#that is to say death is not only bad when it happens to people you care about

[ratatattouille]

i honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

that being said, i think my criticism warrants some criticism as well, and i feel like it would be disingenuous to just edit the post (let it be seen in all its imperfect glory lmao).

so here's my criticism of my criticism:

-Vi and Jinx: Vi did not create Jinx. Well, I mean, not entirely. And Silco did not merely weaponize her. Granted, it is Vi who slaps little powder across the face and shouts "You're a jinx!" but Vi is also just a child, and would have gone back for Jinx had she not been apprehended by that asshole also known as Marcus. THAT BEING SAID, Vi still feels a measure of guilt for her reaction (and that's not unjustified), and as Vander's daughter, she would still not stand for the Caitlyn S2 BS and would still default to Jinx much faster than she does (because she's all about family, and Jinx is the only family she has left.) Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. It's still too far, lmao. Also, Vi's motivation to team up with Cait had more to do with getting revenge on Silco than restoring peace to Zaun, and I didn't mention that at all.

-Jinx and Silco: This fucked up dude did a whole John-the-Baptist thing with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it. As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life.

-BACK TO MY MAIN POINT: If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1. Why do I say this? Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

This is where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

And I'm going to make a Part 2 to really get into it.

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

-Vi and Vander: Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends (do you remember how protective she was of Ekko aside from her adopted brothers?) and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She cared for Zaun like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters). Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. The whole reason Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Hemmerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

-Vi and Caitlyn: Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover. The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't entirely wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has never fit into Piltover (and that's also shown in Season 2 act 1-2).

-Vi and Jinx: This show was ALWAYS about a tale of two sisters/cities (cue the record insert of their two faces at the beginning of every episode). When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for Zaun, she just wants to take Silco's (and her own) creation--Jinx--out of the equation so it can work. The only reason she agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to get Powder back, while Cait wants to kill Jinx to get her city (mother) back. The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers (and it's already insane that Vi would even agree lmao) is ignored a lot by fandom, especially bc her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx. Every single step of the way. This is barely acknowledged, and every time it might be, it gets shoved aside for romance with Cait. Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child. (ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Where the writers FUMBLE is:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for a more *ahem* American industrial military complex epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes

-Vi herself takes a back seat in most of season 2, and becomes a passive yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). The only reason it was kept was because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative. And it's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

-Viktor and Heimmerdinger: This is one of the biggest fumbles, IMO. Heimmerdinger and Viktor were the most polar of opposites. Heimmerdinger was not only a privileged, ulta-wealthy Piltoverian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

-Viktor and Singed: Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution." While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. Then Jayce blasts him in the chest and that all goes out the window. All this despite Sky being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (despite the fact that his character was one that was consistently willing to sacrifice himself and die in order to not harm others, and Sky's death only solidified that). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator, lmao. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Sure.

-Viktor and Jayce: Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore. Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVERIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them. Children dying of disease and violence in The Lanes was by Piltoverian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell! And don't even get me STARTED on Jayce's trip to other-world hell being some kind of "Jayce seeing the world through Viktor's eyes" bs. Yes, it was good that our idealistic Jayce got to see the dark side of the Arcane as Viktor showed Jayce the beauty of the dream he sought for all people, but whatever message on class struggle Jayce is said to have learned or paralleled in his alternate timeline clearly didn't sink into his head because he still gave that dumbass speech to Viktor. And I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment. Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

Where season 2 FUMBLED:

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her "you guys hunt us down like animals"). Cait knew the humanity of Zaunites was real. She'd seen it. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes.

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. Idc if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

-Jinx and Isha: Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% idc. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Vi still refuses to acknowledge her own hand in creating Jinx in the first place. Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter. To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together, but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Vi had to acknowledge how wrong she was for abandoning Jinx and Zaun (instead of taking responsibility as Vander had taught her). Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others.

-Jinx and Ekko: Timebomb is the only ship that didn't ruin anyone's character, lmao. Because Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others). Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimmerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. Jinx just doesn't have the same faith in her ability to do so as Ekko does, but Ekko manages to convince her for a moment anyways. Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

-Jinx and Silco: This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose and nurtured her talent (one that Vi and their brothers scorned). Silco accepted Jinx (he did not create her, Vi did) even though he weaponized her (which backfired for him). Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

Fumbling points summarized:

-Jinx not being radicalized by Isha's death and the sight of her sister hunting her down with enforcers.

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltoverians instead of herself, which needed to happen to complete her arc.

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Silco's dream (and by extension death) should have been the point of the show, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun (and Silco) gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

-The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

I could go into how the show fumbled Mel, Ekko, Sevika, Jayce and more, but I think they still fare better than the ones I've talked about here. Caitivi has now (narratively) become distasteful, jayvik a joke, and timebomb unnecessary misery porn with little to no reward for all their efforts.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

[sulumuns-dootah]

Can I request a headcanon of wbh kings reacting to a gn mc who's a actress/actor and watching a horror killer movie mc played in (mc is the final person to die)

WHB kings w/ MC acting in horror movie

⟡ Masterlist ⟡

A/N: Hi! Sorry for the wait, Fall is always kinda rough on my mental health U.U

─── ⋆⋅☆⋅⋆ ───

When you told Satan that you're in a horror movie, he was super excited

Certified horror movie enjoyer right there

Oh and when he found out you were on the poster of it?

Suddenly it's all over Gehenna and many screenings are scheduled in pretty much all the cinemas

Before, however, it is shown anywhere publicly, Satan wants to watch it with you alone

During the movie he'd joke that he's expecting your character to be one of the first ones to die since it's a rule that hot characters die first

But then he realizes there's only about 20 minutes of the movie left and your character is still alive

Maybe you're one of those final survivors who don't die?

Nope :)

Just as the final credits start to roll in, the killer jumpscares the audience by surprise lounging at your character and kills them as the credits roll list all the names of everyone who took part in the production

       ༺☆༻

Similar to Satan's reaction, but Mammon only has a screening in a handful of cinemas of his choosing

Obviously,as the star you are, the screening also has a meet and greet with you included

Bimet was the one to organise everything, so you can imagine how expensive the tickets are

Mammon will also want a private screening before letting anyone else watch it

And since for example Texas Chainsaw Massacre did it: If there's a scene with your ass all over the screen, Mammon will be obsessed and make it his personality for the next century :)

Now, getting back to the end of the movie and seeing your way too suden death, you sneak a peek at Mammon to see his reaction and he, to be fair, looks unmoved

But then you notice him being more clingy than usual

When you ask him about it, he'll give you, honestly, the best answer:

"Seeing you die made me realise I don't ever want to loose you in reality"

       ༺☆༻

Exact opposite

Nobody except for you and him are allowed to watch it

Now, Levi will be happy to tell everyone that his partner is an actor/actress in movies, but will never say which ones

What's it to them? They can't appreciate your presence on screen correctly

The next thing you know they'll be making fan edits and write fanfics about you and either the killer or some random self-insert instead of Leviathan - your ACTUAL partner

The movie will kinda become shadow banned in Hades bc the people will fear their king will find out they watched it and hang them to death for it

The only one to openly talk about it is Glasyalabolas bc of course

He's hoping he can catch some other demons while they pretend to not know what he's talking about despite secretly watching it

(Oof, I can even imagine: You know how are those videos like 'Top 5 movies you shouldn't watch'? Your movie will be every no.1 on those lists :D)

       ༺☆༻

When you told Beel about your new found stardom, he tried acting surprised but you both knew his act was bad

He knew even before you knew and accepted the offer from the casting director

And you could swear you think he was there during the shoot

Or at least you thought you saw him for a flash by the catering table, moments before someone started raising all hell because someone ate all the pizza again

So when you suggest a movie night with your movie, he already has some stuff prepared at some secret location

Maybe he might even send some pics of you cosying together to Bael just to piss him off

       ༺☆༻

Belphegor just to happened to be half-awake when you came excitedly running to his room

He had half the mind to just fall back asleep, but then you started talking about some movie you were in, so he decided to give you at least some of his time

"Oh, and you want me to watch it now or...?"

