#text: luca
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awcoffee-no · 1 year ago
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(Text): Hey Clint sorry I am just seeing all your messages.
(Text): I just got back..... sorry I did not respond...
(Text): I have been recovering from sick.
(Text): How are you
- From Luca
[ text: Luca ] DUDE. Where the hell have you been? [ text: Luca ] I was looking for your body in gutters and preparing to fight your kidnappers. [ text: Luca ] You're good, man. I've been away too. [ text: Luca ] Hope you're feeling better?
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mareestoermers · 8 months ago
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i think we are all forgetting something when we talk about how toxic patrick, tashi, and art are — or when we decide one is “worse” than the other. they all have moments of seeing right through it, seeing each other’s toxic behavior for what it is, and STILL want and need each other in this possessive, envious, visceral way.
1. in the way beginning, tashi is clearly flirting more with art than patrick, and patrick is visibly annoyed. art sees right through it and even challenges him like “okay, let’s leave”, and has this little smirk on his face because he knows patrick won’t give up on tashi.
2. tashi immediately sees the visible tension and love between art and patrick, and literally orchestrates their first kiss. she sees right through their repression, and even calls herself a “home-wrecker” but still entangles herself with them, especially patrick because he’s clearly the better tennis player at that point and that is tash’s ONLY true love. tennis. that’s what she desires most in him, and patrick knows that. he even calls her out on it in the dorm room scene. but they have this mirroring fire in each other that neither of them can give up, not until patrick breaks the balance and bails — tashi’s injury is literally a metaphor for the balance shattering between all three of them when patrick leaves her.
3. before this, patrick sees right through art trying to break them up, and even admires that quality — maybe even feels smug and flattered because art is jealous and feels left out from both tashi and patrick. patrick has known this all along, we saw it in the “tick-serve” scene, where he even swears to tashi he won’t tell anyone but he still tells art, who is desperate to feel a part of them and patrick wants that, too — even keeps that close intimacy with art that we see in the churro scene (swoon swoon swoon).
4. haven’t you noticed that arts desire to be great is only ever tied up in patrick and tashi? how he needs to beat patrick to win tashis affection, how he needs to win in tennis so that tashi can live through him, how he lives up to his potential in the ending only because tashi and patrick push him to it, in their little fucked up ways? he knows this — he even admits that he’s playing for tashi, that he knows she’s living through him. he even admits he’s playing a fucked up little game with patrick when they’re in the sauna. yet he still does it. again, he knows what’s happening, sees right through them — still does it, still loves them.
5. when tashi calls patrick to come pick her up he knows it’s not just to tell him to throw the match — and despite how she battles him about it, they still have sex in the car, because he already knows. he’s so fully aware of her and her game and he’s so willing to be caught up in it, the same as art.
just some examples of how they all have moments of clarity and agency and yet they still choose to be entangled in one another because they’re all fucked up in their own, individual ways, and they’re all living through each other for their own specific needs. arts is to be seen as worthy, as great, but only through their gaze. tashis is to have the career that was stolen from her. patricks is truly to be in love and in lust with both of them, because we even see that from the beginning that tashis love alone will never satiate him; it has to be arts love, too. that scene in the sauna when he thinks he’s lost it from art is the most sad and fucked up we ever even see patrick. on top of tashi asking him to throw the game — he’s so defensive of arts feelings.
in short this is an actual love triangle (and i would go as far as to see it as a polyship). you can’t erase one without the whole thing unraveling, and you can’t say one character was the “worst” without picking apart the motivations and pointing to the fact that their bad behavior was never a secret or left unchecked.
even at the end, patrick signals to art that he slept with tashi — art knows and they still have that intimate completion at the end, all three of them. art living up to his potential and embracing patrick fully (id argue this could even be a metaphor for embracing his bisexuality), patrick having both tashi and arts affection again, and tashi playing a phenomenal tennis match through her little white boys — in such a visceral, emotional way that she cries out like she did in the beginning and the last frame is her smiling.
in a fucked up way, they all get what they wanted out of each other.
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firawren · 1 month ago
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Pride and Prejudice 1995 text posts, part 5 of ? - prev set, next set
More: Persuasion 1995 text posts | Sense and Sensibility 1995 text posts | Northanger Abbey 2007 text posts | Emma. 2020 text posts
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luc3ks · 1 month ago
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the boy named lucas is bullying animals ...
