#than by all means continue

[palfriendpatine66]

Ok maybe I’ve spent too much time on ao3 (I have) but people.

People.

You *cannot* just use the phrase crossing streams in every day conversation.

You. Can. Not.

(Edited to add: they weren’t referring to anything piss related, but things from two different sources mixing together ex:two different fandoms)

[katabay]

desmond & friends modern day assassin sequences…..I miss you……..

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[gothsuguru]

thinking abt how satoru is one of the only adults in the jjk universe who can separate the child from the situation/cards they are dealt with… yuji took in sukuna as a host and he’s the only adult who sees yuji as a child/his own human being while other adults see him simply as “sukuna’s host” who needs to die. thinking abt how satoru was also one of the only adults who stepped up for yuuta and that’s one of the reasons yuuta appreciates him so much… same with when he took in megumi. at the end of the day gojo satoru is the only one in the universe that knows what it’s like to be used/seen as a weapon or Entity rather than a person and he won’t let his kids feel the same way/he’ll do everything in his power to make them feel better & actually LET them be children!

[sanasanakun]

I guess I find the shipping discourse a little funny because fandoms are gonna create ships regardless of the subject matter. I think really heavy, depressing media creates a need for people to see human connection. It’s like a way to cope, you know? More importantly and specific to this game (Mouthwashing), I also find it a little funny just because the devs themselves seem to be leaning towards ~one~ “ship” by retweeting artwork that depicts them as pretty close and protective. They even did an edit of them on that Florence Pugh and that one white guy romance movie with a “what could have been” caption. Sooo tldr the ship drama is kind of dumb. Please block and move on cause the discourse is taking up space on my feed when I’m trying to look for more art of Daisuke lmao

[kagoutiss]

green beetle black beetle

[anghraine]

jenndoesnotcare replied to this post:

Every time LDS kids come to my neighborhood I am so so nice to them. I hope they remember the blue haired lady who was kind, when people try to convince them the outside world is bad and scary. (Also they are always so young! I want to feed them cookies and give them Diana Wynne Jones books or something)

Thank you! Honestly, this sort of kindness can go a really long way, even if it doesn't seem like it at the time.

LDS children and missionaries (and the majority of the latter are barely of age) are often the people who interact the most with non-Mormons on a daily basis, and thus are kind of the "face" of the Church to non-Mormons a lot of the time. As a result, they're frequently the ones who actually experience the brunt of antagonism towards the Church, which only reinforces the distrust they've already been taught to feel towards the rest of the world.

It's not that the Church doesn't deserve this antagonism, but a lot of people seem to take this enormous pride in showing up Mormon teenagers who have spent most of their lives under intense social pressure, instruction, expectation, and close observation from both their peers and from older authorities in the Church (it largely operates on seniority, so young unmarried people in particular tend to have very little power within its hierarchies). Being "owned" for clout by non-Mormons doesn't prove anything to most of them except that their leaders and parents are right and they can't trust people outside the Church.

The fact that the Church usually does provide a tightly-knit community, a distinct and familiar culture, and a well-developed infrastructure for supporting its members' needs as long as they do [xyz] means that there can be very concrete benefits to staying in the Church, staying closeted, whatever. So if, additionally, a Mormon kid has every reason to think that nobody outside the Church is going to extend compassion or kindness towards them, that the rest of the world really is as hostile and dangerous as they've been told, the stakes for leaving are all the higher, despite the costs of staying.

So people from "outside" who disrupt this narrative of a hostile, threatening world that cannot conceivably understand their experiences or perspectives can be really important. It's important for them to know that there are communities and reliable support systems outside the Church, that leaving the Church does not have to mean being a pariah in every context, that there are concrete resources outside the Church, that compassion and decency in ordinary day-to-day life is not the province of any particular religion or sect and can be found anywhere. This kind of information can be really important evidence for people to have when they are deciding how much they're willing to risk losing.

So yeah, all of this is to say that you're doing a good thing that may well provide a lifeline for very vulnerable people, even if you don't personally see results at the time.

[swordsonnet]

lately, i've seen more people in the online autistic community acknowledging the struggles of people with higher support needs, which is of course an important development. but for some, that seems to come with the implicit assumption that low needs autistics "have it easy" or experience no stigma at all, which is just wrong??? people with low support needs are still disabled by their autism and still face discrimination because of it. sure, they are impaired to a lesser degree than those with higher support needs, but that doesn't mean you can just erase their struggles, y'know?

