#thank you leigh bardugo

[fandomestuff]

[peraltuki]

My canon event was reading shadow and bone in 2021 and never stop reading fantasy books ever since

[sockmonstergotstyle]

I have a fat crush on daniel arlington V just fyi

[shhhhimwatchingthis]

hey don't know how many ppl are aware of this but Netflix released their first public viewer engagement report and Shadow and Bone season 2 is number 32 GLOBALLY with a staggering 192,900,000 views. (if all those zeros are getting to you, let me put it this way. thats nearly 193 million views from jan-june 2023)

there are over 18,000 items on Netflix's list putting Shadow and Bone in the top 0.17% of ALL CONTENT

do not let Netflix tell you not enough people were watching.

[def-not-kaz-brekker]

controversial opinion but inej ghafa is literally terrifying and (obviously) such a queen.

like she literally held a stadwatch guard at knifepoint after creeping up on him and whispered (I don’t remember the exact quote) “I like it when men beg, but nows not the time” like??? Queen?????

And the end of the crooked kingdom where she cuts pekka rollins after threatening him, and switched alby’s toy lion with a crow?? Fucking terrifying?????

My love for inej knows no bounds and she is undeniably a powerful and scary woman

[doorlene]

inej "but even statues crumble when they're made to wait" ghafa and kaz "i'm so afraid i sealed my fate" brekker

[aleksanderscult]

I love, love so much your blog! I recently finished Shadow and Bone trilogy and my head is like no thought, only Darklina xD So I'm really glad to have found this blog and read your thoughtfull meta!

I have so many thoughts about the trilogy (I've read SoC dualogy but I'm not that big of fan) so I will start with this question: What do you think was the purpose of the donkey dream sequency in S&S? I mean this:

Are they very poor? I ask Ana Kuya.

Not so poor as others.

Then why doesn't he buy a donkey?

He doesn't need a donkey, says Ana Kuya. He has a wife.

I'm going to marry Alina, Mal says.

Then Alina has another dream, where she's the girl but then floats to the sky, leaving the salt behind her.

While reading it, I thought it as a metaphor her being afraid of being with Mal, of becoming ordinary girl and being shackled to him. But with the ending of the trilogy, her losing powers and marrying Mal, didn't she just do that? What do you think LB intented to with this scene? I'm interested knowing your interpration.

Thank you so much, sweet anon! And welcome to this fandom!❤️❤️ You remind me of myself as I was almost a year ago. Be warned though: this suffering will never end. 🥲

Admittedly, I haven't analyzed this scene. Probably because it's too weird and painful.

This couple that they see on the road can really bring Malina flashbacks to the reader.

The man is joyful, carefree, whistling away without a care. He's every inch of Mal from the moment he's been introduced to us.

The woman is tired and struggling. She's Alina carrying this power inside of her without knowing it.

The man doesn't seem to care that his wife is exhausted. The same way Mal didn't seem to care when Alina was sick and dragging her feet. There is this obvious subordination that Mal wants to replicate. Unwillingly or not, Leigh Bardugo really kept Mal's character canon with this vision: he always wanted Alina to depend on him, not to have her own independence.

One could say that his statement "I'm going to marry Alina" is irrelevant with the previous conversation but it does look very suspicious, doesn't it? Mal, a mere child now, seeing this couple and finding it normal for the man to dominate his wife. Was he influenced by such scenes and therefore found them normal?

This scene could be interpreted as Baghra giving advice to Alina regarding her powers and what happens if you suppress them.

But still, why does it kinda look like the same "Have power but only so much as" shit again.

And to be grateful for what? For being a Grisha? Or maybe for having enough strength without needing to search for the remaining amplifiers.

Just like I said in the beginning, these scenes are really sad. For a woman to be compared to a donkey, for a young boy that wants to marry her and (very) possibly treat her that way makes you feel depressed inside. Especially if the reader is a woman too.