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butterflysonnets · 5 months ago
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we don't talk about it enough so i'm just going to say it. lucas sinclair is stronger than all of us putting up with the gay ass drama in his friend group. like he had to be lowkey annoyed asf being dragged to will's house in the pouring fucking torrential rain by mike because mike needed emotional support while banging on will's door begging will to take him back after he said all that shit in the garage that lucas had NOTHING to do with but did lucas still go with him? yeah. yeah he did. and he did it for the gays. name a better ally
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harringroveera · 1 year ago
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How Billy and Will first met each other
Inspired by @ventya text post
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crawlnighter · 2 months ago
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X-men '97 as text posts
1 2 3 4 5 6
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spookystarfishzombie · 4 months ago
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tellthatbrokebitch · 2 years ago
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XX!!!!! i made twenty of these biiiitch!!!
the rammys bro
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a-shade-of-green · 5 months ago
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stranger things as textposts pt. 1
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part one because i couldnt stop making them
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plistommy · 8 months ago
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Eddie: It’s not exactly a car, Steve.
Steve: So, what? What is it? What do I need to drive?
Eddie:
Eddie: *smirks* well you can definitely ride something-
Max: Ew, what the fuck?
Robin: Ughh
Steve:
Steve: What is he talking about?
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ilovedinodino · 4 months ago
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If you still hating on lucas after “that” shit i think you have big problems with your head. NCT immediately unfollowed Taeil, but they still follow Lucas and Winwin even went outside with him. Make conclusions🤷🏼‍♀️
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emily-mooon · 8 months ago
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I can’t remember if this has been done yet but anyways here’s your (almost) monthly shitpost from me :]
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aestheticpearl · 2 months ago
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when you call them ‘baby girl’
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✧·˚feat: kayson mayer, jonah, xanthus claiborne, andrew marston, issac rhoades, elias, zaros athat’lin, luca pearce, rowan
✧·˚genre: fluff
✧·˚requested: yes!
✧·˚a/n: i just know y’all have been waiting so patiently for another text fic
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.love always <3 pearl
.text masterlist
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wri0thesley · 19 days ago
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the solace of banality - lucas (yandere oc) x reader (6.6k)
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your time in the hospital has made you miss the simplicity of a life not held captive by a madman in the woods - and has made you just foolish enough to ask him about it.
cw: dark content, yandere, kidnapped reader. hospital setting. chubby fem reader, references to past dub-con and non-con, references to cannibalism, forced intimacy and domesticity, physical abuse.
a/n: for a primer on lucas, see here or his tag on my blog.
this was a commissioned work.
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Lucas had not taken his hands off of you the entire ride from the hospital, back into the woods. He'd mumbled something about needing to make sure he moved the truck later on, as he'd stepped out and helped you down in return, strong arms wrapping around you so that you have to do the bare minimum of exertion yourself. His grip is as assured as ever, but there's a tightness there that you haven't felt for some time - as if he needs to press himself into you, just to be sure that you're still there.
And, too, to make sure that you don't run. 
You suppose he doesn't like the idea of you knowing where the truck is parked, but it's not like you could drive it even if you did remember. Lucas treats it like a spooked animal, a strange little creature whose quirks and foibles he has learned over time - you're almost certain that if you were to get behind the wheel, it would not obey you the way that it obeyed him. So you keep your mouth pressed shut and concentrate on the slow journey from the truck to the front door of the cabin. Your gaze returns to it, just once, parked closer than you've ever seen it - but Lucas coughs, and his brows draw in, and you guiltily return your gaze to your feet. 
It's getting colder. It's the end of November, and the ward at the hospital had been decorated early (to give some festive cheer to the people who were stuck there, you suppose). Frost crackles beneath your feet. The moment you'd been signed off as able to go home, Lucas had rushed you out of there, tension tight in his shoulders - so the sun has barely risen, and there's been no time for the cruelty of winter to be tempered any by what warmth it has to offer. 
"Want you home, sweetheart," he'd grumbled, as he'd signed papers at the hospital desk with a surname you do not recognise. He'd let you keep your first name, but he'd given 'Smith' at the hospital as your surname (are you missing, you wonder? Would your real name have been too much of a giveaway?), calling you his wife, smiling tightly as he'd said you'd wanted to keep your maiden name in a very good imitation of a husband a little frustrated by this. "Sooner the better. This place makes me nervous." 
His hands do not move from you as he unlocks the front door, either. As he ushers you in, as he breathes a sigh of relief at the comfort of the cabin around you. 
He'd gone home, just to tend to the chickens. It was the only moments you'd had free from his stifling company - well, that and the surgery. You breathe out, tight and controlled, counting in your head as you feel the twinges of pain. Cold air. The doctor had said you might feel it in the scar for the rest of your life. You'd had maybe an hour and a half at most a day, to be alone with your thoughts and the room--
You'd thought, only once, about telling the doctors the truth. About begging them to help. Do something. 
