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undertale-data · 3 years ago

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[Image Description: An Undertale chat box that has “WHY FANS LOVE UNDERTALE” at its center. Next to it are a line chart and an Egg from the Dating Hub on its left, and a CRIME measurer (also from the Dating Hub) on its right. End I.D.]

[Image Description: a pie chart titled, “LEVEL OF LOVE FOR UNDERTALE.” The textbox on the top right reads, “On a scale of 1 to 10, 1 being the least and 10 being the highest, how much do fans enjoy Undertale?” From the top going clockwise, 12 or 0% chose 5 and below; 23 or 1% chose 6; 98, or 4%, chose 7; 325, or 12%, chose 8; 529, or 20%, chose 9; and 1664, or 63%, chose 10. End I.D.]

It’s clear from all of the data analyzed so far that fans who took the time to answer our survey love Undertale. It is unlikely that they would have taken the time to answer so many questions if they had not, and even less likely that they would have come across our survey in the first place. Naturally, it comes as no surprise that 63% of our responders gave their love for Undertale a score of ten out of ten. 95% gave their love for Undertale a score of eight or higher, and only 12 responders responded with five or below, a number so small that their responses had to be lumped together to be visible on the pie chart. Of those, only 3 responders gave their love for Undertale a score of 1, and based on those responders’ other answers, it is likely that they were only intending to troll. We are very fortunate that the vast majority of responders took the survey seriously, enough so that responses like this are barely a blip in the data.

Now, for our final analysis post of the event, we will delve into the reasons that fans love Undertale so dearly.

(Essay and highlights under the cut.)

There have been countless essays on the impact that Undertale has had on people’s lives. I can hardly add more on the subject than what has already been said, but I hope this summary can provide a brief overview of what stood out among the over two thousand answers given in response to this survey. That said, due to the sheer volume of answers, I could not read every single one in depth—however, I did skim all of them, and some that stood out or were representative of several responses have been highlighted below. If you would like to see what every fan who consented to share their response had to say, you may view the full list of responses here. Note that these responses have not been edited in any way. This document may take a long time to load, as it is over 100 pages long.

(Warnings for mentions of suicidal thoughts in the following essay.)

Several responders loved the theme of choices mattering in Undertale. Whether people played the pacifist, merciless, or neutral routes, they enjoyed how the game reacted to their actions. For some, it even made them consider their own morality. One touching response explained the impact that the theme of mercy made on them. “I realized that Mercy isn't something that's given to those who deserve it. Flowey didn't deserve it. I don't deserve it myself. Shoot, we ALL need Mercy in our lives.” Many fans left similar comments about how the themes of Undertale made them better people.

Undertale changed how its fans treat others, and it also changed how fans treat themselves. The theme of staying determined and the messages of hope in the game were a light to a very large portion of fans. I cannot list all of the fans who said that Undertale helped them out of a dark place, or that they would not be alive if not for Undertale. “DETERMINATION became a metaphor for not killing myself at a really rough time in my life and I’ll always cherish that. Undertale isn’t afraid to go to really dark places but at the same time holds on so tight to its hope.”

Undertale brought fans together in unexpected ways. Some said they met friends or significant others through the fandom. “I wouldn't have met my now husband without Undertale,” one fan said. A different fan who is non-native English speaking mentioned that the game and the fan community helped them to learn English.

It would be impossible to discuss Undertale without mentioning the fan community. Whether for good or bad, many responders mentioned the fandom in their responses. Overall the feelings towards the fandom seem positive, though many made references to “toxic” parts of the fandom without specifying which parts they consider toxic. Others rejected the idea of toxicity in fandom. One response said: “[SLAMS FIST ON DESK] I KNOW MOST PEOPLE SAY THE FANDOM IS TOXIC AND CRINGE OR WHATEVER BUT OH MY GOD. The Undertale fandom, both the UTMV and the actual UT fandom, has been so much fun to be a part of. I've met countless friends because of our shared interest in something related to the game! The art people create can be breathtaking and so inspirational, and the fanfics are so so good!! I've seen people write incredible things for this fandom and it's what made me continue writing!”

One thing that makes the Undertale fandom unique is the way it embraces various AUs. Some fans are tired of AU content, but the majority of responses show a love for the creativity behind AUs. “Roll your eyes at the 50th AU Sans all you want, it's encouraging people to step outside the boundaries of fanart and pushing people to make their own ideas! I mean, hell, it was how I gained the confidence to start making my own original content.” The lack of a judgemental atmosphere seems present in the AU community, according to the responses we saw. There is an interesting balance between AU and canon (sometimes referred to as “classic”) content that another responder pointed out: “The fandom helped keep the game alive all these years, with all of its AUs. Although personally, I always enjoyed AUs that kept characters as close to the classic material as possible (dancetale, outertale) I do appreciate the creativity of the fandom. They almost created entirely new stories with new characters of their own! If it weren't for those people, the Undertale fandom would have probably not been as active as it is now. I do feel like we're getting a resurgence of classic content now too! (In 2021)”

Regardless of the many AUs the fandom has created over the years, the original game of Undertale still feels like home for many fans. They wished they could reclaim the feeling of playing the game again for the first time, but even though we can’t reset time in real life, there is still a special feeling for fans each time they play Undertale. One fan said, “Even the best fics I've read can't capture that feeling of nostalgia/almost-"coming home" that comes with hearing the music and talking to the characters.” This feeling is one that can be cherished time and time again. In the words of another responder: “It always feels welcoming like home or like comfort food that I never grow tired of no matter how many times I go to it.” Others pointed out the strength of the found family trope in Undertale, which likely contributes to this feeling of “home” as well.

As mentioned briefly earlier, the music is part of what makes Undertale feel like home for fans. Even when responses focused on other aspects of the game, many would throw in a comment about the soundtrack at the end. One comment focused on the music said “IT'S SO GOOD like I will literally go through the entire thing over and over and not be bored with it. It makes my monkey brain so happy you have no idea.” Like with the game itself, the music has incredible replay value, an amazing feat considering most of the tracks use the same few motifs. “I think what I like the most about Undertale is how the music attaches you to the story,” another responder said. “They're simple melodies that stick with you throughout the whole game, and they can remind you of both good and bad times.”

If the music sticks with fans in their hearts, then the game’s lore sticks with fans in their minds. Even six years after the release of Undertale, fans are still creating new theories and digging up new secrets. The way the game breaks the fourth wall in particular intrigued many fans and has stuck out through all these years. The awareness that the game shows for the RPG genre makes it memorable. The game plays with the player’s expectations and turns them on their heads, all while reminding the player that they’re in a game. There are few other games that do this on such a large scale, so it’s no surprise that fans cite this as one of their favorite things about Undertale.

Lastly, the LGBT+ representation in Undertale has been a huge draw for fans. Especially in 2015, the sheer volume of non-cishet characters was unprecedented, as one fan pointed out: “It's practically unheard of to see so MANY from just one source, especially during its heyday in 2015-16. Hell, you can't even GET the true pacifist ending without helping two gay couples hook up. It's really nice to see all of them being accepted for who they are and not judged for their sexuality or gender, at least in-canon.” The LGBT+ cast including Frisk, Chara, Napstablook, Monster Kid, Mettaton, Alphys, and Undyne each connected with fans in unique ways. It’s clear how important this is from responses such as: “There are canon nonbinary characters 🥺. i have never seen representation of myself before.” “It made me gay and trans so thanks for that.”

Once again I am overwhelmed with just how much there is to say about Undertale. One responder really understood when they compared Undertale to an iceberg, explaining that there are so many layers to the game that there is something for everyone: “everyone can find something to enjoy in the lore/game regardless of what kind of fan they are! Being able to appeal to various types of fans—from simple happy shipper people to deep dive lorediggers��is the mark of the coolest games!” I would have to agree with them.

It’s been six years, and despite everything, it’s still you. Thank you for reading, participating in this survey, and above all, staying determined.

Highlights:

DETERMINATION became a metaphor for not killing myself at a really rough time in my life and I’ll always cherish that. Undertale isn’t afraid to go to really dark places but at the same time holds on so tight to its hope.

I think the coolest thing was having the opportunity to watch the AU community grow from its bare roots. It's nearly insane how big and complex it's gotten, unlike anything I'd ever seen before. Roll your eyes at the 50th AU Sans all you want, it's encouraging people to step outside the boundaries of fanart and pushing people to make their own ideas! I mean, hell, it was how I gained the confidence to start making my own original content.

i love how the lgbt rep is so naturalized... there are just gay people! and its nobodys business!

The music is my go to answer, but what I really really REALLY love is how the minor characters have so much personality to them when you talk to them. They aren't incredibly important to the overall story, but they're all so likeable and diverse that you just can't help but like them immediately!

I think it was the first videogame I have played that broke the fourth wall that much. Of course there has been other videogames that broke it but just for one or two tongue-in-cheek jokes. The guilt of killing mama goat was also something intense as well that I appreciated as an experience and that I didn't think a videogame could cause on someone.

I love how no character can be seen as completely bad! Everyone builds up Asgore as some horrible villain, but he turns out to be a 'fuzzy pushover' who's broken and just wants his family back by the time you meet him. Then you think Flowey's an irredeemable killer who engineered the suffering of the monsters across many timelines, and he is... but he also used to be the kind and beloved Prince Asriel Dreemurr, traumatized by his death and subsequent rebirth, projecting his best friend onto you.

The fact that choices matter in the game. Your first playthrough and getting the golden ending for the first time. I can never replicate those feelings again, wish I could erase my memories and replay the game from the start.

I wouldn't have met my now husband without Undertale.

(Toxic parts of the fandom aside) The community is possibly one of the kindest I've ever met. Cringe culture is completely dead, and I feel like I can be myself. I felt a very close connection to many of the characters, and I loved consuming content about them when I was in a rough patch in my life.

just everything, the whole game has just impacted my life so much. i know it sounds really lame, but when the game first came out, i would purposely put my hands in my pockets and sway slightly, like sans' idle animation. of course i dont do that anymore haha, but undertale still really impacts me to this day, and i wouldnt have it any other way :)

it made me gay and trans so thanks for that

I realized that Mercy isn't something that's given to those who deserve it. Flowey didn't deserve it. I don't deserve it myself. Shoot, we ALL need Mercy in our lives.

The thing I love most about Undertale is no matter how many times I play or watch a playthrough it always makes me genuinely happy. It always feels welcoming like home or like comfort food that I never grow tired of no matter how many times I go to it. Toriel still makes me feel all warm and cozy in her home, the Skelebros always make me laugh, and I still cry on the inside watching Frisk comforting Asriel. And on the flip side the No Mercy run still invokes the negative emotions in me as well. In short Undertale just feels like a second home to me and I always wish I could stay.

The reader inserts are my favorite way to decompress after a hard day

I think Undertale helped me discover my love for 8-bit games, and made me realize how IMPORTANT music is in video games.

the worldbuilding and character design are my favorite parts of the main game apart from the music! I’m also a huge fan of the random AU music- not for like underswap or underfell i like the stuff where someone makes a megalovania for a random au where gru from despicable me replaces sans as the character. i think its funny

Just... the vibe, honestly? Even the best fics I've read can't capture that feeling of nostalgia/almost-"coming home" that comes with hearing the music and talking to the characters.

there are canon nonbinary characters 🥺. i have never seen representation of myself before.

[SLAMS FIST ON DESK] I KNOW MOST PEOPLE SAY THE FANDOM IS TOXIC AND CRINGE OR WHATEVER BUT OH MY GOD. The Undertale fandom, both the UTMV and the actual UT fandom, has been so much fun to be a part of. I've met countless friends because of our shared interest in something related to the game! The art people create can be breathtaking and so inspirational, and the fanfics are so so good!! I've seen people write incredible things for this fandom and it's what made me continue writing!

There's a scene where Frisk (the player) is going towards what is presumably going to be their death. They will fight Asgore and he will use their human soul to break the barrier and free his people. The music, despite the player's impending doom, is... triumphant. You are not the triumphant one here, and yet, the score invites you to experience the monsters' joy and happiness as they tell you the tale of their subjugation. The monsters are going to be free. This is their victory, but they don't hate you or want you to die. They're just... happy. That scene has always struck me very deeply. I feel it represents the best parts of Undertale.

I loved how well thought out the Geno route was. It really made me feel like I was doing something horrible, and the characters were very obviously reacting to dire circumstances.

I dunno? I like Undertale for it's characters, story, music, secrets and many more. I am not good with Headcanons but I also like the neutral endings and how different they can depending on who you spare and kill

I was very bad at english before, i thought i couldn't progress because i was very shy and not confident. But my sibling and i wanted to have the best experience with this game so we wanted to play it in english. It's this game and the fandom which helped me to make huge progress in english !

THE SOUNDTRACK. IT'S SO GOOD like I will literally go through the entire thing over and over and not be bored with it. It makes my monkey brain so happy you have no idea.

to avoid writing an essay i will say one word. Mettaton

It is like Toby specifically made the games to fit the iceberg meme and it's awesome, everyone can find something to enjoy in the lore/game regardless of what kind of fan they are! Being able to appeal to various types of fans - from simple happy shipper people to deep dive lorediggers is the mark of the coolest games!

I love almost everything about Undertale as a game on its own. The music, the art and especially the characters and how they interact. They made me feel at home. Undertale means a huge amount to me. (I even got a tattoo of the castle when you and MK walk together!) The fandom helped keep the game alive all these years, with all of its AUs. Although personally, I always enjoyed AUs that kept characters as close to the classic material as possible (dancetale, outertale) I do appreciate the creativity of the fandom. They almost created entirely new stories with new characters of their own! If it weren't for those people, the Undertake fandom would have probably not been as active as it is now. I do feel like we're getting a resurgence of classic content now too! (In 2021)

the mystery. toby fox refused to give answers to anything and i think thats very sexy of him.

