#thank you if you read to the end
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noodles-and-tea · 3 months ago
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Last part whoo!!!
PART 1 / PART 2 / PART 3 / PART 4
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nicktoonsunite · 1 year ago
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misc NU doodles part tres
last comic is based off off my nasb 2 clip
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inkskinned · 1 year ago
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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commsroom · 7 months ago
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the u.s.s. horrible unending nightmare 💥 (once again from the incredible @hehearse)
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mimimar · 7 months ago
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finally completed my comic based on the song ivy by taylor swift!✿ please zoom in to read the text and see the details~
✿.✿.✿
you can get the digital zine pdf here! it includes extras like character profiles, costume design, more art of willow and ivy, zine-exclusive sketches and an illustrated guide to the symbolism of all the flowers in this comic.
you can also get prints of individual pages here!
✿.✿.✿
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blueskittlesart · 2 months ago
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More mafia boss daughter and pathetic lesbian please?
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TOXIC YURI ATTACK ‼️‼️
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wishes2witches · 4 months ago
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This is it… the piece I’ve been working on for three months straight. Here you can see every single character that has ever been playable. This was a pain in the ass to draw but it was worth it. This game meant so much to me. I had two journals dedicated to the characters, I printed so much out for it I nearly bankrupted my dad lol. It sucks that we have to say goodbye to such a cool game, I’m going to miss you, Magia Record, have a good rest. Madokami knows you deserve it after seven years of runtime.
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cjlouwho · 27 days ago
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Prompt: Everyone knows that Tommy is a pushover for Buck's 🥺 eyes (it's a running joke for the 118/217), but when Tommy gets upset and is very quietly 🥺, Buck is shocked by how completely and utterly insane he goes to make Tommy feel better.
(bonus points if it's a completely dumb reason, like Tommy's run out of ice cream or something and it's just A Bad Day)
A little silly, a little serious, I hope you enjoy!
One of the many things Buck loved about his and Tommy's relationship is that he got to see a side of Tommy that no one else saw. He got to see many sides of Tommy that no one else saw, actually.
While everyone got a piece of calm, cool, and collected Thomas Kinard, Buck got all that and everything in between.
He saw him on his best days, his worst days, goofy days, sick days, horny days, tired days, all the days! He often thought of making a list of all the things people would be surprised to know about Tommy. He'd never share it, of course, but it'd be nice for him to have.
Like, how Tommy was ticklish only on his right side. And when he got tickled, he didn't do his normal laugh. Instead it was a high pitched giggle with a snort.
Or, how Tommy was super proud of the fact he knew every single word to We Didn't Start the Fire and he felt the need to sing it at the top of his lungs at least once a week.
How he loved human connection, but hated being touched by strangers. He'd hug a friend all night long if you needed it, but if he didn't know you please keep your hands to yourself.
How he liked tomatoes on cold sandwiches, but never on toasted ones.
How he loved when Buck would sit on the countertop and kiss him because it made him feel smaller, and he loved feeling small and protected in Evan's arms.
How his voice got deeper during sex. Whether he was inside Buck or Buck was inside him, his voice would always get all gravely and deep in a way that sent shivers down Buck's spine.
Maybe one of the biggest ones was how Tommy was not always the stoic, perfectly poised man as he presented himself to the world.
Tommy could get emotional. Emotional in a way that was usually reserved for movies written by men about women during their period.
Buck was thrown off by it the first time it happened. He almost thought it was a joke, until he saw the tears in Tommy's eyes as he mourned the fact he was out of whipped cream.
Then it was just heartbreaking.
It didn't happen often. A series of bad events throughout the day would build up in his body and brain until the smallest inconvenience caused him to fall apart.
They'd talked about it before. Tommy had grown up having to hold in his thoughts and feelings. They'd build and build until he'd do something erratic or harmful. Then he joined the army, and those emotions would build up the same way. Being in the army itself was a bit erratic and harmful, so he didn't have the best coping skills.
It wasn't until he started therapy, and his therapist helped him realize that he needed to let himself feel whatever he was feeling that he slowly and gradually became better at opening up.
However, there were still days where he felt the need to let everything build. Build and build until he burst. Except, now days, instead of becoming erratic or harmful, his eyes would well up and his lip would come out in a pout, and Buck would feel the need to move heaven and earth to make it all better.
Buck knew something was off as soon as he got home from work. Tommy was already there in the garage, half bent over his truck as he worked on the engine.
Buck let out a whistle. “What a view,” he teased.