But you'd remembered the hissed warning in your ear, when he'd driven you to the hospital with a fear you'd never seen spread over his features. If you did that - if they knew - he'd said he wouldn't hesitate to bring as many people down with you both as he could, and the thought of what he might do in an enclosed space to strangers and doctors with no worries as to who got hurt--
No. Better to keep your mouth shut, and pretend everything was fine. 
"Let's get you on the couch, darlin'," Lucas murmurs, still tightly holding onto your waist as if you don't know every inch of this cabin as intimately as you know the back of your hands. "They said for you to stay restin', didn't they? I ain't lettin' you get worse. Not takin' you back there if I can damn well help it." 
You nod, as he lifts you up with ease and deposits you onto the crease of the sofa, the deep comforting dip that is usually Lucas's space. For a moment, you look up at him, and he looks down at you. 
You take in everything about him. The worry etched into his features, the bags beneath his eyes, the coiled tension ready to snap at any moment if you don't do exactly as he says. You take in, too, that he's been wearing the same shirt for three days, that his stubble has grown out some, that he looks at you like he can't believe you're back here on the couch. 
(He'd been afraid he'd lose you, you think. It's the only explanation you can possibly conjure for why he'd taken you out of the cabin, to a place teeming with life, risked everything he had here in order to make sure you didn't die. You'd been here, in this exact spot, the night he'd taken you to the hospital, curled up and sweating and nauseous and too weak to make it to the bathroom to do anything. You'd thought you were going to die right there too). 
You wonder what he sees in you, in turn. 
He'd brought you new pyjamas from the hospital gift shop. They were cheaply made, pink and white stripes, that kind of satin that pulled if you so much as rolled over in bed. But they were new, and they'd been bought for you, so you hadn't mentioned the pulls under the armpit to Lucas. You're wearing them now (they'd laundered them at the hospital for you), with an old dressing gown wrapped around you that you've only ever seen Lucas wear. It smells like him. 
You wonder if you look wan yourself; if your eyes are shadowed, if your mouth is drawn, if your hair is lank. You'd been able to shower, you'd been able to use the bathroom on your own - but you'd almost . . . missed his cloying presence. The nurse had helped you, when you were still too weak, but . . . her hands lathering shampoo through the strands of your hair had not been as gentle, as slow, as thorough as Lucas's always were--
He lets out a slow, controlled breath. 
"You really gave me a fright there," he rumbles, and summons a smile from the pit inside of him for you. "I really thought . . . Well. Don't wanna dwell on nothin' too dark there, do we?" 
It's a question he expects an answer to, you realise, that stern green gaze stuck on you. You shake your head - and then, trembling, put forth;
"I . . . I was scared too. I . . ." Swallow the confused feelings that come swimming up in you before you say it; you've learnt to play this game. It's better to be alive than it is to be chopped to pieces, and if you weren't so good at this part you're certain Lucas wouldn't have bothered to take you to the hospital. "I didn't want to leave you."
His face softens. 
"Sweetheart," he murmurs, leaning forward, to press a lingering kiss on the crown of your head. "I wasn't about to let you go nowhere, y'hear? Now. Let's get a blanket 'round you. Let's get you tucked in, and I'll bring you somethin' to eat. I don't trust the food they gave you in there."
When they'd done the blood tests, the nurse had said that your iron levels were the most perfect she'd ever seen, and you'd thought about Lucas's meals. The meat bleeding dark juices onto the plate. You'd swallowed your disgust and smiled at her, shrugging modestly, telling her that your husband handled the menu and you just ate what he gave you. 
He'd been sat beside you, and he'd shifted when you'd called him your husband, his mouth twitching at the corners. She'd congratulated him on it, a smile on her face - taken in by the size of him, the dog tags shining around his neck, his obvious care for his poor invalid wife--
If only she'd known. 
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It's strange to be back in the cabin again. 
Altogether, you'd been in the hospital for nine days; there'd been some complications, they'd wanted to keep an eye on you, they'd had to do a more complicated surgery type than they'd originally thought-- and those nine days had been . . .