I just feel guilty for liking it so much when I'm in my 30's. But I recently got diagnosed with ASD, so I guess it explains things a bit. Many ppl consider Papyrus to be neurodivergent, and some adult fans are too, so seeing that makes me feel a bit better.

i think about "Despite everything, it's still you" everyday of my life.

I like how it's just as funny as it can be serious. All routes are this way. I laughed as much as I cried when I played the Pacifist route and then once I opened the game again and Flowey was telling me to let them be happy, I immediately turned off the game. I somehow felt bad.

The Found Family Trope

The True Pacifist Ending is just...man. And the fanworks about saving everyone even when the game doesn't let you? MANNNNNN

I think what I like the most about Undertale is how the music attaches you to the story. They're simple melodies that stick with you throughout the whole game, and they can remind you of both good and bad times.

there's honestly a LOT to love about this game, but i think one of my favorite things about it is just how many lgbt+ characters there are??? i can think of alphys, undyne, frisk, chara, mettaton, napstablook, monster kid, asgore, mad mew mew, the dress lion, the royal guards, and arguably even papyrus off of the top of my head, but im sure i'm forgetting a few from just undertale alone (there's even MORE in deltarune)!! it's practically unheard of to see so MANY from just one source, especially during its heyday in 2015-16. hell, you can't even GET the true pacifist ending without helping two gay couples hook up. it's really nice to see all of them being accepted for who they are and not judged for their sexuality or gender, at least in-canon.

[Image description: A wordcloud in the shape of the capitalized word UNDERTALE. The text is white on a black background, and uses the font found in the game. Some of the most visible words are: Game, Love, Music, Life, AU, Store, Friend, and Feel, which represent the most common words in the essays people wrote about their love for the game. End of ID]

#undertale #analysis #results #undertale fandom census

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mckkachins · 4 years ago

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gif cut-out tutorial

ok ok so @subtledean requested a tutorial on how to do stuff like this post with the gif cutouts and the text effects. hopefully this helps aria ;w; i’m not the best at explaining things but i included some screencaps for clarity. i’ve tried to compress all the sample gifs and screenshots down to under 3mb to avoid tunglr compression on mobile so if they look a little different from the actual gifset, that’s probably why!

what you’ll need:

photoshop, i’m using PS 2021 but any version of photoshop will work out

a basic knowledge of gif-making (i’m assuming you already know how to make a gif and color it).

step 0: storyboard

this isn’t strictly necessary but i HIGHLY HIGHLY recommend it. you don’t have to do any photoshopping this first step, but it’s really important to check out your footage and the shots you have gathered to see what works, especially if you’re trying to combine three or more gifs onto the same canvas. like literally take a piece of paper and draw out where you want the character’s faces to be, where you want the cutouts to be in relation to their faces, and think about whether or not there’s enough empty space to the right or left of characters heads for a cutout to be placed. is there too much movement that would be distracting or messy in an already busy gif?

things like that really help, and it also makes you double check on your footage quality and feasibility. if you end up making a gif where you want one character’s face to be on the left side of the gif but it turns out there’s not enough empty space on the right side of their face to place a cutout and you then have to hunt for new footage or start all over, it’s kind of a trainwreck and you just waste another hour of your time as you deepen your procrastination hellhole. that’s not a real story—

step 1: make the base gif

i’m assuming you know how to color it already. and aria i KNOW you know how to color already so :) size it accordingly to your desired dimensions.

as you can see, i left enough space on the right side of abaddon for the knight cutout to be placed.

save this as a .psd file. you don’t actually have to sharpen and do everything that comes at the end of making a gif right away, but make sure your layers are clearly labeled. do NOT convert to video timeline/smart object just yet.

step 2: make the cutout gif

this is critical: make absolutely certain your cutout gif has the same number of frames as your base gif. otherwise it could get really messy! abaddon has 20 frames, so the cutout will also have 20 frames. again, do not convert the cutout gif to a video timeline/smart object. just keep it as a frame animation. here’s my cutout gif. it’s just a simple b&w gif but i added a touch of purple for color consistency sake whatnot.

now for this particular gif i’ve actually cropped abaddon to be roughly exactly where i would want her face to be in relation to the first gif, but that is unnecessary. helpful, but unnecessary. you do NOT need the cutout gif to be cropped exactly perfect in order to make this work.

step 3: combining the two gifs

there are many different ways to combine two gifs onto the same canvas. some people like to do it via video timeline. i prefer to do it by frames and convert everything to a video timeline only at the end (it’s just a personal preference). here’s a tutorial if you prefer working with timelines, but i’m gonna go over how to do it by frames.

first group everything in your base gif into one folder. then group everything in your cutout gif into one folder as well. you can name them however you want to keep track of things.

then, select all of the frames in your cutout gif. in this case, all 20 of b&w abaddon get selected. make sure its not just frames 4-20 or whatever, but all the frames you made. you can click frame one and then shift-click your last frame to double check.

click the timeline tab group options bar and then go to options > copy frames

now go to your base gif canvas. select ALL the frames of your base gif as well (it’s critical that all of them are selected).

now do options > paste frames.

a popup should appear and you’re going to select the “paste over selection” option. do not link layers.

your cutout gif should now be completely or partially obscuring your base gif. however, now you should see two groups on your sidebar of layers. one for the base, one group for the cutout. if you labelled them with names you can tell which one is which.

step 4: creating the cutout

in order to create the cutout, we use my favorite thing in the whole world of photoshop. layer masks.

to make a layer mask, you simply select a layer or group you want to mask and then click this little icon on the row of icons at the bottom of your layers panel.

white on a layer mask means whatever group or layer is getting masked is completely visible. black on a layer mask means that the group or layer is invisible. if there is 50% gray on a layer mask, then its 50% visible. so on and so forth.

i love these so much i abuse them on the daily. i’ve made a few gifs where i’ve masked every frame one by one because i wanted to get some cool effects. admitting that kind of embarrasses me but oh well.

anyway this is simple though. just find a picture or an outline of a knight. i used these boyes:

obviously i cropped out the knight of the bunch, got rid of the watermark, and then i placed it on the canvas where i wanted it to go.

select the interior of the knight with the magic wand tool. should be pretty simple since it’s all black.

now click over to your layer mask. make sure you have selected the mask and not the group. you can tell you have selected the mask when a little white rectangle pops up on it.

when you know you have the mask selected, click command+i or control+i to invert. if for some reason you do not have this keyboard shortcut, just take a brush tool and color over the area in complete black. as long as the magic wand tool is still selecting just the interior of the knight, it should be fine.

now once again, black means a layer will NOT be showing, white means a layer will be showing. so right now after i disable the visibility of the top layer we used as a reference for the silhouette, it looks like:

do not fear the clownery. layer masks are great because they are always non-destructive. meaning that even if you somehow mess up and your canvas is showing something completely gross, you can always go back and edit your layer mask and your original gif would be unharmed as long as you did not touch any layers in the group, only the mask. simply invert the mask (again, make sure your mask is selected and then command+i or image > adjustments > invert) to get:

for a layer mask that looks like:

you could have also just made a black layer mask to begin with and then inverted the knight outline to be white. many different ways to do the same thing.

another tip: if you select your outline and then click layer mask upon a group or layer with no mask at the current moment, it will automatically make a layer mask with your selection as white and the unselected pixels as black. this is normally how i do my cutouts, because it’s a time-saver even if it like. saves a few seconds max. but i typed out the above for explanation and clarity, so hopefully i didn’t just make anyone more confused.

anyway.

now say you don’t like where the cutout abaddon is positioned. layer masks can also be linked or unlinked, depending on the little link icon you see between the group and the layer mask in the image above. if the icon is visible, the layer mask and the group are linked. if you cannot see the link icon, they are unlinked.

linked layer masks will move in conjunction with the group if any type of transform is done upon them. if the group moves, the layer mask also moves. but if a layer mask is unlinked, you can move the mask and the group independently of one another. for instance, i can change where the cutout is located on the overall canvas of the gif by simply moving ONLY the layer mask (and thereby changing where the blacks and whites of the layer mask occlude the cutout gif contents). but i can also transform the cutout gif layers without changing where the overall outline is located relative to the canvas itself. basically, i can transform the interior contents of the cutout independently. so here (make sure all of your frames are selected):

group unlinked. i’m also making sure that now i am selecting the GROUP (ie. the frames of the layers you are actually going to move) and not the layer mask. you can tell because the little white rectangle around the layer mask can no longer be seen.

now i can transform/adjust the contents of the cutout solely “within” the cutout, and i don’t have to worry about changing where the cutout is located in relation to the overall gif. when transforming, make sure all the frames of your gif are selected. like select the whole group and not just an individual layer, basically.

i’ve seen a lot of how to combine and cut out gifs tutorials on this website, and here is a really good one that i know sully also used <3 big shoutout to all the photoshop queens being inspired by each other!! however i haven’t seen anything that mentioned the linked vs. unlinked layer masks, which i really feel like deserves a shoutout. you don’t have to crop your gifs out perfectly every time, you can always adjust them later. for demonstration, i’ve positioned abaddon in a few different positions with an unlinked layer mask.

step 5: creating the outline

so in order to emphasize the shape of the cutout (the knight), i simply delete the white space surrounding the picture of the knight in the original silhouette that i used. magic wand tool + delete. you can also make a new layer, then paint bucket tool it. many ways to do the same thing.

now with only the knight on a transparent background, i double click the layer to pull up the effects. select outer glow. i used these settings:

when you are doing this, make sure you are on frame one of the frame animation and the “propagate frame one setting” is selected, otherwise you might end up only applying the effect to one out of your many frames, which blows.

then i go change the fill setting to 0%, BUT i leave opacity at 100%. fill is basically like opacity, but it doesn’t affect layer effects (whereas opacity does). so you basically get only the outline but not the black. you can also set the blending mode of the layer to screen and get the same effect, etc, etc. feel free to adjust however you see fit, in addition to the outer glow settings.

i move this layer over a couple pixels to give it the little offset effect, but you don’t have to.

step 6: adding the text

okay the two fonts i used are avenir and perla. i think a LOT of gifmakers use them because they’re really pretty.

i make TWO different text layers, one with avenir in a smaller size and one with perla in a bigger size. this is because for the perla one, i’m going to be changing the blending mode whereas i don’t want to be changing the blending mode for the smaller text. i position the text where i want it to be and make sure the perla font is in the color i like:

then i change the blending mode of the fancy text (perla) to difference. ONLY that layer, and again make sure to check “propagate frame 1″ and make changes on the first frame to apply the change to all of your frames.

but i still don’t think it produces enough of a difference. so i right click on the text layer for knights of hell, and then go to: select pixels.

then i click the curves adjustment layer. this will automatically make a curves layer with a layer mask that occludes everything BUT the area you selected. beautiful. i drag the curves around until i get enough of a difference that i like. normally i make the lights lighter and the darks darker. yeehaw.

again there are sooooo many different ways to achieve the same effect on photoshop. this is just want comes easiest to me, and it’s totally okay if you find a different way that works better for you at producing the contrast you want or the colors you want.

step 7: export and cry

NOW you can convert everything to a video timeline, put your video frame layers to smart objects, and then apply your finishing sharpening filters. export, cry, and hope tumblr compression doesn’t screw you over.

hopefully this was helpful! pls like... idk support my edits if you found this helpful or reblog this post. feel free to dm me about how u do some of the text effects as well bc i’m always trying to learn new things and i am by no means an expert on like. any of this.

aria please go write your fucking thesis before i delete this entire tutorial challenge. :D

#subtledean #THIS IS FOR YOU #I FEEL LIKE THIS TUTORIAL HAS MORE WORDS THAN UR THESIS ATM SO!!!#tutorials #mine #idk what to tag this but PLS pls pls feel free to talk to me abt ph*toshop #or ask for help or point me towards other tutorials <3 #shoutout to sully too its in there somewhere #resources #100n #ps

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nocturnaldivinationsfallingstars · 4 years ago

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A Stray Bullet Part 1

Fandom: Gotham Characters: Victor Zsasz, female!reader, James Gordon, and an OC called Grace Warnings: None Summary: The reader is James Gordon’s sister and works for the GCPD and is dating Victor Zsasz. The reader has kept it a secret from her brother, until one day when she takes a bullet that was meant for him. Victor then shows up at James’ place to see the reader. Word count: 3,407 A/N: This is a reupload. Something’s are going to be different from the original one of this.

Sinister, dark, grey clouds rolled in over the gloomy and grungy city of Gotham as they so often did on a near daily basis as of late. The clouds barely allowed any soft golden rays of sunshine to seep through its thick layer above. As if hinting towards darker and more menacing days approaching, the once glorious city now in mourning for a much beloved family. You allowed yourself a sparing glance to the ever darkening sky for a very brief moment. A scowl creased your brow as you and your partner, Detective Grace Allen, walked up the steps of the GCPD, kicking beads of water up from the various sized puddles that formed on the worn concrete steps leading towards the tall wooden doors from the previous night.

“Looks like it’s going to rain,” you muttered out to your “close” friend.

You couldn’t help the disappointment in your voice at the lack of sunny days in the city. Grace simply grunted in return, taking a sip from the to go cup of coffee in her hand. You wouldn’t go as far as calling Grace your best-friend, after all you didn’t have that close-knit friendship that your brother and his partner have. Where they can talk to each other about their problems and such. It wasn’t that you didn’t want to have that kind of closeness with her. It more had to do with the fact that you felt as if you couldn’t; Considering how Grace would reply to your questions, or her lack of a reply, sometimes being the prime reason.

A part of you had to admit that it had been that way since the days after your police academy training. Since the day you had been placed in the Gotham City Police Department, along with your brother James, as a detective. If you had to be honest with yourself, you hadn't expected to be placed there. In fact, there had been a part of yourself that thought you would leave Gotham for good; leave the crime and dreary atmosphere behind. To leave your brother to clear up the mess of criminals that roamed rampant through the streets of your home like a deadly disease. A disease that left nothing but chaos, pain, and death in its wake. So you can move on with your life somewhere else, somewhere less toxic.

