#ted wong
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walkinroadkillz · 2 months ago
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is this anything
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leekiings · 2 years ago
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wanted to practice some pixel art by recreating the start screen for ki's game! i had a lot of fun with it! :)
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cosmiado · 11 months ago
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Ted Wong the man that you are....,,,,,
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toritimexo · 1 year ago
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I don't usually use tumblr all that much, but for the last few days i've been going deeper and deeper down the rabbit hole that is analyzing S7E3 of Rick and Morty, so yo girl's here to talk about it (mostly about Rick and Unity).
In S7E3 of Rick and Morty 'Air Force Wong' Unity assimilates the entire state of Virginia with the argument that it is worried for Rick's well being.
however, what pissed me off is when Dr.Wong sided with Unity: "Alright, I'm gonna commit a cardinal sin in couple's therapy here, but Rick, i think you're wrong." I do not understand this in the slightest. Sure, Rick ghosted Unity, but in his defense, he was dumped which took a toll on him, leading up to him attempting suicide, so of course he wouldn't want it around him, and that's understandable.
Unity broke a boundary, invaded Rick's home planet, home country with the only excuse that it was worried for him. Rick had every right to stop talking to it, however Dr.Wong did NOT have the whole story and she shouldn't have butted in. This we could partially blame Rick, because he did not fill Dr.Wong in fully before having that conversation, which HE requested for her to be a part of in the first place.
"You controlling things is the explanation, and we agreed you wouldn't do it where i work." This is yet another solid proof on how Unity broke Rick's boundaries, this probably being something they agreed on in the past. In some situations, boundaries CAN be broken if it's an intervention or emergency, this, in my humble opinion, WAS NOT an emergency.
"You had an outer space lady who was worried for your life and your response was hostile enough to cause a huge problem." I hate everything about this. This is borderline hypocritical, considering that Unity did something just as drastic if not MORE drastic, yet Rick is the one taking all the flame for it, for not wanting it around him. So, basically, he was being flamed for putting up a boundary (not in a very appropriate way, but it's a big deal for him to do it in the first place). Unity is at fault for making Rick react the way he did, which in my opinion, wasn't as drastic as Dr.Wong makes it out to be. His hostile reaction was understandable, to the drastic measure Unity has enforced. It did not need to go through all that trouble just to try to contact Rick, when clearly he did not want want it to.
Another thing i noticed is when Unity finished releasing everyone, how the tables have turned from:
u:"Do you not trust me, Rick?" r:"I don't trust you."
to..
r:"I trust you now." u:"That's nice, but i don't trust you."
This is honestly something i only noticed as i was writing this, and it hits HARD. As much as Unity is biased for not trusting Rick, so was he when he didn't trust it. They both have very valid points as to why not to trust one another.
So, to conclude this very first, EXTREMELY MESSY post, Unity should've dialed it back a couple of notches, Rick should've been more open about his part with it, and Wong should've stayed in her place. Both Rick and Unity have a lot of things to unpack, and until either of them are willing to sit down and talk, they'll never be able to work it out.
Thank you for humoring me :D
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scarletwitchpanels · 7 months ago
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Spellcasters in Strange Academy: Finals #5
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methcheese · 11 months ago
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me when the character is just Such a fuckin loser (affectionate)
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theactioneer · 2 years ago
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Hardcase and Fist (Tony Zarindast, 1989)
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rooolt · 2 years ago
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Everyone so often I randomly think abt vghs s3e4 and literally need to lie down
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ameliuswild · 2 years ago
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noeljpenaflor · 2 years ago
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invye · 11 months ago
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Okay, rant incoming, because I love this so much and never talked about it here; the real world implications of Benedict sitting in those interviews and knowing, but if he reveals any of the plan, it would inevitably fail---
Giving Ben the full script literally was the only way for him to truly become Doctor Strange in those movies. And you can tell, because there's scenes where the actors are so confused, and it makes sense because the characters are in way over their heads and don't have enough information about what's going on.
But every single scene of Stephen after he looks through the timelines is acted so perfectly. He knows. We know he knows. The other characters know he knows. Tony knows he knows.
Tony's sacrifice works so perfectly because he knew that Stephen knew. Because he felt that shift in attitude, realised that Stephen ended the fight the moment it threatened Tony's life and not a second earlier. The eye contact in the final battle, Stephen's signal. Tony knows Stephen is sending him to his death. And Tony goes anyway. And Stephen let's him, because that is the cost to protect all those lives, half of all existence.
It's brilliant. Benedict knowing the full script because his character is the only person to know how it all ends. And RDJ getting the full script because Tony is intelligent and watches Stephen's reactions and figures it out. Tony has been waiting for his ultimate sacrifice since 2012. He doesn't particularly want to, but he's ready. Protect the people he loves, no matter what.
Additionally:
I like to think Benedict Cumberbatch had a sit down with Benedict Wong sometime during filming and gave him an outline for the final battle. Because the movie clearly implies Wong organised the battle for earth on Stephen's behalf, so he must have known at least parts of it, and the only way for that to happen would have been for Stephen to telepathically communicate with Wong while he was waiting for Thanos on Titan.
The way Benny Wong acts his scene with Stephen before the battle makes me feel that they at least been vaguely talked about it and what must have happened on Wong's end during the 5 years. I feel it's very deliberate that we see nothing of Wong after the initial confrontation all up to the final battle. Because if we had seen him, we would have known that he acts on at least some form of plan, which would have clued us in on the fact that there was a plan, while our hearts were supposed to ache with the Avengers as they were running out hope.