You don't want to call them blissful. Nearly dying is not blissful, oxygen tubes and cannulas and blood tests and the smell of antiseptic are not blissful things, really. But it had been so different from the life you'd been accustomed to living! It had been so different to be somewhere else, to see other people--
You don't know quite how long you've been with Lucas, but if it's November again you think it's been over a year. You'd been taken in September, you remember - and he'd mentioned Christmas, that first year, but you'd still been too scared to really think much of it beyond giving him a trembling kiss on Christmas Eve and letting him dress you up in one of the more scandalous pieces from the wardrobe, as a gift, that night-- 
A year of solitude can do a lot to a person. The only other human being you've interacted with is Lucas - and one lost hiker, once, who'd come limping out of the trees whilst you were feeding the chickens with Lucas in the doorway and had called out to you. You'd been too startled to call back, but you'd waved your hand in greeting - and then Lucas's own hand had been on your shoulder, and you understood in no uncertain terms you were to go back inside, and you'd put the record player on when you'd heard the first scream. 
You don't know if that really counts, all things considered. 
But suddenly, you had found yourself surrounded by people! Nurses came and spoke to you, and doctors, and other patients (though Lucas had insisted that you needed a private room, you'd still come across them in the hallways and the corridors when you'd moved around, when they'd taken you out for walks to ensure that you were recovering well). You'd heard more voices than you had in forever, different accents and different inflections and you'd been bombarded with names you didn't always remember. 
Some of the strangers stuck in your mind more than others. There'd been a nursing student who got all red and awkward and stuttery when Lucas spoke to her. There'd been a doctor who had also been a veteran, who had made Lucas's spine stiffen and his words go clipped and rough. There'd been a mother of a young woman who had her granddaughter with her for visiting, who'd mistakenly barged into your room thinking it was her daughter's - and though you'd expected Lucas to lose his temper at them both, he hadn't. He'd crouched down on the floor and asked the little girl about the stuffed bunny she was carrying with a perfectly serious expression, and for a minute you had forgotten about the axe and the blood and the snarl and the lies, and you'd thought what a good father your husband would make. 
You'd had to give yourself a stern talking to inside your head, when the visitors had been sent to the right place and Lucas had turned back to you to fuss over your blankets and his eyes had still been soft with a longing that you did not want to think about. In a different world, maybe. In a different time. In different circumstances-- 
And there was everything else, too. All of the other little freedoms you'd forgotten about.
Food and television and human contact, being alone, a bed to yourself. 
You'd thought, then, how much you'd taken it all for granted.
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"Is your husband not here?" The nurse says, cheerfully bustling into the room with your breakfast on a tray. She looks around for him, before she winks at you and pulls from her pocket a tiny packet of chocolate spread, which she lays on the plate next to the toast and the packet of butter and the tiny jar of jam. 
The first time you'd asked for toast, they'd brought you chocolate spread, and Lucas had shaken his head and taken it off your plate before you could even think about it. 
"It ain't good for you," he'd said, sagely, with all of the assurance of a man who was used to being listened to. "Have the jam instead, if you've gotta. The butter on it's own's plenty rich enough though, I think."
He'd watched you like a hawk, and you'd been too scared to put more than a sliver of the strawberry jam on the toast, so you'd eaten exactly what he wanted. 
"He's gone home," you say to her. Your voice still feels a little rough and croaky - you'd been told that they'd put a tube down your throat for breathing, during the surgery. You haven't had much experience of hospitals before, so all of this is a novelty in more than just the freedom from Lucas. "He has to feed the girls - h-his . . . o-our chickens, I mean."
She shakes her head, smiling. 
"I'm sure he means well," she says, perching for a moment on the chair by the bed that Lucas usually occupies. "I mean! He clearly cares about you - I almost never come in here and see the room without him, he's part of the furniture! - but sometimes a girl just needs a treat, you know?" She winks again, and you laugh. 
A part of you feels guilty about it - that same part of you that occasionally looks at Lucas and does think about him as a spouse, that same part of you that sometimes drives you to press a kiss onto his cheek when you're not thinking because he says something sweet. It's the part of you, you think, that wants you to give in and accept and be what Lucas wants and forget everything else, just to make it easier. 
But it's a part that's easier to quell amongst the hustle and bustle of the hospital. 
"Now," she says. "You're going to be in here for a few more days, so I've brought you the menu - just circle what you want and I'll take it to the kitchens. If he doesn't see it, he doesn't know if you chose the unhealthy options!" You laugh aloud again, and reach for the menu, flicking through to see all of the other options. So many foods you haven't had in over a year - so many things you'd never dare ask Lucas to make--
You feel another twinge of guilt when you circle the roast chicken and vegetables, but you tamp it down as you circle apple pie. You'll give Lucas a bite or two, and he'll forget that he'd said you were a vegetarian--
"Good choice," the nurse says approvingly, as she takes the menu from you and tucks it into the pocket of her uniform. She gives you a conspiratorial nudge. "Honestly, I shouldn't say it, but you'd be amazed how many vegetarians take the meat option in here! Good for them, I say. You need to keep your strength up! Now - where's that remote? Shall we put it on that horror channel you wanted and I'll take it with me, so you can say it's lost and he just has to put up with it?" 
