#that he just really inhabits the character in a way that sticks out to me

[story-and-song]

finally going back to watching the 2nd season of unsleeping city and man. idk what it is about the way lou plays kingston brown but he’s such a comfort. one good conversation with kingston brown would solve everything that’s ever been wrong with me i think

[thankskenpenders]

IDW's Knuckles 30th Anniversary special

I'm still working on finishing Shadow Generations and writing up a big thing about it (yes, yes, it's taken me a month to finish a four hour game, I know), but in the meantime we've got another new Classic era comic out from IDW! Let's talk about that.

The last Classic era release we got was the Fang miniseries earlier this year, which I mostly enjoyed but also found a bit underwhelming. It felt like we were getting diminishing returns with the Classic comics. Ian seemed to be struggling to make the Classic era feel fresh within Sega's current restrictions for that branch of the brand, a branch that by its very nature discourages experimentation and new ideas in a way that the ever-evolving Modern era doesn't. He was mostly just playing the hits, sticking the currently permitted Classic era characters next to each other in straightforward one-off adventures and letting the art team do their thing. We were getting the Ian who was happy to simply be able to take these toys out of the toy box. Again, these comics have been fine, and the art's always a treat, but the novelty of simply seeing a comic with the old character designs was wearing off for me when the stories didn't have as much meat as Ian's (or Evan's) excellent Modern era work.

And then along comes this Knuckles 30th Anniversary special, which is by far my favorite Classic Sonic comic Ian's written for IDW.

...I can't really talk about why it's so good without getting into spoilers, though. The short version is that it's a really nice little story about Knuckles and another character from the games, who's used as a great foil for him... except the solicit didn't even say which character it is, so I'm hesitant to say here. But if you're a fan of Knuckles, you should definitely just go read this. It's great. This one's mandatory reading to me.

And with that out of the way, let's dig deeper and get into the spoilers.

The spoiler zone

After an opening that very blatantly homages Tyson Hesse's old Knuckles comic (yes, the very same one that helped inspire the name of this blog), Knuckles realizes that Angel Island has drifted near the Northstar Islands from Sonic Superstars, and decides that the Master Emerald must be giving him a mission to train the archipelago's own resident guardian.

Yes, this isn't just a Knuckles comic. It's a Knuckles and Trip comic!

I was really delighted by this. I like Trip a lot, and it's nice to get this chance to expand upon her as a character. I think this is her first speaking role, even? I'm glad to see her stick around, and I'm glad to see her appear in the comics so soon, especially since we're still waiting for the mainline comics to incorporate Sage. She's still clumsy and fairly timid, like in the game, but without the looming thread of Eggman she gets to let loose a little. She's very exuberant and expressive and playful, especially thanks to Aaron Hammerstrom's fantastic art throughout the issue (complemented with inks by Rik Mack and colors by Valentina Pinto). It makes sense why she gets along so well with Amy. I hope we get to see those two interact more in the future!

Anyway, so Knuckles shows up on the Northstar Islands after contemplating his lot in life, and realizes that he and Trip have a lot in common. She's not as strong or confident as him, but they're both the last of their kind, these lone guardians of these ancient magical gemstones. He's showing up under the pretense of training her, but you can tell it's nice for him to have a kindred spirit, someone who might be able to really get him.

And then Trip's like... wait, you think I'm the last of my kind?

Yes, the Northstar Islands have actually been inhabited by a whole civilization of sungazers like Trip the whole time! We just didn't see them in the game because, y'know. Eggman was attacking. So Trip told everyone to find shelter and hide from the Badniks. (This actually makes a lot of sense, since you pass by this very village in Speed Jungle Zone. Somebody's gotta maintain those straw roofs and light those torches, and I can't imagine Trip managing all that upkeep herself.)

This also includes a grandfather for Trip, who's been training her as the archipelago's new guardian. Naturally, this has led to some speculation from fans about the old "mandates." In the wake of the Penders lawsuits and Archie's reboot, Sega declared that the comics could no longer create comic-original relatives for the game characters. Has that changed now?

Well, I'm hesitant to read too much into this. For one, as Ian has tried to drill into peoples' heads for years now, the so-called "mandates" aren't a set of concrete commandments from Sega, they just have some general guidelines for the brand, some of which have more wiggle room than others and some of which have changed over time. There's also the simple fact that Sega is working way more closely with the team at IDW, and that people like Ian and Evan are literally on the official Sonic lore team now. Ian can presumably work with the lore team and Sega to figure out Trip's family, and then go and work what they've decided on into a comic, so it's entirely possible Trip's grandpa isn't considered a comic-original character so much as he's a character conceptualized at Sega who just happens to have appeared in an IDW comic before anything else. The lines are a lot blurrier now with all this cross-pollination, compared to the Archie days when it was a separate creative team and a separate canon.

But, again, I don't want to speculate too heavily about what goes on behind the scenes. Regardless, Ian was able to use this comic to expand upon the world of the games and the characters that inhabit it, and I love it for that. It's the first of these Classic comics that feels like truly mandatory reading for the way it builds upon the games. These days we so rarely get to see communities like this in the Sonic world with their own cultures. It's not like we know anything about "hedgehog culture" or whatever. So this is a nice change of pace. The Northstar Islands feel totally different now that I know they've actually been inhabited the whole time, and knowing that Trip is part of an active community with their own history and customs puts a whole new spin on her as a character.

It also makes her a great foil for Knuckles here. He showed up on the island thinking he'd have a lot to teach Trip as someone who's got more life experience as a lone guardian, only to realize his assumptions about her life were completely wrong. Trip brags to her grandpa that Knuckles is gonna train her, but he quickly realizes he doesn't have much to teach her. She may be kind of cowardly, but she knows her way around the island, she can think on her feet, and she can handle herself well enough in a fight, in her own slapstick way.

He doesn't say as much, but you can tell Knuckles is embarrassed about all this. This clumsy kid is showing him up, even though she won't even really listen to his advice! He's also, perhaps, a bit jealous. It's not like he had a grandfather to train him in the ways of being a guardian. (Not in this continuity, anyway.) He doesn't get a whole village of echidnas to teach him about his heritage. He doesn't get fancy ceremonial armor. It's just him, a big green rock, and his two fists. He thought he had this whole guardian thing figured out, and he'd be able to give a kindred spirit like Trip some advice, but it turns out she's lived a whole different life, making him question if he even knows what he's doing. He quickly gets fed up with both Trip and himself, blowing up at her a little.

After reflecting a bit, Knuckles goes back to Trip and comes clean. He doesn't really know how to train her, because no one ever trained him. He figured things out on his own. If he had anyone there to raise him, they've been gone since he was too young to remember. He just knows he has to protect the Master Emerald. That's it. It's a pretty vulnerable moment for Knuckles, one where his dissatisfaction with his life comes to the surface.

Still, Trip sees things differently. He may be used to the fact that he lives on a giant floating island powered by a giant magic emerald, but she thinks that's, like, the coolest thing in the world. HER islands don't fly! And while Knuckles might wish he had someone to train him, Trip thinks that Knuckles becoming such a fearsome fighter all on his own, without even armor to protect him, makes him super awesome and admirable. With both of them feeling better, Trip takes Knuckles to Golden Capital to talk about her heritage as a guardian of the Northstar Islands a bit more, and Knuckles tells her that he thinks she'll be a great guardian before he heads home, once again feeling pretty good about himself.

While this is a pretty straightforward little story about how the grass is always greener on the other side, it's a very effective and sweet one that I enjoyed reading a ton. Aside from the fun of learning more about Trip and the Northstar Islands, it's just a great showcase for Knuckles. (It's definitely a way better showcase for him than his Paramount+ show, as much as I took sick pleasure in that show's baffling creative decisions.) There are also some fun details about his life in here, such as the fact that Sonic, Tails, and Amy have taken camping trips to hang out with him on Angel Island, and the fact that he trained Amy in using her hammer better.

It's just real good, and it feels like the most meaningful addition to The Canon out of any of these Classic era comics Ian's written. We're still gonna be getting more in the future, so hopefully this is a sign that Ian and the lore team have found that happy middle ground where they can keep the Classic comics familiar and nostalgic while also being able to branch out and expand upon things.

Speaking of future comics!

Coming attractions

The end of this issue confirms some things that are in the works for IDW Sonic. For one, we're getting a Chaotix 30th Anniversary special next year. Neat! They also mention some kind of Shadow one-shot dropping following the movie, however fans seem split on whether this is referring to a new story or just the "Best of Shadow" compilation one-shot that's coming out next month. So don't get your hopes up about that in case it's the latter, I guess.

And while we're still waiting for issue #75 of the main series, the IDW team is already thinking all the way ahead to #100, which should drop sometime during the 35th anniversary of the franchise in 2026. Clearly the team's still confident about the longevity of IDW Sonic and excited for the future. And I am, too! Bring on #75!

[ravelqueen]

One thing that is actually super interesting - character wise is how stark the difference between Angel and Angelus is when compared to Spike and be-souled Spike.

Angelus and Angel might as well be two completely different people - the way they act, react and conceptualise the world around them is honestly completely opposite.

Meanwhile, besouled Spike is a lot more aware of his past actions and isn't interested in killing humans for sport etc, but in the way he interacts with the world around him, he's actually still very similar - he's snarky and sarcastic, romantic yet cynical etc.

It's extra funny when you consider that probably this was never supposed to be a Deep Philosophical Ponderance Of The Nature Of A Soul

In my opinion this came out of happenstance: a writing choice forced on the Buffy team, based on when in the narrative it happened.

Angelus was always set up to be this enormous threat, this absolute monster tormenting Buffy, while Angel was supposed to be this fairytale first romance of a wonderful older boyfriend - the dichotomy was probably decided upon before /in season 1.

Spike on the other hand was never planned to get a soul - he wasn't even supposed to stick around longer than the 2nd season! However, the ensoulment made sense with the progression of the story/character if the writers wanted to adhere to the rules of the universe they set up namely:

Vampires are Evil Demons, inhabiting the body of the human before them, and most importantly they are irredeemable and incapable of true human affection. This is extremely important lore in that universe, because Buffy kills a lot of vampires - in the later seasons they aren't even really a major threat and more background ash. If you suddenly introduce the idea that Actually vampires can be fully redeemed, your main characters has been just murdering Possibly Good People willy-nilly for several seasons

Unfortunately, at this point in the narrative, Spike might as well have been ensouled already - he was acting altruistically, out of love (self-reported) and was mostly just helping our heroes, with motivations unrelated to villainous impulses

So really the writers had to give him a motivation to go and get his soul (the writing choices on how he gets there Being Bad notwithstanding).

