#that aside now i'm ready for a new arc

[shiuefha]

Not much to say about chapter 78. It's just showing us about Sylvia's daily activity, which is refreshing in a good (and of course, funny) way. We also get to know more about Aaron, Sylvia's dog. It's so funny to know that Aaron remembered Bond instantly while Bond didn't remember Aaron at first, then Aaron was angry with Bond like 'How dare you to not remember me!' lol.

But still, I'm surprised to see Twilight brought Anya in his personal meeting with Handler...

Even so, this chapter makes me wonder about a few things...

Further mention about Project Apple makes me wonder if we'll get some angst stuff soon (I don't hope so tbh but still)

It seems like, Anya knows about Handler's age, but I don't think anyone else (apart from her colleagues in both her jobs as a secretary and as a WISE handler) knows about it. Does it mean that Anya can 'read' her age or...

Will we get more backstory about Sylvia next? Probably more information about her late husband and daughter?

I may want to add some thoughts later but for now I think it's enough.

[ontheoddoccasioniwritestuff]

Trust (Simon "Ghost" Riley x Reader)

Summary: You and Ghost have been captured for questioning. Loyal to a fault, you'll do anything to avoid seeing his face before he's ready to show you.

AN: I'm not immune to military propaganda. Nor am I immune to the babygirlification. In a slump writing wise so I gave this a go. I might try one with Soap next but no promises since it'll probably end up on the never-ending pile of unfinished fics.

Content warnings: Descriptions of torture, injuries as a result of torture, moments of vulnerability (aka 141 care for each other).

Reader uses they/them pronouns and is part of 141. Fic can be read as platonic or romantic.

Masterlist // AO3

A palm smacked across your cheek; the sting brought you back to consciousness. Screwing your eyes up, you tried to settle them in your skull so that you could take in your surroundings. Your hands and legs tied to a chair was what you noticed first. A fold-out table was a few feet out of reach in front of you.

Then, beyond that, a sliver of light in the roof – a hole, not a light bulb – dropped onto a body, bound like yourself and twenty feet away. The carved mask hiding the face was illuminated.

Your body wrenched against your restraints, “Hey!”

Another slap silenced you. You looked up at the offender you had somehow looked over. A lackey. No one you recognised from any intel or manilla folder or briefing, so you surveyed their appearance for just how much this soldier was trusted with.

Single gun on one hip.

KA-BAR on the other.

Kevlar vest that was more slack on the right shoulder.

More weapons that you had, now that your arsenal had been torn from you.

With the clanging of metal, a rectangle of light broke into the room. Room felt like the wrong word. This was too empty, echoey to be a mere room. A silhouette appeared in that light then vanished as the door closed behind them. Footsteps, slow and steady, approaching you, and the lackey left your side.

Ronin Foster bent at the waist to meet your unwilling gaze. He looked almost identical to the photo you’d been given in your briefing about him. One difference was clear: the burn mark running parallel to the left side of his chin. You couldn’t fathom where or how he’d gotten that injury, nor did you have a lot of time to look at it before Foster turned silently and unrolled a sleeve of weapons onto the table.

You caught Ghost��s eyes, the whites stark against the shadows and black paint. He didn’t avoid your gaze. He held it, and even when Foster stepped in the way, you felt that conflicted comfort you had grown to know in the presence of your Lieutenant and his masks.

The rest of the 141 were possibly being held elsewhere. Or they could’ve made it out. But it would take days to reconvene and organise a rescue mission.

This was your new home.

Your training did not desert you as your captor removed his gloves, tugging at the fingers to free them. One reached behind him and withdrew from his belt a gun.

Following the arc of his arm’s swing, his body wrenched around. A slash of agony struck your forehead against the butt of his gun. Your ears rung around the hollow of your skull like the bells of Notre Dame. The room wobbled as you righted your head. You couldn’t make out the details in Ghost’s mask anymore, not as Foster pulled off the skull plate and tossed it aside. Its clattering on the ground punctuated the air. Your gaze wavered against the dizzying disorientation as Ghost writhed to get away. But Foster was still unrolling the balaclava off his face. The second you saw a hint of Ghost’s chin, your eyes snapped shut.

Boots strode across the concrete. Suddenly your chin was grabbed up, no doubt facing your captor. Ghost’s gruff grunts boomed across the gap between you as he struggled against his restraints – that’s what you presumed, your eyes still closed.

But Foster was ignoring that side of the room blatantly, his grip crushing your cheekbones like he could wrench it off and throw it alongside Ghost’s mask. You narrowed your breaths to control yourself. While you couldn’t see, you couldn’t predict what could happen. But your defiance refused to let this awful man dictate when you saw Ghost’s face for the first time.

“Who told you about this place?” Foster asked quietly.

Nothing was heard from Ghost now, besides his breathing. You tried to match yours to his, pressing your lips together, your nostrils flaring against the throbbing pain.

Sharp pain splintered through your big toe, up your right foot. Your body fought the restraints and channelled your masked yelps into the bindings. Slowly, your chest puffed out all the air before sucking some back in.

“You’ve got at least nine more chances to tell me,” and Foster tapped his weapon – presumably the butt of his gun - against the rest of your toes. “Now tell me, how did you find this place?”

Between internal screams, you prayed that Ghost wouldn’t give up, and that his presence would give you the strength to do the same.

-----------------------------------------------

“Gambit, you still with me?”

You let out a hum, since it was all that your throat would allow. A sigh emitted from your Lieutenant. You couldn’t tell if it was relief or remorse. Sure, Ghost cared for you. You were on his team; it was in his job description to give the bare minimum amount of shits about you. However you could only hope that he gave as many as you did him. Or maybe now you hoped he didn’t, so that the mental barrier holding back the intel didn’t break so soon – or at all.

Your eyebrows raised and scrunched to stretch your face, but your eyes remained shut. Ghost hadn’t said a word about his mask being replaced and you doubted that Foster been kind enough to replace it between sessions.

The sound of the door opening reached you again; you could tell by the pattern of the foot fall that it was Foster. So, you cracked a joke in your head, that you were privileged that a terrorist with a notoriously busy schedule had made way for you and Ghost.

The laughter in your head was cut off when a fist yanked at the roots of your hair, forcing you to face the ceiling. Your eyes winced but still did not-

“Open.”

You waited for Foster’s response to your inaction.

A gloved hand suddenly grappled with your jaw, which was as clenched as your eyelids.

“Your mouth. Open it.”

Eventually, Foster managed to get it open long enough to pour something in. You choked on the first splash but began glugging it down once you realised that it was water and that Foster wasn’t pinching your nose. This wasn’t waterboarding. This was survival – extending your torture to reap its potential benefits. Thus you didn’t savour any of it nor save any to spit back in Foster’s face. Your torturer threw your head aside, strain twinging up your neck. A few seconds later, you could hear similar sounds – Ghost’s turn. That other benefit of not having to see whatever Foster was doing to Ghost. Unfortunately, your shoulders could not reach high enough to shield your ears.

A scrape from the table told you Foster had brought back his tools. Last time he was here, he’d tried to use them on Ghost. However since you weren’t opening your eyes, the effect was not as intended. As a reflex, you attempted to dissociate. One might think the injuries and blood loss might make it easier to fade away from your body. But no, the pain grounded you in your body. So it only made things worse when you found your jaw getting wrenched at again.

“Let them go!” boomed Ghost, causing your heart to ripple against your ribs. Him showing an ounce of care scared you more than Foster did. It meant something worse than before was coming and you were both getting close to breaking.

A bang shattered against your ear drums; the darkness before your eyelids grew a tad bit brighter. Your neck was sharply encircled by Foster’s arm, and your chin struggled against the crook of his elbow. Airway trapped, you were immobilised and drowning on dry land. The grip on you tightened, squeezing your eyes out of their sockets but still you held strong. If this was the last thing you did, you would not betray your friend.

The shouting began, all blended together, overwhelming your fractured mind. It grew and grew into a crescendo of bellows that shrilled with its urgency. Your mind bubbled at the edges a

Then it stopped. A snap. Foster’s weight dropped onto you. Something metal clattered onto the floor. Wet dribbled down your neck.

Thunderous absence of noise surrounded you, your weak attempts to suck in a deep breath barely a prickle in it. You hunched under Foster’s weight. There was no energy left to make a pitiful attempt to dissuade him. You were so encompassed by it that you failed to notice the approaching footsteps right up until you felt the air punctuated into your cheek by this new person’s presence.

A hand wiped at your forehead, lifting gently as it went.

“Gambit, you with me?”

You let out a sigh crossed with a laugh, “Gaz?”

Gaz replied with a chuff of relief, “Let’s get you home.”

The weight on your shoulders was yanked aside; your wrists felt an inch of relief as the plastic bindings were severed. There was din all around again: radio chatter, mumbled remarks about the location, and echoes around the concrete.

You tried raising your head to see “Ghost?”

“I’m here,” and his voice was oh so close now, “I’m here. You’re ok.”

Then you felt the binds on your wrists slacken completely. Your body tipped forwards and your head knocked into someone else’s.

“Gotcha.”

Ghost’s.

“You can open your eyes.”

Your grimy, sweat-stained skin rubbed harshly against his as he instructed you to open your eyes. Your whimper could not be contained as you shook your head:

“No. I don’t want to.”

“You need to open your eyes, Gambit.”

“Your face,” Your arm wavered, preventing you from emphasising your point, “I can’t.” And your body slouched further into him. True darkness took over the edges of your eyelids. The last thing you recalled was being caught by three hands and someone saying your name – not your callsign, but your name.

-----------------------------------------------

Your feet were in bandages, bones reset, though amputation was not out of the questions just yet. Turns out three days with sprains, breaks, and no toenails were not beneficial to you. It was a good thing that you had been carried to the helicopter and not made to walk

Stiff with lack of use, you deduced, and you didn’t try to wiggle them as you opened up your eyes. The bulbs above your bed burnt your sight; you winced away from them. Curtains surrounded your bed. They protected you from the shame you might’ve felt had anyone seen the state you were in. With a sigh, you willed yourself to sink into the mattress a little deeper and return to slumber.

However a set of approaching footsteps caught your ears. Then a gloved hand peeled back one of the curtains to reveal Ghost, his other arm still in a sling that was stark white against his normal gear and the basic black balaclava that was back where it belonged.

“Gambit,” he said, hesitating in the gap between the curtains before drawing them.

You went to say his alias, but you were halted by a sudden coughing fit. Your throat had decided now was a good time to curl up into sandpaper. At your side, Ghost held the cup to your lips. Your weak hands tried to take over holding it; Ghost’s firm ones curled around yours steady. His gloves were worn and rough like the calloused skin beneath, warm against your feeble fingers.

Once the coughing fit had abated, Ghost sat back in the chair adjacent to your bed whilst not quite making eye contact with you. Normally, he had no issues staring you down. Perhaps he had been worried about you.

Sniffing behind his mask, Ghost said, “You did good not giving up that intel.”

A compliment. He must have been really worried about you.

“As did you, sir.”

His eyes wavered towards the passing clogs beneath the dividing curtain as a medic passed by your section. Remaining rigid, he adjusted the inside of his hoodie pocket before speaking again.

“You should’ve opened your eyes. It might’ve helped you with Foster.”

“He’d’ve seen how I reacted to you. Gauged better how to get us to give up.”

How to get me to give up, you thought.