Sure, you can join him in bed and watch it with him, but he can't promise he'll stay awake the whole time

Maybe only until your character dies, because after that you won't mind, right?

Oh boy, did he not know...

To be fair, he does watch the whole movie until then, but might not be awake long enough for him to give a review of your performance

       ༺☆༻

"Oh, you're in a movie, my pretty little bitch? Sure, let's watch it."

You know where this leads to...

By the time the first kill happens you're already folded in half, taking Asmo in and screaming louder than the poor victim in the movie

But Asmo actually is interested in your character, so whenever you're on screen, he slows down and shushes you so that he can hear the other you

By the time your character dies, you've already cume multiple times and are about ready to pass out just like in the movie

After the movie's over, Asmo will actually give you a good review and ideas on what to work on (including your stamina ;))

       ༺☆༻

You didn't even get to be the one to tell Lucifer

Of course Gamigin had to accidentally let it slip while begging Lucifer to partake with the rest of demons in a movie night

You wanted to surprise Luci by putting the movie on and seeing if him or any other demon catches on to recognise the bad-ass final girl/guy as you

After that Luci hears you scolding Gamigin for the slip up so he decides to act like he didn't know you'll be in the movie

He's not really convincing, but it's the thought that counts, right?

After the movie's finished, you anxiously ask everyone for the opinion

Everyone has nice things to say, except for the SFX team and the many inaccuracies they noticed

But... Luci is silent

At least until everyone's gone to bed for the night

After that he'll have you sit on his lap and whisper so much praise into your ear

[pinkpastels113]

Tell us how you feel about arcane. Use your emotion words! Use a visual aid if you must, too lol.

you want some visual aid? i'll give you some visual aid:

that describes perfectly ab how i am feeling rn

first of all the LESBIAN SEX SCENE????!! I-??!! i knew that something was bound to happen (esp after meljay and the rated for sex warning in season 2) and i celebrated when they (finally) kissed but oh my god?? an actual lesbian sex scene? in a prison?? in vi's sister's prison?? after a parallel about how cait is always finding her in a prison and expected her to be there?? (with dramatic music and banter and soft giggling and the ANGLES and HAND PLACEMENTS??) I AM NOT OKAY

just that scene alone is enough to nudge me off a cliff. but moving on

how is JAYVIK more homoerotic than now-100%-canon caitvi?? that's all i have to say. (what do you MEAN that love conquers all?? that he loved and admired viktor for all his imperfections and that was what made him special and beautiful?? GET OUTTA HERE)

i did not know that i needed timebomb until this season but HOLY FUCKING SHIT why must you make ekko fall (surprisingly, even to himself) in love with jinx/older powder and have that ripped away from him not like two days later?? WHYYYYY (the dance. the "can we pretend it's like the first time?" the "oh and he's got lines." the nervous wave after he fucked up in that scene with dead vi and powder was like hmp and he goes :(. the mural. im sent. im gone. nobody speak to me.)

ISHA NOOOOOOOOOOOOOOOOOOO (she was just trying to be like jinx and copy everything that she does and is and looked up to her as a hero STOP WHY MUST YOU DO THIS TO ME. also the song?? IM CHINESE BRO AND I WAS SOOOO EMOTIONAL OVER THE LYRICS like hit me where it fucking hurts why dont you)

i cried at how vander suffered a fate worse than death. @becasbelt can attest to that

caitlyn adfshjk i knew she would come around and she was and always has been my blorbo (even if she stayed evil) MWAH my female rage filled, slightly wild, grief clouded, confident, "im an excellent shot," sexy, " i am a decorated officer, leader of house kiramman, address me with respect, or keep your mouth shut." dictator, vampire, badass, mofo. YES

the way she said "no amount of good deeds can undo our crimes" hit me bc she's acknowledging that she went off the rails and did some pretty bad things to justify and achieve (which she didn't. not really) her goals

i LOVED jinx in this season. she single-handedly made it a comedy show and was the sole focus of a lot of the emotional damage the storytellers and animators wanted to convey

the way jesus came to be and then quickly became evil SDFHSDKJ i was legit like WEEO WEEO ABORT ABORT JESUS HAS TURNED EVIL (also want to point out the "no you wont" sky dialogue bc DAMN she really called you out huh viktor)

that alternate universe timebomb episode had me gasping so much (like SILCO?? WHAT ARE YOU DOING THERE?? WHERE DID YOU COME FROM?? what do you mean everyone is well and happy but at the cost of vi's death???) i think i had asthma for a split second there

MELLLL MY GODDESS MVP PLAYER you saved cait's ass so many times it's not even funny and ugh the way you finally stood up to your mom (very cleverly too, i might add) ugh i applaud

EKKO MY KINGGG the way he hurts himself so bad turning back time and specifically saving jinx from offing herself BYE

HEIMERDINGER MY TINY ANNOYING/affectionate FURBALL WHYY

no but yea i am ruined and my emotions have faded away into numbness and i hope this post was relatable to the people in the arcane fandom and i also agree that this season was way too condensed and rushed and the last episodes in particular needed at least a couple more to drag out the events and character development bc at times when i am supposed to be cheering i am crying and at times i am supposed to be crying i am screaming and at times i am supposed to be screaming i am Horny and at times i am supposed to be Horny my heart is wrenching but only a few tears slip out bc IT IS CUT TO THE NEXT SCENE AGAIN??? does that make sense??

(also do we think jinx is actually dead or no. im still not sure but obv i would hope/am hoping that she is lmao)

[softness-and-shattering]

I saw a video the other day that thos woman had filmed of "pranking" her husband, by surprise shaving q big ol clump of his beard. Because she didnt like his beard. And he had the audacity to keep it anyway.

And he doesnt even get angry, just sad and defeated. References her doing "crap like this all the time". And he says "if I took that and took off some of your hair that would be abuse, people would say its abuse but because youre doing it to me its different" and she says "yeah you better not" and she *cackling* the whole time like its fun and hes absolutely devastated.

That *is* absolutely abuse. And its also the effects of "men strong, women weak. Women have emotions, men not allowed emotions.". This guy is being abused and maybe only sort of recognises thats whats happening because hes a guy and his abuser is his wife and thats not the narrative. And thats not right. Men have to be allowed to admit vulnerability because how else do you reach out for help? How else do you name "this feels bad and relationships arent supposed to feel bad like this, something is wrong". How do you say "my wife is abusing me I need help" when youve never been allowed to show any weakness whatsoever??

Crying by itself *is* super important. But its not just "cant tear up in a movie". By not being allowed to display vulnerability, thats stops you from showing someone else that you need help. It means you just dont get meaningful support. And thats huge. Thats getting away from an abuser huge its likely life and death huge. We all need each other.

