#that or they are fake? hard to tell

[hickeygender]

i love that hickey's immediate defense mechanism to anything bad happening to him ever is to break out in the most scuffed patrick bateman type smile imaginable while he stalls for time to come up with a more sane response than either spitting vitriol or taking a chunk out of someone with his teeth.

his bitch wife having the gall to divorce HIM (god's greatest gift to bottoms and a known catch)? sniles. being unjustly flogged bloody in front of the crew after his genius 1000 iq plan doesn't pan out and land him an irish dilf? sniles so sneetly. telling goodsir to butcher billy, getting called out for killing his miserable ex-wife himself for din-din but reasonably drawing the line at meat processing, being clocked as growing up BROKE, and hearing "no" from a man he thought was a doormat?? i know in my heart that when he's sitting there for a moment with his rictus grin, his internal monologue is just incoherent violence like

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[fonthoura]

So, about my "Garak knows Julian is lying, he doesn't know about what" hc. Now a bit from Julian's pov.

He knows that Garak is onto him, so when they're together he creates a system, he will talk, he will debate and have stimulating conversations, but he doesn't leave openings for Garak to ask much. And if he does, he never outright doesn't answer, he does so, only noncommittal, he never outright lies elaboratly like Garak, he just evades. (one time Garak asks how was his childhood on earth and he only says "dreadfully uneventful")

He does the same with all his friends, but the problem with Garak is that he notices, he can talk a lot with Jadzia and never reveal anything, Miles is a closed off man that doesn't ask too many questions, but Garak? Garak pries, he is curious, and is much like Julian in that sense, he can't resist a mystery.

Now, let's think about how much it would hurt, to be falling in love with a person, to want to spend your time with them, but you just can't. Julian wants to talk, he wants to let Garak in, he wants to spend many hours with him, but he restricts himself to only his doctor or his lunch mate, nothing else, he can't risk it, it's too dangerous, and he never felt lonelier.

To love someone who will never know who you really are.

I think it would get so much worse after the changeling, like I said on a previous post, the changeling emulates Julian well and no one notices because no one knows Julian all too well.

I think everyone would feel so much guilt cuz, how could they not notice it? He's their friend, he knows everything there is to know about them, and they can't even notice when he's literally not himself??

But Julian is okay with it.

Not okay, per say, but he expected it, he knew it all along, that his friends wouldn't know it, he's resigned, it's his own doing and he is defeated by it, by this horrible thing that he made happen because of something his parents did to him, but he assures everyone that it's fine, there was no way for anyone to notice.

How could they know? He sure as hell didn't make it easy.

And he gets lonelier, if possible, because he is painfully aware of how insignificant his existence is, because no one knows him apart from his name and job, he can't rely on anyone, only on himself, and he is going crazy with it.

Julian spent his time on the camp convinced that no one was coming, because no one knows him enough to notice, and it's his own fault, and he feels so hollow, the solitary confinement brought it to the surface, how it felt silent and he was forced to confront his solitude for the first time.

He needs to let it out, but he can't, and Garak gets more persistent.

All his friends start to notice something is wrong, but he bounces back from the camp like nothing happened, smiling, acting the same. All this acting, he only starts to get noticed by others because he's getting tired.

Everyone just thinks it's just because of the camp, but he knows Garak sees him, so he distances himself a bit.

And when the secret is out, he wants to run, to hide, he is scared, terrified even, he knows people will look at him differently, he is mortified of being known for who he is, he doesn't know how to deal with any of this, he was never ready to be himself fully.

But, for the first time, he feels free.

[sp0o0kylights]

I saw a video today that said, “It’s very uncomfortable as an adult when your friend starts to date somebody who sucks, and you’re all looking at each other going ‘Guys, if this is the person who makes them happy…I think collectively as a unit we can agree that we would rather see them sad. So what's the plan?’” 

And immediately went: modern Steddie AU were Steve dates his high school friend Tommy and everyone is tearing their hair out over how awful he’s being treated. 

Ft. the Party, led by Dustin, hounding Eddie “I could get a man in a SECOND, I just CHOOSE not to date” Munson for help

However:

Eddie is mostly thinking the entire thing is a joke (King Steve and Tommy Hagan? Gay? Together?? Nice try Henderson.) until he runs into Robin. She laments that yeah, they’re bi, but more importantly, Tommy is fucking awful and Steve refuses to see it. 