You continued quickly, “It’s better that he just had you. You’re better at controlling yourself than me.”

Ghost was silent for a while, and you were too. It was only a tad uncomfortable; you chalked it up to your injuries, your elbows being the only thing that really felt relief in this hospital bed. Perhaps that was what compelled you to explain him your reasoning further.

“I didn’t want to see you if you didn’t want me to.”

“You’ve seen my face before.”

“Hardly.” That was true for the most part. All you’d allowed yourself to see was one hell of a chin when Ghost lifted his mask up to eat or drink something in a mess hall. You concluded, “Showing your face is your call, Ghost. Not Foster’s or mine or anyone’s.”

His shoulders rose and fell with a deep sigh. Then Ghost grabbed the neck and peeled his mask up in one smooth motion, his chin on his chest. A shock of dirty blond hair – an inch of it pure white at the roots – was flattened against his scalp, until Ghost’s fingers combed through it twice. It matched his dainty eyelashes.

He looked back up at last. Your sight was stuck mainly on his eyes, still surrounded by their superhero mask painted onto his skin where the holes in his mask had been. Then you started making concentric circles around his face. Scars cut from the corners of his lips through his cheeks. Little ones dotted about his prominent nose, eyebrows, forehead, lips. A few bruises highlighted where Foster had gotten him.

You realised that you were staring with your lips parted and eyes wide so that you could commit his face to memory. But you couldn’t help yourself either.  

In short, your suspicions were confirmed: he was goddamn gorgeous.

He was just about to hide it away again, his matching skeleton gloves going to pull down his balaclava when you sat up quickly.

“Wait.”

Stilling, Ghost waited for you to speak again.

Your outstretched hand closed into a loose fist, “Just… Can I touch you?”

His reply was staggered with a blink, “Yes.” And he leant forwards with his elbows on his knees.

It struck you then why he was so unlike himself: he wasn’t here as Ghost.

The backs of your knuckles clumsily made contact with his right cheek, dragging down his jaw. Simon closed his eyes. His head tilted a fraction against your touch. Tears sprung free and tracked down your cheeks, contradicted by your smile that was brimming with the delight of being trusted.

“You’re right,” Simon mused when he opened his eyes, “Good thing you kept your eyes closed.”

“Yeah,” You sniffled. “But at least now I can tell Soap you’re not ugly.”

Scoffing, Simon tugged his balaclava back over his face and adjusted it to fit properly, “Fuckin’ hell.”

“How wrong he was,” you almost giggled with glee.

Even as the laughter ceased, your smile remained. And you could tell by the small crinkles at his eyes that Simon was too.

-----------------------------------------------

AN: In my head, Ghost has Marie Antoinette syndrome, but before he had sandy blond hair.

[immaturityofthomasastruc]

EVEN MORE SPOILERS FOR SEASON 6

I figured since I already read it, I'd give my thoughts on the recent interview Astruc and Thibaudeau took part in.

Due to incompatibility with the new animation engine, SAMG will not be working on the next seasons of ‘Miraculous’. The series is now being developed entirely in France, with the integration of Dwarf Animation.

Okay, props for no more outsourcing, even if I'm not sure what this means for the other ZAG shows.

Season 6 is considered to be “a new beginning”, aside from being a new story arc. It is sometimes referred to by the writers as Season 1.

I'm sure that isn't confusing to the executives at all. Also, maybe don't imply you're starting from scratch when you're already reusing the plot of the main villain using the Butterfly Miraculous.

The writing team already has concrete ideas for how Seasons 7, 8 and 9 will begin and end. They also have ambitions to make it to a Season 12, only if the support of viewers and executives allows them to do so. With this, they emphasize the fact that they would not continue with the show if it were no longer needed or interesting.

So basically, they're planning to keep this up for as long as they can until someone pulls the plug.

The opening of the sixth season is still undecided. They are still discussing whether they will change the musical arrangement or not. Thomas also considers the possibility of making a brand-new theme song. A song has been confirmed for S6. They have the music, the arrangement and a female singer. The character remains unknown.

Imagine how funny it would be if they brought back the woman who sang for Marinette in the movie instead of having Cristina Vee sing again.

Despite leaving Paris at the end of ‘Revolution’ (5x23), Chloé Bourgeois will return in Season 6.

Putting aside all the things I've said about her "damnation arc", what is even the point of bringing her back at this point? She has no powers, no influence, no allies, and isn't a threat of any kind. This makes her not being the next Hawkmoth make even less sense, becuse she has more of a reason to hate Ladybug than Lila does.

Also, with the news that Chloe is coming back, this means that she essentially escaped punishment or at least found a way to rebound like Lila did. So that's a grand total of ZERO villains who actually got punished for their actions after five seasons. I'm starting to think Ladybug and Cat Noir really suck at their jobs.

Sebastien Thibadeau: “[Cerise] (IOTA: I'm still calling her Lila for simplicity's sake) is a villain without costume. She is a villain all the time. There is a reason why, but this reason, neither I nor Astruc will reveal to you yet.” Interviewer: “You mean you already intend to tell it?” Thomas Astruc: “Yes. And you know what, we have already told it, but you haven’t noticed.”

Translation: Ladies and gentlemen, LET'S GET READY FOR RETCOOOOOONNNNS!

Seriously, we are approaching the sixth season of this show. It has been eight years since Lila first appeared all the way back in "Volpina", and we still know nothing about her other than the fact that she has some three moms for some reason. You can't pull the whole "This is something you need to rewatch to understand!" excuse because the last two seasons hinged on breaking the rules about Sentimonsters.

Speaking of, I love how this comment about Lila accidentally implies that Gabriel never did anything evil when he wasn't Hawkmoth/Shadowmoth/Monarch. All that emotional abuse and isolation Adrien suffered was all out of love!

Thomas Astruc on Chloe redemption arc: “We put the characters in situations, and then we say to ourselves: “what would be the logic?” How would the character logically react in “such and such” a situation? And we tried, we tried everything. But every time, we say to ourselves: “if we write this, it’ll be wrong”. There’ll be no reason, it’ll come out of nowhere, the fact that she’ll face something nice and say: “Oh, I’ve been horrible, Marinette what have I done! From now on, I’ll be...” No, nonsense. I understand people’s desire for Chloe to be nice. I’d like that too. But I’d like it if in real life, people with a lot of power suddenly started doing nice things. But Chloé has no interest in changing. She has no reason to change, unfortunately.”

Ah, yes because Gabriel (Global terrorist and abusive parent), Felix (Betrayed Ladybug and temporarily wiped out all of humanity on a whim), Nathalie (Willing accomplice to Gabriel) Andre (corrupt politician and Chloe's primary enabler), Sabrina (Willing accomplice to Chloe) all had compelling reasons to change their ways.

Also, "I've been horrible, what have I done?"

MY BROTHER IN CHRIST, THAT'S HOW VIRTUALLY EVERY REDEMPTION ON THIS SHOW IS EXECUTED.

The fact that he's seriously acting like he actually wanted to write a redemption arc is insulting. Not only does it ignore all the things he's said to fans who were upset at the turn of events, but it makes no sense for him to take this stance because he's a writer. If Chloe turning a new leaf is too strange of an idea, then write an actual character arc allowing her to progress to a state where she recognizes what she's done is wrong. You control the character for God's sake! It's not like you're training a dog to stop humping the couch. You can change things to make a redemption arc possible.

In other words, Astruc is either lying to save his ass, or THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES about writing characters.

Sebastien Thibadeau talks about Andre's character development: In contrast to Chloe, “Andre Bourgeois evolved as a character because we had already imagined a back story. He had the potential to change, and that’s where the beautiful scene comes from — I think it’s magnificent — between Gabriel and himself on the roof of the Grand Palace, where he says: “But Gabriel, what’s become of us? We’ve forgotten the kids we used to be”. But we [writers] know what kids they used to be, and we’d like to tell the story one day, to show what young kids they were, when they were struggling through Paris and weren’t yet what you’ve come to know in the series. He’s sad about what’s happening to his daughter [Chloe], and he’s trying to change it, but he can’t. He is proof that a character can change.”

This. This right here is what cinched it for me. I've tried for years not to say it because it's a word that has been flung around a lot over these last few years, but I feel like this little snippet is enough of a reason for me to say it.

These writers are sexist.

They may not believe it, but whether they intended for it or not, they wrote a story arc where a grown man was shown to have more sympathetic qualities than his daughter. How the hell can you defend it in a way that doesn't highlight the misogyny that this show runs on?

The fact that they gush over how much "potential" Andre had right after saying how that same kind of potential wasn't enough of a reason to attempt a redemption arc with Chloe really shows how confusing their priorities are. I'm sorry to keep saying this, but for a show that takes a heavy anti-capitalist philosophy, it seems like the members of the 1% are the characters who get the most depth and sympathy... unless you're under 18 and lack a Y chromosome, that is.

A meeting will be set up in the coming weeks to decide on whether or not to make a live-action for ‘Miraculous’, Thomas Astruc reveals.

As a former Arrowverse fan, I'm willing to see this out. Not only did the Netflix One Piece series prove you can make an animated property work in live-action, Ladybug & Cat Noir: The Movie managed to do really well even without the usual writers behind it.

Thomas when asked about Gabriel’s wish in ‘Re-Creation’ (5x26) and whether he brought Emilie back to life: “All the answers are in the episode.”

For the love of--STOP SAYING THAT!

You keep claiming that we just need to rewatch the episode to understand things, but between the continuity errors and abandoned subplots, it's hard to tell what's important and what isn't. Either say "No comment" or give us an honest answer.

If people are still confused about how the season ended after almost a year, and you keep giving answers like this:

Maybe you need to change the way you tell the story.

Astruc when asked about ‘The Supreme’: “Oh, if only you knew... Nothing we do is meaningless.”

Sebastien Thibadeau on Season 7: “Once you’ve seen the start of season 7, I can swear you’ll watch season 6 a second time. That’s all I can say.”

Because it'll make Season 6 look like a masterpiece by comparison?

Thomas Astruc on the worldbuilding: There are Kwamis and Renlings, what makes you think there aren’t others [creatures]?

I swear, by the time we get to Season 10, we're going to get stuff like aliens, demons and talking mushrooms, or at least something ludicrous like that.

Zoe had a love at first sight when she met Marinette in ‘Sole Crusher’ (4x07), they confirm.

Of course! That's why it wasn't framed any differently from something like the umbrella scene and Zoe showed absolutely no signs of attraction to Marinette! It's genius!

Executives had Thomas write several alternative concepts for ‘Miraculous’, very different from what we know today or even the early PV. Among them, “a concept where Ladybug is the head of a group of superheroines, like Sailor Moon. There was no love story.”

Can you imagine a world without the Love Square?

The script writers’ favorite episode is ‘Simpleman’ (4x19) as it represents a personal, work and family attachment. Marinette’s grandfather, Roland Dupain, is inspired by Thomas Astruc’s grandfather.

Okay, either Astruc had a complicated relationship with his grandpa or he's been dead for years. While I understand that older generations have outdated views (for example, my great-grandmother yelled at me for saying I wanted to learn Japanese because "They tried to kill us!"), the fact that a caricture of a grumpy old man was based on his grandpa is a little concerning.

Also, between this and Sabine being based off an old flame of his, this only makes the theory that Chloe is based off a real person Astruc knew more plausible.

Astruc: “This is why our work is so difficult. We have to manage to bring in this generation of younger ones, and at the same time, we have to satisfy the generation that was here before and that grows with the series.”

