#that is is both a sacrifice to them but where there was most likely mutual love between the RQ and Death

[blazingstar24]

The story of Death and the Matron parallels so hard with Ludinus’ and Liliana’s story that it’s making me feral.

Because tell me this isn’t the same: A mortal woman comes to this man of greater stature than her seeking to gain knowledge of the world and this mentor relationship grew into something more closer, something that even the RQ can’t exactly define as a relationship but she knows that she loved him. And then Death asks her to take on this burden for him, a duty that will make her eternal and powerful but also so very alone and even possibly kill her. But it would give him peace.

Is that not Ludinus and Liliana? Except it is Lud the one who defines it as love. The fact that the RQ says becoming the vessel is on par with her rite of Ascension? That Ludinus is Death asking Liliana to give up her mortal life to give him peace and her the thing she sought him out for (RQ- knowledge, Liliana-freedom from Ruidus’ call)

But the key difference is Ludinus lacks the conviction that the RQ had. He cannot bring himself to ask Liliana. Do I think he won’t do it eventually? No. But it’s so clear that he’s stalling. Why is he sending in lesser exultants? Why stall and have Liliana be on a side broadcasting quest? She’s the most powerful exultant there, by Ludinus’s own admission. And yet, he has yet to let her try, like he has all the other exultants.

Because let’s be real, Ludinus cares about her. It’s evident in the way he speaks of her, favors her, is very careful not to harm her daughter. He loves her in some form. Not a healthy kind of love but love nonetheless. And so very ironically, Ludinus, the elf who chose to use love against the world? The one who bet on the fact that yeah most people do not have the conviction to let their loved ones die for a goal or greater purpose? Turns out that despite all the people he’s sacrificed, all that conviction he thought he had fell away too when confronted with it himself. He is stalling for time as the moment where he has to ask Liliana to be the vessel is drawing near.

The way the RQ has tied the act of being able to kill a god with being able to kill/sacrifice the ones you love is crucial to her test. And it’s funny in a way. The fact that Ludinus was so ready to use love to break the world and yet it is that same thing that is giving the BH a chance to save it.

[haine-kleine]

I think enough time has passed that we can finally talk about how utterly useless and disappointing the final act of Dabi's arc ended up being.

The most disappointing thing of all is how fucking cool almost every setup was. Enji finally seeing the full extent of the damage he did to his son, his mind almost gone and his body about to blow up, and deciding to sacrifice his own life. Dabi developing an ice quirk, like his mother's. Rei coming there using her powerful ice quirk to save both Touya and Enji's lives, because she felt responsible for her part in driving Touya to this point. Fuyumi and Natsuo following Rei because they couldn't sit idly, while their family members are risking their lives. Shouto going above and beyond his limit to save Touya's life and then praising Touya's natural talent the way no one ever did.

This picture. The eerily happy what could have been, what both Touya and Enji wanted, a happy family where they both are accepted and loved, where Touya is healthy and doesn't hurt himself. Except he is missing an arm now, a new self-inflicted injury transferred from the real world, where the family is as far from happy as they could be. Enji is also missing an arm, the mutual self-sacrifice which was payment to getting Enji to finally fully see Touya and accept him, accept his own role as the parent responsible for this child of his.

This was the exact moment. That first frame is such a masterpiece it's much more thought provoking than the entirety of what followed. Look at your son's disfigured face. See the monster that you created. The fire that you have ignited. It's hotter than your own Hellfire and it won't ever stop burning, as long as either of you is alive. There's no end to this hurt. It's been hurting him since he was a child, and now it has spread to you. You did this to yourself.

And one thing I can tell for sure is that these chapters are going to go hard as hell in the anime. These surrealistic frames, followed by blockbuster-worthy action sequences. But what comes after that? And then nothing. It's like Horikoshi made these chapters specifically to work well for the anime adaptation. Because there is no resolution or even conclusion to any of the things that happened here.

Enji and Dabi losing their arms had so little meaning Horikoshi himself forgot about it and gave Enji the missing arm back in chapter 425. We never get to see the state of Touya's body after the war, so him losing his arm also loses his meaning, as he is covered in a full-body metal restraining jacket. Did they provide him with a prosthetic? If not, are they going to? Is he even going to notice the missing arm, or did it truly not matter? Or perhaps he somehow grew his arm back, the same way he grew his melted eyeballs back? Who even knows.

What about the family? Rei clearly cared a whole lot, enough to risk her own life to attempt to save Touya from certain death because she knew there's no point to rely on Endeavor , but now that the heat of the moment is over, how does she feel about what happened? Does she insist on getting to visit Touya more often? Does she reflect on her own experience of spending ten years in isolation and try to give Touya his freedom? Did Shouto share the story of Touya coming back home after his death with her and his siblings? How does she feel about it? How do they feel about their dearly missed brother willingly choosing to abandon them?

On that topic, how do Fuyumi and Natsuo feel about Touya at all? We do get to hear about Fuyumi's desire to talk more with Touya, but what does she want to talk to him about? Does she want to share her own life with him, to tell him about her old job and the kids she was teaching? About the many family dinners she had been organizing for their family despite it falling apart? Or does she want to ask him about his life? Is she at all curious what he had been up to? Does she want to know how he ended up a villain, why did he keep burning himself despite almost dying from it as a mere child? Would Touya himself want to talk to Fuyumi, or does he still think his sister will never understand him? If so, will she try to push through and repair their sibling bond, try to show him that mending their family is possible and she wants to see him a part of the healed Todoroki family, eating dinner with the rest of them?

Natsuo... I don't even know where to start. Todoroki Natsuo when he first appeared in the manga and Todoroki Natsuo from Dabi's dance onwards are two wildly different characters and the development that made him change so much is skipped entirely in the story.

The entire point of Natsuo's character conflict was being unable to let go of the past, when the rest of the family was demanding he puts the past behind them and looks towards the future. Why exactly was he so fixated on the past? Two reasons. One, his father's neglect of him and abuse of his brothers. He is indignant about what Enji put Shouto through, still angry about Shouto being isolated from his siblings despite the younger freely interacting with him and Fuyumi for quite some time since before the manga plot had started. He outright says that his father had killed Touya. And that's the second reason, his close bond with Touya. While the rest of the family, even their mother, have been able to grieve and let go of Touya, Natsuo has been haunted by him ever since the day of his death.

Their relationship was a toxic one, that is true, Touya was traumadumping his extremely unhealthy feelings on a little kid who was too little to process or sympathize with what the was going through. But from the way Natsuo talks about Touya after his death it's obvious that Natsuo cared a lot about him, still cares. He is indignant about the unfairness of what happened to Touya precisely because he knows the most out of all family members about what his experience was like. It's pretty clear that the reason he stubbornly refuses to forgive and accept Endeavor the way his mother and siblings did, despite genuinely believing himself to be a bad person for it, is not just because Enji was neglecting him as a kid but because since he was a kid he was exposed to the horror of what Touya's life was like. He was watching a person begging to be helped hurt himself everyday and he didn't know how to help him or stop him. Hell, it's pretty straightforwardly implied that his career choice was impacted by his inability to help Touya, who was covered in burns at all times, and Rei with Shouto.

So with all of that in mind, Natsuo's resolution feels fairly... bizarre. As far as his reunion with the dead brother he was bitterly mourning for 11 years, the one who showed up back from the dead expressing the exact same sentiment Natsuo has been trying to express to his family, 'The past never dies', goes, it's this:

This wouldn't even be so bad if there was some followup to this. Natsuo was highstrung with nerves, he was terrified at the thought of both of his parents and his brother dying for real this time (except it's Fuyumi who gets this line). Natsuo apologizing to Touya for saying this, after the climax of the battle is behind them. Anything. Because this framing with no followup at all makes it seem like Natsuo's feelings about his oldest brother is just being annoyed at him for constantly causing trouble to others, because he was venting to him so much when they were kids. If his were any other character, this claim would hold some weight, after all the dynamic was genuinely toxic, but all Natsuo did for the entirety of the Hellish Todoroki family subplot was causing others trouble by his inability to cope with his feelings. You know, the same thing Touya is doing right now, was doing as long as he was in the Todoroki household. Hypocritical much?..

Then we get to look at the final pages of the Todoroki family's conclusion, and it's all about Natsuo once again disrupting the fragile family harmony and peace by announcing he never wants to see Endeavor again. Also he is getting married. For someone who was so held back by the past for 200+ chapters, this sure is a big leap of faith into the future. What caused this development? Touya reappearing back into his life? Did Natsuo make his brother the symbol of that past that was holding him back and decide to abandon him, never see neither him nor Endeavor again?

Maybe so, maybe not. Does he hold hard feelings against Touya, because the real living Todoroki Touya is too different for him to accept as the brother whose ghost had been haunting him for a decade? Is it being a villain that he can't forgive? Or is he simply unable to cope with everything right now and puts off the conversation with his brother because that would be too hard right now? Isn't that the same thing Rei and Enji were doing for Touya's entire childhood?

That's the thing with this ending, you can ask a million questions and make up endless interpretations but you won't get any answers or reasonable conclusions to any of these character's stories, save for Endeavor.

And what is his ending? It's this.

He has moved on! Doesn't matter what happened to his original family, because he's got himself a new one. He is moving towards the future, surrounded by love, support and acceptance. It's the same thing as this picture!

Minus the inconvenient and explanation-demanding children subplots. That would require too much space and effort and the story needed to be finished asap. So? Why resolve the Todoroki family mess when you can give Enji a whole new family of his own? What happened to the other, original children? Who even knows. Who cares? Definitely not Enji, he has new ones.

What about Touya? Well, he was already accepted by his father once, that's enough for him. About his family? As far as we know, they left him all alone, crying, dying. About his missing arm? About his ice quirk? About his relationship with his siblings? With the League of Villains? The living villains, Spinner, Mister Compress, his cousin Geten, Skeptic? Who even cares. Definitely not this story.

[alwaysakin]

The Vampire Diaries Universe Fic Recs

Once again putting my unhealthy amount of fanfic knowledge to good use. Here's my list (non-exhaustive) of the best vampire diaries & originals fanfics. Includes Klaroline, Bamon, Kolvina, and more.

Bamon Fics

Before I Take My Flesh Away by Orig1n - the fic where Bonnie and Damon are comically bonded, and she hops around in his timeline pre (and during) the series. Tragically unfinished, but completely incredible! Kudos for developing Stefan and Damon as brothers and making me not hate Lily Salvatore. Also love the Arthurian lore.

if you love me (don't let go) by sarcastic_fina - this is a heartbreaking deconstruction of Bonnie and her victim mentality, and shows the strength of not only her romantic relationship with Damon, but her friendships with Caroline, Matt, and Tyler. So sad, but so good!

Bloodstone by cactusfinch - Bonnie time travels to 1864 (with all the problems entailed). Her relationship with Damon is done well here, and her friendship (sort of!) with Katherine is fun as hell.

rest for the wicked (hope for the weary) by castelia - Damon and Bonnie go on a road trip together after the prison word. I am a sucker for mutual pining, and this fic does it so well!

Fifty-Five Years by turningofflights - written from Elena's perspective, after she reads Bonnie's diary entries and learns how Bonnie and Damon fell in love. A bittersweet, believable love story for Bonnie and Damon.

Other Bonnie Bennett Ship Fics

The Edge of Night by Szajnie - a crossover between season 3 of the Originals and season 7 of the Vampire Diaries, where Bonnie goes to New Orleans. She's absolutely in her element here as the most powerful New Orleans witch, takes the supernatural world by storm, and everyone has a happier ending because of it (including her!). Absolutely love her friendships with Davina, Vincent, and Freya, and shout-out for being the only fic to make me care about Cami! Truly, this is great. The NOLA gang is the family Bonnie deserves, and the Bonnie/Klaus is so believable.

Kai Parket Screwed Us (Until Bonnie Bennett Screwed Him) by hysteriaww - exactly what it sounds like. Bonnie shows up to help Josie and Lizzie deal with the prison world and her and Kai's insane relationship weirds everyone out. Deals with the Gemini Coven in a really interesting way. Hilarious, and with mild Damon and Alaric bashing. BonKai.

Season One, Epsidoes One-Three by BorgiaBabe - a rewrite of the first three episodes of TVD with Bonnie as a proper main character. Her love interest is a softer Kai, and it's great! Bonnie really deserves better.

the night light hits off, turning kisses to bites by donutworry - an insane, dark, twisted Bonnie and Kai romance, where they're the only ones in the prison world from the start. I absolutely love the Gemini Coven lore in this fic.

Klaroline Fics

Make them bow by for_darkness_shows_the_stars - Klaus appears in season 1 of the vampire diaries. it's Klaroline, but still super gen, and all the characters get their own compelling arcs in it. Especially love the way Elena and Stefan are written.

One of A Kind, Two of a Kind, or the Three Musketeers by Phandancee74 - Caroline is an ancient nymph who was erased from memory by Malivore. She still helps the Mystic Falls gang out (and her relationship with Bonnie is great)! The Klaus/Caroline is angsty and lovely.

Calling on a Friend by Phandancee74 - 5 year old Josie gets Klaus's number. Shenanigans ensue. Short and cute as hell.