Tommy glanced back at him, gave him a half smile before focusing back on his truck. “Hey, Baby. I ordered dinner. Should be in before it gets here.”
To anyone else, that might seem like a regular conversation. To Buck, it was the exact opposite. Normal Tommy would make some teasing comment right back, letting Buck know what he was seeing was just a preview of what was to come.
This... This was the start of an emotional night.
*****
Dinner was fairly quiet, with Buck leading most of the conversation. He knew not to ask questions yet. If he did it too soon, Tommy would completely shut down and it would take even longer to get any information out of him. As much as Buck hated it, this had to play out a certain way.
Luckily, he was fluent in Tommy.
It was a little after dinner, once Buck had settled in the living room, that it began.
“Evan?” Tommy called out from the kitchen.
“Yeah?”
“Is... Did you put my ice cream in a different spot?”
“No, it's-” Buck froze, thinking back to two nights ago. Jee had come over and wanted a treat. She ended up eating the last of Tommy's favorite birthday cake ice cream. He knew that, on a regular day, Tommy wouldn't care that it was gone.
He also knew today wasn't a regular day.
“I think it's all gone, Babe,” he said cautiously as he got up from the couch and headed into the kitchen.
“Oh. Okay.”
He wasn't angry. He never got angry over little things like that.
He was sad. Resigned to the fact he would not be getting any of his favorite ice cream tonight.
Buck often felt like it'd be a lot easier if he just got angry.
He made it into the kitchen just as Tommy closed the freezer door. His face downcast, he glanced up at Buck through his eyelashes, eyes wide and wet. His bottom lip jutted out ever so slightly before he turned away from Buck and headed for the pantry.
“I'll have cookies instead,” he said with a sniff.
Buck got out his phone and pressed a few buttons before stuffing it back into his pocket and walking over to Tommy.
“Honey, why don't we just go sit down for a minute?”
“I just...” His shoulders sagged. “I really don't want cookies.”
Gently, Buck placed his hands on Tommy's back, nudging him until he could lead him toward the living room. “Why don't we go sit on the couch, okay?”
Tommy simply nodded, but Buck could see him lift a hand to his face and wipe a tear off his cheek.
The thing was, Buck knew he could be a handful sometimes. He was bratty, pouty, stubborn, and jealous. And Tommy accepted all of that. Not just accepted it, loved it. He loved every part of Buck, even the parts Buck didn't love himself.
Buck also knew Tommy would do anything for him. Would drop whatever he was doing and run to Buck's side the second he got a call. Would wait on him hand and foot. He spoiled Buck rotten, and everyone knew it.
There weren't as many opportunities for Buck to reciprocate that level of love and support. But when these days came along, that what's Buck's time to shine. He hated to see Tommy like this, but loved that he could be there for him. Loved that he could help him through it. So that's what he did.
They got situated, Buck leaning against the arm rest with his legs sprawled out on the couch. He pulled Tommy down so his back rested against Buck's chest. Buck wrapped his arms around him, hands meeting just over his heart. Tommy's hands drifted up and latched onto Buck's, holding tight.
“Why don't you tell me about work?” Buck asked, pressing a kiss to the top of Tommy's head. Things had been fine before they left for work the previous morning, so something had to have happened during their shift.
“I only had two calls.”
“And?”
“And the first one was a drunk driver. It was noon, Evan. Noon.”
“Casualties?”
Tommy shook his head. “No, but a young girl got hit. Spinal injury. She probably won't walk again.”
Now Buck had a starting point.
“After that?”
Tommy's body tensed so Buck squeezed him tighter. “The new probie, Jenkins, did something stupid and pissed me off.”
“What'd he do?”
“Doesn't matter.”
“If it pissed you off, it matters.”
“He's one of those religious types that carries pamphlets in their pockets,” Tommy explained. “I guess he overheard me talking about you- about us- a few weeks ago so he gifted me a pamphlet today.”
Buck knew where this was going. “You're kidding me?”
“I wish. It was some Adam and Eve crap, not even original. It reminded me of my dad. He... He used to say things like that. Anyway, I threw the pamphlet away without reading it.”
“Good for you.”
Tommy shifted slightly, tangling his and Buck's legs together. “The only thing that kept running through my mind was how we watched a little girl's life change forever, she will never walk again, and all Jenkins was thinking about was turning me straight.”
Buck brought a hand to Tommy's hair, carefully running his fingers through it. “I'm sorry, Tommy.”
“My aunt texted me too. Wanted me to come to the next family reunion.”
“Are you gonna go?”