[qoldenskies]

ngl i think everything about the closet scene in CL gets way worse when you realize that donnie did, genuinely, 100% believe that they had left him in there to die. he didn't think it was just a punishment, or that he'd be let out eventually, he thought he was going to die in there. he considered it an attempt on his life.

really beyond the trauma of isolation itself i think its why it was such a breaking point for him. this was before they'd hit him, when their behavior was just neglect and bullying. he'd never had a reason to think he should fear for his life around them.

when they changed the lock on the door he thought they were going to do it again, and he thought that this time they were never going to let him out. he took it as a death threat, and it's why he completely shut down afterwards

[carnivalcarriondiscarded]

SO. TO KICK OFF THE WEEK OF SPECULATION BEFORE THE UPDATE DROPS.

last night i had a bit of a Revelation. literally. i borderline woke up in a cold sweat with this realization. the way i lunged for my laptop to scream at friends... ough. lets get into it

so. i do believe I've made a couple of theory posts about Barnaby not being quite as receptive to his and Wally's "forced" best friendship as Wally - since the show wrote them to be friends instead of it happening naturally. i thought it might be a point of tension for Barn. i thought a lot.

YES SO I'M TOSSING (almost) ALL OF THAT OUT THE WINDOW!

the bios state Barnaby as Wally's best friend multiple times over. it had to be regularly reinforced. their colors were chosen to mark them as friends.

but Barnaby - presumably - can't see the bios, he wouldn't know the scripts. the friendship would be natural from his perspective. how would he know otherwise? even if the relationship started out synthetic, i don't doubt that it became genuine. in the context of their world and perceptions, realistically speaking Barnaby probably wouldn't sense anything wrong.

the reminders to be best friends weren't for Barnaby.

they were for Wally.

i'm starting to suspect that Wally is Barnaby's best friend, but Barnaby isn't Wally's. i think that Wally's "best friend" is Home - or at least Wally has a closer connection to them / Home is more important to Wally than anyone else is.

i remember reading this livestream trivia (from theneighborhoodwatch's doc, if you haven't their resources yet what are you even doing?):

and i assumed it was for Barnaby's side of the relationship. but it's not, is it? it's Wally's? and it makes too much fucking Sense! it fits! i can see it perfectly! i can feel things slotting together in my mind due to this shift in perspective, and i'm scared

Barnaby probably thinks the relationship is natural, just like how he thinks he's a real person in a real world. Wally probably knows that the relationship is a role, just like how he knows he's a puppet in a false reality.

that leaves me wondering how much of it is genuine on Wally's side. i don't doubt that they really are friends, but how deep does that connection go? in the interview, Wally sounded excited/proud about having a best friend, but how much came from a place of feeling, and how much came from a place of Fulfilling The Role? how much of it is performative? how much of it is a mask?

i've been seeing everything differently. Barnaby poses for Wally the most because he has good balance and is good at staying still, not because of favoritism or because he's Wally's best friend. in the 14 (15 including the hidden halloween) audios, Barnaby consistently seeks out Wally and checks in on him. Wally seems more casual about their relationship than Barnaby is.

i'm worried that Wally values Home & You/Us over Barnaby. that Barnaby is second or third place in Wally's heart. that Wally means more to Barnaby than he means to Wally. after all, only one of them needed their relationship to be reinforced on a seemingly regular basis.

i'm confident that Wally cares about / loves Barnaby, but the question is how much? to what extent?

[dkettchen]

[the-way-astray]

i think my problem with the point five books thing is not the books themselves, so much as it is the marketing and way they're presented.

for those that aren't aware: point five books have a generally understood meaning/connotation that authors and fans both sort of know. it's basically code for "book that is not mandatory to understand the story, but it's there for fans that want extra content". usually this comes in the form of short story collections or whatever else the author may want to do. sometimes it's just a single short story. for example, a proper way for kotlc to utilize point five books would be to for instance, make a book 7.5, which has keefe and fitz's flashback short stories in it. extra bonus content from flashback (book seven), but you don't have to read it to understand the main story itself. you'll be okay without it. that is what a point five book actually means, as far as the wider literary world is concerned.

but books 8.5 and 9.5 in this series are not extra bonus content. you very much do have to read them to understand the main story. if you read it book eight, then nine, then ten, you will be lost or miss important stuff that's crucial to understanding the story.

just call it book nine. just call it book eleven. all this will do is label the books properly and not confuse people. and people will be confused. we aren't seeing the effects yet, because books are still coming out and everyone in the fandom keeps up with shannon's updates, so we all know what's up. but trust me, in a few years, after the series is over and new people get into it, they will be confused. they will skip straight over book 8.5 or 9.5 unknowingly, and it won't be good.

my theory is that someone on shannon's team wants to make this series seem shorter than it really is. because that is the only logical explanation here. you could describe this series as having "nine and a half books" now, instead of ten, and by the way the series is officially marked, that's not incorrect. but it is. this series has ten books. because there are ten mandatory books that you have to read that are out right now. stop calling books that aren't supposed to be called point five books as point five books!!!! this isn't quirky, it's just going to throw people off.

this is super, super confusing for people that aren't "in the know" with this series, so to speak, and there will be people that read this series incorrectly because of this. i have been a casual fantasy series reader for pretty much my entire existence on this planet, and let me just tell you, this is not how this works. at all. if i didn't know books 8.5 and 9.5 were mandatory, i would skip over them completely, going on my understood knowledge of how these epic fantasies are generally structured.

just market them correctly. praying to the heavens for shannon's team to stop. this is actively hurting your readers!!!!

