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ohwolfling · 1 year ago
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the Gale of Waterdeep blow job meta
this is the most unhinged I've been on this website since like 2012 but here goes...
This is a piece pulling what we can from the game- Gale’s statements, characterizations, etc- and applying it to the narrative & symbolic function of sex in literature. It won’t be too academic ultimately, as I personally am still in Act II, and will not be citing any sources other than my trauma-earned armchair psychology and years of field experience as a bit of a heaux. 
This really strikes at the duality of Gale, something I think that ultimately makes people crazy for Gale. Gale is a giver AND Gale is desperate for control. Players who find Gale annoying or think he’s pure bravado miss this entirely. They take him at face value.
And to complicate things, Gale’s entire story is about connection. Trapped by unstable magic, desperately (but casually, no big deal, oh don’t fuss over me) reaching out. That’s Gale’s start but it’s also just… Gale’s story.
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Okay, it’s horny henceforth…
Gale is a giver. That is, he's someone who wants to give, give entirely. His full self. It's what tangles Gale as possibly the most monogamous character, the most openly devoted character, the sincerest, but also a character easily distracted from the limitations of his own vows. Giving himself entirely isn't something he can do in the way that he wants with a one on one, mortal, committed partnership. 
Because Gale wants it to hurt. Gale wants it to destroy him. 
The Weave is many things for and to Gale, but for our purposes we have to talk about it as a balm to loneliness. At the Tiefling party, Gale possibly speaks about Tara being proud of him, and regrets he hasn’t given her much of that lately. He’s speaking of his tressym as an equal, almost as a parent. For him, saving the Tieflings feels like “having repaid the favor,” as if he needs to do penance for letting his tressym encourage him, aid him. She was all he had because he set up wards to prevent any colleague or friend from checking on him. Magic is the only companion allowed to see Gale if he’s not at 100%, if he’s not ready to be Wizard of Waterdeep™. Of course, Tara’s origins are relevant here. It’s easy to see Gale as someone with a streak of ambition but I think it all comes down to that first wound/heal with magic… Validation, company, companionship, magic gave that to him- rewarded him- with Tara at a very young age.
“Magic is my life. I’ve been in touch with the Weave for as long as I can remember.”
The Weave functions too as a neutral space for Gale to initially connect with Tav in the small, at least romance leaning Act I scene that happens after you engage him creating his little illusory Mystra. Gale showing Tav the Weave is a safer way for Gale to show himself. It’s an intrinsic part of who he is but it’s also a shield, a wall, a safety net. Teaching or showing Tav the Weave’s wonders gives him the control he seeks AND the opportunity to impress. “You feel something warm, like a kind word and a kind touch at the same time.” We have no way of knowing if this is what the Weave feels like to Gale, and so to us through him, or if what we’re feeling there is Gale’s influence over the Weave. Are we nestled in the cup Mystra’s hand or what Gale wants it to be? Wishes it would do for him? Is the sense of a kiss hovering about Tav and Gale or is that element of Mystra’s using of Gale so tangled in this magic that he can’t shake it free?
Mystra plucks him up. First teacher, then muse, then lover. Then the root of his demise. With Mystra he is both chosen and servant. I’d argue a worship kink is at play, or at the very least it is the lens in which Gale’s sense of sensuality has been most amplified.
At a point these feelings of conflict- never alone but lonely, wizard prodigy but just one of many men or boys plucked by Mystra, Wizard of Waterdeep but the Whatever of Mystra- are as crucial to his idea of the Weave, to magic, as the spells themselves. Gale has comparatively high charisma… his magic is a performance, as much to himself and of himself, as to anyone or for anyone/anything else.
Gale's boundary pushing is about proving himself through admiration, through praise. He craves it, good boy, Gale. Very the Wizard of Waterdeep of you.
His first assumption in New Love is that he has to offer Tav something more than himself. “I could do more than woo you - I could wow you.” Gale doesn’t understand how those are ultimately one and the same. Sex hasn’t been about connection, solidification, or strictly pleasure for him. It has been about proving himself, about being worthy, about service (which is another great somehow parallel & foil he has with Astarion but that’s for another time).
The specific intimacy of a blow job reverses the conflicted feelings and roles that Gale is accustomed to. In pornography and even popular culture, blow jobs are- erroneously in my opinion- depicted as something dominant and masterful for the receiver. Even something to be wielded as punishment or degrading, even in consensual BDSM practices.
In reality, a blow job is the ultimate submission. It makes Gale a man, it centers his manhood figuratively and literally. He loses a sense of control. Yes, even service gives one a sense of control. But the giver's power is not just in how their mouth wraps around ye classic quivering member. It's in intent. Pace. Pressure. Eye contact, the use of hands, fingers, even toys… The humanity of oral sex. And the humanity of the thing is not something Gale knows. 
Even if Mystra has played the giver it was for her game/goals and her pleasure. It was an adjustment to or pull of his strings. Gale tells Tav he has been with other mortals but I doubt as Gale the Man™. While creating a full night sky and seeking to do it the way the gods do (which we know means the way Mystra taught him or the way Mystra refers) is a genuine and catered moment for Tav, his other lovers no doubt got lazier, less genuine showmanship or else the wit and bravado and courtesy he thinks people expect of him. Early in Act I in his tale of the pub fight he manages to stop, the peace he makes comes at his cost- just monetary in that equation, but the point is, even in his performance of a Big Deal™, sexual or otherwise, Gale seeks to give to maintain the status quo. Gale’s sexuality, just like his magic, is genuine, sincere, and very present part of himself but it’s also unrecognizable to him if he has to stop thinking of it as a tool for five seconds.
Gale himself being a giver is something I really think he takes great pleasure in. His references to it out of the heat of the moment are something he is speaking about fondly and assuredly. He probably enjoys going down on someone as much as he enjoys magic. Like magic, he knows he’s good. Specifically with his tongue (I SCREAM). But remember, he is groomed by a goddess. A literal goddess. He is not just servicing, giving, he is WORSHIPING. Body worship is inherently submission and it’s specifically service oriented submission. Gale knows and has self esteem issues and hang ups around being submissive and if that submission secretly means he’s not good enough- likely why he tries to one up people, places, and things even as he begs to be back in that position of submission- but Gale genuinely likes being of service sexually. 
Gale, by virtue of being a great pretender, has never really given himself over to the real mortal experience of sex. Which brings us to the big moment of trust… 
The ultimate act of trust for Gale is letting someone in… he fully expects to be met with hatred and derision for his attempt with the orb. How could anything genuine be anything else? How could Gale's Folly, mortal, human, desperate, far reaching, reckless, be worth anything but hate? 
The reason Mystra can make Gale so easily believe that seeking these lost pieces of herself for her- even if unasked for, even if unwanted, even if upsetting to her, even if a misinterpretation of where their relationship stood at the time- was so unforgivable is because Gale thinks what the orb is doing to him reveals his ultimate sin, his glaring weakness… it makes him WANT. it makes him NEED. In Gale’s mind there’s nothing worse a man could do.
Blow jobs extend this into the element of control and real, physical intimacy. He's in your hands. He can't pace or bait his own pleasure. Pleasure is a thing happening to him. What is more human than the whimpers and moans in ecstacy when it feels so good you don't care if you cum or die? What does it mean for Gale to be made really and finally tangible and mortal in someone’s eyes? It’s the thing his most intimate connections have always liked least about him (and I imagine outright punished him for).
He can't earn credit or bonus points or paint himself the god. He will cum before you. You will give that gift to him. That's often the whole point. For Gale, anything like that with Mystra after being initially groomed by her into her hall of lovers would've been a debt. He might want you too much, too obviously, too greedily, if he’s in YOUR hands. Even his proposed “as the gods do” creates so many doubles of himself that you couldn’t have time to think, much less ever find yourself wanting. Gale genuinely connects to Tav, genuinely expresses love for them, but still does so by anticipating needs, assuming he isn’t enough, giving Tav no time to want or need, thereby leaving no room for adjustment, correction, or disappointment. 
Gale speaks about pushing the boundaries of magic. In having sex with Mystra he is taken into the vision of her world. But she won't go with him, won't take him further in, won't actually teach him or show him or grant him anything. The great beyond for Gale is not really magic or forgiveness or whatever… It's intimacy. 