However, you also couldn't deny the part of you somewhere deep down inside that knew you wouldn't leave. No, you couldn't leave the crime riddled streets. To some degree, that nagging part of yourself had been correct. You're still here; fighting for your city, just as much as your brother.

“Oh, you mean it is like every other typical day here in Gotham?” Grace asked bitterly, you barely heard the words escape her mouth. You were so focused on your thoughts that her voice seemed muffled. When you didn't respond as a frown came across her features, “hello?” Grace suddenly asked, drawing the word quickly waving a hand in front of your face trying to gain your attention. “Earth to [Y/N]!” she exclaimed with irritation present in her voice.

Your brows shot up in surprise and settled back into place. “Sorry, what?” you asked her, blinking your eyes a couple of times to allow your vision to clear and turning your head towards her. Grace rolled her eyes at you, shaking her head. The two of you came to a stop in front of the double doors belonging to your workplace. You grasped the long slender brass handle with your hand.

"Forget it," she replied as you wrenched the door open wide enough for Grace to slip through. You made a motion with your free hand for her to proceed into the bullpen. Grace gave a simple nod of her head as a thank-you. "You're in your own world as it is." She brushed it off.

The look that you shot her made it extremely clear to your partner that you were absolutely not in a good mood today. Not that she could blame you for being in such a terrible mood, especially with how your current investigation was going at the moment.

Grace had received a call from someone at the GCPD who had been working the night shift in the early hours of the morning on her work phone. Telling her something about a brand-new lead on your case, and that someone may be able to identify who the prime suspect could be. However, as the two of you investigated the person who had called in the lead, someone back in the office got a call about a body being found in an old run down alleyway besides an equally dilapidated club somewhere in the Narrows.

This call had been placed about an hour or two after you and Grace had gone to check out the lead. Rendering all the questioning prior to getting the news useless and placing the case back at square one. Meaning you were, once more, looking for a new lead and another new suspect. One that hopefully wouldn’t end up dead like the other. Naturally this had put you in a bitter mood. It would have done that to anyone. You felt as if you had finally made some headway with it, only to be let down. Even Grace seemed to be angry about it. At the very least, the two of you had to wait for the autopsy results on the new body that surfaced.

You weren’t sure if you were hoping the person's death would be connected to your case or if it was just a coincidence. Knowing Gotham however, it certainly wasn’t a simple coincidence. But one could hope.

"So much for my day off." You muttered to yourself with a quick shake of your head, your hair brushing against your neck sending a tickle through you. Truthfully, it was not unusual for you to always be working when you had an open case that piqued your interest and got you overly invested in it. You amended your shift and made it so that your day off was the following week. However, with the way that the case has been progressing so far your day off may as well be postponed until a much later date. A habit that you have seemed to develop rather early on in your career at the GCPD.

"I guess we'll have to keep working," the voice of your partner sounded out, "extra hard." She added on, jerking you from your thoughts of the case and your day off being postponed once again. You sighed once again, following her into the police department. The sound of chatter and phones ringing filled the air in the bullpen. The distinct smell of coffee and smoke, from those that did smoke, bombarded your senses.

"I suppose," you huffed out in defeat, making a face at the cigarette smell. You had thought that you'd have unravelled the mysteries of the case by now; that the investigation would be over with, as you didn't want it to roll over to next week. Dropping your hand from the brass door handle down to your side, you let the door swing closed with a groan.

The inside of the police department looked just as dismal as the unpleasant weather outside. The fluorescent lights above the grey metal desks did absolutely nothing to brighten the already slightly depressing workplace up. "Look, I know this isn't what you had planned today since it is Sunday," Grace started as she pulled the uncomfortable wooden chair from under her cluttered and unorganised desk, plopping herself down with a long, deep sigh. A mischievous smile stretched its way across her pink lips. "You most likely wanted to spend the day with your boyfriend. Hell, you probably already had plans with him that you had to move to another day." She told you, as if she was trying to persuade you to confess to having a boyfriend. Her dark blue eyes followed your every move, watching as you shrugged off your copper-red leather jacket.

"Okay, I don't have a boyfriend." you countered with a snort, rolling your eyes at her and threw your jacket over the back of your chair hauling it out from under your clean, tidy and organised desk - a complete opposite to Grace's one.

"Okay, sure," Grace snickered as she pushed herself forwards in the chair, her elbows going to the desk in front of her. You couldn't help but notice the disbelief that shadowed her features.

Linking your fingers together you leaned forwards, mimicking your friend. "If I had a boyfriend, don't you think I would have told you?" You asked and offered a small sweet and slightly irritated smile, placing your chin on top of your fingers.

"No," she answered far too quickly for your taste. "No, you wouldn't."

She got you there. It was, to you, too private to say to anyone. Puffing your cheeks out, your eyes darted down to the case file on your desk. "Well, I don't have a boyfriend." You told her once more, this time your voice holding conviction in hopes that she would stop bringing it up and believe you for once.

Your hopes soon shattered when it didn't make her stop. In fact, if anything, it merely served to make her talk about it all the more. Her attempts at convincing you to confess to your secret boyfriend becoming all the more clear now.

Grace snickered, shifting in the chair and lowering the hand that had been propping her chin up on the table. She reached a manicured hand towards the never-ending tower of paperwork piled high on her desk. "Says the person who takes private calls and checks her phone every few hours during a work day," she teased, grabbing the first file on the messy pile.

You squeezed your eyes together tightly, sucking in a deep breath of stale air and released it. You had to admit you really hated the fact that she took notes on literally everything that you did when she was around.

With a gentle shake of your head, you opened your eyes to find her grinning at you. "It's called having other friends. Some of which want to talk to me privately," you stated matter-of-factly. This caused Grace's top lip to twist upwards at your words.

“I loathe you,” you grumbled out, pushing yourself away from your desk with ease. Firmly planting your hands flat on the cool surface of your desk, on either side of the case file in front of you. Your chest heaved as you breathed out a couple of deep breaths. Your eyes scanned the buzzing police department. A few criminals sat in the cramped jail cells in the corner beside one set of stairs leading to your brother’s and his partner’s desk. A couple of criminals sat in handcuffs at some desks run by other officers. Nothing too out of the ordinary there. But it seemed to be a tad quieter today than it typically would be.

“You don’t loathe me,” your friend replied in a sing-song voice. “If you just admit to having a boyfriend that you don’t want anyone knowing about, then I can drop this whole conversation.” Your fingers pressed against the desk, turning the tips of your fingers white.

"Who has a boyfriend?" James asked absently as he came to a stop beside your desk, letting his heavy hand fall to your shoulder and gave a gentle squeeze. His eyes darting towards the wide-open door of the captain's office. You looked up at your brother and tilted your head to the side as your eyes followed his gaze and stayed fixated on the door. After a long time, you averted your gaze towards James, quirking a brow at him questioningly.

Evidently your brother hadn't paid attention to who had spoken just a couple of minutes ago. He gave a slight wave of his hand, like he was waving off your unspoken question. "[Y/N] has a boyfriend, but she won't admit it," Grace responded, sending a wink your way.

Reaching up you slapped the palm of your hand against your face, a growl of frustration escaping you. "For the last time, I do not have a boyfriend." You protested with a loud groan.

James chuckled half-heartedly at your misfortune, shifting his hand from your shoulder and up to your head, giving you a pat on the head as he so habitually did. "I highly doubt she does," he spoke up, directing his attention to your partner. "I would have known if she did have a boyfriend. We tell each other many things after all." You smiled triumphantly as James confirmed your point-blank lie.

For a moment you allowed yourself to wonder if he completely believed you didn't have one. It would be ignorant of you to assume he didn't think otherwise, you hadn't mentioned anything to him. Therefore, in a way it would be extremely unlikely if he didn't believe it. You almost felt terrible for not coming clean to your brother. He's usually so sweet, lovely, and supportive of all your boyfriends when you tell him you're seeing someone. But this is considerably different to the previous ones because the man that you're dating is an extremely dangerous hitman, the best there is in Gotham. A hitman that works for none other than Don Carmine Falcone himself. The kingpin's personal hitman that he calls upon whenever he has some 'business' to take care of, which is almost daily. The name that belonged to the hitman that you're dating is Victor Zsasz.

You weren’t entirely certain if Victor and your brother met in the past. But you knew for a fact that if James had encountered him before, then he wouldn’t be too thrilled about your current choice in men. James would presumably try his best to convince you to stop seeing Victor, or even get involved himself. For now, however, you wanted to keep it a secret from both James and Grace.

"I have got to go, okay?" James asked you, not that he needed permission to go. It was more to let you know he's done with the conversation. You gave a soft hum and gentle nod of your head in response. James pat your head once again before walking away from you and by Grace. He nudged her arm on his way by, "don't tease her too much, or she'll never open up to you." He told her and Grace hummed in acknowledgement to his piece of advice.

"Hey, it's rude to call me out like that!" you called after him, only to get a wave of his hand in response.

Grace snorted out a laugh of amusement at your expense. "Don't say a word," you exhaled as a warning and pulled yourself closer to your desk. You pressed your lips together as you scanned the small pile of files and paperwork to your right and then down to the file that sat in front of you begging to be opened. **At least my pile is smaller than Grace's** you thought to yourself.

"I wasn't going to say anything." she hummed out, the corner of her lips curling up into a barely noticeable smirk, her eyes more focused on the pieces of paper she had in her hands.

"No, but you were thinking about it." Grumbling, you flipped the file in front of yourself open, grabbing one of the two pens from the pen holder on your desk swiftly. Slowly and quietly you sifted through the pages of paper while anxiously awaiting the results from the medical examiner.

"[Y/N], you do realise I just want us to have a similar kind of friendship and closeness that Jim and Harvey have right?" Grace suddenly inquired out of nowhere. Your eyes snapped up from the papers and over to Grace hesitantly.

Leaning back you carefully placed the pen on the desk next to the now scattered papers.

"I understand that," you nodded, your tongue daring out between your lips to moisten them since they suddenly felt dry. Your brows shot up in surprise at the sudden change of conversation. The fact that Grace had actually told you that she wanted the same kind of friendship as Harvey and James was surprising. "I do understand that, but I don't want to tell you everything right away. I will in time though, just give it... well, time." Grace nodded along, listening to you explain.

"Things right now, for me at least, are a bit... all over the place."

"That's fine and all, but don't make it seem as if you don't trust me. That you don't want anything to do with me." The tone of her voice changed in a matter of seconds. Annoyance, hurt and anger dripped from her words. You knew you were acting a bit cold and stiff towards her. You never meant to make her feel as if you didn't trust her or that you didn't want to be friends with her.

Reclining back in the chair which creaked under the shift of your weight. "I didn't mean to make you feel like that," you started to tell her, hoping you could tell her about the fact that her lack of replies made it seem as if she wasn’t exactly welcoming the idea of being friends. Without a word she stood up from her chair and turned to walk away.

Pressing your index and middle finger to your temple, you exhaled sharply. That wasn't how you were expecting things to go today with Grace. Usually she would try to get you to joke about something. Every so often it worked and other times it didn't work out that way.

“Great going there,” you muttered to yourself in a hushed voice, shifting in the chair again to get comfortable. Gradually you lowered your hand back to the cold metal desk, deciding it may be better for you if you got on with your work. Talking to Grace about it could wait for another time. You went to pick up the pen and to sort through the pages, when the sound of three sets of foot falls caught your attention. Now, this wasn’t an unusual thing to hear in a police department, plenty of people walked in and out of the department on a daily basis. However, these foot falls sounded familiar to your ears.

When a loud knocking sound of knuckles hitting one of the many metal desks came from behind you, you and everyone else on the first floor of the department turned around quickly to see who it was that demanded the attention of the entire GCPD. Your eyes landed upon two women. One was dressed in a leather skirt, a bra looking corset and black combat boots. The other woman looked as if she was wearing a netted dress with an under bust leather corset and black combat boots.

A look of confusion and recognition passed over your features, replacing the frown that had formed from the previous with Grace. You recognised the two women from when you had first met Victor; he had just finished a job, and the three of them exited the alleyway. You had walked into Victor by accident, too busy arguing with your brother over the phone. You and Victor introduced yourselves before going your separate ways. If your memory was serving you correctly, Victor referred to the women as the Zsaszettes.

“Oh fuck,” you muttered out breathlessly, saying this more to yourself than anyone else in the bullpen with you. Your eyes landed upon your very own secret boyfriend. Victor stood in the middle of the room, his hands balled into fists by his side as he looked around the dull room. A couple of workmates close to you spared a sideways glance once they heard you speak, questioning and puzzled looks on their faces. It wasn’t long before their attention went back to the tall, pale man in front of them. Victor looked satisfied with the attention he had gained.

You did have to admit, Victor dressed up in his black suit, with his braces hanging loosely behind him looked hot as all hell. And ever so slightly intimidating. You couldn’t take your eyes off of him, an effect he seemed to have on you from the very start.

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fromthehellmouth · 4 years ago

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One for Sorrow, Two for Mirth

Word Count: 2.6k

A/N: Maledictus! Femme! Gryffindor! oc. Regrettably, there is so much angst... Part One!

Maledictus prompt requested by @hyacinthsandbooks I had so much fun creating this character, thanks for the prompt! Feedback is greatly appreciated!

Drawing by me and inspired by scenes from the story. I hope you enjoy!