The way they maneuvered Stephen, Tony and Wong in these scenes is nothing but brilliant. And the fact that most people credit the final battle to Stephen instead of Wong tells me that it worked. The Sorcerers act in the background, do the things that have to be done. They don't want to be known, Stephen is just the necessary outlier because they need a point to connect with the outside world.
It makes me sad again how they handled Kamar-Taj in DS2 (Wanda should have never known where it is, and even if she found it through some advanced magic tricks it should never have been so easy to breach and destroy). But the decision to make Wong Sorcerer Supreme after he spent five years masterminding a battle with all the world's finest was the best they ever made. He is a connecting point too now. And still people don't know him for who he is. Because that's how he wants it. If he met with Okoye or the like, they'd probably know him, he must have communicated with them when he explained the plan for the final battle. But individuals? No. Nada. He won't hide that he's a sorcerer if he has to fight, but he also won't reveal his station for no reason.
(I am going to ignore the implications She-Hulk made with the damn LinkedIn profile or whatever. It is a fun gag, sure, but it makes no sense whatsoever. And if I was an average person in the world of the MCU I'd probably think it's a joke right up until I met the man.)
To sum it up: IW/EG were a stroke of genius. I'm not expecting we ever get something this amazing again.
I constantly think about the fact that Benedict Cumberbatch was the only actor who was trusted with the full script of Infinity War and Endgame, not only because he is an amazing and prestigious actor, but also because of the importance of his role.
Doctor Strange was the only one who knew what should be done to avert Thanos’ snap.
He knew their first plan on Titan would fail. And yet he tried all the same with the same determination.
He knew Peter Quill would mess up with their attempt to stop Thanos. And yet he let it happen.
He knew he would have to hand the Time Stone, a precious artifact trusted to him by his beloved mentor.
He knew Thanos would succeed, wiping half of the universe. The same universe he swore to protect.
He knew he was going to become dust. He embraced death way before Death herself showed up as a test for him to overcome his physical limits.
He knew he would have to trust the remaining heroes so he could come back, which is incredible already because this is not something Stephen usually does. He hates not being in control.
And finally, he knew who was going to die in the process, being forced to live with all the guilt this knowledge could bring.
Stephen might not have the most important role, but he was above everyone else. And no other hero, stronger or not, was in the same league. Because he’s not just a hero. He’s something more.
And in the end, I’m not disappointed that he isn’t recognized as he should. Because it’s precisely what he does. He protects people from threats they can’t see. He’s not out there, being visible for spotlight. He’s always occult, hidden, because while noble heroes such as the Avengers are fighting in the light, he’s the one in the shadows. He’s the one who protects people when there’s only darkness. And that says a lot about what kind of hero he is. 
I couldn’t be prouder.
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roseglazedlens · 1 year ago
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⦑ THE FUCKING DEAD ⦒ 𝐆𝐢𝐫𝐥’𝐬 𝐕𝐞𝐫𝐬𝐢𝐨𝐧 ➠ series masterlist | ⏪prologue | 🔃boy’s route | ⏩part 4
𝐒𝐌𝐔𝐓┇𝐇𝐎𝐑𝐑𝐎𝐑┇𝐃𝐀𝐑𝐊𝐅𝐈𝐂┇𝐂𝐇𝐎𝐎𝐒𝐄 𝐘𝐎𝐔𝐑 𝐀𝐃𝐕𝐄𝐍𝐓𝐔𝐑𝐄 JILL VALENTINE X AFAB GN! READER ADA WONG X AFAB GN! READER synopsis: You split ways with Leon and Carlos, choosing to accompany Jill and Ada to Glenn Arias' office. One of you is already infected... content: 𝐒𝐌𝐔𝐓 𝐌𝐃𝐍𝐈, dubcon, threesome, zombie fucking, oral (reader & f! receiving), toys (vibrator + strap-on in one hole), squirting, fisting, knifeplay, overstimulation, multiple orgasms, latex kink, face sitting, cervix penetration, tonguefuck, hand & finger kink, nipple play, mating press (kinda), choking, body marking, body horror, slight objectification, body fluids, and pet names (kitty, darling). a/n: am gay thanks for cumming to my ted talk « 6 k words | general masterlist | ao3 | reblogs appreciated! »
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The five of you parted ways—for better or worse. Is there a choice for you anyway? This is unanimous from everyone. So, you decide to follow the most logical choice: complete the mission as you are instructed, instead of seeking distractions with time you can’t afford to lose.
Leon and Carlos bid the three of you farewell, venturing underground to locate the source of a gas that may or may not be a distraction or an ambush. You, Jill, and Ada will continue upstairs to infiltrate Glenn Arias’ personal office, retrieving the concentrated sample with utmost priority, and regroup with the rest before Arias has a chance to discover his merchandise has gone missing.
The plan is perfect, what’s there to be worried about?
“Our intel says Arias’ office should be on the top floor. The coordinates are on your watch. Proceed with caution, everyone.” Rebecca calls out into your earpiece. Twisting your elbow, you glimpse at your watch. It blinks with your location in green, and destination in red, two floors above you.
“Copy.” You and Jill acknowledge Rebecca, but Ada ignores, simply hiking forward with her pistol leading the way.
“She must be fun at parties.” Jill snorts, following behind her.
This is the first time Jill talks after splitting up with the boys. And even then, she only ever converses with you, and never to Ada. They have almost nothing in common between them, besides their stubborn attitude that only butts at each other’s heads. If you aren’t around, there will only be an air of dead silence between the duo.
But these two are your friends, and you like them both for different reasons.
You recall a past memory between you. “She’s not usually like this outside of missions. We went to a bar one time, and Ada got me free drinks all night. Poor suckers, she swindled them all.”