“I told her I'd have a plus one and she... she said she doesn't wanna hear my dad complain for an entire weekend. I was quickly uninvited.”
Buck took a deep breath, letting it out slowly. “I- If you wanna go-”
“There's not a single part of me that wants to be there, especially without you. I'm good.”
“If you're sure.”
“I'm sure.”
“What about your truck?” Buck asked. “You were working on it when I got home.”
“Oh. That.” Tommy rolled his eyes. “That was the icing on the cake. Engine light came on in the middle of my drive home. I think I fixed the problem for now, but I'm gonna need a new engine soon. Everything just fell apart today, Evan, I- sorry.”
“You don't need to be sorry.” Just then the doorbell rang and Buck gave Tommy a pat on the shoulder. “You do need to get the door though. It's for you.”
Tommy sat up, eyebrows furrowing at Buck before he got up and headed for the door.
About thirty seconds later, he was back with a paper bag in hand. His eyes were soft and tear-filled, but not with sadness this time. “You ordered my ice cream?”
Buck nodded, giving him a smile. “Of course I did.”
Tommy set the bag down and walked over to Buck, kneeling beside the couch and resting his head on Evan's lap. He wrapped his arms around Evan's waist the best he could, his face pressed against Evan's stomach. “I love you so much.”
After a few seconds, Buck stroked his thumb over Tommy's cheek. “Come here,” he said softly, pulling him up for a chaste kiss. “I love you too.”
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purplebehittindifferent · 7 months ago
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I have added a quirky comment here for the last year and a half, however now… I have no words.
jk I have all these words 👇
I know it is very bitter sweet, but this is the end of Reconnecting. Thank you all for coming along on this journey with me. I plan on making a behind the scenes video on my YT sometime soon. Feel free to send any asks you have I want to answer them all!
Please know I am not going to dissapear! I still plan on making content consistently, and my original comic RULE 5 is already underway, and if you’d like I’m certainly not against writing some exposition fics for Reconnecting 💜
masterpost
Prev (3::8) / This is the End 💜
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smilesrobotlover · 6 months ago
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The sun felt warm as it shone against Talon’s skin, making his eyes grow heavy as he and his carriage slowly moved across Hyrule field. He had just sold some Lon Lon milk in Castle town, and left early in the morning so he could get home as soon as possible. Unfortunately for him, he wasn’t a morning person, so he was doing everything in his power to stay awake. The last thing he needed was to fall asleep and get robbed by bandits.
The field was quiet and peaceful, the world not yet awakening from the sun barely peeking over the horizon. The gentle clip-clop of his horse’s hooves against the ground was soothing, and Talon began to feel too relaxed, finally giving in to his desires of dozing off.
A distressed whinny caused him to jolt awake. He looked around, expecting to be attacked by bandits or monsters, but all he saw was a small horse running to him, whinnying frantically at Talon.
“Oh my, where’d you come from, little one?” He wondered out loud, stopping his carriage and hopping off. The horse was noticeably young, with a beautiful chestnut coat and cream colored hair. It was a mare from what Talon could see, and looking at her coat, she seemed awfully familiar to him. She stomped up to Talon and gently bit his hand, attempting to drag him.
“Woah woah woah!” Talon pulled back, giving the horse a weird look. “What do ya think you’re doin’ little one?”
The horse whinnied again and started to shuffle to an area, clearly trying to get Talon to follow. Talon didn’t have much choice but to follow; a horse only acted like this when something was wrong.
“Where’s your rider?” He muttered, following the horse reluctantly. He didn’t know what he was being led to specifically, but seeing the size of the filly with a saddle of all things made him worried for a young rider, possibly injured somewhere. Seeing that Talon was finally following her, the filly started to trot towards a cluster of trees, stopping at a patch of bushes where she began to stomp around, impatiently nibbling and nudging the leaves on the bushes. Talon let out a sigh when he reached the spot, looking around to see if anything was out of the ordinary, but there was nothing. Was this filly just lost and was panicking, hoping to get help? Talon had to admit she seemed to be a smart horse, but he didn’t understand why he was led to a patch of bushes.
“Are you lost, little one?” He asked, watching as the young mare nibbled on the bushes. She nudged the leaves away with her snout while snorting, and Talon was able to catch a glimpse of blonde hair. He gasped and got on his knees, moving the bushes out of the way to reveal a young, blonde-haired boy with green clothes that blended in with the plants surrounding him. He looked to be about the same age as his daughter Malon, barely eleven, and his face was pale and covered in sweat. He wheezed as he breathed and he had a pained expression on his face, and Talon lightly touched his head to feel a burning fever. He frowned and began to shake him gently, seeing if he would wake up. The boy groaned and reacted to his touch, his eyes fluttering open. They landed on Talon immediately and several emotions flickered through his face.