Gale doesn't think he can just ask for intimacy. Doesn't think he can just find it organically. He must suffer for it, make a grand gesture, make up for the ways his mortality have dirtied Mystra by making her more herself, the way she was in Gale's mind before he tainted her with his want. Even in the realm of intimacy, he assumes he will have to be on his best behavior and earn it. It doesn’t occur to Gale until deep into Act II, post the romance scene and further validation from Tav, that having those restrictions on intimacy and care as a standard in a relationship is damaging, unfair, or cruel. 
“Now more than ever, it’s important to recall what makes us human.”
There is no right or wrong way to romance any of the romance options in Baldur’s Gate 3, of course. But narratively, Gale’s story begs for further examination and agency for Gale the Man, versus the Wizard of Waterdeep.Gale is at his best when he is open, vulnerable, and reaching out. He is as tactile seeking as he is ever-calculating about who he is to who, what he does or does not owe, what will maximize on paper his value and contributions. Left to his own devices, Gale will literally explode or transcend to avoid any offense or harm the baseness of his humanity might cause. Sex is a magic and spirituality that offers us briefly to transcend ourselves but while being wholly of our bodies, that makes we silly mortals keenly aware of our physical, limited humanity even as an orgasm can hit so hard you lightly trip balls and don’t know how to use your hands.
No one has ever needed a blow job more than Gale Dekarios. If he wants to explode, I MEAN 
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ionomycin · 1 year ago
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Traveller
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dizzybizz · 1 year ago
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KAEYA BIRTHDAY ??? ?? i love you mr alberich sir i love you oh so so so much.
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uh dialogue for this one but more legible under the cut (and a messy ragbros page)
Klee: Kaeya! Come down here! Kaeya: Oh? heh. What is it, Spark Knight?
Klee: Happy Birthday! It is today? Right? I even double-checked with Albedo and everything but I don't know... Klee: It's a Calla Lily! You like those, right? Kaeya: I certainly do! Thank y- Klee: Oh. Klee: OK OK OK- Kaeya: Hm? Klee: Kaeya you have to promise to not tell Master Jean about this one! Kaeya: You can count on me to keep my lips sealed.
Klee: OK! Close your eyes- eye- and hold out your hands! Kaeya: Mhm! Klee: OK! You can open them! TA-DA~!
Klee: I made a bomb for you! It even has an eyepatch! He can look after you when I'm somewhere else. Take good care of him! Oh yeah- He explodes if you- Kaeya?
Kaeya: Thank you Klee! Thank you very much! Klee: You're VERY welcome Kaeya!
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a lil ragbros too.... kaeya and his red siblings amirite (bursts into tears).. also i am so obsessed with chibi diluc saying "bring em in..."
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arcanegifs · 2 months ago
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This is the last time I'm going to be annoying about this, I swear.
A few examples of that I, a gifmaker, personally love seeing under the tags:
Analysis of said scene, show, or character, especially the long ones going in depth that span like 1000 words
People saying how crisp the GIFs look and how nice the coloring is THANK YOU. ILY GUYS. That's always huge praise for me.
Reacting with how emotional you got with the scene. How painful and emotional or how touching a scene is.
People making funny jokes, memes, comments, etc.
Literally ppl horny posting LMAO. It's super funny to read and I love seeing all the unhinged comments.
Seeing how much you loved the show and its characters
Things I don't like seeing under the tags. And these are just two very specific things:
How much you hate the show, how much you think a scene is bad, how much you hate a character, the ship, the creators, etc. or how much you dont like this ship anymore, calling a ship horrible because ____ reasons. OKAY! I get it! But I don't want to see that. Make your own hate post on your own blog! You're free to have an opinion on how much you hate something. Just do it on your own blog.
Asking why I leave out certain scenes out, why I decided to gif this scene, or not gif more of these characters. Sometimes, I'm just exhausted. I can overlook things. You guys don't know how draining making gifs can get to me, especially the scenes that are really long. But I do it because I LOVE Arcane, the story, and the characters, and the particular scenes that I make gifs of. I have my own biases too. Of course I’m making them first. Please, just make them yourself instead of complaining under the tags of my edits. Yes, I can see them.
Don’t get me wrong, I wholeheartedly appreciate everyone who supports and follows the blog. I want to make a million more HQ gifs of this amazing show, but sometimes, the very rare negativity can still get overwhelming, to the point where it demotivates you.
Arcane is extremely special to me because it's such a fantastic show, and that alone motivates me in trying to create more GIFs. Honestly, if it was any other fandom or show? I would've probably left already. Arcane is THAT great.
I know the block button is there. I use it too, but sometimes, the amount of effort and time you exert to create FOR FREE just isn’t worth it. And that’s why gifmakers and creators stop making things for fandom. It’s not fun anymore. It’s not worth it.
Some people think that making my style of GIFs is easy. Then great! Since you think so, then do it yourself and help create for the fandom too! I wholeheartedly encourage you to do it!
TLDR: Don't be rude on people's fanwork, especially when they are created FOR FREE. If you don’t like their fanwork, you can make them yourself.
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padmesbox · 6 months ago
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Hangman Page birthday week → Day three: Favorite AEW TV moment
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chompe-diem · 7 months ago
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hey. don't cry. audible smile in brian murphy's voice when he says "...but it's good when your friends look out for you" ok?
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j-rye · 6 months ago
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bun ny bunny bu nny bunny ? @wolfertinger666
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roobiedo · 9 months ago
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Made this for the Solarpunk Aesthetic Week server in a sudden creative fever, so I guess I'll post it here too hh
A relative of mine knows someone who teaches kids, so I'm gonna suggest this as an art project for them! The idea is that students could each make/decorate their own shelf, then put them together to form a hive, which could function as mini lockers in their classrooms. Then, by the end of the school year or something, they could either take their own little shelf home (or exchange them with their peers?), or recycle them into materials for the next class! Hopefully it'll teach them about pollinators too 🐝
Idk how doable this project is really, and its scary to imagine one of my silly designs could actually become something tangible irl. But even so, I'm still excited to try 🥰 (And if anyone else attempts this too, please let me know!!!)
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hoforwonho · 7 months ago
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the-broken-pen · 11 months ago
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“You’re going to blow out your arms,” the villain observed. They watched as the hero merely grit their teeth, shoving themself through another pull-up. It looked painful, and if the sweat slicking the hero’s brow was any indication, it was.
They waited for the hero to let themself drop from the bar and accept the villain was stronger. But they didn’t.
Three more pull-ups, and the villain stepped in.
“Hero,” they said slowly. “You’re about to tear the ligaments in your arms. You need to stop.”
The hero blew out a shuddering breath. Struggled for purchase, fighting gravity—and let themself drop.
The hero’s hands were bleeding, calluses torn open by the bar. The hero didn’t seem bothered when their own hands shook so much that their blood began to splatter on the gym floor.
For a moment, the villain could only stare at them.
Shit.
They didn’t know how to handle this. They knew the hero was dedicated. They knew the hero was strong, and perpetually trying to be stronger, but they hadn’t thought…
They hadn’t thought the hero would be so willing to tear apart their own body for success.
It was supposed to be fun, the villain thought. They felt a little sick as the hero pressed their palms together to soothe the bleeding, an action that was practiced and familiar. As if they had done this before.
The hero reached for something in their bag, smearing blood on the side, and pulled out a roll of blue electrical tape. The villain didn’t understand why, until the hero tore a strip off and made to wrap their hands with it.
The hero would be the death of them.
They crouched in front of the hero, plucking the electrical tape out of their hands.
“What are you doing with this?”
The hero blinked at the villain like they were the strange one in this situation.
“Wrapping my hands?”
The villain hissed in a breath.
“With electrical tape?”
The hero flushed slightly, looking down at their bloody hands. They looked close to tears.
“It…sticks to skin, really well. And it doesn’t move, either, when you move your hands or wherever else, even if you’re fighting. Plus, blood doesn’t make it come off, at least, not for a while.”
The villain blinked at them.”
“Blood doesn’t make it come off,” the villain repeated, processing. The hero nodded, reaching for the electrical tape. The villain settled it out of reach.
