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beautifulgiants · 1 year ago

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Josh Hartnett: 'People genuinely thought I'd been thrust on them'

Ryan Gilbey

Twenty years ago he was one of the world’s hottest young actors, before he retreated – and ended up in Surrey. He explains why he had to leave Hollywood – and what he knew about Harvey Weinstein

Fri 23 Oct 2020 06.00 BST

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Josh Hartnett is sitting at home in Surrey, thinking about the time he was asked to play Superman. “I had this idea that because he lives in this world where he can’t touch anything without it flying across the room, he has become almost afraid of himself and his own power. He doesn’t know how to be Superman any more. He’s so afraid, he has become almost neutered by the experience of living on Earth, where he can blow things up just by looking at them.”

The studio demurred – “They didn’t really want a fear-based character at the centre of their movie,” he says wryly – and Hartnett walked away. But his Superman concept now feels like a metaphor for what was happening at the time in his own life, as he became increasingly overwhelmed, even horrified, by his status and the hysteria that surrounded it. Twenty years ago, the hottest young male actors in Hollywood were Leonardo DiCaprio, Will Smith, Matt Damon, Ben Affleck – and Hartnett. Michael Bay, who directed him in Pearl Harbor, put it bluntly: “He’s going to be fucking huge.” The actor grimaces at the mention of that. “Huge was never something I aspired to,” he says.

Back then, he seemed like a pretty kid who had got in over his head. Now 42, he has acquired the squinting, quizzical handsomeness of Richard Gere. He and his wife, the British actor Tamsin Egerton, moved to Surrey with their two young children to be closer to her parents, he explains. “And then, of course, coronavirus ...” In other words, they’re not going anywhere. So he has time to talk and a new film to talk about: the factually based thriller Target Number One, which is better than any of its plucked-from-a-hat titles (it has also been known as Gut Instinct and Most Wanted) might suggest.

This is partly due to the dazzling Antoine Olivier Pilon, star of Xavier Dolan’s psychodrama Mommy. He plays a real-life petty drug dealer who was sentenced to life in a Thai jail after being set up by Canadian police. Hartnett is solid in the less showy, meat-and-potatoes role of the journalist Victor Malarek, who fought to expose the truth. In this capacity, he gets to perform the time-honoured All the President’s Men routine of storming into his editor’s office, tossing a newspaper on the desk and demanding to know where the hell his story is.

Hartnett does his homework. On The Virgin Suicides, it wasn’t enough to play what the director Sofia Coppola had written; he also raked over his character, a dreamy high-school stud, with Jeffrey Eugenides, who wrote the original novel. On Brian De Palma’s film noir The Black Dahlia, Hartnett trained as a boxer for several months, simply because his character, a cop, used to be one. Naturally he met with the real Malarek before playing him. Why? “I wanted to see if he was full of shit.”

Malarek, he explains, has been accused by his critics of putting himself at the forefront of his own stories. “Ultimately, Victor is a humble man, but he does think of himself as someone who stands up for people in vulnerable positions. He likes to insert himself into a situation, though in my opinion what he’s really doing is putting himself in the line of fire. In a way, he almost downplays his own contribution.” Malarek has said that he had no idea who Hartnett was. As someone who has spent the last 15 years or so running from fame, this must have pleased him. “I didn’t assume he’d know me,” he says. “My interest in going to meet him was not to have flowers laid at my feet.” So he didn’t take along a signed Pearl Harbor poster? “I should have done. That would have been a great introduction. ‘Hi, I used to be somebody …’”

Quite. At the end of the 90s, Hartnett was everywhere. He starred in back-to-back horror hits – the aliens-in-high-school romp The Faculty and the sequel-cum-reboot Halloween H20 – and resembled a walking shampoo commercial in The Virgin Suicides, where he sashayed in slow-motion to the sound of Magic Man by Heart.

“It’s a little bit heartbreaking to see all that time has passed,” he says. “I was a child. I was 19. The Virgin Suicides felt like a group of friends all pulling together. I think I’m still looking for that experience whenever I make a film.”