"being told not to cry isn't the same as violent misogyny" is like. yeah, obviously, different groups experience different things and those are never the same because they're different experiences. but like can we acknowledge that, for example, men experiencing domestic violence or any other kind of abuse often have trouble getting help or speaking up in general about it because of the societal pressures not to show emotion or vulnerability and that it's really dismissive and disrespectful to reduce the issue down to "being told not to cry" and none of the kinds of people that make these arguments are willing to acknowledge that even a little bit?

oh yep that's another thing people do when they are actively being dismissive of another group's issues. like yeah when you position it as "women are being MURDERED on the STREET and you're mad that men can't get a little teary at movies???" like you are actively trying to make it seem lesser. i've literally seen men say that they were told men are ONLY allowed to cry at their mother's funerals. and like you said, "men can't cry" is connected to all the other issues that leads people to not take male victims of abuse seriously and drives male victims of abuse to keep quiet because it's seen as shameful to show weakness. but when u reduce all that down to "men are told not to cry" it's easy to make it sound like nothing (especially if you are a cis woman who has literally no personal experience with how this impacts you)

[prouc]

Hiiiieeeeyo!! This one’s self indulgent 😣!! But a ghost/aparation/poltergeist whatever-you-wanna-call-it reader x Art?? And even more self indulgent, they were lovers when the reader was alive?

OF COURSE!!!!!!! I LOVE THE IDEA SO MUCH

AFTER DEATH DO US APART

I have always been an atheist, I lived laughing when people promised me that there was an afterlife, or some kind of omnipotent god who was always watching, but after being dead for almost ten years now, the only thing I can say, is, I wish that was the case.

Instead of the black hole of nothingness I expected when I died in that car acident, I was met with the fate of being an entity, not a zombie as I first supposed, as no one could exactly see me and I couldn't have contact with anything. I ended up with a fate worse than death itself, the absolute boredom of just being able to watch...

I decided to ''make the most'' of my situation and follow my family around, while also trying to decipher what the hell I was, I didn't think ghosts existed, but it also appeared I was the only one too with this sick fate....Was this some kind of punishment from the same god I mocked years ago...?

I don't know, but I felt lonely, of course I would, there was no one to talk to... or to even touch. I said earlier I tried to follow my family around, making sure they were doing okay, but one person I wasn't being able to find was my boyfriend, I got into the car accident with him but after years of searching, or stalking my family waiting if they said something about him, I was met with nothing, no words were spoken, his name vanished from their tongues, from their memory...But how could that had happened..?

Was he also a ghost...? Was he some kind of creature now..? I could feel my (not-there) head hurting somehow each time I thought too much in the matter, and I decided to drop it. While deciding to investigate some new faces from my childhood neighborhood, I ended up ''staying for dinner'' with a family of four, the couple had a little girl and a boy, and they seemed happy enough for me to stick around to lift my spirits (get it?). I was laying on the sofa, looking up at the ceiling and thinking about my old life, how I missed my dairy cup of coffee, touching myself, my boyfriend's lips on my cunt as I gripping his hair-...You know, the pleasurable things about life.

While I dreamed off my existence, I didn't hear the front door being slammed open, when I finally noticed someone was inside the house was when I heard screams from the mother of those kids, telling them to run. I immediatly fell to the floor, and as if the intruder could see me, I hid out of instict behind the couch I was laying pacefully before. Peeking out when I saw the little girl hiding in a cupboard on the floor, seeing a male walking towards said cupboard, he had probably heard her sobs through the wood, shit.

I stepped out, I knew I couldn't touch anything or anyone, let alone save that poor girl that was going to be murderer by what appeared to be...a clown...?

It was wearing a black and white pattern costume, black fluffy pom poms and a small top hat, but was made me widen my eyes was the blood that tinted and drenched the costume and the man, he was gripping an axe, wriggling his fingers on it as he silently made his way to the cupboard the girl used as hideout. Maybe it was the shock or my memories, but right away, I didn't recognize such familiar costume...

As the clown opened the cupboard, I threw myself on him, and surprisingly, my fingers made contact with the back of costume, my arms quickly wrapping around his shoulders as I made both of us fall down on our back. Maybe it had been a bad idea, because for the first time in ten years, that hurt like shit. I coughed and tried to roll on top of him as the girl ran through the opened front door, I strandled his hips, jaw clenched in pain and tension as I sat on top of him, my hands grabing his collar when my heart dropped.

''What the actual fuck-?'' I asked to no one as my head decided to iluminate me with the recognition of my boyfriend from ten years ago, the one who supoosedly died too...But now was changed- Now was covered in blood, Shit- his fucking costume. This was his costume when he acted on the circus-

The clown stayed in what appeared to be shock too- before he dropped his widened eyes and parted lips, which were now painted black, clenching his jaw and hardening his glare immediatly, kicking my side, and surprisingly again, it made contact. I was threw to the floor next to him and clunched my side, coughing.

''Damnit- What the hell are you doing, Arthur-?!'' I asked, not letting myself froze in shock from this whole ordeal. He then turned the tables, me strandling him but under, him between my legs, the axe forgotten on the floor too away from me to stab some sense into his head.

I looked at him with ragged breaths, gulping softly as he just looked down at me, eyes devoid of any emotion apparent, black holes staring into my own, frightened from what I have seen him covered with, imagining what he had done to that poor family. We tayed in silence for what appeared to be a long time before his right hand shoot up, I flinched, gasping softly and almost daring to close my eyes when his hand made soft and gentle contrast with my skin...The first time in a long time I have been touched this gently...like he used to. I could feel my eyes softening, almost forgetting in what ways we had met again. His face hadn't ''changed'' but it was as if his facial features were more pronunced, as if they were prosthetics, his eyes dead and his face decorated with the exact same makeout he did for his shows, those same shows I attended...

''What has happened to you, my love...? Where have you been...? I have- I have searched for you so much...'' I said softly, he ''seemed'' angry, serious or just silently devoid of any emotion, but the way he caressed my cheek, his thumb on my lower lip, slightly parting my lips as he used to...He had changed, and I was sure he also wasn't human, but right now, when his eyes also softened and changed when I spoke, almost looking gulty but still not parting his lips to explain himself, to tell me what has happened.

He shook his head silently at me, his eyes holding the first emotion I have seen on him since I met him again, sadness. His eyes slowly lifted from my figure to my own and he leaned closer, his hands coming down to my shoulders, as if he was trying to hug me, as if that motion he had done again and again years ago, it was now unusual, as if he hadn't hugged in a long time...

I instinctively hugged him back, almost crying when my hands made contact with something again, with him...

''Why...Why don't you-'' I gulped again, feeling a knot in my throat from all the unspoken emotions from the two of us. ''Arthur...Why don't you speak to me...? Are you okay...-?'' I tried again, and i could almost feel him flinch the moment i mentioned his name, his head resting on my chest as he did years ago, his hands ever so slightly trembling as he cradled me, and he shook his head again.

''You can't...speak?'' I asked in a whisper, almost scared of the answer, afraid that something had happened to my love...even if he was trying to kill a poor girl moments ago.

He nodded, his grip becoming tighter before he lifted his head, black eyes looking into mine. I furrowed my eyebrows in worry, this time it was my grip which tightened, I parted my lips shakily to speak, my hand caressing his cheek as he looked up to me, he felt broken, like someone had corrupted him, taking away the soul of my Arthur, using it to create such crimes...

''Please tell me what happened- I thought you died...There has to be away for you to...tell me.'' I said in barely a whisper, but he heard me, looking away furrowing his eyebrows tightly, a thin line as his mouth as he shook his head, as if he couldn't tell me anything.

I parted my lips to talk again, not understanding anything at all. How was it possible that he could touch and see her while everyone else couldn't, why was he alive and why was she not able to find him after all these years. Why the fuck was he hurting people, were those prothetics...? What was he now...?