“M-Mr– Bart—ten…” He choked out, his eyes tearing up as he stared at Talon. The farmer blinked for a moment, confused about what he was saying, but he let out a sigh and went to gather the boy in his arms. The poor thing was clearly delirious, and he needed medical attention.
“It’s ok, kiddo, I’ll take care of you,” he assured. The boy felt fragile in his strong arms, and he whimpered in pain as his head rested against Talon’s chest. The farmer wasted no time finding a spot for the boy in his carriage, having to move some empty bottles out of the way and laying strands of hay to add a cushion for him. He gently laid him down, finding a quilt tucked away in the corner of the carriage and swaddled him the best he could. It didn’t look comfy, but it was better than nothing. He tucked the empty bottles away to make sure they didn’t fall on him, and he grabbed a spare rope to tie to the back.
“I hope you don’t mind this, I have a feeling that boy is your rider,” Talon explained, tying the rope to the filly. The young mare surprisingly seemed willing to be tied to the carriage, and waited patiently as Talon hopped on his carriage, resuming his journey with more haste. He tried to keep a steady pace so the carriage wouldn’t jostle, and so that the mare wouldn’t be dragged behind, but he knew he needed to move fast if he wanted to get back to the ranch. He fortunately had medicine stocked up at home, knowing that if he, Malon, or Ingo got sick, he wouldn’t have time to go back and forth getting more, so the boy should be fine when they got there. He just hoped it wouldn’t turn into anything serious—Talon was knowledgeable on illnesses and injuries, but he was no doctor.
The sun was beginning to set when Talon arrived at Lon Lon, and he hopped off the carriage in front of his house, untying the mare and collecting the feverish boy in his arms.
“Daddy!”
Talon glanced up to see his little girl running towards him, an excited smile on her face. Talon smiled back and shifted the boy in his arms slightly.
“You’re back! Did ya get me anything?”
“Why yes, I did,” Talon said, pulling the boy out of the carriage and showing Malon. “I got you a new friend, but he’s a little sick right now.”
Malon’s eyes went big and she stepped forward, gently patting the boy’s arm. “Fairy boy! It’s Fairy boy! Don’t you remember him daddy?”
Talon looked down at the boy again. He was so distracted on getting him into his carriage, he didn’t recognize him as the young boy that visited Lon Lon Ranch over a year ago. Memories of him and Malon playing music at the ranch flooded in, and Talon only felt more inclined to take care of him. The situation became more personal.
“Epona!” Malon squealed, giggling at the filly who trotted towards her excitedly. Talon stared at the two’s reunion, Epona nuzzling Malon’s chest while she sang her favorite song. He smiled warmly at them and quickly headed inside, not wanting to wait much longer. So this boy and that horse used to be here in Lon Lon? Goddesses, it had been a while since Talon’s seen him, and yet it felt like it was only yesterday. Though the fairy boy was in their lives for such a short time, he left an impact on the ranch, specifically with Malon. He was the first kid her age that she’s met and played with, and Malon talked her father’s ear off about him since he went away with Epona in tow. Talon began to grow curious about where he was all this time, and why he was hidden in bushes with a burning fever.
The farmer walked up the stairs that led to his room and he set the sick boy gently on the soft mattress. He stared at him for a moment, his brow furrowed, trying to remember anything else about the little one, but nothing came up, so he turned around to get medicine, water, and a damp cloth. The folks at Lon Lon didn’t get sick often, so he hoped he remembered enough about taking care of a fever. When he went back upstairs to his room, he heard the boy whimpering, shifting in the soft bed. Talon quickly took off his shoes to make him more comfortable and rested his hand on his head. The fever was concerningly strong.
“Excuse me,” Talon said softly, gently shaking the boy. He groaned and his eyes fluttered open again, staring over Talon’s shoulder. He squinted his eyes and frowned.
“Romani? … How…?”
Talon raised an eyebrow and looked behind him, flinching when his daughter suddenly appeared.
“Goddesses, Malon, don’t sneak up on me like that!” He scolded. Malon gave an apologetic look, her dimples appearing as she smiled slightly.
“Sorry, daddy. I just wanted to see Link! It’s been a while!”
Malon leaned over the fairy boy (or Link, Talon supposed), brushing his hair away from his face. Link looked horrified as he watched Malon, clearly looking uncomfortable.