2. Eddie, maybe, kind of, still has a crush on Steve ("Stop laughing Gareth, everyone has--had! Had a crush on him!") and the guy was never THAT bad in high school---but Tommy Hagan definitely was and a little revenge would be fun.

and finally;

3. Instead of going with the kids' well intentioned but very misguided “Let’s get Eddie to Steal Steve” plan, Eddie meets up with the Robin/Nancy/Jonathan/Argyle/Chrissy dream team to figure out how to prove to Steve that Tommy is horrible. 

Bonus: Robin and Nancy come up with a full proof multi step plan that involves Eddie pissing off Tommy in ways that look completely innocent. The hope is that Steve will see how controlling and unreasonable Tommy is, and break it off.

This hurts no one and just highlights to Steve Tommy's behavior.

Of course, Eddie goes off the rails immediately upon meeting Steve.

Instead of following The Plan, he, with the kids permission and help, gets Tommy to get blow up about THEM.

This is far more successful.

Bonus x2: A large amount of shenanigan's with the kids vs Tommy are involved. As is a scene were Steve breaks down and admits he knows Tommy is terrible, but Tommy puts up with him and Steve "knows how he is."

Eddie goes home, prints out a picture of Tommy and throws cheap ren fair daggers at it for at least three solid hours while he tries to think up ways to prove to Steve Harrington that his parents are wrong, hes very lovable actually.

In fact Eddie would very much like a shot at trying it out, thanks!

(It is also, inevitably, successful.)

[riicahr]

Been a monoma fan since day 1 and I'll die as one too.

My king, I'm going to miss you dearly ✨️

[fanaticloser]

I need a tag that says “Fake dating but one of them thinks it’s real and the one who knows it’s fake actually falls for them and there’s angst but they end up together in the end”

[inkskinned]

it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.

like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips

because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.

bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.

and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.

these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?

and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.

in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.

it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.

and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.

"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."

"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."

[bruciemilf]

The most embarrassing moment of Jason’s life is calling Bruce to bail him out for underage drinking

[rebelcharmings]

happy pride month☺️☺️☺️🏳️‍🌈have some eah fake tweets

[dongoverlord]

this has got to be one of the most horseshit posts I've seen circulating around holy fuck. thanks for demonizing tens of thousands of artists online and immediately painting us all as relying on sweatshop labor and then IMMEDIATELY ADMITTING YOU'RE NOT AN EXPERT AND NEVER ACTUALLY MADE MERCH YOURSELF BEFORE?

fuck off for real. this fucking website is full of fake ass leftists who do no goddamn research before posting.

[poorly-drawn-mdzs]

Cannot Unsee. Cannot Unknow.

[First] Prev <–-> Next

[lala-blahblah]

I absolutely cannot sit down and write a nice version of this bc my brain says no, but i would like to let you all know I'm thinking of a fanfic where older Edgeworth is moving back to the US (or japan, whichever universe you subscribe to) and runs into Nick in the store while buying mass produced art to hang on the walls of his new house.

And Nick is like "dear god do you want your house to look like a dentist's office. Please do better" (in a friendly way, they are too old for rivalry at this point) and so Nick invites Edgeworth to come over and take any of his old artwork from college, since it is just sitting in a portfolio in a closet somewhere. And Edgeworth agrees to come over and look through Nick's old stuff together. There are themes of 1) growing older and like reflecting on the past and 2) Nick's character trait of finding meaning in challenges vs Edgeworth's tendency to stick with what he does well. In my head I imagine that Nick was good at art and it came somewhat easily to him and that bored him, and he was drawn to law in part because it was hard and it excited him and made him want to try harder. And i think tying that in with fatherhood, like it being unexpected and hard but something he thrives at because he feels good when there's a challenge. Potentially also touching on how like, when he lost his badge he felt very listless and depressed because he wasn't being challenged anymore, there wasn't anything to drive him and motivate him. And I think Edgeworth would be impressed by seeing Nick's old pieces (I assume he hasn't seen much of his art before) and wondering why he didn't choose to pursue art further. He also thinks about how art had always put him off personally because he couldn't get it "right" right away, and on the other hand how the structure and logic of law came easily to him, which led him to become a lawyer. I think he measures his self worth by his success in his field because he never had the support to believe he had intrinsic value as a person and maybe wasn't so good at making emotional connections with people. So that big contrast between them is so interesting... I think Edgeworth would be jealous of Nick's bravery in pursuing something he was bad at without giving up and Nick would be jealous of Edgeworth's success in law, but in a subdued way as they've grown older.