“Not if you wrap it right.”
Dimly, the villain realized that meant the hero had done this enough times to have it down to a science.
“And you couldn’t use a bandaid?” The villain asked incredulously. The hero shrugged a shoulder, then winced at the motion.
Yeah, the hero had absolutely blown out their arms.
“Bandaids move—“
The villain hushed them.
“Be quiet for a second.”
The hero, wisely, went quiet.
The villain rubbed a hand over their face, then studied the hero for a moment. They took one of the hero’s hands into their own, studying the damage.
“Why did you do this to yourself,” the villain murmured.
“What do you mean, why,” the hero snapped. “It’s my job.”
“Your job is to save people,” the villain corrected. “Not destroy yourself.”
“I’m not destroying myself—“
“You are.”
“Shut up—“
“Hero.”
“I need to be better,” the hero snapped. Their voice rang out across the gym, echoing into the rafters, and they both froze. After a moment, the hero spoke again, voice soft. “I need to be better.”
They said it like they needed the villain to understand. The villain wondered who they were really saying it to—the villain, or themself.
“Better than who?”
“Everyone.” It was hushed, like a secret.
The villain watched them, waiting.
The hero took a shaky breath
“My whole thing is being the best. I have always been the best. That’s the only reason I matter. If I’m not strong enough, then I am nothing, so I need. to be. better.”
The hero had started crying, very quietly, like they were afraid to take up too much space.
The villain was not equipped to handle gifted kid burnout.
“There’s more to you than just being a good athlete,” the villain said hesitantly, and the hero shook their head.
“No. There isn’t.”
“Hero.”
“Can you give me back my electrical tape?” They hiccuped to contain a sob.
“No,” the villain said firmly, and then the hero really was sobbing.
“You don’t understand—“
The villain didn’t. Not really. They had never been the kind of talented that the hero was.
They wondered now if maybe that was a blessing.
“I don’t,” the villain agreed. “But I do understand that you’ve saved half the city, and you give everything you have to give, and you always do your best.”
“But I-“
“No.” The villain stopped them. “You are doing your best.” They tipped the hero’s chin up until they met the villain’s eyes. “And it is enough.”
The hero froze, eyes darting over the villain’s face. They wondered if anyone had ever said that to the hero, if whatever mentor they had was giving them anything other than orders to be stronger. Be better. Be more.
The villain had some new targets to take care of, it would seem.
For now, though, they had to take care of hero.
“We’re going to go wrap your hands,” they said softly. “And then we’re going to take care of your arms, and you’re going to take a nap.”
The hero nodded, watching them like they were some kind of good, selfless person.
“And if I ever catch you using electrical tape again, so help me, I will put you six feet under.”
That startled a laugh out of the hero, and they let the villain guide them to their feet.
“Fine.”
The villain turned to them. “Okay?”
Are you going to be alright?
The hero seemed to understand.
“Okay,” the hero agreed.
Yes.
And so, it was.
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johnslittlespoon · 7 months ago
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hii happy pride month, have a little 'you're a dog (i'm your man)' chapter four snippet as an apology for radio silence <33
“Did I wake you?” Gale asks, glancing at John apologetically, but John looks up from his effort to avoid muddy puddles to shake his head. Gale supposes it’s a silly question; John sleeps like a rock, dead to disturbances made by anything other than his own brain.
“Just my sixth sense,” John says, shrugging and shooting him a small smile. Gale snorts.
“You got a radar for me?” He teases, and John smiles wider, eyes crinkling.
“Built in,” he answers matter–of–factly, raising a hand and making a fist over the center of his chest before dropping it, returning his vigilant gaze to the uneven ground. Gale stares for a moment longer, floored not for the first time by John’s apparent obliviousness to the weight of his sentimentality.
Even knowing John how he does, it’s always unexpected coming from someone who a stranger might assume to be brazen and surface–level; John’s loud mouth and wandering hands do him no favours in that regard.
But Gale does know John, like an extension of himself half the time, and still he manages to render him speechless. The way his heart flutters as the sentiment hangs in the air makes Gale want to reach down his throat and squeeze it until it never beats again.
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ninyard · 7 months ago
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I would love to just sit on a roof top and talk to you about anything and everything. Hear all of your opinions on everything.
Wait what the hell that’s so sweet I’m the mayor of yapsville when you get me started on something I have An Opinion on, so I promise you’d probably quickly regret it.
But picture us. Me and you on a roof. And I tell you the following, as the wind blows our hair and the sun starts to set:
- Andrew helps Renee dye her hair
- When they move in together, Andrew always finds his t-shirts or random belongings shoved under Neil’s pillow. Harmless stuff, but usually stuff that belongs to Andrew. Kept safe, untouchable below his pillow like the few belongings he had in the beginning.
- Dyslexic Kevin Day
- Allison helps Neil get his hair back into a good condition when he starts to grow it out post-TKM. She helps him do treatments and recommends the best products. She braids it when it gets long enough. She shows him how to properly tie it back, she teaches him how to properly look after the texture in his hair.
- Andrew has a folder in his camera roll for nobody else but himself of things that make him smile on the inside. Most of the time it’s stupid things, like a terrible advertisement stuck to a lamp post, or an ugly dog, or an awfully parked car. Silly things that make him laugh that he screenshots or snaps a picture of. There’s eventually hundreds of pictures in there. There’s photos of Neil, when he falls asleep on Andrew’s shoulder and Andrew’s too proud to tell him how cute he looked. Photos of Neil in his suit before a banquet, photos of him doing dishes or handing him dinner. There’s photos of Andrew and Renee after they’ve been sparring. There’s photos of things he’s seen in stores that remind him of Kevin, or Neil, or Renee. Sometimes Aaron. There’s even a few photos of Kevin in there, too. Nobody know this folder exists. Not even Neil, who doesn’t even know half of the photos of himself in there even exist. Because it’s just for Andrew. It’s just for him to collect the little joys in his life now that he can somewhat actually feel it.
- Kevin has to wear a brace on his hand/wrist every now and again, and he still sees a physiotherapist once every few months to check up on his hand.
- Matt goes to Andrew the first time he thinks about relapsing. He doesn’t even think about it. Neil is very confused when he comes back to the dorm to find Matt and Andrew playing video games together, but doesn’t question it.
- Dan tags along to night practice every now and again. Nobody acknowledges that she isn’t usually there, they just let her join them on the court and practice as usual. It makes Kevin really happy, actually, to see her trying to better her skills with them. Usually she just joins them when she can’t sleep and needs to get out of her head.
- On the OG foxes last night together before the first of them graduate, they all find themselves around a fire pit in one of their parents houses, or on property Allison rented out, and they tell each other stories and share some confessions in a mostly-funny, kind of emotional way. They cry and laugh and hug and shock each other with some of the things they say but it’s a really beautiful moment before they’re finally split up for the first time
- Dyslexic Kevin Day (again)
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butchcarmy · 10 months ago
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ALEXITHYMIA CH 3: nightmares, pepto, and fire
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Roommate AU: Carmy Berzatto x Reader (R18)
ao3 link ch 1 ch 2 ch 4
Chapter Rating: M (7.9k)
Chapter Summary: Carmy can't run from how he feels anymore. His dreams, his conversations with his coworkers and friends, everything is forcing him to face reality. Upon being pushed to his limits, he will finally have to start to speak the truth.
content tags: wet dreams, repressed carmy (as per usual), self deprecation, mental illness
A/N: Carmy gets a wet dream AND a nightmare this chapter! I'm putting him through the ringer babes… I had a lot of fun with the drama, interactions, and imagery this time. Also fun fact, this is the end of what I refer to as "Act 1" in my notes! Act 1 consists of repressed Carmy to the max, barely even acknowledging his feelings… but that's gonna change after this chapter :) enjoy!
After a torturous day at work, one that makes his limbs feel like lead, Carmy is more than relieved to see the door to his apartment. 
Surprisingly, though, it swings open without him even touching it. He's too tired to think twice about it. He steps inside, and the first thing he sees is his roommate. They're dressed exclusively in a black apron, just like they were that other night.