First, if you're trying to please older fans, maybe don't get into fights with them on Twitter.

Second, you made a thread after "Simpleman" aired where you insulted fans for not getting the "meta" element to the episode and compared them to the character you just said was based on your grandfather.

You've also been burning away a lot of the older fans' goodwill over the years. Trust me, I have a few examples.

Despite sharing a similar appearance, the symbol on Nino’s T-shirt is not related to Hack-San.

Okay, is this a fan theory I missed back when Season 4 was airing? Why would anyone draw that conclusion?

Thomas Astruc talks about Season 6: “I’ll say it sincerely, I was very doubtful at the end of Season 5. I said to myself: “if we were to continue, how would we exceed?” Well, we did. It’s been a great season. The new writers have brought us a lot of great stuff. All the episodes we’ve written in Season 6 are fabulous. Each episode is on point, there is no unnecessary lines. All the scenes are really interesting, really well-crafted.”

Translation: Tons of filler, bad comedy, reused Akumas, and more Love Square drama that we're trying to claim hasn't been done before.

Thomas when asked if Marinette will get akumatized: “We never give any information about what may or may not happen.”

JUST. SAY. NO. COMMENT.

There are many important details throughout the series that no one has noticed. Thomas says that when we see the next seasons, we’ll think, “Oh, the writers had it all planned.”

You know, like how Season 3 established that Sentimonsters can be sent out of control by Cataclysm a few episodes before Adrien, a Sentimonster, gets hit by a Cataclysm and is affected in a different way. It was all planned from the beginning.

The Ladybug PV was an animation test and was not intended to be public. Jeremy Zag decided to leak it himself.

Honestly? Dick move on Zag's part. You have to wonder how pissed off Astruc was.

According to Thomas Astruc, what the ‘Miraculous’ series is today represents only 5% of what he wrote in the original bible he presented to Jeremy Zag. “The universe has evolved a lot since. I don’t know if the ideas I put there will be reused someday. It was very extensive.”

Thomas Astruc and Sebastien Thibadeau discuss the parallels between Marinette and Gabriel: Astruc: “Gabriel’s personal back story is the cause of his misery, not his will. And above all, it creates a beautiful mirror with Marinette, which is what’s interesting. They both have a lot of love for Adrien, they’re both designers, they both have a Miraculous, but it’s other choices.” Thibadeau: “That’s what makes it a great hero-villain contrast. Even if they don’t know it from the start, they have a real point in common. As we see at the end of Season 5, they both love Adrien. Except there’s one who does it by doing the right thing, and then there’s another who does it by doing the wrong thing, hurting people, to get there.”

And the one who did the wrong thing by hurting people ended up winning. What does that say about the contrast?

------------------------------------------------------------------

And that's it for the interview. I have to say Season 6 does not look pretty so far.

[rwac96]

Prompt

Professor Au

8 months of carrying their first child, weiss finally given birth to the baby girl, jaune was there with her providing support, in the waiting room friends and family are waiting to meet Arc-Schnee love child, when nurse said it was ready to meet the baby, jaune's mother rushed in pushing her son aside.

"Oh, my Gods," said a relieved Jaune Arc, his ocean eyes staring at his newborn daughter with Weiss. "She's...She's beautiful."

"She is," Weiss nods lightly, holding the swaddled infant. "Hello, sweetie." The Middle Schnee coos to her baby.

"Hey," Jaune says in a similar tone, reaching out with his finger to touch his daughter's cheek, who gurgled in response.

---

"Gawds!" Nora groaned as she lay against one of the chairs in the waiting room, "How long does it take to squirt a baby out?!"

"Nora!" Ren calmed his wife down, "It takes time."

"Oh, Gods," the hammer-wielder grimaced, her teal eyes moving down to her own slightly swollen stomach. "I'm dreading when it's my turn."

"It's not so bad," Terra Cotta Arc said, sitting next to Saphron while their seven-year-old son was sound asleep. "I mean, it was painful when I gave birth to Adrian."

"Mama!" Squeaked a blonde, cat-eared toddler sitting on Blake's lap. "I'm tirsty."

"Okay, Nala," Blake reaches into her violet bag, pulling out a sippy cup and handing it to her daughter.

"I hope Weiss' okay," Ruby Rose said, clutching Oscar's hand as she worried for her best friend and teammate.

"I'm sure she'll be okay," the former host of Ozma spoke up, "she's been through worse."

"Childbirth's different, Oscar," Yang pointed out, "my first memory: Mom screaming like a banshee when Ruby was comin'."

"YANG!" The leader of Team RWBY's cheeks reddened at her sister, who snickered in response.

Then, the doors opened, and a nurse stepped out. "Ladies and gentlemen," she spoke, "you can now see the baby--."

"FINALLY!!" Juniper "Mama" Arc screamed as she rose out of her seat and rushed towards the delivery room, despite her age and the protest of the nurse. "I WANNA SEE MY NEW GRANDBABY!!"

"Uh," Adrian opens his eyes due to his grandmother's outburst, "is my new cousin here yet?"

[lurkingshan]

Japanese QL Corner

A little less content coming at us this week, but all of it good. These first two are streaming on Gaga with the last provided via fansub.

Our Youth

A bit of a transition episode this week as Hirukawa and Minase solidify their bond with a trip to stay with Hirukawa's mom and then return home, where all the complications of their lives rear their heads again. The transition to The Horrors was a little undercooked, with Hirukawa self-sabotaging and sacrificing himself on behalf of a "friend" the show has barely bothered to make into a real character. There were some changes from the source material for this plot that I think weakened the themes and didn't feel emotionally correct for the character, but we'll see how the rest of it plays out next week. That minor stumble aside, this show continues to be beautiful and I am eager to move on from this high school arc and find out how these two are going to reconnect in the future where Minase is hopelessly writing letters to a Hirukawa who can't or won't receive them.

Love in the Air Koi

This week Kai regressed after a run in with his abusive ex, and Fuma persistently pushed through his walls until Kai admitted he does love him and does want him to stay. It was nice to see them get a few happy moments, and I continue to really love the way this storyline is playing out in this version. Kai's fear feels genuine, Fuma feels very serious and sincere, and I really felt Rei's helpless frustration knowing something is very wrong with Kai but not knowing what it is or how to help. Despite the brief moments of peace in this episode, Kai still hasn't told Fuma or Rei about what he's survived and that his ex is still lurking, so there is trouble yet to come. Speaking of, I was not ready for the Rei kidnapping plot to come back around this fast! I'm so intrigued by the way they are changing up the pacing and sequencing from the original, it's keeping me on my toes.

The Fragrance You Inherit

This week we finally got into Mone's head and met her husband, who is of course a great dude who she genuinely liked and seems to have a happy marriage with. I expected nothing less from this show! I really appreciated the show's nuanced look at Mone's choices in college: her awareness of Sakura's sexuality, the tension she felt about the way Sakura made her feel, the decision to run from the potential complications of returning Sakura's feelings and into the safety of something more familiar and "normal" with a boy she also liked. I understand the choices she made, and also why she feels like a coward when she looks back on it now. And of course, as he observes all these fraught and unexplained dynamics between the adults, poor Toki's mind starts running wild. We wondered how he’d react to knowing his mom once liking Kanae’s mom, but this new who's the daddy conspiracy theory he’s spun up for himself is way worse. I hope he and Sakura can have an honest talk soon and clear up all this confusion. You can find the show here, with big thanks to @isaksbestpillow for the English subs.

[pain-in-the-butler]

Could you give us some good dadbastian fanfic? Oneshots, incomplete, completed anything really, i am starved and need some more food other than coattails(which i love very much!)

Hey there, thanks so much for being a Coattails reader! As an aside, I'm not sure if you're totally caught up or not, but sorry I don't yet have an idea of when the next part will be ready. I only have 4k words written so far and chapter 33 is looking to be another doozy... I'll be sure to keep everyone informed of when we're close 🫡

Anyway, I have no idea if you're like me when it comes to Dadbastian, but I'm pretty particular about what I enjoy. Angst has to play a factor in some form, for instance. I also don't like it when Ciel and Seb are too sappy with each other without it being earned. There's a reason Coattails had like 250k words of build-up before Sebastian actually accepted his Dadbastian fate.

With that in mind, here are my suggestions!

bottom of the deep blue sea by sunflowergiorno Easily one of my favorite Dadbastian fics, hands down. I remember going positively bananas waiting for the second part to come out. It's so gentle and tender and honest. It perfectly showcases the thoughts and feelings I'd hoped for Sebastian and Ciel to have to approach after their experience on the Campania. Words, Strings, and Butterfly Wings by Kimberly_T I love this story so dearly, and it's tragic that it's unfinished. This fic is a retelling of the Circus Arc, in which Ciel and Sebastian must actually pretend to be father and son, sometimes with hilarious results, other times endearing. A major inspiration behind Coattails for sure. I would die for Falco, an original character who to me is more endearing than any of the canon Noah's Ark cast members.

Dadbastian Week Drabbles by HeartLeftovers Nobody does angst like HeartLeftovers, and you'll drink up her poetic language like nectar. My personal favorite is Midnight, but read Magnifying Glass and Domesticated Wolf first for the full impact of the final stanza.

Sensorium by OtherCat Short but sweet. A story about how Sebastian helps Ciel at the beginning of the contract to stop thinking like a boy trapped in a cage. I love that it shows that Sebastian couldn't possibly have frightened Ciel into becoming an earl: he had to actually coax Ciel towards it.

Singing in the Silence by Kimberly_T Another one from Kimberly_T. Not strictly Dadbastian, but a story about the servants learning how to help Ciel with his PTSD in their very own inventive and roundabout way. Heart-meltingly adorable. It's canon to me, dammit.

Front Page News by TheArchaeologist Also not strictly Dadbastian (in fact, Ciel is incapacitated the whole time), but I only need the slightest reason to suggest this Phantomfam-centric fic. Mey-Rin's voice is especially realized. Even though you already know Sebastian, Snake, and Ciel will make it back from the Campania in one piece, you feel the Pham's worry palpably.

Through the Years by Kimberly_T Can you tell yet that I love Kimberly_T? Admittedly, this one I haven't read with perfect thoroughness, but I can tell you that the Dadbastian moments are peak. Ciel hires a new maid, a woman who nearly killed him when he invaded a brothel on a mission for the Queen. Please mind that this involves some discussions of SA. Also mind that the story largely centers around an original character, but no one does OCs like Kimberly.

ad perpetuam memoriam by redrobin1989 Only Dadbastian if you squint, but my god if you haven't read it yet go do it now.

I also have my Dadbastian week drabbles, Cutting Teeth, if you haven't read those! I hope that's given you some food for the time being. Eat up and enjoy!

[librathefangirl]

i've already watched the new ep too many times so... SOME OF MY FAVORITE DETAILS OF THE MELIODAS VS ARTHUR FIGHT

The Full Counter! (Meliodas swooping in at the last moment to protect his loved ones will never not make me sob)

The first sate sate sate of the season? With that epic pan over him holding his sacred treasure?? Also with him saying it in a way that reminds me of the sate sate sate of the Kingdom Infiltration arc??? HYPE!!

my sweet baby arthur what happened to you?? 😭😭

Meliodas managing to shield Tristan behind him AND looking intimidating while doing so (despite the height difference!)