“Just the two of you?”
“No, it was an afterparty. Rebecca was there. I think you had to stay back for work that day. Why?”
Your eyes meet Jill in confusion, and they quickly dart away. Jill clears her throat to speak again. “So you and Ada are close, huh?”
“I think so,” Jill’s face hints a bit of disappointment, but she tries to force her lips to upturn into a nonchalant smile. You don’t notice this and continue talking: “But not exactly. She saved me a few times, so I’m grateful for her. But I wouldn’t call us friends.”
“And that’s all?”
You wonder where all of this is coming from. Didn’t take her for the kind who enjoys bars and loud spaces anyway. Spending time with Jill is usually just the two of you watching TV, laughing at the over-the-top reality drama from the comfort of the couch, cuddling up right next to each other like a couple of platonic best friends. Before you can speak, you feel a presence in front of you, standing in your way. You pause quickly at the last minute, almost colliding into the figure. Ada. She only looks at Jill when she’s talking.
“You two lovebirds done? Stay alert.” Ada deadpans with no intention of being friendly and warming. “Don’t hold me down.”
“Take care of your shit and I’ll take care of mine.” There’s bitterness in Jill’s voice, and Ada ignores her because your watch is beeping. The green and red dots overlap each other. You’re here.
You put your game face on. You land yourself on the other side of the wooden door to Arias’ office, while Jill and Ada have their backs against the wall closest to the door knob. Ada signals, counting down from three, and then finally kicks down the door. The three of you rush in, guns aimed forward in order to take down any security patrolling the perimeters.
“Huh?” You raise an eyebrow. You lower your gun when realisation sets in that you are indeed in an empty room.
You recognise this dark wood flooring. It adorns proudly, and even more repetitively, throughout the mansion. This room is no different. The desk, cabinetry and shelves are crafted with the same sinister timber that weighs down Arias’ office. Rows of portraits from Arias’ ancestors stare down at you with hollow beady eyes. A tall window, slightly ajar, to let in the cold nocturne wind. No mould.
This room had been cared for—dusted, cleaned, and prepared. Papers spread across the table, fresh ink, even the nameplate is polished into a shimmer. Arias frequents here, either for work—or for other sorts of shady businesses.
Ada immediately gets to work, and she finds a painting with a secret hinge to the side. It opens into a safe with two rotary dials. The sample is so close now, so close to your reach.
“I’ll check for any other clues that may help us.” Jill declares, and she’s flipping through papers on the desk for any information she can send to Rebecca.
But your eyes are still fixed upon Ada with her back facing you. Not leaving her even for just a second. Ada might have saved you a few times, but the amount of times she betrayed you is far greater. A memory sticks out from a conversation in the saferoom when Leon pulls you aside:
“Be careful. Something is very wrong about this place. I don’t know what it is yet…” His words hold weight and sincerity as he speaks. “And about Ada… I don’t trust her. You shouldn’t too. Don’t make the same mistake as I did.” Then Leon loosens the grasp on your arm, and reluctantly lets go…
You refocus, keeping your eyes peeled on Ada, before noticing how beautiful her hands are. How they pinch the dial with ease and precision, almost gliding as she hears the very faint click inside the clockwork of the safe. Her nails are short, painted dearly with scarlet red polish, palms so silky that they almost glisten lightly under the moonlight. You didn’t know the hands of a mercenary can be so pretty, unlike yours, calloused and scabs healed over.
“Are you done watching me?” Ada is still listening to the safe, but she knows you’re looking.
“Huh? I wasn’t—” Your cheeks redden from being caught.
“You think I’m as dense as that rookie? I see you guys talking. Did Leon tell you to watch over me?” Oh. She must be talking about Leon’s warnings in the safe room.
“It… wasn’t about you.” You hesitate and fiddle with your thumb. You are not a great liar, not by far.
“Just tell me.”
Ada turns around to look at you now, telling of how much she knows you. And it’s definitely well enough to see through your lies like translucent paper. Your words tumble under pressure: “He’s just concerned. Told me to keep an eye out.”
Ada scoffs; she’s turning the dial a bit more aggressively this time. “Of course he did. Predictable. The rookie thinks I’m out to get him every single time.” There’s another sigh of exhaustion.
“Well, isn’t that what you did?”
“That’s besides the point. It’s his fault for getting in my way.” Ada clears her throat. “Rest assured, I’ve been compensated well for this job, so you’re safe.”
“For now. I’m not taking my eyes off you.”
“Didn’t take you for the kind to let others tell you what to do.”
You clamp your lips shut. She’s right, and you know it. Your brain racks within itself for a comeback to defend your integrity, and realising instead: Why are you trying so hard to prove yourself to Ada?
Ada is challenging you for sure. Or entertained by you. You can’t tell the difference with her teasing grin that could be either, or both. Are your eyes fooling you, or does Ada seem more... relaxed? Her demeanour is drastically different from when you were in the saferoom, or when you were speaking to Jill. If you didn't know better, you swear Ada actually enjoys your company, maybe even a little bit more than friends.
The safe beeps, signal flashes green, and the hinge loosens to an open. The two of you peek inside. There’s a gold bar. A stack of paper (letters?) bound by a delicate string. But beyond that, nothing.
You hear rustling in the background. Papers falling to the floor. You turn around to see Jill frozen.
“We got the safe open. Did you find anything?”
Jill’s eyes are far off, fixed upon a particular spot. You look towards the direction of her glance, and beyond the window, it overlooks the mansion’s luxurious home garden, overgrown with weeds and wilt. Behind that, a bench and what appears to be either a figure or the trick of a light. It’s too dark to tell.
