#that he saved the entire world actually

[not-poignant]

Baldur’s Gate 3 - 24/? - Palmarosa - Astarion/Raphael

Title: Palmarosa Rating: Explicit Pairing: Astarion/Raphael Tags: (Check AO3 for the full list) Angst, Hurt/Comfort, Deals with a devil, Contracted sexual slavery, Bad BDSM etiquette, PTSD, Communication issues, Flashbacks, Trauma recovery and Retraumatisation, Dark and disturbing themes, Blood consumption, Minor character death, Canon typical violence, Dominance/submission, Top Raphael, Bottom Astarion etc.

Summary: (Set post-game / end-game) The love of Astarion’s life has disappeared to go live in the daylight with the druids, and Astarion is stuck in the darkness once more, yearning for sunlight with every fibre of his being, while bitterly reflecting on all the things that were denied to him in the end - love, sunlight, the option to kill thousands of people and become a near-god…

Raphael knows Astarion’s desperate, and comes to him with not one, but two horrid contract offers that Astarion loathes and dreads in equal measure - but the prize at the end of both are too good to turn down, and he’s become too cynical to care about how much of a good idea it is to give his body to a devil for a month or two, because really, comparatively, how bad could it be?

Palmarosa (Baldur’s Gate 3) - Raphael/Astarion - 24 - Fresh Flesh and Wet Wood

In which Raphael does damage control, Cymon offers some good advice, and Astarion decides to bait Raphael possibly to his own detriment.

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[egophiliac]

*shaky thumbs up* I just finished ch5...... y-you were not kidding about it being a heavy one.....

:)

(how's that going so far, Mal)

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[greensaplinggrace]

the darkling says “fine, make me your villain” because he is. what’s not clicking

[byfulcrums]

I know everyone likes to make fun of Ezra for believing Maul, but I honestly really liked that, because. Like. He's been working so hard to learn to trust people again. His new-found family is teaching him how to open up and how to let himself love others without being too afraid of losing them to connect

And he doesn't immediatly trust Maul, which shows that even if his trust issues are much better now, he's still not stupid and knows to be careful around strangers, especially if you found them inside a Sith Temple

But. Maul shows and tells him what he wants to see; he acts kind with him, reassures him when he's in doubt, and manipulates Ezra (who is a CHILD) into beliving in him so he could get what he wanted

Then he betrays him, and by blinding Kanan, he proves Ezra's 'little me' right

[acediscowlng]

okay but consider the idea that edwin actually had an incredibly normal family, like they weren't perfect but edwin's parents genuinely loved and cared for him and he had a good relationship with his siblings

but like. edwin spends so long in hell and in such an awfully traumatic and violent place that he kind of forgets that? like, the good memories he had with his family eventually fade away in the face of all the tortures of hell, and he only remembers the bad things, and he convinces himself that his teenage insecurities about not being good enough for his father and being hated by his mother and being ignored by his siblings were actually all just true and well. he's in hell. the entire point of that place is to make you feel worse about yourself.

and when he finally makes it out, it's not like there's any way to fix that anymore. his family loved him but they're all dead now. edwin barely remembers them, and what he remembers are only the bad parts. the school called his disappearance an act of god and he assumes his family also thought the same. and there's nothing left to mourn, so edwin doesn't and he just moves on and buries all that pain and trauma and absolutely does not deal with it.

[cyanbeetle]

I’ve tried like 500 times to articulate my thoughts about nonwhite superman and how much that adds to his childhood of loneliness and every time I hit a stumbling block because the topic makes me too insane to think but please hold my hand and imagine this little boy trying to grow up in rural Kansas and being the only person he’s ever known who looks like he does. This little boy who never has a proper answer when people ask where he’s really from, and even once he knows the truth of himself he can never safely share it. Please imagine him fighting every single day to belong and never being able to no matter how hard he tries because people will always find something questionable in the very way he looks. A lot of the superman mythos is dependant on Clark’s ability to assimilate but when you take that away what is left?? He’s just a kid fighting so hard for a belonging he’ll never have a hope in hell of being handed. Oh it hurts my heart

[monsterfuckermilligan]

i am not anti sam but i sometimes find myself hating sam because some samgirls are super into bio/gender essentialism whether or not they realize it. sam is a woman and dean is a man and sam is the victim and dean is his abuser like what show are you watching?