Overview:

Tom Riddle befriends an unlikely victim of a powerful blood curse

I had increasingly found myself in a perpetual state of insomnia and dread. There was almost nothing I could occupy my mind with that would take it from my lingering anxiety and melancholia surrounding my condition. My nights were long and restless, and I had to become endlessly creative in order to find ways that would keep me out of trouble as well as keeping me occupied during the long dark nights in the Gryffindor common room alone past curfew. Often, it would result in me exploring the castle grounds in my other form, or writing down my thoughts to pass the time. Perhaps it was the concept of literature that I would gravitate to because of its mysterious qualities of immortality. It was chilling but also somewhat comforting to know that my works would remain with me far after I had irreversibly changed. It was not something I liked to dwell on, but it was something that I knew I could not escape from--it was always there, nagging, prodding, looming over my decisions, my psyche--it was a horribly cruel curse.

Over a century ago my family had gotten involved with a group of vengeful wizards who were known for their adaptations of some of the darkest corners of the dark arts. They fled the country but the curse went with them. Once a curse of that strength had penetrated its way into your bloodline, it would permanently dwell there, feeding off you, like a tumor, like a degenerative disease, like a leech, essentially, it declared its power with its name; it was a blood curse. It was only a matter of years before there would be nothing more I could do, and I would have to accept my change and my fate with it. At least there was no need to study for N.E.W.Ts. My parents had begged me for years not to accept such a pessimistic attitude, to care about my studies, my dreams, and my aspirations. Over the past few months, through our owl correspondence, I felt they had lost the motivation to keep pestering me about a life that had been taken from me the moment my grandmother told me what I was: a maledictus.

Fortunately, at this point in my development, my transformations were still voluntary. When I was very young, I remember having frequent visits to the Ministry of Magic with my parents. They would have me seen by famous dark wizard catchers, legendary curse-breakers, healers, and talented seers. From the beginning we knew there was no known cure for this type of blood curse, but I think the little security the aurors offered was necessary for my parents to hold onto. They needed expert opinions, that unfortunately would continue to tell them there was nothing to be done. Of course, my childhood self had virtually no knowledge of the severity of my condition, and thought it was simply enchanting to see mommy and daddy’s workplace.

Since my first year at Hogwarts, I had told no one about my condition except headmaster Dippet, professor Stump—my head of house, and professor Merrythought who was an expert in the dark arts because after all, she was the DADA teacher. I liked professor Merrythought quite a bit. She was an older woman with grey-blonde hair pinned back in a loose braided bun which she always had hairs escaping from. She was one of the few people who did not immediately resort to pity and fear when I told her what my bloodline had been cursed with. She was calm and interested, she told me how special I was and got me involved into studying more about blood disorders involving dark magic. Unfortunately, there had been rumors of her leaving Hogwarts and retiring—yet another thing I would be attempting to repress. My mind had become an expert at most coping mechanisms, my methods of choice being denial, repression, and sublimation--primarily writing.

In a sense, knowing my future was carved into stone was somewhat freeing. It allowed me to live fully and completely in the moment, and not have to plan or study for my future. In another sense, the looming dread was very real, and seemed to be working its way into the grooves of my personality--settling in the fine lines of my psyche. My dull despair had become a part of me. I never doubted my purposelessness until I met Tom Riddle.

***

It was nearly 1:45am when I noticed his figure contrasted against the shamrock-green hills. In a defeated attempt to become more comfortable with my animal form, I had begun to fly over the castle grounds more recently during the night when I felt my insomnia had become too much for me to ignore by lounging in the Gryffindor common room long after the other students had taken leave. I was never in the mind of being rebellious or secretive, and I was almost positive that if I had told professor Merrythought, she would have kept the sensitivity of my travels safe. Spotting a dark-clothed figure, I circled closer, still keeping my distance. Edging in tiny fractions closer to the tops of the forbidden forest’s trees, I made my way closer to the figure. I was presently slightly concerned for encountering the kind of person who would be coming from the forbidden forest at nearly 2 o’clock in the morning, but my growing curiosity controlled me, and I eyed the figure from above, still slowly cruising lower and lower. When I had reached the grass, the figure had entered the covered corridor leading to the clock tower, and I decided to present myself to the figure who couldn’t have been more than 6 feet away from me. It was always fun to play out a little scare. I let out a shrill, stuttering call. The figure froze, spinning swiftly with a hand to his mouth. I could see his shoulders quivering as he stared at me.

“...it’s just a magpie, Tom...” he whispered to himself as if he needed convincing. As he turned to face me, I immediately recognized him as a popular Slytherin boy from... history of magic...? divination...?

“Unless...”

Defense against the dark arts. That was it.

“Are you... an animagus?”

I froze. How could he have known? There was no way he could have known... Silently and immediately I flew back outside the covered corridor back into the open air, and faster than I had ever flew before, I found my way back to the Gryffindor tower, perching on the windowsill I had left open, dropping inside, and in the darkness transforming back into a student and swiftly slipping under the thick covers, I fell asleep suprisingly effortlessly.

***

In the morning I awoke earlier than usual. It was as if my mind knew I had been gifted with a long sleep and didn’t want me to get comfortable. I had become accustomed to falling asleep late and waking up early—both situations leaving me awake while the rest of the castle lay unconscious. I put on my uniform and brushed out my hair. I found that the more I transformed, the silkier my hair had become, it was as if the strands were becoming more feather-like, and tended to reflect the light more. I had gotten nearly a dozen requests for the enchantment I had used, always leaving me with an awkward and less than satisfactory “it must just be oily.” I descended the stairs to the common room where I read the clock.

5:30.

Defeatedly, I gathered all my schoolbooks and began to review the material for my first class of the day. Herbology.

***

I decided to take a walk to the kitchens to pick up a cup of tea before breakfast, which begun at 9am each morning. I still had a few hours before breakfast, so after I made myself a cup I circled back to the clock tower courtyard near where I had departed from the boy I had followed last night. I sat on the ledge of the fountain and began to re-read the textbook required for this upcoming unit in herbology on uses and cautions of aquatic plants. We would be taking a guided field trip to the Black Lake for research, which I was quite excited for. While my eyes danced across the finely-scripted writing in the yellowing book, my mind wandered to last night. I found myself retracing my steps, and visualizing the boy’s face above me, shocked and intrigued. What did he know?

***

After herbology class, which had been held at the Black Lake, I followed the mass of students back to the main castle grounds. My days at school were mostly spent alone either studying or hopelessly wandering in my mind to places where I no longer had to abandon my future. I recognized very few people as friends, and I stood out from my fun-loving, reckless, and colorful housemates. It was as if my natural personality I remembered glimpses of from childhood had been veiled with a layer of plaque, tarnished and dusty. I didn't mind the aloneness. I often felt most secure when I didn’t need to reveal my secret to anyone, and was able to choose my schedule the way I saw fit. Back in the castle, I followed my normal crowd of Gryffindors who I shared my first two classes with. These were the students who I sat with at meals, went to study parties with, sat in the common room after hours with, but never ended up knowing very well. It was a polite relationship. They asked me what I thought about our next class’ lesson.

“Can’t say I’m excited.” I rolled my eyes, my hands rested deep in the pockets of my skirt.

“Don’t want people to know what you’re scared of?”

“Must be it.”

Defense against the dark arts with professor Merrythought was next, and the notorious lesson on boggarts had been expected by most students for months. Undoubtedly there was excitement for exposure to mysterious and dark creatures as well as teasing material for students with childish fears. I couldn’t help think of the boy I had encountered by the clock tower who I would inevitably see again this upcoming class. I hoped my nervous habits would not give me away as suspicious. For some reason, I felt the need to be wary of him.

***

The classroom had been completely rearranged for the upcoming lesson, with the chairs and desks pushed to either side of the long room, and professor Merrythought’s figure standing in the back near a large ornate chest. As the students trickled in, the rumblings of the crowd grew louder as giggles and anticipation filled the cold air. My hands wrapped around my arms as I attempted to retain my warmth.

Am I the only one who notices that draft?

Merrythought calmed us down and begun her lecture on the history of the discovery and initial magical responses to the boggart. It takes the image of what you most fear... Its true form has never been seen... It withers at the sound of laughter... The students got called up one at a time as she showed us the counter-curse Riddikulus! which would obstruct the boggart’s form and intercept its visual manipulation. Riddikulus! the steep chasm of a split cliff lets out a nasty fart and the room explodes in laughter. Riddikulus! a swarm of wasps turn into winged lemons and drop to the floor, rolling around and colliding with each other, and the class cackles.

Godric, would she just close that bloody window?!

“Lucia!” the room’s roaring died down and I felt my face turn red hot. My stomach twisted and contorted within me and my walk was feeble as I approached the large chest.

“And when the boggart is released, remember the incantation!” I swallowed hard and in a second, the lid of the chest flew open and a swirling silvery mass flew toward me and shifted into a bird, its head, beak, and breast were black mimicking a raven, but its belly was white and the under-feathers of the wings and long elegant tail that caught the light shimmered hints of deep phthalo green and royal Prussian blue. The bird began to lunge toward me and in a panic I shouted the incantation much louder than I expected.

“Riddikulus!!” The bird’s feathers erupt in every direction, leaving the creature completely bald and resembling an uncooked chicken, struggling to stay suspended in the air. The class giggled and Merrythought propelled the creature back into the chest and called forward the next student as I slipped back into the crowd.

“Tom!” The boy approached the chest in a single fluid moment. He wore his school robes to every class unlike the majority of students who only wore the required minimum of a blouse, sweater and trousers or skirt. He stood out not only because of his height but because his ebony-black hair glistened under the lantern-lit room. His robes seemed to be an extension of his broad square shoulders, and as he readied his wand I felt the room muffle in an unnatural stillness. The boggart shifted into the body of a young boy, with the same black hair as Tom, the same pale skin and full, pink lips, but the boy’s eyes were closed, his face was hollowed and gaunt, and he was lying on the floor, seemingly lifeless. The class seemed to collectively hold its breath as the dead body of a young boy nearly identical to the older Tom lay before us. Tom lifted his wand and smoothly uttered,

“Riddikulus.” The black robes along with the body of the boy melted into a thick black bubbling slime that seemed to shake and bounce slightly. This time there was no laughter. There was no reaction. Professor Merrythought quickly swooped up the transformed boggart with her wand and tossed it with a graceful flick back into the large chest.

“Well done class! Quite the show. That’s the end of the lesson for today, we’ll continue where we left off tomorrow!” The students murmured with the abrupt dismissal and I couldn’t help myself from straying my gaze to look at Tom. To my instant shock his piercing aquamarine eyes shot right back at me and I almost let out an audible gasp at the sudden intensity of his stare. I felt my heart-rate race and I nearly ran from the classroom.

***

Later that night my mind was racing, I had to know what he knew, why he had stared at me back in class, did he know I was the bird who had followed him last night? I sat by the crackling fireplace of the Gryffindor common room. The clock read “12:10,” and there was only one girl left in my company. She sat at the other corner of the room and I could hear the shuffling of books which meant I would soon be alone and she would be going to sleep. I caught myself staring into the flames, the fire dancing and glittering into smoke and stray glowing embers.

“Goodnight!” the girl called out as she ascended the stairs to the dorms.

“Goodnight.” I replied, my voice was tired but my mind was wide awake. My eyes lazily flew over the spread of books before me.

There was no way I would be able to study with Tom on my mind.

I couldn’t stop thinking about the way his bright eyes flashed in that cold room. It was as if the only thing my head could focus on were those piercing eyes and the image of that magpie lunging right toward me.

If you’d like to read Part Two, click here

Tags: @tmr-simp-pride

#tom riddle #tom marvolo riddle #tom riddle fic #Harry Potter #Harry Potter fic #harry potter imagine #tom riddle x reader #tom riddle imagine

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luninosity · 4 years ago

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Okay, so, some Falcon and the Winter Soldier thoughts (will have some spoilers) for episodes two and three. General non-spoilery comment first: I feel like these were both *okay* episodes - neither as good as the first, but I didn’t dislike them, either. I’m still really curious to see how we’re going to wrap this all up in three more episodes; it doesn’t feel like we’re halfway done yet!

Okay, more spoiler-y notes below the Read More, not in any real order, just as I think and type. I’ll probably forget some things, but for now, here’re some thoughts...

--I like ep 3 slightly more than ep 2, mostly because of Zemo!

--I actually really love Zemo here (I liked him in Civil War, too): complex, sardonic, enjoying poking at people, a villain we do feel sympathy for even as he’s still sharp enough to remind us that he is a villain. Daniel Bruhl has always done a fantastic job flipping between calculated cruelty, wry humor - the whole “I am a Baron” moment was great - and pain that for him is still raw, about the loss of his family. (Some things’re awfully cliche - look, the supervillain’s playing chess and reading Machiavelli in his cell? really? - but, y’know...sure. Why not. We expect some cliches in the superhero genre, and this is an inoffensive one.)

--also Zemo dancing. That’s it. That’s everything.

--moving on from that: I’m also really liking how they’re writing John Walker. He does have charm, and there’s a certain amount of sympathy - especially as we see him worrying about filling the Captain America shoes, in ep 2 - but we’re also getting this really subtle sense of wrongness about him. He’s clearly vindictive and angry when things (and people) don’t act according to his mental script for them, and he’s willing to use his name and power to do things like get Bucky released...which in context and given our sympathies for Bucky is a good thing, but...it’s also an indicator of his willingness to do what he wants, because he can. (To be fair, Steve Rogers also often did that! - but Steve earned our trust, both in narrative and character. From his first introduction to WWII leadership experience to all the Avengers stuff, Steve consistently acts to protect people, and he’ll also listen if someone else has a good idea or if someone needs to talk, like with Wanda.) So I’m really liking this slow-fuse character development.

--mixed feelings about Sharon. I love that the show’s acknowledging how much she sacrificed for our main heroes, with no reward. On the other hand, she also clearly knew the consequences that could happen; she said as much at the time. The level of bitterness seems like a lot. But I’m also interested in everything we still don’t know about her - if she’s not the Power Broker herself, she’s obviously Up To Something. So that should be fun.