“Hi, Carmy,” they say quietly, and their makeup is messy and dark just like that night they were trashed. He remembers how he felt the first time he saw them like that, because he feels it now. “I missed you.”
“I missed you, too,” he hears himself saying. 
They walk up to him, and suddenly, they're on top of him. Their hands press gently against his tense shoulders. His back hits his bed, pillows under his neck. 
“You snooped through my stuff, didn't you?” Their hands move behind them to drop their apron, revealing skin, skin, and more skin. It goes on forever. 
“Sorry,” he mumbles half-heartedly, distracted by their nakedness. 
“Hm. I don't think you're all that sorry, but…that's okay.” They drag their hand down the center of his chest, slowly, teasingly, lovingly. “I wanted you to see.”
A bottle of lube materializes in their hand. 
“You did?”
“I did,” they whisper. They uncap the lube with a low pop, and suddenly, their skin is shiny with it. Carmy runs his hand down their chest, squeezing, and it's slippery to the touch. “You wanna see what I like to do with this?”
“Please,” he whispers back, breathless, desperate for it. They smile, and it doesn't quite look like them. Heat circles in his gut nonetheless. 
“You're so sweet,” they say quietly. “I love that about you.”
He can't respond, not with the way they're touching him. Not that he can come up with a response to that. The pleasure is like fire under his skin, hot, alive, and painful.
“Don't say that,” he pleads, and it feels so good. 
“Why not? It's how I really feel about you.”
Their mouth is on his neck now. He can barely breathe. A part of him worries that there's gonna be lipstick marks he'll have to get off again, but he honestly couldn't care less. He'll go to work covered in lipstick marks if he has to. 
“Shut up,” he tries again, but it's even weaker this time. 
I'm gonna end up hurting you, he wants to say, but he can't.
“Don't you like how good I can make you feel?” They lean up to seal their lips against his, and smoke fills his mouth. He takes it in like water. The high hits him immediately, along with the spike in pleasure.
“I'm close,” he whispers, bucking against their hand.
“Me too.” They straddle his waist then, a playful look in their eye. “I know just the thing…”
Just as they go to unbutton his jeans, an alarm screams into his ear, and his eyes fly open to see his bedroom ceiling. 
Stunned, he slams his hand down to shut up his alarm. He lays there in the silence, slowly processing everything. From the moment he woke up, his heart's been racing.
He moves to sit up, get a sip of water, and that's when he feels how sticky his boxers feel. 
“Motherfucker,” he mutters under his breath. He doesn't even have any water on his nightstand, and he just came in his sleep for the first time since highschool. “Shit.”
The shame is too much. He has to sit there for several more minutes in silence before getting himself clean. 
There are no words to express the emotion he feels as he changes his boxers and wipes himself down. It's a strange mixture of guilt, shock, and lingering arousal. He needs to make sure he doesn't think about it at work unless he wants to walk around with an obvious bulge in his pants. 
You need to head into work so you can stop thinking about it, he tells himself, to which he agrees.
He does his best not to think about it on his way to work, which only garners minimal success. In other words, it's a spectacular failure. It's a miracle he doesn't clock in with a poorly concealed boner, but there are other factors. 
For one, his nausea. It crept up on him soon after waking up, and it looks like it's here to stay. It's fine, though, because he's used to his stomach being fucked. His brain is on fire and so is the rest of his body—just as usual. He'll just take some pepto when he gets to work.
Except that when he reaches for it on the bathroom shelf, there is no pepto bottle. That's when he remembers the way he chugged the rest of it the week before. So the nausea remains.
When he arrives, the comments about the lipstick mark being gone is unavoidable. His irritation is also naturally unavoidable. His sour mood does him no favors. However, in a twisted sort of luck, he realizes they're behind on far too many things, and he hones in, focuses on nothing else. Everyone else is too swamped with work to keep up the teasing. 
The lunch rush is expectedly awful, especially with the swelling tensions in the kitchen. Everyone gets through it with minimal screaming. 
Staying busy is supposed to help. Keeping himself occupied is supposed to help, but the moment the lunch rush ends, the nausea hits him at full blast.
“You look like shit,” Richie kindly tells him. A ‘fuck off’ sits on the tip of Carmy's tongue, but so does the feeling of bile, rising in his throat. “Wow, you really are sick, aren't you?” He remarks at Carmy's lack of response. 
In as little words as possible, Carmy relays to everyone he'll be in his office. 
He keeps the lights off and the door cracked as he falls back onto his chair. The world around him seems to settle like sand. It's been a while since he's dealt with nausea this bad. He counts that as a blessing in itself. 
The darkness and the quiet is nice. It relaxes his body. On the flipside, though, there's no noise to overpower the thoughts he's running from. 
He closes his eyes, and he sees imprints of his dream. He feels their mouth on his neck, their voice in his ear, their hand on his—
Carmy slaps a hand on his forehead. Then, he sighs, dragging it slowly down his face. His stomach twists inward into itself. 
He thinks about seeing his reflection in the mirror last night. His skin was free from the lipstick mark that everyone was relentlessly teasing him about. And yet, he was struck with a profound sense of disappointment. 
You liked seeing it there, a voice somewhere hidden in him whispers. 
Carmy really feels like throwing up now. 
He settles in the darkness for a while longer until a notification lights up his screen, briefly illuminating the room with a low white light. 
His first instinct is to groan and flip his phone face down, which he follows about halfway through until he sees the contact name. 
The text message is from the person haunting his dreams and his waking life. 
- hey thinking abt cooking chicken and rice tonite or something. u want some??
Just when he was able to get a break from thinking about them. Just like that, they're orbiting his brain again. 
Visions of them jacking him off aside, he's unsure what to say. He doubts he's gonna be able to get anything down today. This isn't the first time something like this has happened on his end.
> maybe tmrw, stomach is fucked today. ill take leftovers if u make some
- oh no :( feel better man. u got medicine?
> no but its ok, ill take some after work
- but thats so far away!
He can't help but smile, even if looking at the screen isn’t making his nausea any better.
> ill be ok. ill make it
He’ll make it because he has to. No one else is gonna run the place for him. That’s a part of what makes him stand up, take in a breath, and return to the kitchen. The other part is the familiar distant sound of arguing. He slips his phone in his back pocket, stands up, and gets back to work. No matter how begrudgingly it may be.     
A number of problems quickly make themselves clear to him. First, the toilet’s busted again. Two, the plumber won’t be here for another three days. Three, the cash register isn’t working. Four, the meat order got delayed. Carmy doesn’t even wanna start worrying about that last one yet with how awful it’s gonna be.
“When is Fak gonna get here?” Carmy asks Richie. They’re stationed at the front, taking the lack of customers while they can.
“He said he'd be here soon.” Richie's fucking with the aforementioned cash register. Carmy’s leaning against the counter, watching him aggressively jam receipt paper into the machine out of the corner of his eye. It's refusing to print receipts again. “He said to tell you to not get your hopes up. He's not a plumber.”
“I know, but he's got the best chance of fixing the thing.”
“I'm telling ya, if you just let me fuck around with it—”
“You don't know how to fix a toilet by watching youtube tutorials,” Carmy mutters.
“So you wanna have to keep going across the street to take a piss?”
“Cousin—this is my restaurant, not your goddamn apartment—”
“Alright, then be my fuckin’ guest—”
He's so in the middle of arguing that he doesn't even hear the bell on the door ring when it opens. 
“Look, Fak's gonna be here in a couple minutes,” Carmy says, pinching his eyebrows together, “and then you can fight it out like alphas or whatever the fuck you were saying. Okay? God—”
When he straightens up, pushing himself off the counter and turning back towards the front, the last person he expected to see stands right in front of him.
They've got this bashful smile on their face, and their cheeks are flushed from the cold. Their hair sticks out from their beanie in a way that Carmy insists is not cute at all. Not one bit, not even the way it's messy when they yank it off. 
He also insists to himself that the color on their cheeks doesn't remind him of his dream. Not at all. Not even a little bit. No way. No matter how much the visuals are rampaging in his brain. 
“I was sorta worried I wasn't in the right place,” they admit. 
“What're you doing here?” Carmy blurts out, even though he immediately recognizes it for how rude it is. 