“Malon, sweetie, let’s give him some space,” Talon spoke up, noting Link’s strange expressions. “I oughta give him some medicine anyhow.”
Malon hopped back and gave her father an excited look. “Can I help?”
“Oh! Well…” Talon glanced at the bowl of water and the cloth. “You can help wipe his face when I’m done givin’ him medicine, ok?”
Malon nodded excitedly, watching as Talon helped Link sit up. The boy was so weak that he could barely move on his own, and Talon eventually pulled him into his lap so he could lean against him. Talon gripped Link’s arm firmly so he could stay in place and began rummaging his hand all over the nightstand to grab the medicine. His daughter noticed his searching and grabbed the medicine for him and Talon gave her a grateful nod, uncorking the bottle and bringing it to Link’s lips.
“You think you can drink this?” He asked, and Link nodded, clumsily grabbing at the bottle and drinking it with Talon’s help. Talon had to pull it back a couple of times to make sure it didn’t spill everywhere, but Link was surprisingly cooperative for an eleven-year-old drinking the disgusting medicine; he remembered he always had to fight Malon whenever she needed it. The bottle was soon gone, and Link leaned back against Talon’s chest, his eyes closed. The farmer cradled him for a moment, figuring that Link needed that type of comfort, and Malon walked over as she watched him with her father, her head tilted with fascination.
“Is he gonna be ok?” Malon asked, and Talon looked up at her, nodding confidently.
“I’m sure he will be,” he said, carefully moving Link so he could get off the bed. He laid him down and pulled the blankets over him, giving his hair a soft ruffle before pulling away.
“I’m gonna put the carriage away, Malon. You keep an eye on him, ok?” Talon said, and his daughter nodded back at him. Talon lingered for a moment, worriedly watching them, but finally left the room. Ingo was outside staring at the carriage annoyed, but he quickly scurried away when Talon showed up. The farmer glanced over at Epona, who was watching him silently. Talon frowned and walked over to her, giving her a gentle pat on the snout.
“That boy doesn’t have a family, does he?” He asked, knowing that Epona wouldn’t answer. It was something Talon noticed when Link first arrived. Though he didn’t remember much, he did remember that Link was by himself whenever he saw him. The only company he had was his fairy. Talon shouldn’t be too surprised—if Link really was a Kokiri, then it’d make sense why he’d have no family. But Kokiris died when they left the woods, didn’t they? Or was Link finally experiencing the death a Kokiri had when they were out of the woods? Talon rubbed his eyes with a soft grumble. He really didn’t know if any of that was true, but it made Talon slightly worried. Despite remembering that Link was from the lost woods, Talon couldn’t help but feel that he was a Hylian. Everything down to his mannerisms made him seem far more mature than the Kokiri ever were. They remained as children, their bodies and mentalities never changing, even for centuries. But Link…. His face held a mature understanding of the world that Talon only saw in adults. Either way, Talon couldn’t risk him dying. If he needed to return to the woods, he would take him there, he just needed to learn more about him.
Talon led Epona and his carriage to the barn, letting her and the horses roam with the others before returning to the house with warm Lon Lon milk. He was expecting Link to be sound asleep, but to his surprise, he was already trying to get out of bed despite Malon’s protests.
“Link, honestly! You can’t be gettin’ up now! You could barely drink the medicine my daddy gave to you!” She shouted, trying to shove him back to bed.
“I… I’ll be fine,” he mumbled, his voice raspy and hoarse. He brushed Malon off and reached for his shoes, but grew out of breath.
“Link! You’re sick! Lay back down!”
“I can’t stay…”
Talon entered the room with haste, setting the bottle of milk down as he walked up to Link. The boy stared up at him, his light blue eyes wide with guilt.
“Do you need to go to the woods?” Talon asked him, and Link frowned.
“What?”
“The woods? The lost woods? Where all them youngins are in?”
“O-oh, Kokiri forest?”
“Yeah, that. I hear Kokiri die when they’re away from the forest for too long. You… you’re a Kokiri, right?”
A devastated look took over Link’s exhausted face, his eyes spacing out as he looked down. “No…”
Talon frowned at his reaction, and he glanced over at Malon who looked concerned.
“No?”
“I-I’m not going to the woods… I’m not a Kokiri… I don’t belong there anymore. I don’t–I don’t belong anywhere,” Link’s voice grew so quiet that Talon almost didn’t catch what he said at the end. It was quiet in the room, and Link slowly went to grab his shoes, but Talon stopped him.