Oh my pretty beautiful man, I've missed having you on my screen 😭🥹

The fucking power and destruction behind these attacks! Just the sheer visualization of it 👌

The way the new characters are FREAKING OUT and the old ones are like welp his majesty's got this, let's get out of the way

Tristan's wings!! I LOVE the black feathers (especially how they actually fall off in all the action)

i can't capture this through the screenshot but- The way you can just see and hear how much more uncontrolled and rage-driven Tristan's attacks are

Meliodas flipping the tables on Arthur! (the way Arthur goes from nearly landing a potentially fatal hit on Tristan to having to jump out of the way of Meliodas' attack)

Meliodas' demon mark! (and the way it only comes out AFTER Arthur almost harms Tristan 😭)

Trillion Dark!! The love I have for this move! And it looks fucking amazing here!

The oh shit look(s) on Arthur's face

Kick that racist, baby! 👏

The sound effects of Tristan's out of control darkness here... 👀

Tristan's reaction to realizing Meliodas got hurt 🥺 The gasp! The look on his face!

Okay. I wasn't gonna include any dialogue details here (because I've mostly been able to watch without subs) but... The dialogue that I know is happening here 😭 the how can I be a king if I don't care about my son bit from Meliodas and the to be a king we have to set aside our own feelings from Arthur, and this especially in light of Meliodas' past with his own father and his lack of care for his sons and opinion on personal feelings/emotions🥺😭😭

Meliodas immediately going to Tristan's side (even putting away his weapon and turning his back on his very powerful enemy because he loves his kid so much)

THE WAY HE'S HOLDING TRISTAN (I could make a whole post about everything I love about this one shot)

Despite how many characters can fly in this universe, there's something unnerving and powerful about the way Arthur does it in this scene - like. specifically the way he lifts off the ground

Meliodas willingness to die protecting his family is also something that will never not make by sob 😭😭

There's something about Percy's scream for Meliodas, and the way it's visualized, that just hits hard (and especially considering how he actually just met him)

Not the shook on his face 😭 he was fully prepared to take that hit

That catch!! 🥺

And the way he holds him 🥺🥺 and the worry in his voice 🥺🥺

The way he's just so happy that Tristan is okay and back to his normal self and nothing else matters at that moment 😭

Blurry background family!

And I'm gonna stop now because this was supposed to be about the Meliodas Vs Arthur fight and not the entire episode - but some final things I loved: Lancelot and his dramatic entrances, Percy literally vibrating with his want to help fight Arthur, the casual way Lance fights, Donny and Gawain's expressions/reactions throughout the whole thing (which tbh deserves its own post), and of course-

THE WAY THE OTHER SINS WERE READY TO PULL THE FUCK UP BECAUSE THAT'S THEIR FAMILY YOU'RE MESSING WITH DAMMIT!!

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere

Alright, so I had mentioned leading up to the release of the newest LO episode that my feelings regarding LO returning were pretty "meh". Not hyped, but not completely back of mind either. Just sort of a weird calm before the storm type feeling that could go either way.

I'm glad I got to have that moment of calmness because good god, this episode was an absolute shitshow. And honestly, I'm not surprised, for several reasons:

Rachel has never been good at maintaining a buffer, even back at the start of the series she only ever had 2-3 episodes ready ahead of her schedule which is NOT an ideal buffer for an originals series.

Rachel has never been good at writing, she's very "draw first write later" and has stated as such in interviews that when she gets 'stuck' on what she's writing, she'll just start drawing and fit the pieces in later.

Four months is NOT enough time to both rest, attend massive conventions, and work on improving a project while also getting buffer episodes ready.

Because of the FP episodes remaining locked over the hiatus, technically Rachel only needed to have ONE episode ready upon return for the newest FP release, not multiple like she'd usually need like in the past during the S2 midseason hiatus or the season finale episodes which would unlock those FP releases like normal - so for all we know, she could have drawn this episode literally last week, especially when the promo material was so last minute. Frankly I think it was REALLY stupid for whoever it was who decided to keep these FP episodes locked (whether it was her or WT, it was more likely WT) but you can read all I have to say about that in my review of the midseason finale episodes.

All that's to say, no, there was never any guarantee Rachel was going to somehow "turn around" the ride we're currently on. I know that many of the critics were hoping for that to happen, but with the circumstances of the hiatus mixed with Rachel's bad habits of putting her best efforts into the procrastination projects that aren't her actual comic (ex. the few original pieces and LO sketches she put out during the hiatus) it just wasn't in the cards. This is where the comic is at and this is where it will remain until it's over.

I want to also point something out about this episode that was... really glaring to me.

As with all of these hiatus returns, LO got priority advertising in the first two banner slots and push notifications AND a popup ad within the app. This is unsurprising, Webtoons is still trying to milk this thing for what it's worth.

I know a lot of people are gonna focus on the art, or the fact that WT is continuing to shill LO, but I wanna point out the part that WT implemented specifically - "NEW SEASON".

This is literally just false. At best I'd like to think some intern just messed up and thought this was a new season, but it's literally not, the episode designation still says "S3". Note that the creators only design the banner art, the actual labels on top are put there by Webtoons.

But at worst, this feels like blatant lying to continue to hide the fact that LO is ending. Mind you, Rachel and Webtoons have still not put out official posts stating that this is the final arc. There is NOTHING from either of them to communicate to the audience that the comic is ending next year. It feels like they're trying to avoid the topic altogether out of fear of losing the fanbase they still have, rather than hyping up the comic's end for those who have stuck around to see how it all wraps up. And honestly, I wouldn't be surprised if this was the case, considering they're now trying to funnel the fanbase into Penguin/Inklore with new marketing deals and the whole Rachel Smythe Presents thing. They're trying to make this seem like the beginning of something "new" when it's really just a quiet shifting of management (Penguin House).

But all that aside, let's actually get into the episode. It's one episode after 4 months, which is not standard for LO's hiatuses, typically FP episodes release on schedule (meaning free readers start hiatuses 3 weeks after FP readers do), the only time this has been an exception has been with the 2 week breaks because the whole point of those was to build a buffer (which you can't do if you're going ahead and releasing the FP episodes anyways). For extended hiatuses like these, usually free readers still get their FP episodes, but that wasn't the case here. That means Rachel technically only needed one episode ready for the comic's return, and it shows. It really fucking shows.

FROM HERE ON OUT THERE WILL BE FASTPASS SPOILERS REGARDING EPISODE 254. DO NOT CONTINUE IF YOU DO NOT WANT TO BE SPOILED !!!

As per tradition, we get a title that means nothing at all. It just says what we already know.

Our collective husband Zeus is dying, no thanks to the poison cupcake fed to him by Apollo. For those who don't remember, Apollo had tricked Zeus into eating the cupcake by making him believe it was from Hebe. We are fully aware that it was Apollo who poisoned him. Remember that for later in this review.

Right off the bat we're off to a hilarious start, both with a cryptid appearance from Apollo in the background (lmao) who is, for some reason, ALREADY returning to the scene of the crime he just committed because... who knows at this point. Apollo and Psyche know it was Apollo at this point, I might add, but I have no clue why Apollo is actually returning to the scene of the crime when he has no idea Eros and Psyche know.

Moving on from that, can we talk about this hilarious dialogue?

"We have to call a doctor! Let's call Asclepius!"

"No, we can't trust him! Gosh darn it, why are we only bothering to think of ONE doctor in this universe where we've seen more than one doctor?? Guess Zeus is just gonna die! What a horribly contrived situation this is!"

And that's literally how I can best describe most of this episode. Contrived. There is a LOT of manufactured drama in this that makes ZERO sense even on a surface level.

And what do you mean exactly, Eros? "What a terrible system!" Is this supposed to be a joke? Lampshading? We've seen Persephone go to the gynecologist. There are non-god doctors who tend to gods all the time here.

Eros just doesn't seem to be that pressed over this, he sounds like Ned Flanders and that's NOT a good way to open up a scene like this... let alone an episode people have been waiting four months for.

Anyways, after a few pointless reaction panels (again remember I have to cut a lot of what I show here for Tumblr image limitations but I promise you, I'm keeping as much important stuff as I can in this, there's just THAT MUCH filler at this point), Eros and Psyche confront Apollo and he is... good god.

There is... so much to unpack here.

First of all, remember those theories about how Rachel was clearly trying to write Apollo as this "secret twist villain" the whole time but it doesn't work because Apollo is simultaneously written as both a 'conniving villain' and a massive dumbass at the same time?

Well, I finally have a more appropriate term for him. He's your average red pill redditor - someone who thinks he's smarter than everyone else when really all he does is sit on reddit all day using big words incorrectly in arguments he gets himself into with a bunch of equally-air-headed dumbasses.

"You can't possibly understand the nuances of the Olympian political system," Apollo said proudly, a man who had, ironically and obliviously, run for president in a monarchy. The union of kettle and pot is eternal.

He's the Slappable Jerk but instead of it being a painfully hilarious impression, it's just painful and hilarious for all the wrong reasons.

this is so stupid because it's 1.) Eros pointing out how obvious Apollo's plan was, despite Apollo acting smart two seconds ago with a goddess who, mind you, has been a goddess for ten years, and 2.) patricide isn't even intrinsically linked to politics, there's nothing 'political' about a guy trying to kill his dad except in, idk, a monarchy, which again, Apollo has spent ten years trying to rise to power in as a president which is a completely different form of government.

If I wanted to be really granular with this, I'd like to think Apollo is making some kind of point about the critics who call out LO's whack as fuck political system (especially in the trial arc) - as if he's saying "well you're just a stupid reader and this is fantasy where you don't understand exactly what political system we're using, so shut the fuck up you stupid twig" - but I don't think it's meant to be that deep. I think it's just Rachel trying to write a smart character and then failing at it because she, herself, is not a smart writer. And I'm really inclined to believe that more than the theory about this being some kind of meta-narrative about the critics because this entire plotline is contrived and stupid down to its core.

I did not cut anything out here, that's the pacing. Leto literally just appears out of nowhere and uh oh spaghettio's, she has Kassandra! Remember Leto? The character we were led to believe was truly "pulling the strings" until she disappeared from the story completely after she realized that Apollo and Persephone weren't a thing, even going so far as to call out her own son for being a fucking dumbass? Well, she's back and once again she's being involved as some kind of "double agent" in this whole thing, even though we literally haven't seen her since halfway through S2.

"Mm yes, you're so stupid, falling into my trap! Even though you had no reason to remember Kassandra anyways because she's literally a mortal woman you just met and you yourself have committed acts of violence against mortals without a shred of care! I'm so smart! My plan is all coming together!"

We've never seen Apollo do anything except cry and poop his pants, the closest he got to being "powerful" was his attempts to murder Daphne (who he seems to have forgotten about in this "master plan" of his) but ultimately he's literally just a piss ant baby and there's no reason to believe that he could somehow outmatch the God of Love who can literally manipulate people's emotions and states of mind with his arrows. But yeah sure go off, you're so powerful and smart.

The worst part is, I can't even buy this as the narrative trying to be like "see how manipulative and conniving he is?" because it's just silly. We've SEEN this man cry with his victim complex, we've seen him say and do the DUMBEST things that don't lend to any amount of "intelligence" he may have, it comes across less as him being "smart the whole time" and more as him trying to sound smart but ultimately sounding incredibly stupid. And I can't even immerse myself into it and buy that maybe that's the point, because it doesn't feel like the point, it just feels like inconsistent writing, he doesn't feel like a 'threat', he's just monologuing.