“Uh—” Nerves flash across their face. They hold up a little paper bag. “Sorry for just showing up, I just wanted to bring you some things.”
“No—don't apologize, I shouldn't have just…” He trails off, unable to find the words. He studies the bag in their hand. “Sorry. What did you bring?” He asks, softer this time. 
“I know this might be a bit much,” they clarify nervously. They walk up the counter and set the bag down before him. “It's just, you were saying that you weren't feeling well, and I was in the area doing some shopping…”
Carmy reaches inside and pulls out several things. The items reveal themselves to be a small, green bottle of papaya pills, a little bag of ginger candies, and most importantly, a bottle of bubblegum pink pepto bismol.
As he stares at the items, a tiny flower blossoms in his chest.
“You really didn't have to get all this,” he says softly after a beat of silence. He stares at the items for a moment longer before looking up at them. There's an odd feeling in his chest. 
“I wanted to. Seriously.” They still look oddly bashful, and it's captivating. “I mean, you helped me out a ton the other night, so…”
“You didn't owe me anything.” 
“Then consider it a gift.” Their smile so effortlessly dazzles him. “Unless I can't give you gifts?”
“Yeah—I mean, no, you—” Carmy fails to stifle a quiet laugh at how ridiculous he sounds. They so easily fluster him. “Thank you,” he says finally, remembering himself. “This is…really nice.”
“I hope it helps,” they reply, and he tells himself the color on their cheeks is still from the cold. He tells himself that they're the one that looked into his eyes first, so it's okay for him to look back. “If you end up not liking it or needing it, though, it’s fine. Do whatever you want with it.”
“No, I appreciate it. Thank you,” he says again. 
They're beautiful, he thinks all of a sudden, and the thought is so potent he can't hide from it for a single second. His anxiety tells him that they're gonna hear his thoughts if he keeps thinking so loudly. The bliss of tracing his eyes over their features is worth it. He's not sure if he feels any less nauseous, staring at their darling face like this, but he can't deny he likes the way this feels. His chest aches.
Then, the obnoxious noise of someone clearing their throat reminds him that they're not alone. 
“Cousin.” Carmy's head whips around. How could he forget that Richie was right there? It's incredible how silent Richie could be when he wants to. “You gonna introduce us?”
“Shit, right, uh—” Carmy fumbles, making a hand motion with no words to match. “This is my cousin Richie. And Richie, this is, uh, my roommate.”
Oh, how he's dreaded saying those words for reasons he will see in just a matter of seconds. 
“So you're the roommate!” Richie makes a big show of it, eyebrows raised in dramatic shock. 
“Yeah, that's me.” They shrug. “Nice to meet you.” 
“Likewise. Can't believe you're roomin’ with this guy,” Richie says, slapping a hand on Carmy's shoulder. It is promptly shoved off. “Carmen's not an easy guy to be around, I know.”
“Oh, not at all! He's a great roommate.” Carmy feels the tips of his ears growing warm. 
“Really?” Richie gives him a skeptical look. “Who would've guessed.”
“Fuck off,” Carmy snaps, but the way he mumbles makes it lack any intensity. 
They don’t stay for long. Something about needing to run some more errands. A part of Carmy wants to keep them there somehow, although there’s no logical reason for that. If anything, the faster they’re out, the better. It gives Richie less time to say something scathing that ruins their perception of Carmy. 
Not that you need any help fucking yourself over, Carmy thinks to himself distantly. 
“Well, I hope the stuff helps.” They readjust their beanie on their head, pulling it over their ears. “I’ll see you at home?” 
“Yeah, I’ll see you,” he replies. “Thanks again.” 
“No problem. Bye!”
They wave to him and Richie as they leave. As soon as the bell above the door rings and they’re out of sight, Carmy feels Richie’s eyes on him. 
Actually, he feels a number of eyes on him. 
He turns around to see his fellow chefs peeking over the deli counter, standing in a row like a line of matryoshka dolls. They freeze when they see him, but they don’t make any move to run away. Absolutely remorseless. 
“Back to your stations, chefs,” Carmy scolds them, but his meak words are quickly overtaken by noise. 
“If the two of you aren’t dating, then what the fuck is this?” Richie picks up the paper bag full of medicine. “That was some sappy shit the two of you were pulling!”
“The two of you? What the fuck did I do?” Carmy spits back. 
“What the fuck did I do,” Richie imitates, rolling his eyes. “Fuckin’ goo-goo eyes over here wants to know what the fuck he was doing.” Carmy snatches the bag out of his hand.
“You were makin’ goo-goo eyes at them,” Marcus agrees. His elbows are propped up on the glass counter. 
“And if they’re bringing you medicine, it’s serious,” Tina adds with a sly grin. 
“There’s nothing to be serious about,” Carmy insists. He feels like a broken record. “We’re just friends.”
“Friends that kiss each other,” Sydney comments. “Right. Of course.” 
“We don’t—I’ve never—” He’s a tea kettle, and the lid on him is starting to rattle. “Chefs—”
“Cousin, loosen up already. Why you always gotta make shit so serious?” Richie throws an arm around his shoulder, but Carmy shoves it off. 
“Because this shit is none of your fuckin’ business. That goes for all of you!” Carmy whips around, gesturing accusingly with his hand at the line of chefs. “Get back to work! Now!”
A sad chorus of “Yes, chef” resounds, and everyone despondently trickles back to their stations. All except for Richie, who is not a chef. 
“They’re obviously into you,” Richie tries, and Carmy’s glare could burn two perfect circles into his face. 
“Drop it,” he hisses. 
“Why’re you always like this?”
“Like what?”
“Like a little bitch? You’re a pussy, Carmen. That’s what you are. A pussy—”
“You have no fucking clue what you’re talking about.”
“No. Y’know what? I actually do have a clue, because I know you, Berzatto. You act like all that shit’s above you, but it’s not. And I’m tryin’ to do you a favor—”
“A favor? What fucking favor?” 
“I’m trying to help you get a fucking clue! That’s what! Because you’re too dense to see what’s right in front of you!”
“Richie, I happen to be doing just fine without your help. I don’t need whatever the fuck you think helping me is!”
“Then explain this to me. Explain this little thing to me, Carmen fucking Berzatto. You and Claire—”
“Richie. Don’t.”
“That could’ve been a good thing. A great thing. The two of you—”
“I told you—”
“You were obviously into each other, and yet—”
“Shut the fuck up, you piece of shit!” 
There’s a rage threatening to spew out of him, lava coursing under his skin and in his head. Richie’s looking at him like he knows he’s right, but he’s not. He’s not right about Carmy. He’s not right about anything. Not about any of this. 
“Fak is on the scene! What is up, guys?” 
With comedic (or arguably tragic) timing, Fak bursts through the front door with his heavy tool bag on one hand. Carmy and Richie’s heads both snap to him when he arrives. Fak freezes in his steps. 
“Fak,” Carmy says. 
“Finally,” Richie mutters. “Slow ass.” 
“Uh…I’m getting the impression I shouldn’t be here right now. Should I be here right now?” Fak takes a step back towards the door. 
“Yes, I really need you to look at the toilet,” Carmy says. Richie is uncharacteristically quiet, but Carmy can’t stand to look at him. 
“If you say so.” Fak shrugs. “What’s the damage?” 
“Mild to severe, depending on how you look at it,” is Carmy’s dry response. 
The rest of the day, Carmy operates on autopilot. When he finally remembers to open the bottle of pepto, nausea surges in him at the sight of it. He manages to force it down. Miraculously, the toilet gets fixed, and even more miraculously, no one mentions the roommate again. Not even Richie. Although Carmy does sense how badly he wants to bring it up again. 
His stomach continues its incessant rampage throughout the rest of the day. Despite improving since the pepto, it’s still generally upset. This nausea leads him back to his care package again and again throughout the rest of the day. 
The ginger candies have a sharp flavor, maybe even a bit too much, but the sharpness grounds him. It also does admittedly dim the nausea. He wonders why he’s never bothered to keep him on his person. 
“Chef?” Carmy’s cleaning his station when he hears Syd next to him. It could only be her, anyway—the sun has set, and everyone else has gone home for the day. He perks his head up to see her concerned expression. 