“What’s the rush then?”
“I… can’t stay….”
“Why not?”
“Because I…. I…” Link stammered, trying to push out a good argument, but with his feverish mind and exhausted body, he couldn’t. Talon sighed and gently pushed him back, and Link obliged, laying down on the pillow, his eyes half closed.
“At least get some rest before you decide to travel, ok?”
Link’s eyes went wide for a second, before closing, and he was finally asleep. Talon sighed and gave his head a pat, giving a proud smile to Malon.
“You handled that well, dear.”
Malon brushed some hair out of her eyes and sighed. “Thanks daddy. He sure is a stubborn one, ain’t he?”
Talon shrugged and stared at the young boy. So he wasn’t a Kokiri, that meant he wasn’t dying, thank the goddesses. But everything else about Link confused him. If he seemingly didn’t belong to the Kokiri anymore, then where did he call home? Did he even have a home? Talon sighed and began to head out of the room.
“I trust you’ll keep a good eye on him?”
Malon nodded. “I won’t let him try to get up next time.”
Talon snorted. “Try not to hurt him too much. You got some Gerudo blood in you, while he’s a simple Hylian,” Talon glanced at Link, “I think. Give him that milk when he wakes up.”
Malon nodded again and plopped herself in a chair, staring at the strange boy in bed. Talon smiled at her, leaving the room once again, feeling exhausted himself.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Link’s fever was persistent. Talon spent a long time with him to see if he was getting better, but he was not. He wasn’t getting worse though, which Talon supposed was better than nothing. Link stayed in bed most of the time, unable to get out due to the fever and to Malon forcing him to rest. Talon always had to make sure she was gentle with him. He knew she had such a gentle and kind soul, but her Gerudo strength, despite having only a little bit of it, was not to be underestimated. Malon stayed by Link’s side the entire time, only leaving when she had chores to do. She would talk the boy’s ear off when she was with him; talking to him about her chores, her favorite animals, and the songs she wrote. She would occasionally sing to him, and he would always listen. Talon couldn’t tell if he wanted to listen, but considering the small smile on his lips whenever his daughter spoke to him, he assumed that he enjoyed the company. Many times, Talon decided to do Malon’s chores for her so she could spend time with her friend, and eventually, Link started to feel better.
Talon allowed him to walk around the ranch, knowing that being in the same room for days couldn’t feel good for anyone, and Link happily obliged. He always seemed anxious, as if there was something he had to be doing, so being able to at least walk around made him a little more cheery than normal. But as soon as he was able to walk around, he once again tried to leave.
“Where do you think you’re goin’?” Talon asked when he caught Link packing up his things, trying to talk him out of it before he was gone. Link didn’t say anything for a moment, a guilty look on his face.
“I–I need to be elsewhere,” he finally said, finishing packing up his few items scattered across the room.
“Already? I know you’re feelin’ better, and exercise is good for you, but you can’t push yourself.”
Link let out a huff. “I’ll be fine. This fever will go away in due time.”
“Yeah, if you take care of yourself,” Talon argued, and Link shot a glare at him.
“Why do you care?” He suddenly snapped. Talon’s eyes widened at the boy’s sudden hostility. He scratched the back of his head and looked away.
“Is it so wrong for me to care about a sick kid?”
Link’s expression softened and he turned away. “How much do you remember?” He asked softly.
“Huh?”
“How much–how much do you remember of me?”
Talon was taken aback at the strange question. Though he’s only seen Link a couple of times last year, he remembered them pretty well now that he spent more time with the kid.
“I remember you woke me up with a cuccoo and told me my daughter was waitin’ for me. Good thing too ‘cause I didn’t mean to fall asleep at the castle of all places. Poor Malon.” Link stayed still as stone so Talon continued, “I remember you came by our ranch and found my special cuccoo. I teased you about marryin’ my daughter and you got all shy ‘bout it.” Talon chuckled at the memory. Link looked away with an embarrassed look on his face so Talon moved onto the next memory. “I remember you and Malon played all day, and played music as loud as you two could. It sorta annoyed me when I was tryin’ to sleep but I ain’t never seen Malon sing with all her heart like that before. So I let it continue.” Talon sighed and racked everything he remembered about Link, but only one more memory remained. “And then I remember you buyin’ Epona. It broke Malon’s heart to part with that horse but she cared about you and knew you would take great care of her. And that’s about all I remember of you.”
Link continued to face away from Talon, staring blankly at the wall. Talon frowned and walked up to him.