But before I could make a sound, as if he knew what I was going to interrogate him with, he lowered his head again towards my chest and collarbone, and I thought he was just going to ignored me before I gasped from the sudden sensation on my higher collarbone. His grip tightened around me, and I could feel my thoughts being ''ripped apart'' from my brain to focus on the kisses and little nips he was giving me.

''Art-Arthur...-! Wait- We have so much to talk-'' I bit my lower lip at the rather ''hard'' nip he gave to my neck on my pulse point, my legs wrapping around his hips as he began to suck and tease all my collarbone, his hands grazing my sides, almost impatiently. It was as if he had changed, no, as if he had been modified, corrupted into a much harsher Arthur...and it almost felt wrong to call him that.

My hands grabbed his shoulders and I tried to push him away before I gasped in delight as he pushed himself higher, kissing ever so softly the side of my lips, one of his hands quickly going behind my head nad pushing my lips agaisnt his own eagerly, as if he had also been waiting for this, and also wanted me to forget about what had happened.

I fluttereed my eyes close as our lips finally made the contact I had been dreaming for years, my hands weakening instantly and going up to cup his face, making out with him in a gentle but familiar way we both learned to love, at least ten years ago. His other hand eagerly caressing down my body before stopping at the hem of my pants, I could feel my pussy throb the instant he decided to put his hand around the hem of the constricting clothes, and pull them down, leaving me in my shirt and undearwear, my pants forgotten on the floor. He never once stopped cupping the back of my head, remembering the movements he had to make with his lips in order for me to melt in his touch.

His bloodied fingers ripped my underwear, his new eager and harsh side showing, and I don't know if I should like it this fucking much- My eyebrows furroweed in pleasure as my legs were parted open by him, two fingers finally finding my clit, instantly moving them in circles, making me buckle my hips from the friction I needed after years of being a fucking ghost and moans escaping my lips between kisses. I didn't open my eyes, I didn't need to look up to know how fucking bad he was grinning, as he always did, knowing how to make me drunk of his touch and abusing that power while also teasing me about it. In this moment, I didn't care that he had probably killed that family, they could go to hell for all I care...

After everything I have been through, I only wanted one thing, and it was him. Even if he had changed, even if he was now a damn monster who killed for fun or who knows why, if that was my Arthur now...then so be it.

I didn't see him smile, but I felt it between kisses, as he began to move his fingers faster, almost too painful for my unused and needy clit. My core throbbed again, harder this time, advising me that I was going to come, and rather quickly, but that was normal considering I hadn't been able to touch myself or be touched for a fucking long time.

''Art-'' He stopped me with a kiss, I could taste his black lipstick at this point, and I probably looked like a mess.

''I'm going- fuck, please don't stop, please don't stop....'' I whispered like a mantra, finally teethering against the edge after so long and letting out a whispered moan, my hands gripping his shoulders, hips shaking, my moans silenced by his lips.

While I came down from my orgasm, he continued kissing and nipping my skin, backing away to glance into my hazy eyes and parted lips, panting raggedly, almost not registering the sound of his costume being pulled off.

As he put himself betweem my legs again, I subconsciously parted my legs and wrapped them around hips, my hands grabbing his jaw and lowering his face towards mine, immediatly kissing him again, more needy this time, my hands behind his head, feeling how he positioned himself agaisnt my wet and aching folds. Unspoken emotions and words being thrown as kisses, as touches, as his hips slowly but securely pushing himself inside of me, forcing a pained moan to come out of my lips, furrowing my eyebrows slightly, nipping his lower lip out of pain.

He was finally halway in and it felt as if my pussy had missed him, streching itself to adjust to his girth, aching uncontrollably and making him groan without any sound against my lips, slowly moving his hips to enter me completely, the head of his cock caressing my walls each time he moved, pressing himself tighly against my cervix before he backed his hips and began to snap forward, repeating the movement without mercy for my sensitive cunt.

''Art-Arthur- fuck- it feels so good...so fucking good'' I repeated, my eyes rolling to the back of my head as I gripped his shoulders, nails digging in his skinw ithout shame, but he seemed to not care, just focused in rolling his hips in the way I used to love.

I don't even remeber how many times I came, how much I moaned his name, how many tears rolled down my cheeks from overstimulation. But him being between my legs, huffing silently, kissing my tears away gently as he pounded into me, grabbing my body with his hands tinted with the blood of that family, it felt right, as if I could only be seen, be touched when it was him who handled me,who placed his gaze on me, as it was.

Okay, finally finished!

Disclaimer: It is bad, cringe and poor written, I know.

Explaining: I will explain what really happened, Arthur (Art) and the reader (you) had a car accident ten years ago, resulting in the death of both of you, but an entity (probably the same entity who grants Art immortality in the movies), makes a deal with Arthur before he dies, if he follows his commands, turning him in a puppet to commit crimes, he will keep you safe, and will eventually see you again. Both Arthur and the reader begins to lose their humanity, their memories, the feelings of the real worlds but in diferent aspects and intensities, until they meet again.

Art can't tell the reader anything as it was a deal he made with the entity and decides to distract her by the way he used to when they were alive.

Art is then the only one who can see and touch the reader, as it was promised and granted by the entity, that's why she is a ''ghost'' until Art touches her.

[thecoiledserpent]

Your view pisses me off We all have free will so we can still change a lot I doubt its all fated…

well tell that to the people in palestine or sudan or colonies, to the mother of my friend who had to stay in her abusive relationship until she died because of her daughter, to the mother who lost her unborn child, to the man who lost his leg while hiking, to the little girl who was raped, to my little brother whose eye caught the worst infection when he was three, to the people who are blind or deaf or mentally unstable, to the little girls who grow up with abusive mothers, to that girl in 8th class who is always overshadowed by her classmates despite being talented, to—

this is part of why i never want to see people who don't understand hindu religion or are not spiritual to enter astrology; free will exists, but we never know where. maybe i am fated to have the best husband but the worst in-laws. do you know what will happen? even the criminal that marries me will turn a good man, and even if they belong to a royal family, their family will turn against me for some reason or the other.

there is just karma, which we all must do. but the result of all things is fated, fated, and fated. those of us who face adversity and still rise above it become kings, princes or the privileged in their next life. every person who is blessed in any manner, worked in their past life to achieve it so they have it now. sorry to break your sorry little bubble, but life's not like that.

let's say i kick a puppy today. then, someday, some ten years later, when i get splashed with dirty water while going for an important job interview, i will go 'why me?!' but yes, me. yes, i did something to deserve it, and now i am getting it. few things in life are not result of our own actions in the past, convincing yourself otherwise is futile. and even if, let's say, the universe seems to hate you, then if you keep your head down and take it and learn to rise above it, then you'll be rewarded for it in the future.

astrology, numerology, tarot etc are the map to our lives. detouring is possible, yes, but the thing is that our paths are decided based on what we were in the past, what we are to face in this life and how we are most likely to react to it. rarely do people react differently, and so most people live the lives that was written for them in the stars.

free will exists merely in how we react to adversity in life, not in what sort of adversity we are to face. your 'free will' can't stop death, accidents, bad relationships, back-stabbing people, bad bosses, misfortunes or anything else. your free will exists only in whether you accept death as the truth of life or as something to be mourned indefinitely over. your free will exists only in whether you think of life as something to live or as something to utilize to become better.

your free will exists only in your thoughts and mindsets. and when the mindset changes, the life does too! ❤

i can't even be angry here, i'm just pitying you right now. believing whatever trash is thrown around everywhere, trying to convince yourself that misery or sadness is not a result of one's own actions. the day you realise the truth, you'll find this entire thing a propaganda, too.

