed scrunch of his nose if you weren't staring a little bit too closely.

"Hmm," it was the first word you've heard from this intimidating man standing in front of you and hearing such an impossible, low timbre of a hum that vibrated from his chest could get your knees weak from such a tone because you didn't know if it was scaring you or telling you to run for the hills instead.

"Legolas?" your voice croaked out loud, voice turning small when you've received only a grimace that wouldn't be considered as a fake smile, much to your dismay. Your scrutinizing eyes noticed something different from one of the Lord of the Rings character and it was the maturity of his face, "--a middle aged Legolas! Help me! Use your arrow thingy--" he pushed your shoulders to stay behind him, making you stumble from the impact but not enough to ignite another bruise to your knees. Your eyes staring weirdly at his back as you studied the long metal knightly looking steel wrapped around his thick, large, powerful looking palms.

"---Oh, a sword would suffice." you muttered, suddenly uninmpressed because you wanted him to have an arrow instead of a sword to live in your fantasies and continued to hid behind the large build of his body, taking a peek as you saw the bizarre looking creature who screeched so loud that it echoed all over the meadow. You've unconsciously held onto the hem of the wool sweater behind the first human you've ever encountered other than the creature who planned to eat you alive.

"There's a zombie!"

Geralt felt the hand tugging at his sweater. He was close to jumping from the sudden physical touch because of how sudden you've reach out for him regardless of meeting him just tonight. His eyebrows in a tough knot and expression unreadable as he eyed the Alghoul running towards you. The hand holding the hem of his clothing was instantly right out of your hands as he prepared his stance and tread towards the critter like he was confident enough he could eliminate him.

He swung the sword, aiming for the head using just one hand as he lifted it with no trouble; like it was his own weapon and you couldn't help but watch the whole scene unfold before you. The Alghoul jumped using its arms but he was stronger, faster, braver and definitely had no sweat with the upswing of his sword as he slashed the head off the creature with one blow.

Well, he was great. Too great with the sword indeed.

Black blood spurt as he'd cut his head off with no remorse, some of its blood flying off to your grimy sleeveless top and face as you winced from the gore and stared at the head rolling on the ground till it hit your toes.

You just wanted to scream out loud but it seems like your jaw has been stuck and you had no voice to start.

The man seemed to be unruffled at the fact that he just cut the creature's head off with his sword, turning his back at face front that you saw black fluids on the smooth wrinkle of his forehead and cheeks.

"It's an Alghoul," he abnormally grumbled so deep that you mistaken it as a growl. You could feel your tongue stuck in your throat and heard his heavy footsteps coming close. Your eyes still focused at the monster's head scratching your feet that you haven't realized that the man who saved you was actually in front of you already, grabbing its head and throwing it away to save you from another nightmare.

Faded set of footsteps came echoing in. Lighting up a startle from you as you heard a door swish out loud in the open. Until, a budding pitch of a man has said the name of your gory savior in the middle of the night.

"Geralt?" Jaskier hesitantly stepped on the creaking, wooden porch. Eyes still weary of sleep and fatigue as he blinked to the both of you who stood at each other in just an arm reach.

Your savior mumbled another distasteful hum as he observed the short woman before him who seemed to be in total shock; staring at the ground where he'd took the head of the Alghoul away before sighing and taking a step back and away from you to take a look at his bloody sword. "Why, who is this adorable, small grimy lady here in the middle of the night?" the light tone of the man's voice made you blink twice; snapping you out of your reverie.

You turned your head and studied the somnolent man standing outside of the porch, hair disheveled like he'd been disrupted by such a beauty sleep. He looked younger, like he was in his 20's and had a youthful beam with lean muscles beneath the white undershirt wore under a Tunic. Jaskier placed both hands on his hips before pointing a finger at you, sending you a bright smile other than the moue you've received from the man named 'Geralt,' "You came here for Geralt, I suppose? One of your..midnight sashays with him?"

Geralt didn't need to look at his friend and ignored everything he said by walking towards a beautiful brown horse, "Jaskier," he lowly reprimanded as he eyed his horse with an indecipherable expression of his.

Jaskier deeply sighed, his shoulders going up and down from how he did and you eyed him with a baffling twist of your eyebrows.

"First and foremost, you ruined his nap and now he can be as grumpy as an--an Alghoul! An amputated Alghoul!" he blinked in surprise, peeking behind you to see the creature who had its head cut-off laying on the muddy ground.

Geralt continued to pet his horse as your eyes snapped to him, his back on you as you heard his horse neigh, the man named Jaskier still rambling about the creature who laid dead on the ground.

"Alghouls appear in old necropolises and crypts," he scratched his temple with a finger, walking down the path till he was studying the corpse on his foot, "It's a miracle that they've hunted you down. They seldom appear in the forest! Also, they knock down their victims and eat them alive. Right, Geralt? You've taught me these!"

Geralt ignored him and continued petting his horse.

You eyed the man named named Jaskier and watched him walk back to you, a solemn smile on his face because of your unfortunate experience with the forest. Suddenly, realizing about the information he'd uttered, you were sure it was just like those creatures in the movies like Resident Evil or The Walking Dead.

"So, it's basically a zombie!"

Jaskier stared at you like you've eaten a dead mouse. Forehead creasing as he tried mouthing the word you've said, giving his friend a once over as he does, "A zom--what? please do enlighten me, Geralt as to what is a Sombre when I can see with my own splendiferous eyes that the monster he'd killed is an Alghoul--"

You've huffed and bit the insides of your cheeks, fists tightening on either side as you stubbornly bantered, "Z O M B I E. Zombie."

Thus, at the retort; Jaskier had his hands on his hips with his chest puffed out like he was trying to intimidate you. But, it was a failure because he never looked intimidating from the start, "A zombie. Alright. I understood you but not entirely, dirty maiden. Geralt--" he looked over his friend who was now already on the side of you, startling the both of you and sky-scraping from your side as you lifted your chin to see him oddly closing his eyes, breathing you in.

Was he smelling you?

You eyed Jaskier like you were finding it peculiar and he just gave you a shrug, "Your scent..It's...It's...otherworldly, " Geralt uttered, completely resonant and low-pitched that vibrated your calming nerves, "It attracted the Alghoul," he continued with a frown and another sniff before humming in disdain.

"Very out of the ordinary," the latter muttered beneath his chest, a snarl coming out of his mouth as you swallowed the butterflies wanting to come out of your mouth by how monumental he was and you feel so small, "Who sent you?"

You took a step away from the man, eyeing him weirdly as he stubbornly took a step close like personal space wasn't known to the world you are in, "Uhm, no--no one?" a pathetic stutter came out of your lips and felt the tremble of your fingers because of a thought running in your mind that he was also as dangerous as the Alghoul they were saying; maybe even more treacherous, "I came out from my mother’s reproductive organ? You know what, Geralt--"

Jaskier suddenly cut you off, crossing his arms behind him as he watched his friend tower over you, an amused grin etched on his face because you were actually crumbling like a rat before the ginormous cat, "Geralt. A letter G. Not a J. G E R A L T---"

"---Alright, GERALT!" you stopped taking steps back and declared out loud, mocking their accent that you couldn't distinguish. Your palms were outstretched in front of you, ceasing Geralt from pushing you away but not enough to be touching his torso. A pleading look in your eyes that made him breath out of his nose, "---Just please tell me where the airport is and I'm off to my country,"

The man in front of you stared you down, completely uncanny at what you were voicing out. You winced and realized you wouldn't get an answer from him and tried to ask help from his friend instead, but Jaskier was fast to distract you and criticize the clothes you wore, "What even is that clothing?"