HOWEVER, they really really couldn't pull the same move with Spike that they did with Angel re: his 180 degree personality switch simply because the audience liked non-soul Spike. They enjoyed the personality and character that had been crafted for the last 5 seasons, so changing him too much would have with almost complete certainty been met with negative reactions .

Which is why I assume they decided to simply soften parts of his personality, make him stop wanting to kill humans and called it a day on his other less-than-cuddly personality traits.

Which leads us to question on why two people in the same circumstances turned out so wildly different ESPECIALLY since William seemed Basically Alright when he's human.

Does that mean that Angel is fundamentally a worse person, only held back by the morality of his soul? Or that he was fundamentally a much more virtuous man and therefore the loss of his goodness had a larger impact, as removing those parts took away more of what he used to be?

That William was a lot more acerbic and mean deep down and therefore not too different? Or that actually William lost way less of his morality/capacity for empathy when he turned because Something and that led him to doing less awful things that would lead to a personality change??

Those are such interesting questions that somehow the show never addresses (as far as I know? comics people?) aside from Angel Being Mad that Spike got over his angst so quickly and it's just hilarious to me that if I'm right this basically was never meant to be that deep and simply just a byproduct of What The Fuck To Do With Spike

[mothmanssweetsucculentass]

Jason The Toymaker Headcanons

The grind never stops fr fr. Sorry for disappearing I had summer classes and then a certain triangle demon from a kid’s show is took up most of my attention and creativity, and now I’m in regular classes and silly goofy video games have taken up my attention and creativity when I’m not slaving over my art projects for school. Teehee. Oops!

Jason has been another underrated character in this fandom imo, and I especially love love love LOVE characters who just get so obsessed with shit. I can’t remember if it was canon or fanon about him, but I love the fact he gets so possessive of his friends to the point where he kills the competition. And also the friend. Because the best friend to have is one you have complete control over, right?

Anyways.

Cis man? WRONG.

Like you’re gonna look at Jason and tell me that motherfucker has only ever used he/him pronouns? Bro is an eccentric Toymaker ffs

Jason uses any pronouns. Even the ones that don’t exist. Bro collects that shit like Pokemon cards

Hey remember LJ? Yeah Jason made him

I mean hello??? Sentient toy clown? That’s right up Jason’s alley

Jason has also made other clown characters, like Candy Pop

Jason is also one of the few inhabitants that straight up doesn’t need to eat food. Ever

Much like Nina, no one’s really sure what he is, they just know its immortal like everyone else and insanely hard to kill

Most people also avoid them or go out of their way to not get emotionally close to him for super obvious reasons

Like. They’ve all seen her workshop. Every week he comes back with a new human he’s lied to and whisked off their feet with some bullshit fantasy and within the next few days they’ve made a doll of the poor guy

Jason technically isn’t even allowed to do that, humans aren’t allowed to know of the existence of the manor or Slenderman or literally anything that goes on there, but does Jason care? Absolutely not

Slenderman tried getting on her ass about it once, and by some miracle Jason was able to talk themselves out of punishment

Besides making morbid people dolls, Jason of course also makes random other toys. Almost all of them are sentient or are able to think and comprehend speech

Jason uses Mr. Glutton (the snake) as not only a chair, but a garbage disposal as well. Need to get rid of body parts? Give to the snake. It’s like a black hole in there

So y’know how Anne and Eyeless Jack are the go-to doctors of the residency? Jason is the fix it guy for anything that’s not biological

Torn clothing? Jason can sew it up for ya

Gun/chainsaw/mechanical weapon is jammed? Jason has a fix for it

Broken trinket from your room? Jason somehow has already made an exact copy of it for this specific occasion

You could count on one hand the things Jason doesn’t know how to fix

And still despite being the repairperson no one usually sticks around long enough to chat

You’d think with how delusionally clingy this mf is that it would be a problem but surprisingly no

There’s a reason why xe specifically only targets humans

Like? Humans as a species are so easy to manipulate? And are leagues more fun to torture and scare than her fellow serial killer roommates

Similarly to how the others make bets on what weird item Helen can use as a murder weapon, they also make bets on how fast Jason’s next victim gets dollified

So far the record is a single day because somehow one girl had the balls to pull an 80s horror protagonist and stabbed Jason with their own fabric shears

She didn’t get far. Obviously. What’d you expect from an entire mansion crawling with murderous entities. LJ accidentally clotheslined the girl while reaching between doorways for something

Everyone on the third floor then got to bear witness to Jason dragging her back to his workshop by her ankles. Using the same fabric shears. The carpet is still stained from how much she bled. I’m pretty sure one of her fingernails is still lodged in the wall, too

While they don’t share a studio/workshop, Jason and Helen often use a lot of the same crafting materials. They have a mutual relationship where if one of them goes out, they return with something both of them ran out of recently

Beyond that they literally never speak to each other, and they both like it that way

Jason is way too eccentric for Helen to be able to stomach for longer than an hour, and Helen is too particular with so many different things that it gets on Jason’s nerves

One of the few people that does stick around Jason often is Ann

Obviously there’s the underlying factor that Ann literally owes her current life to Jason, but even outside of that stipulation, Ann finds them pleasant to hang around

Unlike Jason’s other doll experiments and creations, Ann is the only one that came with sentience already attached. Saved Jason the hassle of having to create an entire consciousness network from scratch

Like damn, vengeance is one hell of a powerful force, enough so that once Ann was put back together by Jason, she was up and functioning practically immediately

The two aren’t inseparable per se, and definitely don’t see each other as anything more than friends (Ann moreso than Jason), but you can often find them in the same room interacting

Jason, like many of the others, adore Sally to an unnerving degree. It seems as if everyone, no matter how much they dislike kids or ghosts or humans or whatever else Sally counts as, feels a supernaturally strong urge to protect the kid. Jason is one of the few seen with her constantly

Yeah go figure the Toymaker likes to appease the child

But seriously it’s a little freaky how Sally has this effect on so many people. Someone should look into that

While it’s one of the most recent additions to the household, Jason is one of the oldest entities within the group.

Like hello bro was around in the late 1800s, Jason has peepaw bragging rights

With that comes the stipulation that Jason hates modern technology. The newest thing they own is a sewing machine from the 70s

I think it’s pretty obvious that because of his peepaw status, + the fact Jason thrives off unhealthy obsessive friendships, a lot of the younger residents hate her, and vice versa

Is friends/close with: Sally, Ann, Nina, and LJ

Is neutral about: Jane, EJ, Kagekao, Helen, and Slenderman

Doesn’t get along with/hates: BEN/Ben, Jeff, Clockwork, Puppeteer, Liu, Masky, and Hoody

Ben is practically the antithesis of Jason. Modern tech manipulator vs old fashioned old timey manipulator

If those two somehow end up in the same room it’s ON SIGHT

Nina and Jason are constantly bitching and gossiping about anything and everything under the sun. Somehow someone who’s besties with Jason’s rival is also besties with Jason. Nina is just that talented, apparently

Ofc they also bond over fashion. Who do you think makes most of Nina’s batshit insane wardrobe pieces?

Puppeteer annoys the hell out of Jason. That, and he keeps trying to steal and manipulate all the dolls Jason makes. Rude.

Jason is the only one allowed to destroy xer own work. If it catches you fucking with any of the dolls, thrown away or otherwise, you can kiss your existence goodbye because Jason will make it her life’s mission to see to it you never have peace again

Tries not to be in their true/corrupted form too often considering how rotted his arms get in that state. The skin flakes off and everything, and it’s really inconvenient when you’re trying to work on fine craftsmanship and your own rotten black flesh keeps falling into your paint or some shit

Not exactly the easiest thing to control though. The more emotionally volatile Jason is, the more likely you’re gonna see him at his worst

[gregrulzok]

Ok also like SPOILERS for Fire Punch but I really have to talk about this uhhh

...

Togata is literally the best written trans character I've seen in... Like. Ever?

Which is ESPECIALLY remarkable cause he wasn't written by a trans person. It's literally insane how well written Togata is.

Because they establish him as a character first and he's actually immensely appealing - among the other fucking weirdos that inhabit the world of Fire Punch, Togata is definitely also messed up but he's a lot more sympathetic and likeable.

And then the way his gender is revealed isn't some big joke or a gatcha or a "It's a woman that wants to be a man!!!" type bullshit. It's literally "He's lying to you, he's a man pretending to be a woman!"

Which like. Yeah. As a closeted Trans Guy that's literally what I see myself as. The fact that a literal mind reader looked at Togata and went "Yup that's a man, he's just masking as a woman" is SO fucking big brained even if that was ultimately meant to be an accusation.

And Togata himself is so scared and confused and unwilling to accept it, but he clearly understands he's a man, he clearly knows he wants to transition - he's just lost because he physically can't, and he has no idea what to do with himself.

And the scene where he tries to describe it to Agni, the anguish on his face, the constant reiteration of how painful and confusing and awful it is to be stuck in a body that doesn't fit you - that shit hit me like a ton of BRICKS. It's such a nuanced and detailed look at the trans experience and I have no idea where Fujimoto even fucking got that.

And like. I've seen a fair share of trans characters. And even when I really like them there's usually an aspect that just sticks out like a sore fucking thumb and kinda mucks the whole thing.

Like. Nate from Tiger and Bunny? Started off as a gay stereotype and only improved when the writers realized they were fucking up. Grell? An actual gay stereotype that pretty much became trans by accident. Ayukawa from Blue Period? A lot of muddy waters which isn't a bad thing but it also means it's not actually explicit. Crona? Not explicit. Saiki? Debatable and not focused on. Don't even fucking get me sTARTED on the borderline gross shit BNHA pulls, eugh.

The only other 100% good trans characters I can think of are like, Yuu (and Shou) from Stars Align and Alluka from Hunter X Hunter.

But Togata kinda takes the cake since he's a lot more integral and his struggle is more deeply explored.

Anyway Fujimoto did an incredible fucking job, is my point.

[mothswritingeye]

So I have prophetic dreams. The way they go is I have a dream as a little kid and think nothing of it, and then have that same dream years later and realize “wait, that dream that I first had several years ago references a thing that only came out recently”. The dreams are mostly nonsense, but they do reference characters/locations/people that I only learned about recently.