Sanctuary in their Hearts by thatsanotherlovestory - Caroline leaves before the season 8 wedding, and heads to New Orleans with Klaus. A fun story, but still so sad Bonnie didn't get her happy ending in it. The twins are so cute in this.

Let's do the Time Loop again! by kcatdino - on the night of the sacrifice, both Klaus and Caroline get stuck in a time loop. It's so funny to watch them get more and more deranged.

sweet present of the present by VintageLilac - it's Caroline, not Rebekah, who raises Hope while New Orleans is at war. I absolutely love Katherine in this fic, and though Hayley gets the short end of the stick it's written quite well.

The Wolf by Yokan - a witch version of Caroline is the one pregnant with Klaus's baby in the originals. And while season 1 doesn't change a lot because of it, the later one's definitely do! I love the Klaus and Caroline relationship, and Caroline & Elijah friendship.

Elena Gilbert-Centric Fic

The stars were brightly shining by adlyb - a fic where Elena is pregnant with Klaus's baby. It's so hard to describe! A little twisted, a little sweet, and a thorough depiction of Elena's mental state.

The Forgotten by MissNMikaelson - Elena time travels and gets dropped in the middle of Klaus and Kol's war in New Orleans, circa 1914. The flashback scenes in the fic are great! Eventual Kol/Elena.

blame it on the stardust by allwritenow - the fic that looks into if Elena's doppelganger nature affected her more. And a truly beautiful Caroline, Bonnie, and Elena friendship.

Off by a Single Degree by Tarroko - when Elena's phone dies, Damon walks her home and never compels away her memories, and her parents never die. This softer, sweeter Elena is so believable, and I love the way canon immediately shifts. Amazing development of her parents, Anna, and Enzo. Delena.

Katherine Pierce Centric Fic

afflictions eclipsed by glory by passionesque - in 1864, right after the fire in Mystic Falls, Elijah finds Katherine. They team up together against Klaus. This deals with Katherine's trauma and cunning so well! A slow build to Elijah/Katherine, involving him acknowledging his faults.

General Mystic Falls Gang Fics

in another life (i would let you go) by sarcastic_fina - Elena wakes up in a world where she isn't the doppelganger and no one knows her. An interesting deconstruction of the affects she's had on her friends.. Manages to be both Elena-bashing and sympathetic at the same time. Minor Steroline and Bamon.

Originals Family Feels

It All Comes Crumbling Down by AlwaysAkin - can I do a self-rec? I'm doing a self-rec. Hope is born a century earlier, and grows up in New Orleans with the Mikaelsons. I'm particularly proud of my Hope-Marcel bond and young!Hope voice in this one.

A Twist Through Time by fandom_lover_101 - Hope is sent back in time to the Vampire Diaries season 3. She messes everything up. Absolutely love the slow Hope & Klaus relationship built here, and her friendship with Elena is cute too. Minor Klaroline, Delena, and Handon.

Always & Tomorrow by Viretta - another tragically unfinished fic. Set after Hope jumps into Malivore in Legacies, it involves the dead Mikaelsons being resurrected, and the kids from the Salvatore School travelling to New Orleans (with a newly activated tribrid Hope). This is a Mikaelson family story in the bloodiest, best way. Has Handon and Klaroline in addition to the canon originals couples.

if no one in the entire world cared about you (did you really exist at all?) by nevermore_evermore - Elijah is erased from the minds of everyone he loves. Kol is (eventually) there to help him through it. An interesting take on Elijah's place in the family.

A Million Mistakes by mon-amour-eternel - a fic where Caroline is also an original, and her and Klaus are Marcel's parents. Sadly unfinished, especially considering the rarity of Marcel-centric fic!

But Stand Brave, Life-Liver by crownjrose - A Hayley-centric fic! Her foster parents come to New Orleans and see the way her life turned out. Interesting closure for Hayley, and a sweet Klaus/Hayley relationship.

Kolvina Fic

(finally) you and me are the lucky ones by yorkes - a long one-shot where Kol and Davina are soulmates. It's cute as hell! And Kol and Davina really grow into each other in this one.

The Vixen and the Fox by BlueBooThalassophile - be warned, this read is long as hell. But it's also great. Davina time travels to the Vampire Diaries season 4, gets involved in the fight against Silas, and everything goes sideways immediately. Love Davina's friendship with Hayley and bond with Marcel in this one. Every character in both shows appears in this one.

[mya-valentine]

Headcanon: Dottore with a S/O Who’s Also a High-Ranking Harbinger

Dottore values intellect and cunning above all else, so his S/O being a high-ranking Harbinger means they are not only powerful but also capable of matching his sharp mind. He enjoys having someone who can keep up with his complex experiments and plans, finding it refreshing to be around someone who challenges him intellectually.

Their relationship is anything but ordinary. Instead of sweet gestures and affection, their connection thrives on mutual ambition, shared goals, and a desire for power. They understand each other’s ruthlessness and drive, which makes them a formidable duo within the Fatui ranks. Their conversations are often more like strategic discussions, as they constantly plot and scheme, whether against their enemies or the political landscape of the Fatui.

Both being brilliant minds, their relationship often involves a lot of competition. If Dottore is working on a new experiment or theory, his S/O will eagerly throw themselves into the same project—either to assist or prove they can do it better. They push each other to the extremes of their capabilities, which leads to impressive (and sometimes destructive) results. Dottore might smirk and say, “You think you can surpass me? Prove it,” and his S/O would gladly accept the challenge.

In the Fatui, they’re seen as a power couple—cold, calculating, and feared by most. They work together efficiently, but neither lets the other get too comfortable in their position. There’s an unspoken understanding that their love doesn’t make them any less dangerous to each other’s ambitions. Both are aware that, in the ruthless world of the Fatui, love doesn’t shield them from betrayal, but instead makes their relationship even more fascinating.

Their banter is filled with dark humor and sarcastic remarks. Dottore’s S/O enjoys teasing him, often poking fun at his obsessions with his experiments or his clones. Dottore, while usually serious, finds himself loosening up around them, enjoying the rare moments where they can laugh at the absurdity of their work. Their humor often revolves around the chaos and destruction they cause, with Dottore’s S/O saying things like, “How many clones did you lose this time, love?” and Dottore smirking in response, “Only the weak ones.”

Dottore respects his S/O’s ruthlessness and ambition, much like his own. He admires how they can be as cold and unfeeling as him when dealing with enemies or even other Harbingers. They aren’t afraid to make hard decisions or sacrifice others to achieve their goals, and Dottore finds that quality immensely attractive. It’s one of the reasons he respects them as both a partner and a rival.

While they present themselves as calculating and merciless in public, behind closed doors, they share an understanding that goes beyond words. Their form of affection is more subtle—like sharing insights on experiments, leaving small hints that would benefit the other in their plans, or occasionally stealing a rare moment of quiet together in the midst of their chaotic lives. They don’t need grand gestures; their respect for each other’s minds and power is their way of showing love.

Dottore enjoys involving his S/O in his experiments, knowing they have the intellect to contribute to his projects. Sometimes, they conduct joint experiments, where they work together to push the limits of scientific discovery. Other times, they work separately but always keep an eye on each other’s progress, constantly learning from and improving upon what the other has done.

Despite their shared goals and similar ambitions, power struggles are inevitable. There are times when Dottore and his S/O clash, especially when their personal ambitions conflict. These moments often lead to intense arguments or even battles of wits, where neither backs down easily. Yet, their fights only seem to fuel their dynamic, as they respect the strength it takes to stand up to one another.

In a twisted way, their relationship thrives on the knowledge that either one could betray the other if it came down to their personal ambitions. This keeps them on their toes, as neither gets complacent, knowing that the other is as dangerous as they are. It’s this underlying tension that makes their bond unique—they trust each other precisely because they know what the other is capable of.

Dottore is always curious about his S/O’s approach to their Harbinger duties, and vice versa. They exchange knowledge not just to help one another, but also out of genuine fascination with how the other’s mind works. They might deconstruct battle strategies, analyze experiments, or critique each other’s methods with a mix of admiration and constructive rivalry.

Their love is not the romanticized version most would hope. It’s laced with danger, ambition, and even a bit of madness. They find beauty in chaos and power in destruction, often reveling in the havoc they wreak together. Their version of “romance” might involve watching an experiment succeed in the most catastrophic way or witnessing their plans unfold perfectly with devastating consequences for others.

While their relationship is built on mutual respect, intelligence, and ambition, there’s also an element of loyalty between them. They know that, as powerful as they are individually, they’re even more unstoppable as a team. This understanding makes their bond strong, as they know they can achieve far more together than apart. They would protect each other not out of love alone, but because they see the other as an essential part of their future power.

In the end, Dottore and his high-ranking Harbinger S/O are a dangerous, brilliant, and unpredictable pair—constantly challenging and complementing each other in equal measure, their love forged through power, intellect, and an unspoken understanding that in their world, respect is the ultimate form of affection.

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Masterlist

[lostintransist]

Sacrifice Doesn’t Hurt Less if They Don’t Love You

I can't decide if I want to write a whole fic for this chapter that spawned fully formed in my head but a mutual told me I could post it here.

Context. Soap and Ghost are lovers. They are both wanting to work through some issues and ask reader (female pronouns) to become their third for a time. Reader was unsure about joining a thruple, so they offer to pay her. Reader is a soldier and works with the 141.

CW: Mentions of onpage violence, can be read as suicidal ideation, self sacrifice.

Watching Soap and Ghost share a look of goodbyes with only their eyes cements for you the knowing, deeper than your bones, that no one will ever love you like they love each other. No room exists for you to shelter inside of their love. The pain is freeing somehow. Like every message pounded into your head about being unlovable was true.

The call of the void had abated for a time, since they paid you for your body. The urge to jump without pulling your shoot, to kink the hose to your oxygen lessened. It returned now. It didn’t call though, it sang. Staring into the horizon where blue became intangible you know that even if you listened to the haunting call if you go home today an ‘accident’ would befall you soon enough.

A hand on your thigh pulls you back from the discordant notes. You look from the hand to the face and see Price looking at you, concern in the crinkles around his eyes.

“You with us Everest?”

“Sorry Cap. Just mentally gearing up.”

He nodded, accepting the strange behavior and the explanation. He had used the shared channel everyone could listen in on over the headphones. Helicopters were not the place for private conversations.

Feeling Ghost’s eyes you turn. Looking at one eye and then the other you find nothing but the mask inside and out. The horizon draws your attention again as you listen to the symphony from within the void.

Price had organized groups of three before everyone piled into the helicopter. You had been assigned to Soap and Ghost. As the ghost ship came into sight you slipped into your operator role. Rearguard would be you duty. They trusted you to step backwards over the dodgy doorways and ensure no one attacked them from behind. A place of trust.

Everyone knew the mission. Locate and terminate the computer that would signal a series of bombs dotting major cities. It would be highly guarded and most likely booby trapped. Six teams split as they enter the darkness of the ship. It creaks with each bob of the waves and every step as if she is moments from careening into the depths to become a home for the deep dwelling fish.

Soap takes the lead, heading aft. None of you encounter resistance until six levels down. Movement from barely beyond your vision as you step down another set of ladders. You fire off two shots, a body falling into the light. Not one of yours. A hand on you shoulder is the warning you get before Ghost and Soap step over the body, heading deeper into the darkness.

Smaller stature is not often an advantage in your line of work. But tiny halls become your safe haven because you are not an overly large man.

Moving before your mind can process you are grappling for a knife that connected with your vest. A man had stepped from the deepest shadows and swung at you after the guys had stepped through the next porthole. He pulled back and swung downwards, aiming for your neck. Leaning back you caught only a nick from the blade along the crease where jaw meets neck. Because all wide swings must be returned by an equally wide swing you step in and jam both hands into his forearm.

The enemy fights his arm up, your upper body strength no match for his. Instead of fighting him in a losing battle you place one boot on the wall behind you, leveraging your best asset in the fight.

It impressed the men on the 141 that you could match or often beat them in dead lift squats. They did make fun of you for how low your numbers were on upper body though so it all came out in the wash.

The man brought his second arm up to support his knife wielding hand, the tip of the blade inching closer to your face. Forcing your second boot up the wall you press with all the power your foremothers blessed you with. The light bouncing around from your rifle shines off whites of the mans eyes as you shove the blade into his windpipe. He slumps as his life flees.

Gravity takes hold of you now that friction has abated and you slam to the ground with a grunt. Your knee took the bulk of the blow. Up on your feet you limp after your lovers. They must have circled back to find you since you find them only three rooms away.

“What happened Everest?” Ghost barks at you.

“Your job is to protect each other, my job is to protect you. I did my job.” You snap at him. He would want to take it from your hide if there was a later. On jobs he was your superior and sass could not be accepted.

Soap reached around him and lifted blood from your collar.

“We are here to protect you too Ev.”

The sweetest blade to your heart came from Soap’s tongue. Lies, because if they were here to protect you they would have noticed sooner that you were gone.

His finger hovers as you turn your head slightly away from his touch.

“We’ve got more ground to cover. Let’s go.” Voice harsh, you focus on limping forward.