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You do war within yourself before you dare ask him. You know Lucas's temper - it's hard not to know it, living out here with him for so long. Ordinarily, you do anything possible to make sure that it doesn't flare too openly; you act soft and sweet and agree with him and avoid any topic of conversation that you think might set him off. It's terrifying to see how the way he stands change, the curl of his lip and the grit of his teeth and the slightest tilt of his brows - it reminds you of all of those other people, out there, who have not been so lucky as you. All of those people who have seen him get angry and then learnt his anger in the swing of his axe instead of in the blade of his words. You could so easily have been one of them, you are usually able to sternly remind yourself when the whisperings at the back of your mind get almost too loud to handle. If you hadn't been soft and sweet and scared and what Lucas had found pretty, if you'd screamed instead of begged or fought instead of cried, you would have met your end in the woods too and your flesh would have been parcelled up into the old chest freezer and none of this would have happened--
But that was before the hospital, wasn't it? 
That was before he'd shown you that he cared about you enough to take you into town if things were dire enough - before you'd shown him in turn that you could be trusted to keep his secret. You'd had so many chances to blurt out the truth, but every time you'd held your tongue and you'd smiled and laughed and called him your husband as if it were real. 
The fourth day, Lucas had come in and had slipped a plain gold band onto your finger as a doctor had watched, taking your blood pressure. 
"Found it," he'd said, gruffly, and you'd seen that there was a matching one on his own. "I know y'don't like to be without it." 
You'd kept it, even when you could take it off and you were back in the truck and were free of the ruse. Now, as you slowly bring yourself to the kitchen doorway with a blanket wrapped around you, you play with the ring on your finger and hope he notices that, and that the little movement wins you points. 
"Lucas?" You ask, to get his attention - but you don't need to. He has already heard, his head up and cocked, and he shakes his head and sucks his teeth when he sees you standing there, bare feet on the cabin floorboards. Of course he'd heard the couch creak, of course he'd heard the pad of your footsteps - this is a man who'd heard you so much as sit up in bed from the couch, back when you'd first gotten here and he'd slept on the sofa instead of intertwined with you. He'd always come, always asked you if you were alright, if you needed him to help . . .
"Darlin'," he says, shaking his head. "You shoulda just called. You ain't s'posed to be on your feet too much. I'll bring you anything you want."
You swallow, still absent-mindedly twirling the ring on your finger. It's perhaps a size or two too big; if it were really your wedding ring, you're sure you'd have lost it doing the washing up or getting it caught in your clothes or something by now. 
(It's not yours though, is it? You wonder if Lucas bought them in a pawn shop - but no, that would have caused whispers around a small town that might have gotten back to the hospital eventually. You know the far more likely scenario is that he's had them this whole time, pried from the fingers of some poor unsuspecting camping couple who pitched their tent a bit too close. You don't like to think of the little metal band that warms your own wedding finger on the cold hand of a corpse. You haven't taken it off since he gave you it. 
You're too afraid there'll be an engraving inside, a name that isn't yours, a promise that only means something to two people who are no longer on the earth. 
At least, you suppose, they died together.)
"I . . . I've just been thinking," you say, gathering all of your courage up to try and screw it to the sticking place. Lucas is still being a little too indulgent with you; letting you get away with things that he wouldn't normally. A later bedtime, a bit of pouting, a VHS he'd gotten for you of a fantasy film that he didn't much like played at night instead of one of his own. He's still too raw and open at the thought that he could have lost you, and you don't think you'll ever get a better chance than this one. 
And he's noticed the ring, still on your finger, and there's the faintest dusky flush up his cheekbones. You let your gaze flick down to his own hands, to see that the matching band is still in place on his finger. 
(Lucky, then, that they both almost fitted. You're certain that Lucas would have taken that as a sign; another piece of proof that the two of you were always meant to be. That thought makes your stomach roil uncomfortably, but you try to ignore it. The more he thinks the two of you were destined, the more attached he is to you, the more he loves you - the more likely he's going to be to agree to the thing you're about to ask him). 
"C'mon then," he says, shaking his head in fond exasperation, moving from the kitchen counter to come and take you by the waist and propel you back towards your comfortable nest on the sofa. "You can tell me just as well in there as out here, an' I won't worry half so much. I bought some ice cream one of the days we were in town, y'know. Been waiting for you to feel a bit better. How's about I go grab it from the freezer and make us a bowl and you can tell me what it is that's on your mind, huh?"
