#than the literal ORIGINAL main character

[live-laugh-obsess]

the lack of sidney prescott fanart on this webbed site is a personal slight against me

[mysticalcats]

after school hours

[infizero-draws]

MY BOY IS REAALLLLLLLLLLLLLL

as a present from a while ago, i got teddy made into a plushie from one of those "drawings to plushies" companies and he finally arrived!!!!

he turned out so well im so happy 😭😭

[rubber-glovs]

Oooohhh the urge to yap about my ocs and the world they live in......

[ultjade]

personally i like to give jake a brain ghost aranea just because i think it would be really exciting and fun. for me not for him. it would be hell for him

[unproduciblesmackdown]

trying to say things about the bsol finale & how it has these little twists about what you don't necessarily expect for these roles but would you believe it i'm like i can't use my [just saying some shit] ability i'm pressed about wanting it to be more coherent & verbalizing doesn't even really happen if i don't have the [just saying some shit] wind in my sails But trying to say One Thing, how about the little twist like the miracle banana gets being that he himself lives, vs his emotional resolution that he would have died to help the musician, even as the musician is like no bestie you're good, even as the audience may expect & approve of even dying from funny little second banana guy who may even be supposedly taken as Superfluous now that thee man & thee woman have reunited (but it was always queerer than that) like. more resolution to our themes that that very second banana is doing just fine vs that the hero is, more classic iconisiquisms

[tea-cat-arts]

Idk, is this anything?

[boygirlctommy]

saw the new alien movie! it was. um. well. there certainly was an alien in it

[quibbs126]

Something that gets to me about Guts’ theme from the 97 anime is just how beautiful it is

It’s not an exciting action themed music, something to get us pumped for his fights and the action, no it’s a quiet, sad, poignant song that makes me want to cry when I hear it, but at the same time it’s just so beautiful to listen to, with that piano and the vocals

I don’t know, I just feel this choice of Guts’ theme just fits with the character, like that’s who he is. I don’t really know how to articulate my thoughts on this choice

But I just feel like it’s important to him

[raiiny-bay]

it’s honestly kinda crazy to me that kel & co were literally the first OCs i ever made

[mephi-does-things]

Girl help I keep restarting my BG3 playthroughs the moment I reach act 3

[lil-oinks]

my issue with movie peach isn't that she's not feminine because obviously she is, and anyone sensible already knows "she's too feminist" or whatever is dumb. my issue is they made her into every generic cool serious surface-level "strong female character" action girl in a group of all men whose only character trait is "capable" that they've been writing over and over and over for the past ten years. I genuinely feel like they erased any personality she had past her appearance in favor of the single superficial female character type men tend to write when they want to be feminist and "modern." I'm not saying she shouldn't be capable and she shouldn't be cool or fight things because (I love paper mario) those things already are a part of her personality. this point is difficult to make with all of the "they're erasing feminine dainty proper women" takes because that's not what I'm taking about at all. I've seen people say if they wanted a character like this daisy was right there, but I wouldn't switch her character over to this trope either. daisy's LOUD and energetic and fun and the subdued woman whose role is being picking up the men's slack doesn't really fit her either (although I agree the two of them together would balance each other out (and it'd be nice if there were two women and they could interact)). it's exactly what I'd expect from a movie like this so I don't know why I complain, but I wish they would've done her differently. the character mario is about the whimsy but so is peach

[glassamphibians]

through gritted teeth “i will enjoy romance novels i will enjoy romance novels i will—“

[icypolargirl78]

can't reply to your comment to me, but yeah, i agree.

gonna be entirely honest. it's been a while since i last touched that part of idw (though i'm slowly working my way through a re read of it) so i completely forgot that the issue is call "all hail optimus" lmao. but yeah that does make it a little better in retrospect.

i actually find a lot of post phase 1 optimus to be really interesting because he slowly kind of spirals into become exactly like phase 1 megatron. at least in some ways. he treats his soldiers terribly, colonizes a planet that he was originally on decently good terms with (or as decent terms as one can be considering all that happens in phase 1), and his blackmailing of soundwave is probably one of my favourite plot points.

i really enjoy idw1 optimus because he struggles through the hero worship that zeta prime set him up for. the parts of the story where he realises that the title that he holds, the title of prime, is one rife with corruption and that he's carrying on a legacy of murders and other colonisers.

i really liked that he went back to being just orion pax after phase 1 ended and all the times that characters called him optimus and he corrected them was nice. it really did feel like he was trying to distance himself from the primacy.

