#that last part is the point btw

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[makiswirl]

he just killed joseph

[seagull-scribbles]

Turtles of Time

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[twinstxrs]

the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.

being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.

it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.

so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.

[bruciemilf]

" but it's not a permanent solution and --" just say you want to committ homicide! Grow up.

[kiwikiswia]

I'll keep walking on,

even if we never come to understand each other

for the rest of our lives.

[hella1975]

jorts neil isnt real and cant hurt you jorts neil isnt real and cant hurt you jorts neil isnt real and

[birdricks]

been thinking about this dialogue again.

[skeletonsleep]

biblical sorrow

[thistledropkick]

Hiromu:

First unveiled on 1/4/2024 in the Tokyo Dome: Please share your best photos of Hiromu-chan wearing "the entrance gown Medama Ai-san"

I will use them someday, somehow!

(note from me: Hiromu's entrance gown's name Medama Ai is spelled with the kanji for "love" and the kanjis for "eyeball." I'm unsure if this part is intentional but the word for love "Ai" is pronounced like the English word "eye." Also I'm not sure why, but the phonetic pronunciation he provides reads the name as written in kanji backwards?)

Despe:

I thought a massive Tanabata or something was walking towards me

It was so huge I wasn't even sure where Hiromu was in all that when I suddenly flew at him

I'm glad I hit him

Hiromu:

I'm fine with it but... Medama Ai-san (52 years old) said "I will absolutely never forgive you"!

Despe:

That's older than I was expecting

[bonetrousledbones]

its not unusual at this point for me to go several days and occasionally weeks without posting here BUT this time i'm going to have a good excuse and her name is hurricane helene and she sucks and i hate her

[greenerteacups]

crying screaming throwing up at the latest Lionheart update – only amplified by my listening to the Tortured Poets Department (anthology) while reading. What are your favourite songs from the album? and what would be Hermione and Draco's faves?

favorites: So Long London, BDILH, Florida, Guilty as Sin, The Bolter

Guilty as Sin? is the one that I'll be using for my imaginary blorbo music videos for a while, personally. BDILH is going to be the new star-crossed-lovers edit audio on TikTok from now til the heat-death of the universe, and I personally am going to enjoy that. The Bolter is the best storytelling, and I think its specificity is its strength.

I think Hermione and Draco are 90's babies, and I have self-indulgently projected my own taste for 80's/90's altrock onto both of them. I think Daphne would go full Swiftie in a hot minute, though. Would go nuts for the Alchemy. (It's me, I'm Daph.)

[skyburger]

venn diagram of these guys

[toxooz]

been having wisdom tooth pain since saturday thats only getting worse and u kno what i understand him now i dont condone his actions but man,,,,i get it 💀

[ssreeder]

Chapters: 9/? Fandom: Avatar: The Last Airbender Rating: Mature Warnings: Creator Chose Not To Use Archive Warnings Relationships: Sokka/Zuko (Avatar), Aang/Katara (Avatar), others to be tagged later - Relationship Characters: Sokka (Avatar), Zuko (Avatar), Aang (Avatar), Katara (Avatar), Toph Beifong, Jet (Avatar), Suki (Avatar), Kyoshi Warriors (Avatar), Iroh (Avatar), Jee (Avatar), Hakoda (Avatar), Bato (Avatar), A bunch of OCs, Long Feng, Joo Dee (Avatar), Azula (Avatar), Mai (Avatar), Ty Lee (Avatar), Ozai (Avatar), General Fong (Avatar) Additional Tags: Violence, Blood and Injury, War, Minor Character Death, Rape/Non-con Elements, Implied/Referenced Sexual Assault, Attempted Sexual Assault, Major Character Injury, Amputation, Implied/Referenced Suicide, possible major character death, themes similar to the first two books, Sexism, Racism (like has already been written in first two books), dark themes, Human Trafficking, Slavery, Just a lot of dark war-like themes, there will be a battle, Torture, Post-Traumatic Stress Disorder - PTSD, Injury Recovery, Healing, Underage Sex, Underage Drinking, Animal Death, Other Additional Tags to Be Added, Warnings each chapter, Hopefully some healing for Zuko finally, no promises, but that’s the goal, Reunions, hopefully a happy ending, Sokka gets some healing too, Non-Consensual Drug Use Series: Part 3 of Leaving It All Behind Summary:

-This is the last book of the series LIAB, please go read the other two books before this, or you will be very confused-

Zuko has been taken by the Earth Kingdom army to who-knows-where, and Sokka is determined to get him back.

But he can’t do it alone.

With Suki and the Kyoshi Warriors by his side, Sokka is headed to Ba Sing Se to find Katara and Aang so they can go rescue his fire bender.

Things aren’t as easy as he had hoped. Corruption, lies, and unknown horrors await them inside the city’s walls. None of this is helping Sokka’s mental well-being.

Hakoda and his men face a problem of their own as Azula approaches with the intentions of making it rain fire.

Sokka and Zuko will both find themselves having to reintegrate back into a life they thought they left behind, with people they hardly remember. It isn’t easy for anyone, especially when they don’t recognize the person standing in front of them.

[starlooove]

And on another note despite what I’m focusing on I do think it’s abhorrent to assume everyone who voted for or supported Harris is chill with genocide like yeah that’s like. What blew up online that tori maya shit was stupid as fuck but due to the disorganization and lateness of this campaign there was REAL misinformation being spread especially to our elders by ppl misconstruing info and a large number of ppl genuinely RIGHT NOW believe she’s pro Palestine called for a ceasefire etc. Like that’s a big chunk of the issue happening rn - where ppl literally made up policies for her or suddenly fell for “neutral” talking points bc it’s on someone they like and spread that. Like idk I feel like until everyone can be honest and humble nobody’s getting anywhere