“Jill.” Ada repeats, slightly raised eyebrows indicating suspicion. Jill returns from her far off location, and sees the two of you in front of her.
“You okay?” You ask, wanting to put your hand on her shoulder. She shrugs you off.
“I’m fine.” Jill’s fist is holding some paper, and she scrunches it to hide it in her back pocket. “Nothing useful. Just old accounts… and stuff. You know.” Ada is watching. Jill changes the topic fast.
“But look what I've found in the drawers.” Jill removes a box from inside the drawer and opens it. It contains a bunch of oddly shaped devices, attached by a belt or some sort.
“Are those what I think they are...?” You question, not quite sure what to make of it just yet.
“In every colour too.” Ada says. “Seems like a 'hobby' of Arias'.”
“Maybe Arias had been using this toy in this room.” Jill snickers, pulling one of them out by the belt, and the girth of the black shaft is thick and erected.
“Jill, stop playing with it.” Your face looks visually disturbed. “Oh my god, my pure and innocent mind...”
“Don't tell me you've never used one of these before?” Ada is grinning, as if you just asked a silly question.
“And you have?”
“Who hasn't?” Jill laughs too. Meanwhile, you are still standing, a look of confusion in your eyes. They look at you, and look between themselves, a synchronous 'oh' left their mouths at the same time. You are still confused.
“Don't worry about it. So what do you guys got there?”
You pick up the stack, and read aloud the first sheet that is addressed to someone.
Dear Sarah, The world had been too cruel to us, separating us from each other far too suddenly, far too soon. Our lives were only just beginning, and fate had to take you away from me. We should’ve had so much more time. And we will. Don’t worry, Sarah, all of this is only temporary. I took your wedding dress to the dry cleaners and safekept it for your return. I still remember how beautiful you looked in that dress walking down the aisle. Yours forever, Glenn
You bring the sheet back to read the next letter.
Dear Sarah, My research was successful. I did it, Sarah, I DID IT!! I can finally bring you home, my love. Didn’t we always said we wanted a child? You told me underneath the moonlight you want to name our daughter Renee. And now, we can finally have them. We can finally be together. Things are in order to make this happen. Me, you, and Renee, for eternity. I’m so excited I’ve painted Renee’s nursery in your favourite colour, green. So much work to do, I’ll write to you again soon, Sarah. You won’t have to wait any longer. Yours forever, Glenn
“Is this Arias’ wife? What do you mean ‘bringing her back’?” Your whole body shudders at the thought.
“She’s dead. One of the many innocents that died in the wedding.” Jill almost punches the wall. “It should’ve been him.”
“He’s trying to revive her? …And have children with the dead?”
“What kind of fucked up shit is he planning?” Jill is shocked, grossed, disgusted all at once on her face.
Meanwhile, Ada, calm and unreactive as ever, is rummaging through the safe again. “No sign of the sample—” Ada confirms, and she withdraws her hand holding a gold bar to transfer it into her gear’s pocket. “—another dead end.”
“Did you just steal something?” Jill is in disbelief.
“Mind your business.” Ada shoots back a glare at her.
“There’s something really fucked up going on in this mansion, and this is how you act? Have some sympathy for the dead, would ya?”
“It’s been dead for a while. Doesn’t matter what we do or what we say, they can’t hear it. All we can do is focus on the present.”
“Why you—” Jill stops midway, like she accidentally swallowed back her words down the wrong hole. Her head is throbbing, heart racing, body attacking her from all sides within. Her throat is closing up, and for a second, Jill can’t breathe. She falls; collapsing onto the table with a loud thump, barely supporting herself with her elbow. Jill coughs; there’s blood.
“Jill! Are you okay?” You cry out, running to her aid, your arm rounding across Jill’s shoulders. It feels cold. Dry. Like you’re touching the furless coat of a dead animal with no warmth left in them.
“I… nnh, I’m fine.” Her voice is straining, but there’s some breathing at least.
“Don’t be stubborn. The colour on your face is gone.” You dip your hand onto Jill’s forehead. The cold sensation fades, and now it’s warm to the touch again, burning like a fever. You question yourself whether the coldness before was an illusion. Bringing your arms around her, you reach to your earpiece. “I’m calling Rebecca.”
“No. Don’t.” She coughs even harder with her weight leaning against you; she’s turning frailer and frailer by the minute. “I’ll be fine. We need to s-stop Arias.”
That is when you hear a click, cold metallic surface pressing against the fabric of Jill’s back. The safety’s off.
“Ada?” Your voice escapes like a pleading squeal, a forced laugh through hopeful desperation that it’s all a prank, that Ada isn’t going to hurt and betray you, just like all the other times. “…What’s up with you?”
“Jill. Get off. Now.” Ada raises her volume to a stern demand, and this time, you know she’s definitely not joking. Jill ought to do as she says soon, or else both of you may catch the bullet with a press of Ada’s finger.
“Ada—” Your voice shrivels into a pitiful whisper. Betrayal again? After everything?
“Jill’s infected. Face it. Thought it was weird why you’re acting funny. The virus is in your body as we speak.” Ada points her gun at Jill.
“Wha—What’re you talking about?” Jill’s face turns white. She coughs once more, hard. There’s blood all over her hand and on the corner of her lips.
“Ada. We need to take her to the hospital now.”
“Does she look okay to you? I’m not going to save your ass again. So get out when I tell you to.” Ada’s finger is firm on the trigger. Determined.
Jill scoffs. “This again? So you’re working for Wesker? You’re trying to take us out one by one. It’s not gonna work.” With a weak grip, Jill grabs her pistol with her remaining energy to aim right back at Ada. Ada doesn’t shoot. She should’ve, but she can’t.