The first memory could be real. Or (and I lean on this interpretation) Alina unconsciously conjured a metaphor of how her relationship is with Mal. Deep down she knows how things really are (Mal is the master and Alina just a weak girl trying to catch up on this connection by suppressing the thing that keeps her healthy) but she pushes these things aside, deludes herself and clings on her love for him. The same way she did when she lost her powers. Just look what she said in "Rule of Wolves" to the Darkling. "I am happy. You never saw me this way". Meanwhile Alina's mental state: ☠️☠️

But how Bardugo thought about this scene? That Mal just made an innocent, romantic comment that didn't pass the vibe check. I'm very sure that she didn't want him to be sexist here (she cares about this character too much to spoil his reputation) but she bamboozled herself and made him look like a little prick. Ana Kuya's comment "He doesn't need a donkey. He has a wife" probably reflects the sexist world that Leigh created. Which, by the way, would be fine if she had only let her protagonist break away from these kind of "chains" and find her own power and purpose inside this story *gestures towards George R. R. Martin's female characters*.

[nalesnik-z-morela]

Happy birthday, Nina Zenik!!!! [in Kerch and Ravkan alphabet, i hope i typed it properly] (tap the pic for better quality ;-;)

Since Leigh Bardugo confirmed only zodiac signs of the crows, i decided to post it today because, guess what: it's a double birthday this way!!

I'd like to thank you for all the support, you really make my days with every comment, every like, reblog or message! Summer holiday is a tougher time for me and you all keep making it better, i can't thank you enough <3

Treat yourself with some waffles or anything you like today! Nina (and me :>) would love you to do so <3

🧇🧇🧇🧇🧇🧇

(Also i'm about to post some more drawings and maybe photos from my trip soon so be ready 👀)

Edit:

GUYS‼️ LOOK AT THIS ALL HAIL

⬆️ That's my profile picture now :))))

[she-posts-nerdy-stuff]

*screams in 10,000 hits on ao3*

[davenweenie]

This made me chuckle, I love that they’re still teenagers while still being gang members

[ariadnethedragon]

SUJAYA DASGUPTA as ZOYA NAZYALENSKY

SHADOW AND BONE (2021–)

[capinejghafa]

Ok, but why are my ships like this:

“I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.”

Kaz to Inej, Crooked Kingdom (chapter 12)

But she saw Roman rise from the grass. He was only five meters away. He could no longer run; he could hardly walk. Her heart broke when she realized he had crawled through the gold to reach her.

Iris seeing Roman trying to reach her, Divine Rivals (chapter 41)

I'm fine. Fuck.

[imruination]

There are very few pieces of media that speak to me on what I can only describe as on a spiritual level, and one of those is Shadow and Bone, written by Leigh Bardugo. Don’t get me wrong, I adore Six of Crows and I think it’s an important story that needed to be told for so many reasons, but there’s something so special to me about the simplicity of Shadow and Bone.

When something is simple, it has to be done well. Yes, Shadow and Bone is on its surface a good vs. evil story which we have seen in media time and time again. I think what stands out to me about it is ironically why so many people call it (or specific things about it) “boring.” There are a lot of important themes, but my favorite is the emphasis that is put on the power of being “ordinary.”

I was 15 when the first book came out, and I read them as they were released. I spent a lot of my childhood reading fantasy books because escaping into them made me feel special, in a world where I felt at once completely ordinary and like a total outcast. This feeling only got worse as a teen, as I would spend a lot of my classes, and even my lunch period reading these books. I understand that this is a feeling that a lot, if not all teens feel. I am not special even in my isolation. I spent so much of my time pretending I had some incredible hidden but innate magical powers.

Shadow and Bone was incredible to me for the very reason why I constantly see it being criticized by my peers and even my friends. The idea of “power” being seductive, while also inherently being corrupt, and fueling the class system and poverty that the entire population is living under, (but Alina as the protagonist is being exposed to a lot of it’s worsts) is something the reader is constantly being reminded of.

Alina is put in a very unique situation by being a girl who holds incredible power as a grisha, but was not raised in that knowledge. To her, the power was suddenly thrust upon her, which made it a lot easier to eventually see the flaws in the entire system. So to read about this protagonist my own age, who had the option of power, was tempted by even more of it in the darkling and the amplifiers- and to give it all up in the end was mind blowing to me.