Several more engagements occur, but the guys don’t leave your sight once. After clearing a particularly well guarded tiny red room you find what you have been looking for. Soap drops to a knee at the computer, typing away.

You and Ghost take up opposite positions staring down the hallways watching the darkness.

“Why didn’t you call for help?”

Ghost’s even tone hits like a lash across your back.

“Didn’t really have time with a blade at my throat.”

“Why are you mad at us?”

Even now the distinction between your place and theirs is hammered home in the phrasing of the question. Us denotes a you, an outsider.

“Now is not the time to unpack our relationship problems, Simon.”

“I’m getting no response from the computer and I don’t dare move it. This group really loves their bombs to trigger when people touch things.”

A head poking around the walls you to fire off a few rounds.

“I’m jammed, Soap replace me. I can work on disabling the computer.” You step into the small, red, red box trading places with Soap who steps into the hall, gun drawn on the shadows.

The instant his heel passes beyond the door frame you swing the heavy metal door shut, slamming the bar into place. Faraday cages are interesting things. They can be made by accident, or opportunity.

You couldn’t disable the computer you had fought so hard to get to the bowels of the ship, but you could stop it from sending a signal. As the bar clanged down, the bell tolling of your death, two irate faces appeared in the small window. Two men you love more than any reasonable person could understand stare at you, yell at you, beat at the door demanding entrance.

A beep from the computer tells you there is four minutes left until the signal is sent. Your lip trembles. Mouthing the words so carefully they can understand even beyond the slightly distorted glass you give your final goodbyes.

‘Love you.’

Blowing a shaky kiss to their horrified faces you slide the cover in place, sealing your tomb.

The void’s lilting tune is sweet in your ears. The pounding on the door stops. No sounds squawk from the radio in your ear, your play worked. They would be safe. They didn’t need you anyways, a matched pair didn’t need a third.

With nothing left to do but breathe in the last of your oxygen you decided to strip down to your uniform. Emptying every weapon on you of its rounds you place them gently on the floor a fair distance from the door. No need for them to get stepped on when someone can finally reach your body. Next goes the holsters and the heavy tactical gear.

It’s getting harder to breath now, your lungs heaving for a breath more. You sound like a baby you once saw with RSV. You place a hand to your ribs, finding the flesh pulling between the bones with each breath. Laying down seems the best option now. Your mind feels pulled, stretched. Taffy for brains. Stretching out you get comfortable. With your eyes fluttering you can almost imagine yourself on a cot somewhere in the tropics.

Distantly a beeping starts, the thirty second countdown. One long beep reaches through the fog of oxygen deprivation, you strain your ears. Even in the bowels of the ocean you would have heard something, shouting, if you had failed. When none occur you sigh and surrender to the darkness.

You might not have been important to them. They might have never loved you. But god dammit you were going to be remembered.

I also write COD over on AO3, same handle.

Masterlist

[utilitycaster]

Do you think this new option could lead to a break up in the party and some of the characters leaving the group? Because I can't see everyone agreeing that this is the best solution, but I also think Ashton is stubborn enough to refuse to consider anything else

This is going to be a very long answer for what is a pretty short question that could be answered in one sentence, and here's why.

I've gotten a lot of questions in the past week or so that are specifically asking me what I think the future will be - for campaign 3, and for Critical Role generally. And I've gotten a little frustrated by them, which is somewhat uncharacteristic of me because I love having opinions, but the fact is, I don't know and I don't even have strong opinions. So I dug into that, and why people might be asking these things more than usual, and I really think it's because the narrative of this campaign is so constantly under threat of derailment or going in the same old circles that pretty much anyone in the fandom with any sense of narrative structure, and what makes for a well-crafted story is like "so...what's happening." Which is translating as coming to me, a person who is very good at sounding confident and knowledgeable.

I do not fucking know. I share this frustration, and I cannot be the person to clear it up. i am not even the best at narrative or analysis in this fandom; as I pretty frequently state I took the hard STEM option with regards to my education so while I read a lot and have a pretty good sense for the lay person, there are actual like, trained and published writers. For what it's worth several of them are my mutuals and while I'm not putting the rest of this post on them I do feel safe saying they agree that the lack of narrative direction is at the heart of most people's frustrations with this campaign, even if they enjoy the characters. But getting back to the point, I do not know.

Here's where I stand on the actual plot before I go back to the bigger picture. I think that unless Bells Hells decide on their course of action pretty quickly, no ending will really feel satisfying due to that sense of directionlessness - and there are arguments for Bells Hells to take either the Arch Heart or the Accord's plan, though I think the Accord's is far superior, but they need to pick one.

Because of the ongoing issues with this party lacking perspectives that tied in well to this story and having to hinge everything on either one singular interpretation of one single instance in extraordinary circumstances (eg: Dorian), or stuff that feels, as I've said before, retconned, I have generally been extremely amenable to Bells Hells losing party members either through a split or through character deaths. This is not out of any sort of vindictiveness or dislike of characters, but just a hope that now that they know the vibe, the cast will make a character who has a perspective that is relevant to the story (which, FCG is not an ideal example because they happened to be the character who had perhaps best grown from their original concept to fit into the themes of this campaign, but Braius obviously is a very strong character informed by the story as well). I also think that a lot of the indecisiveness is part of the characters' various natures and that will also be a factor, especially since a new character can be both decisive, have a clear point of view, and be a lot more comfortable pissing off the rest of the party to assert it. So: if Bells Hells as they currently stand can decide what to do quickly, no need to break up! But if they can't, yeah, it would be to their and the story's benefit to do so. That's before we get into, for example, the sacrifice required from specifically Imogen or Fearne for the Arch Heart's plan; Ashton is not the one who has to risk their own autonomy for the rest of eternity. They might die in battle, but they will not become a husk housing an ancient hunger. I think the people who might have to do so get to decide.

Now: it may seem counterintuitive to demand a clear direction from a TTRPG, when part of the appeal is that we don't know how it will end, but the thing is, with the past campaigns, we did not know if the party would succeed but we knew that they wanted to do. Vox Machina could have fallen to Vecna but we always knew they were going to fight Vecna. The Mighty Nein's decisions not to get involved with the war are not indecision but rather a very clear decision (do not get involved). Their later reversal of that decision similarly follows from who they are and the richness of their pasts.

Bells Hells does not have that, and the endless circular conversations are both circular in game and a vicious cycle out of it; because we've always been focused on this plot from very early on and because the characters were not developed as strongly, we have a lot of very indecisive people who are too trapped in this crisis to develop and become decisive. In a way, it feels like Matt's been something like the Arch Heart here: saying "oh, THIS would be interesting, I wonder what will happen" at everything when it's like "ok but consequences are like, important, and maybe you should let things play out. I mean, two cycles isn't great but it is still only two; maybe you should actually let your children/players figure this out, even if it doesn't fit your idea of what should happen, instead of throwing yet another new thing at them."

So: I don't know and I don't have answers about Campaign 3 events at this point because, again, as someone who has a pretty good sense of what makes for a satisfying narrative, it has frequently subverted those requirements (which, to be clear, is bad - it's not genre subversion or a masterful play on expectations, it's subverting actual satisfying narrative beats; as someone said on one of my other posts in not quite so many words, it's like storyline-baiting). I know I tend to present my points with confidence, and I am pretty confident about a lot of things like CR lore and said sense of narrative, but like...maybe this guess on the fandom vibe is incorrect, but I think I'm getting these questions because people are saying "hey, do you know where we're going? I think I am reading this map wrong" to me and I'm here to say "no, you're reading it fine, we've gone off the road and are just kinda crashing through underbrush, and maybe we'll hit another road and continue on that and I can give some insight, but also we might go off a cliff, no way to tell."

[shadowgast-recs-weekly]

This week, we have eleven fics that feature Caleb, Essek, and at least one other person involved! Look behind the cut for some Shadowidomauk, some Blumenshadow, some Fjord/Essek/Caleb and more!

amongst the things left unforgiven by nonwal (63958, Mature) Reccer's Content Notes: No Content Notes

“In which a pair of scourgers shows up at Essek’s doorstep and saves him from himself.“ Slow-burn blumenshadow featuring heavy mistrust, mind games that aren’t mind games, and Caleb mostly in the background thinking he doesn’t deserve to be loved.

Reccer says: One of my all time faves. Nonwal’s gorgeous prose and characterization of these 4 is always top notch, but the dialogue?! The spy vs. spy mind games? The poetic descriptions of longing and grief? The visceral feeling of constant low-level panic punctuated by a full panic attack and maybe developing a crush on your current crush’s evil exes? The DIALOGUE (again)?!?! Absolutely stunning. Side note: chapter 4 features the best Jester dialogue I have ever read. The tag “openly declaring your mutual distrust can be a love language if you do it right” says so much and I love it.

Happily Ever Laughter by Settiai (1288, Teen) Reccer's Content Notes: Veth’s alcoholism is brought up a few times but isn’t the focus.

Adorable Essek/Caleb/Veth/Yeza slice of life fic. Polyamory is not nearly as difficult as trying to teach a hyperactive 6 year old magic can be.

Reccer says: Incredibly sweet little domestic fic. The rapport between them is so soft and gentle and well-worn like the most comfortable pair of old house slippers. The moments where Yeza and Caleb glance at each other and manage to communicate in absolute silence (in that pseudo-telepathic way that some real parenting couples often do) are just so perfect, and Veth still finding Essek somewhat aggravating even while she loves him is :chefskiss: delightful.

Three’s Company by flammablehat (2074, Explicit) Reccer's Content Notes: No Content Notes

Caleb, Essek, and Fjord have a threesome, and Essek is maybe more than a little jealous about it.

Reccer says: Possessek is always a favorite! Fjord is fjeisty, and Caleb is having the time of his life. It’s both hot and tense.

altogether, infinite possibilities by ivelostmyspectacles (199305, Explicit) Reccer's Content Notes: No Content Notes

Essek has barely begun to cement his place in Caleb’s life when they bring Mollymauk Tealeaf back from the dead. Slowly, the three of them adapt together.

Reccer says: First part of a series! This was my entry point into Shadowgast!

in the pieces of what's left or what we've found by SeaWitchDreams (14620, Teen) Reccer's Content Notes: No Content Notes

Astrid takes some time to figure out how she wants to rebuild her life (and who she wants to rebuild it with.)

Reccer says: a wonderfully subtle and contemplative character study, featuring four wizards carefully dancing around each other

the sea, the stars, the dreamers by nonwal (111996, Explicit) Reccer's Content Notes: suicidal ideation

Essek sacrifices his budding relationship with Caleb to marry Archmage Astrid Beck - for the good of the entire galaxy. But whatever Astrid's reason for marrying him is, is not nearly as noble.

Reccer says: This fic takes an unusual premise (Blumenshadow arranged marriage spaceship murder mystery with sea shanties?) and *commits* to it. Still incomplete, but if you've liked this author's other works, you won't regret taking a chance on this one.

(Oh,) How a Human Burns by witches_chant (18318, Explicit) Reccer's Content Notes: No Content Notes

This is a story about Essek trying to prepare for eventual loss, depending on if Caleb wants to use the Clone spell or not. But it’s also a story about a lazy, sexy vacation on Rumblecusp where the couple stumble upon a service top and learn things about their relationship (with a happy ending!).

Reccer says: It’s both hot as hell AND feelsy! It’s a really interesting take on Caleb & Essek’s relationship. Honestly I recommend the entire series.

Victim of Convenience by se1ze (54243, Explicit) Reccer's Content Notes: No Content Notes

Essek and Caleb are together, Essek and Kingsley get together, and Kingsley is losing his mind because Caleb can’t get his shit together. An exploration of the very complicated feelings that crop up when a) no one seems to understand who you are, and b) someone you love thinks they need to stay gone for your own good.

Reccer says: The dialogue is fantastic, the sex is wonderful, and the hurt/comfort is amazing. It establishes the foundation upon which Essek/Kingsley can be a thing in a way that is both endearing and completely believable. Caleb is oblivious to how much Kingsley loves him, and once again hurts those around him by throwing himself on his sword.

(nothing in my bones can say) just where you’ve been by SaltCore (8216, Explicit) Reccer's Content Notes: No Content Notes

It takes more time than Caleb realized to get home from the Hellcatch Valley, and in his absence, Essek’s tentative alliance with Astrid and Eadwulf has grown to something more.

Reccer says: Soft and complicated and briefly heartbreaking. The way it manages to feel like an outsider POV reinforces the sense of missing time, of having missed a massive change, and the softness and warmth of everyone’s love for each other is palpable throughout even in the most tense and anxious of moments.

i'll meet judgement by the hounds by necromanticomedy (yelenavasilyevna) (6553, Explicit) Reccer's Content Notes: Dubcon/Consensual Non Consent, knifeplay

Astrid and Eadwulf come to a dinner party to meet Essek Thelyss. Things either go very poorly or very well, depending on your definitions.

Reccer says: the author called it a "insane psychosexual foursome" but neglected to mention that it's the best insane psychosexual foursome you'll ever read

To The Bone by thetickingclock (2919, Teen) Reccer's Content Notes: No Content Notes

Snapshots of Astrid and Eadwulf's opinion of Essek changing over time (and proximity to Caleb Widogast.)