[shannonsketches]

Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,

You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?

I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.

as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,

In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?

I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.

Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend

[romance-rambles]

godheim clarence | because it's you

On a seemingly normal day, as he's braiding your hair in the morning, your husband asks you if he should cut his hair. You try to be brave about it.

1.6k, post-clarence epilogue, misunderstandings + fluff, reader is mc, series: none

"SHALL I CUT MY HAIR short too?"

You register your husband's words as a joke at first. Why would you not? It flows so seamlessly from your own, after all—about how he might actually thank you for freeing up his time in the mornings if you chop off your long hair.

You know full well Clarence will not.

It is not enough to prevent you from chasing after your favorite kind of high. The one where he huffs exasperatedly and tells you as much, as a lovely but faint scarlet hue spreads across his cheek. The one that leaves you with the singleminded desire to kiss him, which you waste no time in doing—because you can.

So, expecting to see a hint of mirth in his blue eyes, you roll your eyes and watch him through the vanity's mirror with an unfaltering grin.

There is none.

Instead, the mirror reflects only the almost clumsy seriousness you've come to expect in his endeavors to prove himself worthy of being your husband. It is both flattering and worrying.

And sometimes, it makes you wonder if you were too harsh on him in the early days of your time together in the void, when you demanded apology after apology from him. Then, you remember that he's the same man who catches fishes only to free them in the end—and that this is simply sort of endearing idiot he is.

It helps immensely.

"Would you like to?" you ask carefully, concealing your silent insults with a half-awkward smile.

You would not like him to.

But it is rare for Clarence to express an interest in his appearance outside of what you make of it. His most frequently worn coat is the one you once complimented him, under a brightly-lit street lamp as he wrapped his scarf around you instead. He always buys the same fragrance, and only when it runs out, with a polite explanation of My wife likes this one the most that drives most merchants mad.

The only response he's ever offered when shopping for clothes is: If you like it, I'm fine with wearing it.

Biting back a scowl, you add, "I think you'd look good with short hair."

Of course he would. Even putting aside his hairstyle when he was younger, your husband is handsome enough to pull anything off.

You are, of course, very biased—it's an accusation you've never tried to deny.

"I see." With a pleased hum, Clarence ties off your braid. "Then I'll pick out a date. Would you like to come along?"

He's careful to adjust the hair tie first, concealing any stubborn tufts hair poking through between the gaps before he reaches for your usual red ribbon. Then, with a practiced ease that comes only with years' worth of repetition, he loops it through the hair tie and twists into a proper bow.

Today, you cannot find it in yourself to admire his careful movements through the mirror.

"I'm never going to hear the end of it if I do that," you answer, shuddering a little at the thought. The people at this village are mostly kind, but a few of the louder ones tend to comment on Clarence's tendencies a bit too frequently for your liking. "You remember what happened last time, don't you?"

Your fingers traverse down the full length of your neatly-braided hair to pull it over your shoulder. Their grasp on the end of it lasts for only a second before your hand falls to the edge of your stool. Gulping, you swivel around and soon find yourself properly face to face with your husband.

He smiles faintly. "In a sense, they weren't wrong."

To properly hold onto his face, you have to scoot closer to the edge. Clarence bends down slightly, further easing the burden on your arms. Your eyes narrow fondly at him before you ruin the moment by smushing his cheeks.

"They were insulting you," you correct him, indignation fueling your flat tone. "I'd say they were very wrong."

His expression grows helpless and fond. Wrapping his hands around your own, he settles down onto the hardwood floor. In doing so, he ignores your chiding entirely; instead, he looks at you with a hint of reverence in his gaze.

"Perhaps," Clarence agrees softly. "I've heard worse."

Inhaling sharply, you press your foreheads together. When you next speak up, your tone is softer. "Do you have a cut in mind?"

"The same as it was when I was younger, I suppose," he says, sounding a bit uncertain.

You do your best approximation of a nod. You're not entirely certain what brought this on, but that won't stop you from being the most supportive wife to ever be supportive. As you squeeze his hands gently, you hope he can sense your resolve.

"Alright," you say, a bit forcefully, as you press a kiss to his forehead. "—now get off the floor. It's my turn to do your hair."