“Why are you askin’ this?”
Link sighed and hugged himself. “You just don’t know me like you used to.”
Talon was taken aback again. “Now what in Farore’s name do you mean by that?”
Link opened his mouth but was interrupted by Malon entering the room. She spotted Link’s packed up possessions and frowned.
“You’re leaving already?” She asked as he quickly finished gathering his things. “Are you sure you feel well enough for it?”
“I’ll be fine,” he said softly, looking up at Talon with another guilty expression. “I’ve already overstayed my welcome.”
Talon tilted his head. “You didn’t overstay nothin’ boy. It was my pleasure to have you here.”
Link smiled slightly, but he quickly turned away, a sad and distant look in his eye. Talon stroked his chin and squinted at him.
“Where do you call home?”
Link glanced at Talon, then at the floor. “I—um…”
“Do you… have a home?”
Link didn’t react, and he shifted uncomfortably. Talon sighed.
“Oh… Link, if you have nowhere else to go, you can always stay here—“
“No! I-I mean,” Link shrunk away, clutching onto his shirt. “You-you guys have been very kind but I–I don’t want to be a bother anymore.”
“You were anything but a bother! We loved havin’ you here!” Talon reassured, but Link didn’t look convinced
“I-I can’t stay here for free… I—I don’t—“ Link whimpered slightly, pressing himself further against the wall. Talon backed up slightly, realizing he was being too forceful with the boy. He took a deep breath and tried again.
“Ok, if you don’t wanna stay for free, then you don’t have to,” he said softly.
Link finally looked at him, a sad look on his face. “I don’t have any rupees though.”
“Who said anythin’ about money! How old are ya? Eleven? I can't expect an eleven-year-old to be able to pay rent!”
Link stared at him confused. “Then how…?”
“Well, I can always have ya work around the farm, do whatever chores you’re capable of doin’, in return you get a place to stay and food to eat.”
Link stared for a moment, the gears in his mind turning as he thought about Talon’s offer.
“You don’t have to if you don’t want to. Sorry to put pressure on you,” Talon quickly added, realizing he was still being forceful. “But if you want, we’d love to have you.”
Link was silent for a long time, swaying slightly as Talon and Malon watched him. He finally let out a sigh and looked up at Talon.
“Can I…. Think about it?”
Talon was relieved slightly and nodded. “Of course you can, just know that wherever you go, you’ll always have a place to stay in Lon Lon Ranch.”
Link gave a more genuine smile at him.
“Thank you,” he whispered.
Talon escorted Link to the entrance with Malon in tow, the two Lon’s chatting about mundane things with Link listening silently. When they reached the entrance, Talon turned to his daughter and nodded.
“Malon, could you get his horse for him?”
“Of course, daddy!”
Talon watched as his daughter ran to where the horses were, then he glanced at Link who still had an unsure look on his face.
“Link?”
Link pursed his lips. “I… I wish there was a way I could repay you for this…”
“Oh, it was on the house,” Talon said, waving his hand. “It’s the least I could do for you.”
Link smiled, his hands clumped up on his chest. “You don’t know how much this means to me… I… thank you…”
“Oh, it’s my pleasure. And my offer will always be here for you, or… if you ever wanna visit,” Talon shrugged, “you’re free to visit as well if you don’t wanna stay.”
Link’s face twisted slightly, and he shyly leaned into Talon, which surprised him. He was always so distant from the others, but he was almost hugging the old farmer. Talon wrapped his arms around him and rubbed his back gently, only pulling away when Malon returned with Epona. Link quickly hopped on the horse, discreetly wiped his eye, and he gave the two a nod.
“I guess I’ll… see you around?” He said, and Talon nodded.
“Of course, you be safe out there boy!” Talon said, waving him goodbye.
“Yeah! Come visit! I want to sing with you again!” Malon exclaimed, waving enthusiastically at him. Link grinned at her and nodded at the two. Then he clicked his tongue and ran off on his horse, heading to Din knows where. Talon watched sadly as he disappeared into the field, almost wishing there was more he could do for him. It was strange how much the boy had changed since he first met him. Link was a very playful and hyper boy when they first met him, matching Malon’s hyper energy. But now, he was jaded and serious, almost as if he was an adult trapped in a child’s body. Talon didn’t want to think about what he went through in the past year to get to that point, but he hoped that now Link knew that he didn’t have to face any of it alone, and that he had people to turn to.
He just had to wait for him to reach out.
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i-like-forcefem · 2 months ago
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You wake up due to a an odd discomfort around your groin, you feel around and touch something soft and plastic?