Reccer says: Hits all my favorite notes when it comes to Blumenshadow, and there's an astounding amount of characterization and relationship development packed into less than 3k words.

Aeor is for Lovers is an 18+ Shadowgast Discord server. The above fanfic recommendations were pulled from our community for this weekly event. All fics, unless otherwise specified, will primarily feature Shadowgast. Have any questions about what this is? Check out the FAQ! Next week, we’ll be back with Lifespan Angst!

[izzyspussy]

i also think it's kinda neat that (imo) ian and mickey's starting points, development, and character trajectories are pretty well fitted or idk yeah-seems-about-right-ish to their ordinal positions and relative ages.

in the beginning and through most of their development until their mutual Turning Point, ian is generally more quote unquote "grown up" than mickey even though he's younger (not significantly younger, but still). it makes sense not just because ian has a more supportive and provided for environment where he's had the room and relative comfort to grow as much as he has, but also because he's the third oldest sibling of *counting on my fingers* six with functionally no parents (with frank as a periodic liability). he hasn't had to take on as much responsibility as fiona or lip, but he has had noteworthy experience in maturity.

as opposed to mickey who not only does not have a supportive environment or consistently met basic needs and has additional stressors other than neglect/poverty to deal with, but is also the second youngest of *counting on my fingers much slower this time* also six(?) with functionally no parents (with terry as a periodic threat). he has unreasonably high expectations on him, but without any of the reliance and deferment ian gets from his younger siblings or the approval and gratitude he gets from his older siblings. and mickey's in the (pretty typical abused kid) paradox of being forced to handle adult levels of danger via the family business(es) but being so stripped of autonomy that he can't develop any corresponding maturity.

for a while ian continues to mature at a relatively steady pace while mickey lags well behind. he starts implementing plans to achieve his dreams of his own accord, putting in work and making sacrifices to follow through on them, starts wanting more adult relationships (compare his rejection of intimacy as opposed to convenient, meaningless sex from kash and his initial boyish twitterpation with mickey in season one to wanting more and more intimacy and commitment from mickey in two and three).

then, finally, mickey starts to catch up. he gets and keeps a job and follows the other terms of his parole (until he has a crisis), he accepts more intimacy from ian little by little, begins initiating communication (albeit not very good or clear communication), also starts making active decisions about how he wants his life to be (even if his goals are much shorter term than ian's at that point) and earnest attempts to see them through, takes more of a leadership role with his brothers and offers mandy non-violent support, and at long last is the one to take his relationship with ian to their current next level.

then of course they get all fucked up and derailed by a hugely traumatic event and ian undergoing his own additional crisis in the aftermath (the - slightly early, likely triggered - onset of his bipolar disorder + first experience of acute mania). a lot gets undone by this for both of them.

ian is either still manic or manic again when he gets back in season four, and obviously also still traumatized that doesn't just go away, so there's a lot about his thought process, behavior, and priorities that are simplistic or unrealistic in ways that can look a lot like childish self-centeredness or naivety, but still reflect the desire for adult relationships and independence that he showed in season three if you pick at his brain a bit and pay attention to the quieter moments.

meanwhile, mickey has continued to grow in ian's absence. he's a husband and a father now (if not particularly active in these roles yet), he's managing the household finances, he at least attempts to form and stand on his own concept of right and wrong, he has people relying on him, he starts and maintains a professional partnership and potential friendship, and just generally starts accepting responsibility and making long-term choices.

and then toward the end of season four, mickey's maturity starts to overtake ian's.

probably in part as a symptom of mania, but just as or possibly even more due to his age, ian continues to only partially conceive of future consequences and/or to not fully take seriously consequences that could never happen to him directly. he's selfish and hypocritical in his relationships and thinks of his own perspective as the only valid and/or the most important one, eventually pressuring mickey into doing something very dangerous to retain their relationship and then seeming to only realize the gravity of the situation when mickey unexpectedly actually does it.

versus mickey still having "dumb" teenagery behaviors like skipping out on his homelife to spend time with his boyfriend and prioritizing that relationship enough to comply with vindictively unfair ultimatums, but overall trying his best to build real intimacy between them, giving (relatively) clear explanations of what he's thinking/why he's doing things/what he wants/how he feels, offering to take on responsibilities in the effort of integrating himself into the household as more than a guest, making conscious and strategic choices to balance having a relationship with ian and remaining closeted enough to be safe (as opposed to being in denial or trying to avoid commitment to ian altogether), etc.

then Guess What We've Been Doing Daddy happens, and the last thing other than his actual age that is holding mickey back from growing up is cleared (disclaimer: this is specific to mickey, not meant to be representative of or applicable to other people who are closeted). he's secure in himself, secure in his relationship, has no (non-systemic) constraints on his autonomy, is making his own money (for a relative value of "making" and "own" lmfao), has an earned leadership role, not only is accepting responsibility but gives every indication of wanting more responsibility, and is thinking not only about the future but the far future. the rest-of-his-life type of future.

i honestly discount most of season five and i didn't even bother with anything after, but what i saw of that has ian in the same kind of going forward just enough to not be standing still type of growth that mickey had at first (at a much further along "starting" point) and mickey in the same consistent, notable progress that ian had.

i just think it's neat and i think it's really typical of people with similar order/age arrangement. a younger senior sibling is more mature earlier than an older junior sibling, but eventually the older junior will catch up and overtake the younger senior. i realize this "meta" is mostly just restating the text. we don't need to talk about that part.

[nobodysdaydreams]

And… even MORE Hatchetverse Theory on the history between Webby and her brothers

Based on my earlier poll about the potential history between Webby and her brothers. I'll go through each option and discuss the merits of each theory as well as they ways they could be combined.

The rest of my posts are under "#hatchetverse theory". Read below for an unhinged rant.

Before I dive into the possibilities for what history could exist between the brothers and Webby, I first want to review what little we know about their relationship and why I focus so much on Webby and Wiggly's relationships specifically as opposed to Webby and the other LIB:

We don't know their birth order, but based on the fact Wiggly acts as the leader of the LIB with little resistance from his brothers and Webby's verse in "the web I spin for you" where she talks about her brothers teaching her, currently the most common head canon seems to be that Wiggly is the oldest and Webby is the youngest (I also head canon that the reason Wiggly uses "baby talk" is because that's how he talked to his newborn siblings, and he never grew out of it because he enjoys infantilizing anyone and everyone).

The LIB all seem to want humanity to suffer for different reasons, but out of all of them, Wiggly seems to have the most interesting motivation. Blinky and Nibbly's motivations seems to be the most straightforward: Blinky likes to watch people suffer; Nibbly is hungry. Pokey just wants to put on a one man show and get rid of everyone else that's not him (he's basically an insane version of Hidgens with absolute power), and Tinky just seems to like messing around with time and specifically has it in for the Spankoffskis, but it's unclear exactly why. Wiggly however doesn't just seem to enjoy suffering and chaos just for the sake of his own pleasure. He has Wilbur give a whole speech in Black Friday about capitalism and consumer culture, and none of the other LIB have seemed interested in monologuing about the sins of humanity thus far. Granted, I still have to catch up on Nightmare Time (I know, I'm awful), but I didn't read anything about Nibbly bothering to give a speech about gluttony right before he eats someone.

Additionally, Wiggly is also the one who demands the the teens in NPMD give up what they love the most. Nibbly just wants a snack. The LIB's song also says "Nibbly wants his sacrifice and Wiggly wants his wrath". Wrath? Revenge? Revenge for what? And why just Wiggly, why not all the LIB? It really sounds like Wiggly is the one who is primarily trying to gain something here. Wiggly's brothers seem to be following him because they get what they want, but Wiggly seems to be the driving force here.

Now the question becomes: what does Wiggly want revenge for, and why? Well, several people have pointed out that despite Webby being called a "queen", the LIB are called "lords" (though Wiggly insists on wearing a plastic child's dress up crown to make himself look like a king). There's also a line in the summoning where the LIB sing "we dance around the pentagram and take all out kingdoms back". It's possible Webby took their kingdoms from them, or that they betrayed her to take power if they believed the way she was running things wasn't to their liking, but again, this is unclear.

What does seem more clear is that Wiggly does have a personal grudge against Webby and that the feeling is mutual. He calls her a "stupid b*tch" in Black Friday, whereas Pokey in Nightmare Time only calls her his sister, and I don't think any of the other LIB had demonstrated that level of hatred towards her yet. During the song "The Web I Spin for You", it is clear by the dolls shown in the shots that Webby is singing about her brothers, but the camera focuses in on Wiggly last and holds on him the longest.

So then the question becomes: what happened between Wiggly and Webby? Who betrayed who? Did they both betray each other? What seems the most likely based on what little we know so far?

Let's dive into those poll options.

The first option on the poll was that the Lords in Black used to be good, but turned evil. I was surprised at how few votes this option got given some of the evidence presented in NPMD and "The Web I Spin for You" song that Webby sings in Nightmare Time. I'll spend some time reviewing the evidence for this, since it seems to be the least popular option and some of the evidence for this option could also apply to the others.

There are lines in the song that imply the LIB used to care about Webby, to some degree. It's unclear whether this means they were actually "good guys", but it seems like they either cared about Webby or Webby at least believed they cared about her at some point, most notably when she sings: "You used to keep me at your side, have you given it up?" and "Weren’t you the one to watch my back, unlike the witches you summon?" (which could be referring to Willabella Muckwab, the first witch of Hatchetfield who seems to have started this whole mess).

Webby seems frustrated with her brothers, but doesn't seem to hate them, at least not as viscerally as Wiggly hates her (again, he's the one who seems the most angry at her).

But it doesn't stop there. There's a few other lines in "The Web I Spin For You" that are even more concerning:

The lines I'm referring to are: "Why do you haunt me like a ghost? You’re supposed to love me the most." And "Got me in the spell you cast. The iris of your eye is black. You have a tendency to stab my back. Just like the witches you summon."

The backstabbing line implies that they betrayed her, not the other way around. But the lines chosen to convey this are particularly concerning when you consider two things: 1) the plot to NPMD and 2) the pictures of the black book and the black blade I found on the Starkid Wiki page (posted below).

There seem to be numbers marking the positioning of the knife, numbers which appear on other pages from the book on the Starkid Wiki page, but you can look at that yourself. Now, what IS interesting here is the picture. Five people in black robes, one holding a knife, his point taller than the rest like the book illustrates, and the knife is positioned in such a way that it could quite literally stab the woman in white in the back, just like Webby's song says.

Other interesting notes about the picture are that the hair of the woman is red (could still be Webby, maybe her hair changed color, or Miss. Holloway, more on her later), and it's possible the woman is wearing the baseball cap Hannah wore in Black Friday (or it could be a fold of the guy's robe, it's hard to see in the photo).

But back to my main point: why would the other LIB be stabbing Webby in the back, or as the song says "have her in the spell they cast?"

Well, I see two reasons. One is more visual, the other much darker.

The first is that the LIB sing about "dancing around a pentagram". In the black book picture, Webby, or whoever the woman in white is, seems to be placed in the middle of the pentagram.

So that's the visual reason: Webby is in the middle of the "Spells they cast" because that's physically where she's located.

Now for the darker reason, one some of you have probably already guessed, because I referred the Summoning in NPMD. You know, the part where Wiggly demands they kids give up the thing they love most for power?

Well. Remember the "Why do you haunt me like a ghost? You’re supposed to love me the most." line from the web I spin for you?

It's possible that if Webby was at one point what the LIB loved most, they could have sacrificed her to gain some sort of power.

It could also explain why Wiggly hates her so much. Maybe he also hates himself. Or hates Webby for making him feel like he had to do that. Or at least try to do that, still unclear if he attempted this, or what succeeding would even mean since Webby and the LIB seem to be immortal.

Now the evidence against this theory seems to be the fact that if Wiggly was really the one to sacrifice (or attempt to sacrifice) Webby (for the sake of, apparently, summoning witches for unknown reasons), why would he act like he's the one who needs revenge and be so angry at Webby when he betrayed her? Well, it's possible that he believes she betrayed him first, or that betraying her corrupted the LIB, similar to what happened to Grace in NPMD (but more on that in another post).

Now for the second option: that Webby used to be evil. The evidence for this is fairly straightforward, which is probably why it's the most popular poll option:

Wiggly wants revenge and hates Webby, her betraying her brothers and turning good lines up with this

The LIB have never acted benevolently or shown any genuine concern for others, whereas Webby has done semi-morally questionable things (she kills the witch Willabella Muckwab in nightmare time because she tried to hurt Hannah, but Willabella Muckwab was a bad guy who'd been dead for centuries so make of that what you will)

Webby sings about the LIB teaching her, but her becoming disillusioned and turning against them, her developing a love for humanity also lines up with this

It's still possible that the LIB attempted to sacrifice Webby as discussed above, her turning good was possibly the catalyst for this course of action

The main source of evidence against this theory is we don't know what would have caused Webby to turn good. She seems to care about children (more on that later) and not like what her brothers do with the witches they create (and then there's the mess of how Miss. Holloway fits into all this), but beyond that, it's unclear, but still one of the most plausible theories in my opinion and the fandom seems to agree with me on this one.