“Chef,” he acknowledges back. “What’s wrong?”
“Nothing,” she says quickly. “Nothing wrong with me, I mean. I was actually wondering if, uh, you were okay?”
“Me?” The question surprises him. “Uh, yeah. I’m okay. Stomach’s better, so…”
“Oh, good.” She nods. “Stuff your roommate gave you working?”
“Yeah. It is.” He rolls the candy around on his tongue. “Hand me my knife?”
“Yeah.” She slides it over to him. “And, uh, I just wanted to say—I don’t mean to be nosy. I really don’t. Earlier, everyone was just gathered over the counter, and—”
“It’s fine.”
“I just wanted to see what the commotion was about—”
“Really, it’s fine,” he repeats, firmly. “They’re just like that, anyway.”
“I—Okay. Okay.” She exhales. “It’s just—y’know. I don’t wanna be an ass. I just…”
“You weren’t. You’re not.”
“I’m just…wondering about one thing.”
“...Yeah?”
“Why have you never invited them to family?”
“Family?” This question surprises him even more than the last. “Well, family’s for…family. Just the workers.”
“I mean, yeah. But, like, sometimes it’s not, right? Like, you let Marcus’ roommate come last week.”
“Marcus was on family anyway.”
“Sure. Right. You let me bring my friend recently, though.”
“You wanted to show her where you worked, didn’t you?” 
“And Fak has family with us almost, like, all the time.”
“Fak is Fak,” Carmy reasons, and Sydney can’t argue with that. 
“I don’t mean to be an ass,” she repeats. “I’m just curious.”
Right, he thinks. She asked a question. Why have I never brought them to family?
He’s never even considered it before. Bringing them to family. It’s not a habit to bring outsiders in, for lack of better wording, but it’s not necessarily off-limits, either. He doesn’t actually  mind when others bring people in. He trusts them not to bring in anyone stupid. Mostly. As for himself…
He’s never had anyone in his life to bring before. Ever. 
“I don’t know,” he answers honestly. “I guess I just never thought about it.”
“Huh.”
“Wouldn’t it be…weird?”
“Why would it be weird?”
“I don’t know,” he says again, “I just…I just thought…” He sighs. “I didn’t wanna deal with Richie, but…”
“Little too late for that,” Sydney notes in amusement. 
“Little too late,” he echoes. 
“Well. I was just curious. Sorry if that was weird.”
“Why would it be weird?” He jokes, imitating her from earlier. 
“Shut up,” she shoots back with a grin. “You know what I mean.”
“It’s fine. It’s not weird.” He pauses for a moment, thinking about Richie. “Everyone else is an ass about it. Not you, though.”
“I try.” She grins. “I…I think everyone just gets excited because…it’s different. Seeing you with someone else like that.”
“Mm.” Carmy nods, and then pauses again. Lets it sink in. “Do I…” I shouldn’t ask this, he thinks, but he’s already started. It’s too late. “...Do I act differently?”
“Around them? Yeah. A little.”
“...” Carmy straightens up, taking a step back from his station. This is starting to feel weird. Really weird. “I do?”
“Kinda. You just seem…calmer, I think.” Sydney’s expression seems uncomfortable. “I dunno.”
“No, it’s fine. It was a dumb thing to ask.” Carmy’s making the executive decision to stop talking about this. “I gotta stay and sort through some stuff in the office, but you should head out for the night.”
“What, can’t afford to pay me overtime?” Sydney teases. Carmy rolls his eyes. 
“Partially,” he jokes back, although it’s not much of a joke. 
Nevertheless, it is almost 10 pm, so Sydney does indeed head out for the night. The whole place is eerily silent without anyone else there. There’s the sound of the rattling AC unit, noisy plumbing, and passing cars, but there’s a distinct lack of sizzling pans, knives against cutting boards, and shouting. It just feels strange, is all. 
Carmy barely remembers to replace the bottle of pepto in the bathroom before heading out. He puts the new bottle there on the shelf, and as he stares at it standing there, he considers putting other gifts there too. 
He returns to his office where the small bag of ginger candies and bottle of papaya pills sits. They’re seated on the corner of his desk. He goes to grab them, but for some reason, he doesn��t. They look like they belong there. 
Then consider it a gift, he remembers them saying earlier. Unless I can’t give you gifts? If you end up not liking it or needing it, though, it’s fine. Do whatever you want with it, he hears them saying again.
A certain possessiveness grips him then.
It was a gift, he tells himself. For me. No one else.
He decides to leave the candies and pills on his desk. Those will be just for him. 
When he finally gets home, it’s almost 12 am. He does his best to open the door carefully, but it’s as squeaky as ever. 
He’s greeted with a surprising, although not unusual sight. His roommate is curled up into a sleep ball on the couch, snuggled into the pillows and blankets. The tv is playing some youtube video essay about lost media from the early 2000s. All the lights in the apartment are off, leaving the only source of illumination to be the tv screen. 
Carmy carefully moves to turn the tv off. After he does, he turns to see if he’s woken them up. He hasn’t. They’re still in deep sleep. Very deep sleep, rather, with how they’re lightly snoring.  
That familiar ache he gets in his chest when he sees them makes itself known. It’s the ache that pulls him in, forcing him to sit on the floor next to the couch. It’s something beyond his will that makes him gaze at their peacefully sleeping face. 
His eyes trace their features like he was earlier when they stopped by The Beef, except this time, much more unabashedly. He takes note of the faint blemishes on their cheeks, the loose strands of hair in their face. The squish of their cheek against the pillows. 
Cute, he thinks to himself, not for the first time, and he’s too tired to push the feeling away. 
You’re different around them, he hears Sydney saying. Calmer.
I don’t know about that, he thinks. He absentmindedly brings a hand to brush their loose hairs out of their face. I don’t know how I feel when I’m around you. 
A part of him wonders if he should wake them up. The part of him that wins is the part that doesn’t want to disturb the peaceful look on their face. He wouldn’t want to upset them. 
He trudges into his bed instead, flopping wearily onto his mattress. It’s been a taxing day, right down to the moment he woke up this morning. His mind and body were both in shambles, and now, he’s exhausted.  
As he falls asleep, he distantly hopes for a dreamless night. 
. . . . .
“Where’s the olive oil? The pan’s heated. I need to start cooking the beef.”
Carmy stands before a pristine stainless steel pan. Next to him on the counter sits stuffed beef carefully wrapped in twine—beef braciole. 
“Guys,” he repeats, annoyed. “Guys, have you seen the olive oil?”
He turns to see Michael and his roommate sitting at a kitchen island. They’re both opening cans of San Marzano tomatoes, although it’s definitely not a two person job. 
“We haven’t seen it, Carmen,” Michael says. “Anyway, like I was saying—you should’ve seen his face. Really! When I told him I couldn’t work at the restaurant, it’s like I told him our dog died or something.”
“What I wouldn’t give to see that,” his roommate remarks, snickering and shaking their head. “Such a baby.”
Next to them, Carmy spots the bottle of olive oil. With a scowl, he snatches it. 
“Hurry up on those tomatoes, guys, I’m gonna need it real soon,” he reminds them, irritation growing. 
With the bottom of the pan coated in olive oil, he carefully places the beef into the pan. The sizzle is strangely whistle-like and high pitched. He inhales, searching for the smell of cooking meat and garlic, but he can’t seem to smell anything at all. 
“Did he cry?” They ask. 
“No, but he looked like he was going to,” Michael sneers, and the two of them are laughing again. 
“You wouldn’t wanna work with a guy like Carmy, anyway.”
“Exactly. Exactly. He doesn’t really get it, y’know. How much of a colossal fuck-up he is. I can see it in him, though. I didn’t have the heart to tell him then.”
“That’s okay. I don’t blame you. He probably wouldn’t have been able to handle it.”
“He has no idea! And he thinks he’s fooling everyone so well, but the thing is—”
“He’s not.”
“He’s not! He’s really not.”
“Chefs, I need the tomato puree. Hand it over,” Carmy interrupts abruptly. When there’s no response, he turns around. They haven’t even opened one can of tomatoes yet. “Are you two fucking serious?”
They look at him, eyes wide, and then they’re laughing so hard they’re crying. They’re doubled over the counter, cackling and kicking their feet. 