"That would be nice," you say, fluttering your lashes, looking up at him from under them in a way you've learnt makes him swallow, his throat bobbing. "Thank you." 
"Aww," he says. "Anythin' for you, darlin'." 
You wrap yourself back up in the other blankets left on the couch and let Lucas leave the room to go out to the freezer and fetch the ice cream. You force yourself not to think of it nestled in the chest freezer, surrounded by cuts of meat - an incongruous tub amongst flesh and bone, a ropy thigh pressed against the lid, a fleshy cheek pressed against the bottom. 
There's no sign of that when he returns with a chipped willow-pattern bowl full of vanilla ice cream and he passes you a spoon, cuddling up close to you on the sofa. You let yourself be manipulated half into his lap, his chin on the top of your head, the warmth he kicks off enough to make the ice cream melt to a pleasing consistency. He insists on feeding you the first bite, and you do not protest it - all the better, to make him soft and adoring. You even force yourself to giggle like an idiot, in a way that makes him growl in approval. 
"Well then," he says, between spoonfuls, and you're grateful that at least you won't have to look him in the eyes when you ask the question. "C'mon, let's get it outta you. What did you wanna ask?" 
Last chance saloon, if you want to backtrack. If you want to think of some other silly question that might not set him off - for another pair of new pyjamas, a colouring book and some fancy pencils, anything that he'll see as an indulgence but not as a declaration of war. 
But, oh . . .
The freedom of those days. The sound of people around you had made you miss the sound of the city, the smell of antiseptic had made you miss any smell that wasn't Lucas's aftershave and the chickens and the frosty air. Controlling a television, choosing your own menu, seeing other people going about their days and knowing that despite the isolated existence you're now living, people are still out there living their lives in a way you know Lucas will never let you. 
It doesn't matter, you force yourself to think, if you will never get that freedom back. Lucas would never let you go, and you're not foolish enough to so much as think about it, let alone ask. You're never going to fulfil so many of your dreams (you'll never see Tokyo, or Paris, you'll never see the Northern Lights or try that fancy hotel in your hometown and you'll probably never know how your favourite manga ends) - but just a taste of it, every so often, with Lucas's hand in yours and him beside you to watch over you--
That's not too much to ask, is it? 
You swallow again, feeling heat rising to your own cheeks. 
"I've just been thinking," you say to him, careful and calm. "About . . . the town? The one that the hospital was in?"
He stiffens all over, and you feel it where you're pressed against him. Like a coiled up spring, tension in every curve and line of his body. 
"Yeah?" He says, his tone warning - if you were smarter, you'd stop there, but you've opened the floodgates now. Your mouth seems to be operating without the express consent of your brain, and the words come flowing out awkwardly smashing into one another in a rush of noise. 
"It's just - couldn't we do something there? Together? See a movie? Run errands or go shopping or surely they have a bowling alley or something we could go to on a date?"
"Sweetheart."
It's rough and dark and angry, but now you've started you cannot stop. 
"I mean, they've seen me! They know I live with you, they're going to ask questions about me, and I don't mind I'll tell them exactly what you want me to tell them but it would be so so nice to do something with you, even if it's just once every few months, I'd just like to be outside--"
The bowl of ice cream clatters to the floor, the remainder of the sticky yellow-white treat oozing across the floorboards like spilt blood, and your brain finally catches up with you and you go stock-still like a deer in headlights as Lucas eases his arms from around your waist and shifts so that he can be next to you, so that he can look you in the eye before he tells you he's going to kill you. 
His gaze catches yours, stern and forbidding and cold as the frost had been when you'd stepped out of the truck. Your hands start to shake as you desperately try and reassure yourself that, if you're lucky, the first blow will kill you and you won't feel any of the rest--
But to his credit, Lucas doesn't jump straight to blazing anger. 
You can feel it simmering in him, like it's rising off of him like steam - but instead, he says, his voice cold and deep and barely restrained;
"No."
"Lucas--"
"I said no." 
He doesn't soften the phrase with a pet name, and this is a bad sign. His gaze remains affixed onto yours, pinning you in place, as much a captor as the man himself. You feel like you will bow and break under it, but you have gotten this far - your foolish heart cannot resist just one more attempt, as if you will somehow find the chink in his armour that will allow you this one tiny freedom. 
"Not often. Just--"
He stands up suddenly, like a tree being shaken to its foundations, and your heart jumps into your throat. He's going to pull down one of the weapons mounted on the wall in the hallway, you know it - he's going to drag you outside and you're going to bleed out on the frosted grass and he'll prise the ring off your finger and wait for someone else it will fit, he'll bury you in an unmarked grave, he'll spin some story next time he's in town about why you're not there--
"I need some air," he says instead, shortly. "I'll be back home in a bit." He reaches to pick up the bowl, not looking at you now. You can see that his grip is white-knuckled, that the veins in his wrists are more prominent than usual. His mouth is set in a grim line. 