The next two poll options: Webby and the LIB were always on their respective sides of the Black and White, but used to be closer, or they selected opposite sides of the Black and White and that drove them apart.

Both of these seem to line up with the evidence presented thus far. The first option would explain why Wiggly and Webby feel betrayed by each other without having to change much about their characters. The second option makes sense in that it explains their conflict.

The main way these two options differ is whether Webby and the LIB were "always this way" or whether they ever had a choice. Both seem compelling, especially when you consider Wiggly's (via Wilbur) whole humanity hating Black Friday speech and Webby's care for Hannah and complicated feelings towards her brothers. If the siblings were always like this, is their room for them to change? If they chose the sides they did, why did they do so and can they change back?

The last two poll options (not counting the "other"): The sides of the Black and White Webby and her brothers are one were chosen for them or that this is somehow their parent's fault.

I put these two together because the issues with the "sides of the Black and White" being chosen for them option is: who is doing the choosing? The mostly likely possibility for this seems to be their parent (maybe parents?)

The LIB call themselves the "spawn of the Black and White", so for now let's call their parents "the Black and White". They seem to have parents, at least according to the Starkid wikipages, which state that "The Lords in Black were spawned from the same deed of evil. Their father was a giant chaos entity," and the credit of this comes from an interview with the characters' creator. I personally don't know how to verify this, so let's say it's true. What was this "deed of evil?" How is Webby their sister, was she spawn from this too? Will we ever meet their parents?

Overall, I'd say these options are possible, but given that we don't know much about their parents or the nature of the Black and White, it's hard to draw a solid conclusion.

Finally, some other unknowns about Webby and her brothers that I find interesting:

The "Starry Children" Stuff and Webby and the LIB's relationship with Children:

The LIB's followers call themselves the Church of the Starry Children, and as I pointed out before, the symbol of the LIB seems to be a star, with the LIB in the triangles and Webby in the middle, at least according to the illustrations. What's unclear is who the starry children are. Is this the name of the followers of the LIB OR is it Webby and the LIB themselves? The show might have already said this at some point and I missed it, but Webby and her brother often act very childish and playful (although often in ominous ways). This plus the fact that they apparently have parents could point to them being literal children.

Wiggly and Webby seem to have opposite relationships with children. Wiggly's Black Friday spell doesn't work on kids. Willabella Muckwab is said to have written the black book with the blood of innocents kids (again, based on the wiki page). Webby on the other hand seems to have a closer relationship with children (most clearly shown in her relationship with Hannah). You can argue that Wiggly does interact with children in NPMD, but they're technically teenagers, and as Grace says repeatedly throughout the show "they're only 18."

The Relationship Webby and the LIB have with Witches:

"The Web I Spin for You" implies Webby's brothers keep summoning witches that try to hurt her and "The Witch in the Web" implies that Webby keeps "spinning webs" to capture and stop these witches from hurting others. This lines up with everything we know about Willabella and most of the other witches and followers of the LIB.

Where this pattern seems to break is Wilbur Cross and Miss. Holloway. How is Miss. Holloway able to use the black book without being in debt to the LIB? Does she serve Webby like Wilbur serves Wiggly? Miss. Holloway also seems to care about children, again contrasting to the way Wilbur tries to hurt them. Does that mean anything? Why isn't Wilbur caught in Webby's trap like the others, and why does he keep coming back? Why do the LIB need Wilbur anyway? Why were Miss. Holloway and Wilbur chosen for these roles? Is it because Miss. Holloway encountered the White of the Black and White similar to how Wilbur encountered the Black? Or is it because the LIB and Webby just really liked their southern accents and were going for the "southern small town preacher" vibe?

I hope you like this rant. Thank you Starkid fandom!

[stellar-skyy]

INTERSTELLAR TEASHOP — 200 followers event.

“welcome, customer! please, take a seat. our menu is right here; feel free to order when you are ready!”

in a quiet corner of the sky, there is a teashop is tucked in between the stars. as you enter, the bell makes a quiet chime in sync with the cheerful employee's greeting, while a light jazz plays in the background. the employee gestures towards a board displaying a list of drinks. it hangs over the counter, above where a row of completed orders await collection. (masterlist.)

there are only a few others inside the shop, all huddled in comfortable-looking armchairs with drinks clutched in their hands. through the window, an array of stars cast a cool glow over each visitor. the place is quiet and cozy, and smells strongly of tea.

it's about time to order, don't you think? (20/20 slots filled!)

EDIT: requests are closed.

“oh, are you ready? let me grab my notepad!”

☆ — so, who was this order for? (character)

orders are welcome for the following characters! please note that the names that are bolded are allowed iced tea (a.k.a. platonic requests) only.

GENSHIN: Alhaitham, Arataki Itto, Arlecchino, Bennett, Chiori, Collei, Columbina, Cyno, Faruzan, Fischl, Freminet, Furina, Hu Tao, Kaveh, Kaedehara Kazuha, Kujou Sara, Layla, Lynette, Lyney, Nilou, Qiqi, Sangonomiya Kokomi, Shikanoin Heizou, Tartaglia, Tighnari, Venti, Wanderer/Scaramouche, Xingqiu, Yoimiya, Zhongli HONKAI STAR RAIL: Arlan, Asta, Aventurine, Blade, Clara, Dan Heng (including Imbibitor Lunae), Herta, Himeko, Kafka, March 7th, Natasha, Sampo, Silver Wolf, Tingyun, Welt, Yanqing.

☆ — oh and before i forget, did you want your drink hot or cold? (genre)

hot tea — romantic; iced tea — platonic.

☆ — alright, now that is out of the way... what tea would you like? (prompt)

EARL GREY TEA — losing the one you love the most; watching them slip right through your fingers. BLACK TEA — sacrifice; they were always willing to give their life for yours, but they weren't prepared for you to trade your life for theirs. CHAI — a quiet moment of bliss with someone you love. WHITE TEA — a dance, shared between the two of you. ENGLISH BREAKFAST TEA — a letter, from someone special. (please specify your relationship with the character!) CINNAMON TEA (note: this tea is served hot only!) — agreeing to 'date' each other for mutual benefit gets tricky when one begins to develop actual feelings. PEPPERMINT TEA (note: this tea is served hot only!) — jealousy, burning in their chest as they watch you grow closer to someone who isn't them. MATCHA TEA — an injury, that is carefully cared for by them. LEMONGRASS TEA — they see you're struggling, and they're there to relieve the burden from your shoulders. OOLONG TEA — a chance meeting, that promises a delightful future for the both of you. CHAMOMILE TEA — you may be sick, but they are there to care for you throughout. LAVENDER TEA (note: this tea is served iced only!) — familial ties weren't enough to stop you from growing apart, and now you don't know if the damage can ever be repaired. HIBISCUS TEA — reassurance, from one that knows no matter what hardships you face, you will get through it. ORANGE BLOSSOM TEA (note: this tea is served hot only!) — a proposal, wherein two hearts join as one. (please specify who is proposing!) LEMON & GINGER TEA (note: this tea is served iced only!) — no matter what you go through, you are family, and they will always be there for you. HONEY & VANILLA TEA — sometimes, one just wants to feel loved. and they will hold you close until you never doubt it. STRAWBERRY & RASPBERRY TEA — baking is always better when it's with the ones you love. POMEGRANATE TEA — (royalty au!) wherein you and them are both nobility. BLACKCURRENT TEA — (hanahaki au!) you adore them, but you know they don't feel the same. and it is killing you. MANGO TEA — you have been friends since childhood; you loved each other then, and you love each other now.

☆ — if there are any more details you would like to include, please leave them in your order and i will try to add them! if you are confused, here are some example orders:

— could i order an iced chamomile tea for tighnari? — i would like a peppermint tea for aventurine. if you could, please add some extra angst as well. — can i get a english breakfast tea for kazuha, served hot? and our relationship is lovers, of course.

☆ — have you decided already? wow, that was fast!

“before i wrap up your order, there are a few things to note...”

⤷ there isn't a limit of orders per person, but please wait until i have finished your current order before sending in another!

⤷ one character and one prompt in each order please!

⤷ remember i am a full time student! i do want to get to everyone, but if i get a lot of orders, there may be a delay.

⤷ edit: requests are closed!

“excellent! i will let you know as soon as your drink is ready~”

[fernlessbastard]

ok so as a tntduoer i aggressively defend ctntduo to haters that rhey absolutely could have a healthy relationship and i dont need to explain y to U ofc but i also acknowledge that they were bad for each other in canon and it would take a lot of time for things to work

basically imo i see that quackity would be the "vampire" in the duo for sucking the relationship dry initially. quackity had the worst most bloodsucking relationship with schlatt and then felt like karlnap didn't care and think and remember abt him enough.

with his rivalry with wilbur he'd absolutely lash out at any chemistry and infatuation they have initially, bc he'd want any new attempt at a relationship (especially with wilbur) to have the other person prove themselves worthy by being willing to sacrifice everything for cq like quackity had in his past relationships (see: cquackity proposing wilbur becomes his vice president, a mirror to his relationship with schlatt) he'd repeat patterns by schlatt repeatedly convincing himself that it's a defense bc wilbur was a man of power like schlatt too- who rlly did spit at the mere suggestion of being a vice president- i know it's canon that he's a mimicry of all those who have harmed him n the server in the past but god is the reflection with his relationship with wilbur neat.

oh there's definitely lots of parallels between tnt duo and Q's past relationship

both these bitches need constant reassurance ngl they're very mentally ill - Q would definitely push Wilbur to see if he actually cares about him (not just his ass/hj), but also Wilbur definitely would "act out" and be insufferable as a desperate, silent cry for reassurance that he is in fact loved and he isn't too much

idk i think there's a case to be made for either of them initially being a "vampire" in the relationship, so I'd say it's probably mutual, fluctuating depending on the day or hour

THAT BEING SAID they have a type of relationship where they definitely would stick together despite all that - they're like, literally obsessed with each other, and they're the closest to a safe space for one another - and i do think they'd just almost accidentally end up developing a pretty healthy (if you ignore codependency lmao) relationship over time purely cause they just cling to each other and actually care

[seventhdoctor]

A Trapezoid of Foils: Judai/Yubel and Amon/Echo

I'm back on my bullshit, and my bullshit is yelling about the trashfire that is Judai Yuki and Yubel. This post is a collection of thoughts on how Amon and Echo were clearly meant to reflect Judai and Yubel in some way or other, and how it feels like it should be neater than it is. The parallels are there, but it's not fully symmetrical and some of the angles are kind of weird...so yeah, kind of like a (non-isosceles) trapezoid!

(Geometry Tumblr do not @ me, I'm doing my best with this metaphor)

Spoilers for GX season 3, naturally. I haven't said it before, but for this post as well as previous ones I'm basing all information and characterization on the sub version of GX rather than the dub (which drastically changes Yubel's backstory and motives).

Yubel and Amon

This is the most obvious one, because Yubel spends two whole episodes and honestly some of their most iconic monologues trying to tear Amon down after building him up the whole season.

They're both antagonists willing to cause harm to the one they love for their goals. For Amon, that goal is the power to build a utopia. For Yubel, the harm is the goal - or at least, the metric by which they will have achieved their goal (showing their love for Judai).

Yubel, of course, claims that Amon is more selfish in his use of harm. Pain is love in their philosophy, but it's mutual pain - dishing out the pain without taking any back would only be mere cruelty. This of course misses the nuance that Echo wanted Amon to use her as a sacrifice, while Judai didn't welcome any of Yubel's twisted affections.

Still, from what I've seen most people agree that Yubel comes across as more "honest" one way or another. And to understand why things feel that way, it's important to look at their backstory and motivations, as well as how their motivations change.

Yubel dedicated themself to Judai's past life, tying themself to him through lifetimes, and in the present remained true to that devotion in unwanted ways. When Judai sent them to space and it ended up being Oops! All Torture, Yubel developed their sadomasochistic philosophy as a coping mechanism and an attempt to reconcile Judai's past promises and present actions.

Upon their return to Earth, they planned to return the "favor": by sending Yubel to the pain and isolation of outer space Judai made them stronger (i.e., infected by the Light of Destruction, with all that entails), so they'll give him his own painful experience (all of season 3) to make him stronger (awaken his power as Supreme King). Then they'll reunite, having both demonstrated their love for each other, and [this part is where the Light of Destruction really twists up their thinking]. Everything they do is in the name of this motive*, whether Judai really likes it or not.

Amon dedicated himself to the Garam conglomerate with Echo by his side before being replaced by his younger brother Sid, the sole blood Garam sibling. He nearly murdered Sid before changing his mind and dedicating himself wholly to his brother instead, a decision Echo and Yubel both describe as willingly chaining himself to their service. Even when given an opportunity to become the heir (all it'd take is watching his brother die to illness, not even murder) he rejects it, and begs for a way to save him.