[flaetsbnort]

It's a very common and very damaging mistake to think that the difference between "narrativist" RPGs and "simulationist" RPGs is that only the former has a story; or that the people playing the latter don't care about story. Dungeon Gal has been fighting bravely on this front for a very long time.

The difference, in my eyes, is one of focus. When you're playing a story-centric RPG, all the mechanics exist first and foremost to tell a story. And, in order to make this story-creation process simpler and easier and natural, it uses building blocks from well-worn genre clichés to achieve that. So story-centric RPGs aren't more likely to create a story, because we always create stories from stuff that happens to us, and even more so from play; they're not even more likely to create better stories. Rather, it's just easier to create stories, and to make sure that these stories follow a desired theme and vibe.

I really like that one way to categorize RPGs that calls this axis as simulationist X emulationist. I know that the "simulationist" term comes with bad baggage from the GNS days, but I think it's a useful descriptor for systems that care more about the physical properties of objects (how strong is your punch? how dextrous is your lockpicking? how much power does your spell call forth?). But I think using the term "emulationist" for narrative or story-centric RPGs is a good way to stress that the main difference about them is that they have tools to create a story along a pre-defined thematic axis, that is, their mechanics exist to emulate a kind of existing media; it's not that they have tools to create a story at all.

One example I can think of about this difference is character death. Most simulationist RPGs don't care about it much. It's entirely possible to create a character then die in two unlucky hits fighting a giant rat in the sewers. Conversely, in most emulationist RPGs, character death is difficult to come by. Apocalypse World is known to be a particularly cruel RPG, but look at its mechanics. It outright says that most (unarmored) NPCs die after taking 4 or 5 harm, but PC's harm clock has eight segments. Sure, a PC that takes 5 harm is actively dying - but an NPC in the same situation is dead and gone. And even if a PC is dying, there are four scars you can take to keep them in the game for longer. Players can of course accept their character's death earlier, but they don't have to.

Why does this happen? That's because, in most stories, you wouldn't kill a main character (and all player characters are main characters) in the first combat unless you were going for some sort of subversion, so there are many tools to make sure that bad rolls only change the direction of the story and to make sure that every player character gets to have at least some semblance of an arc. Simulationist RPGs don't care because they know that a pompous knight that shows up talking big about their quests and then dying to a sewer rat is hilarious and makes for a great story. And it's not that emulationist RPGs don't see it - it's that they don't want a story that doesn't fit the vibe their going for.

The best metaphor for me is an offroad car. If you care a lot about driving offroad, you'll get an offroad car, and it'll do the best job at it. But you buy a car that's not specially made for offroad, that doesn't mean you'll never be able to drive it out of the asphalt. It just means you'll have a bit of a harder time to do it. But you'll eventually get to the same destination just the same.

What are some examples of mechanics in games that advance the story?

I mean very few mechanics in TTRPGs don't advance the story. So, to provide few examples:

Attack and damage rolls (advance the plotline of "how this guy got fucking killed")

Skill checks (advance the plotline of "how that one asshole did a thing and succeeded/failed"

Gaining experience/other character advancement currency (advance the plotline of "how the character learned from their experiences and learned to shoot lighting")

Random encounter checks (advance the plotline of "look at all this fucking bullshit these idiots ran into while traveling from point A to point B")

Note: I've specifically chosen D&D centric examples because while D&D is the furthest thing from whatever the fuck "narrativist" is supposed to mean, simply by virtue of being a tabletop RPG the creation of an emergent narrative is an inevitable consequence, so if you're wont to look at TTRPGs in terms of "stories" technically all those things do advance the story.

[shadows-flames-and-ink]

After waiting the whole day, I FINALLY watched Act III of Arcane last night, and it did not disappoint. Once again, I need to rant about things I'm sure pretty much everyone already knows, but if I don't my skull will split in half. I'll definitely be bouncing around a bit here, this is going to take a while

I don't quite understand how Vi's death fixed the Silco problem in the alternate timeline, especially since he was experimenting with Shimmer when the job was taking place in the main timeline. (Edit: saw people talking about how her death was a wakeup call that convinced him to try a different way to improve the undercity without bringing down topside, and I really like that) Also, does other-Powder keeping some Hex-crystals and seeing what Ekko and Heimerdinger did with the shards mean that she could make Hextech in her universe and mess up their stuff? Also, what about Heimerdinger? Was he sent to another timeline? Somewhere else in the main one? What about the other-Heimerdinger, what happened to them? Other-Ekko lived, so why not him?

Either way, I thought it was a cute episode, it was nice to see Powder happy again. It was also kinda funny watching it switch between Ekko and Powder being cute together and Jayce barely surviving in the apocalypse

Back in the main timeline, seeing how broken Jinx was after Isha died broke me. When she started burning everything, then Ekko had to stop her from killing herself like a dozen times? That was just heartbreaking

On a happier note, Caitvi!!! I'm very happy they're together, of course, but um... well, I watched this show with my parents... so this happened:

Me: (internally) yay! they're together again!

(They start taking each other's clothes off)

Me: (internally) this got very awkward very fast... say something, anything

Me: (obviously embarrassed) well... um... at least we can see Vi's whole tattoo now, that's kinda cool

Mom: Are you saying it's cool we get to see them nak-

So that was not at all an awkward three minutes.

Anyway, not long after that, when everyone was preparing for the war with the Noxians and Victor's cult, I remembered Maddie existed. At first, I kinda felt bad for her, because she probably had no idea about the cell stuff and she liked Cait too. Then, when she revealed herself as a traitor, I didn't. Then Mel's magic made a bullet play pinball with her brain, so that was interesting. It was a rollercoaster of emotion for five minutes, cool death scene, and a great way to show off Mel's powers

Speaking of, Mel's duel with her mom? Awesome fight scene, got really scared for Cait for a while. The Black Rose at the end was cool, and Mel saying she knows who it is makes me very interested in a potential future project that explores that more

The Ekko-Jayce-Victor fight was amazing. Ekko redoing every mistake, even risking going back to far and breaking part of Victor's... mask? Face? Idk, what was that?

Anyways, the astral plane scene was beautiful. Plus, the flashback of wizard-Victor showing Jayce all the different runestones in different timelines to stop the Glorious Evolution Hex-Victor was incredible

I'm still confused though about how, when Victor and Jayce went into the runestone, all the other cultists died but Warwick was still able to keep fighting. That whole scene was sad, and Jinx sacrificing herself to save Vi was just depressing, but I'm calling it right now, Jinx isn't dead

In the end scene with Cait and Vi together after everything, Cait was looking at the Kiramman computer thing. More specifically, a blueprint of the Hexgates, zoomed-in around where Jinx would have blown herself up. In plain English, I could read at least 2-4 air ducts and vents marked down. Most of the writing in-universe is their own language, usually narrated over by one of the characters (right?). Only signs and sometimes names are in English, so the fact that the diagram had English means that we were supposed to read it, and know Cait was looking for something. Plus, Jinx's bombs always have colorful smoke with the explosion, so we never saw her body. I'm saying she blew up Warwick and somehow managed to ride the shockwave or Shimmer-dash to an air duct. I fully believe that Jinx is still alive

This show destroyed me, I loved every second of it. Can't wait to see more from this universe

I think that's it for now. I'm probably going to spend the rest of the day scrolling through all the Arcane tags writing, so I'll leave this here. I'll edit this if I think of anything else I guess. If you're still here, thanks for reading and have a nice day

[starryalpacasstuff]

A summary of GMMTV 2025 for those who couldn't watch/didn't care enough

(the gays only, obviously)