Three examples of said dreams to prove that I’m not just making stuff up:

1: I end up in a copy of my old middle school that has a game like super smash bros ultimate, and I have to fight master hand (although the game is wrongly referred to as super smash bros brawl). I first had this dream before I went to middle school, before I met a teacher featured in the dream, before I knew the super smash bros franchise existed, before I knew of characters featured in that game (hero and master hand), before super smash bros was even revealed, and possibly before super smash bros brawl came out, although I’m not sure on that last part as I’ve never played that game before.

2: The five dragonets from the wings of fire series discovering a different continent and meeting a dragon named Rappa. I first had this dream before I knew about the wings of fire series, before they decided to introduce a second then-unknown continent, and before a character from an unrelated video game Honkai star rail was revealed named Rappa. Honkai star rail also didn’t exist back then, maybe not even Honkai impact third, and I didn’t know about Mihoyo or their other games.

3: I have to go to an alternate dimension to occupy members of the president’s security’s bodies to get him to a specific location. When I first had this dream, Obama was president, and I thought my brain had just made up a president. The president featured in my dream was Joe Biden, who I didn’t know existed when I first had this dream. We have to go through a high school in the quest to occupy the security’s bodies, and two students look significantly like Janis and Damien from the original mean girls movie, which I’ve never watched and didn’t know existed until recently. After a certain point, the president and a non-descript friend that’s helping me with this plot is depicted as a stick figure, specifically the one from animator v animation, which is a series I have never watched and have only seen one screenshot of very recently. When we first start occupying the security’s bodies, I’m holding a water for elephants plushie that was only produced for the recent musical, that only debuted earlier this year, that I saw less then two weeks ago and that I brought. (Proof I brought the plushie below). I also didn’t know about the book or movie until I saw the musical very recently. The members of the security team whose bodies me and the friend inhabit are also characters from dragon ball, an anime/manga that I didn’t know about until a few years ago, after I had the dream, and I’ve never watched or read dragon ball. (I think the characters are vegeta and goku, but I really wouldn’t know).

Proof I have the water for elephants plushie:

So you might be wondering, why exactly am I telling you this? Well, recently I had a dream about Angel and Husk from Hazbin hotel that I first had several years ago, and there was a specific shot that I believe may end up in a song in season two, as well as being confirmation (we could guess this, but still) that Husk is getting a love song with Angel.

(The text says:

they fall from reality

Husk is singing

He rows right

Note: Body swapping hijinks?)

(I would also like to advise you to take the body swapping stuff with an ENTIRE PITCHER of salt. I think that has a less then one percent chance of actually getting in the show)

I’m aware that only I have tangible proof that these dreams are prophetic, but I want to post this now so if the shot ends up in the actual episode I can say ‘I told you so’ and hopefully use this post as proof I have prophetic dreams.

[vickyvicarious]

There were even such books of reference as the London Directory, the "Red" and "Blue" books, Whitaker's Almanac, the Army and Navy Lists, and—it somehow gladdened my heart to see it—the Law List.

Me at first: I am getting cute aggression stop!

Me now: Wait, what if Dracula is studying the Law List in order to find ways around the system like what legal strings must be pulled to enter an inhabited house uninvited.

Well, he is still deeply adorable. Baby Solicitor comforted to see Law in the wild. I love it just as much now.

But yeah, also that's an alarming idea, and something I 100% would believe. Something I don't think Dracula often gets enough credit for is how innovative he is about the rules of vampirism in this book. He absolutely does some rules-lawyering of his own, and in fact his entire plan is dependent on a pretty clever move with the whole if I surround myself in my native soil then I'll be fine to cross running water trick. And he also is pretty good at thinking of backup plans and contingencies. He eventually has a bunch of those here in the castle with Jonathan, such as:

Jonathan is locked in so he can't get out

He doesn't know the exact way back even if he did

While he's lost in the wood wolves could hunt him down before he found friendly people, if he did escape

Dracula's impersonation of him turns the locals against him if he did get to them, past the wolves, lost in the woods, through the locked doors

Also no one at home will know what happened to him because of his dictated letters and Dracula's impersonation, suggesting an entirely different timeline/location for him vanishing

And all of this layers well with other goals, such as isolating and emotionally torturing Jonathan. Stuff like his multiple lawyers/homes for his multiple dirt boxes to be stashed are also really clever. Dracula can make a good plan... given enough time/control over a situation. But he consistently underestimates his opponents, because he believes he is so innately superior to them. In doing so, he leaves gaps, opportunities they can take advantage of without him even realizing (sticking to the Jonathan example: his diary, some of his more extreme snooping, the final escape. Or later on, a fantastic example is Mina turning his attack on her against him, both choosing to spy back on him, and figuring things out from his triumphant evil monologue).

He also gets impatient and stubborn. I've mentioned before how he could have played the entire Lucy situation much smarter had he been more patient/less outraged at people here figuring out a way to temporarily hold him off. And when things go wrong, he's not great at pivoting in any kind of subtle/clever way. He defaults to anger, force, shows of power. And again, that can be used against him.

Sorry, I got totally away from your point. Yes, I agree, he'd try. And it would be completely in-character for him to overlook that actual lawyers might be able to out-maneuver him in such an area, and he'd get stupid-mad should they mess up some plan by doing so. That could be a fun thing to incorporate into some kind of AU (where Lucy survives: imagine if Mrs. Westenra's lawyer insisted on putting in some kind of clause that she kept the house at least until her marriage was finalized) (preventing Mina's attacks/saving Renfield: if the lawyer characters put together the stuff with Lucy and looked into the legal documents for the asylum, maybe putting some document together that changed the wording to restrict his access unless only Seward invited him in, or Renfield's invitation only went for the main asylum, not Jack's private rooms, or whatever).

[organizationhimself]

just kinda having some thinky thoughts about how dark road totally rewired eraqus's character and what a phenomenal job they did.

like here's your problem you have. you need to take this cloistered old man who raised his students in the jedi way, somehow put up with Old Man Villainy being That Way presumably on the regular, lost every last iota of his shit and turned on the Apocalypse Child he adopted as well as his surrogate son who was infested with The Evil (which the series has long established as not necessarily being good or bad without context) to say nothing of the headtrip he gave his direct heir, and you need to reduce him to a version of himself as a child that is. like. fun. someone who has a genuine friendship with xehanort and is regarded by xehanort as someone who is a "sly fox," i.e. not the sort of buffoon who tests for mastery of the keyblade by child-proofing some orbs of light.

where do you even begin?

YOU TRAUMATIZE THE UNGODLY HELL OUT OF HI--okay i'm getting ahead of myself, let's start with principles.

because eraqus is principled. he believes really firmly in the light in a way that's nearly sora-adjacent in its intensity, but the thing is that sora has this flexibility that eraqus was simply not raised to appreciate. yes, nomura, we understand you like the bright sunshine one and the wry brooding one, you did it with sora and riku, god knows what you did to axel's spine to fit him into the sunshine kid's mold next to isa as brooding anti-crybaby, and now we're doing the same thing to eraqus. ok. i love it when you're optimistic, let's do it.

so first we need confidence. easy; he's a smug little rich kid. worked for riku didn't it? (source: kh1 manga, and the fact that you cannot convince me anyone can maintain a kid with that build on a budget) but we also need to see how dark road changed him as a person. let's contrast his uptight stick-up-his-ass future with a present day class clown who doesn't take things seriously; a headstrong fighter who jokes that he'll just run away. and hey speaking of emotional damage, let's start easing into the inevitable terrible, horrific, unspeakable traumas we're going to visit on this defenseless creature with a little one as a treat:

HIT HIM RIGHT IN THE GRANDPA.

and there you go! we now have a source for eraqus's rejection of the darkness that is not simply a function of his career as a jedi keyblade master, but has an actual personal experience he can point back to in order to say "hey, darkness is the pits!! here is why." it sets the stage early for him to be already butting heads with xehanort, who takes a much more flexible look at the worlds and the way they work and is more willing to view things from the perspective that he is not an authority on the moral peculiarities of whatever world he is currently inhabiting.

xehanort is also a child of destiny [citation needed]. an isolated visitant who was born for finer things but never slept a day in his life without waking up with sand in his mouth until he reached out and took his fate in his bare hands and let it drag him all the way to scala.

where he met the blueblooded child of a keybearing legacy thousands of years in the making, just like his.

and suddenly what you have are unwitting equals. we're ready to set them both up at the chess board; eraqus's legacy is plain, he moves first and he makes no apologies for it because it's his birthright. but xehanort's half of the board is still buried in shadow, implied but never stated, never surrendered to eraqus's probing questions or revealed by his moves, but already aimed at a clash with destiny, fated, inevitable.

shall we say, already written.

and this is brilliant!! now we have a source for our "sly fox," a reason for xehanort to be extremely familiar with the way eraqus thinks (and not to star wars on main but the obi-wan kenobi series did something really similar to this narratively by using anakin and obi-wan's familiarity with each others' fighting styles to predict the actions they would take in a situation, and i will actually never be over it in my life, absolutely stealing it for a xehaqus fic sometime, just shamelessly mugging ewan mcgregor in the street for that solid gold good shit). not only that, but we also have an explanation for xehanort's motivations as described by kh3. he is not looking at the fight from the perspective of one of the pawns; he is looking at the fight as a player, deciding which pawn gets taken. selecting which rook to sacrifice in exchange for the queen.

and eraqus is opposite him, doing the exact same thing (sort of, kh3 was a little cerebral with that), but there's an important difference here that we'll come back to later on.

so, okay. we have a vague outline in the shape of a sunshine kid now. he has confidence tied to his role in society, his legacy gives him perspective, his trauma ensures that he will one day calcify against the darkness with such emphasis that he will unwittingly pad the therapy bills of an entire generation. so far so good.

but uh, yeah, his kids? he fights them? like okay, axel has his differences with his kids too but he's not trying to kill them (mostly). eraqus really definitely for real is, and ven is defenseless. so that'ssss...hard to square with the sunshine kid we're building, nomura, how do we explain that? we really can't handwave it as amnesia this time, we're not working with ansem the wise here.