And yet, when when given the opportunity he made a deal with the devil to break the chains he put on himself and abandon that same family. Then when he gets the chance to obtain power by sacrificing someone he loves, he does exactly that. Then he plans to become king of a utopia free of suffering, and always remember Echo.

So then, what are Amon's motives? Is he somebody who got tired of being abandoned or unappreciated? An ends-justify-the-means idealist? Just a power-hungry hypocrite? It's hard to tease out a consistent character and ideology from him. And in a show where people wear their hearts in their decks, I think this part of why people hate him - and so does Yubel.

Yubel hates Johan because he's terrifyingly like Yubel in some ways, focused and protective and dear to Judai.** Yubel hates Amon because he can't be like Yubel at all, resenting the brother he dedicated himself to and sacrificing the person he loved for power in an empty world forever devoid of that same person.

No way Yubel can be that kind of person, right? Otherwise, what was it all for?

* To be fair, you don't know all of Yubel's backstory by the time of their final duel with Amon. However, even removing the context of their past life that duel together with Yubel!Johan vs. Hell Kaiser establishes Yubel's central motivations more coherently than they do Amon's.

** Help, I know there's been other essay segments on this topic, text and video alike. But I saw a lot of them back in early 2023 when I was mindlessly going through GX material in a haze of hyperfixation and now I've forgotten all the other good sources.

Yubel and Echo

If Yubel's parallels with Amon are about their dedication, Yubel's parallels with Echo are about who they're dedicated to. Both believe in their loved one's destiny to become a king, and take actions to make them that king.

Yubel has historical basis in that Judai is quite literally the Supreme King, bearer of the gentle darkness. To help him achieve that role, Yubel enacts a plot to break Judai until he awakens his Supreme King side. It fits neatly into their schema of things: this is how they make the person they love stronger, so that they will thrive and survive. Make Judai stronger and awaken his old power, and all will be as it was meant to be.

Echo just believes that Amon is amazing enough that he would make a better king than anyone. When the chances arises to help break his chains and give him a world to rule, Echo takes it.

...And boy does she.

Both Yubel and Echo believe their loved ones are meant to be a king. Both give their lives in support of their loved one, and become weapons wielded in their service.

No wonder Yubel was shaken by Echo's devotion remaining within Exodia for just a moment - it's not all that far from their own.

Unfortunately Yubel's only direct interaction with Echo is goading her attack on field-Yubel during the final Amon duel. Otherwise they only speak of Echo as someone used and abandoned by Amon - which in itself has potential, given Yubel's own feelings about Judai sending them away.

I think GX could definitely have explored this connection a bit more. There's space to fill here.

Judai and Amon

As noted above, Judai and Amon both have roles as kings - at least, in the eyes of their single most loyal people. Judai holds the title of Supreme King as the wielder of gentle darkness, and while not confirmed his past life sure looked like a prince. Amon simply has ambition, talent, and an ideal world in his mind.

And in operating with the ambition of kings, they both do terrible things to achieve power. Judai lays this out explicitly in the Edo vs. Amon duel:

Amon lets his need for power get in the way of his other relationships and priorities, and sacrifices the ones he loves to obtain Exodia similarly to how Judai sacrificed his friends and eventually uncountable innocents for his own goals - finding Johan, and then ruling as Supreme King. Straightforward, right?

But I think there's another parallel between the two that's a lot more interesting. Or...most of a parallel. Namely, their relationship with their other halves and the responsibility of a loyal follower who would give up anything for you, be it their life or their humanity.

What do you do when the person you love most dedicates their existence to you - to the point of throwing everything else away, even their very life?

Of course, the Judai-Yubel and Amon-Echo situations aren't exactly the same even putting aside the issue of reincarnation. (For the purposes of this essay I'm not making huge distinctions between Judai and his past life, but if you want to get into the details I've written about that previously.)

Yubel went ahead and made their sacrifice without Judai's input, and all he could do was decide how to respond. He chose to dedicate himself back to them so hard it crossed lifetimes, so hard he chose to risk his own existence for them as well in his next life.

Amon, on the other hand, is the one who proposed Echo sacrifice herself for him. Echo agreed to it, and even by the end she stood by her decision. But Amon loaded the gun and pulled the trigger.

He tries to honor her sacrifice, of course. He's always mindful of Echo's sacrifice and what it means. But in the end, he did choose to sacrifice her, ultimately using her as a pawn. Their love never trumped his own objectives.

And I think the example of Amon and Echo leads to the question: if Judai had the choice of letting Yubel become a dragon or stopping them, what would he do? When it was explicitly their will?

This is another missed opportunity, one that could have solidified the parallels neatly. But GX never asks that question, so the answer is unclear. What could have been a parallel is just kind of...askew.

Judai and Echo

Okay, I admit there isn't a lot here off the top of my head. Probably the best parallels between them are in relation to their other halves, as the people "harmed" by their villainous partners, and how they respond to that harm.

Judai rejects Yubel's torments as unwanted attention, until he remembers the past and flips to understanding why Yubel did they did and makes moves to unite the two of them forever. Echo, meanwhile, understands Amon's motives from start to end and...lets herself be sacrificed, the end.

I don't know about this one. Really, ultimately Echo is supposed to be a willing participant in her own sacrifice but in the end I still don't feel like the narrative gave her a strong sense of agency in the matter and it really weakens my attempt to write this section.

In Conclusion

Some of these connections are stronger than others for sure, but I argue that they're all there in some way or another. They're very uneven and overall I'm not entirely sure what you're meant to take from the parallels, and I wish I could give something neat and concise for this section. Instead, it's a bit messy and misshapen - hence, the trapezoid metaphor.

Still, I think there's interesting room for thought in this awkward space. I was certainly thinking about these parallels while working on the latest chapter of Need (accidental last-minute plug?) and trying to figure out exactly what the prince felt while Yubel was in the middle of dragon surgery. What must it be like, to be in these relationships of sacrificial devotion?

[raayllum]

Mirrored Paths Trilogy #2: In the Name of Love, I Would Do Anything For You —Callum & Viren

Part 2 of a mini meta trilogy dissecting Callum, Karim, and Viren's parallels, with a special emphasis on S5. For the general overview, and if you want to read Karim and Viren's parallels, you can read that analysis here. It is useful to read but not necessary in order to understand this one, as this meta is Part 2 and will discuss Callum and Viren.

Now, I've talked a lot about Viren and Callum. Like, a Lot a lot. Therefore, I'm not going to repeat too much of their Arc 1 buildup here, and focus more loosely on their S5 parallels in particular. However:

If you're interested in their pre-season 4 buildup, check out these metas: How Callum and Viren have parallel arcs in S2, Relics, Rage, and Magic: The Callum-Viren Foils Meta, the foils screencap compilation post I've been cultivating since Nov 2019 pre S3 (updated to include past that point)

If you're interested in post-S4 thoughts, check out these metas: The Interlocking of the Cycle’s Wheel with Viren, Claudia, Callum, and Rayla, How Viren and Callum stack up flaws wise, I sure do love foils that switch, How Callum's morality differs from Ezran and Rayla's (and always has)

If you're interested in post-S5 thoughts, check out these metas: What did Viren and what does Callum want?, How Callum and Viren sacrifice (written post-S4 but updated with S5 screencaps), Why ramp up the foiling?

Now I'm not gonna expect you to read all that because 1) I'm aware I have a problem, 2) it'd be time consuming as hell, and 3) I'm going to summarize the most important takeaways for you to understand the foundation this next section of meta is built on. (None of it is complicated, mind you, but just to make it clear where I'm coming from.) If you have read all those metas, or even made it this far on this one, thank you for enabling me reading and I hope you('ve) enjoy(ed).

Now for the key takeaways:

S5 went basically exactly where I've thought Callum would go since S1/S2 and Viren since S3 re: Viren giving up dark magic and having an atonement arc/breaking away from Aaravos, whereas Callum — in order to free and save someone he loves, specifically Rayla — chooses to chain himself further to Aaravos

Although still very different, Callum and Viren are worryingly, exceedingly similar in many ways, largely in their agreement that dark magic can be a useful last resort and in their devotion to their loved ones (aka "in the name of love" + the "I would do anything [for my family/loved ones]" parallel

Where Viren is willing to put certain things (the kingdom, his own quest for power, humanity) above his family (and wrongfully so), Callum is not. He says he would do anything, and means it (thank you post-s2 me, you were the realest bitch)

Rayla and Aaravos are foils, particularly in their dynamics with Callum and Viren respectively. They are both banished, exiled elves who were seen as being/are too sympathetic towards humans, they mentor high mages of Katolis, hunt each other's high mages, and S6 will put Rayla and Aaravos vying for Callum's destiny (control) to the test as his two paths (although choosing Rayla over Aaravos may not be mutually exclusive, but that's another post). Rayla killing Viren unintentionally put him on a path to stray from Aaravos, whereas Callum saving her / their relationship is what has consistently putting him on a path towards Aaravos

Now, S2 and S4 definitely have more parallels between them structurally for our two high mages. S2 is linked above, so I'll focus on S4: asking to die but being refused by Claudia and Rayla respectively; being reunited with someone they love after two years; Callum attempting to shut down his feelings in Rayla's absence / upon her return much the way Viren did in his time as high mage; the mirror and general framing, particularly in 4x01; sharing a (re-)birthday; their impatience in 4x02, which is also a parallel with Karim; the pawn intros; Rayla interrupting Callum's investigation of the mirror while Viren likewise attempts to diverge paths; picking up what they'd been refusing to all season in 4x09 within seconds of each other, and similar framing to boot, since dark magic led to Viren's destruction, and Rayla will possibly (unintentionally) lead to Callum's:

Let's get into it: S5

Now, S5 is less obvious in some ways. The one big framing parallel they get, beat for beat, is Callum going to investigate Aaravos in the library, placing his book on the same table, being interrupted by the librarian (which is honestly more of a running gag than something tangible), the script being magically washed away, etc.

Therefore, with all of the above out of the way, we have three main things to consider:

1) Their dark magic dreams from 2x06 and 5x03 respectively, in which they face mirrored reflections of each other

I wrote after S2 that I thought Callum refusing his dark counterpart in 2x08 was ultimately going to end up being more about actively being a dark mage than doing dark magic ever again, mostly because — while we didn't know if the show would ever put him in said position — I always figured Callum would do dark magic again in well, about the exact circumstances canon forced him into in 5x08. (And it was extremely satisfying, lemme tell you.) Viren giving up dark magic was more surprising, but they've always been switching foils, so the exchange makes perfect sense on that level.

I talked really briefly about some of the similarities between their dreams, but I wanted to touch on some here as well:

Their choices are both framed around objects of Aaravos. For Callum, it's a key he initially rejects. For Viren, it's the mirror, but instead of connecting to and looking to Aaravos to help him, he looks to and accepts himself.

Viren has to reach forward and connect with himself, whereas Callum pulls away from his mirror self

Viren's dreams are about dismantling his justifications (or the why) behind what he did, whereas Callum's skip over his justifications and instead focus on what he did. Both of these accordingly inform their identity

Viren is saved from literal drowning upon waking up, Callum is saved from a more metaphorical kind

Freedom is the cornerstone of both reflective scenes. Viren and Callum both leave their initial dreams being free (or freer than before). While this holds true for Viren until the current end of his arc (5x09), Callum in 5x08 is handed a sharp reminder that freedom is no guarantee, and how that may continue

The path metaphor that was running loosely throughout their arcs ("I am offering you a path forward [with dark magic] / Callum's tendency towards shortcuts / "I'm afraid, Rayla. What if I'm on a path of darkness?") is now being brought to the forefront here through Viren both being made actively aware of his choices per path ("Because I have followed a dark path") and him deciding to get off of it in 5x09.

2) Both being driven to desperation and resolve to try and save someone they love (Claudia, Rayla)

I figured that, per Viren getting an atonement arc at all, that what would make the most sense is S5 forcing Viren and Callum to confront their moral horizon lines about what they were, or were not willing to do, in order to save Claudia and Rayla pre-S5. For the S4 reasoning behind that, I'll recommend one of the metas linked above regarding those four and the Interlocking of the Cycle's Wheel. I was very pleased to see a decent chunk of it come to fruition. I figured Callum would be able to save Rayla at a steep cost, and Viren would be unable to successfully save Claudia (cause consequences have to catch up to you sooner rather than later, and they tend to catch Viren first and Callum second).

This is, of course, perhaps most exemplified by the show chipping away to the core of dark magic, which is what are you willing to do to save the people you love, even against their will, and that Callum has every good reason to be worried, accordingly, about a very exploitable part of himself.

Which we'll talk about more when we get to:

3) Viren revoking dark magic and Aaravos, whereas Callum does dark magic again and worries he's further tethered himself to Aaravos

In season 5 in a lot of ways, Viren comes to fully understand and accept Harrow's rebuttal to dark magic in 1x02, which was, "We may not pay now, but we will pay the blood price eventually! What do you think got us here? Dark magic!" The blood price went from Sarai's unintentional death, to Thunder's purposeful one, to Zym's false one, to Harrow's 'real' (?) one, and so and so forth.