Ada’s guard is up again. “Believe what you want. If you’d like to die today, be my guest. I won’t hesitate to shoot.” She flicks her wrist, demanding you to move aside. “This is your last chance.”
“Ada, please listen! She wasn’t bit. We were together the entire time. You were there too, Ada! She can’t be infected. She can’t be—” You yell in distress, but your sentence trails off into a mumble.
“The gas. The gas has something to do with it.” Ada says.
“Won’t the two of us be sick too?” You say.
Ada’s eyes glare harshly against the two of you, but you can see her thinking, the cogwheels in her brain processing the facts, and her speculation wavers. There’s pity behind the cold blooded glint. Sympathy. Ada’s pistol lowers—
And that was the mistake that costs their lives. Jill turns, roundhouse kicking the pistol off Ada’s hand in her moment of vulnerability. The gun falls, crashing against the rug far from reach. Ada is already reacting, drawing her TMP out but Jill moves faster. Too steadfast. Too superhuman. She tackles Ada to the ground, hands steady against her neck.
Jill’s gaze is obscured by flames, something blinding and controlling from something within her veins and arteries. Despite looking directly at Ada, she can’t see, nor can she distinguish friend or foe. Her hand tightens around Ada’s windpipe, leaving her grasping for air.
You pull up your rifle in a panic frenzy, unloading your round onto Jill. But she does not flinch, does not even look your way. There’s a dent in her skin where your shots land, but there’s no blood. “Goddamit, what the fuck, Jill! What is wrong with you?”
But Jill can’t hear you. Only the crackle of flame and roar of wildfire burning and reverberating through her head. Echoing twice and thrice over. Ada is grunting soundless moans, still attempting at escape with how she continues to fumble for the TMP on her waist belt. Then, Jill steps on Ada’s hand with sheer force and unnatural strength, crushing the smooth palm with the sole of her feet, twisting it until all the delicate bones become unrecoverable. And all hope was lost again.
Jill sinks her teeth into Ada’s neck, not with much mercy either. There is a sound of flesh torn, a blood crying scream to taint the air. The blood velvet rug paints a deeper red and Jill releases. Ada flops to the floor, paralysed, but not deadly enough for a fatality. Her beautiful skin, once full of vigour and charm, stained red with her own blood, the veins around turning deeper purple thriving like tree roots across the earth.
You look at Jill—and she’s smiling. It’s not the slight curve of her lips you’re used to when you tell her that her haircut is nice. Or the reluctant embarrassed grin she has when you thank her for standing up for you. This was something else.
This was something from hell.
She’s no longer the Jill you know. ‘Jill’ turns around to meet you in the eye. You back away, rifle aiming forwards despite knowing it’s all fruitless. Your hands shudder from within, none of your shots will hit even if you try. But you had no choice. You have to try even if it’s fruitless. Then you aim at Jill directly on the head. It’s harder than it looks, killing your best friend, even if they are a zombie.
It misses and lands on her shoulder instead. There’s a notable grimace on Jill’s face as she flies to catch the bullet from within her shoulder. She flicks the bullet away and her grin spreads widely, and she chuckles a sinister giggle. “That hurts, you know…”
“Jill?” These BOWs aren’t supposed to speak. They should be monsters. This is your first time meeting one of these too, and you did not expect them to be one of your closest friends. You should be careful. If they can speak, do they have the intelligence to manipulate you too?
“What’s wrong, kitty?”
“Fuck you.” You grit your teeth. “I’m not turning into one of you.”
She merely laughs. “Admit it. You think this is hot.”
“Fuck off.” You have Jill’s eyes locked, other hand inching closer and closer to your back pocket, reaching for the radio. But it was no use. A hand—bloodied and broken—grabs you by your wrist, twisting it behind you forcefully. You wince. Ada is right behind you, her eyes looking into yours with the same blank stare Jill has. She’s turned. And so quick too?
“Our darling, can’t seem to stay put? I think it needs punishment.” Ada’s breath is blowing against your neck. You shiver.
“Oh… like what kind?” Jill’s eyebrows are raised and intrigued.
Jill answers the question herself by unsheathing her pocket knife. You swallow hard as she takes each purposeful step towards you, savouring in your fear. Your wrists struggle against Ada’s grip, which she responds by tightening it further that your bones are almost breaking from her touch.
“It’ll hurt more if you resist.” Jill drawls out her words, licking the surface of the knife. She brings her knife forward, laying the flat edge of the knife against your cheek, drawing a little blood at first, then a bit more droplets gather onto the knife. She slurps on it, licking the crimson nectar clean off her knife. “Just relax, kitty. It’s us. Jill and Ada. Your teammates.”
“We won’t hurt you, darling. You can trust us.”
For a moment, through the hazy blink of a spell, you see your friends. Ada, mysterious yet always saving you during trouble. Jill, indifferent yet is always the first to defend you. They’re absolutely right. These are your friends. They mean so much to you, and you’ve just realised that now. You’ll do anything for them.
You let your body relax, your eyes stare into Jill, then Ada, then back at Jill again. She caresses your cheeks in her palm, bringing your face closer to hers with lips that only want to close the distance, and you close your-
Wait! No. Stop this! This isn’t right!
-eyes, before your lips crash together in a series of tingles. Jill deepens the kiss, her tongue prying between the seams of your lips, meeting your own tongue in the middle. You still taste a bit of blood, but that doesn’t deter you from returning the kiss. Jill licks your lips once more before finally parting with a heaved gasp. You slowly open your eyes, before another pair of familiar lips comes colliding back on yours and you’re nudged to close them again. This is Ada’s lips, rounder, thicker, with an unexpected forwardness. She nibbles on your lips, demanding, making room between the gaps of your lips, and kiss you just as passionately as Jill did.