(BALDR. BALDR IS HOW--

ok but wait wait wait, before we even get to baldr, there's something we can do:

make eraqus impulsive.

and i mean impulsive. make eraqus spoil for a fight with so much unmitigated howler monkey energy that he will fight his friends just to vent. (this isn't even a unique thing, riku and xion and even sora do it all the time, and we're not here to talk about ven's crimes against miners but it's clear that violence is a spoken language in kh.) eraqus is fluent, so we're making it so that all of eraqus's intensity and passion can be focused on a single point if xehanort pushes exactly the right switches in his head.

and then, y'know, yeah. make baldr slaughter all of his classmates, several of them right in front of him, because of unchecked darkness and baldr's own inability to see past his own grief and resentment for long enough to understand that all he's really doing is inflicting his own suffering on other people in a murderstorm of nihilism and bitterness. unrelenting trauma conga line, check.

and now we have almost all the elements. eraqus's principles can't allow him to accept darkness, both because his grandfather was lost to it and because it left him (by all accounts a bourgeois slacker at the bottom of his class, someone vidar doesn't even consider as a candidate for one of the lights despite what baldr has to say about eraqus as a light source) one of the only survivors of an event that completely resculpted his life and community. time to pack him off to the jedi temple land of departure to be least okayest teacher of the year, right?

well...no. we need eraqus to wait.

because he doesn't take on students. and doesn't, and doesn't, for decades. first he fights xehanort, and as we have established he is spoiling for that fight (white moves first!). and then when xehanort finally visits him to drop off that half-dead kid he found (ven was like that already shhh), he's kind of like politely like "oh, you have apprentices. they seem...bright," like he's congratulating eraqus on finally reaching a life stage that eraqus should have hit approximately 50 years ago, and eraqus is like "yeah yeah whatever shut up anyway YOU'VE got one too now right." (yen sid talks about the role of "seeker" like it's a different thing from "keyblade master" so that's where i'm extrapolating this distinction from, but regardless i don't think anyone ever seriously expected xehanort to take on students.)

my point here is that eraqus waited until the last possible opportunity to take on students. to carry on the legacy that was so important to him as a child, and to re-experience the closest thing to the camaraderie he had as a keybearer-in-training that he could ever have back. that is how impactful baldr's actions were for eraqus.

i'm veering completely into speculation now but i think eraqus was terrified. how could he not be? his class wasn't even taking the mark of mastery and still got decimated by it. how could he risk going through that again, but from odin's perspective this time? what guarantee would he ever have to avoid the same tragedy his master had failed to prevent?

so, NOW we know why eraqus's mark of mastery was a handful of light pinatas and a duel. (i like to think xehanort felt a certain level of professional embarrassment for him and wanted to make it just a little more like a real challenge.)

(this is a sidebar and i'm going to talk about my other blorbo for a second but terra has a beautiful dream of being a sly manipulator. that's why he doesn't worry about investing himself in villain schemes, because he assumes he'll see the snare coming before he gets his head caught in it, but it's never coming from directly in front of him like he expects. so this is a dream that will never come true, but he has it, and i think given what we knew about eraqus as early as blank points, its only possible source is a master who was strict and exacting, but--very occasionally--also a sly fox who secretly delighted in his students' nascent abilities to surprise and outwit him.)

back to the trauma, we also have, obviously, the explanation for eraqus's attitude towards terra, and later ven. terra is a tragedy in slow motion that eraqus has seen happen before. baldr was unable to control his darkness; it overwhelmed him, and eraqus does not have the context that xehanort does, that baldr was in some ways a product of his own darkness-shunning society. even if eraqus does have that context, i can't really see him agreeing with it--and even if he at one point agreed with it, he would have gotten that context from the same guy who last showed up at his house talking about kicking off the apocalypse for the vine.

so like. eraqus has never seen any damn thing in his whole life that doesn't confirm his bias against the darkness. does that make him innocent of parenting Incorrectly? no, he is a Bad Dad. does it explain his hopelessly unsuccessful parenting strategies? yes, it does.

what it reinforces is also that eraqus didn't want to have to fight terra and ven. the original bbs is honestly not very good about establishing this: he cries one Sad Tear. yawn. still child abuse, asshole! the stakes in bbs are also not very well established, because there's approximately six people in it and some of them are just the same guy over again, so we don't really have a sense that terra being taken over by the darkness is like...gonna mean something to eraqus that is sincerely worth the personal cost of killing him. since we're clearly no longer worried about ven, there aren't other students to protect (besides aqua, but she's a really hard sell on the "needs to be protected from terra with so much urgency he must not live another moment" front). there is no immediacy to ven's status as Apocalypse Child; if anything vanitas seems like the obviously more important threat, and maybe eraqus should be less concerned about weeding out students and more focused on vetting friends like Old Man So Clearly The Villain My Guy. bbs eraqus is just genuinely hard to like as a character.

but now we have dark road context.

and white moves first.

eraqus is not seeing terra or ven in that moment, he's seeing baldr. he's seeing the summoning of kingdom hearts that almost was, and he is gripped by meticulously prearranged, bone-deep, irrational, traumatized, unbridled impulse. the emotion must vent. the thing he was powerless to stop has returned to haunt him and he must resist it. he knows what will happen if terra strikes him down here and heads back out into the worlds in search of other hearts, other lights. he knows.

but terra resists, using the full spectrum of his strength without remorse, and it is only when eraqus's keyblade is ready to fall from his hand that he realizes the truth:

My own heart is darkness.

and when this happened in the original birth by sleep all i could think was yeah star wars dad!! nailed it your heart IS darkness you fuckin dillweed, about time!! what took you so long!!

but after dark road, this context is completely changed. eraqus is not just realizing that he fucked up.

he is realizing that he fucked up the exact same way baldr fucked up.

that he let his own grief and suffering cloud his judgment and guide his blade to strike out at his loved ones. that instead of finding a way to live with what's already happened to ven, what was long ago fated for terra, he turned his resentment outward and gave that darkness leave to consume them both whole.

but unlike baldr, eraqus regrets it.

it is that moment that xehanort cuts him down anyway, not because eraqus can't be saved the way baldr couldn't but because xehanort is cleaving away the last of his own attachments to the world so he can follow through with the rest of his plans, and i am SO NORMAL ABOUT THI

but okay anyway. eraqus has exactly one move left.

he can't see the board. unlike xehanort, he has no extra pieces of himself he can just bandy about; the warriors of light must assemble without any of his direct input, chasing the echoes of eraqus's students and pushing and pulling in reaction to xehanort's steady advance through the center. he has only one chance. he can't afford to waste it.

the kings are meeting in the middle of the board. the stalemate will come any moment, when they're both out of moves and out of time, leaving the fate of the worlds undecided.

and it is at this moment that eraqus pulls the same penultimate move that xehanort himself used on baldr, confronting him with the first victim his darkness ever struck down. eraqus almost doesn't have to say anything, at all, because xehanort has to know what it means. has to know what it says.

xehanort resists. the world is too far gone. too many horrible things can happen in it; it must be reset. not purged and filled with darkness, like baldr wanted, but returned to a state that can never mutate into the conditions that made baldr exist in the first place. that doomed all their classmates to die. it's too late.

For us, perhaps...but not for them.

and now we go back to the distinction.

the thing that makes xehanort's chess game different from eraqus's is that, for xehanort, it's only chess. the pieces he's moving have ceased to exist in his mind as individuals. they are pawns on a line of white and black squares, and they may weave away from his will here or there but they cannot be swayed from their march.

eraqus never forgets.

and it's actually eraqus's capacity for forgiveness that i haven't even touched on yet. this isn't a word i ever expected to associate with him, but eraqus spends dark road forgiving. five minutes after any altercation he's already forgotten about it. name-calling. arguments. rejection. opposition. full-on fighting.

murders.

when xehanort kills baldr, eraqus is still calling out for him to stop. when xehanort later strikes out at him with darkness (the thing eraqus is scared of the most!!), permanently disfiguring him, eraqus has already forgiven him before seeing him the next time in person.

he does not forget that baldr is a person in spite of his darkness, and eraqus doesn't want him to be killed for it. that terra is a person in spite of his darkness, and eraqus doesn't want to see it consume him. that ven is a person in spite of the darkness that was cleaved from him, and eraqus doesn't want to see it return.

(if you think about it the real tragedy is that we were robbed of him looking aqua in the eye and telling her that she isn't tainted forever, that it did not take her, and even if it had, that will always, always matter less than her finding her way back. i refuse to believe terra was not already made aware of these facts.)

but he also does not forget that xehanort is not a faceless player in the skies, impossible to convince of the significance of a pawn; he remembers that xehanort, too, is still a person.

this point is important because eraqus's last move is not a checkmate (I KNOW HE SAYS CHECKMATE but it is not checkmate), but it is calculated to produce something else: a concession. he doesn't need the board to support his win or xehanort's loss; he needs the player on the other side to put down the pieces and follow his beacon out of the dark.

and that is how nomura shows us our sunshine kid at last, fully formed, as he takes xehanort's burdens from him and spirits them both well beyond the reach of the board.

anyway yeah microwaving him in my brain along with axel (and also roxas and terra because if i don't collect all my blorbos AND their hot mess dads i'll never fill out my pokedex).

[p1nk-matter]

(hxh) PHANTOM TROUPE // KURTA CLAN theory

...debunking PT did it

So let me preface this by saying this was 100% inspired by a tiktok comment in a hxh phantom troupe's religious symbolism video back in 2021 (:/). The person who commented made such an impact I screenshotted their comments which unfortunately are not in correct order and messaged them this year (i just know they think im weird) but they never responded. I'd give their @ but its their government name (I take it) so msg me for deets. All credit goes to them as I'm just polishing and tidying these thoughts.

First op talks about Meteor City, a junkyard city inhabited by outcasts. People who live there do not exist on any official records and are treated horribly from the outside, people are taken from Meteor City for crimes, prostitution, slavery and no one's doing a thing to stop it. People go outside and face racism, like the one guy accused of a crime he didnt commit and when the truth is shown no one does anything (think op meant The Bum Incident, vol 11, Chapter 102). These people get no justice, they're just used and this is where the duality of Chrollo comes in, he is a demon to the outside world because he is challenging the gods but also a Jesus figure for the underprivileged Meteor City. Even his reverse St Peters Cross on his jacket means that he feels unworthy to be crucified in the same manner as Jesus. Thats his way of saying he doesnt see himself as worthy of savior. His priority is the Troupe so they can together be seen to the outside world, they are literally a troupe of phantoms, trying to be recognized. This is why when he asks Neon if she believes in ghosts and she says no, she is the oppressor that doesn't understand the one hurt.

