#template set

[destimnesia]

⠁ ⠀COMMISSION ⠀———⠀ GREATEST PRETENDERS

Commission made for Mars and Peach, owners of FRANCEHQ! It is a 18 pages Google Documents for a RPG headquarters, containing all sorts of pages: main page, main plot, taken faceclaims, guidelines, connections, events, etc. It was a very big project for my first commission but I'm proud of the results. Admins were super kind and collaborative with me, and I loved working with them!

⠀⠀⠀COMMISSIONS INFORMATION

[highly-flammable]

How my intrusive thoughts happen upon me when I try to sleep at night:

[literaryvein-reblogs]

Writing Notes: Exploring your Setting

(Excerpted from the Young Novelist Workbook) ⚜ Basics: Setting

PART 1: Settings That Create Moods

Mood - the feeling of your novel; its emotional quality.

You can also think of the mood as how you want someone to feel while reading your novel. 

Examples: playful, serious, mysterious, tense, warm, dangerous, joyous

The setting of a novel - where and when the story takes place. As you know, most novels have more than one setting.

Usually, the author decides to have one large setting.

Example: Los Angeles in 1995

and then many smaller settings

Examples: The laundromat where the characters hang out on the weekends, or the classroom where they get in a fight

Settings do more than serve as a backdrop to the action in your novel. They can also create or enhance the mood of your novel. 

Example

If you wanted to create a creepy mood for a scene in your novel, you could start with something like: 

"A dead tree stood alone in a dark field. Its branches creaked in a cold wind, and in the distance, something howled.”

These images remind us of dark, disturbing things, and show the reader that the scene of the novel is “creepy” without having to tell them directly.

Describing the Setting: A Sample Exercise

Describe the settings that would help create each of the moods listed below.

Try to write 2 or 3 sentences for each mood.

Include specific details about the sights, sounds, sensations (and maybe even smells) of the settings you choose:

Creepy, Joyous, Suspenseful/tense

Now make up 2-3 of your own moods and describe a setting that would go along with each one. 

The last step is to apply your new skills to your upcoming novel.

Think of a scene from each section of your novel.

Then, write or list details to describe a setting that will help create the right mood for each scene.

Example: You might set your climax on the edge of a crumbling cliff at sunset in the middle of a thunderstorm. 

A setting from your set-up:

A setting from your inciting incident:

A setting from your rising action:

A setting from your climax:

A setting from your falling action:

A setting from your resolution:

Now you have settings to enhance the different moods that will be in your novel.

PART 2: Settings That Reinforce Characters

Another advanced writing trick is to show things about your characters just by putting them in specific settings.

Examples: If you were writing about a mysterious person, you might place them in a dark mansion on a hill outside of town; if you were writing about a musician, you might place them in a messy room filled with instruments, speakers, and microphones.

Sample Exercise

For each of the following characters, try to come up with a setting that will reflect or reinforce what you imagine about them.

As you write, try to be as detailed as possible.

Don’t forget colors, sounds, and even smells.

Focus on where the character is.

The shy new kid in town:

A secret scientist superhero:

A character from your novel:

Another character from your novel:

Source ⚜ Writing Notes & References ⚜ On Setting

[figureskatingpenguin]

Shoma Uno & Stephane Lambiel: Fall On Me | Friends on Ice 2024

thanking both shoma and stephane for this very lovely program 💙

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[jessource]

#74 “ AS SEEN ON TV! ” template by jessource.

original and free template. if using please like / reblog and don’t forget to leave credit somewhere visible. fonts used: home video.

inspo: one, two.

extra: tv set colour is customisable, dimensions + textures included.

don’t redistribute, steal or claim as your own.

any issues, don’t hesitate to contact me.

[ DOWNLOAD FREE FROM PAYHIP ]

[glittergroovy]

trans blinkie compilation - made by me, mostly on blinkies.cafe & myblinkie commentslive (now defunct)

[manonamora-if]

I realised today I never posted about it here so yeah...

This was a long time coming, so here we are.

Hello person of the internet,

It's ME again! your totally legit supplier of super duper good assets (100% GOOD!!!! NO BUGS AT ALL!!!}. I am back b-back BACK again with a pretty useful file for you! AND A NEW KIND OF FILE!!

Still scam free, still without a single bug, still easy-to-use and to include in your project! What are YOU waiting FOR?!

Download another funky file to make your HARLOWE project run EVEN BETTER!!! In exchange of.... nothing! {YES, THIS IS STILL 100% FREE!!!} or maybe your love and adoration for this little help...

WHAT A STEAL!

Were you looking to customise your Harlowe project?

I PRESENT TO YOU THE...

The Save and Settings All-In-One!

All-In-One because it is both a Template for Save Systems and Settings AND a Guide! Covering different ways of creating saves and settings, as well as ensuring the settings stick between play-sessions.

And, the code is annotated in the relevant passages, StyleSheet and JavaScript code, on top of the Guide.

ENJOY!!!

GITHUB REPO | RATE THE TEMPLATE | TWINE RESOURCES

[crabtreee]

Murdoch Mysteries: Why is Everybody Singing? (Official Soundtrack) — Songs written and produced by Paul Aitken, Jono Grant & Robert Carli

[t4yce]

SAPPHIRA CRISTÁL •  drag race season 16 top 3 [nymphia ver. | plane ver.]

[sugaaz]

@animangacreators challenge 33 ☆ summer 2024 OSHI NO KO SEASON 2

[destimnesia]

⠁ ⠀⸻⠀UPSIDE DOWN 'SO EMPTY' is a template set containing four posts available on my ko-fi for $9. requires basic knowledge to edit.

⠀

 ⸻⠀TERMS OF USE

don’t repost nor reupload don't reuse my layers don't claim it as yours personal use only credits are MANDATORY

 ⸻⠀CONTENT

⠁ ⠀four 607x1080 posts.

 ⸻⠀A LATINO AMERICA

⠁ ⠀𝗚𝗥𝗔𝗧𝗨𝗜𝗧𝗢.

[seaofreverie]

[dengswei]

@asiandramanet creator bingo — soundtrack @userdramas creator bingo: template — tushan jing as the wanted songs | lost you forever (2023-2024) [x]

[01432853]

@asiandramanet jan/feb creator bingo — layout:

REN XIN

[ template by x ]

[cordiallyfuturedwight]

9 Days of Yoongi ↳ make me choose: artsy yoongi 🎨 vs sporty yoongi for @fireworksgalaxy (cr. 0613data)