of course dark cybertron took a hard left turn considering how orion chooses to go back to the title of prime after his battle with nova but i do appreciate that barber took the time to actually write optimus as someone with issues. he's a war time leader and in peace, even peace with violence, he struggles and does a really shitty job of actually trying to be the good guy that he claims to be to everyone around him.

part of me is just kind of salty that optimus dies a hero in idw1. because as much as barber does a good job of making optimus just the worst, he still gets to have that self sacrifice scene at the end and the knowledge of that kind of taints any negativity that the story views op through before. because i know on re-reads that optimus is just going to have the scene where he sacrifices himself to save the universe and everyone else is going to go back to worshiping him as a hero, which i think undermines the whole point of showing that he's a terrible leader in peace time.

of course that whole situation really only happens because of the rampant crossovers that happen in the series so who knows if that's what the writers originally intended for him to go through.

Don't make a post about how IDW Optimus is the Optimus the fandom always asks for, don't make a compilation of all the times he fits the exact personality traits/themes that people write about in fanon, don't talk about how most of the things the fandom wants from a complex Optimus are canon with IDW Optimus, don't make a list of all the ways IDW OP's story addresses the fandom's most common complaints about OP being boring or over-idolized, don't try to convince people that instead of daydreaming and making AUs and headcanons of a more problematic/deep Optimus they could read IDW and have a canon, in the flesh version of Optimus that's literally CANON with art and shit telling a story of what they thought was just headcanon/theories/alternate interpretations, don't--

[prokopetz]

The way The World Ends With You handles equipment-gating ends up having some very fun implications.

First, equipment is level-gated, but rather than being tied directly to character level, it's instead tied to a levellable stat called Bravery (BRV) – which makes some narrative sense, since equipment in The World Ends With You consists of fashion items; in narrative terms, you're literally building the confidence to pull them off.

Second, equipment is also gender-gated, at least in theory – but since there's all of one playable girl in the original game (the sequel is better about this), rather than building in any special mechanics for this, the game just gives all of the "for girls" clothing inflated BRV requirements, and the sole playable girl a massive starting BRV score.

In practice, this achieves its objective, for the most part. The inflated BRV for girls' clothing means that even once a male character reaches the BRV level required to wear it, he'll usually have access to gender-conforming options with better stats.

... in the main game.

In the post-game, however, there are many more options for grinding BRV, and the stats for girls' clothing start to better reflect their elevated BRV requirements, to the extent that many post-game optimisation guides genuinely recommend putting your entire party in maid dresses if you can grind out the BRV to equip them.

I thought that was something this blog's followership would appreciate.

[redbuddi]

I think we as a society need to be reminded how good the original Powerpuff Girls was. Here's some of my favorite things about it:

the fight scenes had a level of punchiness and impact that was rare for cartoons of the nineties, and fight scenes that were way better than what one would expect from a comedy

The character writing is so good that a large portion of the show's most iconic episodes consist of just showing how the girls' personalities react to different scenarios, for example in one episode the girls take turns recapping a fight that had just happened, and the tone and art style of the flashback changes depending on whose telling the story

One of the recurring extras is a talking dog that goes about it's day like a normal human

Each girl has mostly the same powers with one special ability that sets them apart. Blossom has ice breath. Bubbles can speak to squirrels and is also fluent in Spanish. Buttercup can curl her tongue.

while the majority of the show is lighthearted comedy sometimes it'll just decide to be nightmareworld for an episode and i think thats pretty cool

The show utilizes a blend of classic upa linework and sixties art deco shapism to create a visual style that is utterly timeless. If the majority of the show wasn't cell animated you would not be able to guess when it came out

The main villain's speaking patterns were directly inspired by The Super Dictionary. AKA, the same book that brought us this:

You can tell.

In the season one finale, the girls fight a giant monster using a mech suit. During the fight, there is a sequence that is literally just 20 uninterrupted seconds of an absurd amount of missiles coming out of every possible orifice of the robot. And then they miss.

There was an anime adaptation made in the 2000's and its actually pretty good, like it does take a lot of creative liberties but its clear that the people making it understood the spirit of the original show and were just adapting it to reflect japanese pop culture in the same way the og show reflected american pop culture.

The show had an insanely kickass soundtrack consisting of early techno so clean it's kind of shocking that it was made in the late nineties and not the early 2010's pre-dubstep era

satan is there and he serves cunt