*i assume it isn't shannon herself who is coming up with this strategy

[styrof04m]

How do u think Agatha felt everyday when she would look at Nicky and see Rio’s brown eyes and brown hair and toothy smile staring back at her. Agatha who struggles so intensely with vulnerability looking at her little boy everyday and seeing the love of her life reflected in every movement. Watching Nicky as others flock to him whether because of his mischief or because of the sense of wonder he instills with his songs. The same way the coven was so immediately entranced by rio and also repelled. Watching him craft a song so beautiful and innocent and yet so intricately tied to the death of so many. What do u think she felt when every day she watched as people were lulled into a trap of her creation by nothing but his small face and easy words. How many times do u think Rio and Agatha did that same dance before. How do u think she felt day and night surrounded by the greenest trees and the prettiest flowers and the strongest rivers and in the center of it all Nicky. Nicky who is so full of life and yet can’t survive without being surrounded by Death in every sense of the word. How he acquiesces to Agatha so easily despite not understanding why they have to kill witches. Because his mama is asking him to and that’s enough for him just like it always was for Rio. How everyday she looks at him and remembers that he’s going to die, that’s he’s going to leave her soon, always too soon. How she can never have anything more but fleeting moments with the ones that she loves.

And when he dies, the one time Agatha heeds his wishes of tomorrow, encapsulating so fully the cycle of life and death he is once again everything Agatha is not but instead everything Rio is. And just like his mother he’s unable to escape his fate. His true calling which was never with her just like Rio’s duties. How despite how fully they love her and she loves them it’s still not enough.

And after, every time she uses her siphon powers on the fake road sandwiched between Nicky’s song and Rio’s final embrace who do u think she thinks of first. Who do u think hurts more to think about. Who do u think she feels more guilt over. Because while she very loudly blames Rio it’s ultimately a facade in which to hide her own feelings. The guilt of falling in love in the first place, the shame of not being enough, the grief over the way she can never have what she truly wants. How she will never have Nicky again but Rio will never leave her side. How she refuses Rio so intensely and yet Nicky is with Rio always.

And how do u think she feels now, whenever she looks at Rio and all she sees is Nicky’s brown eyes and brown hair and toothy smile staring back at her.

[moeblob]

Rey, who is in my very biased opinion, one of the funniest "girls" I have because she's just a guy, truly. Like Rey is just short for Reynold because he was recruited by a a goddess to help the hero she selected and the hero is conveniently Reynold's younger brother. So he agrees to help under the condition that the goddess gives him a female body for the other world. She's like "really odd flex but whatever" and gives him a female form and he's like "you know. I can't really blame anyone but myself for not specifying 'please don't turn me into a Lisa Frank personification'."

[mejomonster]

I am begging you, if your partner insults you, curses at you, screams at you, starts many conversations by accusing you of something (and if you two talk about this situation - you continue having arguments instead of just solving problems together), you feel in danger when near your partner, you feel safer when away from your partner, or your partner hits you, please please consider leaving them.

Just consider leaving the space they're in, and going to a friend's house or a family member's and staying for a day. Do you feel safer? Calmer?

You do not have to be friends with a person who disrespects or harasses you. You do not have to be friends with someone who hits you, who tells you you're stupid/ugly/annoying whatever, who screams at you when you spill food or forget to do the dishes instead of just asking "hey could you please clean this?", who doesn't accept a "no" from you such as "No I do not want to be touched right now." Please tell me you'd be kind enough to yourself to stop seeing a friend who hit you or told you you're worthless or screamed at you for not reading their mind (no one can read minds).

So if a partner does those things, you're allowed to stop seeing them too. You are allowed to love someone, to care about their wellbeing and want good things for them, and also REMOVE YOURSELF from their space and life. You're allowed to think "wow I love this guy, I am sad he's depressed, I hope he feels better" and also think "but he keeps calling me ugly and stupid, and every time I see him he insults me and screams and I get scared, I should stop visiting him and stop answering his calls and texts so I am no longer in situations where I could be insulted and screamed at." You are allowed to love someone, and ALSO protect yourself from them! You deserve to be safe! You deserve to protect yourself first, care about your own wellbeing first, care about if YOU are safe and content, even if it means upsetting someone else. Even if someone else would rather you were hurting, if it meant you kept seeing them.

You deserve to be respected. You deserve to be spoken to kindly, to feel you are safe from physical harm, to be talked to as a person with value. From strangers, friends, and lovers. If people are hurting you, if you feel worse being around them, you are ALLOWED to leave and put yourself in a place where you are no longer being hurt. You deserve to prioritize your own well being.