If you read the story with this idea in mind you start to observe that the Troupe only attacks people hazardous for the City (mafia, ants) or when they want revenge for one of them killed so its weird they are presented in a positive almost heroic light. Only exception that sticks out to the story? Kurta massacre.

The og commenter wondered why it was that the Troupe was always presented in a positive light. We've known the Phantom Troupe does acts of good alongside the bad but we also haven't seen anything entirely "evil" commited by any of them yet. Most of the legends surrounding them are hearsay. And though they could have easily killed Gon and Killua, they don't, twice. Also, Uvogin when taken by mafia/Kurapika says if freed, they wouldn't hurt them as they are not the target.

Op comments on how narrative should be filtered as its being commented via Gon- a non objective source, they claim that the 1st arc feels like a kid show whereas chimera arc feels dark, thats not to say it is actually like that but as Gon's perspective changes so does the narration. At first when innocent people die, he doesnt really care but in chimera we need a narrator to explain as Gon is too biased at that point. Regarding the massacre we only have Kurapika's word but what we are being told/shown about the Troupe is different. The characters talk about the Kurta massacre, how horrible and brutal it was but the narrative is keen and favors the Troupe, it paints them in a favorable light and why should the narrative do that, they don't become better people like the Ants after all.

From the moment they appear on screen, the narrative wants us to see them as underprivileged, both in York New and in the ship, even when they're fighting in Meteor City, they're fighting for injustice or when somebody hurts them. Then why justify their actions everytime they appear on screen if they massacred the Kurta Clan? If they are responsible for this why make them the underprivileged representation? Both Kurta and Troupe says the op are ostracized by the outside and seen less from people.

Say they did it. 3 ideas were proposed as to why.

1. for the eyes (Chrollo likes the eyes, like Hisoka said but Hisoka is a liar and also Chrollo has never shown interest in the show for them. For someone who steals things he likes, why make an exception and murder here?)

2. for money (that's not correct, we are told multiple times they don't care about it, neither money nor fame, they want to be recognized by the world but how would that work by killing a clan that's been hidden for 100 years, they dont get anything out of it.)

3. for revenge: Revenge for what? Kurta are a peaceful clan that hide for years. We know the Troupe left a note that is the motto of Meteor City (I'm adding here what op referred to: "we reject no one so take nothing from us"). Op says note means they serve justice to their city, when someone takes things away from them so what did Kurta take? From the thematic and narrative point they are not set up to have done it, op thinks thats 100% intentional.

Like said above, BOTH have the thematic of oppression from the outside world, they are a commodity for the rich and powerful (gods) but why is Phantom Troupe put in the light of both, the oppressor and the oppressed? Why would an oppressed group oppress another one for NO good reason? The Troupe doesn't kill innocent people if not necessary, they do NOT care about money or fame and the revenge aspect doesnt work because the Kurta were isolated from the outside.

If we look back at the York New Arc they never state the massacre, they simply suggest it and of course from a Kurapika POV they are guilty but if you look again you have to ask..are they really?

☆

this took ages for me to coherently formulate and ik it goes back and forth but bless op's heart because it changed my perspective completely (more than any yt analysis found online) !

[daresplaining]

opinions on the red fist saga? :0

Resoundingly negative, unfortunately. I actually only just read it, because I was having a rough time with it while the issues were coming out and so decided to put it off until I was in a better headspace for it (or until I saw a preview for an issue that excited me and gave me the motivation to catch up, which is what happened with next week's anthology issue).

As I said, I disliked this story very much, so if you aren't interested in hearing me rant (perfectly fine! I wouldn't blame you!), read no further. I really hope you liked it. I really don't want to get you down if you did. This whole run was just the epitome of Not For Me.

Ahem.

The "Red Fist Saga" is, in my opinion, a flimsy "Shadowland" knock-off, centered around the abrasive, moralizing religious zealot who has been inhabiting Matt Murdock's body for the past few years. Elektra Natchios, an incredibly complex character whom I love dearly, had her backstory savaged to remove its autonomy and complexity (that's a rant for another post...) and exists in this story as an accessory to this Matt look-alike and as a handy target of his moralizing (at one point he comes to the revelation that this recent journey she has been on has been worthwhile because it was all about God saving her from her wicked ways!!, at which point I may have blacked out from rage for a few seconds). Matt and Elektra GET MARRIED, and the implications of this massive shift in their relationship are not explored at all. And phew...the less said about Sam Chung's single scene, the better. As was true throughout Zdarsky's entire run, Matt speaks and thinks in this story like he is reading a prepared speech at all times, making grand-yet-hollow pronouncements about the nature of good and evil. He doesn't sound like a real person, but rather like a robot that has been fed a steady diet of religious texts, along with a few surface-level social/systemic reform concepts. His personality consists of being alternately sad, angry, and making lofty proclamations about "fighting evil in the service of God's plan", and I just have no emotional investment in that. I'm not Catholic (and neither, until recently, was Matt Murdock, making this whole thing profoundly weird).

There were some cool elements to this story. I'm a huge Stick fan and I'm thrilled that he is finally back from the dead after all these years. I love Stilt-Man. I love Speed Demon (for some real Speed Demon goodness, go read Superior Foes of Spider-Man, one of my favorite comics of all time). Foggy had a few good panels. I got to read Milla's name; always a treat. Kirsten didn't actually die. Mike was...mentioned (I've already griped about his death; I won't do it again here). The twist that Foggy and Stick were actually already dead was effective and very cool and I didn't see it coming at all, so I will give full credit for that. And I'm someone who genuinely does enjoy Hand shenanigans. I love that stuff when it's done well. But the degree to which I could not stand this new Matt and did not care what happened to him or what he was doing, plus the fact that I had seen all of these plot points executed already, and better, by previous Daredevil teams, meant that this story was just a protracted slog through painful writing, past scene after scene that could have been so much better in the hands of a different creative team or centered around a version of Matt Murdock who was actually a compelling protagonist.

[intothetlkverse]

Decided to challenge myself by drawing every single TLK character out there, up until this point in time, and post it here. You can see the finished project on my main account, though I figured to post it on my tumblr just show I could proudly show off my work and a few of my head canons.

Here's all the rodents, plus lagomorphs, across TLG/K:

First are the jerboas; Tupp/Thupi(body-Nyanja) the lesser Egyptian jerboa from "Journey of Memories" and Jerboa/Impuku(rodent-Zulu) the long-eared jerboa from "The Call of the Drongo". Right between them is a springhare we see from the TLK book "A Wild Night Out". In the book where Simba and Nala sneak out at night to explore and find an aardvark, a porcupine, and a springhare before heading back home. This discovery has unfortunately made me have to do back and retroactively add some more characters, though at least it is nice to get some animals in proper TLK style for a change, though I kinda feel a bit sheepish for not realizing that TLK has done springhares before I did my revamped beavers into them. Anyways, meet Bazara(spring-Hausa).

Next are the mice, including the first one we see in TLK, the striped grass mouse Scar plays with I've named Eku(mouse-Yoruba), Nobi/Inabi(grapes-Hausa) the spiny mouse from "Good Mousekeeping" who is an albino African spiny mouse who gets bullies by a trio of elephants before he learns to stick up for himself, and lastly the female four-striped grass mouse we see also in "The Call of the Drongo" I've decided to name Lishe(nutrition). Not much to say about them, though my headcanon is that Eku is actually one of Zazu's partners, having gotten close to him during Zazu's rib cage imprisonment, and kept him informed about current events while also trying to help him escape by gnawing on the bones time to time.

Following with TLG rodents, which make up the majority of this list, we have Tafu/Tafiya(journey) the scaley-tailed flying squirrel from "The Accidental Avalanche". As far as gliding rodents go, I really like his simplistic design and kept it pretty much the same. Additionally for flying squirrels we have Piper/Pyp(pipe-Afrikkans) from "Saskatchewan Catch", a flying squirrel who gets help from Timon and Pumbaa to find herself a mate in exchange for some hard-to-reach tree beetles, though ditch them on their deal once she finds her mate. Not much to say about her story wise, though design-wise I did think the purply-grey colors were alright, though no lipstick, scarves, or updos that make Pricilla Presley weep in envy, though I can justify the beauty-mark.

Also for squirrels we have the the Teds, Ithendi(heel-Xhosa) and Kitendo(act), now a pair of ground squirrels, which just look like prairie dogs to me, from "You Ghana Join the Club". These brothers and their family decided to hog the resources of a certain area in the Oasis, though thankfully and rather painfully got their comeuppance by peeving off one of the local lions. Again, not much to say, though I think I did a good job of sneaking in some pink and blue elements into their designs, though I had to do quite a bit of redesigning, since the first draft came out looking like evil Care Bears.

Next are the porcupines, all pains in the neck with all their individually drawn quills, where we have the African-crested present with Mama Binturong-now-Civet's lackey Smun/Sumai(high). At some point in time the Forest was a pleasant place, where the inhabitants freely interacted with each other and freely shared the resources around, even inviting new folks to live in the community. However one of them, a malicious civet, took advantage of everyone's naivete and generosity, instead hogging all the resources including their precious medicinal tuliza, and threatening anyone who tried to get in her way, as well as making the price to get even just a blossom of tuliza unobtainable at worse and back-breaking at minimum. Sumai and his prickle were unfortunately casualties in this that only worsened the problem. They were so young when they lost their parents to an easily preventable disease that could've been stopped with the tuliza, but they were denied it and ended losing their lives, and leaving their children alone and vulnerable. Acting as the doting 'mama' figure, she took in the orphaned porcupines, acting as the poor doctor who was unable to save their parents due to everyone wanting the tuliza and taking it from her, leaving none for her to give to save them. Over time she successfully convinced them that the other inhabitants of the forest were to blame, wanting to hog all the tuliza for themselves and did not care about trampling over or taking out others to achieve that. Slowly she grew her army of porcupines, heavily dependent on her and unable to realize the harm she had caused, to neither them or their communities, by controlling the flow of tuliza, so caught up in their devotion and false belief of misplaced blame. By the time they return back to the forest after failing to get revenge on Bunga, they find that the forest has flourished in their time away, the tuliza and resourced are now being shared and cultivated as originally, and to boot the inhabitants have grown more of a spine. Mama Civet has grown frail and ill with age and a few porcupines were injured during the fight. The forest inhabitants are still resentful, but merciful enough to allow them to remain in their old area and use what they are given to recover, but they will now be required to work for the community and their tuliza, and the second they step out of line, they're out. Over time some of the other porcupines begin to see the community for how it truly was and begin to question how they were raised and acted before, whole Sumai remains almost fanatically devoted and serving to his ailing, crippled foster mother, now refusing to even get up and demanding quantities of food and tuliza served right to her, succumbing to sloth and addiction. Sumai can only painfully watch as she slowly keeps on digging a hole she can't climb out of, while his brethren try to help him move on.