The Faculty and Halloween H20 were produced by Dimension, the horror arm of Miramax, making Hartnett part of the Weinstein brothers’ stable of talent. “I was a kid who they felt they should invest in, but I didn’t spend a ton of time with them,” he says. “We had a sort of antagonistic relationship because the contract I signed for those first two films guaranteed me to be a part of, like, five more or something. They’re called contract extensions. I was told at the time that nobody ever uses them, but then I guess I became popular and they decided to, um, exercise that right. What they did a few times was to jump on other projects I was working on already and become co-producers.” These included O a modern-day Othello with Hartnett impressively coiled as the Iago figure, and the comic thriller Lucky Number Slevin, in which he seemed to be poking fun at his own image by spending the first half-hour scampering around in nothing but a towel.

He shifts uneasily when I ask whether he was surprised by the revelations about Harvey Weinstein. “There are all sorts of rumours about guys like that which permeate the business and you think, ‘That’s awful.’ The casting couch was a thing people joked about when I was first in the industry, so it was an open secret that this business is a little bit fucked up.”

When he was offered Pearl Harbor, his instinct was to turn it down. “I didn’t necessarily want things to change that much,” he says. “I was happy with the amount of fame I had and the types of roles I was getting. At the same time, I asked myself: ‘Am I just afraid that by doing Pearl Harbor, I’m going to enter a new category of film-making that I might not be ready for?’ I ultimately chose to do it because turning it down would’ve been based on fear. Then it defined me, which means I was right to fear it.”

His co-stars didn’t have it easy either. Kate Beckinsale was told to work out (“I just didn’t understand why a 1940s nurse would do that,” she said) while Affleck was ordered to get new teeth. “Well, they are great teeth,” Hartnett says. “I was asked to work out, too. But you know, I could have used it. I was 165lb wet. I was a really skinny kid.”

As well as his own misgivings about the project, there was the heightened press attention, including a splashy Vanity Fair interview with him from the set of Ridley Scott’s Black Hawk Down. “Oh, that was an awful piece,” he shudders. “Was there even a quote from me in it, or was it just everyone talking about how hot I was? People got a chip on their shoulder about me after that. They genuinely thought I’d been thrust on them. It was a very weird time.”

It was around then that he plotted his calculated retreat. After Superman, there were reports that he had also turned down Batman; in fact, he didn’t get any closer to that part than a conversation with Christopher Nolan. But the perception of him in Hollywood began to change. “They looked at me as someone who had bitten the hand that fed me. It wasn’t that. I wasn’t doing it to be recalcitrant or a rebel. People wanted to create a brand around me that was going to be accessible and well-liked, but I didn’t respond to the idea of playing the same character over and over, so I branched out. I tried to find smaller films I could be part of and, in the process, I burned my bridges at the studios because I wasn’t participating. Our goals weren’t the same.”

He has put his movies where his mouth is, working with idiosyncratic directors such as Tran Anh Hung on the thriller I Come With the Rain and Atsuko Hirayanagi on the comedy Oh, Lucy. Nor is he averse to the mainstream: he will next be seen alongside Jason Statham in Guy Ritchie’s Wrath of Man. But it’s a measure of how unusual it is for a star to withdraw so early in his career that by the time Hartnett made The Black Dahlia in 2006, GQ magazine was already referring to it as his comeback.

“I’m happy to be done with that era and to be making films that are more personal to me,” he says. “Directors are coming to me to play characters as opposed to versions of a hero I played in a movie once.”

He is nothing if not conscientious. A few days after our Zoom conversation, he phones me because something has been bothering him: he doesn’t feel he made his feelings about Weinstein clear. This time, he puts it as plainly as he can. “I wasn’t surprised he was a creep,” he says. “But I guess I was surprised at the extent of his creepiness.” He’s concerned, too, about what comes next. “The shameless seem to be finding it easy to make a comeback. Louis CK has been pretty shameless. Harvey Weinstein, if he had the tiniest bit of daylight in there, would find a way to get back in. Those are situations that freak me out.” But there are, he says, visible changes taking place. “Different things are expected of the way people act on set. There’s an open line of communication now for anyone who feels they’re being harassed. And there’s less of the so-called locker-room humour that people used to hide behind.”