Bad art and Apollo literally just repeating what Leto already implied so this is a waste of the audience's time.

This is the funniest panel in the whole episode because I can't tell if Apollo is supposed to be in the background (for some reason, despite him literally being in front of Eros and Psyche two seconds ago) or if he's in the foreground and just REALLY small for some reason. This is so off-putting. And of course, it's just Apollo explaining what we're ALREADY SEEING ONSCREEN.

You see, in addition to this episode being contrived, it also talks down to its audience a LOT by explaining exactly what we're seeing onscreen. It's like Rachel saw the criticisms about her not including enough to depict what's actually going on in her head and so she thought the solution was to spoon feed information over pictures that are already doing the job of explaining what's going on. Rachel really doesn't know how to write and even when she tries to implement changes that reflect criticisms that have been made of her writing, she somehow makes things worse because she completely misses the point of what those criticisms are trying to get across.

Anyways, without even trying to resist (for some reason) Eros and Psyche get sentenced to horny jail.

They're now trapped in a basement that Leto somehow has in her home. How do we know that?

HAHAHA FUNNY LAMPSHADING SO FUNNNYYYYYYY

Leto claims that they shouldn't try to escape because the dungeon is "enchanted", but she doesn't even bother to explain what that means. So they literally don't bother trying. They don't try to call her bluff, they don't try to teleport out of there, they literally just go "well shoot", shrug their shoulders, and accept their fate. Just like with the whole "we can't trust the only doctor we bothered to think of" situation, Eros and Psyche are turning out to be some of the stupidest, lowest-effort characters in this comic who literally can't be bothered to try because that would require too much brain power.

Notice how much time we've spent on this and we haven't gotten back to where the cliffhanger of the last episode left off? Well buckle up because there's still more to cover.

So it turns out Hebe was still inside with her dad, in FULL VIEW of what was going on through glass which is somehow COMPLETELY soundproof, and when Apollo steps inside, she just has no idea what happened. She never bothered to even look outside to see what was going on with Eros and Psyche, she's just been sitting on the floor staring at Zeus' dead face for what was likely several minutes, unless Rachel is seriously trying to convince us that conversation and hostage negotiation from earlier only took 2 seconds. The timeline is such a mess at this point that characters basically freeze in place as soon as they're not the focus of the scene.

Apollo rushes inside, acting shocked over the situation, and when Hebe asks where Eros and Psyche are (again, she could have just looked out the window at any time), he's just like "dur idk they just left lol" which Hebe just... buys, I guess.

That's just Persephone but yellow. She's even missing her beauty mark.

See how Apollo put his hand on Zeus' chest/shoulder by the way?

Apparently, despite Mr. Smarter Than Everyone Else trying to pretend it wasn't him, he's able to discern that Zeus is dying from a toxic and rare poison just from touching him. He doesn't even really seem to use his powers, he just touches him and goes "welp he's dead i guess lol don't bother asking me how I know that".

But oh nooo remember that note from before? Well gasp Apollo's gonna use it to frame Hebe! In front of no one else at all!

Hebe of course says she didn't write it, but Apollo continues to try and frame her anyways, even though, again, there's no one else present here, and so it effectively just becomes the most absurd form of gaslighting I've ever seen.

Again, THERE IS NO ONE ELSE HERE IN THE SCENE. He's just trying to claim she did it to absolutely no one at all, in the hopes of... what exactly? That she'll just take the fall for something she knows she didn't do? That she'll somehow be convinced? It's not like Hebe has the same thing going on as Persephone where she has a 'wrathful dark side' he could pin it on, this is just a criminal who just robbed a building pointing at the first person they see and yelling "YOU DID IT!"

All I'm saying is that Apollo would be really bad at Among Us. He'd be the type of player to kill someone, hit the report button, then claim yellow did it which, even if he DID convince the rest of the team, would still get kicked anyways as soon as yellow was proven through the eject to not be the imp and everyone would go "okay cool so yellow wasn't the imp, that means obviously it's purple self-reporting." It's a trick that doesn't even work anymore because of how old it is. Hebe isn't a child here, she's an 18 year old woman who should be fully capable of raising an eyebrow and wondering why Apollo is this quick to accuse her - almost like he's trying to hide the fact that he did it.

But Hebe can't catch onto this, just like Eros and Psyche, she has to act stupid for the sake of the plot.

At first I thought maybe Rachel was trying to do some "whodunit" scenario, but that doesn't work here because we already know who did it. And while there are stories that exist like that that pull it off (ex. Knives Out) the problem with trying to do this the way Rachel did is that the person being framed has to have this thing called motive. The reason why Knives Out and Glass Onion work so well is because the person who was murdered (or conspired against) is someone who is being targeted by multiple people who could all be the murderer. It's quite literally called out in Glass Onion as a form of smart lampshading. "It's like putting a loaded gun on the table, and turning off the lights."

But it doesn't work here because Hebe does not have motive. If you're going to attempt to frame a murder on someone, it has to be someone who would have reasonable motive to commit that murder, even if they didn't actually commit it.

And who among Zeus' children has motive?

What about the war-mongering bloodthirsty god of war who has been regularly sentenced to time in the Mortal Realm to fight in wars in which he's been regularly injured?

What about the chaos-seeking wrathful goddess who would do it to get revenge on the parental figure who cast her aside, or even just for the fun of saying she did it?

Why try and pin it on Hebe, the doting daughter of Zeus who's only had a collective of maybe 20 panels in the entire comic?

But then I realized... it's not Knives Out, it's the fucking Lion King.

Which is just as contrived - if not more - than the assumption this was gonna be some attempt to frame Hebe. It's not. He's literally just trying to keep her from assuming it was him. He could have just as easily played dumb without calling attention to the note but he intentionally went out of his way to try and be Scar from The Lion King , while completely missing the point of why that scene worked in the original movie.

Scar wasn't trying to 'frame' Simba for Mufasa's murder. He was trying to hide the murder, while also attempting to get the only heir to the throne out of the picture, so he passed the guilt of the death onto Simba - a child who, unlike Hebe, wouldn't have the ability to rationalize or realize his uncle his a scumbag - who then ran away from home because he was too terrified to face his family for what happened, assuming that it was all his fault when it wasn't.

That's not how this is panning out here. Hebe is the now 18 year old daughter of Zeus, and not one of his only children. She doesn't even fit into the whole "sons overthrowing their fathers" prophecy like Aries would. Apollo is literally just being a big idiot here by saying "well I'm gonna give you a headstart to run away, because if you stay, I might hurt you" (which btw, should be MORE of a smoking gun that Apollo did it??)

And again, it's all so contrived so that the plot can move forward. "Well I'm going to frame you for this murder, but y'know, you should just leave, I'm not gonna try and press it further lmao"

Again, Apollo is a fucking idiot here, because he just attempted to frame someone who has NO MOTIVE to harm Zeus, to absolutely NO ONE at all who would side with him, only to let her go which would leave her to question why Apollo would try to accuse and harm her in the first place before considering other options. And through ALL this he claims he's the smart one, which I can't even be bothered to "love to hate" because it's written so poorly.

And really it all comes down to how everyone else behaves in relation to Apollo that makes it so stupid and unbelievable. Apollo, you're not smart just because all the characters around you are intentionally being written to be as stupid and non-confrontation as possible. If you can only write a smart villain by making everyone else stupid, you haven't written a smart villain, you've written a dumbass whose victory only happens due to contrived plot convenience. It's not even done well like in Glass Onion, it's just bad writing, full stop.

And who does he call to report this emergency? The satyr police? His son the doctor?

No.

The media. Literally just "hello, the media?? I need your best journalist here stat!"

I need you to understand, even if he were calling a tabloid magazine like The Weekly Nark, you don't just... call a journalist to report a murder. These are not the actions of someone who's trying to absolve himself of guilt, these are the actions of a complete dumbass trying to get news coverage of his trophy kill who would be better off just playing dumb instead of trying to play smart. Even Walter White wasn't this fucking stupid despite all the times he fell on his own sword, Apollo is literally just instigating suspicion towards himself for no reason at all. He's self-reporting so hard and worst of all, you can't even take any of this seriously because of how corny it is. There's no dramatic tension, no stakes, it's just a bunch of characters performing in a really bad stage play and reducing every conflict to "well I guess Zeus is just dead now because no one's bothering to make an effort to stop Apollo or ask questions lmao"

It's truly the epitome of "this plot wouldn't exist if characters would just talk to each other."

But finally, FINALLY we mention the thing this episode is named after, the transition point to Persephone.

Just like with the midseason finale episode, there's a lot to cover here, so I'm gonna get more into it in a part two post.

That said, you can see already this is the messiest, most contrived bullshit to ever wind up in LO. It's trying so hard to be smart and it just comes across as a bunch of toddlers in the world's worst stage play rendition of Clue. None of what was done here was in any way dramatic or tense, it's just a bunch of characters infodumping shit we already know, trying to set up new plot threads that don't make any sense, and allowing one another to get away with what they're doing because they don't bother to even try.

It's completely manufactured, contrived nonsense. It's not "smart", it's not "so dumb it's brilliant", it's just dumb.

[topazadine]

How to Write Faster (And, Hopefully, Better Too)

Estimated Reading Time: 7 minutes

I've shared some tools before to help improve your speed and motivation, which include:

Using a word count spreadsheet

Working on only one WIP at a time

Leverage StimuWrite and Cold Turkey

.... but I still have a few more tricks, which I'll share now.

Why should you listen to me? I've written over 2 million words of fiction since 2021. That's a lot, more than many people write in a lifetime.

This is despite the fact that I also write 22,000 words every week for my day job. I do around 10k of creative fiction a week. And there's also the time I spend writing these articles for you, the lovely people of Tumblr, which is around 4-5k per week.

So, all told, I probably do around 37,000 words (creative, informative, and otherwise) every single week.

I did that by following these tips.

Separate the work into stages.

First, let's outline the stages of work (or at least the stages I use). You may have a different setup, and that's fine - if you do have a system that works for you, then you probably don't need my post at all. Keep doing what you're doing and ignore my advice.

But if you do not have a system, consider mentally separating things into these parts.

Active Writing. When I am busy doing the draft. It is both the most precarious and productive time; everything else related to books goes on the backburner. I am doing nothing writing-related but writing. No discussing the work unless I'm stuck somewhere, no making moodboards, NOTHING. This is my sacred time when I am in the thick of things and I put Writing Blinders on.

Percolation. I am done with the first draft. I set the piece aside and do other things like reading other novels, outlining another story, answering tag games, playing with moodboards, or putting everything aside and focusing on other hobbies. This is so I can come back to revisions with a fresh set of eyes. It keeps the story in my mind and can even help me discover new things I want to add.

Revision. After I have had a beta reader check things out, I go back and start fixing things. Then it percolates again. I repeat percolating and revising as many times as I feel necessary. Many times, I will have one beta reader look at it, then revise, and then have another beta reader look at it, each one getting a slightly different version of the story so I can compare what they liked or disliked.

Prepublishing. Most authors' least favorite part: marketing and telling people about your book so that they want to read it when it is ready. That includes stuff like making mood boards, doing tag games, sending out ARCs, setting up adds, posting on social media, and so on.

Again, ONE STEP AT A TIME. Do not blend all of these into a slurry.