Alina goes from despising her upbringing and general hardship, to ultimately embracing the simplicity of it. Alina is THE Main character™️ and she ends up as a powerless orphan, in love with another powerless orphan she’s known her entire life. In the realm of all my fantasy books I’d been reading, there was nothing “special” about that. And yet, in it’s difference there was.

Alina’s privilege in making her own choices was special. Her choice to not be controlled by the pillars of power around her. Her choice to embrace her upbringing, and help those who will grow up the way she did. Her choice to accept the love she had had her entire life, that although was not seductive and dangerous, was reliable and enduring and all the more powerful for being that.

It is really surreal and almost funny to see it being criticized for these things now. You think Alina and Mal are boring? Well so did they. And then they grew up and learned better. This is the first book that I can think of in hindsight, that made me wonder if I actually did have this very ordinary but incredible power in myself. I have the privilege of making my own choices. I have the power to love others, and isn’t that incredible? From a person who has now grown up and gained some perspective for myself… Thank you Leigh.

[monsterdictableau]

still losing it after the 1 sec clip of kaz and inej. the intense eye contact? inej looking at kaz's lips just before he breaks eye contact?

[five-of-cr]

here's the thing about matthias: he isn't the honorable, reformed hero some of the fandom seems to see him as.

yes, he was raised by a tight-knit family of comrade soldiers and decides to betray them in the end. of course that took incredible strength. i don't deny that. but we also need to recognize that the drüskelle are not just some rogue cult. they are a core part of the fjerdan government, who is trying to wipe out the grisha because they are seen as dangerous. that's literally just genocide. however indoctrinated someone is, this is something that is evil from every angle, even if the character can't or won't see it.

and look, i love a good redemption arc, but matthias is such a passive actor in his. he falls in love with nina against his will. she changes his attitudes toward grisha because she's beautiful and kind so all grisha can't be bad, right? this a classic example of the trope of separating the "good ones" from the rest, where you cherry-pick specific individuals to point to as exceptions to a group's nature, which is still implied to be evil. you have to do a lot more than fall in love to truly unearth and address the roots of bigotry.

tbh, this is my biggest critique of the books as a whole. i loathe the "love conquers all" trope that pairs together a character from the oppressed group and one from the oppressors, letting the one show the other through the power of love that being bigoted is not nice. it puts all the responsibility on the former to prove their humanity, and gives all the credit to the latter's ability to be persuaded to recognize it. and then it inevitably leads to forgiveness, because the character has "earned" it by changing their views, once again making the victim seem like the villain if they don't absolve the oppressor of their past "mistakes". also, it's incredibly unrealistic for someone to fall in love with a person who actively hates them and considers them sub-human. in real life, people have to work on their bigotry before that happens, not use the relationship as a plot device for character development.

i think the idea of writing a character like matthias is neat. i think portraying someone's struggle to throw off the suffocating, hateful dogma they've been fed all their life is a story we need more of. i think personal growth of this variety should be celebrated, because otherwise people would never change. but i don't think the people, fictional or real, get to do this without facing profound consequences. it is not enough to feel sorry. it is not enough to apologize. it is definitely not enough to fall in love. and i think writing that lets people off the hook like this grossly oversimplifies power and oppression, and ends up being a feel-good way to romanticize people who cause a lot of harm.

a last note: my opinion is 100% influenced by my being bipoc. matthias is a classic aryan supremacist, even if being aryan isn't the thing he's being supremacist about. my gut reaction to that type of character is always going to be mistrust, both because people in real life have given me reason to be mistrustful and because characters like these are often written in a way that makes you sympathize with oppressors. i don't think matthias earns that trust, and i don't see why i owe him my affection as a reader.

[def-not-kaz-brekker]

Inej ghafa is wonderful and lovely and better than anything I deserve because I’m broken, crooked, wrong, but not so broken that I can’t pull myself into a semblance of a man for her and I would come for her and if I couldn’t walk I’d crawl to her and no matter how broken we were we’d fight our way out together knives drawn pistols blazing because that’s what we do we never stop fighting