Viren tried to ignore the sunk cost fallacy by believing it was already too late to turn everything around, and that doubling down to skirt consequences would continually work... until it didn't, and he had to accept the only person writing his fate was himself: "Every step forward is a choice," and thereby another chance to do the right thing, or make better choices, under the circumstances you have — to at least try.

This parallel, then, between Viren doing what he can to set himself free vs Callum chaining himself further to Aaravos is, in a lot of ways, both the most dreadful and happiest potential parallel and contrast between on a few different levels. Let me explain:

S6 as the Fall, S7 as the Rise

I talked about this pre-S5, citing it as a reason I believed Viren and Callum were ultimately switching rather than solely contrasting foils — re: Viren getting better in S5, and Callum getting worse in S5/S6 — simply due to the fact that given that S6 will be TDP's 11th hour, things might be going okay for the antagonist crowd, but the protagonist side of things, particularly Callum, will need to be hitting rock bottom.

Thus, it seemed pretty obvious from a structural standpoint, as well as Stars (and destiny by extension) having an association with Aaravos that S6 would involve Callum playing his part in Aaravos' plans, with S7 being the reclamation of his agency and therefore defeat of his narrative Rival for well, narrative control. S6 being Callum's fall, S7 being his rise — stronger than before, and freer and more magically in tune than ever.

Prior to S5, it was typically accepted (by myself included) that while purposefully very similar to one another in both framing and personality, that mirroring would eventually shed, and, come S7 Viren would ultimately provide a contrast to Callum, with Callum breaking away from Aaravos in ways Viren was never able to, and this would be the Big Defining Difference between them in terms of like, narrative cohesion and plot. (Emotionally, the biggest difference has always, arguably, been that Viren is more world focused — to his detriment in arc 1 in particular — than focused on his loved ones, whereas Callum is deeply and sometimes dangerously devoted to the people he loves.)

However, S5 makes that previous contrast prediction untrue, because Viren does break away from Aaravos (in fact, just an episode decidedly before Callum seems — metaphorically at least — to take a step towards him). Therefore rather than just being a contrast, Viren is meant to be a true mirror in equal measure, simply because by virtue of letting Viren break away from Aaravos' control, when Callum eventually does so, he will likewise — once again — be following in Viren's footsteps, just in a positive way rather than a 'negative' way like before. If Viren was meant to solely be a contrast — as has been theorized previously — than Callum staying under Aaravos' control would actually be the provided ending. Of course the show isn't doing that for Very Obvious Reasons, but I think it's worth noting that now, in order for Callum to have a happy ending at all, he has to follow in Viren's footsteps — all of them. Rather than being one of solely warning and foreboding, Viren's narrative has turned into one of hope for Callum, too.

V: I am free, and so are you.

But in order to talk about salvation, we have to first talk about destruction, namely:

Dark Magic and Death

Dark magic and death have long been associated with each other in series. Dark magic requires killing or consuming a magical creature — elf, dragon, or otherwise — to be used/harvested for power. It affects the souls of those being used as spell parts (Through the Moon) and you can use any part of the body within reason, even their ashes upon cremation (1x03, 2x09), or their final breath (against their wishes in 3x06). Hell, dark magic makes you smell like death (3x01), turns you into a more corpselike appearance, and season two novelization just furthers this association outright during the passages of Callum's dark magic visions/dream:

Callum turned the cube frantically to see which primal was glowing. How could any of the primals glow in this dark place? Something about this cube tied his stomach in knots. It wasn’t natural. A vision flickered in front of his face. Dozens of dead animals in a field. A dead butterfly. A dead deer. A dead unicorn. Cackling laughter. He chucked the cube away from him with all his might. The glowing rune was dark magic. It represented death.

Thereby in 2x08 itself, the rejection dark magic symbolized by the cube is pretty simple. Callum rejects being a dark mage as his primary magic use, he rejects the 'easier' road, he still believes he can possibly access primal magic, and in doing so, he rejects death. He won't become a dark mage, he won't seek out his death or others in order to have control/power, and he won't become a corpselike figure.

But a couple seasons later, we see S4 and S5 reverse and complicate that in 1) having him, literally, seek his own and Aaravos' deaths in order to feel in control/have power, and therefore 2) perfectly foreshadowing his eventual dark magic use/relapse, for lack of a better word. Just as the show leans farther away from "dark magic is easy" (and it is, in some ways, emotionally easier to deal with consequences when you can change them) and more into "dark magic will destroy you — your identity and your body — if you keep using it".

S5, likewise, also starts to break down the negative associations of dark magic being linked to death, and indeed the negative associations with death itself. For most characters in the series, death is solely a tragedy, but for Harrow and Viren of themselves, staring their own deaths in the face — and choosing to die — instead became a vehicle for repentance, change, and subsequent self-actualization.

Death, for Harrow, and more importantly for the sake of this meta, is not just doom and gloom, but a choice and therefore a culmination as well as a chance for transformation. Just as Viren's death in 3x09 allowed him to be re-born with clear eyes (a literal Re-Birthday, if you will), him choosing this next death shows the full scope of his character arc. Previously, he died because he was chasing all the things he didn't have with Aaravos' aid, and by 5x09, he's rejecting Aaravos' help and dying alone in the woods with nothing, yet it feels like a tragic sort of victory all the same.

We also see a more complicated view of dark magic alongside ideas of self-actualization. Previously, dark magic was seen as something that would make you routinely lose yourself (Viren, Claudia) until you had by and large become the worst version of yourself. S5 complicates this a bit more by connecting Callum doing dark magic to his ability to access the Ocean arcanum, as he remembers/mimics the motion of crushing the slug before connection (and parallels Viren's 5x03 hand symbolism to boot):

Whereas Viren unmakes his choice to take on Aaravos' deal in 2x07, Callum unmakes his choice to refuse to do dark magic when it means saving his loved ones. As he states:

To love is simply to know this: the tides are true as the ocean is deep... You don't control anything. But you already knew that, didn't you? Because it's the secret of the Ocean itself. The arcanum. The Ocean arcanum is about accepting depths you can't see, parts of yourself you can't understand, and things you can't control.

Callum fears not having control, and therefore fears his part of himself, where he is now more aware than ever of just how far he'll go for his loved ones, and how exploitable that is, thanks to Finnegrin. And it's not as though dark magic has lost its death associations, merely that those death associations have likewise been transformed. This is particularly evident if you line up 5x08 as the end of Callum's S5 arc (which it is; while 5x09 is fun, it doesn't further any of the main trio's emotional arcs except Rayla, and even that is decently minor)

If dark magic is still linked to death, then both Viren and Callum choose to step towards their own deaths in the end of their respective arcs, just with different meanings and arc placements. If we take Viren's step further that real death vs dark magic death are two different things, then we still have Callum stepping towards his own dark magic death to prevent someone else's (the same way Rayla is spared) even if that means throwing potentially 3+ innocent people and Domina Profundis under the bus in 5x08. But more on that here.

For now, let me break it down more simply:

In 4x09, Callum and Viren both pick up the symbol of something they've been trying to ignore / pass off to others all season. Viren has avoided his staff and left it for Claudia to wield, much the same way Callum passed Rayla off to Ezran and Soren in the previous episodes. Viren refuses to leave the staff behind. Meanwhile, Callum picks up and finally starts fully acknowledging the loss and love he feels regarding Rayla, who he let go on without him. The staff is symbolic of Viren's relationship to Aaravos as well, and it's what ultimately dooms him. Rayla's sword, although quickly discarded so he can help the actual Moonshadow elf, is also a symbol to Callum in the scene that he loves/is still mourning his friend/partner.

In 5x08 and 5x09, Callum and Viren are both goaded by a vengeful elf seeking freedom into doing dark magic to create a secure future for each mage. The elf wants to use them as further vessels for their own freedom/revenge scheme. Viren refuses to do dark magic and instead chooses death, reaching self-actualization. He does this mostly motivated by his own regret and love for Claudia. He refuses to sacrifice Sir Sparklepuff to save his own life and breaks away from Aaravos. Callum demonstrates a willingness to sacrifice others in order to save Rayla, in addition to resorting to dark magic in order to save her. He refuses to sacrifice her to save/keep his own soul free from Aaravos' clutches, even if that means possibly walking steadily closer to his own death. Likewise, this allows him to reach a new stage of self-actualization, but at a steep emotional cost.

Where Viren's ending is tragic but victorious, Callum's season ending is victorious but tragic. But like I said earlier, Viren's story in S5 offers plenty of hope to Callum's future storyline, namely exploring how

Love Can Destroy and Save You

Now, anyone who's been following me for a while knows I love a good "this thing can save and destroy you" and that I have been really fucking excited for S4 taking that undercurrent in arc 1 and bringing it up to the forefront, with a big hitch to Rayllum as a sweet lovely, devastating bonus.

“Wow. So they look identical but they might kill you or they might save you,” Callum said. “Exactly. Just like me…” Rayla smiled.

—Book One: Moon novelization + Callum and Rayla being routinely determined to save each other, even if that means immense danger and harm to themselves (Callum's love for her made him leap off the mountain to save her, and his love for her allowed him to grow wings and save both of them).

This has always been a theme in the show and particularly within their dynamic — "Alright, enough almost killing me" in 1x05 with the lightning spell, only for Callum to save Rayla's life with the exact same spell by the episode's end — most prominently brought to the forefront in 4x07 with their whole "I need you to kill me" "I'm afraid I'll hurt people I care about" [cuts right to Rayla] conversation. If you're interested in more Rayllum thoughts on this, I would recommend my original meta on the subject (pre-S4) and my post-S4 followup.

We even see this theme of the same thing — in this case, Callum's love for Rayla and commitment to saving her — play out as a perfect microcosm in 5x08. As previously mentioned, Callum does dark magic again (a failure in his own mind) and unlocks the ocean arcanum (a victory) precisely because of what he was willing to do out of love, both of these things being good and bad. The dark magic use is bad because it makes him more vulnerable to Aaravos and reaffirms how he'll bend morals he otherwise wouldn't and is upset over it, and it's a good action because it lets him save Rayla. Unlocking the Ocean arcanum is a good thing, because it symbolizes a deeper understanding of himself — good ol' self-actualization — and more useful, magical prowess, but it's also a bad thing because he's upset by this realization of himself to the point of not even really being excited by it.

He would do anything for her, he's realized now that love doesn't necessarily always make him stronger, that this is exploitable, and it scares him. It really does.

Because Rayla saves him and destroys him. And in S5, fortunately, Viren's children do the same for him.

Even though saving Soren is what seemed to truly begin Viren's descent in earnest...

the harm his path has inflicted on Claudia is one of his motivations to finally stepping off of it.

Ezran himself acknowledges the way love interplays with the Cycle in the thematic turning point of the arc, and the series in many ways, back in 4x03 — that love is not in opposition to the Cycle, but indeed one of its many cogs, and the choice lies in how we choose to let that love manifest:

I had a speech planned for today. It was about peace and love and hope. But I think I left something out. [...] We all want peace and we all want love. But violence tests us. In a twisted way, it converts us to its cause. Because pain and loss feel so terrible inside, you want to hate. You want to hurt someone else. So what do we do? How can we stop this cycle? [...]  We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.

If Callum does destroy himself / risk the world for love in S6 (perhaps taking a risk he knows may lead to being possessed, or releasing Aaravos to spare Ezran or Rayla from an immediate death) then love, it seems, is also posed to be what accordingly breaks him out of the possession and brings him back to himself, the same way it allowed Viren to deviate from his previously chosen/enforced path. Reconciling dualities rather than enforcing strict binaries is one of the main things S4 was concerned with, after all ("Just have two cakes!").

All of this, for Callum, ties back into:

His dynamic with Rayla and all its variances (the light to his dark / pain and love / literally freeing himself while metaphorically chaining himself in order to save her / his love for her being his strentth and weakness / "Now you're back. That's kind of good, and it's kind of bad").

His connection to the Key ("I have a feeling that cube thing could help me" to "It's the Key of Aaravos, Callum. No good will come of it!")

Light and dark being both good and bad, and Aaravos heavily representing that trade off ("In darkness, gaze upon a fallen star [...] already tainted by darkness" + the cube flashing a bright glowing white before Aaravos picks him up as a pawn).

The fall (becoming Aaravos' prey / playing into Aaravos' hands) in s6 and a rise in S7 (breaking free by defeating Aaravos)

If dark magic is death, and Aaravos is likewise death / worse than death ("if he takes control of me again, you have to kill me")... death, like for Viren in 3x09, can be Transformation for Callum in 6x09. He just has to 'die' (metaphorically) — to fall, to fail, to succumb to his predecessor's negative footsteps — in order to rise, fly, and follow in his predecessor's positive footsteps while also carving out another new path for himself.

Because Love is salvation just as much as it is destruction, and the story will always hold true to those things.

Other Parallels

Although there aren't as many prominent framing parallels in S5 as there were in S4 — the mirror, on the battlements with Soren, sitting on the Storm Spire, picking up the staff and sword, etc etc — (beyond the hand clasps as symbolic chains my beloved), the most obvious one is from 5x01 in which Callum goes to the library to research Aaravos just like the high mage before him, down to the portrait over the table they place the tome on.