You blew out air out of your mouth loudly, not believing their words. They were acting like they weren't actually living in earth at all, "It's casual! Don't judge!"

Jaskier also gave a huff, not believing the outlandish behavior from a lady and continued complaining to the Witcher who seemed to never have the decency to give you space, "Cas--what? Geralt, this woman is foolish. Don't even attempt to ravish her in any way. Utterly not worth it! She's a cuckoo with that flimsy short trousers, an odd looking footwear and a thin top like the Alghoul has taken all of her silk. Unless, this woman is actually your type, well--I wouldn't judge you for your taste in women because most of the time it is utmost round the bend--"

His spouts were cut short as you managed to get a proper look at the strangely, beautifully rugged man before you, giving him one of those tired, puppy eyes that made his frown much less more like it as he waited, "I just wanna go home," your voice sounded so vindicated and you were sure his eyes were really glowing under the night sky, "---please tell me where the airport is and I'll go, or you can probably help me with my wounds first before you shoo me away,"

You've felt the burns from your wounds and ungracefully tried to avoid those glowing eyes that seem to suddenly make your heart pound. Damn you and your horrid types, "Do you...have a car?" you asked no one in particular as you watched the stars that also seemed to be peculiar because of how many they were.

His horse neighed from a distance which gave you an idea that their house didn't have a garage nor do they have a car. You peeked behind Geralt and saw his horse standing behind the stables, "Oh, you have a horse. A beautiful brown horse, I take it we're in a province, I see."

Again, no response from him other than Jaskier's sighs. It was like taking to the wind, but actually talking to a corpse.

You could feel the heat of his stare and it was making you conscious of how you actually looked like, so you continued to avoid his eyes and looked at anywhere but him, "We're in Switzerland right? Or in a province in the U.K, Scotland or Australia considering your accents?"

The only response you've gotten from him was a mere seven word that made you scrunch your nose by how weirder they get, "You aren't from here, I can tell."

"Way to tell her that she's a woman and not a man, Geralt. Stop stating the obvious,"

You ignored their utterance as they've also ignored your question. All you needed was an airplane to get you back to where you came from and escape from this madness. Yet, they seem like to be beating around the bush which began to slightly irritate you because you were sounding like a broken record, "So where's the airport, gentlemen? I still need to feed my cat at home and I'll tell the entire universe that its the end of the world with the zombies. Gotta' tell them a zombie apocalypse is happening--my phone!" you patted the pockets of your shorts and felt your Android phone inside. You've fished it out and pressed the home button, the bright light gleaming beneath the night and both men couldn't help but stare at you in oddity.

"Your what?" was the only thing Jaskier has muttered, looking at what you were holding. Geralt  observed the unfamiliar looking thing in your hand and squinted his eyes shut at the bright light, "It's--there's no signal! Where are we?" you tapped on your phone repeatedly and found the GPS not working as the results were indefinite.

Jaskier marched till he was beside his friend, clasping a cold hand on his burly shoulders, cocking his head to the side and clasping his other on his own hip as he gave you a look, "Not just simply absurd but also a strange one, Geralt. You definitely pick the best ladies, First was Renfri; the rebel princess, second is Yennefer; that cunning beautiful mage in which you’ve been in love with and the other hundred are your whores--"

Geralt cocked his head to the side, an unexpected small smile lifting his lips as he continued laying his golden eyes on you, "Year 1268. In the far north kingdom of Kaedwen,"

You nervously nodded, crossing your arms at how exposed you feel from the man before you especially that your clothes were also thin for a weather you were in. Fingers were feeling like ice and you couldn't help but shiver, "Kaedwen? Padawan? Star wars references, I see. Okay, okay, this is getting out of hand and I know you're still in character but please tell me that this is a prank and you're just fond of cosplay,"

"Hmm," His smile was quick to fall, like it has only been a hallucination of your imaginations. Geralt studied you from head to toe. Your breath catching in your throat at how barren you felt with just a simple scan of his eyes and also by how beautiful he looked. Such a pain but soothing for the eyes. He caught the bruises and wounds all over your body and heavily sighed another one before turning his back away from you and letting Jaskier lightly stumble on his feet after giving him a manly tap on the shoulder.

"He's letting her in," Jaskier mumbled to himself and watched Geralt walk away, completely amused as he couldn't believe it, "He really is!"

He scratched his disheveled bed-head and huffed another one, pointing at the retreating man who entered their wooden cavern. "Based on how long I've been a friend with this grumpy Witcher, that answer was either a yes, or a no."

"---Unfortunately, it seems like a no because he took off without a word," he gestured with a finger and used his other to welcome you like a humble gentleman giving way for a princess, "---but also an approval that you can stay in our humble abode to cure that wounds you have which is oddly strange because he never lets anyone in, yet here you are. A grubby ground breaker,"

He eyed the Alghoul's blood on your top and face, his face morphing into disgust as he pointed a playful finger at you, "---And you, small rat. Need a bath," before waggling them around to tell you his point, "---However, you don't get to take my bed,"

The hopes of having your sleep or tightly shutting your eyes, repeatedly wishing inside your head to wake up on your mattress back at your apartment would definitely be a difficult task especially from what you've witnessed. Though, maybe closing your eyes shut and having a nap was the only cure to the nightmare you were living in; taking note at how long this dream of yours have been occurring. It was technically a nightmare full of magical creatures and magic that promised you would only be a mere dream of yours.

That is, when you've opened your eyes after repeatedly wishing up at the sky to wake you up in your dream and saw Jaskier walking in, leaving the door open for you to make yourself at home completely answered your questions.

You weren't dreaming and it appears to be like you were in a different dimension.

"Oh, I'll be damned,"

A PART 2? YES? Y’ALL WANT THIS TO HAVE A SECOND CHAPTER? HEEEHEE!! TELL ME WHAT YA THINK ABOUT THIS! 

[grigori77]

Summer 2021′s Movies - My Top Ten Favourite Films (Part 2)

The Top Ten:

10.  WEREWOLVES WITHIN – definitely one of the year’s biggest cinematic surprises so far, this darkly comic supernatural murder mystery from indie horror director Josh Ruben (Scare Me) is based on a video game, but you’d never know it – this bears so little resemblance to the original Ubisoft title that it’s a wonder anyone even bothered to make the connection, but even so, this is now notable for officially being the highest rated video game adaptation in Rotten Tomatoes history, with a Certified Fresh rating of 86%. Certainly it deserves that distinction, but there’s so much more to the film – this is an absolute blood-splattered joy, the title telling you everything you need to know about the story but belying the film’s pure, quirky genius.  Veep’s Sam Richardson is forest ranger Finn Wheeler, a gentle and socially awkward soul who arrives at his new post in the remote small town of Beaverton to discover the few, uniformly weird residents are divided over the oil pipeline proposition of forceful and abrasive businessman Sam Parker (The Hunt’s Wayne Duvall).  As he tries to fit in and find his feet, investigating the disappearance of a local dog while bonding with local mail carrier Cecily Moore (Other Space and This Is Us’ Milana Vayntrub), the discovery of a horribly mutilated human body leads to a standoff between the townsfolk and an enforced lockdown in the town’s ramshackle hotel as they try to work out who amongst them is the “werewolf” they suspect is responsible.  This is frequently hilarious, the offbeat script from appropriately named Mishna Wolff (I’m Down) dropping some absolutely zingers and crafting some enjoyably weird encounters and unexpected twists, while the uniformly excellent cast do much of the heavy-lifting to bring their rich, thoroughly oddball characters to vivid life – Richardson is thoroughly cuddly throughout, while Duvall is pleasingly loathsome, Casual’s Michaela Watkins is pleasingly grating as Trisha, flaky housewife to unrepentant local horn-dog Pete Anderton (Orange is the New Black’s Michael Chernus), and Cheyenne Jackson (American Horror Story) and Harry Guillen (best known, OF COURSE, as Guillermo in the TV version of What We Do In the Shadows) make an enjoyably spiky double-act as liberal gay couple Devon and Joaquim Wolfson; in the end, though, the film is roundly stolen by Vayntrub, who invests Cecily with a bubbly sweetness and snarky sass that makes it absolutely impossible to not fall completely in love with her (gods know I did).  This is a deeply funny film, packed with proper belly-laughs from start to finish, but like all the best horror comedies it takes its horror elements seriously, delivering some enjoyably effective scares and juicy gore, while the werewolf itself, when finally revealed, is realised through some top-notch prosthetics.  Altogether this was a most welcome under-the-radar surprise for the summer, and SO MUCH MORE than just an unusually great video game adaptation …