So yeah, decided to give Smun's prickle a backstory with orphans, dependency, abuse, and addiction. I imagine tuliza, while it does seem to have calming/pain-relieving aspects, too much or condensed quantities can be addicting, though I believe by the time Bunga meets Mama for the first time and he finds her hogging all the tuliza, the effects have mostly worn out and she needs a higher, more concentrated dose to feel the effects, hence why she stole Makini's tuliza, hoping it was a more stronger version... I think I need to stop watching MLP's Breaking Bad/Poison Joke.

Back in the Pridelands we have Male Porcupine/Nungu(porcupine) and his sons; the Porcupine Brothers; Chembe(quill) and Sindano(needle). Nungu is a single dad of two that tries really hard to raise his sons up right, though between a certain honey badger bouncing him like a ball, being chased by curious giraffe calves, and having fruit dropped on him, the poor guy just needs a break.

From "Prickly Problems" we have Spike/Karu(spike), a porcupine that accidently spikes Simba, only to regret it after he realizes that the cub meant him no harm. Fortunately Simba does recover and they do make up in the end, though I personally don't like how he looks like a North American porcupine in the book.

Last of the porcupines is Zungura(poke), featured in, but never mentioned by name in the TLK book "A Wild Night Out", where she does meet Simba and Nala when Simba accidently steps on one of her shed quills. I find it a bit coincidental that I put her next to a porcupine that actively stuck Simba with quills, though thankfully African-crested porcupines are smooth quills instead of barbed like the North American variants, so while still extremely painful to get stuck, are much easier to pull out. I know this from experience, though I will say this, African-crested porcupines are like big guinea pigs. Give them something like a nut of piece of sweet potato and they will hunker down, grab the food, and start munching on it, they are so adorable.

Next is the pika we see at the Tree of Life that Mama Binturong/Civet bullies after they try to give her some tuliza. His name is Ponya(heal) and he often helps Nirmala by finding and gathering supplies for her, as does the rest of his group. So while doing research for this, I incidentally discovered that the pika, which I originally thought was a rodent, is actually a lagomorph, aka related to rabbits/hares, who are also not rodents. But come on, we kind of do associate them with these smaller critters, so this sheet is now rodents + lagomorphs. I did reuse the model from the last time I made him, though I also added the little mouthful of grass you see pikas with. Seriously, if you're having a bad day, look up 'pikas with flowers', it so sweet, you'll feel better. I have them here in Colorado, and while I don't see them all that often, I sure am glad I do have them here, though I did learn while drawing them that apparently there are some in Asia too, so that's neat.

So starting off with the hares we have the TLG ones, including the young female hare/Sungura(hare/rabbit) who is a scrub hare, and the red rock hares with Masikio(ears) and his sister Sikiliza(listen). And lastly... the ones from the Timon and Pumbaa Show... the three-fingered jackalope/Gaidi(bandit) who is now a scrub hare.... and horrifying Rabbit/Hofu(fear), and neutered as much as possible from their show counterparts and for good reason, please trust me on this. Best I can say is that I did y'all a favor by turning mister nightmare away from y'all.

[iamfuckingsorry]

Sorry guys, another DE rant incoming. This one's not even on any specific topic, just some feelings about the game that I need to get out.

So, the game absolutely fucking killed me. I intentionally didn't play the entire thing at once to give myself time to process and it still fucking killed me. And by killed I mean I had to take crying breaks at work hiding in the bathroom. Like literally unable to go through a day at work without coming this close to a breakdown. And there's other compounding factors for that, sure, but still.

And it's like... It's a chilling social commentary with too many layers for its own good. The main character is a walking bundle of current and past issues mixed with the consequences of extremely messed-up past actions. The main support character has the best of intentions but is heavily flawed himself. Everyone else in the story is fucked up, really every single fucking thing is fucked up, yet the game itself keeps giving you these little snippets of hope. All the side quests where you can make a difference to someone. Deep conversations. Kim smiling. Realizing the people you originally thought were massive assholes were just hurting. The goddamn stick insect.

You are a violent and irrepressible miracle.

Something beautiful is going to happen.

In the dark times, should the stars also go out?

Streets and sodium lights, the sky, the world. You're still alive.

You still have some years. You still have some hope.

The only way to load the dice is to keep on fighting.

Kim being so hopelessly in love with Revachol even though he's been treated like shit by the city's inhabitants.

Harry being so hopelessly in love with Revachol, too, even though he can't even remember her.

The world is shit, but there's still all these little things that make it worth living.

And I'd... really love for that to be my take away. I would really, really fucking love that. But somehow, I can't.

Because no matter how much good you do preventing an absolute bloodbath in Martinaise, changes are coming, and they aren't good changes. The wheels are already in motion and they cannot be stopped, no matter how vigilant Harry is, no matter how much Revachol loves him.

22 years after Harry wakes up, Revachol's getting nuked to pieces.

Some 5 years after that, the entire world as we know it is getting swallowed by the pale.

Kim Kitsuragi will not live to see 70.

(Honestly, this is the line that kills me the most. He deserves to grow old, to look at his life and be happy with what he's done with it, at peace and fully accepted by everyone including himself for the first time in his life. And instead he's getting killed in a pointless conflict that will usher in the end of the world, or if he won't get killed then, he's getting nuked to death. Kim Kitsuragi will not live to see 70.)

Anyway. I know that that's part of the point. Horrible things are inevitable but that doesn't mean life isn't worth living and good things aren't worth fighting for. You can still fight the inevitable darkness while you're here, you should still fight the inevitable darkness while you're here, you need to fight the inevitable darkness while you're still here because if you don't, then what are you living for? And if not you, then who? If you lose your last sliver of hope, then you lose everything. Yes, life is terrible and terrifying, but life is also so, so, so beautiful.

And even when life is shit, it's all just part of a cycle. Sometimes bad things need to happen in order for the good ones to be able to come back again. One day I'll return to your side. After death, life again. After the pale, the world again. The good connected to the bad, intertwined so tightly they cannot be separated in any meaningful way.

And I think I'm starting to get there, I really do. After the pale, the world again. Even in the darkest of times there is always hope of a brighter future. After the pale, the world again. After death, life again. Un jour je serai de retour près de toi. The only way to load the dice is to keep on fighting. The stars will never go out, not even in the darkest of times.

But instead I just... I close my eyes and I think of Revachol herself begging Harry to save her, and I think of her burning, and I think of Kim not living to see 70.

And I want to cry.

[makutaservaela]

Timing Ramble

I was going to ramble about reproduction, complete with cute drawings of babies, but I started writing a little note about time, and then I got distracted. Let's tackle this first.

I think I speak for a lot of us when I say the timing in Bionicle is kinda annoying. This is generally the way I handle it:

(Sorry that my maths are probably garbage. Knowing me, I probably messed up one number and then threw off everything else. I tried to keep it simple.)

One of the biggest sticking points to me is that Kiina was described as "in her mid 30s", yet she was in the Core War, AND Gresh was considered too young to have been in the Core War, but old enough to have experienced it.

Bionicle characters process time differently than humans do, and/or their words for passing time aren't the same as ours. Canonically, Spherus Magnan days (and MU Days) last 36 hours split into morning-noon and noon-midnight. We don't know how long an "hour" or "year" are, though, as far as I know. We don't even know if a "year" refers to a full rotation around Solis Magna. It could refer to something else.

Cervatus lived for about 265,000 years before dying of natural causes. Let's say he lived longer than the average, and the average is 250,000 to clean the numbers.

However, the Great Beings also extended the lifespans of SMnans. Let's say they slowed down the adult span, so an SMnan is an adult for twice as long as a human is. At age 20, you would feel 19. 30 years later at age 50, you would feel 35.

Human lifespans average about 85ish- 3 of infant, 9 of child, 6 of adolescence, 50 of adulthood, and 15 of seniorhood.

One year for humans is 1.2% of our lifespans. Presuming a human gets that lifespan increase, they now live to 130-140ish, so now one year is .71% of their lifespan.

.71% of 250,000 is 1,775. They process/pass about 1,800 years as we pass 1, or in other words, when they say something took "1,000 years", imagine having done that thing for 5.5 months. The Island of Mata Nui was inhabited for about 5.5 months, which isn't too bad an idea given how low the technology they had and how little of the island they had tamed. There were supposed to be 1,000ish Matoran on Mata Nui, and in 5.5 months, 1,000ish people working that diligently could likely accomplish what we saw there.

The one downside to this is when things happen in month or single year increments. I don't think Farshtey, or whoever else picked these numbers, can really comprehend how long this time takes.

Generally, I read "one year" or "one month" increments the same way I read "one foot". We know there is a standard unit of measurement (Bio, Kio, and Mio), but we also know that, as Farshtey put it, "things don't translate properly" to chalk up why occasionally characters reference things out-of-universe, like foot/mile. I honestly loved how he was roleplaying as just some scribe translating and transcribing a story.

Anyway, for small ranges, I would compare them more to human experience (translated poorly) while for large ranges, I would take them literally. In other words, 100,000 years is 100,000 years (56 years to us), while 1 year is 1,775 years (1 year to us). This would mean the events of the book took place longer than the Matoran were on Mata Nui before the Toa, which given how quickly they changed the Toa's mask statues to match their Nuva masks, isn't actually that farfetched. Matoran move fast.

An Agori, if their child development was similar to ours, has the following aging:

1 year = 1,775

Infant until 5,325 years

Child until 21,300 years

Adolescent until 31,950 years

Adult until 209,450

Average Death by old age around 248,500, give or take a few ten thousand.