I was bored and in need of entertainment so I put it on in the background, which happened to be the best decision because some of these have been absolutely hilarious

I would be excited for this but it's gmmtv so they're gonna find a way to fuck it up (The Love Of Siam: The Musical)

JoongDunk solving a murder mystery (Dare You To Death)

SeaKeen frenemies to lovers with a sprinkle of future vision that gives vaguely Bad Buddy 2.0 vibes (Head 2 Head)

OffGunDew love triangle, nothing else to say sorry I got distracted by Gun in black lipstick (Burnout Syndrome)

MilkLove 'midlife' crisis, save the store from going out of business (Whale Store XOXO)

OhmLeng, EarthMix, Jossfluke as messy theatre kids in Only Friends 2 yes you heard me right (Only Friends: Dream On)

WinnySatang, Never Let Me Go 2.0 vibes with an amnesiac prince and gay angst (That Summer)

Scam you into marriage to soon to be divorcees to lovers, gmm heard when we said gay marriage equals gay divorce (My Romance Scammer)

ForceBook solving a murder mystery + imposter stuff (Melody of Secrets)

PerthSanta as primary school teacher boyfriends, amnesia and age regression. yes you heard me right someone showed the gmm people the age regression ao3 tag this is real (Love You Teacher)

SeaKeen and OhmLeng plus many others because its seven goddamn stories in one, missed most of the trailer but OhmLeng are doing rivals to lovers that is also Bad Buddy 2.0 vibes (Mu-Te-Luv)

FirstKhaotung run a cat cafe together but First is a spineless debt collector who can talk to cats + sibling(?) drama (Cat For Cash)

NamtanFilm, MilkLove, ViewMin in Literally GL Only Friends (Girl Rules)

ChokunAston, MickLuke, PodPapang, it's the most highschool bl a highschool bl can possibly highschool bl (Boys In Love)

JimmySea, future vision again, Jimmy is a doctor now who people are trying to murder...for some reason (My Magical Prophecy)

TayNew in another hijinky comedy except it's actually gay this time (A Dog and A Plane)

PondPhuwin in a comedy as Soft mafia heir x So Done photographer (Me and Thee)

SkyNani with MORE future vision/tarot stuff because we don't have enough (WU)

GreatInn in a period bl im sorry i have nothing to say the teaser looked kinda fancy and angsty thats it congrats to the AuoBoom stans tho (Memoir of Rati)

GeminiFourth in period bl that came out of left field holy shit they said enough with the highschool we're giving you guys catholic guilt (Ticket To Heaven)

[srslylini]

The way season 1 ended she was at a point so low she was ready to blow up a city (and like she did, she blew up the council). The start of season 2 showing her cathartic wasn't actually bad I liked that direction. It felt like they wanted to show her in a "nothing state" which depression also feels like.

they showed her as not caring about anything anymore (literally just walking through every scene in the music video sucker while everything just HAPPENS around her). The meeting with Isha, while still being a little bit odd since it felt like well they randomly put them together but that's something you can overlook, was amazing. She still just didn't care, played with her life.

Her reaction to seeing her sister being an enforcer? Gut punching. Extremely painful. The fight with her STILL being more in a nothing like state, just shooting the dude with her back turned to him felt very s1 which is good because again, Jinx in the end was like??? done.

and then.... act 2 happened. Suddenly they used Jinx's mental state as a Plot device. In season 1 it would ruin missions and her freaking out would happen no matter if "the plot needed it or not" if you get what I mean? The first mission we see on screen? fucked up because Jinx lost control. This happens throughout the first season, it doesn't just come when ever the writers need it to happen.

In season 2 it does. Suddenly in situations that should freak her out she doesn't. Suddenly they use it as a plot device. Why was she very calm and relaxed upon meeting Vander as warwick with Vi? Why did she not freak out when Vi and her fought in the mines?

Do we all remember what happened in season 1 episode 3? And how Jinx immediately lashed out as soon as a fight occured? What happened? Also why was she suddenly so very chill with Enforcers in act 2 and beyond? The joke with the Enforcer and her god damn fucking pants was so out of place I cannot even handle to think about it anymore. The fight with Warwick was good and I liked that in the end they again showed that she is ready to kill herself, at least there is continuity here but that is also never addressed and also... happens for Plot and plot only

it happens so warwick can see the bomb and so they can have him recognize her, like okay arcane writers? And then after that she is simply fine with her second father figure showing up again? You are telling me the girl who had such a mental break down last season over her sister returning would be absolutely fine and 🥺family🥺 upon seeing Vander? Where was the sense? Where was her having to deal with Silco and Vander in her mind? i don't WANT to see her tortured, duh, but they set that up and showed this happening to her in season 1, so this is just, I dont know, a plothole? You are telling me the same girl who blew up the council in s1, and like LOOK AT HER in that scene, is all cuddle cuddle with her past family whose death she always blamed herself for and was scared off?

Then Isha dying, and god do I have my problems with that but that's another thing, and THEN having Jinx never mention her again? Are you KIDDING ME? like it's not even just not mentioning her as much as it is just also Isha not appearing in her nightmares etc. That is NOT how they set Jinx up as a character. While the scene with Jinx in the prison with Silco turning up was chillingly heartbreaking it also didn't make sense if you take into account how they wrote her seeing things this season. In the one scene where she talked to Silco's chair she says he doesn't show up and then when she is in pain over Isha being caught suddenly he stands behind her? I mean maybe I missed something here but I literally sat there like huh.

In season 1 it happened not because it was needed but because it wasn't. As it should be. In this season it only happened when the Plot needed to move and that's just so incredibly weird to me. Especially cause I already saw people misinterpreting the Silco and Jinx prison scene. It was her subconscious telling her to kill herself not Silco trying to be "a positive influence".

And then or course, we have this tragic character Jinx. Who was shown to have a wish of death all throughout season 1 with how careless she was with her life (for example when she threw around the bombs in her hide out) and then throughout season 2 as well. Who saw a breath of life for a bit, taken from her.

To have a character like this ACTUALLY die by killing herself and then to paint it as a GOOD thing? This isn't a tragedy. This is straight up suicide glorification. I did not cry when I watched this scene, I did not feel sadness and grief. I was beyond mad and disgusted and might be for a long time to come.

I need more ppl to talk abt how awfully Jinx was treated this season. I am soooo angry and upset

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[cosmicjoke]

I think you misunderstand my point entirely. It's not about the practical reality of whether Ash could "conceivably" have escaped his life of crime and lived a secure and anonymous life with Eiji, and it's certainly not me saying I think Ash had to somehow "pay" for what he had done during his days as a gang leader. It's about what Ash thinks of himself, and his particular trauma and the damage wrought upon him and his psyche by the severe abuse he suffered and the life he was forced to live as a consequence. It doesn't matter if Ash could have realistically or potentially escaped his life, because he couldn't the self-hatred that the abuse he suffered instilled in him. It doesn't matter whether his being in Eiji's life wouldn't have actually endangered Eiji, becaues Ash believed that his presence in Eiji's life did. He couldn't escape his trauma, and that's really the point and the purpose of Ash's death, in the end, is it doesn't allow the reader/audience to undermine or downplay what Ash lived through by acting like everything would have been hunky-dory if only he'd been able to run off to Japan and live happily ever after with Eiji. It forces the audience to contend with just how devastating Ash's trauma is and the true horror of child abuse by showing the tragic end point of it in Ash's death. Ash had all the ability in the world, all the potential in the world to be whatever he wanted, sure. But it didn't matter, because his life was destroyed by the abuse he suffered and by the people that abused him.