9.  THE TOMORROW WAR – although cinemas finally reopened in the UK in early summer, the bite of the COVID lockdown backlog was still very much in effect this blockbuster season, with several studios preferring to hedge their bets and wait for later release dates. Others turned to streaming services, including Paramount, who happily lined up a few heavyweight titles to open on major platforms in lieu of the big screen.  One of the biggest was this intended sci-fi action horror tentpole, meant to give Chris Pratt another potential franchise on top of Guardians of the Galaxy and Jurassic World, which instead dropped in early July on Amazon Prime.  So, was it worth staying in on a Saturday night instead of heading out for something on the BIG screen?  Mostly yes, although it’s mainly a trashy, guilty pleasure big budget B-picture charm that makes this such a worthwhile experience – the film’s biggest influences are clearly Independence Day and Starship Troopers, two admirably clunky blockbusters that DEFINED prioritising big spectacle and overblown theatrics over intelligent writing and realistic storytelling.  It doesn’t help that the premise is pure bunk – in 2022, a wormhole opens from thirty years in the future, and a plea for help is sent back with a bunch of very young future soldiers.  Seems Earth will become overrun by an unstoppable swarm of nasty alien critters called Whitespikes in 25 years, and the desperate human counteroffensive have no choice but to bring soldiers from our present into the future to help them fight back and save the humanity from imminent extinction.  Less than a year later, the world’s standing armies have been decimated and a worldwide draft has been implemented, with normal everyday adults being sent through for a seven day tour from which very few return.  Pratt plays biology teacher and former Green Beret Dan Forrester, one of the latest batch of draftees to be sent into the future along with a selection of chefs, soccer moms and other average joes – his own training and experience serves him better than most when the shit hits the fan, but it soon becomes clear that he’s just as out of his depth as everyone else as the sheer enormity of the threat is revealed.  But when he becomes entangled with a desperate research outfit led by Muri (Chuck’s Yvonne Strahovski) who seem to be on the verge of a potential world-changing scientific breakthrough, Dan realises there just might be a slender hope for humanity after all … this is every bit as over-the-top gung-ho bonkers as it sounds, and just as much fun.  Director Chris McKay may still be pretty fresh (with only The Lego Batman Movie under his belt to date), but he shows a lot of talent and potential for big budget blockbuster filmmaking here, delivering with guts and bravado on some major action sequences (a fraught ticking-clock SAR operation through a war-torn Miami is the film’s undeniable highlight, but a desperate battle to escape a blazing oil rig also really impresses), as well as handling some impressively complex visual effects work and wrangling some quality performances from his cast (altogether it bodes well for his future, which includes Nightwing and Johnny Quest as future projects).  Chris Pratt can do this kind of stuff in his sleep – Dan is his classic fallible and self-deprecating but ultimately solid and kind-hearted action hero fare, effortlessly likeable and easy to root for – and his supporting cast are equally solid, Strahovsky going toe-to-toe with him in the action sequences while also creating a rewardingly complex smart-woman/badass combo in Muri, while the other real standouts include Sam Richardson (Veep, Werewolves Within) and Edwin Hodge (The Purge movies) as fellow draftees Charlie and Dorian, the former a scared-out-of-his-mind tech geek while the latter is a seriously hardcore veteran serving his THIRD TOUR, and the ever brilliant J.K. Simmonds as Dan’s emotionally scarred estranged Vietnam-vet father, Jim.  Sure, it’s derivative as hell and thoroughly predictable (with more than one big twist you can see coming a mile away), but the pace is brisk, the atmosphere pregnant with a palpable doomed urgency, and the creatures themselves are a genuinely convincing world-ending threat, the design team and visual effects wizards creating genuine nightmare fuel in the feral and unrelenting Whitespikes.  Altogether this WAS an ideal way to spend a comfy Saturday night in, but I think it could have been JUST AS GOOD for a Saturday night OUT at the Pictures …

8.  ARMY OF THE DEAD – another high profile release that went straight to streaming was this genuine monster hit for Netflix from one of this century’s undeniable heavyweight action cinema masters, the indomitable Zack Snyder, who kicked off his career with an audience-dividing (but, as far as I’m concerned, ultimately MASSIVELY successful) remake of George Romero’s immortal Dawn of the Dead, and has finally returned to zombie horror after close to two decades away.  The end result is, undeniably, the biggest cinematic guilty pleasure of the entire summer, a bona fide outbreak horror EPIC in spite of its tightly focused story – Dave Bautista plays mercenary Scott Ward, leader a badass squad of soldiers of fortune who were among the few to escape a deadly outbreak of a zombie virus in the city of Las Vegas, enlisted to break into the vault of one of the Strip’s casinos by owner Bly Tanaka (a fantastically game turn from Hiroyuki Sanada) and rescue $200 million still locked away inside.  So what’s the catch?  Vegas remains ground zero for the outbreak, walled off from the outside world but still heavily infested within, and in less than three days the US military intends to sterilise the site with a tactical nuke.  Simple premise, down and dirty, trashy flick, right?  Wrong – Snyder has never believed in doing things small, having brought us unapologetically BIG cinema with the likes of 300, Watchmen, Man of Steel and, most notably, his version of Justice League, so this is another MASSIVE undertaking, every scene shot for maximum thrills or emotional impact, each set-piece executed with his characteristic militaristic precision and explosive predilection (a harrowing fight for survival against a freshly-awakened zombie horde in tightly packed casino corridors is the film’s undeniable highlight), and the gauzy, dreamlike cinematography gives even simple scenes an intriguing and evocative edge that really does make you feel like you’re watching something BIG.  The characters all feel larger-than-life too – Bautista can seem somewhat cartoonish at times, and this role definitely plays that as a strength, making Scott a rock-hard alpha male in the classic Hollywood mould, but he’s such a great actor that of course he’s able to invest the character with real rewarding complexity beneath the surface; Ana de la Reguera (Eastbound & Down) and Nora Arnezeder (Zoo, Mozart in the Jungle), meanwhile, both bring a healthy dose of oestrogen-fuelled badassery to proceedings as, respectively, Scott’s regular second-in-command, Maria Cruz, and Lilly the Coyote, Power’s Omari Hardwick and Matthias Schweighofer (You Are Wanted) make for a fun odd-couple double act as circular-saw-wielding merc Vanderohe and Dieter, the nervous, nerdy German safecracker brought in to crack the vault, and Fear the Walking Dead’s Garrett Dillahunt channels spectacular scumbag energy as Tanaka’s sleazy former casino boss Martin, while latecomer Tig Notaro (Star Trek Discovery) effortlessly rises above her last-minute-casting controversy to deliver brilliantly as sassy and acerbic chopper pilot Peters.  I think it goes without saying that Snyder can do this in his sleep, but he definitely wasn’t napping here – he pulled out all the stops on this one, delivering a thrilling, darkly comic and endearingly CRACKERS zombie flick that not only compares favourably to his own Dawn but is, undeniably, his best film for AGES.  Netflix certainly seem to be pleased with the results – a spinoff prequel, Army of Thieves, starring Dieter in another heist thriller, is set to drop in October, with an animated series following in the Spring, and there’s already rumours of a sequel in development.  I’m certainly up for more …