Between kisses, a button pops off. Then another. You help each other out of your fabrics. Earpieces removed, abandoned by the floor. Jill strips off Ada’s dress and bra, and you help Jill out of her skinny jeans. A paper scrunches up from her back pocket. It’s been torn by hand, scribbled a note on lined paper where the words are either smudged or peeled off. Only one word is still faintly visible.
[ WATER ]
What could it mean?
You spend no time to ponder with Jill pulling you back into the present. Your naked torsos flush against each other as the duo fight for another taste of your lips. They catch your breath, one after another, with no intention of letting you out of their sight. Jill brings her hand around you, her fingers are already sending-
I need to get out of here! I need to warn-
-a violent fizz through your body, and Ada helps you fall to your legs onto the velvet rug underneath you. All the whilst your lips are trapped in Jill’s, and so is your body.
“That’s it… Be our good little darling.” Ada slips right behind you, letting your relaxed body lean against her, then running a hand up your torso with the friction of her latex gloves, before settling against your neck in a firm grip.
“We’ll take care of you, kitty.” Jill whispers into your ear, and you can’t hear any malicious intent. Jill and Ada aren’t hurting you, some part of you is very sure about this.
Then you hear something. A faint sound in your mind, a warning, a scream from far away. It’s telling you to run, run so far and fast before it’s too late. “Nnh… I…” It rings in your ear like a constant drum, forcing you for a response. But why? You feel so good right now…
“Stay with us, darling.” Ada coos, moving downwards to kiss along the strip of your neck. She’s gentle, enchanting you in her lovingness. The voice grows fainter, like a distant chatter that fades into the background.
And their hands are all over you, exploring every curve your skin has to offer. The crook of your neck, the gentle folds between your belly, thighs filling out into their palms, plushness against plushness. With how both of their breasts lay against you, it reminds you of a marshmallow cloud, and you’re drifting away into it. Away from the mortal world where only the three of you remain.
Ada runs her hands down your body, her latex glove palming your cunt now, circling it fully and firmly. You feel everything move, your hips rutting to find more friction against your clit. And she retracts her hand, pressing down against your clit as if you hears your demands, holding you and your emotions hostage, before repeating all the motions again.
“Shh… We’ll take care of you, kitty.” Someone says this, you don’t know who. You are much too focused on the pleasure throbbing in your body to notice. Ada moves her head downwards to watch your cunt more closely, pleasant to see you already drenching, soon to succumb to the inflictions of her loving touches.
“Goodness, so wet for me, darling.” Ada rewards herself with a finger down the stripe of your cunt, scooping your juices with the latex and licking her finger clean. Ada is taking her time with you, pecking gentle kisses along the seam. A few times you feel the firm pad of her tongue on you, but she retracts it before you can truly react to it.
Jill is still kissing you; her hands are groping her own breasts to satisfy herself, while you lay limp under the command of the two. You moan back into the kiss, clearly aroused by Ada toying with your body underneath, and she grows increasingly jealous: “Having all the fun without me?” She abruptly parts your lips, and gently lowers your back onto the floor.
“Come on, kitty. Help me come too.” Jill pecks one final kiss on you, which you, too engrossed in the knot in your chest to struggle to even pucker your lips. She rounds her legs over your face, and your face is shaded with the shape of Jill’s cunt. Her arousal glistens in the darkness, seemingly twitch, maybe a bit vulnerable with how your eyes are fixed upon her aching parts.
“Put that tongue to good use, kitty.” Jill drops herself onto your face, fucking herself onto your nose. A moan escapes her lips, and yours too, your grunt muffled underneath the pressure, but she can still feel the vibrations through her cunt. She ruts against you, a signal for ‘more’, and you obey. You stick your tongue in, swirling and springing your tongue to feel Jill’s walls against the flat surface of your tongue.
Jill lifts herself temporarily, just enough for you to breathe and release the groaning mess that is trapped in the back of your throat. She slams herself back down onto you again. Your breath quickens, back arches in; you’re close. So fucking close. Ada isn’t stopping now, her lips are flushed against your cunt, extending her entire tongue inside of you to tonguefuck you until your heavy breathing is inside of Jill’s cunt.
“I.. nnh…fuck…” You cry, a tear gathering in your eye.
“Don’t be shy, kitty. Just let it all out.” Jill looks down at you, grinning, taunting. She drives her cunt deeper onto your face. And with her encouragement, you do. The sensation wells inside of you, stimulated on both end bringing your orgasm to escalate in speeds unimaginable. Your juices start to flow, without warning—you couldn’t control it even if you tried—and all your fluids spills directly onto Ada’s face, catching into her eyes.
“That’s it. Well done, kitty.” Jill praises, smoothing a hand over your hair.
Ada doesn’t wince from your juices in her eye, she doesn’t even feel the pain. Her irises are shifting red from her kind hazel brown. Her skin, paling, wherever she was applying pressure at you, those parts of her turns distinctly blue. And that’s when reality hits you: you don’t know them. But there’s no stopping now. It’s too late. At least you can make your death memorable—enjoyable—by getting fucked inside out.
Jill is feeling it too, her hips shaking, your tongue going into overtime eating her out, until she finally releases. She tries to lift herself off, but it was too late when Jill begins to squirt, her one finger guiding herself on her clit, drenching your face and some of your hair with her fluids. You wipe your face off with your hands, huffing and puffing. Whatever you two had, it was intense. Far more intense than any relationship you had with any other sex.