--hey, look at that X-Men location, with Majipoor! Also a nod to Wolverine’s favorite bar there, I think?

--I love heist and disguise plots!

--I also really like Bucky’s having to revert to the Winter Soldier - Sebastian Stan does it so brilliantly, with so many layers of emotion: not wanting to, loathing it, recognizing the necessity, shutting off all emotion and just coldly doing it, hurting but covering it up...just fantastic, and you know I love some hurt/comfort, and this seems like such a great set-up for emotional hurt

--but! this also seems like...a weird plot hole, kind of? Bucky’s pretty famous at this point, right? I imagine the criminal underworld knows he’s been pardoned and deprogrammed, right? or do they assume Zemo, with his knowledge of Hydra, still has some special control over him?

--along the same “this seems like someone didn’t think this through” path, Sam, you’re a professional, turn off your phone on a mission. Oh my god. Face-palmingly stupid - and I think somewhat lazy writing, as the writers plainly needed a giveaway, and went for the first idea they had. Even if it made a main character look incompetent.

--the Flag Smashers and Karli are...fine. They feel very Generic Marvel Villain - not the big space alien type, but the other type, the “I have a personal loss and motivating pain so I’m a little sympathetic but also Clearly Evil, watch me kill civilians so the audience won’t ever find me TOO sympathetic” type. Meh. Fine. Zemo’s more interesting, but...fine.

--Anthony Mackie is such a fantastic actor - every bit of his reaction to the Isaiah Bradley reveal is so good. The anger, pain, frustration, ferocity...heartbreaking. Actually that whole scene is so good - his emotions at discovering this secret history are palpable, and it’s so painful, because we also understand why Bucky would keep the secret - as someone who knows about pain and trauma and being experimented on, and knowing Isaiah wants to be left alone - we feel really deeply for both characters here, and it’s great.

--I actually liked the abrupt swing from the Isaiah Bradley encounter to the casual everyday racism of the cops on the street - is it subtle, no. But it’s not meant to be: it’s meant to be standing up and shouting about how not that much has really changed, and about how pervasive racism is. I know some reviews were all, “this was just too much!” or “too forced!” but...look, it needs to be shouted sometimes for people to hear.

--Bucky’s notebook being Steve’s, oh, ouch, my feelings. If I had the time and energy to write fic...

--(also, if I had the time and energy to write dark!fic: where’re my fics in which Zemo’s implication about the Winter Soldier “doing anything you want” gets played with? what or who does Bucky have to do to keep the undercover charade going? so many Bad Wrong Kinky power dynamics and explorations of consent and what this would do to Bucky’s head, here, and honestly I’d totally read them all, just saying.)

--Sam and Bucky together...I don’t know. This is one of the elements that I’m not actually a huge fan of, but I think it’s partly a personal genre / sense of humor thing that’s not clicking for me, personally, again. Like...

--I don’t find people shouting aggrievedly at each other to be funny? I’m not sure why it is.

--I mean, I get that they’re doing, like, eighties buddy cop movies, but...it got old really fast then, and it’s not something we needed to bring back. It’s not clever, and it’s...well, shouty and annoying.

--(I say this as someone who genuinely likes the first two Lethal Weapon movies...but the significant difference is, I think, we’re also shown in both those movies that Riggs and Murtaugh care about each other. They don’t want to be partners initially, and they don’t get along initially, and they do argue over tactics**...but they immediately feel responsible for each other and act to protect each other even as they argue, because it’s the right thing to do and we’re shown moments of them awkwardly trying to connect, because they both have that deep sense of...protectiveness...that makes them Good People - like, if they learn something that the other person needs to know, they tell each other. They protect each other’s families / love interests. So by the end of the second movie, with that fabulous character death fake-out, Murtaugh’s initial shock and grief is real and powerful and painful, and so is his genuine relief when the worst isn’t true - and it’s all earned.) (**however, they tend to argue tactics *before* jumping in - “is it 1, 2, 3, go on 3? or 3, then go?” And then once that’s established, they go ahead. That makes a difference as far as...well...competence and teamwork!)

--(Sam and Bucky, as far as I can tell, don’t do the above, and just...maybe shouldn’t be working together?)

--I also don’t find grown men acting like my youngest nephew, when he’s having a temper tantrum, to be funny. Staring contests? Random insults? Sulking in silence? Oh, grow up.

--(Also, yes, writers, we see you with the “couples therapy” and “get closer and make your legs touch” and “landing on top of each other as they hit the ground” moments. I, at least, personally, am very tired of...I don’t know that I’d call it queerbaiting exactly, but this idea that we’re supposed to find these moments funny...because why? Because, ooh, they’re two men getting close to each other, physically or emotionally? Why is this a thing we need to draw attention to? Do you think you’re doing some sort of fan service? Please either make Sam/Bucky happen or stop doing this.)

--both Sam and Bucky are highly competent and professional agents, or they should be. They should know how to work in the field - even with people they may not like - and adapt to shifting strategy, make best use of available assets, include people in the plan, etc. I can’t help but compare this to something like, say, Leverage, which also has a team who mocks each other and makes jokes but clearly absolutely respects each other’s capabilities, has a plan going in and tells everyone what the plan is, and adapts (and trusts each other to adapt) on the fly as necessary, and does it all without random insults about someone’s (PTSD-related) staring and “robot brain”.

--one of the very specific moments that bothers me a lot is the ending of the therapy scene (yay for showing heroes in therapy! but also I’m pretty sure she’s...not a great therapist?). Bucky finally opens up and says something real, about his own self-doubt and wondering whether Steve was wrong about him....and Sam just...brushes it off and goes, “we’re done here,” basically. Not only does that feel wildly out of character for former counselor Sam, it feels cruel. I really deeply dislike that moment the more I think about it. Makes me want to scream.

--Sam insults Bucky way more than the other way around. It’s starting to feel very one-sided (it’d be better if more clearly reciprocal, though it’s still not a dynamic that’s my favorite), and again, feels out of character - maybe this is Anthony Mackie’s sense of humor, but Sam isn’t Mackie, and Bucky isn’t Seb, and it reads as...a weird unbalanced power-trip thing to me. And also out of character for Sam, who can be sarcastic (”If you guys eat that sort of thing,” about breakfast, when Steve and Nat have randomly shown up at his door) but that’s not the same as just throwing unprovoked insults at a person who’s trying to recover from trauma, and a lot of those insults seem to center on things that were done to Bucky, that he had no choice in (the staring, the arm, etc), and that feels....it just feels mean, to me. Make fun of things he’s had a choice in / can do something about, if you have to - hair, clothes, liking “old people’s games” like gin rummy or pinochle, not knowing who Beyonce is, I don’t know, there are so many options that aren’t cruel! Do that instead. Let Bucky have a good comeback for once, too!

--the action scenes are action scenes. Also fine.

--Sam might be right about destroying the shield, and the show may even be (unintentionally?) setting that up as the best outcome, but that’s a problem for the future, Sam; get it back first. Also it’s a problem you caused by giving the shield up - did you really trust the government to leave it unused in a museum? You’re not that naive.

--overall, it’s...a perfectly fine show, so far, I think? Solid, and interesting, but not great. I think some of what doesn’t work for me is because it doesn’t work for me personally, as far as the shouty insult-heavy action “comedy” bits that I’m not enjoying, but I think they’re doing what they aimed for with it, so in that sense, I guess it’s working? There’s a lot of really cool stuff around the edges - John Walker, Isaiah Bradley, that Dora Milaje stinger, the bigger world of a history interwoven with racism and superpowers, the chillingly effective use of Bucky’s past - but I wish I liked the central Sam-Bucky relationship more. Individually they’re wonderful - they’ve both had such powerful scenes dealing with family, trauma, and consequences - but I feel like, in the effort to do the buddy comedy dynamic, the writing has just made me really sure that they actually genuinely don’t like each other? To such an extent that if they show any affection / caring / interest in each other in the last three episodes, it won’t be believable. (I mean Sam and Bucky, not Mackie and Seb. Mackie and Seb’re adorable.)

--I just want to think about Zemo dancing some more.

#the falcon and the winter soldier #tfatws spoilers #spoilers #fatws spoilers #thoughts

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stranger-who-writes-fiction · 3 years ago

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Back at it again with my self-indulgent comic posts. This time! It’s Supergirl: Woman of Tomorrow #3, perhaps the most tonally-distinct entry yet, with shades of The Twilight Zone.

Spoilers!

So, as mentioned, this issue is the most deliberate in terms of both its pacing and its tone, IMO.

What is that tone, you ask?

To quote Alex Danvers, from “Midvale”: Hello, darkness.

THE STORY:

Kara and Ruthye are still looking for Krem Clues in the alien town of Maypole.

(Which is actually just Small Town, USA, complete with vintage 50s aesthetics.)

But the locals are clearly hiding something! So Kara and Ruthye continue to investigate, and they eventually discover what it was that the residents of Maypole were so keen to keep hidden.

Genocide, basically.

As I said, this issue struck me as very Twilight Zone; a genre story involving the build-up to a dark twist, all set against the backdrop of an idyllic small town. (Think, like, “The Monsters are Due on Maple Street” but instead of focusing on the Red Scare, it’s classism and racism.)

The wealthier blue aliens kicked all of the purple aliens out of town, and when space pirates showed up to pillage and plunder, the blue aliens made a deal with them: the lives of the purple aliens in exchange for their safety.

Which is where the episodic story connects to the larger mission; it was Krem who suggested the trade, and then joined up with the Brigands (space pirates) when he was freed by the blue aliens.

The issue ends with no tidy resolution to the terrible things Kara and Ruthye discovered, but they do have a lead on where to find Krem, now, as well as Barbond’s Brigands.

KARA-CTERIZATION:

Ironically, it’s here, in the darkest chapter yet, that we get the closest to what might be considered ‘classic’ Kara.

Which I think comes down to that aforementioned deliberate pace--this issue is a little slower, a little quieter. It gives the characters some room to breathe.

That’s not to say Crusty Kara is gone. Oh no. She is still very much Crusty. XD

But anyways. A list! Of Kara moments I loved!

I mentioned a few of these in a prior post when the preview pages came out: I like the moment where Kara blows down the guy’s house of cards, and I like that the action is echoed later in the issue when she grabs the mayor’s desk and tosses it aside. A nice visual representation of the escalation of Kara being, like. Done with these creeps. (Creeps is an understatement but you get the idea.)

Another one from the preview pages: Kara explains to Ruthye that her super hearing won’t necessarily help her detect a lie, especially if she’s dealing with an alien species she’s not familiar with.

It not only reveals her level of competence and understanding of her super powers, it also shows that, you know. She’s a thinker. She’s smart.

Amazing! Showing, rather than telling us, that Kara is smart! Without mentioning the science guild at all wow hey wow.

(Sorry, pointed criticism of the SG show fandom.)

Anyways.

I dig the PJs!

And Kara catching the bullet! Not only are the poses and character acting great, it’s also a neat bit of panel composition:

We start with Ruthye’s POV, and then move to the wide shot of the room. The panel where Kara actually catches the bullet is down and to the side of the wide shot panel--we move our eyes the way her body/arm would have to move to intercept the bullet. Physicality in static, 2D images!

Also, like. It’s a very tense moment, life-or-death, but. Ruthye’s wide-eyed surprise at the bullet in Kara’s hand? Kind of adorable.

I was pretty much prepared for the page of Kara shielding Ruthye from the gunfire to be the highlight--it was one of the first pages King shared and I was like, ‘yeah, YEAH.’ But, shockingly? The TRUE highlight of the issue?

Where do I BEGIN?!?!

EVERYTHING. About this moment. Is lovely.

From Kara holding Ruthye above the bench to explaining the concept of a piggyback ride, to telling her:

“I’m going to hold my hands here, and these hands can turn coal into diamonds, so they’re not going to let go. I’m going to keep you safe.”

HNNNNNNNNNNNG.

Ruthye’s narration--about how Kara had avoided flying as she was concerned it would freak Ruthye out--just adds a whole additional layer of YES, GOOD, YES, and her line on that splash page is great: “You see, all that time, she was worried about me.”

HNNNNNNNNNNNG. AGAIN.

To say nothing of the STELLAR ARTWORK.

And SPEAKING of that stellar artwork, Evely and Lopes continue to knock it out of the park. Each issue is distinct and beautifully crafted, a true joy to look at.

Before I jump into more of the art, a few final notes of character stuff in general.

Ruthye is the one most affected by the experience in Maypole, as she can’t comprehend how a society of people that look so nice and gentle and peaceful could have been party to such a horrible act.

One of the big criticisms of the book thus far is that Supergirl is not the main character, and I guess I can agree with that observation. Typically, in Western media, the main character is the one who goes through the most change in the story.

And, yeah. That’s Ruthye.

As I was reading the end, where Ruthye sits on the curb and Kara hugs her, I was imagining how the scene would’ve played, had King stuck with the original idea for the series: Kara as the one learning to be tough/experiencing all of this for the first time, and while I think that could certainly work...

I continue to appreciate that King literally flipped the script; that Kara, especially in this issue, is like, ‘I’ve seen this, I know this,’ as opposed to being the one going through a loss of innocence.

*Marge Simpson voice* I just think it’s neat!

Because Kara’s been a teen in DC comics for so long--ever since she was reintroduced to the main DCU continuity, actually--so this is all brand new territory, here. Having an older Kara who’s SEEN SOME STUFF.

(Alsoooooo, since Bendis made the destruction of Krypton not just inaction and climate disaster, but rather, genocide, and the subtext of a Kryptonian diaspora text, the waitress’ derogatory comment regarding the the destruction of Kryton, as well as Kara picking up the bad vibes the entire time, suggests not just a broad commentary on discrimination in all its forms, but specifically allegorical anti-Semitism. The purple aliens being forced out of their homes and into substandard living conditions, then the blue aliens--their neighbors and once-fellow residents--essentially allowing the space pirates to kill them, making them literal scapegoats, Kara discovering the remains of the purple aliens, and Ruthye’s horror at the ‘banality of evil’...yes. A case could be made, I think.)