7.  BLACK WIDOW – no major blockbuster property was hit harder by COVID than the MCU, which saw its ENTIRE SLATE for 2020 delayed for over a year in the face of Marvel Studios bowing to the inevitability of the Pandemic and unwilling to sacrifice those all-important box-office receipts by just sending their films straight to streaming.  The most frustrating part for hardcore fans of the series was the delay of a standalone film that was already criminally overdue – the solo headlining vehicle of founding Avenger and bona fide female superhero ICON Natasha Romanoff, aka the Black Widow.  Equally frustratingly, then, this film seems set to be overshadowed by real life controversy as star and producer Scarlett Johansson goes head-to-head with Disney in civil court over their breach-of-contract after they hedged their bets by releasing the film simultaneously in cinemas and on their own streaming platform, which has led to poor box office as many of the film’s potential audience chose to watch it at home instead of risk movie theatres with the virus still very much remaining a threat (and Disney have clearly reacted AGAIN, now backtracking on their release policy by instigating a new 45-day cinematic exclusivity window on all their big releases for the immediate future). But what of the film itself?  Well Black Widow is an interesting piece of work, director Cate Shortland (Berlin Syndrome) and screenwriter Eric Pearson (Thor: Ragnarok) delivering a decidedly stripped-back, lean and intellectual beast that bears greater resemblance to the more cerebral work of the Russo Brothers on their Captain America films than the more classically bombastic likes of Iron Man, Thor or the Avengers flicks, concentrating on story and characters over action and spectacle as we wind back the clock to before the events of Infinity War and Endgame, when Romanoff was on the run after Civil War, hunted by the government-appointed forces of US Secretary of State “Thunderbolt” Ross (William Hurt) after violating the Sokovia Accords.  Then a mysterious delivery throws her back into the fray as she finds herself targeted by a mysterious assassin, forcing her to team up with her estranged “sister” Yelena Belova (Midsommar’s Florence Pugh), another Black Widow who’s just gone rogue from the same Red Room Natasha escaped years ago, armed with a McGuffin capable of foiling a dastardly plot for world domination.  The reluctant duo need help in this endeavour though, enlisting the aid of their former “parents”, veteran Widow and scientist Melina Vostokoff (Rachel Weisz) and Alexie Shostakov (Stranger Things’ David Harbour), aka the Red Guardian, a Russian super-soldier intended to be their counterpart to Captain America, who’s been languishing in a Siberian gulag for the last twenty years. After the Earth-shaking, universe-changing events of recent MCU events, this film certainly feels like a much more self-contained, modest affair, playing for much smaller stakes, but that doesn’t mean it’s any less worthy of our attention – this is as precision-crafted as anything we’ve seen from Marvel so far, but it also feels like a refreshing change of pace after all those enormous cosmic shenanigans, while the script is as tight as a drum, propelling a taut, suspense-filled thriller that certainly doesn’t scrimp on the action front.  Sure, the set-pieces are very much in service of the story here, but they’re still the pre-requisite MCU rollercoaster rides, a selection of breathless chases and bone-crunching fights that really do play to the strengths of one of our favourite Avengers, but this is definitely one of those films where the real fireworks come when the film focuses on the characters – Johansson is so comfortable with her character she’s basically BECOME Natasha Romanoff, kickass and ruthless and complex and sassy and still just desperate for a family (though she hides it well throughout the film), while Weisz delivers one of her best performances in years as a peerless professional who keeps her emotions tightly reigned in but slowly comes to realise that she was never more happy than when she was pretending to be a simple mother, and Ray Winstone does a genuinely fantastic job of taking a character who could have been one of the MCU’s most disappointingly bland villains, General Dreykov, master of the Red Room, and investing him with enough oily charisma and intense presence to craft something truly memorable (frustratingly, the same cannot be said for the film’s supposed main physical threat, Taskmaster, who performs well in their frustratingly brief appearances but ultimately gets Darth Maul levels of short service).  The true scene-stealers in the film, however, are Alexie and Yelena – Harbour’s clearly having the time of his life hamming it up as a self-important, puffed-up peacock of a superhero who never got his shot and is clearly (rightly) decidedly bitter about it, preferring to relive the life he SHOULD have had instead of remembering the good in the one he got; Pugh, meanwhile, is THE BEST THING IN THE WHOLE MOVIE, easily matching Johanssen scene-for-scene in the action stakes but frequently out-performing her when it comes to acting, investing Yelena with a sweet naivety and innocence and a certain amount of quirky geekiness that makes for one of the year’s most endearing female protagonists (certainly one who, if the character goes the way I think she will, is thoroughly capable of carrying the torch for the foreseeable future).  In the end this is definitely one of the LEAST typical, by-the-numbers MCU films to date, and by delivering something a little different I think they’ve given us just the kind of leftfield swerve the series needs right now.  It’s certainly one of their most fascinating and rewarding films so far, and since it seems to be Johansson’s final tour of duty as the Black Widow, it’s also a most fitting farewell indeed.

6.  WRATH OF MAN – Guy Ritchie’s latest (regarded by many as a triumphant return to form, which I consider unfair since I don’t think he ever went away, especially after 2020’s spectacular The Gentlemen) is BY FAR his darkest film – let’s get this clear from the start.  Anyone who knows his work knows that Ritchie consistently maintains a near flawless balance and humour and seriousness in his films that gives them a welcome quirkiness that is one of his most distinctive trademarks, so for him to suddenly deliver a film which takes itself SO SERIOUSLY is one hell of a departure.  This is a film which almost REVELS in its darkness – Ritchie’s always loved bathing in man’s baser instincts, but Wrath of Man almost makes a kind of twisted VIRTUE out of wallowing in the genuine evils that men are capable of inflicting on each other.  The film certainly kicks off as it means to go on – In a tour-de-force single-shot opening, we watch a daring armoured car robbery on the streets of Los Angeles that goes horrifically wrong, an event which will have devastating consequences in the future.  Five months later, Fortico Security hires taciturn Brit Patrick Hill (Jason Statham) to work as a guard in one of their trucks, and on his first run he single-handedly foils another attempted robbery with genuinely uncanny combat skills. The company is thrilled, amazed by the sheer ability of their new hire, but Hill’s new colleagues are more concerned, wondering exactly what they’ve let themselves in for.  After a second foiled robbery, it becomes clear that Hill’s reputation has grown, but fellow guard Haiden (Holt McCallany), aka “Bullet”, begins to suspect there might be something darker going on … Ritchie is firing on all cylinders here, delivering a PERFECT slow-burn suspense thriller which plays its cards close to its chest and cranks up its piano wire tension with artful skill as it builds to a devastating, knuckle-whitening explosive heist that acts as a cathartic release for everything that’s built up over the past hour and a half.  In typical Ritchie style the narrative is non-linear, the story unfolding in four distinct parts told from clearly differentiated points of view, allowing the clues to be revealed at a trickle that effortlessly draws the viewer in as they fall deeper down the rabbit hole, leading to a harrowing but strangely poignant denouement which is perfectly in tune with everything that’s come before. It’s an immense pleasure finally getting to see Statham working with Ritchie again, and I don’t think he’s ever been better than he is here – he's always been a brilliantly understated actor, but there’s SO MUCH going on under Hill’s supposedly impenetrable calm that every little peek beneath the armour is a REVELATION; McCallany, meanwhile, has landed his best role since his short but VERY sweet supporting turn in Fight Club, seemingly likeable and fallible as the kind of easy-going co-worker anyone in the service industry would be THRILLED to have, but giving Bullet far more going on under the surface, while there are uniformly excellent performances from a top-shelf ensemble supporting cast which includes Josh Hartnett, Jeffrey Donovan (Burn Notice, Sicario), Andy Garcia, Laz Alonso (The Boys), Eddie Marsan, Niamh Algar (Raised By Wolves) and Darrell D’Silva (Informer, Domina), and a particularly edgy and intense turn from Scott Eastwood.  This is one of THE BEST thrillers of the year, by far, a masterpiece of mood, pace and plot that ensnares the viewer from its gripping opening and hooks them right up to the close, a triumph of the genre and EASILY Guy Ritchie’s best film since Snatch.  Regardless of whether or not it’s a RETURN to form, we can only hope he continues to deliver fare THIS GOOD in the future …