"L-Lucas--"
"When I get back," he says, as if he hasn't heard you at all. "I don't wanna hear another word about this nonsense, understand? I keep you safe. I keep you fed and warm and safe an' loved, and I'm not gonna take you out back into a world that doesn't deserve you just so it can fuckin' chew you up and spit you out." 
He turns away and walks, the thud of his boots heavy on the floorboards. 
"We're gonna have an early night," he says, pausing at the door. "I think all that time in the hospital's scrambled your brain good and proper. But don't worry, sweetheart," he looks over his shoulder, gaze like frosted green glass, words a bladed threat. "I'll make sure t'remind you." 
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You know you have gotten off lightly. 
It is hard not to think that if you had been someone else, if you hadn't played your game so well, Lucas would not have suffered the question as coolly as he managed to. Or even if you had asked such a thing a few months ago - he would have taken it as a personal attack, as you saying he was not enough for you. 
The fact that he comes back, that he manages to give you a tight smile when he sees that you haven't moved from the sofa where he'd left you except to pick up a battered old fantasy book from the shelf full of mismatched paperbacks - that seems to calm him. You suppose that he's thinking at least you listened to him, hopefully you've taken everything he's said to heart . . .
But that's not the truth. Not really. 
Despite what you know is sensible, you have been thinking about freedom for every moment whilst you've been alone. 
Or, 'freedom' in a sense. You have been thinking about the laugh of the nurse and the buzz of the television and the food in front of you on a clean white plate that has never before played host to a hunk of meat that was once a person. You've been thinking about the sounds of the city and the feel of warm worn leather beneath you in Lucas's truck. You've been thinking and plotting and rewriting in your head exactly what to say to try and convince Lucas that maybe, just maybe, it might be alright. 
Once or twice a year, even! Christmas shopping, perhaps. A Valentine's Day movie - a sappy romance, or a musical, or something he couldn't object to. Something all romantic and soft and chosen specifically to be done with him, so he doesn't feel as though you're trying to escape. 
Lucas lifts you from the couch and guides you into the bathroom - kisses the top of your head and presses against you wanting and needy in the shower, as the hot water cascades over you both, as his fingers brush oh-so-gently the scar left on the soft roundness of your flesh in wonder. His eyes soften as he looks at it, as you suppose he remembers how close he came to losing you - and it's that look, the soft devotion in his gaze, knowing that despite it all Lucas cares about you enough that he broke his own rules to take you somewhere safe, that makes you think that perhaps it might be safe to bring it up again. 
He brushes your hair before bed; helps you put on one of the pretty cotton nightgowns patterned with sprigs of flowers that he always chooses, when he gets the choice (your pink and white striped pyjamas are in the laundry basket, waiting to be washed, Lucas wrinkling his nose and mumbling about the smell of that place). 
You sit up in bed as he pulls out his own sleepwear, and you clear your throat before you speak. 
"A-about earlier . . ."
"If it ain't an apology," Lucas says, voice tight, his back to you - your eyes are drawn to the scars that decorate his body like badges of honour as he pulls the old shirt he sleeps in down, "I don't wanna hear it."
"C-can't we just . . . talk about it? Like a . . . like a married couple would?"
Lucas turns around now. He does not lower himself onto the bed, as he stares at you with something inscrutable in his gaze that makes you trip over your words. 
"I don't want to run, Lucas! I love you!" That's a lie, but you hope he won't notice, won't care, because you said it yourself and not because he demanded you did so. "I just . . . I want to show you off, I want to do normal things with you! Even if it's just the groceries, even if it's just picking up flour or sugar--"
"I've already said no," he bites out. "I've already said no, and I've already told you to stop askin'."
"Lucas, please--"
"Stop."
You'd been wrong. You feel it slipping out of your grasp - the thought of that tiny freedom, grabbed with both hands, slipping through your fingers like fine sand. His words are horribly final, obviously designed to get you to stop asking, to keep your pretty mouth shut and be the quiet and well-behaved little spouse he wants you to be, but . . . 
The thought of something that is so close just being stolen from you like this is too much for you, and you can't let yourself be cowed.
"Can't we just talk about it--!"
"I think you've done enough fuckin' talkin'." 
He looks at you with murder in his gaze and you cringe back into the pillows. Here it is. He's going to beat you to death. He's going to kill you. You've really fucking done it now, haven't you?