(Which would probably require a post unto itself and a lot more in-depth discussion, nuance, and cited sources.)

(Should mention that King has brought up that both he and Orlando--the other Supergirl writer he talked to--are Jewish, and for him personally, that shaped his views on Kara’s origin story.)

I guess my point is that this issue is perhaps not as out-of-left-field as some might think, and just because there isn’t as obvious an arc for Kara, doesn’t mean there isn’t some sharp character work at play.

(I could be WAY OFF, of course, and I’m not suggesting it’s a clear 1:1 comparison. I’d actually really love to hear King talk about this issue in particular.)

Anyways.

Here’s the final page, which I think works, because as I mentioned before, there is no easy answer/quick wrap-up to the story of Maypole:

THE ART:

I mean. How many times can I just shout ‘ART! AAAARRRRRRRRRRRTTTT!’ before it gets old?

I dunno, but I guess we’re gonna FIND OUT.

There are some panels in this issue that I just. Like ‘em! From a purely artistic standpoint! Because they’re so good!

Like, I just really love the way Kara is drawn in that top panel. Her troubled, confused expression, the colors of the fading light, the HAIR.

Evely draws the best hair. I know I’ve said this before. I don’t care. I will continue to say it, because it continues to be true.

The issue I find myself running up against when I make these posts is that I really don’t want to post whole pages, as that’s generally frowned upon (re: pirating etc.) but with something like this, you just can’t appreciate it in panel-by-panel snippets.

(Guided View on digital reading platforms is a BANE and a POX I say!)

Anyways.

LOVE the implied movement of the cape settling as Kara speeds in and stops.

And, obviously, Kara flicking the bullet away is just. A+.

And the EYES, man. LOPES’ COLORS ON THE EYES???!?! BEAUTIFUL.

Also, should note the lettering! The more rounded letters for the ‘WOOSH’ of Kara’s speed (and, earlier, the super breath) work nicely, and contrast with the angular, violent BLAMS of the gunshots.

And, I gotta say, the editor is doing a really great job of not cluttering up the artwork with all the caption boxes. Which is no small task.

(I assume the editor is placing them, as editors usually handle word balloon/caption box placement, but I suppose it could be Evely? Sometimes the artist handles it. Either way, whoever’s taking care of all the text, EXCELLENT WORK! BRAVO!)

Okay I think that’s everything.

Ah, nope, wait.

MISC.

Just a funny observation, more than anything else: Superman: Red and Blue dropped this week, and King had a story in there, “The Special” (which was very good, btw.) Both Lois and the waitress swear a lot so I’m beginning to think that this is just how King writes dialogue for any adult character who isn’t Clark. XD

This is absolutely a personal preference but when Kara was like, “And my name IS Supergirl,” I was like nooooo. I know King is trying to simplify all of the conflicting origin stories and lore but I LIKE KARA DANVERS, SIR. XD

It’s almost assuredly a cash-grab/an attempt for DC to get all the money it can out of a book they don’t have much confidence in, but I like the cardstock covers! Very classy, much Strange Adventures.

(OH my gosh, can you imagine that issue 1 cover with spot gloss???? Basically the only way you could possibly improve on it.)

Okay NOW I’m done. For real. XD NEXT TIME: Kara and Ruthye go after Krem and the Brigands!

#supergirl: woman of tomorrow #long post #dc comics #supergirl: woman of tomorrow spoilers #kara zor el #comic thoughts #comic opinions #just occurred to me I should be crediting the creative team in these things #I think thus far I've included every title page?#still #will try to be better about that going forward

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empty-dream · 4 years ago

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Just watched and read Tower of God

Aka Tower of Scandal

There is a so-called The Tower that can grant anything to anyone who ever set foot on its top. Among people climbing it is a girl who wishes to see the stars and a boy who has nothing but her.

When I saw the original author's name in the anime, I was like "Hm, cool but does it stand for anything tho?" When I found out, it's "Oh. No wonder they use the shortened version."

Imma make a general opinion here. See the reblog for Webtoon Season 2 and 3 as well as the deeper stuffs. (Although it's just gibberish in it)

The Webtoon is still ongoing, right now already hitting 3 seasons with 450+ episodes (chapters). Good lord that's a lot of chapters, and each of them is pretty long.

To put it in perspective, one chapter can fit 2 separate fights plus exposition, while usually 1 chapter of standard weekly manga has like 1 fight and side exposition. It took me a full week to read the webtoon and that already cut a lot of my sleep time.

One of the vivid experience reading the webtoon is the art improvement. Sure the earlier chapters are kinda amateurish, but overtime it gets better and even better. By the time it enters the later part of Season 2, every flashy fight scene is spectacular and the art style is solid A+.

The worldbuilding is amazing. The power system and lore of the world are explained really well and they are really interesting. The floors and sites that the cast visit have amazing visuals and stories. As for the tests, I can get by without actually reading the rules lmao. It's like a real adventure.

Lots and lots of characters. For Season 1 only, I love the dynamic between everyone in the batch, some friendly, some hostile, some mysterious. The ones that are really close are heartwarming. For Season 2 and 3, well let's say it gets rowdier and crazier.

Great character designs. Like, everyone looks different from various distinct races and with physical attributes. So many characters I'd like to draw. They also dress differently. Even their attires differ from arcs to arcs. Tower of Fashion, indeed.

I love the story about The Shoes in the King's Display Case. It really tells the problems with the Jahad princesses system and by extension the government of the tower. It’s one of the first signs that being in the tower, on a high position at that, doesn't sound all that glorious anymore if you're more on the humane side. The narration right now starts with Anaak Jahad, but later this is constantly explored from various perspectives with various motives.

Also btw this is one of the few media that realistically shows what will happen if you fight in a pair of high heels.

Look, I went here just for the girl-with-dream and boy-with-only-her story. I just thought hey that's an interesting storyline. Like it'd be cute, romantic, and maybe will be angsty after a while. Who knew the whole thing would be played like that.

This is like a shounen manga, except that there are more complicated political thriller, power abuse, and humanity issues in it. Many protagonist traits, among other things, that usually are viewed as good in other comics are now being questioned and deconstructed so thoroughly and mercilessly.

A lot of people say Bam's boring but let's be real, he's basically a baby. He literally lives in an underground cave alone until Rachel comes along. He does know nothing except her. Watching him getting to know the world in the tower and meeting new friends - essentially learning about the world outside that cave - is really fun to me.

Get yo self a boy like Khun, who will lie, cheat, beg and bribe to make you well. Not to mention kill and die for. Your name has to be The 25th Bam tho.

What is it with local smug light-haired boys being really close with the shy brunette boys???? The funny thing is, the chummy, attached-right-off-the-bat, no-personal-space atmosphere between them is pretty much anime original, compared to the webtoon. Now imagine when the anime reaches the webtoon Season 2 and 3, where even I went "Dude. Holy. Shit."

Rak best boy. Everyone and their mother loves Rak.

Keep an eye on Shibisu. Yes, that joke character with a purple tracksuit. You won't regret it.

*prostrate in front of Yuri Jahad* YOUR MAJESTY!!!!!! The shits that she pulls in the entire series *chef kiss till I die*

Tbh I am confused which ones are the correct spelling of the characters' names?

Convoluted multi-layered plot twists drama: *exists* Someone somewhere: All according to keikaku.

I really went 5 episodes thinking that is just Khun's multicolor hair instead of his bandanna what the fuck.

Mr. Lero Ro I admire you and your sensible ass.

No I won't say anything about Season 2 and on from the Webtoon here because the whole thing is a giant spoiler. But just a very important heads up: David Hockney is mine.

I knew Kpop boyband Stray Kids exists but this is the first time I listen to their works. The OP and ED songs fucking rock. They feel modern yet at the same time kinda ethereal. That high pitch <33

Also I like the OSTs in that I don't actually have a favorite track, but every track is suited well with the scenes. Apparently the guy, Kevin Penkin, is also the one who composed for Made in Abyss. No wonder I got the same vibe.

The anime adds lots of extra scenes but also redacts a lot of the webtoon scenes and exposition. As far as this writing, I personally don't think it's a major problem.

Tl;Dr: I was looking for a cute boy-girl story how did it become like this.

#tower of god #kami no tou #tog spoilers #random saying

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merigreenleaf · 4 years ago

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Unexpected Inspiration Series: Concordia’s Art Magic

Blythe could only assume that if Adair was holding a paintbrush, the jar in his other hand must contain paint or ink. Then again, it was Adair. It could just as likely be grape jam. And to think, she'd finally got herself unsticky from Sol's glue fiasco this morning. With some trepidation, she held out her hand. Adair dipped the tip of his brush into the jar, then drew a quick blue swirl on her palm. At least that solved the mystery. It was, in fact, paint. "I wouldn't call a paint smudge much of a glow." "Give me a minute." This time Adair didn't return the brush to the jar and instead held the tip of the bristles just far enough away that they tickled Blythe's skin. She fought back the reflex to close her hand so she wouldn't disturb whatever it was he was trying. When nothing happened for a long while besides Adair gazing intently at her hand, Blythe mouthed to Etri, "What's he doing?" Etri tapped his finger against her wrist, calling her attention back down. She had expected nothing to change and hissed a sharp intake of breath when it had. The swirl was still there, but now there was an aura of purple about an inch away from her skin. When she moved her hand, the strange glow stayed with it. Etri leaned closer for a better look. She pried her eyes away in time to catch Adair looking pleased with himself in an embarrassed sort of way. "So all Weavers' hands look like this?" "Yeah, but not just our hands. Picture that covering your entire body and you get a better idea of how we glow." Blythe made a face and wiped her hand clean on the paint-stained cloth he handed her. "Blech. I'll pass." -Excerpt from an early draft of Colorweaver (Book 1)

Concordia as a whole is filled with artists, craftspeople, inventors, and creative hobbyists. The culture has art at its center and almost everyone joins in, even if it's just a way to pass the time rather than as a vocation. It's a drive passed down from generation to generation and the reason for this is that art magic runs deep in the blood of Concordians. History and myth have blended together into stories telling of how the first Concordians-- several struggling, displaced groups of people who joined together to survive-- asked for help in driving away a threat and to help keep their small population safe. Legends say that the constellations came down from the sky to teach magic to the people. Centuries later, these magics have become the nine types of art magic in Concordia.

(Info about the art magic below!)

Here are the types of magic. These are represented in the moodboard from left to right, top to bottom.

Wordweaving (Glow color: red) These Weavers work their magic into words, both spoken and written. These are the poets, the storytellers, the actors, the writers. They're the ones who can affect emotion or, in the case of my morally ambiguous main character, influence someone's thoughts for a short time. This is probably the most dangerous or easily corrupted of magics, but considering the tests that go into becoming a master artist and the checks in place after someone does, this hasn't been a huge problem. (Dray has just made it a problem by avoiding any real training, which is also not a usual thing-- nothing Dray has done with their magic is correct, if you get down to it, and it means that they are going to have Consequences sooner than later. But I digress.) Another example of how this magic can be used is in the scrolling marquee in front of the theater the characters visit in book 1.

Colorweaving (Color: purple) These are the artists whose tools are ink, paint, pencil, charcoal, etc. They're essentially illusionists with the ability to make what they draw/paint move around on whatever they're using as a canvas. Adair has this magic and while he'll sometimes use this to make animated paintings, his career as a cartographer has him creating interactive maps. As the series progresses, he figures out that if he paints on himself or someone else, he can change their appearance. He may even work out something that Colorweavers have forgotten they once knew how to do: by drawing on the air, it's possible to create a believable 3D illusion.

Timberweaving (Color: dark green) Woodworkers and carpenters, obviously, but their magic does more than just allow them to make sturdy creations from wood. Not that this is anything to scoff at-- this is why the oldest Artisans' houses haven't fallen over despite being built on stilts and almost every generation adding a new room or even a new floor. This magic can also make wood as buoyant on air as it would be on water and is a frequent way transportation is built. Not all vehicles hover a few inches off the ground, but this does include the "float-wagons" my main characters call home. Those are something of a cross between a motorhome and a house and can be driven (albeit slowly) around.

Terraweaving (Color: orange) These are the Weavers who work with stone and clay, sculpture and pottery. Way back in Concordia's history there was a Terraweaver who used to sculpt trainable dog-sized animals to give companionship and help to those who needed it. Not just by way of a service dog-- one of the things she made for a gardener friend was a pet that doubled as a planter. The more traditional ways of working this magic are the ability to work stone as though it were soft clay and putting their magic into buildings to make them more steady and solid, much like the Timberweavers, or to make them resist fires.

Oreweaving (Color: red-violet) These Weavers frequently have chemical or heat magic and often use this to etch, shape, and manipulate metals. They're the jewelers, the smiths, and are probably the most "inventor" group of the bunch. Sol tends to use his light/heat magic in a similar way to how the arcane metalworkers would (softening and shaping metal in his hands), so there's some overlap here in terms of heat with the glassworkers. The reason for this is Oreweaving was originally a kind of lightning magic. You'll still find it used as a kind of "battery" when an Oreweaver works with a different type of Weaver on a project. This could be to extend the life of the magic in something else, because eventually all magic inside a creation will run out and need to be recharged, or it'll be a backup battery. Concordia relies on wind, water, and solar power, so magic is only ever a backup or a way to store power they already have.

Savorweaving (Color: pale green) The Weavers who work with food and drink. What they cook doesn't burn, produce stays fresh longer, herbs don't lose potency or flavor after they're dried, food keeps longer or can be made to be more filling. They're the reason Concordia has the equivalent of refrigerators. These artists can also influence the taste and strength of flavor, and I bet they can look at a person and guess what their favorite foods might be.