5.  FEAR STREET (PARTS 1-3) – Netflix have gotten increasingly ambitious with their original filmmaking over the years, and some of this years’ offerings have reached new heights of epic intention.  Their most exciting release of the summer was this adaptation of popular children’s horror author R.L. Stine’s popular book series, a truly gargantuan undertaking as the filmmakers set out to create an entire TRILOGY of films which were then released over three consecutive weekends.  Interestingly, these films are most definitely NOT for kids – this is proper, no-holds-barred supernatural slasher horror, delivering highly calibrated shocks and precision jump scares, a pervading atmosphere of insidious dread and a series of inventively gruesome kills.  The story revolves around two neighbouring small towns which have had vastly different fortunes over more than three centuries of existence – while the residents of Sunnyvale are unusually successful, living idyllic lives in peace and prosperity, luck has always been against the people of Shadyside, who languish in impoverishment, crime and misfortune, while the town has become known as the Murder Capital of the USA due to frequent spree killings.  Some attribute this to the supposed curse of a local urban legend, Sarah Fier, who became known as the Fier Witch after her execution for witchcraft in 1668, but others dismiss this as simple superstition.  Part 1 is set in 1994, as the latest outbreak of serial mayhem begins in Shadyside, dragging a small group of local teens – Deena Johnson (She Never Died’s Kiana Madeira) and Samantha Fraser (Olivia Scott Welch), a young lesbian couple going through a difficult breakup, Deena’s little brother Josh (The Haunted Hathaways’ Benjamin Flores Jr.), a nerdy history geek who spends most of his time playing video games or frequenting violent crime-buff online chatrooms, and their delinquent friends Simon (Eight Grade’s Fred Hechinger) and Kate (Julia Rehwald) – into the age-old ghostly conspiracy as they find themselves besieged by indestructible undead serial killers from the town’s past, reasoning that the only way they can escape with their lives is to solve the mystery and bring the Fier Witch some much needed closure.  Part 2, meanwhile, flashes back to a previous outbreak in 1977, in which local sisters Ziggy (Stranger Things’ Sadie Sink) and Cindy Berman (Emily Rudd), together with future Sunnyvale sheriff Nick Goode (Ted Sutherland) were among the kids hunted by said killers during a summer camp “colour war”.  As for Part 3, that goes all the way back to 1668 to tell the story of what REALLY happened to Sarah Fier, before wrapping up events in 1994, culminating in a terrifying, adrenaline-fuelled showdown in the Shadyside Mall.  Throughout, the youthful cast are EXCEPTIONAL, Madeira, Welch, Flores Jr., Sink and Rudd particularly impressing, while there are equally strong turns from Ashley Zuckerman (The Code, Designated Survivor) and Community’s Gillian Jacobs as the grown-up versions of two key ’77 kids, and a fun cameo from Maya Hawke in Part 1.  This is most definitely retro horror in the Stranger Things mould, perfectly executed period detail bringing fun nostalgic flavour to all three of the timelines while the peerless direction from Leigh Janiak (Honeymoon) and wire-tight, sharp-witted screenplays from Janiak, Kyle Killen (Lone Star, The Beaver), Phil Graziadel, Zak Olkewicz and Kate Trefry strike a perfect balance between knowing dark humour and knife-edged terror, as well as weaving an intriguingly complex narrative web that pulls the viewer in but never loses them to overcomplication.  The design, meanwhile, is evocative, the cinematography (from Stanger Things’ Caleb Heymann) is daring and magnificently moody, and the killers and other supernatural elements of the film are handled with skill through largely physical effects.  This is definitely not a standard, by-the-numbers slasher property, paying strong homage to the sub-genre’s rules but frequently subverting them with expert skill, and it’s as much fun as it is frightening.  Give us some more like this please, Netflix!

4.  THE SPARKS BROTHERS – those who’ve been following my reviews for a while will known that while I do sometimes shout about documentary films, they tend to show up in my runners-up lists – it’s a great rarity for one to land in one of my top tens.  This lovingly crafted deep-dive homage to cult band Sparks, from self-confessed rabid fanboy Edgar Wright (Shaun of the Dead, Hot Fuzz, Scott Pilgrim), is something VERY SPECIAL INDEED, then … there’s a vague possibility some of you may have heard the name before, and many of you will know at least one or two of their biggest hits without knowing it was them (their greatest hit of all time, This Town Ain’t Big Enough for the Both of Us, immediately springs to mind), but unless you’re REALLY serious about music it’s quite likely you have no idea who they are, namely two brothers from California, Russell and Ronald Mael, who formed a very sophisticated pop-rock band in the late 60s and then never really went away, having moments of fame but mostly working away in the background and influencing some of the greatest bands and musical artists that followed them, even if many never even knew where that influence originally came from. Wright’s film is an engrossing joy from start to finish (despite clocking in at two hours and twenty minutes), following their eclectic career from obscure inception as Halfnelson, through their first real big break with third album Kimono My Place, subsequent success and then fall from popularity in the mid-70s, through several subsequent revitalisations, all the way up to the present day with their long-awaited cinematic breakthrough, revolutionary musical feature Annette – throughout Wright keeps the tone light and the pace breezy, allowing a strong and endearing sense of irreverence to rule the day as fans, friends and the brothers themselves offer up fun anecdotes and wax lyrical about what is frequently a larger-than-life tragicomic soap opera, utilising fun, crappy animation and idiosyncratic stock footage inserts alongside talking-head interviews that were made with a decidedly tongue-in-cheek style – Mike Myers good-naturedly rants about how we can see his “damned mole” while 80s New Romantic icons Nick Rhodes and John Taylor, while shot together, are each individually labelled as “Duran”.  Ron and Russ themselves, meanwhile, are clearly having huge fun, gently ribbing each other and dropping some fun deadpan zingers throughout proceedings, easily playing to the band’s strong, idiosyncratic sense of hyper-intelligent humour, while the aforementioned celebrity talking-heads are just three amongst a whole wealth of famous faces that may surprise you – there’s even an appearance by Neil Gaiman, guys!  Altogether this is 2+ hours of bright and breezy fun chock full of great music and fascinating information, and even hardcore Sparks fans are likely to learn more than a little over the course of the film, while for those who have never heard of Sparks before it’s a FANTASTIC introduction to one of the greatest ever bands that you’ve never heard of.  With luck there might even be more than a few new fans before the year is out …