Banana Fish offers no idealistic ending or silver lining to the life that Ash was forced to live, and that's what makes it such a powerful work of art. It presents a naked and raw depiction of the true consequences of child abuse and forces the audience to contend with that reality. It doesn't allow you to console or comfort yourself with notions that anything, no matter how bad, can be gotten over, if only you try hard enough. That's just not reality. There are so many people in real life who never get over their trauma, who never make a full recovery, or even a partial recovery, and it's one of the most insidious and cruel aspects of this insistent claim that everyone can recover from their trauma, because it's essentially telling the people who can't that the failing is their own, sending them the message that they failed because they didn't try hard enough, or simply weren't strong enough. And that's just simply not true. People who are unable to overcome their trauma are no less than anyone else.

Ash believed plenty of things about himself that weren't true, and that's the point. He believed those things because he'd been conditioned through years of horrific abuse to believe them, and him dying in the end forces you to contend with the true weight of that, by denying Ash what he actually deserved, which was a life of happiness and love. It's so absurd to me when people say "Ash didn't deserve to die" or "Ash deserved better". Like, no shit. But Ash didn't deserve any of what happened to him in his life, and again, that's the point. It didn't matter what Ash actually deserved because he was failed so completely by the people that should have protected him in the first place, and it's their failure that resulted in Ash's life being so unfair and cruel. It's because they allowed Ash to fall through the cracks. The same story of so many abused children in this world. None of it is deserved or fair, but it's reality.

Banana Fish is meant to serve as a warning for why we can't allow the things to happen to children that we see happen to Ash, and it drives home just how unacceptable allowing those things is by having the story end in Ash's death, by giving us the worst possible outcome for what Ash suffered, and so impressing upon us why we have to try our hardest to make sure what happened to Ash never happens to anyone else. Ash's death forces us to face the true consequences of allowing children to be abused. We aren't allowed to pretend through Ash's "happily ever after" that what happened to him really wasn't so bad after all.

Further commentary on the ending of Banana Fish (Spoilers):

Look, I understand the controversy and upset surrounding the ending of Banana Fish.  My last post on this topic seems to have pissed some people off, which was never my intention.  But I think maybe I could have worded things a bit better, so I’m going to try again to explain why I feel like the ending of Banana Fish was so perfect.

It’s not a happy ending, and I don’t think anyone, anywhere, will try to tell you that the ending was meant to make anyone happy, or satisfied.  That’s the point.  It’s not MEANT to please the reader.  It’s meant to remain true to its narrative realism.  And in that realism, it’s meant to break the readers heart.  And boy does it do both.

I don’t think anyone would tell you, anyone with any ounce of feeling in their heart, anyway, that Ash didn’t deserve a happy ending, or that he deserved to die after all the awful shit he went through.  I think we can all agree that we would have wanted, if we had a choice, to see Ash have a happy, hopeful ending with Eiji in Japan.  We all agree that Ash DESERVED a happy ending, because he was a good person who was dealt about the shittiest hand in life a person can have.  And despite all that shit, he retained that innate goodness of heart that made him who he was.  He never became a monster, like the people who used him up and abused him over and over again.  That’s what makes him such an extraordinary character that’s deeply loved by so many people. He absolutely deserved to be happy.

But that’s the thing. Banana Fish is a story that deals in reality.  Everything that happens in the story, despite the often extraordinary, larger than life circumstances, is dealt with in a way that is, very often, brutally, painfully honest and realistic.  It doesn’t give us what should be, it gives us what IS.  And that makes perfect sense in accordance with its relation to writers like Hemingway and Salinger.  They wrote stories that dealt in brutal honesty and reality too, and both writers are referenced throughout Banana Fish.  And it’s Banana Fish’s commitment to that brutal honesty and reality that makes it an authentic piece of art.  People want a fairy tale ending, where Ash gets to ride off into the sunset with Eiji and live happily ever after, but at no point in Banana Fish are we given any indication that the story is, at any point, going to delve into the realm of unreality and fantasy, and give us such an ending.  To do so would have been a betrayal of the genuine nature of the narrative. It would have ultimately robbed it of its authenticity as a piece of art, and the story, as a result, would have been left hollow and lacking.  

Banana Fish, throughout its narrative, shows us that terrible things happen to good people, and that good people are often forced into doing terrible things.  It never shy’s away from that cruel, heartbreaking reality, and the ending is no exception.  

It affects us so deeply, and leaves us so upset, because it’s so REAL.  It feels genuine to us, it feels real, because it refuses to betray its honesty for the sake of a happy fantasy.  It remains loyal to the harsh truth of reality, and the harsh truth of Ash’s reality in particular.  Ash is a deeply damaged, broken person, who’s experiences in life are the very definition of cruelty.  Here is a boy who, since the age of seven, has experienced sexual, mental, emotional and physical abuse repeatedly and on a scale truly unfathomable to almost all of us. A boy who was forced into a life of prostitution in order to simply survive on the harsh streets of an unforgiving city.  A boy who, again out of a necessity for survival, has had to kill other human beings. A boy who, out of a desperate situation in which he was forced to choose either to save his soulmate or watch him be murdered by his best friend gone berserk in a mad, drug induced insanity, had to kill his best friend by shooting him straight through the heart.  A boy who, each time in his life that he’s tried to build real and meaningful relationships with other people, Griffin, the girl he liked when he was 14, Skip, Shorter, Eiji, he’s had to watch those people he allowed himself to grow close to either die or almost die, over and over again.  All of that combined creates a level of trauma that’s so far beyond the normal scope or understanding of a regular human being, so far beyond any discernable mechanism for coping with trauma, that to expect Ash to just get over it, for it all to magically be okay just because he moves to Japan with Eiji, is the height of unrealistic, and, again, would be a betrayal of the authenticity the story marries itself to from start to finish.  

Ash’s death is a tragedy, as his life was a tragedy, and the story is a reflection of that.  It stays true to that narrative, and never compromises on it.  That’s the point.  Life doesn’t always have a happy ending.  People that have suffered severe, irreversible trauma don’t always recover, and can’t always heal from it.  People who have suffered in the obscene and brutal ways that Ash has aren’t always going to be alright.  Sometimes it’s just too much.  For Ash, it was just too much.  Too much damage.  Too much heartache.  Too much pain.  Too much loss.  Sometimes we can’t overcome our damage, and that reality presented in this story scares people, I think, because it’s so nakedly honest and unapologetically expressed.

The ending is so god awful painful too because we see, in that moment after Ash reads Eiji’s letter, hope bloom inside him.  For an instant, this belief that maybe he can have a happy ending, when he thinks he’ll catch Eiji at the airport, and maybe go with him.  And in the next instant, he’s mercilessly reminded of that hope’s falsity. Hope springs eternal, but not always true.  Hope and happiness were never meant for Ash.  The chance for that was taken from him before he could even understand what those concepts were.  The thematic arc of the story was telling us from the start that it was going to end in tragedy.

People weren’t meant to LIKE this ending.  It wasn’t meant to make them feel good, or okay with what happened, or fulfilled.  In fact, I’d say, it’s meant to make you feel completely devastated.  As the story reflects reality, so often too does real life end in a way that leaves us feeling lost and confused and heartbroken.  Banana Fish is so good because it stays true to that sense of reality, right until the very end.