Glassweaving (Color: gold) This magic involves heat and/or light. These artists are the reason why Silveridge has so much stained glass! As well as using this to make super-strong glass, some Glassweavers use this magic directly by putting it inside glass globes to be used as lamps. Portable heating, like something to keep in your pockets to keep your hands warm? Probably also had a Glassweaver involved. Concordia's mail system is via pneumatic tubes that run about twelve feet off the ground, and while a few different kinds of art go into creating these, the tubes themselves are made of magically-influenced glass.

Songweaving (Color: blue) This magic involves sound and voice, although in terms of pitch and changing how you sound, not the verbal influence of the Wordweavers. I have a character in later books with this magic who can make her voice sound like anything, as well as throwing it so that the sound appears to be coming from somewhere else. This is also the reason that Concordians are able to record sound and music, as well as amplify it or play it at another location simultaneously.

Threadweaving (Color: blue-green) These are the fiber artists, the spinners, weavers (small "w"), knitters, tailors, etc. They can put their magic into clothing and fabric to make it warmer or cooler than it would otherwise be. (This suits Concordians well because current fashion calls for lots of layers of embroidered fabrics and they live in a warm climate.) This can also make clothing protective, usually against things like weather, but it is also how the Protectorates are able to stay safe without needing to wear something heavy that would look like protective gear. Remember the floating homes I mentioned earlier? Some of these are propelled via large fans, sort of like a hovercraft, but some are made with sails on the roofs. Whether it's land or sea, these sails can propel the vehicle forward even if there isn't much wind and can quite likely store some of the wind for later, should it be a still day.

Not everyone in Concordia has magic particularly strongly: some are only good at never burning what they cook, some have simply a pleasant singing voice, some are above average at writing poetry. Sometimes these people will make this part of their careers, sometimes it'll only remain a hobby they enjoy. If the magic is particularly strong, though, it requires additional training and those people are considered Artisans. There isn't a lot of difference between an Artisan and a craftsperson when it comes down to what they create; the only real difference is that an Artisan has magic as an extra tool, so their end results are different. Considering no two artists ever create exactly the same thing anyway, this means that there has never been more importance placed on the Artisans versus craftspeople. Each person will only ever have one type of art magic; even if they carry several types in their bloodline, one will be dominant and only this one will be usable. Each of the nine types of art magic has its own color that glows in both the artist and the creations they make. Only those with decently strong magic can see this, but it does mean that a lot of people, clothing, objects, and locations in Concordia have almost a stained glass look to them if it's something you can see. Part of the reason buildings in Silveridge are made with white stone is because of these glows. Silveridge is where a large percentage of the Artisans live, so it became a tradition to build and paint in white, then add colorful embellishments. Otherwise think about how badly paint colors might clash with the glows used to create the things in the city! Even if most people aren't really aware of how magic glows, they've embraced this aesthetic. Concordia, and Silveridge in particular, is all about aesthetics.

These are just some examples of what each kind of magic can do. Concordians are always coming up with new ideas-- sometimes those ideas work great, sometimes they fail spectacularly. Either way, the artists and craftspeople are constantly creating. Their art magic allows for greater technology than their world might have had without it. Concordia freely trades their creations, so most of their world has access, as well. At some point I'll talk more about Galanvoth, the country that considers itself Concordia's competition.

-------------------------------

This moodboard is for @homesteadchronicles theme of “craftsmanship” because how could I not talk about Concordia and their art magic when most of my series involves this. :D In the future, I'd love to talk more about the Artisans, the history of Concordia’s magic, and just more world building stuff in general.

Tagging my series list! Let me know if you want on or off the list, it’s all good. And as always, please add me to any writing tag lists you have, whether you’re on my list or not. I love reading about writeblr projects. :)

@homesteadchronicles @ageekyreader @lynnafred @the-gay-hufflepuff @oceanwriter @desperatlytryingtowriteabook @muffindragon227 @theguildedtypewriter @toboldlywrite @wchwriter @dreameronthewind @shadow-maker @pen-for-sword @loopyhoopywrites @emptymanuscript @madmoonink @perringwrites @megan-cutler @elliot-orion @thatwriternamedvolk @indecentpause @writer-on-time @ravenpuffwriter @siarven @musicismymoirail @lady-redshield-writes @bluemartlet @reeseweston @worldbuildingwren @hiddswritingrefs @cay--scribbles @focusdumbass @enasroterfaden @missrobinswritings @joshuaorrizonte @zofiehelen @kainablue @kalis-scribbles @inspirited-goddess

#writing #writeblr #moodboard monday #moodboard #world building #about my world #fantasy series #art aesthetic #worldbuilding #magic #unexpected inspiration series #unexpected inspiration aesthetic

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toastedbuckwheat · 5 years ago

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Hello! May I ask how you draw? I'm currently learning how to myself and would be highly interested into a step to step process by you! Like from sketch to the done thing (no color necessary)

Hello there!

I dunno how I feel about showing how I work/giving advice to someone who’s learning (and I say it as a pro artist who went through years of traditional art education) because when I do the illustrations you see here on my tumblr I BREAK THE RULES you’d learn though life drawing routine, and give in to bad habits, and my methods are rather unplanned and chaotic which makes it difficult to pinpoint significant stages. But I used my portable potato to take some photos during working on my last piece, so I’ll throw it here with a bit of an explanation of what’s going on.

Before I begin - and because you’re about to look at a mess of a WIP - I’d like to give you some general advice that generally makes life easier when you draw (again, things that I learned in traditional arts education - another artist might advise you the complete opposite, dunno!)

Work holistically. Forget them satisfying-to-look-at clips on instagram showing someone produce a hyperrealistic portrait starting from an eye, with each and every element emerging being finished before they proceed to another part. It takes a lot of talent, yes, but these are ppl redrawing a photo in a kind of a mechanical manner. Most artists don’t work this way. Especially if you’re working without a reference, or if you’re doing a life drawing - your process will be layering and changing and finding what works best to give an impression of what you’re drawing rather than reproduce the exact image, and your artwork is likely to look messy most of the time.That said: don’t start with the details. Don’t spend too much time on a particular part while neglecting others. Your goal is to keep the whole piece at the same level of ‘finished’ (even though it’s unfinished - do I make sense?) before you’re confident that everything is where it should be and proceed to the details. So sketch out the composition first. See how things fit, what’s the dynamics. You’ll save yourself from limbs sticking out from the frame, odd proportions etc etc.

Because it’s a game of relationships between different parts of the picture/scene. I ask you not to worry about finishing a single element before laying out the rest because you’ll find that said element will look different once the other part appears! For instance - you might think that the colour you picked for a character’s hair is already very dark. But once you’re done with the night sky background, you’ll find that it’s in fact too light, and doesn’t work well with the cold palette. You’ll have to revisit different parts of the image as you go to balance these relationships and make the picture work as a whole.

Give an impression of something being there without actually drawing it ‘properly’- because details are hard, mate. You’ll see that my lineart usually has hardly any, and my colouring is large unrefined stains, but the finished thing looks convincing. Like, fuck, I can never focus on how Crowley’s eyes are really shaped. So I just turn them into large glowing yellow ellipses crossed by a line, and heard no protests so far.

Don’t panic if you messed up (you probably didn’t anyway). It might turn out to be a completely unnoticeable mistake - because, remember, things work together to balance each other, so another finished off prominent element will probably drown that badly placed line that looked so visible and out of place a second ago.

It might not look good before it’s finished. I’m mostly immune to it after years of drawing, and my recent illustrations all follow a specific method (ykno, my sunset glow effects and all that) so I can kinda predict the next stage. But I do my linearts on a specially picked crap paper, I don’t bother erasing the smudged graphite, and it looks messy af until I make the background white in Photoshop. Conclusion: you might have a moment of doubt as you work through a piece, but try to break through it - I often suddenly start to like what I cursed a minute before! - and try to finish it even if it’s meant to be bad. This way, looking through your past pieces, you’ll see the progress. And trust me, I can’t even look at my art from literally three months ago. It’s normal.

Now, pics! The sketches are paler in real life, but I increased the contrast a little so you can see something.

1. Laying out the composition!

I wanted to just show them kissing, but I got carried away due to some Art Nouveau inspiration. As you might have noticed, most of my illustrations are quite self-contained (ykno - they look like a sticker on a plain background). So I wanted a tight swirl bordered by Aziraphale’s wings creating a sort of rounded, yin-yang like bubble around them. Consequently I made the whole composition revolve around their heads.

2. Adding more details to the sketch. It’s messy af. It will be messy until I’m done. It’s fine.

3. These are the fineliners I use for the linearts! They are made by Uni-ball and come in light and dark grey. I also sometimes use the guy on the left - ‘Touch’ sign pen by Pentel, when I want more brush-like, wider strokes. I work in grey because when I scan it and do my usual boring trick with sunlight highlights - which is an Overlay mode layer in Photoshop - the highlights ‘burn out’ the lines too and make them vanish a little, and the lighting effect gets more striking. I also like to use the light grey ones to make something look pencil-y without actually using pencil, because pencil fucking smudges.

4. It smudges! So because I am right handed, I start inking from the right hand side, no matter how tempted I am to do their faces first.

5. You can see the composition directions here. I made it intuitively, but ofc some ppl actually use grids etc to lay out their drawings.

6. See how pale ans thin the lineart was at first? I kept adjusting it as new inked parts were appearing. It starts to look nice and consistent now!

7. Finished lineart? There are some mistakes which I later corrected in PS. Notice that Aziraphale’s face has hardly any details on it - I tried to make the drawing suggest his expression rather than risk overdoing it.

8. Photoshop time!! You can totally do what I did here even if you don’t have a graphic tablet. I used Curves tool to enhance the lineart, then Quick Selection Tool to select the background around around my sticker-like piece and filled it white (on a new layer ofc). I keep this white layer on top of the layer order so it works as a mask as I colour. I decided I did not like the hatching shading underneath Aziraphale’s halo, so I erased it with a Stamp tool (because I wanna keep the textured grey fill my crap paper naturally gives me!). It’s done roughly but won’t be visible once the thing is coloured.

9. And the reason why I keep the grey shade instead of easily getting rid of it by using Curves/Levels is because when I set this layer to Multiply mode and colour underneath, it gives me this nice desaturated look like from an old cheap paper comic page. It works as a natural filter! But of course I can’t do bright colours this way, so all my glowing highlights happen ABOVE the lineart layer - on a separate layer in Overlay mode!

Finished thing here!

_____

Commission infoBuy Me a Coffee - help me with my transitioning expenses!Prints and stickers and things on my Redbubble!

#ask the buckwheat #long post #tutorial #drawing advice #drawing tutorial #good omens #ineffable husbands #good omens fanart #good omens art #my illustrations #doodles #toastedbuckwheat

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youarerageandserenity · 4 years ago

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Borderlands Foam Wig Tutorial (Tyreen)

I was chatting with the lovely @void-noises-exe and it eventually circled around to offering to make a wig tutorial because you don’t see too terribly many, just thought I’d throw mine out ( especially because It was next to impossible to find good references of a foam version of Ty’s hair.) So this will be for foam wigs in general but Tyreen’s hair specifically (with a few pics of my Fiona wig from tales as well because they better accentuate my points) I didn’t plan on making this so I am missing a few pictures that might be helpful but here we go. This will not be short.

Supplies:

-Craft foam (ideally, in small and XL sheets, but you can make do with whatever size you have available)

- Spray paint as close to the BASE color of the wig you need (for Ty I used white, for Fiona a medium brown) ideally in a matte.

- a FUCKLOAD of paints (i use cheap acrylics from the craft store ) in Black, and then several shades of the colors in the hair. (For Fiona i used i think four browns? Tyreens shaved sides have three browns, and the top had an additional yellow-brown i mixed) try to vary them in darkness levels to add depth.

- multiple paint brushes. I like to use around four or five of varying sizes and hardness levels.

- plenty Hot glue, and a hot glue gun (note: you COULD use other typres of adhesive, I like hot glue because its got great hold on foam, it sets FAST and worst case scenario I can take a hair dryer to it and melt it again if I need something to be undone.)

- scissors

- duct tape

-plastic wrap

-sharpie

-wig head

-Plenty of reference images

(optional supplies include a rotary cutter and or exacto-knife [trust me, itll make your life so much easier] , and patience. )

SO to start

1) Put your hair in a wig cap or however you plan on wearing it under your wig. Wrap your whole hair bit of your head in plastic wrap. Make sure you get over your ears and the baby hairs on your neck if you want to keep them.

2) Wrap all the plastic covered bits in duct tape. This is easier for a friend to do on you, but not impossible to do alone, just make sure to get it all. It should be snug. Make sure you get as far down the back of your neck and down your sideburn area as you can. (Most characters have a bit of fringe hanging down in the back so its not the BIGGEST concern for them, but Ty’s got nada so you’re gonna want some good coverage for your hair line.)

3) Take your sharpie and draw an outline of where your ear is, and along the hairline you’d like your wig to have. For short haired characters you dont want to cut too far behind the ear or your hair will peek out, so I like to underestimate how big my ear is and adjust as needed later. Dont make your wig hairline too high either, particularly if you’re making a wig for a character who has no fringe in the front.

4) Take that bad boy off and cut along your outlines. Try it on again, adjust lines as needed. rinse and repeat.

5) once you reach a semi-accurate mold of your head, you’re gonna wanna take it off and cut AT LEAST 4 (front, back, and both sides (I like to do 8, it will lay flatter) sections,coming to a point at the crown of your head. It should come out looking something like this. NOTE : they’re all still connected in the middle. If you’re doing 8, cut each of these 4 in half. )

6) Lay out your foam beneath this. If you dont have a piece of foam big enough to trace this bad boy onto, what I do is literally just break out the hot glue gun a bit early, glue a couple pieces together along the edges, until i get a nice big connected surface. Trace this guy on there as accurately as you can, cut it out, and then glue all your sides together. Now you should have a foam version of your duct tape hat.