3.  GUNPOWDER MILKSHAKE – Netflix’ BEST offering of the summer was this surprise hit from Israeli writer-director Navot Papushado (Rabies, Big Bad Wolves), a heavily stylised black comedy action thriller that passes the Bechdel Test with FLYING COLOURS.  Playing like a female-centric John Wick, it follows ice-cold, on-top-of-her-game assassin Sam (Karen Gillan) as her latest assignment has some unfortunate side effects, leading her to take on a reparation job to retrieve some missing cash for the local branch of the Irish Mob.  The only catch is that a group of thugs have kidnapped the original thief’s little girl, 12 year-old Emily (My Spy’s Chloe Coleman), and Sam, in an uncharacteristic moment of sympathy, decides to intervene, only for the money to be accidentally destroyed in the process.  Now she’s got the Mob and her own employers coming after her, and she not only has to save her own skin but also Emily’s, leading her to seek help from the one person she thought she might never see again – her mother, Scarlet (Lena Headey), a master assassin in her own right who’s been hiding from the Mob herself for years.  The plot may be simple but at times also a little over-the-top, but the film is never anything less than a pure, unadulterated pleasure, populated with fascinating, living and breathing characters of real complexity and nuance, while the script (co-written by relative newcomer Ehud Lavski) is tightly-reined and bursting with zingers.  Most importantly, though, Papushado really delivers on the action front – these are some of the best set-pieces I’ve seen this year, Gillan, her co-stars and the various stunt-performers acquitting themselves admirably in a series of spectacular fights, gun battles and a particularly imaginative car chase that would be the envy of many larger, more expensive productions.  Gillan and Coleman have a sweet, awkward chemistry, the MCU star particularly impressing in a subtly nuanced performance that also plays beautifully against Headey’s own tightly controlled turn, while there is awesome support from Angela Bassett, Michelle Yeoh and Carla Gugino as Sam’s adoptive aunts Anna May, Florence and Madeleine, a trio of “librarians” who run a fine side-line in illicit weaponry and are capable of unleashing some spectacular violence of their own; the film’s antagonists, on the other hand, are exclusively masculine – the mighty Ralph Inneson is quietly ruthless as Irish boss Jim McAlester, while The Terror’s Adam Nagaitis is considerably more mercurial as his mad dog nephew Virgil, and Paul Giamatti is the stately calm at the centre of the storm as Sam’s employer Nathan, the closest thing she has to a father.  There’s so much to enjoy in this movie, not just the wonderful characters and amazing action but also the singularly engrossing and idiosyncratic style, deeply affecting themes of the bonds of found family and the healing power of forgiveness, and a rewarding through-line of strong women triumphing against the brutalities of toxic masculinity.  I love this film, and I invite you to try it out, cuz I’m sure you will too.

2.  THE SUICIDE SQUAD – the most fun I’ve had at the cinema so far this year is the long-awaited (thanks a bunch, COVID) redress of another frustrating imbalance from the decidedly hit and miss DCEU superhero franchise, in which Guardians of the Galaxy writer-director James Gunn has finally delivered a PROPER Suicide Squad movie after David Ayer’s painfully compromised first stab at the property back in 2016.  That movie was enjoyable enough and had some great moments, but ultimately it was a clunky mess, and while some of the characters were done (quite) well, others were painfully botched, even ruined entirely.  Thankfully Warner Bros. clearly learned their lesson, giving Gunn free reign to do whatever he wanted, and the end result is about as close to perfect as the DCEU has come to date.  Once again the peerless Viola Davis plays US government official Amanda Waller, head of ARGUS and the undisputable most evil bitch in all the DC Universe, who presides over the metahuman prisoners of the notorious supermax Belle Reve Prison, cherry-picking inmates for her pet project Taskforce X, the titular Suicide Squad sent out to handle the kind of jobs nobody else wants, in exchange for years off their sentences but controlled by explosive implants injected into the base of their skulls.  Their latest mission sees another motley crew of D-bags dispatched to the fictional South African island nation of Corto Maltese to infiltrate Jotunheim, a former Nazi facility in which a dangerous extra-terrestrial entity that’s being developed into a fearful bioweapon, with orders to destroy the project in order to keep it out of the hands of a hostile anti-American regime which has taken control of the island through a violent coup.  Where the first Squad felt like a clumsily-arranged selection of stereotypes with a few genuinely promising characters unsuccessfully moulded into a decidedly forced found family, this new batch are convincingly organic – they may be dysfunctional and they’re all almost universally definitely BAD GUYS, but they WORK, the relationship dynamics that form between them feeling genuinely earned.  Gunn has already proven himself a master of putting a bunch of A-holes together and forging them into band of “heroes”, and he’s certainly pulled the job off again here, dredging the bottom of the DC Rogues Gallery for its most ridiculous Z-listers and somehow managing to make them compelling.  Sure, returning Squad-member Harley Quinn (the incomparable Margot Robbie, magnificent as ever) has already become a fully-realised character thanks to Birds of Prey, so there wasn’t much heavy-lifting to be done here, but Gunn genuinely seems to GET the character, so our favourite pixie-esque Agent of Chaos is an unbridled and thoroughly unpredictable joy here, while fellow veteran Colonel Rick Flagg (a particularly muscular and thoroughly game Joel Kinnaman) has this time received a much needed makeover, Gunn promoting him from being the first film’s sketchily-drawn “Captain Exposition” and turning him into a fully-ledged, well-thought-out human being with all the requisite baggage, including a newfound sense of humour; the newcomers, meanwhile, are a thoroughly fascinating bunch – reluctant “leader” Bloodsport/Robert DuBois (a typically robust and playful Idris Elba), unapologetic douchebag Peacemaker/Christopher Smith (probably the best performance I’ve EVER seen John Cena deliver), and socially awkward and seriously hard-done-by nerd (and by far the most idiotic DC villain of all time) the Polka-Dot Man/Abner Krill (a genuinely heart-breaking hangdog performance from Ant-Man’s David Dastmalchian); meanwhile there’s a fine trio of villainous turns from the film’s resident Big Bads, with Juan Diego Botta (Good Behaviour) and Joaquin Cosio (Quantum of Solace, Narcos: Mexico) making strong impressions as newly-installed dictator Silvio Luna and his corrupt right hand-man General Suarez, although both are EASILY eclipsed by the typically brilliant Peter Capaldi as louche and quietly deranged supervillain The Thinker/Gaius Greives (although the film’s ULTIMATE threat turns out to be something a whole lot bigger and more exotic). The film is ROUNDLY STOLEN, however, by a truly adorable double act (or TRIPLE act, if you want to get technical) – Daniella Melchior makes her breakthrough here in fine style as sweet, principled and kind-hearted narcoleptic second-generation supervillain Ratcatcher II/Cleo Cazo, who has the weird ability to control rats (and who has a pet rat named Sebastian who frequently steals scenes all on his own), while a particular fan-favourite B-lister makes his big screen debut here in the form of King Shark/Nanaue, a barely sentient anthropomorphic Great White “shark god” with an insatiable appetite for flesh and a naturally quizzical nature who was brilliantly mo-capped by Steve Agee (The Sarah Silverman Project, who also plays Waller’s hyperactive assistant John Economos) but then artfully completed with an ingenious vocal turn from Sylvester Stallone. James Gunn has crafted an absolute MASTERPIECE here, EASILY the best film he’s made to date, a riotous cavalcade of exquisitely observed and perfectly delivered dark humour and expertly wrangled narrative chaos that has great fun playing with the narrative flow, injects countless spot-on in-jokes and irreverent but utterly essential throwaway sight-gags, and totally endears us to this glorious gang of utter morons right from the start (in which Gunn delivers what has to be one of the most skilful deep-fakes in cinematic history).  Sure, there’s also plenty of action, and it’s executed with the kind of consummate skill we’ve now come to expect from Gunn (the absolute highlight is a wonderfully bonkers sequence in which Harley expertly rescues herself from captivity), but like everything else it’s predominantly played for laughs, and there’s no getting away from the fact that this film is an absolute RIOT.  By far the funniest thing I’ve seen so far this year, and if I’m honest this is the best of the DCEU offerings to date, too (for me, only the exceptional Birds of Prey can compare) – if Warner Bros. have any sense they’ll give Gunn more to do VERY SOON …