A far as actual scenes in the fic, I think I would use Nick's art as a conduit for my own agenda to have them talk about topics that are of interest to me... I would like Edgeworth to feel out of his depth for once and for nick to be the confident one as he talks about something he is well versed in, and for edgeworth to have to face that discomfort and also be a little impressed intellectually with Nick. I think I would do that by having them look through some abstract art Nick did (my intro painting classes were all abstract so we could focus on color mixing and getting comfortable with the medium). Edgeworth compliments Nick on a painting with a bunch of colored squares in gradient clusters and then gets embarrassed when Nick tells him those were just color mixing swatches. Alternatively, in my mind they are both asexual and I think even though this feels like a hallmark cliche I would have Edgeworth flounder and be very embarrassed over Nick's old figure drawing piece. I feel like Nick would be like "no you don't understand it's all very professional and normal when we draw them, like it's just about learning the shape language" and Edgeworth would be like "this is very improper and I don't know how to react can we please not look at naked people!". I don't think i would do both, but something to upset the power dynamic for a moment would be interesting! Nick is always the awkward one I want to see him shine for just a moment enough for edgeworth to go "wait what... i've known him for so long but perhaps i don't really know him at all..."

I would want Edgeworth to end up taking a series of 3 canvases Nick did in an oil painting class that were still lifes of objects the teacher had set up around the classroom. I headcanon that Nick actually far preferred drawing people to objects and rebelled against the assignment by hiding his reflection in one of the objects in each drawing- the top of his head is hidden in an ornament on a christmas tree, his eye is reflected in the shine of a china vase, etc. So it's a little secret, and Edgeworth kind of likes that... it is sweet in a way to see a much younger Phoenix captured in time like that. Something Edgeworth will be reminded of when he sees the paintings but nobody else will catch onto

I would want to layer this with a fatherhood storyline... I think i would frame it as nick inviting edgeworth over to dinner with him and Trucy and Edgeworth stepping into this domestic family life as a visitor and witnessing how its transformed Nick, like seeing him from a different lens. I think after they pick out paintings and have dinner they sit around talking. Trucy had been sitting with them, earlier she showed off some magic tricks and gave Edgeworth a picture of hers from the fridge to add to his new art collection (it's a rainbow dolphin and a sea turtle wearing top hats. Nick says she's in her Lisa Frank era). But she's been quiet for awhile and Nick realizes she's fallen asleep and it's like 11. He's like, crap, i screwed up i should've paid attention and gotten her put to bed, I'm a bad father and I have an audience for this failure. And on top of that, I already failed at being a lawyer, no matter what I try I always disappoint everyone. It's an unexpected moment of vulnerability there... like he's seemed so put together and grown up to Edgeworth this whole time like a whole different person, but he's not a different person he just has different sides to him. And this moment is one where edgeworth can be like hey, no, you're a great dad, and I'm impressed by you and everything you achieved. And I think that could lead into vulnerability from Edgeworth about his relationship with his dad and how he misses him/how he feels like he hasn't really been loved by anyone since his dad died, and how Trucy is lucky to have someone like Nick in her life.

Nick excuses himself to carry Trucy to bed and Miles starts cleaning up the kitchen. I would give a moments pause here to talk about the strange intimacy of going through someone else's kitchen cabinets and drawers, you feel like a stranger there trying to put yourself into someone else's shoes to understand how they live in this space. Maybe he guesses the right drawer for the silverware first try and he feels a little spark of connection. like "we are different in many ways but we are alike enough that we look in the same place for our spoons". Details on the kitchen too about the kid safe plastic bowls and knives that indicate a child is part of the household, that the household has been built around the child, in fact. Edgeworth lives alone and I imagine things are kind of fancy for him (he's a man who wears a cravat so he probably has fine china right). It's completely different from this shabby mismatched cutlery that Nick has, but this kitchen has personality. Maybe he wouldn't mind having a kitchen like this so much. This is a hint at him being lonely, being included in this family unit just for a day has given him this curious sense of longing, for what he isn't sure... does he want kids? Does he want Nick? Does he just want to be part of a family? These are confusing questions and he would much rather not feel anything at all, but unfortunately it is late and he did have a glass of wine with dinner so emotions are Happening.