(Dont worry if the sides wont stay down, if you’re doing a character like Ty where thats an issue, we’ll get to that part later. )

7) (Optional but VERY helpful) Grab your wig head, and your duct tape head. Tape the duct tape back together and put something in it to make it hold shape, I use poly-fil. Tape the head-form to the wig head, and put your little foam cap on top of that.

8) Time to get creative. You’re gonna want to start from the bottom layers first. For Tyreen that’s the long fringe and her undercut. The strategy I decided on was to take a few large rectangular strips of foam, and lay them out everywhere I wanted the undercut to be and cut along the edges to match the hairline. I don’t have a picture of this exact point in the process but I have one from the beginning of the next step. Really the only thing to note at this point is obviously, your head is round and rectangles are not, for the curves where it sticks up along the edges, cut down where it sticks up in a little triangle and hot glue the ends together (you can sort of see this at the top left in the picture below). Dont worry about seams at this point, we’ll hide them later.

9) This was not the case for Fiona who has very flat hair ( especially because of her hat) but Tyreen has a lot of volume especially towards the front of her head. For hair pieces that need volume, such as the ones that are glued down here, cut two of the exact same foam piece (i like to do them in little waves like the side, but also just a little arch is good for volume without flips such as the front piece) and glue the matching edges together. Make sure the hair triangle is facing the way youd like it to! Then Flatten out the top as much as you can, the bottom will keep the volume and the top ill be able to be covered by “2D” hair pieces.

(NOTE: Honestly, it’s REALLY difficult to end up with an exact copy of cannon, and I ALLLLWAYS get carried away with the spikes. In the end, go by your reference images, but also follow your heart. Cosplay is half about having fun creating. )

10) Once youve started gluing, make sure to keep in mind where your part is (if you have one). For Fiona i didn’t trust myself so I glued in the hair at the part BEFORE anything, and left them ready to be glued down while I worked my way up to them.

NOTE: All the hair at the parts of BOTH wigs is a single piece of foam.You want a nice wide base whenever possible to cover up the seams of all of the other edges of the hair. For your part, Carefully glue along the very end of your strip of foam and stick it down. It will be the last piece to be glueddown on top of everything else to make it look nice and clean.

11) Slowly start working your way around the head, gluing down first anything that will need to be covered (3D pieces and bottom pieces) before getting towards the top where youll need to be more strategic about what is going down and what can cover your edges. I’d definitely recommend mixing 2D and 3D pieces if that’s something you want to experiment with, otherwise, such as in the pic below, it is possible to get volume from a 2D piece, simply by gluing it in a way where it wont lie flat against the head.

12) in the picture above you can also catch a glimpse of Ty’s cow lick. Those are done exactly the same as our 3D pieces from before, only you trace the edges of the open end, and should end up with a triangular third side to be glued in, then just glue along the edges just like the hair part.

13) Dont feel you have to overdo how many pieces the hair has, remember you may also paint in pieces and designs when it comes to the line-art!

14) Once you’ve added everything from the bottom that you’d like to, go ahead and glue down your hair-part.

15) So, obviously, I wasn’t a big fan of Tyreen’s undercut just being flat foam across half my head. So I took an exacto to it for what felt like years. REALLY over-do it on the edges, it’ll get rid of that harsh foam line and give it a little more of a natural blend. Also pay special attention to all of your seams in the foam. The more distressing there is there, the less youll be able to spot lines later.

16) So once you have the overall structure of your wig and you’re thinking you might be happy with this, its spray paint time. (I’d recommend disposable gloves for this, you’re gonna need to maneuver it every which way to get the pain in every cranny and that paint does NOT like to come off easy.) Theres really not much advice I can offer on it, just be patient, and do a couple layers, spray it from every angle and let it dry completely before moving on to the next step unless youre as impatient as I am and dont mind ruining a few paintbrushes.

17) So, like the Fiona pic a few back or this one here, you should have a fairly flat evenly painted foam sculpture. Now is around the time you might start seeing all the inaccuracies in what you’ve made. You gotta push past that it’ll look great I promise. Time to get really creative.

18) for Ty I started by painting the buzzed bits in a base brown, and started in on the line art and her roots while i waited for it to dry before going in with two more colors of brown for depth.

19) For her roots I ended up using three colors. Black at the very bottom (which blends into the line art) a dark brown that matches more or less the buzz, and then after the fact, a custom yellowed-brown to blend better into the white and give us a little more texture. For this and the rest of the cel-shading in the hair, dab your brush before painting and try to mostly stick to light strokes in one direction (OR: if you have one, a particularly hard bristled paint brush does wonders for this) you don’t want the ends of your strokes to be too defined.

20) Outline the edges of the hair and all prominent pieces, particularly the hot-glue seams, itll make them less noticable. (dont forget the little animation squiggles for Ty’s sides) and beyond that-- honestly, black out to your hearts content. These pics are from when I thought I’d finished. I really felt I’d over detailed. The next day I looked at a picture and realized there is always WAY more texture and outlining than I feel like I see. Honestly, you cant really over-do it, especially with fine solid black lines.

21) The next day I came back at it with the yellowed-brown and LOTS more solid black lines. (Currently in the process of taming down where I got too excessive with the spikes on the side)

22) Once it’s all dried, time to try on. Here’s where we address if you have a short haired character, and the edges of your wig just wont stay down -- invest in a little theatrical grade spirit gum. It’s not too terribly expensive, and unfortunately, I tried the cheaper halloween makeup kind, and it just wont hold how you need it too (and please for my sake, also make sure you get spirit gum remover) I took some hair gel (you could also use elmers glue) just to glue up as much of my hair as I could on the sides and the back of my neck to keep them from the spirit gum, and dabbed it along all of the prominent edges of the wig (namely, side and back) wait for it to get a little tacky and stick that MF-er down good.

Aaaaand Voila???

Let me know if I missed any steps? Its fairly simple, once you get going -- just time consuming.

#borderlands cosplay #borderlands #bl3 #tyreen calypso #cosplay tutorial #borderlands 3 #my cosplays

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sovonight · 5 years ago

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Hey Sovo! I wanted to know how you go about choosing colors, specifically if you are drawing a character with a pretty basic flat color reference. I am always in awe of your palettes and I struggle to make my paintings/sketches have a unique color palette while still being the character's correct color scheme. Thanks!

this may or may not be what you’re looking for, but the easiest way i make flat colors more interesting is by adding gradients! i’ll choose lighter and darker colors for each gradient so that they average out into the original flat colors & still feel like the original color scheme:

to get the lighter color in the gradient i’ll colorpick the original flat color (1), sliiightly change the hue by moving to the right or left of it on the color wheel, (2) then move w/in the square to choose a lighter & more/less saturated color. to get the darker color i’ll often just darken the original flat color without the extra steps

for brown, for whatever type of brown it is– orange, red, yellow– i like to push that color in the lighter color, and desaturate it in the darker color

for white/gray/black, i think they’re boring to keep grayscale, so i’ll pick a hue i like and mix it in. you can go pretty far with it, but i’ve kept it pretty safe here:

after gradients, i’ll add basic shading & highlights, and color in the lineart (which i’ve set to multiply) as i like. i end up with a base that i know is pretty true to the character’s color scheme:

but that’s pretty plain, right? so on top of that base, i’ll add lighting effects on new layers:

and as long as i’m not too heavy-handed with the effects, the character’s original palette can still shine through and feel relatively accurate!

#sovo answers #sovo art #that's all i've got!#if you meant like choosing a palette from scratch or with color theory... that's really hard and i don't know enough to provide tips #layer effects are wayyyy easier AND if you keep everything separated you can endlessly modify every single color you put down #which i. admittedly love doing

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whumping-out-of-timee · 3 years ago

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How to have mismatched eye color in any picrew: a tutorial

*****

At the bottom I give a quick overview (but not a specific tutorial) of how you can also make various other things that are almost never available in picrews, some of these are harder than others: Other forms of Heterocromia, Inner eye ring colors, Custom scars, Custom skin tone variations (can make vitiligo, granted the picrew creator added enough skin variations), Custom hair color streaks

*****

Hate when you choose the perfect picrew, but your oc has some form of heterocromia and the picrew won’t let you show that?

Here’s a quick trick to fix it, with zero artistic talent required.

Everything we need is already in the picrew! We’re just going to use a simple layer trick to merge 2 of the same picrew

This will be user friendly for people who have no experience with digital art and will be done using a free mobile app. (Since most people don’t have computer drawing apps if they aren’t into digital art)

Needed: a picrew you like, a free digital art app (I’m going to use ibis paint X for this tutorial)

The link to the picrew I’ll be using for this. No orange eye color though, the one thing I needed lmao

Step 1:

Save two versions of the same picrew with differing eye colors in each as the only difference.

In my experience, the picrew stays built when you re-enter the link. So, just build it and save it as normal, then it will still be there and you can change the eye color before saving the second copy.

Your copies should look about like this: it’s important to keep the rest of picrew as a copy except for the eye color. The fewer differences, the easier it will be.

Step 2:

Ok, now the hardest part is over! Drawing apps can look scary if you’re not used to them, but it will be ok.

When we open IbisPaint X it will look like this:

You want to select ‘My gallery” and then hit the plus sign at the bottom left hand corner. You’ll then be given this menu:

Now this looks like a mess, butttt you’re just going to ignore it all and click import picture. You can then choose 1 of the picrew’s from your gallery. Don’t worry it doesn’t matter which you choose.

You will be prompted with this notification:

Cancel this. This will turn the work into lineart or something I’m not sure tbh. Not familiar with this app. But it will mess up our picrew. Accidentally did it? No problem! Just close the app and go back through the menu

Step 3:

So, now you have this:

We’re ready to overlap it with the other picrew we made!

I’m running out of the 10 photos per post, I’ll try to still give a visual for each step though. Hope it’s not confusing

1- First we’re going to hit the ‘layers’ symbol at the bottom right

2- here we can see the layers, this app seems to automatically make a new layer for a new picture, so don’t worry about any of this! Select the add photo button and choose your picrew with the opposite eye color of the 1st

3- Dont mess with these settings, just push the green check! We don’t want to move the picture since we’re relying on them being directly on top of each other

4- cancel the lineart thing again

5- Now we have 2 layers, each with 1 version of your picrew

6- you can just tap above this menu to close it. It should appear as though our picrew has changed eye color.

Step 4:

Now for the fun part! We’re going to erase one of the eyes on this top layer to reveal the other color underneath!

1- We’re going to switch from pen to eraser using this button in the bottom left hand corner.

2- For the best precision, we’re going to want to zoom in towards the eye that isn’t supposed to be the current color (we can zoom in by placing two fingers on the canvas and pulling them apart. Idk what this is called. Reverse piniching?) The other thing we’re going to do is make the eraser smaller by sliding the top slider to the left.

3- Now we’re ready to erase! Carefully erase over the eye and it will change color. Be careful not the erase the other eye, or it will change color as well. If you make a mistake, the undo button is towards the top of the canvas

4- all done! Just gotta save it now. Push the button in the bottom right corner

5- When the menu comes up, you want to save as a normal PNG. Now it’s in your gallery!

Step 5:

Done!

It doesn’t look edited at all! Because it’s really not, we just combined two of the same art in different colors. No one would ever guess. It still has the same dimensions and everything!

*****

Other stuff you can do with this trick:

Although some of these take a lot more careful erasing, these shouldn’t require any actual drawing. You can use these basics to experiment with this stuff as well:

- A different colored ring around the middle of the eyes: put the middle color on the bottom layer and erase around the pupil carefully in a circle with a very small eraser brush size.

- eyes that are half colored, in a line down the middle (a form of heterocromia): layer order doesn’t matter, erase half of each eye carefully, depending on which color should be where.

- a color streak through the hair: this one will require careful erasing to look good. You’ll need a picrew where the hair is entirely the color of the streak, and a picrew with the surrounding hair color. Put the color streak layer on the bottom layer. Erase the top layer in the shape of the streak you want colored. You can place it anywhere. You can do this with faded hair tips as well, but how well that turns out will depend on the color difference the creator had between similar hair colors... in other words, if dark and light brown are closer together in color value, it will look more natural when you merge them. I would recommend putting the lighter hair color layer on the bottom. When you erase, you’ll be drawing where the highlights are, functionally the same as the color streak.

- you can make uneven skin tones or vitiligo if the creator has added enough skin tone variations to the picrew: to make vitiligo you’ll make a picrew with your lightest skin tone and a picrew with your darkest skin tone. You’ll put the lightest skin tone on the bottom layer. Then you’ll erase the top layer in the pattern where skin pigment has been lost. You’ll be able to control the pattern of color loss like this, and make any pattern you want! This layer order works best for putting light patches on darker skin. If you want to darken an area you’ll put the darker layer down first and erase the top layer with lighter skin into the pattern you want. Essentially: put light down first if you want to put a light pattern on dark skin. Put dark down first if you want to put a dark pattern on light skin

-custom scars if the creator has added enough skin tone variations to the picrew: this is the same idea as skin tone variations. This time though, we need a picrew with a pink tone skin color choice, a lighter one than the character’s skin tone can also work if you want silver scars. Make a picrew with normal skin tone for the character, and a picrew with the scar color. Put the scar color picrew down first, then add the normal tone one. Now when you erase it should make scars in any pattern you want!

If you’re having trouble erasing neatly, the answer is always to zoom in on the canvas and decrease the eraser brush size! Also you can undo and redo until it looks how you want!

That’s all I can think of right now! Hope everyone has fun making those OC’s that the picrews always seem to forget. And especially anyone who’s been left out themselves!

I have on anon asks if anyone has questions/problems using this tutorial! Or any questions about how to do something similar

Feel free to add other tips to this post as well!

*****

#picrew #whump character #oc whump #oc picrew #how to edit picrews

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