“You’re too easy to fuck with, Carmen,” Michael gets out between chuckles. “You’ve always been like that.”
Carmy ignores him and reaches for a can of tomatoes. 
“Give me the fucking can opener,” Carmy snaps.
“Oh, you won’t need it,” his roommate answers.
As soon as Carmy grabs a can, it explodes in his face.
Puréed San Marzano tomatoes fill his hand and drip from his hair into his eyes. He steps back, staggered from the red explosion. Somehow it got all over him and  not on anything else.
“Fucking shit!” He wipes his eyes, and that’s when he remembers the beef. He rushes back to the pan. It needs tomato purée now. He lets the splattered tomato drip from his hands into the pan, filling it with sauce. It sizzles and smells like smoke.
“I could always see you for who you really were, y’know. I always knew,” Michael goes on. “I could always see it.”
“What the fuck are you talking about?” Carmy snaps. The growing anxiety in his stomach is tightening his body and ejecting the words out. “What the actual fuck are you talking about?”
“He’s saying that you’re just not a good person. That’s all,” his roommate reasons. Carmy tries to keep his eyes focused on the beef, hastily spooning tomato over it. The pan’s still filling with puree. It’s overflowing. “You’re just the sort of person who will never change. Once broken, always broken, y’know what I mean?”
“If you’re not going to help, then fucking leave!” Carmy snaps, finally. He whirls around and wipes all the cans onto the floor. They explode in glorious unison, staining the floors red. “Just get out and stop getting in my fucking way!”
“But you don’t want me to leave, do you?”
“I don’t care what you do, I just need to finish this—“
“No, you care. You care if I like or hate you. You care if I stay or leave. You care about me, Carmy. You really care about me.”
“I don’t fucking care about you. I never have, and I never will.”
The beef’s burning on the pan. It’s all burning.
“Oh, Carmy…” Their arms are wrapped around his torso, squeezing him in a gentle hug. “It’s too late for you to say that sort of thing. Not anymore.”
All of a sudden, there’s a gush of wetness that soaks through his shirt. He pulls back, and their mouth is oozing tomato puree. In an instant, Carmy knows they’re dying.
“Fuck,” Carmy curses. “Fuck!”
“This is what happens,” they say, gargling through mouthfuls of puree.
“Why?” He asks.
“Because it’s you,” they answer, and Carmy wakes up.
He wakes up stumbling back from the stove by someone pulling on his shirt. The stove has pots and pans filled with flaming frozen food. He can feel the blazing heat against his skin. The orange flames are flicking off the steel pans and arch towards the ceiling, reaching. As Carmy stumbles back, he falls to the floor, barely managing to steady himself with the palms of his hands.
There’s the familiar sound of the fire extinguisher, spraying out into the base of the fire. Propped up on his elbows, Carmy watches the fire shrink with a thumping heart. His heartbeat marches in time with the tune of the fire alarm, piercing and high-pitched throughout the apartment. 
Carmy finally takes notes of his roommate, looking about as distressed as someone who just woke up to a fire in their own home. Their hair sticks up in several different directions as if they just woke up, which they…probably did. With a displeased grunt, they march over to the window to slam it open. The cloudy smoke compacted near the ceiling begins to trickle out. 
“Fucking hell,” they mutter under their breath, coughing from the smoke. They turn around to look at Carmy, expression twisted with stress. “Dude. What was that?”
“I,” Carmy starts, but the words just won’t come. He tries to move to get up, but his legs aren’t moving. 
“Carmy. Hey.” They lean down next to him, staring him in the eyes. He still doesn’t respond. “Carmen!” They snap, and he jolts. 
“Shit, I’m sorry,” he gets out. They help him up, wrapping his hand in theirs and yanking him upwards. 
“We should step outside while the smoke clears.” They cough as they move to grab their coat. 
“It’ll be fine, it’ll be gone in a couple minutes,” Carmy hears himself saying. He’s met with a blank stare. 
“So this has happened to you before?” They open their mouth, as if they’re about to say something else, but they shake their head. “No, we’re not staying in here. We may smoke everyday, but this isn’t good for us. C’mon.” 
He doesn’t quite feel his body moving as he grabs his wool jacket. He doesn’t feel it as he walks down the stairs, not even when he steps outside and the chilled night air whips at his face. He feels far, far away. 
After leaving the awful song of the fire alarm, the quiet of the night is uncharacteristically loud. If he listens closely, though, he can pick out the sound of their fire alarm, distantly ringing. Or maybe that’s just his tinnitus. 
The clicking sound of a lighter is what recenters him. He looks to his side to see them shakily holding a lighter up to their cigarette. After a couple more sparks, the flame lights.
They take a slow pull of it before wordlessly handing it to him. An olive branch of sorts. He takes it. They let the pool of smoke sit in their mouth, and then they exhale with a heavy, heavy sigh. 
“What happened back there, man?” They ask quietly. “That was…” They sigh again. “That scared the shit out of me,” they whisper, and that’s what makes it all finally settle in. 
Fuck, Carmy realizes with a pang. The realization starts in the pit of his stomach and drops lower and lower. Feeling returns to his body, and he feels cold inside and out. I really fucked up.
He can just imagine it—him, dead on his feet, sleepwalking into the kitchen. Grabbing the frozen food out of the freezer and turning the stove on high. Cooking nonsensically with plastic-wrapped chicken breasts and frozen peas. Too fucking asleep to stop the fire from starting, to stop the fire alarm that woke up his sleeping roommate on the couch.
“I used to sleepwalk, sometimes. When I was at culinary school,” he clarifies nervously. Shame douses him, coating him evenly like oil on a pan. “Or, sleepcook, I guess.”
He passes the cigarette back to them. They take it. 
“Shit,” they mutter. “Never heard of anyone doin’ that before.” 
“...Yeah. Me neither.”
The two of them are silent for a while before they speak again. 
“Carmy—why didn’t you tell me? That you—” They laugh dryly, full of irritation. He doesn’t like seeing anger on their face, hearing it in their voice. He doesn’t know if he’s ever heard them sound like this before. “That you’re prone to cooking in your sleep? Don’t you think that’s something I should know? As your roommate?”
“I—I didn’t mean to hide it,” he protests, even though he did.
“We could’ve really gotten hurt, y’know.”
“You’re right, I know, it’s just—it hadn’t happened in so long, so I just thought that I had, that I was…”
I thought I was getting better, he wants to say, but it’s stuck in his throat. It won’t come out. As per usual, he can’t get the words out. 
It always stays the same. 
“...” Strangely enough, their face  softens. “Must’ve been scary the first time.”
“What?” He wasn’t expecting their anger to dissipate so easily.
“The first time you caught yourself cooking your sleep. Were they all like this? With the fire and stuff?”
“Yeah. All the fire and stuff,” he confirms bitterly. A beat of silence. “I’m sorry. I should’ve told you. You shouldn’t have had to…put out a fire I made.”
“It’s okay. I mean, it’s not okay you almost burned our place down, but…” The end of the cigarette sizzles, bright and orange as they inhale. “It’s not like you did it on purpose, did you?” 
“Of course not,” he rushes to say, “I would never—”
“I’m just kidding with you,” they laugh. They exchange the cigarette again. “I know you didn’t.”
Impossible, Carmy thinks all of a sudden. The nicotine usually calms him, except not today. Not right now. This is impossible.
“I thought you were mad at me,” Carmy blurts out. He can’t compute seeing a smile on their face right now. 
“I am,” they say calmly. 
“Then why? Why are you—” There’s static in his head, fuzz filling his mouth. “Why aren’t you—you should be—fucking, I don’t know—why aren’t you yelling?”
“Do you want me to be shouting at you?” 
“No! I don’t want that, I just—I just don’t understand.” There’s blood rushing in his ears. “I fucked up, so just—just get it over with already!” 
“I—get what over with?”
“Just tell me that I’m a worthless piece of shit and that you were wrong for ever seeing anything good in me,” he spits out. His eyes feel hot. He doesn’t know where all these words are coming from. “I know you want to say it, so just get it over with. Please.”
A moment of silence, broken by the drive by of a car.
“...Is that really how you think I see you?”