I will say that this time around, with Pride Before a Fall, I ordered the cover before I was done with the book because I had a very clear vision of what I wanted.

Talk less, write more.

This is similar to the problem I highlighted in my Double Outlining post; the more you talk about your story, the more you trick your brain into thinking that you've done the work when you categorically have not.

Plus, the time you spend talking about your book is time you spend not writing your book. We can't do both simultaneously.

I don't really talk about my stories while I'm doing them, not even with my family. I may post a line or two, and I may tell people the basic plot, but I'm not spending hours discussing them with anyone unless I need advice on what to do next. Even then, it's more like "hey what do you think about this? Good? Cool, off I go."

Please get out of the habit of exhaustively picking apart your work with other people during the Active Writing stage. That can come during the Percolating and Revising stages.

Devote all your love and attention to one story.

Yes, I've mentioned this in a whole entire post, but I need to emphasize just how important it is to write stories one at a time. Working on a million things at once is not efficient; it's scatterbrained.

Force yourself to do ONE story. Just one. Not two or three or five. ONE.

Again, I've written 132 stories on AO3 (two of which are 100k+, multiple of which are 50k+), published one book, and written 5 of the upcoming manuscripts for the 10-part Eirenic Verses series. I am a very productive writer, and that is because I do everything one at a time.

Don't tell yourself "oh, I can get more done if I do a little bit on this one and that one and that one."

Can a chess player win three games of chess if they play all of them simultaneously? Uh, probably not. Each of their opponents is devoting everything to one game while their concentration is split between three different boards.

And you're not going to win either if you're playing twenty games of Write the Book simultaneously.

Do not mess around with moodboards, tag games, character questionnaires, playlists, etc, during Active Writing.

I discussed this in my Extremely Controversial Writing Opinions, but it bears repeating.

Do all of that stuff later, after you are done, as a marketing tool. It's procrastination, plain and simple.

Any time I get sucked into tag games or moodboards while writing, I get less done because I'm devoting time and energy to something that doesn't actually enhance my book.

It's one thing to do character questionnaires while you're figuring out a character, but quite another to stop what you're doing and tell everyone what your character's favorite food is.

Is that helping you get the project done? No, it is not. Log out of Canva. Turn on Cold Turkey to block Tumblr or Twitter. Leave that stuff alone.

Read short stories.

You know you need to read to become a good writer, but taking hours out of your day to read a novel while you're drafting your own novel can take away from your writing process.

That's not to say you shouldn't ever read novels, of course, but you can do that while you're in between projects.

During my active writing phase, I like to read a short story before I get started on working. This gives me inspiration and primes my creative pump so I'm excited to do my best.

Reading short stories also helps me focus on brevity rather than long-winded diatribes, which lets me pack more into a story.

Don't reread your work during Active Writing.

It's easy to get sucked into rereading and then not get anything new done; plus, this makes you want to revise, which should come later.

Reread only as much as you need to fix plot holes or remind yourself of where you're going. Refusing to reread also lets you look at your work with fresh eyes during revisions.

Make a writing ritual.

You need to tell your brain that it is writing time. This could be anything, like brushing your teeth right before you sit down to write, or drinking coffee out of one specific coffee cup when you are in writing mode, or putting on a playlist that you only use when writing.

For me, I light incense and ring a bell, then ask my muses to help me. When I take a break, I'll light a new incense stick (it's Japanese incense so very light scent) and ring the bell again.

That's about it, though I may write another post with more tips. I hope these are helpful to you, even if you don't like them. Sit on them, think about it, and give it a try. You might find yourself spending more time writing and less time just thinking about writing.

I've created a masterlist of writing resources that you can peruse at your leisure, all for free.

The posts I write can sometimes take me hours - they're always intricate, always thoughtful. This one took me about 1 hour to write.

I do this as a labor of love for the writing community, sharing what I have learned from almost 15 years of creative writing.

However, if you'd like to support me, maybe you'll consider buying my book?

9 Years Yearning is a gay coming-of-age romance set in a fantasy world. It follows Uileac Korviridi, a young soldier training at the War Academy. His primary motivations are honoring the memory of his late parents, protecting his little sister Cerie, and becoming a top-notch soldier.

The book features poetry, descriptions of a beautiful country inspired by Mongolia, and a whole lot of tsundere vibes.

You can also check it out on Goodreads for a list of expanded distribution.

If you do purchase my book, don't forget to leave a review!

Reviews are vital for visibility on Amazon and help to support indie authors like me. Whenever you love a book, be sure to let the author know! It's much appreciated.

[buttercupshands]

Quick s7 premiere thoughts

Loved the new episode, I sure wasn't ready for Afomura becoming a thing so soon, like that scene is still... that

But otherwise wow

also a quick thank you for this scene having THIS track (a bit off from the original version) and voices of both AFO and Tomura mixing in places there

to other things

little dangerous hand man

I'm in love with the ending... "Believe" and "Sketch" and now this one are like a Holy Trinity of Villain connected endings and this one FEELS like it belongs to MVA or something like that WAY MORE than the ED version of Believe did, even if the song was directly connected to Tomura and Izuku via text

that's just my "I want THIS SPECIFIC WAY" of wishing an ED was and I got what I wanted in a way with everyone from the LoV having their moment to shine (from the current arc aside from Compress) - so Spinner, Toga, Dabi and Tomura all have that. IN BOTH ED and OP

and then OP is like

this

so yeah, happy s7 day

[jedi-enthusiast]

In light of the new Ahsoka show pissing me off, I have decided that---at some point after I finish up mitptt and get going again on bcc---I'm going to write a spite fic.

----------

In said spite fic, Ahsoka---at the age and time she is in the Ahsoka show---goes back in time to the Prequel Era, where her younger self discovers her.

Now, it's obvious that older Ahsoka- (who we'll call O!Ahsoka) -is younger Ahsoka- (who we'll call Y!Ahsoka) -at a different age, so O!Ahsoka can't really lie her way out of being discovered. After that becomes obvious to her, O!Ahsoka figures- "Oh the Force must've sent me back in time so I could save myself and Anakin from the stupid dogmatic Jedi!" -and decides to do just that.

Then, after O!Ahsoka basically treats the other Jedi- (barring herself and Anakin, and maybe Plo) -like shit, shits all over the Order and their practices, and just generally acts like an ass about everything and shows a surprising amount of ignorance---Y!Ahsoka is like- "What the fuck is wrong with you? Have you forgotten that these people are our family? Have you forgotten how the Force works? Have you forgotten why we practice certain things? What the hell?"

So O!Ahsoka tells her everything---all of her opinions on why the Jedi and especially the Council are bad/hypocritical/whatever/etc, everything that happened in The Wrong Jedi arc, how Obi-Wan was apparently "playing politics" and "betrayed her" or whatever, everything Anakin did and what that lead to, how Anakin's actions are apparently the Jedi's fault, etc---in hopes that hearing all of that will turn Y!Ahsoka against the Jedi and make her help her "save Anakin from them."

Cue Y!Ahsoka going off.

Y!Ahsoka absolutely rips O!Ahsoka and her arguments to shreds---defending her fellow Jedi and their beliefs, both through logical emotional arguments, and just expressing her shock that O!Ahsoka could so easily forget all that they were taught and be so fucking callous about the death of their family.

Y!Ahsoka then uses the information that O!Ahsoka has given her to help her fellow Jedi stop Anakin from fucking everything up and killing them all---as well as take out Palpatine and win the war.

All the while also having an identity crisis because- "how could she turn into such an asshole???" -but everyone, particularly Obi-Wan, helps her through that.

Meanwhile O!Ahsoka has to deal with the fact that she actually is wrong and an asshole, and also work out her own issues in a healthy way instead of just ignoring them, absolving Anakin of any agency, and blaming the Jedi.

----------

This fic will also be full of a healthy dose of Rex finding out what Anakin makes him and his brothers do---how easily he was ready to cast them aside---and, after dealing with all of the bullshit that Anakin has been pulling throughout the war, he decides that he's just fucking done with him.

He just walks away from him, decides that he's not putting up with any of this anymore.

In a similar vein, I'm thinking about Padme also learning about this stuff and---paired with Anakin's now super erratic and crazy behavior, plus they've just recently "made up" from the Clovis stuff---she does some serious thinking and finally sees Anakin for what he is, and makes the decision to leave him because she hates the person she's become by being with him.

[v88sy]

i think the thing with buck fucking strangers came only from oliver stark. the canon narrative did not, at least so far, explicitly say that this is what buck will do or wants to do imo. the implications of saying "your first cannot be your last" to a guy who has fucked around a lot and already learned that he wants a long-term relationship and was in multiple relationships are kinda icky to me, though. it feels like it says that none of it counts because buck's experiences are only with women and until he has had all of the same experiences with men, he isn't ready for "his last" or whatever tf. even if he doesn't fuck around, we are once again at the same point where we have been for 7 seasons with buck. maybe he won't devolve, but the stagnation is really unbearable at this point. especially after seeing this incredible potential of a love interest that finally checks all the boxes (!) being tossed aside so carelessly, i am personally done with it all.

I don't think Oliver said "strangers", but I will agree when you look at just his quote about texting Tim ideas about what he wants for Buck, in a vacuum, it reads shitty. And when someone brought that to his attention, he clarified.

Now that his character is single, he would like to have Buck going out and, basically, having a healthy relationship with sex. He said he would also suggest the same if his character were just coming out of a relationship with a woman too, so I don't feel it has anything to do with a certain sexual identity, and more so just Oliver wanting an arc for his character where he grows into having a good and healthy relationship with sex, instead of what he had in season 1. I think he's just trying to go with the story that Tim has given him and make the best of the situation. Oliver said he's constantly texting Tim ideas, to which he usually says "that's why you're the actor and I'm the writer" so who knows if that's actually something we'll see on screen, but I can tell you it's not anything I'm interested in.

I do get what you're saying about Tommy's reasoning, and I had a whole spiel about it too. I absolutely agree it should have been worded better, but I think Tommy was coming from a place of personal experience. All relationships have this new, shiny, honeymoon phase. Buck has already been putting Tommy up on this pedestal, and there is the added "newness" of it being his first same gender relationship. It's not that Tommy thinks Buck has no experience with relationships or that he doesn't know what he wants, it's that Buck is still seeing Tommy with these rose tinted glasses and Tommy knows what will happen once they come off, because it has before. Maybe more than once, with him on both ends of it. At least that's how it reads to me.

Tommy doesn't feel he can live up to this idealized version that Buck has of him in his head, and he thinks it's better to bow out now before he falls too deep, but I think he already has.

[mysticarts]

"....She Cares?" A small Gunntech au oc scene

(Note, Gunntech Au belongs to @elmushterri and them only.)

First off, I'm writing this as celebration as one of my idols not only likeing my art style, BUT ALSO THAT SHE ADORES KAILANI, WOOOOOOO

Context: if Kailani is in this show, I imagine there's a long side arc about Isabella finding about Kailani and hunting her down. So when Isabella finally catches Kailani and rants about how evergone abandoned her, she didn't expect Kailani to cry in reply.

SCENE

SEASON THREE, EPISODE ??? "Beneath the spikey corals"

"....Why are you crying?" Isabella asked, being a little put off by Kailani's tears.

"...they threw you aside, like you where nothing!" Kailani Exclaimed, her voice being shakey due to the tears flowing down her face. "That...you didn't deserve that! No one should have to go what you have been through!"