Then there is also framing that furthers the connections they share between Callum-Viren and Claudia-Rayla, diving after someone you're desperate to save (and often from drowning, to boot). Hand outstretched one pictured above, so here's another:

There are also the Aaravos-Magma Titan Callum-Viren parallels that others have pointed out, with Ezran standing in for Sarai:

Given that 4x01 begins and 5x09 ends the arc of Viren's 30 days, and by and large binds S4 and S5 together as 1 arc of sorts (with S6 and S7 being the final arc), it tickles me particularly pink that it opens, in many ways, and then literally closes accordingly with Callum and Viren staring at the moon:

Misc:

In between writing the first meta and the second one, I got loose 'confirmation' that I'm on the right path with my deductions (even if, of course, 'personal path' can mean many things, but I still think it's cool!) from Aaron Ehasz on twitter. Cool beans

I also think it's fun that Viren tries to save Claudia from a 'symbolic' death in the ocean ("Stop! That wave, it will swallow you up!") and Callum saves Rayla from a more literal one of being devoured by a sea leviathan.

Conclusion

First off, if you read All of That, thank you and I hope you enjoyed it. I've been itching to talk about these two and how S5 both built on the parallels they already had, pushed some to the forefront in overt ways ("I would do anything" and 5x08 on Callum's end was beyond validating in every way), in addition to setting up more to come, both good and bad.

I may return to S5 in this manner to touch more on other parallel relationships in the future, such as Viren-Rayla in S5, Callum-Claudia, and Claudia-Rayla, but for now the next proposed foil meta is looking at a dynamic I have not talked much about in Callum and Karim. This will conclude this little 'trilogy' of metas, and I hope you stick around for it, cause it's going to be very interesting.

Callum and Viren have always been my favourite foils relationship in the show, and I hope this meta did a good job of demonstrating why. Thank you for reading and I'll see you in the next one!

—Dragons out

[azelmaandeponine]

Maybe I will get scolded for this... but I didn't knew that Stan's sacrifice was indeed a karma for Ford. I mean, while I understand why he was angry at Stan to begin with. It's clear that his perspective on Stan was contamined a lot, possibly thanks to his enviroment and of course because of Stan's mistakes. But sadly this made Ford to look like a jerk and act like jerk in front of Stan for a lot of time, well... if you ignore the abuse at hands of Bill.

But yes, I think indeed that both twins needed to be in a situation that made them to stay in the shoes of the other for this situation in order to reach a mutual understandement. Although yes, maybe Ford needed to lose Stan just to understand at least briefly what Stan had to go through for a long time, so they now share this pain and can finally empathize with each other and of course to complete his character development.

Ford finally learns what matters the most and Stan finally learns about his self-worth. So, in the end the sacrifice did something nice and being honest, I think it was the best outcome.

Yeah...while I'm super uncomfortable with that intent (it's whack to say someone "deserves" to lose a loved one forever), it's true that they needed to step into each other's shoes to complete their reconciliation. It's a nice way to top off both of their character development.

(It's really the part where Alex said Ford "deserved" to lose Stan forever I take issue with.)

[deeplyridiculouslyinlove]

I just rewatched 02 x 07 for the first time since finishing all the books and I can't stop thinking about it. I feel like everyone is either on the side of (1) it was all a big ploy, or (2) that's it for Moiraine and Siuan they can never come back from this--but I really don't think either of those are true.

I think the most in character thing Moiraine could possibly do is forgive Siuan, for the following reasons:

Moiraine knows that she would do the exact same thing that Siuan did here--namely, sacrifice anything (even their relationship and their trust in one another)--for the sake of the world and their mission. And this shared goal, these compatible values, and this mutual understanding is literally what has kept them together despite 20 years of distance and secrecy from the world.

[MINOR BOOK SPOILERS] We see in one of the books that Moiraine believes she and Siuan have made their beds and will lie in them one day by becoming involved in the quest to find the Dragon -- I believe the way she phrases it is about payment coming due for all the rules they've broken and the secrecy etc. that they needed for their quest. If this is her attitude, she is not only willing to give up everything, but expects to give up everything. And she expects it of Siuan as well.

Siuan has already proven how much she would give up for their quest. She became Amyrlin despite, as we learn this same episode, how much she did not want to be trapped in the tower and could not see her future there. She gave up any semblance of a happy life (how she would picture it both with and without Moiraine!) for this quest.

In some ways, if Siuan had just let Moiraine take Rand through a waygate to Falme, it would have actually been a betrayal of their mission. Their mission wasn’t “get Rand to Falme.” It was “protect and train the dragon reborn.” Siuan feels the need to do that as acutely as Moiraine does--and critically, Moiraine knows this about Siuan.

This goes quadruple if Siuan actually did think Moiraine could be a dark friend. Siuan thinks Moiraine lied to her!! And Moiraine knows this too, since Siuan does at least have the chance to say "You lied to me!" Moiraine would understand that if there was any chance Moiraine had been turned or was compelled, Siuan had to try and stop her from taking Rand off to god knows where.

Literally just a few days earlier Moiraine had threatened to have Alanna take Lan’s bond by force if he stood in her way--aka, the way of her mission. At this very moment, Moiraine herself has spent days (weeks?) contemplating what it would mean to betray the autonomy and trust of those she loves most if it means saving the world. And she knows what side she's on.

When Moiraine says, “if you have ever loved me don’t do this” my heart shatters into a million pieces. But that line is not just ,“it will be a betrayal of our love and trust if you compel me." It is that, but it's also a call for Siuan to see Moiraine for MOIRAINE. She’s saying “you know me.” She’s trying to get her (Siuan) to see that what she (Moiraine) is doing is not about her shame and pride but about the mission. Because it is ALWAYS about the mission, Moiraine IS the mission, and Siuan loves her because of that, and Moiraine knows Siuan loves her because of that 

Moiraine clearly hesitates before going through the waygate. Her character isn't one to linger out of shock and betrayal. She lashes out and she puts up distance--we've seen this all season. Moiraine moves forward. So I read her looking at Siuan here as far more "I love you and I'm sorry [I can't help you? it's come to this? we can't reconcile?]" than "How could you?" or "You're a different person to me now." I’m not trying to minimize the violation Moiraine is also feeling in this moment, I just think that if the violation was her primary emotion she would likely behave differently. And if she can have this messy a set of emotions even in the heart of the moment, I have faith she can similarly hold multiple emotions later when reconciling.

The flashback scenes are so heartbreaking but they don’t have to mean that Moiraine and Siuan feel so betrayed and far from those versions of themselves that they will never be together again. Those flashbacks can also be saying “remember when we were those people?” Holding onto those versions of themselves is how they hold onto their love despite this scene.

Those flashbacks also remind us that their relationship in the show is like 50 years old. It is deep. People don't throw away 50 years of relationship without a conversation, even if there is a deep betrayal involved. And that's normal people--not even people who have given up absolutely everything for a cause that the relationship has now gotten wrapped up in. In the books, they are together for a few years and then seemingly go their separate ways when the Dragon is reborn. I don't think the show would have gone out of its way to deepen and lengthen this relationship just to end it so quickly and unceremoniously.

[musicalmoritz]

Ok ok I want you to think about swap terukane so like clock keeper Teru x exorcist Akane. And also like Akanes the super super popular school president. Yea so like thoughts/headcanons?? (I always cook up the most insane ideas in the middle of the night and I actually remember this one vaguely!)

Let’s talk about the Terukane swap au!! I’ve seen a few people write and draw for this but I’ve never rly read any of the fics or looked too much into it so I’m entirely making this shit up on my own, Ik this is a popular trope so I apologize if I miss any of the sub tropes that are included with it ;-;

It’s hard for me to separate Teru or Kou from exorcism since the Minamotos were a real life clan, but I don’t think I’d go about this in the “Akane is a Minamoto and Teru is an Aoi” way. I suppose for this au it’s most reasonable to say the Minamotos are a regular family and the Aois are the exorcist clan. That provides another fun question tho, are the Akane girls still kannagi?? Since this is strictly a Terukane swap au I’ll assume they are, though if we wanted to take it further we could swap Aoi with Nene or one of the other characters. It’s easier for me to follow strict guidelines tho so I’m gonna keep it at just Terukane being swapped

That alone changes so much of the story tho, it’s very interesting to me. We’ll say the Minamotos are still a strict/traditional family, so there’s still some pressure on Teru and Kou. Just not to the extent that there is in canon. And assuming their mom still died in due to complications from childbirth, their dad would still be absent and Teru and Kou will still have to grow up too soon by raising Tiara. But things would be significantly easier on them since they’d be taking care of the family together. Teru would learn basic life skills like cooking, which would take a load off of Kou. Then since the work would be split, they’d both have more free time on their hands. If one of them wants to hang out with friends, the other can take over cooking and cleaning for the night. Tho that would lead to numerous sibling arguments, since Teru is the oldest he’d probably push Kou around a bit when they’re younger lol. He’d run that house like the military

I want to say Kou is the one the Clock Keepers threaten him with since Teru is so protective of him, but that wouldn’t rly work since they wouldn’t be at school together during Teru’s first year of junior high. As an oldest sibling, Teru is very protective by nature, so they might be able to choose any random student. Once they have him where they want him, they throw in some threats aimed at his siblings to secure their chances of making a contract. So Teru ends up going down the same self-sacrificial route we see in canon, he becomes a Clock Keeper so that no one else has to do it

Without any siblings, Akane is the soul beholder of the family legacy. Self-sacrifice isn’t even an option for him, he’s the only one who can succeed his parents so he must do it. Then there’s Aoi, his childhood best friend. If Akane were an exorcist and they grew up together, Aoi would find out about supernaturals way sooner. Maybe he tells her himself, because he can no longer carry the burden alone. And he knows she’s a kannagi, that something bad could happen to her someday if he doesn’t keep a close eye on her, so he has to watch her like a hawk. In this au there’s not as many secrets between them, so much is at stake so they have to be transparent with each other. Akane’s honesty inspires Aoi to be more honest with him as well. So the obsession between them, platonic or otherwise, is a lot more mutual. They developed sort of a trauma bond at an early age and now they have to look out for each other

Akane’s popularity comes from his natural inclination to help others. He’s such a kind person, even if he can be aggressive. And without him having to constantly chase Aoi, no one thinks he’s a weirdo. It’s a little odd that he’s so protective of his friend, but he’s so damn nice that everyone just shrugs it off as him being sweet. Teru though? Teru is the weirdo

His family is still strict but without the same expectations placed on him, there’s no need for him to try and excel at everything. No one cares if he’s the best student so he can do whatever he wants. And yeah, he’s pretty, but he’s also loud and annoying. He teases people and gets creepily sadistic at times. This ties into my audhd Minamotos headcanon, without the pressure he’s under in canon, Teru feels less of a need to mask. He still does it to some extent due to societal pressure and all but the only opinion he really cares about are those of his siblings, so he’s content to be himself. He makes a few friends this way too, he’s not exactly popular but the people who get him get him. I’m gonna make him friends with Nene in this au, she appreciates his realness

Because of Akane’s hatred for supernaturals, they don’t get along at first. Teru joins the Student Council to keep a better eye on everyone so he can do better at his job as a Clock Keeper. Kou attending Kamome and getting closer with supernaturals has a lot to do with it. When they first meet, Akane ties Teru up and tries to interrogate him but bcuz this is Less Traumatized Teru it goes way differently than he planned. Teru’s filter is nonexistent so when Akane tries to threaten him he’s just like “oh hello cute boy I like you very much.” But the thing is, Akane can’t tell if Teru is joking or not. He assumes he must be, because there’s no way a School Mystery feels things like love and crushes. Still, Teru is so painfully Just A Regular Dude that Akane is forced to see him differently. Cue the typical Terukane “relationship built on trust” shenanigans. Reluctant partners in crime and what not

I’m not gonna go as far as to say they have a Sakura and Natsuhiko type dynamic but it’s similar. The classic “are you flirting with me?” “have been for the past 10 years, thanks for noticing” meme. Think of it as all of Teru’s jokes about liking Aoi in canon if they were directly aimed at Akane instead. Then the “wait- do you have genuine feelings for Ao-chan?” scene becomes “do you have genuine feelings for me?” or “were you serious this whole time?” Their dynamic changes a lot after that. Akane starts flirting back, and instead of using Aoi to motivate Teru he uses himself. “Help me save her and I might take you up on that offer for a date.” And then they do go on a date, at the school festival right before everything turns to shit

Adding to that, in this au I imagine Aoi and Akane are the ones betrothed in the new timeline. This brings in conflict bcuz let’s say Akane used to have feelings for Aoi but those faded over time, it’s all platonic between them now as opposed to what we see in canon. So he has the opportunity to either be with the girl he used to love, the girl he’s been with all his life, his safety blanket…or go back to the boy who’s stolen his heart. Damn that was cheesy, I’m cooking here

Kako also becomes Teru’s father figure btw bcuz he needs one. And despite his dislike for supernaturals, Teru adores Mirai bcuz she reminds him of Tiara. Found family ftw

Thanks for the ask, I hadn’t thought much abt this au before but now I’ve gotten myself invested