1.  A QUIET PLACE, PART II – while UK cinemas finally reopened in early May, I was determined that my first trip back to the Big Screen for 2021 was gonna be something SPECIAL, and indeed I already knew what that was going to be. Thankfully I was not disappointed by my choice – 2018’s A Quiet Place was MY VERY FAVOURITE horror movie of the 2010s, an undeniable masterclass in suspense and sustained screen terror wrapped around a refreshingly original killer concept, and I was among the many fans hoping we’d see more in the future, especially after the film’s teasingly open ending.  Against the odds (or perhaps not), writer-director/co-star John Krasinski has pulled off the seemingly impossible task of not only following up that high-wire act, but genuinely EQUALLING it in levels of quality – picking up RIGHT where the first film left off (at least after an AMAZING scene-setting opening in which we’re treated to the events of Day 1 of the downfall of humanity), rejoining the remnants of the Abbott family as they’re forced by circumstances to up-sticks from their idyllic farmhouse home and strike out into the outside world once more, painfully aware at all times that they must maintain perfect silence to avoid the ravenous attentions of the lethal blind alien beasties that now sit at the top of the food chain.  Circumstances quickly become dire, however, and embattled mother Evelyn (Emily Blunt) is forced to ally herself with estranged family friend Emmett (Cillian Murphy), now a haunted, desperate vagrant eking out a perilous existence in an abandoned factory, in order to safeguard the future of her children Regan (Millicent Simmonds), Marcus (Noah Jupe) and their newborn baby brother.  Regan, however, discovers evidence of more survivors, and with her newfound weapon against the aliens she recklessly decides to set off on her own in the hopes of aiding them before it’s too late … it may only be his second major blockbuster as a director, but Krasinski has once again proven he’s a true heavyweight talent, effortlessly carving out fresh ground in this already magnificently well-realised dystopian universe while also playing magnificently to the established strengths of what came before, delivering another peerless thrill-ride of unbearable tension and knuckle-whitening terror.  The central principle of utilising sound at a very strict premium is once again strictly adhered to here, available sources of dialogue once again exploited with consummate skill while sound design and score (another moody triumph from Marco Beltrami) again become THE MOST IMPORTANT aspects of the whole production. The ruined world is once again realised beautifully throughout, most notably in the nightmarish environment of a wrecked commuter train, and Krasinski cranks up the tension before unleashing it in merciless explosions in a selection of harrowing encounters which guaranteed to leave viewers in a puddle of sweat.  The director mostly stays behind the camera this time round, but he does (obviously) put in an appearance in the opening flashback as the late Lee Abbott, making a potent impression which leaves a haunting absence that’s keenly felt throughout the remainder of the film, while Blunt continues to display mother lion ferocity as she fights to keep her children safe and Jupe plays crippling fear magnificently but is now starting to show a hidden spine of steel as Marcus finally starts to find his courage; the film once again belongs, however, to Simmonds, the young deaf actress once and for all proving she’s a genuine star in the making as she invests Regan with fierce wilfulness and stubborn determination that remains unshakeable even in the face of unspeakable horrors, and the relationship she develops with Emmett, reluctant as it may be, provides a strong new emotional focus for the story, Murphy bringing an attractive wounded humanity to his role as a man who’s lost anything and is being forced to learn to care for something again.  This is another triumph of the genre AND the artform in general, a masterpiece of atmosphere, performance and storytelling which builds magnificently on the skilful foundations laid by the first film, as well as setting things up perfectly for a third instalment which is all but certain to follow.  I definitely can’t wait.

[ellaenchanting]

Hypnovember 2020 Master List

Now that I have awoken from my post-Hypnovember nap, it’s time to post my 2020 Master List! in comparison to last year’s entries, a lot of stories this year delved more into either more intense kinks or more of my intense personal feelings than my stories last year did. Sometimes writing stories is a bit like reading my own tarot cards in that way- letting an ambiguous prompt roll around in my subconscious and sometimes being surprised or amused or even slightly unsettled by what it turns into. I hope you will find something in this group of works that soothes you, that turns you on, that intrigues you, and that most of all provokes a response. If you do, I’d absolutely love to hear about it. :)

Copying one of my favorite @jukeboxemcsa  ideas, I’ve also included a HypnoBS rating for every work about how realistic the hypnosis/mind control is in each work (IMHO). In this ranking, 1 means to is absolute bullshit and 5 is a normal Tuesday night (for someone).

Icons- 📰- story. 🔊- audio 💻- technology 😍- romantic 🌈- queer 😴- regular ole’ hypnosis 🛀- brainwashing and/or character in tub 👻- spooky 🐈- at least one happy pussy ❓- bad or reeeally questionable consent 👨‍🔬 -science! 🤪 -crackfic #-#sceneideas 😭-feeeels ⭐-author’s personal favorites

Day 1: Instant M/f 📰 😴🐈#😭

Choice quote: “Sean chuckled as he moved in closer. And closer. ‘I thought you wanted to know what it was like to be hypnotized, sweetheart. To follow suggestions? To have someone else take control? It’s not real control if I’m doing something you already wanted, now is it?”

HypnoBS- 5. Read the whole thing but- IMHO totally plausible.

Fun Fact- These are the same characters from last year’s Day 5: Poison.

Day 2: Coils F/m 📰 😴 💻 👨‍🔬

Choice quote: “Daniel rolled his eyes. ‘I bet you could hypnotize me with a bar of soap if you wanted to. That still doesn’t make me like spirals.’”

HypnoBS- 5. Maybe 4 because I don’t love the induction but- maybe you will? Also- oh no poor Daniel is so conditioned that he’ll go under to anything Jamie does! How hard for him. :(

Day 3: Staged Hypnosis (Stage) F/f 📰 😴 🌈 🛀 ❓

Choice quote: “No one needed to know she was a plant. A confederate. A stooge.”

HypnoBS- 1.5. This would collapse like a house of cards. It’s a fun concept though.

Day 4: Psychic F/nb 📰 😴 🌈 😍 👨‍🔬⭐

Choice quote: “Something about the hypnosis- being in and out of each other’s heads and in and out of each other’s bodies all weekend- made her feel like she and Tris had merged in some way. Like there was a new, deeper understanding between them now- a telepathic bond.”

HypnoBS- 5. Maybe a 4.5 if you’re recognizing some nre magical thinking here. But- I’ve definitely had this feeling and this kind of experience- and I hope some of you have had it/will have it as well. :)

Day 5: Visor F/multiple 📰 😴 🛀 💻 👨‍🔬 🤪#

Choice quote: “Besides, everyone knew stormtroopers were kinky.”

HypnoBS- 4.5. Some of the exact details would need to be changed and thought through more thoroughly, but I absolutely believe you could do something like this if you wanted to. (And if you do, you definitely have to let me know. I know some of y’all out there go to Dragoncon.)

Day 6: Pendulum F/y’all 🔊😴 👨‍🔬

Choice quote: This is a trick I first learned from a science book I read in 5th grade.

HypnoBS- 5. The real thing.