IT'S WHEN YOU'RE CAREFULLY UNTANGLING your braid at night that you remember the conversation from that morning.

"Did you decide on a date?" you ask curiously.

Clarence hums. "I didn't get the chance to quite yet."

He's watching you from his side of the bed, both hands occupied by a book he stopped reading the moment you walked in after your nighttime routine. When you shake your hair back to normal and settle under the blankets, he wordlessly turns the lamps off, with only a flick of his hand.

Accepting his answer, you snuggle up against his chest, fully intent on going to sleep—

Except you can't.

Curiosity nags at you, offering you the same question over and over again in the hopes that you'll break. And break you do as you call out your husband's name.

You can't quite make out what his expression is, but you know he isn't asleep. It's only been a few years—just a little over a decade, to be precise—since they've reunited. Adjusting to a life within the bounds of time, you know, takes some time, especially for someone like Clarence who had seemingly outgrown the need to sleep even before he entered the nothingness.

"Clarence," you whisper, "what made you want to cut your hair?"

For a moment, he remains silent. You can hear his beating heart, and that is enough to let you know that he's flustered.

"Clarence?"

"You said I looked very handsome," he says finally. "The other day."

Upon hearing those words, your mind offers you nothing noteworthy. To you, calling your husband handsome is no different making sure your heart's intact. You think you might actually die if you don't tell him, but you haven't tested it before.

Your heart, however, is filled to the brim with affection for this man, the one you've searched nearly your entire life for.

Even if you do want to throttle him a little bit.

"You'll have to be more specific, dear," you tell him, gently touching his cheek. He's warm, you think. You're tempted to turn the lights back on. "I'm sure I say that every day. And why would that make you want to cut your hair?"

Clearing his throat, he adds, "To be more specific, you didn't say it to me necessarily. You were��" Clarence pauses, a hint of uncertainty to his next words. "—talking about my younger self."

Oh.

The gears in your head start to turn. Now, you can faintly recall the memory of you waxing poetically about the man whose image remains in use on one of the most popular and frequently sold-out stamps even now, centuries later. Mostly, you remember smiling through a comment about how carefully you must've chosen your husband—as if she hadn't pressured into picking a man other than your husband to gush about.

You would've chosen the Archmage who seemingly had no relation to your husband regardless, but it would've been nice to know ahead of time.

Because you do have eyes, Eliza. That's how you know there isn't a man alive that's more attractive than Clarence.

Still, there hadn't been any deeper meaning when you chose his younger self specifically. There'd been a stamp nearby and you'd used it as a reference, in the hopes that it would help the other ladies downplay your incredible knowledge of his features.

You're almost certain they think you're deranged.

"Clarence." You giggle, suddenly amused. "Clarence. You look very handsome today."

Clumsily, you press a loving kiss to his forehead. Then, to the mole under his eye, to the tip of his nose, to his other cheek, until finally, you kiss him on the lips. At some point, while you're busy being productive, he goes from laying on his side to laying on his back.

"What brought this on?"

He sounds bewildered. You think it's cute.

After taking a moment to compose yourself, you begin to explain. Throughout, he's mostly silent, save for the occasional acknowledgement. Still, you don't have to worry about whether he's listening or not.

Until the very end, his hands—still wrapped around you—give him away.

"I like your long hair just as much, because—" You give him another peck on the lips. "—I love you. No matter what, you're always the best-looking man in the room."

Clarence wastes no time in answering you, though he very nearly chokes on his words. "And I...you."

"Good." Feeling satisfied, you rest your head against his chest. "Do you still want to cut your hair? ...Clarence?"

"I think," he says, clearing his throat. "It's fine the way it is."

You don't try to point out why.

[borderline-purrsonality]

Just finished zero time dilemma… don’t think I’ve ever been so disappointed in an ending since drv3

[lovinnelily]

Y'all do know you can't make Jason be NOT white without changing his whole character, right?

For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.

This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).

Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. In theory, nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.

He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.

[jinyoungtual]

I JUST REWATCHED PIWON MOVIE AND I HAVE THINGS TO SAY

[clonerightsagenda]

While I judge his youthful naivete in going 'wait, the military killed people???' I support Edward Elric sapping government resources for years and then immediately leaving when he got what he wanted. Same energy as the guy who took a job at a software company, fixed one bug, and then quit.