He hears Nick sigh tiredly as he comes into the kitchen, and Edgeworth starts to ask him where his tupperware is when suddenly Nick is wrapping his arms around him and Edgeworth is Very Tense because he's never good at knowing how to act in situations like this and he and Nick have never been on a hugging level before and he's not sure what this is even for. Then Nick is like "I keep thinking about what you said earlier, about feeling alone ever since your dad passed away. I didn't know, that's such a long time to feel alone. I don't want you to think you're on your own". Edgeworth relaxes a little bit because now he knows what the hug is for and what he's supposed to feel from it. Its very kind of Nick to worry but its unnecessary and he says so. He has colleagues he's friendly with and people from law school he keeps in touch with, he's alright. And Nick says he knows but he also knows it's difficult living the way they do, and what he means is single and in your thirties. Because everyone else is getting married or living with a long term partner or at the very least dating and their lives are focused on that relationship as the center of their being. And when you don't have that, not only is it harder to relate to the people around you but it is harder to feel like you matter in people's lives, because they all prioritize their partner before their friends. And maybe their situations aren't exactly the same (Nick has a daughter while Edgeworth lives alone) and maybe their choices were made for different reasons (Nick used to date and didn't mind it but didn't see a need to prioritize it. Edgeworth found himself unable to distinguish with certainty whether or not he was actually romantically interested in people, and rather than make the wrong choice he decided he would rule out error by choosing no one at all). But regardless, they both know first hand the isolation that comes with trying to carve a path for themselves that does not include a life partner in a world where everyone else comes in pairs. And Nick is reaching out across that emptiness saying hey, we might both be building different lives, but there's room for you to be a part of mine if you want.

Outloud, Nick says "Really, Miles. You aren't alone in this." and Edgeworth says "Well, Phoenix, neither are you". And he stands there and lets his friend hug him, and it doesn't feel like butterflies but it does feel solid and warm and good. And he doesn't even worry about whether he's supposed to let go by now or not, because it's nice, not being alone.

They stand there in comfortable silence for a long moment before Nick speaks again. "hey, remember when you used to hate me? And look at us now." Edgeworth turns his head sharply. "I never HATED you, Wright. I simply thought you were foolish and a waste of my time." He realizes a little too late that this is probably a rude thing to say to the person that just gave you a pep talk, but Nick just laughs, his head still resting on Edgeworth's shoulder. Looking at him from this angle, face almost fully hidden, Nick could be any age at all. It's easy to imagine for a moment that he's the same nervous version of himself that stood across from him in the courtroom for the first time all those years ago. The only thing breaking the illusion is the subtle streaks of silver that cross his temples. Not entirely sure why he does it, Edgeworth kisses the top of Nick's head. He feels odd about it the moment he does so, realizing it comes across not as a platonic or romantic action but as a gesture suited for a dog or pet of some kind. Nick looks up, looking confused but not displeased. "What was that for?" "It was a thank you I suppose". Miles steps away now, still uncomfortable with perceived failures even if those failures are just in social interactions, and begins to gather his things while Nick gets down a tupperware from a cabinet. "Thank you, for the dinner and for the paintings." Edgeworth continues. "I'd like to repay the favor once I get settled into the new house. Trucy's invited too, of course". As he says it, he realizes he genuinely is looking forward to seeing them again. Nick walks him to the apartment door and they say their goodbyes while Edgeworth tucks the paintings (and Trucy's dolphin drawing) under his arm.