“How could you not?” He laughs bitterly, shakes his head. Images of Michael flash in his head. “I’ve just somehow managed to convince you that I’m worth your time. I don’t know how, but…” Frustration surges inside of him. “But now you know,” he says, finally. 
So this is how it ends, he thinks to himself. I knew it couldn’t last. Nothing ever lasts. 
We’ll call it The Bear, he hears himself saying. Michael and him at Christmas. The drawing he made of the restaurant. 
Michael’s dead, he hears Sugar sobbing over the phone. Her voice is crackly and broken through the speakers. Please come home. Please.
You didn’t even show up for your brother fuckin’ funeral, he hears Richie screaming. Your own fucking brother, Carmen! What the ever living fuck is wrong with you?
This is great, Carmy, Michael says softly to him, the gifted drawing of their restaurant in his hands. The house is on fire. There's so much fire. Thank you.
They don’t say anything for a while, opting to instead smoke their cigarette and stare distantly across the street. When they finally turn to look at him, their gaze pierces him. It’s that look that strips him bare, lays his soul out open for them to pick apart. 
“You’re allowed to mess up on onions,” they say. 
“...What?” Is all he can think to reply. 
“When I was drunk, you told me about how you dropped some onions.”
“No, I remember, I just—why are you saying that now?”
“Because this fire is the same.” They tap the ash off their cigarette, the gray dust shattering in the wind. “People make mistakes, Carmy. It’s okay.”
“This is a lot worse than spilling some onions,” he reasons weakly. They just shrug. 
“Objectively speaking, sure. I can’t deny that. But that’s not really what I’m trying to say…” They hesitate. “Can I speak plainly?”
“Please,” Carmy begs. 
Two cars whiz by before they speak again. 
“I can’t change how you see yourself,” they start. “I’m the same way. I think almost everyone is. I know I can’t make you less hard on yourself. If anything, that’s part of what made you into such an incredible chef.” They exhale shakily. “But this…with me…I don’t want it to push me away.”
“...I don’t want you to get hurt,” he confesses, messily. This isn’t like him, but he can’t seem to stop talking. I care about you too much, he thinks painfully.  
“It’s impossible to go through life without hurting others. Look—I consider you a friend, Carmy. A good friend. And I thought you felt the same, but…”
“I do,” he interrupts urgently. “You’re one of the closest friends I have,” he confesses, and their smile is beautiful. 
…I didn’t mean to say all that, he thinks, startled by himself. That was supposed to be, “I think of you as a friend, too.” 
“Then fuck up some onions. You don’t have to be a perfect person. No one can be, and I don’t want you to be. Besides—I’m not stupid. You’re not tricking me about anything. I’m pretty good at making sound judgments of people.”
“I didn’t mean to insinuate that you were stupid,” he says quietly. 
“I know you didn’t.” They keep being gentle, so gentle. 
“I…I’m not used to this,” he admits, finally. He needs to be honest with them, regardless if saying the truth is  like coughing up glass. “You're a good person. Really good. More than I'm used to, to be honest. I think…I think a part of me doesn't wanna believe it.”
“Oh.” Their pink cheeks could very well be from the cold, or from something else. “I—well. Thank you. That's nice to hear. But, ah, do you think I have some dark alter ego or something?”
“No, not like that. It’s just—there’s always another shoe, isn’t there?”
“Another shoe…” They hum. “Yeah. Unless there isn’t.”
“That’d be a first,” he says, and they laugh. 
“True enough.” The distant sound of the train. “I'm not a perfect person, Carmy.”
“I know. I don't expect that.”
“Then stop expecting it from yourself.”
“...” He blinks, staggered by their bluntness. A million arguments begin and die on the tip of his tongue, but all of them feel as cheap as the last. He knows they're right, and there's not much room for argument there. “I'll try,” he says finally with a nod. It's all he can say.
“I say it like it's an easy thing to do. I know it's not.” Their smile is knowing, rueful. “I certainly haven't gotten over it myself.”
“You also…?” The implication lays silent in the air. They nod. “I’m sorry for starting a fire,” he apologizes again, because he feels like he has to. “And for…freaking out.”
“You are forgiven. But you don’t need to apologize for, like, having emotions. That’s fucked up.” They let out an abrupt bark of a laugh, and it makes him laugh, too. “Is it, like, a stress thing? The sleepcooking?”
You’re worthless, he suddenly hears a familiar voice saying. The head chef. You’d be better off dead. You don't deserve any of this.
“Usually,” he says simply. “I can’t really…predict when it’s gonna happen, though.”
“Unfortunate. I guess it’d be too easy if you could see it coming.” They put out their cigarette on the back of their lighter, flicking off the ash. “How are you doing now?”
“I’m fine,” he responds  instantly, all on instinct. “I’m…better,” he amends, and they look happy with that. “I should be asking you that. Are you alright?”
“Not gonna lie, it was pretty scary, but I’m okay. I can look back at it as a bonding experience.”
“A bonding experience,” Carmy mutters, half out of amusement and half out of disbelief. “I guess you’re not totally wrong.”
“Nobody got hurt, right? And next time, I'll be ready.”
“There shouldn't be a next time.”
“No, I suppose not. But there might be, and that's okay.”
“But—“ He stops. “I'm sorry.”
“I know.” They pat his back. 
“Do you wanna come to family tomorrow?” He blurts out. 
“Huh?” They say, which is a pretty reasonable response. “I mean, probably. What is it?”
“Right, sorry. It's, uh, a thing we do everyday at work. One of the chefs cooks dinner for everyone, and we eat together. It's a way to, ah…have everyone get along, I guess.”
“Oh, cool!”
“And I'll be the one cooking tomorrow,” he adds hastily. God, why is this so embarrassing? “So. Yeah. If you wanna come, then…”
“You mean I get to have your cooking? Of course I wanna come,” they reply, their expression brightening. Carmy's stomach twists inward, giddy. “Oh my god, yeah. As long as it's not weird that I'm there?”
“Not weird,” he promises. “We bring people all the time. Not too many, of course.”
Except for me, he thinks. I barely even eat family enough as it is, let alone ever bringing everyone. You're the only one.
“Okay. Okay!” They make a pleased noise, stepping excitedly in place. “Then I accept. What time should I come?”
“We eat before opening, so come in around 2. The door should be open.”
“Sounds good.” They stop then, fixing him with a puzzled, amused look. “You're not just doing this because of what just happened, are you? Although I guess it'd be cool if you were—”
“I'm not, I'm not. I just…wanted to.” He's not being very convincing. To be fair, it's only half of a lie. “But I will. Make this up to you, I mean.”
“I'm just teasing. You don’t have to, but I won’t stop you. And…thanks for inviting me, I'm looking forward to it.” They yawn suddenly, eyes scrunching shut. “Think we're good to head back in now?”
“Probably, yeah.” He checks his phone. It's 1 AM. “Sorry for keeping you up.”
“It's fine, really. Besides, I did this to you the other night. And, uh—Carmy?”
“...Yeah?”
“I'm really glad you think of me as a friend,” they say, and it sounds like a confession. “I feel super lucky to have a roommate that I can call my friend, too. I…just wanted to say that. 
There are countless unspoken sentiments that Carmy wishes he had the courage, the faith to say. I didn't know how important you were going to become to me, for instance. I don't know if I can go without your company anymore. I’m not sure if I've ever liked someone so much, and that terrifies me. I never wanted to admit how much I like you.
It's too much, far too much to say aloud, but at least, finally, he can admit it to himself.
It does not always have to stay the same.
“I feel really lucky, too,” Carmy says instead, and the words come easy, easier than they ever have before.
~
@zorrasucia
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httpiastri · 9 months ago
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i'm supposed to be on my break but i couldn't not come on here and post at least something about osc's birthday so
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pls have my possibly all time fave oscar pic 💗 happy birthday to the love of my life, so thankful to have him in my life (even though it's just through a screen) 🫶
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elvenchain · 1 year ago
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Knife's Virtue (+more under the cut!)
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fatuismooches · 10 months ago
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EVEN MORE CUTE DOTTORE MOMENTS TO MAKE YOU SMILE 🙏 (because I am too tired to post anything of quality)
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