This means the Core War was about 56 years ago. Presuming Glatorian are expected to fight basically as soon as they can keep up with the other warriors, let's say they start combat equivalent to age 10. We'll put Kiina around 13 in the Core War, or (in story: 23,075), and around her mid 30s now (123,075). Farshtey's estimation was her being in her mid 30s, so this weird math I pulled out of my ass coincidentally works perfectly. Gresh was 6 or 7 (or in story: 12,425) and around late 20s to early 30s

Any time I mention "years" after this, presume I am running off of this math. I will use the human comparisons (ex. Gestation takes almost 1 year) when rambling, but in the actual fanfictions and/or comics, I may switch back and forth if I don't remember to exclusively stick to in-story timing (ex. A pregnant character describing their gestation as having taken almost 1,700 years) and in the same vein, if a character in the story said, "Makuta take 9,000 years to wean and Skakdi take 600 years". The reader would know (presuming a human weans at 1.5 years) "Makuta take three times as long as a human child to wean, and Skakdi take 1/3rd the time a human takes to wean".

At the current point of the story, the first generation of MUian Second-Gens have just reached young adulthood. Presuming this means they are in their early 20s, they are around 40,000 years old. Kiina is 163000, or in her 40s.

I started my Headcanon in 2009, and didn't actually read the Bara Magna stories until years later, and even then, literally only started caring about them this year. That's why the BMnans, save Malum, Sahmad, don't appear in my HC at all (those two appear prominently because I actually got their sets, so I had reason to care about them). This is also why I accidentally gave Chirox's daughter the same name as a Glatorian: Tarix, although given that the Glatorian's name is pronounced Tah-rix, and the Makuta is Tehr-ix, I might just retcon her name to change the spelling.

Terix sounds too close to "Teridax" though.

Also of important note, the MUians weren't really aging before, and in their new organic bodies, they started out physically younger. The MUians were set to a physical age of between 25-40 depending on how experienced the person had (therefore how much more of a developed brain they need).

TL;DR

In order to get a Bio-Character's comparative human age, divide the number by 1775, unless their age is over 40,000. If it's over 40,000, then subtract 40,000, cut that number in half, divide by 1775, then add 18.

[box-architecture]

2 paragraphs are all it took to get me to love QuackiBlob lol and I'm probably going to make that your problem because you're his creator

He seems like a very cute- ehm apologies I meant impressive little fella and most importantly he causes Quackity mental distress do what more can one ask for? (I like causing my favorite characters mental distress >:) ... Though someone really should get big Q into therapy, chill dude, it's just a blob). Is there any (and I mean any hypothetical) scenario where Dream would make QuackiBlob or is that totally out of the question? Could he perhaps make a blob by accident? Did Quackity ever try to get rid of the blob or at least get it out of the casino? (Since it makes him so uncomfortable). And what would SapBlob's reaction to QuackiBlob and vice versa be?

Also, I'm now interested in the answer to Gogy's question: can other admins make something like blobs?

And last but not least, does GogyBlob wake up more often once DreBlob spends more time around (cuz Sapnap and Dream made up). What do SamBlob and PunzBlob think about GogyBlob and SapBlob? I can imagine SamBlob getting jealous easily

Sorry for asking so many questions, I guess you can tell I totally fell in love with those little guys 😅 they are such a good source of serotonin

Have a nice day/night <3

Honestly a big thing with me right now is that I haven't figured out if Quackity will live or die in the CKAU, but if he lives he will most likely be getting So Much Therapy. Or at least some mediocre dick (Wilbur.)

If I had to choose how Qblob would be created, it would likely be around the church prime era. Dream making some blobs to live in the church and do maintenance, and Qblob sticks with it for a while before getting bored and hopping off to find a space near its soul print, where things would hopefully be more interesting.

As far as my brain says atm, Blobs can't die. They can be poofed out of existence, but since they're not 'alive' the same way players are alive, their bodies can just respawn without consequence. Qblob, no matter how distressing he might be to Quackity, will always come back, so Quackity metronomes wildly between pretending he's fine with it and daily murder attempts. This is what coping is, surely.

Qblob makes Sapblob deeply uncomfortable in ways a tiny soul print just can't fully understand. The severe mix of I Loved You, I Miss You, I Hate You, I Want You Dead, I Want To Sob In Your Arms, etc etc? Thats asking a lot of a blob to manage. Sapblob has settled with avoiding Qblob at all cost and not letting it inside The GogyNest

It's. Sort of a yes I think? Philza's crows definitely used to be something like Dreams blobs before Chat starting inhabiting some. All Admins have the ability to create soulless "bots" to do server maintenance, but a skilled admin is capable of manipulating their shapes, sounds, and ability to be affected by Souls. You can imprint a concept of someone onto them, let someone see through their eyes or inhabit them to a minor degree. It's not really something an average everyday admin would do because Effort and Time Consuming and Learning A Skill, but Dream and Philza are firm Hyperfixators of All Things Silly And Fun.

Gogyblob believes in playdates. Thus, Dreamblob must come play, It's The Rules. Punz is a little Cold with George for Made Dream Sad reasons, so Punzblob is not a fan of playdates. Samblob thinks if he loafs on Dreamblob in a cardboard box then Dreamblob will never leave and therefore Be Safe With Partners.

This is incorrect and Samblob has settled with waiting in front of the GogyNest until the playdate is over. He Will Make Sure Dreamblob Gets Home Safe (and bite Sapblob because He's An Evil Partner Thief)

I give you a big hug and apologize for this taking so long<333 I hope you have a good day/night too!!

[themattress]

Sailor Moon (Takeuchi): The Top 20 Villains

Ranked using my core tenets for villains, and done countdown style for dramatic effect.

Honorable Mention: Danburite - He's technically not from Sailor Moon, instead being the main antagonist of the prequel Codename Sailor V. Danburite is the leader of the Dark Agency, a worldwide criminal organization that is secretly a subsidiary of the Dark Kingdom. He's a fairly complex character: hating Sailor Venus for never returning his love yet also still loving her, being upset that she favored Kunzite over him yet still working directly under Kunzite, and manipulating her in a Tuxedo Mask-esque guise just to lower her guard so he can kill her...yet ultimately choosing to die himself and use his last words to encourage her to move past him, something he could never do in regards to her. All in all, a damn solid villain.

20. Pharaoh 90 - The ruler of the Death Busters, Pharaoh 90 is a demonic extraterrestrial being bent on destruction. He's definitely the least engaging of Chaos' incarnations, but I have to give him points for a pretty great final battle and even some pathos in his last moments where he gracefully accepts his death and returns back to the Tau Nebula, saying that he wants to die in his home. That sticks with me even when little else about him does.

19. Queen Metalia - While a step above Pharaoh 90, Metalia still isn't all that interesting. She's a big blob of evil that wants to plunge the world into darkness and corrupt all its inhabitants because she's evil. Also, her design in the Crystal anime is underwhelming. Nevertheless, she gets by on how much destruction she wreaks, being the one to destroy the Moon Kingdom of the Silver Millennium and nearly causing Usagi and Mamoru's deaths.

18. Sailor Lethe and Sailor Mnemosyne - The Sailor Moon manga has straight-up villains, tragic villains, and villains who aren't really villains and are just brainwashed. That's why Lethe and Mnemosyne stand out as true blue Anti-Villains: having joined Shadow Galactica of their own volition and even doing bad things, but having a backstory that justifies it, a deep love for one another, and conflicting feelings about their mission the more destructive it becomes. They would rank way higher if they had more screentime, but alas, they do not.

17. Safir - At the same placement as his Toei counterpart, Safir is the brooding young man in the background who develops the Black Moon Clan's droids and watches helplessly as his older brother Prince Demande descends into madness thanks to Wiseman and the Malefic Black Crystal. There is no redemption to be found here, however, as Safir blames Sailor Moon and her future self Neo-Queen Serenity for everything wrong in his life rather than take any responsibility for himself and his clan, which ultimately leads to him becoming forcibly mind controlled by Wiseman and then killed by his own brother. The lesson: misogyny kills!

16. Evil Endymion - Metalia and Beryl long resented that they were unable to corrupt Prince Endymion in the Silver Millennium despite doing so with everyone else on Earth. In the present day, they finally get what they wanted, and the result is a sinister, cold-hearted and unsettling presence. Seeing the heroic, chivalrous young man we've come to know and love become a manipulative, violent sociopath is arguably where the Dark Kingdom arc peaked.

15. Chaos - In terms of personality, there's nothing here. Chaos is the Ultimate Evil and that's all there is to it. But oh, how it coasts by on sheer concept! Turned evil because it is a lifeform that has perpetually failed to get out of the Galaxy Cauldron and become a star, Chaos seethes and longs for universal conquest. This desire is so great that even trapped in the Galaxy Cauldron as a being of pure dark energy, some of that energy is able to leak out, creating all the other major villains that Sailor Moon faces. It's an ingenious way to connect the story arcs, antagonists and series together, tying it all in a satisfying, truly epic bow.

14. Witches 5 - We had evil minions correlating to the Inner Senshi that challenged them and helped their character development before with the Shitennou and the Spectre Sisters, but I think Witches 5 is the peak version of this concept as a purely villainous force. They're all perfect dark foils to their respective heroic counterpart in terms of design, personality and powers, and face off against them not once but twice, the second time after having died!

13. Esmeraude - While the lone female leader of the Black Moon Clan is sadly the least consequential, she makes a stronger impression than Safir by actually fighting the Sailor Senshi on two separate occasions, and both times being a truly formidable adversary who almost kills them all. She also has a strong personality, being a haughty beauty who seeks to win Prince Demande's love and willing to do absolutely anything to achieve that desire.

12. Kaolinite - The Grand Magus of the Death Busters who commands Witches 5, Kaolinite brings a fun DnD aesthetic to the story while also being a fairly fleshed out character, especially in Crystal. Formerly Professor Tomoe's lab partner, Kaolinite now owes her life to the Daimon energy inside her and is obsessed with pleasing Pharaoh 90. Unfortunately, this puts her at odds with his actual number 2, Mistress 9, and seeing Kaolinite struggle even when the odds are against her makes her sympathetic despite being so unabashedly wicked.

11. Black Lady - When Wiseman corrupts Chibiusa, she becomes Black Lady, the self-styled Queen of Nemesis. Black Lady is a lot like Evil Endymion, but more nuanced as she doesn't do a complete personality flip due to the brainwashing. She still has the memories and feelings she held as Chibiusa, it's just that they've been twisted and perverted: her deep insecurities about living up to her mother and frustrations with Usagi manifesting as vindictive hatred of both, and her desire to keep hold of her father's affections turned into incestuous advances toward him. She may have breached the Top 10 had her resolution been stronger.