He gets halfway down the hallway when he hears Nick calling after him. "Hey! Miles! Take an art class with me sometime" Newfound friendship or not, Edgeworth just looks at him in disdain. "what, so you can show off your superior art skills? No thank you, Wright" "No, for fun. You can make things of your own to hang on your walls. We can do something I've never done before so we're evenly matched. Like printmaking? Origami? Um, pottery?" Edgeworth bristles at the suggestions but takes a moment to acknowledge why he's feeling that way; again, it's that fear of failure. But he's enjoyed himself today and deep down he thinks it could be fun to try something new, not with the goal of being perfect at it but with the goal of spending time together. Nick surprised him today. Maybe he can surprise himself. "... I would consider pottery" Edgeworth admits. And Nick looks really happy about it. "Great. I'll book us a session then. It'll be fun, you'll see. Edgeworth shakes his head, but there's no malice behind it. "Have a good night, Phoenix" "You too. Get home safe Miles".

Edgeworth gets home a little before midnight and props the three canvases against the moving boxes still stacked up in the foyer. Tomorrow, he'll figure out where he wants to hang them. Right now though, he walks over to the bare fridge and carefully pins up Tracy's dolphin drawing. There's a lot more work to do, but it's already starting to feel like home.

[damnamour]

ICI TOUT COMMENCE ― E854

[theokusgallery]

Hiiii I saw you say you have Notes on your Remus and Janus designs 👀👀?

Could we see/hear some tidbits?

FOR SURE !! Here's what the original doodles for their designs look like, first off, (I know you didn't ask for Virgil but I did these three at the same time)

When I drew this I had just finished an exam and had to wait another hour until I could leave the classroom, so I wrote down enough notes that I had to flip the page instead:

Virgil:

- Virgil has light brown hair that he dyes black (badly). It is essential that the dye job look like shit. It looks artificial, his roots are showing, there's patches where the color didn't take, etc etc.

- He also has blue eyes, which I decided on mostly because it makes it even more clear that his hair isn't naturally black.

- He wears earrings, but his ears aren't actually pierced — they're fake little little clip-on things.

- He wears black nail polish at all times, but it's always chipped because he gets the cheapest stuff he can get his hands on.

- His hair (especially his bangs) get very long at times because he gets too socially anxious to go to the hairdresser. Back in middle school, he used to have Janus cut them for him (Remus could have done a better job but trusting him with scissors would have been a mistake). Now he mostly cuts it off by himself — it looks about as good as his dye job.

- Virgil's purple hoodie is a leftover from Remus' fashion design endeavors that Remus thought didn't look weird enough.

Janus:

- He has naturally strawberry blonde hair. The length is very important to him — he started growing it towards the end of middle school. (He allows Remus to experiment with hairdos sometimes as long as he doesn't cut anything off. I need to draw that sometime)

- I'm not entirely settled on his eye color. I know at least one of his eyes is a very pretty brown, but I have half a mind to give him a yellow glass eye for his left side — I'm not sure it'd make any logistic sense for his situation, though

- He got his ears actually pierced when he was 16.

- He also may or may not have a forked tongue. Not sure how I'd ever be able to show that off — but if he does have one, then Remus definitely was the one to encourage him to do it.

- His fashion style was definitely influenced by being around Remus (who may have used him as a mannequin/dummy because he's small.) so much. Remus also attempted to make clothes for him, but Janus is very fancy and picky, so he doesn't wear those clothes very often (though he might accessorize with stuff Remus made for him occasionally).

Remus:

- He has naturally very dark hair. He uses temporary/surface level dyes a lot, but if he's using permanent or semi-permanent dyes, he's usually limiting himself to the grey streak — it's kind of a sample strand, since it's already bleached. He 100% copied his hairstyle from Roman's.

- He (and Roman, of course) has greenish blue eyes.

- Janus paid for him to get his ears (and eyebrows) professionally pierced because otherwise he was just going to do it himself with a sewing needle.

- He has a lot of very shitty stick-and-poke tattoos he made/makes on himself. They're almost always hidden by his outfits.

- Speaking of which, Remus makes most of his outfits costumes himself. The quality of the work may vary, but they are always way too over-the-top for casual wear, because he stands out anyway, so... in for a penny, right. (As I said in the tags of a post: he is very creative and has no shame or social anxiety at all, so he had his whole aesthetic ("overdramatic green") figured out by the time he was 13)

- He also has SH scars, but, again — they're hidden by his outfits 99% of the time. He's a slut who never shows an inch of skin

[planetlongjourney]

Quark just gave me his business card….what the hell

[scratchybeardsweetmouth]

Sweet-talk | Ted Lasso 3x02