Ada lands right next to you on the rug. She’s reaching down to circle on her own clit and thrusting her fingers inside of her dripping mess at the same time. God, Ada looks so hot touching herself.
“Please. Ada. I want to taste you too.” You nudge Ada’s fingers out of herself, giving them a lick to clean those pretty, battered fingers off. Even damaged, her manicure is still perfect, and the skin still feels soft to the touch. You roll on top of Ada, exchanging places with Ada’s fingers to bottom her out.
Ada’s cunt is so smooth, cleaned and trimmed, just as put together as the rest of herself. Her hole is wide open, as if taunting you with how much she can take at one time. You hook her legs over your shoulder now, pressing them down closer to her body and reaching over to her swollen nipple to pull against it. When your fingers enter her, it’s like dipping your finger into melted butter. With one finger, it was loose. So you add one more finger, then another, until all four of your fingers are deep in her cunt.
“God, Ada.” You swallow back a heavy drool. “You’re all stretched out.”
“I have higher pain tolerance like this. That’s the best part about being a zombie.”
“Does that mean I can…” You thought four fingers was Ada’s limit, but after wiggling your hand around, you manage to slip the fifth finger inside. Ada lets out a delighted whine, swallowing your entire fist with a quick rut of her hips.
My god, Ada looks so beautiful like this. With how big she’s taking in, you swear that she’s more used to this than she’s letting on. But you don’t get to ponder long, because Jill is right behind you. She’s watching over you, grabbing your cheeks from behind and something is nudging between your thighs.
“I want to try something on you.” There is a belt around her, and a strap bouncing high and proud into the air. “Stick up your butt for me, kitty.”
The idea of getting fucked by Jill excites you very much. You perk them up, despite your eagerness, you don’t want to lose momentum with Ada in front of you, still squirming under your control. You expect your cunt to meet with Jill’s silicone tip, but instead she puts some kind of device inside of you. It vibrates in the lowest setting, only a tingle of sensation in your already aching and throbbing pussy.
“J-Jill?” You let out a low grunt, unsatisfied. The device is so small, you still feel empty even as it vibrates within you.
“Don’t worry, kitty. I’m just gonna write some thing on your body. It won’t hurt, I promise.” She picks up a knife, previously abandoned in the corner. She runs the sharp end of the knife along your ass cheeks, and you wince as Jill drags the knife down until it carves off a letter. ‘J’ on your left cheek, ‘A’ on your right cheek.
“Kitty looks amazing with our initials on it.” Blood is trailing along your butt. Jill lied. It hurts a lot. But the combination of pain on your skin and pleasure of the vibrator takes you to your wits end. Jill makes up for it by consoling the cuts, planting kisses and licking the blood off your cheeks. Then she grasps harshly onto the plush meat, and the pain is back again.
“Kitty…” She coos, fingering out some of your stickiness to lubricate the silicone. It lines up against you, ready for entry. You take in a deep breath, and Jill shoves all of her length in one go. Your body flinches, tongue stopping for a moment to recollect your composure as your internal walls fight to wrap both the vibrator and Jill’s strap at the same time, filling you up so fully.
“That’s it, kitty. Take in both me and the vibrator. Feel so good right now… So good for us.”
But she’s not stopping. Not intending to stop until you come over and over again, until you stain the rug with every bit of your juices. Moans ripple through the room. Each thrust heavy and welcoming to your pussy as you stretch wide to accommodate to this newfound size. You chase your euphoria, as it crash at you wave after wave of limitless pleasure. Jill tips you further into overstimulation, fucking the fluids of your orgasm back inside of you.
But you can’t speak, despite the desire to release your choked out breath, you are determined to make Ada come too. She’s close. You press her legs further down to flex her into a pretzel, her thighs touch her head, and your fist finds its easier to reach her cervix, abusing at her favourite spot over and over again until she’s bound to release her fluids onto your hand.
“You’re mine now…” Jill and Ada speaks almost simultaneously.
And the rest of the night was a blur. You aren’t sure how many times you came tonight, you only feel the aftermath of it. The inside of your walls are sore, penetrated repeatedly by tongue and silicone, and you find your consciousness fading… and fading… until you are gone completely.
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A buzz. It rings in your ear like a fly in your sleep. Is this your alarm? No… Did you not leave for Arias’ mansion? How long ago was that? Why are you asleep? And where’s Jill and Ada?
You are alone. The portraits watching your naked body as you lie—criticising you? You hear the windows clacking against the hinges, night air whining inside and all over your bareness. But you don’t feel cold. Your body hasn’t felt anything in a while. Joints weakened everywhere and your lips feel like something dried over.
You hear the buzz again. This time much closer. There’s static. It’s saying something.
“Ji- Ad-”
You move your limbs, cumbersome from the soreness of your muscles, to reach to the sound underneath your clothes. An earpiece. You fumble it on.
“Jill! Ada! Are you guys there? Come on, why won’t this damn thing work?”
It’s Rebecca. You know this girl. From somewhere. It’s getting harder to think.
“Reb—” You try to talk, but it escapes like the low grumble of a zombie. You don’t have much time left.
“Finally! Thank god it’s you! Are you guys safe?”
“Water... It’s the water… The water’s infected…” You muster whatever bit of strength left to talk.
“Hello?? Shit. I can’t hear you… What did you say about the water?”
Your eyes feel heavy. It sinks without intention. All that remains is a fragile pulse at the hearth of your body. Not enough for you to move or think. Darkness envelops you, and there is silence once again in Arias’ office.