Was he ever harassed as a young actor? “The last thing I want to do is come across like … You know, I’ve been in situations where I’ve been uncomfortable with my boss’s behaviour but I’m not gonna say …” He changes tack. “That’s not my experience and it’s not my place to claim that. It makes me feel icky to try to do so.”

He also tells me that he went back to that Vanity Fair article and realised it wasn’t so bad after all. “It’s just that it happened at a time when I wasn’t that famous, and it seemed to already be asking whether I should be or not. I felt like: ‘Oh my God! I’m not the tallest poppy yet – don’t cut me down!’ I was being compared to Tom Cruise and Julia Roberts and that’s insane. It was a set-up-to-fail moment.” He gives a sigh. “It was actually an interesting look at the nature of fame. If only it wasn’t about me.”

#josh hartnett #beautiful giant #the guardian #interview #quotes #the virgin suicides #the black dahlia #lucky number slevin #black hawk down #pearl harbor #Othello #the faculty #halloween h20 #wrath of man #oh Lucy #i come with the rain #penny dreadful #target number one #superman

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denimbex1986 · 2 years ago

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'Breaking into Hollywood stardom in the early 2000s, Josh Hartnett fast became a teenage idol through his early work and was fast-tracked to become the next best thing. Initially disillusioned with the celebrity lifestyle, though, he turned down many starring roles in major movies and even resorted to taking a lengthy hiatus from the industry not to lose his passion for acting entirely.

While fans of Hartnett from his earliest roles may lament the lost possibility of what could have been, his carefully selected career trajectory has seen him feature in some bizarre but brilliant films. With Oppenheimer seeing the much-loved movie star back on the big screen in front of mainstream audiences, these 10 films present as the best of a stellar career that may be just hitting its peak.

10. 'O' (2001)

Taking Shakespeare’s classic play Othello and applying it to the basketball scene of a modern American high school, O was an experimental teen drama that was always intriguing despite having some flaws. It focuses on local basketball star Odin (Mekhi Phifer), who is convinced of his girlfriend’s cheating by a conniving friend motivated by jealousy.

While the premise seems difficult to take seriously, O actually produced some genuinely good dramatic moments, and its approach to teenage violence was strikingly mature. It also struck gold in casting Hartnett as the envious villain, allowing him to display his acting chops as a complicated character that was both despicable and entirely believable.

9. 'Wrath of Man' (2021)

A gritty action delight noteworthy for reuniting Guy Ritchie and Jason Statham, Wrath of Man offered intense thrills and a winding story to boot. It follows H (Statham), a mysterious new employee at Fortico Security whose exemplary combat skills prevent a heist and lead his colleagues to question the man and his sketchy past.

With elements of one-man-army action, heist thrills, and even revenge drama, the movie offered up something for all action lovers to enjoy. It also featured Josh Hartnett, who stood out among the star-studded cast with his enjoyably unheroic turn as a fellow Fortico Security guard who gradually finds his courage.

8. '30 Days of Night' (2007)

Based on the comic book miniseries of the same name, 30 Days of Night was a pulsating mixture of blood-and-guts horror and thrilling action. It follows the residents of a remote Alaskan town who struggle to survive a month of no sunlight when a mob of vampires descends upon them, killing most of the townsfolk immediately and leaving the rest in a desperate fight for their lives.

An amalgamation of horror subgenres doused in more than enough gore to keep the genre’s most eager fans satisfied; it kept finding new ways to be intriguing throughout its duration, even with its simple premise. While Danny Huston’s villainous performance received plenty of praise, the film also served as an adequate reminder of Josh Hartnett’s natural ability in leading roles.

7. 'Oh Lucy!' (2017)

An overlooked gem of modern Asian cinema, Oh Lucy! was a dazzling hit of empathetic, tragic fun which blended romance with adventure. The film follows Setsuko (Shinobu Terajima), a lonely office worker in Tokyo who develops a crush on her English teacher and ventures to America to follow him when he abruptly leaves.

The film grounded itself in universal themes, which it explored in quirky yet strikingly honest ways, with the entire cast putting in outstanding and nuanced performances to make it work. It also wasn’t afraid to get quite dark, making for a heartbreaking tragicomedy that thrived off the back of Terajima’s brilliance and used Hartnett’s comedic talent perfectly.