10. Queen Nehelenia - When part of Chaos leaked from the Galaxy Cauldron and into the dark side of the moon, it created a twisted mirror image of Queen Serenity: Queen Nehelenia. She's a fairy tale baddie based off the Queen from Snow White and the Wicked Fairy from Sleeping Beauty: a vain ruler who loves her beautiful image in the mirror and whose inner self is a hideous old hag, and a practitioner of dark magic who crashes a princess' birthday celebration and invokes a curse. Derivative? Absolutely. Effective at it? Also absolutely!

9. Crimson Rubeus - One of the most loathsome members of the Black Moon Clan, Rubeus operates by sending the Spectre Sisters out to fight and die for him so that he can swoop in and capture the Sailor Senshi they've rendered vulnerable and get all the credit from Prince Demande. He's a selfish creep and also a dirty coward, always feeling at the first sign of things going south for him. Despite that, he is perceptive enough to recognize that Wiseman may not have the clan's best interests at heart, and at least has the nobility to stand up to him over it even if that ends up getting him killed. If nothing else, Rubeus was loyal to the cause.

8. Queen Beryl - The main villain for much of the original Dark Kingdom arc, Beryl is interesting because in the Silver Millennium, she was more of a victim than anything. A jealous young woman who was misled and corrupted by Metalia. However, it’s a different story in the present day. The Silver Crystal granted her reincarnation and with it, a chance for redemption. A chance not to make the same mistake. But not only does she willfully re-release Metalia and then have the Shitennou re-brainwashed, but she takes things further by plotting to betray Metalia by keeping the Silver Crystal for herself and using its power to rule the universe with Endymion at her side. A case study in how corrosive envy and hate are.

7. Kunzite - While Jadeite, Nephrite and Zoisite of the Shitennou were thinly drawn beyond one basic characteristic (loyalty, passion and underhandedness respectively), Kunzite is a richer character. Despite being the leader of the Middle East branch of the Dark Kingdom, Kunzite is powerful enough to control a worldwide subsidiary in the Dark Agency, and reliable enough to be dispatched anywhere if necessary. He is arrogant and cold-hearted, allowing no personal connections in his life and focused solely on his mission. Yet then he becomes unbrainwashed and remembers being quite the opposite: devoted and dutiful, a protector not an offender, someone warm enough for even Sailor Venus to fall in love with. Tragically, when he tries to betray Queen Beryl he gets super-brainwashed and then killed in an epic struggle with the Sailor Senshi, but his cleansed spirit stays with Mamoru and plays a key role in helping to defeat Metalia for good. And through it all, he does it with such impeccable style.

6. Professor Tomoe - This villain is like unpeeling an onion, layer by layer. He seems like a good, caring father who is caught up in the Death Busters' shady business, with signs pointing him to being misled by Kaolinite. Then we learn he's actually Kaolinite's superior and not misled at all, but still trust he has his daughter's interests at heart since he's gone through such lengths for her. And in the end, we see that he is actually a complete psychopath who cares nothing for his daughter and only went so far for her so that he can make her into the thing he wants her to be: the first of a race of superbeings that he can rule over as a god. After he turns himself into a monster, Sailor Moon has to eliminate him, accepting that he is far beyond redemption. All in all, Professor Tomoe is effectively frightening and loathsome.

5. The Amazoness Quartet - I admit that I'm not that big a fan of Takeuchi's Dead Moon Circus, but even I can't deny that the Amazoness Quartet are spectacular villains. Remember how Chibiusa turned into Black Lady and then into Sailor Chibi Moon? The Amazoness Quartet is that without the Chibiusa part. What's more, they are preteens / early teens rather than adults, which means they rely far less on any sort of sex appeal and more on their raw cunning and deviousness. VesuVesu, CeleCele, PallaPalla, and JunJun...I love 'em all!

4. Sailor Galaxia - Usagi's final opponent is her perfect evil foil. Having grown up in a harsh, uncaring environment, Galaxia is as cynical as Usagi is hopeful, and instead of drawing strength from others, she sacrifices others to build up her strength. Chaos is easily able to manipulate her nihilistic psychopathy, but despite all of her attempts to break Usagi, she proves Galaxia wrong by never giving in and even saving her in the end. Before her (temporary) death, Galaxia realizes that someone like Sailor Moon was really what she wanted and needed in her life, and that even now an ideal like her seems so far out of reach.

3. Mistress 9 - If you want an example of pure evil done right, look no further than Mistress 9, the child and herald of Pharaoh 90. Like Pharaoh 90, Mistress 9 desires the destruction of Earth and its people, but she takes particular joy in causing it, relishing all the pain she inflicts on people...including people on her own side like Kaolinite. The way she uses Hotaru once Professor Tomoe sells her out to her control is especially despicable. When she finally turns into a hideous monster, it truly feels like the inside of her is finally showing on the outside.

2. Wiseman / Death Phantom - And if you want another example of pure evil done right, we have the best incarnation of Chaos in the series. Nemesis was an entire planet made up of leaked Chaos energy from the Galaxy Cauldron, awaiting only the proper catalyst to give it consciousness. That catalyst was Death Phantom, a psychopathic criminal sorcerer banished there by Neo-Queen Serenity. Melding his soul with the planet and magically puppeting his corpse under the identity of "Wiseman", Death Phantom will psychologically manipulate anyone to pursue his goal of taking over the universe and reshaping it into a void of nothing.

1. Prince Demande - Death Phantom's primary pawn? This guy. Prince Demande, leader of the Black Moon Clan. He starts out as a young man with a sensible conviction - an unnatural moon being ruling over humanity and forcing them into elongated lives in a utopian society is blasphemous, as she's basically playing God. Unfortunately, his methods go too far into extremism and terrorism, which attracts the attention of Death Phantom who, as Wiseman, lures him and his gang to Nemesis. There, exposure to the Malefic Black Crystal warps Demande....his motive shifts to envy of Neo-Queen Serenity, as now he decides that he deserves to play God and rule over Earth. And once he attacks Earth, the madman's motives shift again...now he wishes to rule with Neo-Queen Serenity at his side, as he has been overtaken with lustful feelings toward her and wants to force her into loving him. Despite being the worst of scum, Demande still has nuance: he cares for his comrades, especially his brother Safir. When forced to kill Safir, learning the truth about Wiseman and how he's been manipulated, and seeing the true power of the Silver Crystal he thought he could defeat, Demande's despair is palpable and pitiable. But then it brings him to trying to destroy the universe, taking everyone down with him just to prove he can be the master of his own fate, unbeholden to anyone or anything. So in the end, Demande epitomizes the tragic villain.

[exoticalmonde]

Part III. Hortus de Escapismo Dr. Evealia's Reaction

Transcribed: [The executor suddenly points.

Federico: Come out.

Lively Child: Ah... he found us.]

They are so cute but god do I need Executor with his gun pointed at the little kids and their reaction being... 0. Like, absolutely not impressed and simply disappointed he did find them so quickly.

---

READ MORE to find out what happens to the cute little blue-haired child with the adorable duck sock puppet by clicking this funky little button.

(But WARNING, the following post contains spoilers about the entire Hortus de Escapismo event, including the story, art and my commentary. I think this part is covering HE-4 to the first half of HE-6)

THEY ALMOST FREAKING EXPLODE THAT'S WHAT HAPPENS HOLY MOLY STOP TRYING TO GIVE ME HEART ATTACKS ONE OF THOSE WILL BE REAL!!!

---

No... My heart, oh no, not the flowers...

Transcribed: [Gerald once said the Sakraz have no home, only war that follows them wherever they go. They swore to their lord in the hope of finding a home of their own.]

---

Oh Clément I am so sorry... Stupid wench was she the one who set the chapel on fire? Is she even capable of using that kind of arts? Or is this an illusion? I am actually really heartbroken, I like Clément and I was really happy that he existed as a fellow Felafia, but... Why is it just not working out for this guy?

I'll get you a greenhouse with all you need it in babo, stay strong.

---

Yeah, my heart is.

---

Transcribed: [Race is not proof of innocence. I would not hesitate to destroy the sacrarium if I thought it necessary.]

*Hands Federico the 'best not racist' award*

Or ultimately

*Hands Federico the 'most racist' award*

At this point I don't know, but you do what you're doing.

---

Hey, the baby ducks found a new mom.

---

Transcribed: [

Lemuen: Quiet. This is a resedential area. You'll bother the others.

Twisted Monster: (Growls)]

You know what, forget the whole 'amazing strong character' trope that Arknights has going on for everybody, can we just sit and enjoy the fact they always talk to themselves, or to something that is supposedly incapable of understanding them the same way every person speaks to their pets. They don't expect a reaction, and in moments where it FEELS like it was a reaction they have a kick out of it, but otherwise they're... so sweet to watch. In a horrendeous and terribly traumatic way.

---

Transcribed: [The Executor kneels down. No one pays attention to the dirt on the edge of his robe, and the adornments that represent his status.

Federico Giallo gazes straight into the children's eyes.

Federico: The disappearence of an inhabitant is within the scope of my mission.

Federico: Yes, I will find your mother.]

What a wonderful, wonderful, amazing scene. To watch Federico retain his personality but also grow as a character after being introduced to his tasks in the new role he carries is so refreshing. Reading the story feels so short, the levels are hell, but the way he is growing is GOOD and well-paced.

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Honestly, bast scene. I don't care what terrors and sadness or how cool they will be, this is peak interaction.

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[Quite the lady's man, aren't you?]

GERALD YOU TEASE!

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Shots fired, yet no guns were raised.

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What do I feel about Aulus apart from the fact he kind of reminds me of a taller Pantalone (Genshin Impact)? He fed the creature, he protects it and then just shows up here and there to talk to people and refuses to elaborate. What is your plan? What are you even doing with your life, Father Aulus?

Though guys, I think he found the coolest stick...

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SHE STOOD! SHE STOOD UP!! LEMUEN???? STOOD UP??? FROM HER WHEELCHAIR????

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[You may not set foot in Paradise.]

LOOK AT HER GOOOOOOOOOOOO!!

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[The thin door plank is pushed open from the outside.]

I want to die.

ANYTHING BUT THAT PLEASE

[The unsuspected visitors do not disturb their soft breathing.]

[It falls into the soft, meek little 'prison'.]

Wait a second...?

[Twisted Monster: Eren... Sara...]

Oh thank GOODNESS, my heart was about to leap out from my chest. What a rollercoaster. I am so glad they're safe, thank you.