The ending doesn’t leave us feeling happy, but it sure does leave us FEELING.  Like any real piece of art would.  The emotions it conjures are immense and, for some I guess, too real. That sense of loss and hopelessness and pain it leaves us with is so effective because, again, it’s so honest. And I guess that because those emotions are so real, and felt so deeply, and with such intensity, it leaves some readers and viewers feeling angry.  Lashing out at a reality which they don’t want to accept.  The irony, of course, is that their hatred and rejection of the ending is testament to just how deeply the ending touched them.  It didn’t leave them feeling nothing, it left them feeling too much, and they then go into a state of denial, which is really just a stage of grief.  A refusal to accept.  You know Banana Fish is a true piece of art for that, in how it conjures sincere feelings of grief and mourning in us for its lead character in Ash.  We CARE about him, deeply.  We want him to be alright, because we love him.

But real art isn’t concerned with placation.  It’s concerned with truth.  So many great pieces of literature have unhappy endings, because that’s the truth of the human condition, and the condition of life in general.  Real art won’t shy away from those painful, awful truths, nor is it afraid to conjure the feelings which go hand in hand with those truths in its audience.  

With all that said, the tragedy of the ending doesn’t demand a feeling of meaninglessness or desolation at all.

Eiji’s love for Ash and Ash’s love for Eiji is still so pivotal and, ultimately, essential in how the story ends.  It’s what allows, maybe not a feeling of hope, but a feeling of peace.

You sense throughout the story that Ash knows he’s going to die.  Like he senses that his life is too fucked up, that he’s been through and had to do too many horrible things for it to last very long.  It’s like the saying of he who burns brightest burns twice as fast.  Ash is burning, and he knows it.  He’s already accepted it as an inevitable conclusion.  He doesn’t actively seek death, but he doesn’t fear, nor fight against it.  At points throughout the story, even, he asks for it, when the horror of what’s happening to him becomes too much.  He knows death is coming for him.  The only thing keeping him from giving in so easily I think is his lack of agency in how he will.  Everything has been taken from Ash, and he doesn’t want to give this last thing away. This choice in how he dies.

Eiji’s love is what finally gives him agency in that decision.

Ash died knowing Eiji loved him, and that knowledge, that certainty that he was loved, genuinely loved by another human being, without any strings or conditions attached, simply loved for himself alone, is what allowed Ash to finally find the peace in death which alluded him in life.  He no longer feels like he has to keep fighting, or struggling on through an endless malaise of misery and pain, because he’s finally found the calm and acceptance which comes with knowing he has this one, pure thing for himself, which nobody, none of his abusers, can ever touch or take away.  With everything else that’s been stolen from Ash, his innocence, his sense of agency, his own body, his own mind, Eiji’s love for him is the one thing nobody could ever steal away.  And that’s, I think, why Ash dies smiling, because it’s that knowledge, that he was worthy of another human being’s true love, that at last shows him that he was a human being himself.  Not an animal.  Not a monster.  He was a human being worthy of love.

Ash’s death is heartbreaking, and brutal, but there’s deep consolation to be had in knowing he spent his final moments with the feeling of Eiji’s love for him alive inside his heart, allowing him at last to feel like a person deserving, worthy of love.

It’s that which allows Ash to finally let go of his struggle, and let’s death’s embrace take hold of him.  It’s his own. Eiji’s love, and his choice to let go of life.

It doesn’t make the ending any less heart wrenching or brutal.  It doesn’t make us any less devastated by Ash’s death.  But it gives us a sense of peace, in knowing, even if we are left feeling lost and heartbroken, Ash himself left life with the fulfillment of knowing he was loved.

[genghisthebrain]

gale being the prim reaper is the most hilariously incorrect take I’ve ever heard in my life

[clownjacket]

If Kipperlilly DOES end up betraying Porter/Jace as part of a secret other scheme she has (whether good or evil) and it has to do with saving Lucy, I just know she’s going to be a bitch about it and pull a ‘sorry, I only save High Five Heroes’ before leaving her other friends to die or some shit. And then she will take her final form: Magic Betty from Adventure Time, betraying her allies and saving her frost gf at the expense of the world. It would also parallel what Ankarna is going through (‘your girlfriend’s out of town, it sucks’, becoming a little imperialist rage machine under the influence of Porter/Sunstone but not being able to fully turn on Lucy despite going against her values and turning into a violent weirdo). This is my wish. My dream. I am manifesting it. Magic Betty Kipperlilly I believe in you.

[dragoninahumancostume]

My favorite part of being alive is that I've never felt welcome in any space except for that one year when I thought I was a non-binary bisexual asexual girl when I was 13 :)

[roseofhybrids]

was gonna write this in the tags, but it got way too long for that, so

short answer: If we're going purely off of the cannon material we've seen in the series I have to say too ambiguous to answer

long answer:

on one hand she did a lot of bad things, abuse, murder, siding with robo-satan

but on the other, we never got the chance to see what she would choose to do when truly free to make her own choices through the series, she's either under control of the Elliots or the solver. Which severely limits just how in control she can be of her own choices. Would standing up for your "boss and coworkers" against people and entities bent on abusing and killing them be the right thing to do? Definitely, but it's also a fast way to get yourself and them killed this isn't meant as a justification of any of her actions, just an explanation of why she'd choose them

and we don't get the chance to see if she'd continue choosing to act the way she did in the series after the solver gets defeated

take N and V for example they also did a lot of murder of both humans and drones while working for the solver. While V didn't physically hurt N, as far as we know, she still did mistreat him. You can argue that it was to a lesser extent than what J did, but even if it wasn't as bad, it still wasn't good either All three of them were made to do horrific things while working under the absolute solver. But we only get to see how N and V change when free from that

N's change is pretty quick He didn't remember the solver at the time of the pilot, so he didn't have to consider the possible consequences of going against an eldritch space demon that has already eliminated at least 1 planet

V on the other hand did remember and as a result takes longer to change In episodes 2 and 3 we see she's still intent on killing the worker drones and tries to convince N to do the same. She asks him to stop looking into the solver and goes to the prom planning to kill everyone there. V can remember the deal she made with the solver, and she knows it's out there. She can't start slacking off just because J is gone, it could show up at any point and there would be consequences for both her and N In episode 4 we see this fear first hand. V sees Uzi is getting taken over by the solver and attempts to kill her. She justifies this to N by saying that if they do their jobs, that thing (the solver) will leave them alone. She is killing in order to protect herself and N from the solver

This is the exact same justification J gives to V in the finale. She justifies siding with the absolute solver because she believes there's no way to escape or defeat it. There's no escape even in death, so it's pointless to disobey it. Had J come back sooner and had a similar encounter with V in episode 2 or 3, maybe even 4. It's possible that V would have agreed with J back then

But when they do fight in episode 8, V now believes it's possible to overcome the solver and as a result rejects J's offer to join the "winning team". Cementing her evolution to a heroic character

J on the other hand has not had the chance to have that growth. While N and V had the chance to be free from the solver for a while. J spent that entire time by its side. J isn't free from it till CYN's core is destroyed

so, would J choose to better herself now that there's no obligation to please a violent master that will kill her for stepping out of line?

well we can't say for sure we can speculate, of course. There's certainly signs and evidence that she has the capacity for it, but we can't see if that change takes place. If it happens, it happens post canon

I personally believe she could if given enough time and the room to atone by the other drones.

But she could just as easily be rejected by the other drones and be left alone to stew and grow resentful

Maybe they try to let her in, but she ends up being unwilling to change and instead isolates herself. Be it because of ego or a fear of diverting from the life she's lived for so many years

How J turns out after the credits roll is left to interpretation. It's hard to call her bad when we take her situation into account and see the potential for growth. But it's also hard to call her good when we don't know for sure what happens

Rb and all that jazz