6. 'The Faculty' (1998)

After making his debut in one of the forgettable installments of the Halloween franchise, Josh Hartnett got more opportunities to showcase his potential in the sci-fi/horror The Faculty. From director Robert Rodriguez, it follows a misfit group of high school students who discover their classmates and teachers have been overtaken by parasitic aliens and cook up an unlikely plan to save everyone.

In addition to its overt sci-fi/horror premise, The Faculty also ran with an affectionate focus on teen drama and high school politics, themes brought to life by the film’s surprisingly fantastic cast. Hartnett portrayed Zeke Tyler, an intelligent though problematic youth who holds the answer to defeating the alien race in his drug-dealing antics.

5. 'Lucky Number Slevin' (2006)

A fascinating example of differing opinions, critics were harsh on Lucky Number Slevin, but casual moviegoers loved it. The action crime-thriller follows a wrongly apprehended man. He is dragged into a vicious feud between two rival crime lords, where he is given a violent ultimatum and is tailed by two men as he frantically decides what he’ll do next.

Using an outstanding cast boasting the likes of Bruce Willis, Morgan Freeman, and Ben Kingsley alongside Hartnett in the starring role, the movie presented as a fun-filled action spectacle. It also utilized a twisty story, heavily stylized characters, and eye-catching set design to make a lasting impression on audiences.

4. 'The Virgin Suicides' (1999)

For much of the early part of his career, Josh Hartnett was considered a heartthrob. It is easy to see how his role in The Virgin Suicides may be a big reason for that. As Sofia Coppola’s directorial debut, it focuses on five sheltered teenage sisters in 1970s America and the neighborhood boys who grow obsessed with them.

Based on Jeffrey Eugenides novel of the same name, the film uses the boys’ reminiscing of their younger days as the framework for the premise, allowing the film to take on a hypnotic, dreamlike meditation of adolescent angst. In what was just his third feature film credit, Hartnett was able to make the part of the young Trip Fontaine a memorable highlight of his career.

3. 'Sin City' (2005)

With its striking stylistic choices, graphic yet cartoonish violence, and forbidden allure, Sin City was a barnstorming, flamboyant dose of comic book ultra-violence. It follows a range of shady characters as they go about their business in the cesspool that is Sin City, with everything from vigilante cops to ex-prostitutes and their lovers getting their time to shine.

Within the chaos, Hartnett appeared as The Salesman — aka The Man or The Colonel — a slick assassin who is hired by a woman who wants to kill herself. His small, condensed story of passion and violence proved to be a perfect introduction to the film, highlighting its neo-noir tone, arresting style, and penchant for jarring and abrupt violence.

2. 'Black Hawk Down' (2001)

Based on real events, Ridley Scott’s grueling yet gripping modern war drama presented a horrifying depiction of combat. Following the American Special Forces units who were sent into Mogadishu to capture two lieutenants of a violent warlord, it shows how the mission went wrong as the soldiers were overrun and two of their Black Hawk helicopters were shot down.

While it was somewhat limited in scope and perspective, Black Hawk Down was incredibly effective as a no-holds-barred nosedive into combat's graphic intensity and abruptness. Hartnett was more than comfortable in the starring role, leading a stellar ensemble cast with aplomb.

1. 'Oppenheimer' (2023)

Oppenheimer should go on to become one of the biggest films of 2023. A commercial smash hit and a critically acclaimed masterpiece from Christopher Nolan, the film follows J. Robert Oppenheimer’s (Cillian Murphy) work on developing the atomic bomb and the political fallout that came as a result of that and his leftist leanings.

Among the many great delights the film offered, one that made many fans happy was seeing Hartnett back on the big screen in a major blockbuster. His supporting role was also quite significant, portraying the Nobel Prize-winning nuclear physicist and Oppenheimer’s colleague Ernest Lawrence, which gave him ample opportunity to showcase his acting talents.'

#O #Oppenheimer #Sin City #Black Hawk Down #Ernest Lawrence #Christopher Nolan #Cillian Murphy #Wrath of Man #30 Days of Night #Oh Lucy!#The Faculty #The Virgin Suicides #Lucky Number Slevin #Josh Hartnett

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