Isabella's expression turned into one of suprsie. She never met a girl so emotional or actually caring about her before. How did Gunntech allow such an emotional girl to be a worker? Isabella pushed the thought away, focusing on Kailani.

"Yeah, I'll agree with you on that. But that dosent explain why you're so emotional about this" Isabella commented, with Kailani becoming visibly more upset.

"OF COURSE IM EMOTIONAL!" Kailani shouted with a tone of sadness and anger, her hair visibly starting to look like tentacles the more she got upset.

"If you got turned into the way you are now, and just tossed to the side, who knows how many people have been through that pain? How many people had to suffer disappointment, how many people being shunned from society, all because Gunntech wanted someone perfect?" Kailani rambled, pacing across the underwater cove as Isabella watched her, feeling uncomfortable

"Well, that's just Gunntech. If you're not good, they throw you to the pits." Isabella replied, looking down at Kailani. Isabella wouldn't be lying if she felt the tiniest bit of pity for the girl. Kailani never even knew of Isabella's existence.

Kailani was quiet, so many things zooming through her mind. The place she dedicated almost her entire life too, was destroying innocent people's lives, and she was helping with that. Kailani didn't want to believe it, but the evidence was right in front of her. There was nothing Kailani could do with this new information. If anyone found out Kailani knows about Isabella, most likely she'd suffer a worst fate than death.

Kailani took off her uniform shades as she wiped her tears before looking up at Isabella, showing a kind smile. "....You won't mind if I hang out with you tomorrow?"

SCENE END

This was fun to right, lol-

Yall seem to love Kaliani, and I don't blame yall I love her. I MADE HER ADORABLE RAHHH.

Just wait until I release her digital and colored look oh yall aren't ready when I learn color theory-

Feel free to ask Kailani any questions!

[the-eternal-child]

So I was just singing Spy x Family's praises to my friend (as you do), and it occurred to me that the characters' backstories may be revealed in the order they were introduced: Twilight>Anya>Yor.

We know that each member of the main cast has had painful childhood experiences (honestly, I wouldn't even know how to rank who had it worse because each is its own brand of hell), it could make perfect sense to introduce the backstories sequentially or it could be introduced as leading themes into current plotlines. Who knows?

Chapter 90.5 has us all waiting with baited breath to see if we're getting Anya's backstory or not and I think if we are getting another look into someone's past, Anya's makes the most sense. Though Endo could be a complete tease and not give us anything for another 10 chapters 😭.

Twilight's backstory provided some great context into his past and what led to his current emotional struggles, setting the context for why he holds fast to his goal of 'creating a peaceful world' while fighting his losing battle of loving his new little family (especially the mole arc hoooboy!).

We already have in story context for Project Apple, we know it's existence, that there was human and animal experimentation (Anya and Bond) and that the subjects were being used for political goals somehow. We had the lead up of little bread crumbs along the way like she might have 'escaped the lab', her random knowledge of classical language, etc. Now would be a good time to start working toward weaving that story more fully into the main plot line (Random aside but has anyone ever noticed Desmond has 2 scars on the side of his head like Frankenstein's screws?).

I think Yor's backstory is still quite a ways off. There's still too much we don't know about Garden, I think, for them to introduce her backstory and how she met them. They're shady af, we don't know what their motives are, who they work for, nothing!

I mean, was anyone else worried when Yor mentioned Loid took a liking to Desmond and Shopkeeper was like 'oh really?'. That was so sinister, and it was never mentioned again! Makes me feel like a setup to him digging into Loid Forger or something.

Bringing in Garden's orgins seems like material leading up to identity reveals between Yor and Twilight, and the story just isn't there yet. So Anya it is and I'm so ready but I'm so NOT!

Anyhow, thank you for listening to me ramble about this series that has taken over my life! Have a good day! BYYYYYEEEEEEE!

[spaceorphan18]

The Rogue and Gambit Project : The Muir Island Saga

The first time we see Rogue and Gambit on the same page together is the cover of Uncanny X-Men #275 - which was one of those VERY SPECIAL ISSUES that put everyone on the cover. No, this is not a part of the Muir Island Saga -- but belongs to the previous arcs (Savage Land and Space Shenanigans). Still, it's pretty cool to see them on the cover together.

So, here's the thing about the Muir Island Saga - the next arc of the comics - despite dealing with the same adversary, and spending time with the same group of people, we never see Rogue and Gambit mix. In fact - (something I'll point out in detail in a minute) - it's almost comical how much they seem to be ships passing in the night. It's almost as if it's done purposely.

I know that years (and years and years and years) later - we'll get a retcon of their first meeting. And I really thought a lot about whether or not I should talk about that here... and, not to disappoint some of you, but I'm not going to (for now). Because I kind of want to tackle this project from a chronological point of view. To experience things as they were happening without the added layers of what we'll get next. And the retcon kind of, gets into a whole lot of issues I don't want to dig into yet. So, I promise, I'll talk about Kelly Thompson's Mini when we get there, we're just... a very long way off from that.

In the meantime, the thing about this arc that's so fascinating is trying to pinpoint how they could meet. And when. And why. And thing I keep coming back to is... comics don't make a whole lot of sense, y'all.

Let's dive in...

Uncanny X-Men #278

The whole premise of The Muir Island Saga is that the Shadow King wants to get out of the Astral Plane and kind of brainwashes the residents of Muir Island (including the X-Men) in order to do it. Don't ask me to make sense of it, I'm just the recapper!

The real purpose of the whole thing is to reshuffle the line, which had been in such flux up until this point. The X-Office was getting ready to launch the new Adjectiveless X-Men book, and Chris Claremont was getting ready to depart after 17 years of being the sole author of X-Men. Things were definitely changing and this saga finally gets all the pieces to where they need to be.

As an aside, I do find it fascinating that the beginning of Rogue and Gambit's relationship coincides with all of these changes. Not only is the decade changing, but X-Men's status quo is about to be really shaken up after being a relatively steady book for a very, very long time. It's just kind of neat that the endings and beginnings happening on an external level are also happening with our characters as well.

Uncanny X-Men #278

For some context, after the destruction of the mansion after the Inferno crossover, and after remaining X-Men all ended up going through the Siege Perilous after the Australian era, Muir Island, home of (brilliant scientist and ex-Xavier lover) Moira MacTaggart became the home of a new (and short lived) group of X-Men. I can only assume that's why Rogue returned here after her little side adventure in the Savage Land.

Though I should point out that Rogue has ZERO idea who is alive and who is dead other than the people who are already on the island. I kind of wonder what her future plans would have been if the other X-Men never showed up. Anyway... though, there really isn't any full explanation as to why Rogue went back to Muir Island other than they had no intention of writing her out of the book, and they needed all the X-Men to be in one place.

How does she feel about the events of the Savage Land? What really happened with her and Magneto? The answer is -- who cares, we're done with that plot now and moving on until another comic book writer decides to tug on that loose plot thread. :P

Uncanny X-Men #278

What is important to know that the Shadow King is mind controlling everyone. And... he does so with Rogue by making out with her after she's been in the shower? What??

Look, I'm not going to claim this stuff makes a whole lot of sense. But I can fanwank it a little...

The Shadow King's whole deal is that he's trying to corrupt everyone and bring them to their most evil (because, you know, that's what evil villains do). And with Rogue - he plays on her sense of touch. Back in the old days, Rogue used kissing as her primary way of stealing people's powers. And on top of that, one of her deepest rooted struggles (as of obvious statement isn't obvious) is the fact that she isn't able to have physical contact. So the Shadow King is tapping into both of those things, and, as the whole 'temptation' quote insinuates - him letting her give into her desires allows him to brainwash her.

Now, do I really believe she'd be enticed this easily? Can the Shadow King have that deep a hold on anyone? That is for you to decide, fair reader.

It's at least my interpretation. Honestly, I think there's a bigger part of me that wonders if they really just wanted to see Rogue making out with someone because because they can.

Meanwhile, on the opposite page, guess who is landing with the rest of the X-Men who just returning from space? That's right, everyone can relax. Gambit has arrived. ;) They're now in the same place... so if we can only get them to the same panel...

Uncanny X-Men #278

Alright guys, time to play the logistics game... these two panels are on opposite pages. Gambit, fresh off his plane, ends up running into Multiple Man - and they have a little fight. Meanwhile, Rogue runs into Wolverine and Jubilee - and they have a little fight. Are you following me? Good! Cause it's going to get crazier from here.

Also, let's keep track of Rogue's clothes because... ooff, yeah, the continuity is worse than the story line.

Uncanny X-Men #279

Before I get into it - I need to state that Uncanny X-Men 279 is the issue where Chris Claremont just up and quit during the middle. He'll be back to wrap up his run in the new X-Men book (that we'll get to after this) but I'm sure the nonsense going on in the X-Office didn't help the clarity of this story...

Anyway, the next time we see either Gambit or Rogue is here... in the next issue. What happened between Rogue and Wolverine/Jubilee? How did Gambit handle Multiple Man? Who knows! But now Gambit is with Wolverine and Jubilee and Rogue is nowhere to be seen.

Also - that's the third 'bang, you dead joke' in, like, five issues. Good lord, Claremont, if this wasn't your final Uncanny issue (for now) I'd say give it a rest. I will say, though, I almost included the entire three pages of Wolverine/Jubilee/Gambit because they are that delicious, and easily the best thing about this entire arc.

Uncanny X-Men #279

On the next page, we see Rogue again - where she is taking on Forge. Note the wardrobe change? Did she have time to add more clothes after her 'fight' with Wolverine? Is any of this making sense yet? No? Okay... onto the X-Factor issue...

X-Factor #69

This is literally the next time we see Rogue - after Forge shoots her with a ray gun that stops the mind control. Did the ray gun just change her outfit as well? Was the previous outfit too evil?? Or was it just that artists Andy Kubert and Whilce Portacio just have zero communication when getting these issues out? (Honestly, I do not blame the artists - I do blame editorial though.)

X-Factor #69

Meanwhile, where is Gambit you ask??

Alright, guys, this is where we're at -- Forge has un-mind controlled Rogue, Wolverine, and Banshee. Meanwhile, Gambit, Psylocke, Jubilee and the Muir Island peeps are still under the Shadow King. And now X-Factor (the original five X-Men - Cyclops, Jean Grey, Iceman, Angel, and Beast) are now involved. All of them are running around the island. Only, it's X-Factor who finds the rest of the mind controlled - not Forge and crew...

Also, in case you'd like me to make it more confusing, Mystique has arrived in disguise (with Nick Fury), while all this mind control is doing wonders for Charles Xavier's son, Legion, who is about to go a little crazy.

Uncanny X-Men #280

Classic cover is classic. Also, Rogue still has more of her clothes! Don't grow too attached to them.

Uncanny X-Men #280

See, I told you not to get too attached to Rogue's clothes. Apparently, when Legion went crazy and caused an explosion, it blew off all her clothes. Miraculously, no one else had this issue. I guess Jean just used her telekinetic powers to keep hers on.

Uncanny X-Men #280

And on the other side of this really not very big island is the B-team. B for brainwashed. Yes - the two teams are going to meet! Yes, a big, huge battle is about to ensue!

Uncanny X-Men #280

Gambit is going to take on Wolverine (for the 100th time it seems) while Rogue will take on Strong Guy. Every non-brainwashed X-Man is going to take on every other brainwashed X-Man. Except for Rogue v Gambit. We don't get to see that. They do not share any panels together. Not even in the big group scenes. None. Nothing. Absolutely zero.