You turn on the lights and find yourself lock in a small, pink chastity cage
You panic a little, you’ve never done this before, you try to pull it off and it won’t budge and you notice just how little you can touch your member now
You get hard
It hurts
You look around the room and see an envelope next to a small pile of clothes and some odd plastic?
You open the envelope
My dearest love,
You wronged me, the fact you wouldn’t know who I am makes it that much worse
So I thought it’d only be right if I punished you
As you might’ve found out already I’ve securely locked you up and only I have the key
If you ever want it back you’ll need to do some things for me first
Mod course you won’t be allowed to touch your memeber until I release you
Next you will need to wear the clothes, and insert the remote anal vibrator I provided to you
You will then need to watch any porngraphic content I send you over the course of the next 2 weeks, dressed up and wearing the plug
I’ve made a separate number where we can chat
I expect you to use the proper respect when talking to me
I expect you to thank me for teaching you how to be a good girl
And I expect you to drop whatever you’re doing whenever I send you a message, and if I so ask you’ll put on the shuttle clothes I gave you, put in the plug, and watch whatever degrading smut I sent you while I control your ass
Do this like a good girl for 2 weeks and I’ll take off the cage
Mess up once, and I’ll flush the key down the drain
Oh and don’t think to get it removed or anything, I got that onto you without you noticing once, and if you get it off I’ll know that means you’re ready for your second round!
And trust me you wouldn’t like the second round, something tells me that you’d hate losing your freedom of movement
So now be a good girl and dress yourself up already love~
I’m waiting
Oh! And one more thing!
I can and will change the rules at any time, for example one I thought of right now: the two weeks only count down if you spent the whole day in cute woman’s clothing, so if you ever put on those nasty clothes you’re wearing right now, the day doesn’t count and you still have 2 weeks to go
Good luck cutie! Try to keep me happy~
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poorly-drawn-mdzs · 2 months ago
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hope you feel better soon!
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I am riddled with ailments, but I stay silly!
#ask#non mdzs#My health journey has been: Hernia -> acid reflux -> Vocal pain due to aforementioned reflux -> chest infection.#I'm terrified to know what's about to hit me next. Please let it be something kind. PLEASE.#The consequence of living with linguists is that you'll wake up with a wacked up voice -#suddenly you're sitting you down in front of a program called something like Praat having your shimmer and jitter levels calibrated.#They gave me a GRBAS of 33012. I have a fun thing called a pitch break where a whole octave just does not exist.#My vocal pain was bad enough I ended up seeing a speech pathologist and that whole experience was super neat!#I learnt a lot about voice - to be honest I might make a little comic on it after some more research. Fascinating stuff.#For example; your mental perception of our voice modulates the muscles of the vocal folds and larynx.#meaning that when you do have changes (inflammation = more mass = lower frequency)#your brain automatically attempts to correct it to what it 'should sound like'. Leading to a lot more vocal strain and damage!#And it gets really interesting for trans voice care as well - because the mental perception of one's voice isn't based on an existing sampl#So a good chunk of trans voice training is also done with the idea of finding one's voice and retraining the brain to accept it. Neat!#Parkinsonial Voice also has this perception to musculature link! The perception is that they are talking at a loud/normal volume#but the actual voice is quite breathy and weak. So vocal training works on practicing putting more effort into the voice#and retraining the brain to accept the 'loud' voice as 'normal'.#Isn't the human body fascinating?#Anyhow; Now I have vocal exercises and strategies to reduce strain and promote healing.#Which is a lot better than my previous strategy of yelling AAAH in my car until my 'voice smoothed out'.#You can imagine the horror on the speech path's face. I am an informed creature now.#I'm my own little lab rat now. I love learning and researching. Welcome to my tag lab. Class is dismissed.#I'll be back later with a few more answered asks </3 despite everything I'm still going to work and I need the extra sleep.#Thank you for the well wishes! And if you read all of that info dump; thank you for that as well!
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machineheraldbabe · 6 days ago
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Viktor's (subverted) Aristotelian Tragedy
A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)
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Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.
Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.
Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.
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Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.
“There is always a choice.”
Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.
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So why is Viktor so anti-choice in his final season 2, act 3 form?
Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?
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Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.
"Choice is false."
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But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:
Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.
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Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.
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Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.
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Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.
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Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.
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Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.
All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.
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I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!
This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.
PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.
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momokodaisy · 8 months ago
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mipexch · 1 year ago
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dance with me one last time
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myokk · 18 days ago
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troll attack😳
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