But he doesn't.
He looks at you for one more beat, before suddenly a slow smile spreads across his face. 
"Okay," he says, and the change in his demeanour is scarier than anything else you've seen in months. "Okay, yeah. Get outta bed, sweetheart. C'mon. Let's talk this through in the kitchen like grown-ups."
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He doesn't help you to the kitchen, this time. He leaves it to you, and you're slow about it - your body protests being taken from the warm embrace of the bed and back out. The nightgown tangles uncomfortably around your ankles, and you stumble more than once.
Lucas, though, had left immediately. Consequently, you're not surprised to see him up and at the stove when you get into the kitchen. The kettle is on the hob.
"We'll talk it through with a hot drink," he says, pleasantly enough. "The way real married couples do, yeah? Sit down, darlin'. Just let me get this to boilin'."
You can't believe how reasonable he's being. You wonder what it is that you said that brought him to this point - the married couple thing, perhaps? The profession of love, that maybe hadn't pierced him properly until a few minutes later? Whatever it is, you're grateful for it, as you sit down on one of the wooden kitchen chairs and let out a soft sigh. 
"Y'know," Lucas says, from over by the stove. "I thought about just fuckin' cuttin' your tongue out so you couldn't ask me anymore."
A cold shiver down your spine, but Lucas's tone is conversational, and you do not see one of his big knives out in the kitchen anywhere. Maybe he is going to apologise, you think. 
"I . . . I'm glad you didn't," you say, voice soft and thready. "Thank you."
Lucas snorts. 
"Yeah. Thought 'bout what you said . . . People in that town sure do know you exist now. And though I ain't planning on takin' you back, just in case . . . Thought that a missin' tongue might be kinda hard to explain, y'know?" 
The kettle whistles, high pitched enough to make you flinch. You notice, suddenly, that he has not put any mugs or cups on the table, and your entire body seems to feel as though it's made of ice. 
He has one of those old-fashioned kettles; enamel, white and blue, a long spout and a metal handle that needs to be warmed through on a hob. He picks it up by the handle now, and walks towards you. 
"So I thought," he says to you, his tone still pleasant, but his voice rough and low. "How am I gonna stop her runnin' her mouth? How am I gonna teach her that when I tell her to stop bringin' somethin' up, she oughta heed my words?"
"Please don't--" You babble out, as he lifts the kettle up. You can hear it bubbling inside, boiling away against the enamel and tin. You've burnt your tongue on a hot chocolate before, sure, tried to drink a coffee before it was cool . . . But the thought of what Lucas is about to do seems far, far worse than that. 
With the hand that is not wrapped around the kettle's handle, he grabs a fistful of your hair and pulls it back fiercely until his hand meets the back of the chair, forcing your face up and pinning you in place. 
"It's just a lesson," Lucas says, infuriatingly calm. He lifts the kettle up, and you feel the heat radiating off of it as it comes too close to your skin. "I didn't wanna do this, darlin'. But you ain't left me much of a choice."
"I won't bring it up again!" Lucas lets out a snort, and the barest drop of water snakes from the spout. It splashes onto your bare neck above the nightgown's collar, and you swear you hear the flesh sizzle as you squeak out in pain. 
"It's a bit too late for that now," he tells you. "C'mon. We don't want this to get cold now, do we?"
"Lucas, please--!"
"Open your fuckin' mouth," he says, his eyes glittering. "And swallow like a good girl, and I'll only make you drink this one kettleful. I can boil another as easy as pie. I can keep fuckin' going until you can never talk again, y'hear me?"
You're shaking, but he has slowly, slowly started to tip the kettle now. The spout is coming far too close to your lips for comfort. 
"You'll wanna wrap your mouth around it," he says, and you do not miss that it's not the first time he's said that kind of thing to you. Hot tears of fear and frustration well in the corner of your eyes. "If you make me pour it into you like you're a teacup, you're gonna panic and just get burns all over your pretty face too."
The spout nudges your lips. 
"Open your mouth," Lucas coos to you, and you squeeze your eyes shut. "Open your mouth, and we'll just do one kettleful, and I'll get you s'more ice cream once you've learnt your lesson. One kettleful and it'll prob'ly only be a week or so 'fore you can talk again." 
You try and will yourself to think of something to get out of it, but Lucas is getting impatient. He tugs roughly on the hair in his fist and lowers his own mouth close enough to hiss into your ear;
"Don't open it and . . . well. You don't really wanna find out, do ya'?"
Outplayed. 
You open your mouth.
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eleni-anz · 8 months ago
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some panels from Four Rooms comic with no text pt 1/2
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