Day 7: Song Aliens/the human race 📰 💻 👻❓

Choice quote: “Anna didn’t know what she was singing.”

HypnoBS- 1. I hope. Why do the song based stories always turn out so creepy?

Day 8: Performance unknown/f 📰 👻❓😴# ⭐

Choice quote: “With each snap, the gears inside her doll body click click click clicked into action. She turned, jerky but graceful. She was determined to do well. “

HypnoBS- 5 (if part of a fearplay scene, which is my headcanon for this story)

Day 9: (Hot Under the) Collar F/f 📰 😴🛀🌈 🐈#⭐

Choice quote: “She was wearing her collar. She was aroused. It was as simple as that.“

HypnoBS- 5 With time, I think you could do this. Maybe a 4.5 for the 30 minutes thing- that might lead to a bit too much cramping.

Day 10: Gentle 🔊😴

Choice quote: “Just look into the spiral....”

HypnoBS- 5. I hope.

Day 11: Summoning Sappho (Summon) eventual F/f I hope 📰 😴🌈 🤪

Choice quote: “In fact, the only ideas left to try on their brainstorming board included ‘sexy alien invasion’, ‘sexy witches’, and this. Shockingly, at this point a sexy seance seemed the most practical.”

HypnoBS-1. Although stay tuned for Femme Flirt 2021.

Day 12: Plants unknown/m 📰 😴🛀#

Choice quote: “If he focused, Chris could feel that new suggestion also growing stronger and stronger, becoming more and more firmly rooted inside of him. “

HypnoBS- 5, with the right person

Day 13: Artifact F/f 📰 😴🛀🌈 👨‍🔬 ❓

Choice quote: “She fumbled through the contents when suddenly her hand found something unexpected from her past.A red lipstick tube. An artifact.”

HypnoBS- 4? There’s different ways of reading this story, but my headcanon is that the consent here is pretty dubious.

Day 14: Tail M/f 📰 😴🛀❓👻#

Choice quote: “It was no use. She could sense her tail was still behind her. She couldn’t shake him. She should have known he’d come for her.“

HypnoBS- Let’s say 2. Although I think this could work really well for a fearplay scene in an appropriate setting (where someone wasn’t actually left unmonitored with extreme paranoia).

Day 15: Serve F/m 📰 😴#⭐

Choice quote: “He had put his heart and soul into the dish.They were hers now.”

HypnoBS- As a scene? 5 (depending on the person). As a long term effect, much lower.

Day 16: Memory F/f  📰 😴 🛀🌈 😍

Choice quote: “Mesmera waited for Galaxy Girl at the door.”

HypnoBS- 4, you could do an induction along these lines but -1 for psychic powers

Fun Fact: These characters were originally featured in last year’s Day 19: Hideout. 

Day 17: Toy F/f m/f 📰 😴 🛀🌈🐈 #

Choice quote: “Dolly hated to have Bad Manners. “

HypnoBS- 4.5. This is pretty deep into headspace, but I wouldn’t want to rule it out for the right person.

Day 18: Monster m/f 📰 😴 ❓😭⭐

Choice quote: “That kind of stuff wasn’t fair to think about here. It wasn’t everyone else’s fault that she was so warped.”

HypnoBS- 5. Ouch my heart. Poor young!Ella.

Day 19: Eyes M/m 📰 😴 🌈 😍

Choice quote: “Scott looked into his partner Brandon’s eyes. Brandon had hypnotized him so many times over the years in so many ways but- this was one of Scott’s favorites.”

HypnoBS- 5. Especially in a long term relationship like this. (In my pretend Hypnovember universe, these guys are some of the patriarchs of the hypnokinky convention scene and absolutely wonderful advice givers.)

Fun fact: The story of how these characters originally got together is in last year’s Day 12: Stage story. 

Day 20: Possession F/f  📰 😴 🌈 😍😭

Choice Quote- “Things that were hard to do for herself during these times became easier to do as something owned by Thadra. Taking a shower. Getting up and going to bed at the right time. Making sure she ran once a day. Making sure she ate.”

HypnoBS- Errr....4 trending upwards. Although for this to be safe and healthy you’d really need to be checking in with a therapist and working on your continuing mental health at the same time (IMHO). Please do not get relationship advice from my porn.

Day 21: Snaps 🔊😴👨‍🔬

Choice Quote- “No, that one was up.”

HypnoBS- 5. I’m not sure quite how this translates to audio but this is the kind of shenanigans I pull with friends all of the time.

Day 22: Restrict  F/f 📰 😴 🌈 🐈👨‍🔬 

Choice quote: “’Hmm. By ‘weird’ do you mean ‘hot’?’ asked Zahara, lounging above her on the couch. Nikki nodded. She definitely meant hot. “

HypnoBS- 2. A month is a long time and this is a strong reaction. But- maaaaaybe would work for a bit, especially within these boundaries?

Day 23:  Villain there’s a m and a f  📰 🛀👨‍🔬❓#

Choice quote: “They had been planning against that damned do-gooder reporter Lizzy Lampost for months and now they were about to finally have her in their clutches. “

HypnoBS-1. But you’re not reading this one for realism, are you?

Day 24: Drink F/f 📰 😴👨‍🔬🌈 😍

Choice quote: “’Leah,’ she said. ‘I’ve found a drinking game! This might be fun! Want to try it?’”

HypnoBs- 5. With the right person. (That part of the end might be a bit harder.)

Day 25:Worship: F/m 📰 🛀🌈 

Choice quote: “After all, it wasn’t the time to work right now. It was time to worship his Mistress’s cock.”

HypnoBS- Someone on AO3 told me this fic just wrecked them. Lucky that person- this one’s a 5. Maybe not with everyone, but an awful lot of people should be able to do an awful lot of the activities in this story. :)

Day 26: Fey M/f 📰😴 😭⭐

Choice quote: “Humans do not know the spells they weave.”

HypnoBS- 1 Only true in that metaphorical way. (So- really, really true. But not factual.)

Day 27: Recording F./m 📰 🛀❓👻#

Choice quote: “It’s a recording, he reminded himself. “She’s not there. No one is there.”

HypnoBS- 2 At least, I don’t know how to make this happen (outside of a consensual scene).

Day 28: Obsession M/F 📰 🛀😍👨‍🔬

Choice quote: “Some guys had cars. Some had computer systems. Some had home brewing. But Mark’s obsession was Julia.“

HypnoBS- Oh gosh. Errr...2.5? Hard to say. 

Fun Fact: This started as a one-sided scenario, then it changed, then it felt really hot, now it feels like a sweet silly sitcom premise. (If you want to read some episode synopses of this hypothetical sitcom, there are some brilliant ones here! Also- feel free to send me more!)

Day 29: Helpless F/m 📰😴😍

Choice quote: “’I want to be helpless,’ he replied. Juan felt his headspace changing. He threw himself into that feeling, trusting Josie to take the reins.“

HypnoBS- 5. Not a scene log, but pretty much How I Top.

Day 30: Awaken 🔊😴👨‍🔬

Choice quote: “Aaaaaand-awaken!”

HypnoBS- 5 Hypnotist BS- also a 5

Thank you all for reading these! Thank you especially to everyone who reblogged, wrote me comments, and generally supported me through this past month. I’m going to specifically single out @daja-the-hypnokitten​, @wellgnawed​, and @spiralturquoise​ for the encouragement- y’all are the best. :)  I know this is a long post, but I’d really appreciate reblogs of it!

Also, I didn’t have time to contribute myself but- if you donate to Hypnokink for Trans Lives, let me know and I’ll write you an epilogue for any of these stories that you choose.