They just knew it'd be too much...

(Honestly, I am a little curious as to why this was. It almost does feel intentional at this point.)

Anyway, the battle ends. The Shadow King is vanquished (for now) -- and has the hilariously villain closing line of "No!!! I WAS SO CLOSE!!" And all that's left is to wrap up this little ditty...

Uncanny X-Men #280

I just need to talk about Rogue's clothes again. Her panties are barely hanging on by a thread, but her gloves are perfectly intact. How convenient.

Anyway, the last line of this comic reads: The End, and The Beginning. How appropriate...

Here we are, guys. The first issue where Rogue and Gambit end up on panel together. Are you ready for this??

Let's talk about X-Factor #70

X-Factor #70

Most of the issue revolves around Xavier trying to get into Legion's head while the rest of the group is either waiting around in the hospital room or tying up loose plot threads around the island.

So... how much time has passed? It's unclear - but enough that Rogue's had enough time to find some clothes that have not been ripped to shreds.

Anyway - one of the loose plot threads is dealing with Mystique's "death" that happened ages ago. Turns out she faked it and had been pretending to be Val Cooper for a while now. Rogue had seen news of the "death" and this is their reunion.

Great, now that that's squared away, we get one of my favorite sequences in comics... the chain letting everyone know that Xavier is okay ;)

X-Factor #70

Idk why, but I love this little sequence. I love the random 'no smoking' sign. I love Gambit freaking Polaris out. I love that Jubilee just does not give a shit. And I love that Rogue doesn't seem to either.

Anyway... now to the moment y'all have been patiently waiting for...

I present to you -- Rogue and Gambit's first on panel moment!

X-Factor #70

It's sort of anticlimactic, isn't it?

While Xavier's - what do we do with fourteen X-Men - is rather iconic, the art here is... meh. I'm so glad Jim Lee is going to redesign a lot of the characters. Gambit just does not look good in the yellow costume (also, he does not have his headsock on here for some reason). Meanwhile, even Rogue looks a little off here (though this is the X-Factor book and not Uncanny).

And... we're left with a bunch of open questions. Just how did Rogue and Gambit meet? What was their first interaction like? What is their dynamic at the very beginning? As I said before -- Kelly Thompson will one day answer these questions -- both brilliantly and unbelievably.

If you were looking for any kind of set up going into the relaunch, I'm sorry to say that what I've laid out for you is what we've got. So, introductions are open to interpretation...

My own version...?

Gambit: *speaking flirtations French to Rogue* Rogue: Wolverine - who is this? Wolverine: Storm brought back some Cajun leftovers from her time as a de-aged thief. Gambit: How about a kiss, chere? Rogue: How about I punch you?

And thus a dynamic was born. ;)

Next up: We're finally going to really get into it with X-Men #1-3!

[howlingday]

Yang VS Jaune

Goku VS Superman story

--------------------------------------------------

Thunder echoed across the mountain range, disturbing the peaceful wildlife that lived there. At the source of these explosions were two combatants, each brave heroes in their own right. One was a huntress from an island north of Vale, training her mind, body, and spirit to become the strongest who ever lived. Her opponent was a huntsman from a small farming community from the south, raised from humble beginnings and trained to be the greatest protector of Remnant. They'd once met as little more than colleagues but steadily grew into becoming rivals. And today, Yang Xiao Long was ready to prove herself against Jaune Arc.

Yang: Today's the day, Vomit Boy! Today we settle who's stronger~!

Jaune: (Chuckles) If you say so.

Jaune charged at his brawler foe, his armored weight shaking the ground as he barreled towards her. Yang gave a smirk as she slapped his punch away, deflecting herself out of his path. Watching her fly over made him grin, something she held as well as she struck him from behind with a swift heel kick.

Jaune rolled through a tree in his flight, stopped only as Yang cut him off and struck him from every direction. Jaune, now with bearings regained, delivered hard blows in kind, only to be deflected once more by a kick to the chin. Both fighters stared each other down for a moment before continuing their tear across the forests of Sanus.

More booming strikes were given back and forth them until Jaune boosted the aura within his eyes in an attempt to distract Yang. This didn't work as Yang blinked out of sight. Once Jaune blinked, Yang appeared in front of him and delivered a hook kick before blinking out once more. This time, she appeared behind him and delivered another kick into him.

Yang: You're holding back!

Jaune: (Hit from every angle)

Yang: Give me your all!

Jaune: (Grabbed by his armor)

Yang: (Spins him around) NO REGRETS!

Jaune: (Rolls to his feet) I'm doing just fine, thank you!

With little effort on his part, Jaune launched himself at Yang and knocked her across a lake. She really felt that one as her semblance flared her body to shine like gold with a superheat that caused water on the shore to evaporate just from her being nearby! Jaune quickly crossed the water to strike but was easily dodged by Yang once more with a simple leap and a struck him into the water. As he fell, he saw the golden light concentrate to a single point as Yang began to chant her mantra above him.

Yang: Golden Dragon Wave!

Jaune yelled as he was knocked deeper below the waves, searing heat scorching his body like dragon fire! However, Yang noticed something was off. Faster than she could respond to, Jaune shot out of the lake like a cannon, just over her attack, and hit her hard once again, sending her flying across Remnant. Chasing her, Jaune swung and missed as Yang dodged, and the two entered their aerial combat dance, perhaps unknowing that they'd left the world of Remnant and entered orbit!

The Shattered Moon hanging just overhead, Jaune and Yang clashed outside of all but the Brother's view. Jaune threw a punch, but was easily dodged as Yang delivered one-inch counter punch that knocked Jaune back just enough to give her the chance to launch fireballs at him. Jaune responded to these projectiles with using his eye beams once more, decimating most of them before grabbing one in his hand. Tossing it aside, he was too late to realize it was heading for-

BOOM!

The formerly known Shattered Moon, now known as the Obliterated Moon.

Yang: Whoops! Ha ha! Well, I guess we can always make a new one, right?

Jaune: (Flexes hand) Paper-thin world... (Smiles) Alright! I'll show you just how powerful I really am~!

Yang: (Giggles)

With a single strike, Yang caught a glimpse of a tear in reality, one in which she was a lot more dragon-y than usual, with scales and everything, as she duked it out with a much more knightly looking Jaune. She was sent flying a lot farther than before, stopping herself in time to throw a counter at the near-teleporting image of Jaune, who blinked out and struck again, making her see another tear in which black fire erupted from her hands against the rainbow-hued eye beams of a more sinister looking Jaune. Sent further away from Remnant, still reeling in pain, Yang didn't notice Jaune had already sped ahead of her to deliver a two-handed hammer-fist blow to her back, forcing another vision of another world in which she, in much simpler clothes, challenged a planet-sized being that looked dangerously similar to Jaune. The visions came to an end as she hurtled back down to Remnant, landing not in the Kingdom of Vale but crashed into the deserts of Vacuo!

Picking Yang up from her crash site, he tossed her into the side of a mountain. Or was it a plateau? In any case, she hit the stony structure hard. So hard, in fact, that the impact shredded her jacket and knocked the golden shine from her hair. Jaune stood in front of Yang with a beaming smile, but hers was even bigger and brighter.

Jaune: So? What do you think?

Yang: Heeheehee~! That was AWESOME~! By the way, nice shirt!

Jaune: Oh! Uh, thanks! Old Arc family fabric. My sister said it was the same kind our grandpa wo-

Yang: HYA!

Yang's attempt to strike Jaune from behind while he was distracted didn't work so well, so she tried again. Then tried again. Even as Jaune lazily blocked her strikes, she continued to battle. Going in for the counter, Jaune aimed right for Yang's face. Time slowed around her, so she closed her eyes and took a deep breath. Jaune rocketed past Yang faster than she casually stepped aside with her hair glowing white.

Faster than Jaune could react, Yang delivered a gut punch that bent Jaune over. As Yang backflipped away from another punch, lights glittered around Jaune, each exploding all at once like tiny, little fire-bombs. The smile knocked off Jaune's face and a more mischievous one settled on Yang's, the two charged one another across the arid skies. Jaune unleashed a wave of eye beams so intense that they sliced the peaks off distant mountains!

Yang moved in, countering Jaune's blows with either blocks or dodges, slipping in hooks, crosses, jabs, uppercuts, and even a few kicks until Jaune was left immobilized by the assault. Having enough of being stuck in one place, Jaune super-charged his semblance to unleash an explosion of aura that destroyed everything around him! Everything, that is, except for Yang.

Tired by the sudden outburst of his aura, Jaune took to the skies and beyond Remnant's orbit once more. However, this time, he went further than the Obliterated Moon. He flew into the source of all life on Remnant, the Sun, and then traveled even further beyond, reaching a dozen or even a hundred or a thousand, maybe even a million different suns! Back on Remnant, Yang gave a soft smile as the sky began to glow brighter and brighter with from a more intense beacon of light than the star that greeted her every morning.

Yang: Finally...

Crouching into a horse stance, Yang gathered her aura. All of it, every last bit, and focused it into a single point in her hands. This technique, the same one she used earlier, the very same she'd been taught by her father, allowed her to gather all of her fighting spirit and concentrated it into a single beam of aura. As it built, she chanted the same mantra she'd always had, ever since her first day at Signal.

Yang: GOOOLDEEEN...

Yang: DRAAAGOOON...

Jaune then began his return to Remnant. The world he grew up on looked so small, so delicate from here, and yet its growing size did little to ease his worry. Even though he'd faced challenges greater than himself time and time again, fearing for his life every time, he knew he'd do it over and over again every time, because that's what she would have done. Shining with a golden light, he moved forward and kept pushing on.

WAAAAAAAAVE!

Remnant quaked as a tower, no, a CONTINENT of golden aura erupted from its orbit! This was only matched as a smaller, more concentrated beam of golden light pierced a path through towards the huntress. With a scream, she activated her semblance, forcing the beam to explode out with more power, more intensity that destroyed the world behind her. But this blast, too, however, was also cut through as the huntsman neared her position.

Using the last of her strength, Yang Xiao Long formed a conduit of pure aura from her, a titanic version of herself, and launched a fist the size of a mountain at her opponent. Jaune Arc replied with his own punch, the cosmos themselves shaking as a shockwave destroyed all of creation, shattering reality and leaving only a white void.

Yang groaned, opening her eyes, wincing from the bright world around her, confused by the white space. Looking down, she saw that she was still whole, her body still intact. It wasn't until she saw the ring above her head that she let out a sigh.

Yang: Ah, darn it.

A chuckle nearby drew her attention to Jaune, who was smiling in his cracked armor and tattered clothes.

Jaune: You almost had me there! That was actually pretty fun.

Yang: Yeah, it sure was!

Yang gave a laugh of her own, but it was short-lived as she stood up, clenching her fist with more competitive, but no less friendly grin.

Yang: But I'll be stronger next time!

Jaune: I look forward to it.

Jaune turned away from the blonde brawler, looking to the shattered reality around them. In the tears in the rifts, the two saw windows into countless, alternate worlds. In these windows of different Yang and different Jaunes, there were only three constants.

There was always a Yang.

There was always a Jaune.

And even though they fought in some tears, they were always friends.

Yang: ...

Jaune: ...

Yang: (Holds out her fist) Wanna go again~?

Jaune: (Bumps her fist) You bet~!