Then, a man steps into the room.
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thanks for reading! come check out my other works. —yours truly, rose. kissing @scar-crossedlvrs and @obsolescent for beta reading this!!!! tags: @j3llyd0nut @ovaryacted @daydreamrot @madcap-riflette @access--granted @obsolescent @briermelli @secretiveauthor @ghosty-frog @navstuffs @slowcryinginthedark @rentaldarling @lesbntired @redvleanli @vinsiliors @whoisgami @gaylorvader @wxwieeee @eddsthemunson © roseglazedlens — please do not repost, plagiarise, or feed to ai.
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animusrox · 2 months ago
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Golden Globes Nominations - TELEVISION
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Best Television Series – Drama​
The Day of the Jackal (Peacock) The Diplomat (Netflix) Mr. & Mrs. Smith (Prime Video) Shogun (FX/Hulu) Slow Horses (Apple TV+) Squid Game (Netflix)
Best Television Series – Musical Or Comedy​
Abbott Elementary (ABC) The Bear (FX/Hulu) The Gentlemen (Netflix) Hacks (HBO/Max) Nobody Wants This (Netflix) Only Murders in the Building (Hulu)
Best Television Limited Series, Anthology Series or Motion Picture Made For Television​
Baby Reindeer (Netflix) Disclaimer (Apple TV+) Monsters: The Lyle and Erik Menendez Story (Netflix) The Penguin (HBO/Max) Ripley (Netflix) True Detective: Night Country (HBO/Max)
Best Performance by a Female Actor in a Television Series – Drama​
Kathy Bates (Matlock) Emma D’arcy (House of the Dragon) Maya Erskine (Mr. & Mrs. Smith) Keira Knightley (Black Doves) Keri Russell (The Diplomat) Anna Sawai (Shogun)
Best Performance by a Male Actor in a Television Series – Drama​
Donald Glover (Mr. & Mrs. Smith) Jake Gyllenhaal (Presumed Innocent) Gary Oldman (Slow Horses) Eddie Redmayne (The Day of the Jackal) Hiroyuki Sanada (Shogun) Billy Bob Thornton (Landman)
Best Performance by a Female Actor in a Television Series – Musical or Comedy​
Kristen Bell (Nobody Wants This) Quinta Brunson (Abbott Elementary) Ayo Edebiri (The Bear) Selena Gomez (Only Murders in the Building) Kathryn Hahn (Agatha All Along) Jean Smart (Hacks)
Best Performance by a Male Actor in a Television Series – Musical or Comedy​
Adam Brody (Nobody Wants This) Ted Danson (A Man on the Inside) Steve Martin (Only Murders in the Building) Jason Segel (Shrinking) Martin Short (Only Murders in the Building) Jeremy Allen White (The Bear)
Best Performance by a Female Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television​
Cate Blanchett (Disclaimer) Jodie Foster (True Detective: Night Country) Cristin Milioti (The Penguin) Sofía Vergara (Griselda) Naomi Watts (Feud: Capote Vs. The Swans) Kate Winslet (The Regime)
Best Performance by a Male Actor in a Limited Series, Anthology Series or a Motion Picture Made for Television​
Colin Farrell (The Penguin) Richard Gadd (Baby Reindeer) Kevin Kline (Disclaimer) Cooper Koch (Monsters: The Lyle and Erik Menendez Story) Ewan McGregor (A Gentleman in Moscow) Andrew Scott (Ripley)
Best Performance by a Female Actor in a Supporting Role on Television​
Liza Colón-Zayas (The Bear) Hannah Einbinder (Hacks) Dakota Fanning (Ripley) Jessica Gunning (Baby Reindeer) Allison Janney (The Diplomat) Kali Reis (True Detective: Night Country)
Best Performance by a Male Actor in a Supporting Role on Television​
Tadanobu Asano (Shogun) Javier Bardem (Monsters: The Lyle and Erik Menendez Story) Harrison Ford (Shrinking) Jack Lowden (Slow Horses) Diego Luna (La Máquina) Ebon Moss-Bachrach (The Bear)
Best Performance in Stand-Up Comedy on Television​
Jamie Foxx (Jamie Foxx: What Had Happened Was) Nikki Glaser (Nikki Glaser: Someday You’ll Die) Seth Meyers (Seth Meyers: Dad Man Walking) Adam Sandler (Adam Sandler: Love You) Ali Wong (Ali Wong: Single Lady) Ramy Youssef (Ramy Youssef: More Feelings)
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partlyironic · 2 months ago
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tagged by the great @marley-manson <3
here are ten of my favourite films, to put to your vote. I chose to define 'favourite' here to be films I could watch a hundred times over and they'd always bring me joy. and yes, I cheated by lumping together the cornetto trilogy.
I tag @pomegranate @amrv-5 @captainhunnicutt @billdecker @fightingfuries @waywardmillennial and anyone else who wants to do this <3
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tokyosmega · 2 years ago
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finished the rise of kyoshi, here's my word vomit about it:
SPOILERS AHEAD !
• i LOVE how they treated lightning !!! that's probably my favorite part. looking at how lighting is revered in kyoshi vs how its so mundane in korra is just . so cool ???
• the sapphic representation made me eternally happy <3 even though i could have done with more (i'm a romantic at heart) seeing kyoshi and rangi being soft and close was sooo sweet. the lgbt rep in avatar really makes me feel represented and i hope we can see it more on screen
• the worldbuilding around the pre-existing worldbuilding is so cool !!! the si wong tribal traditions, the deep politics of the earth kingdom, the reverence of yangchen and kuruk, i loved it all ! also, loved the little references to the show, like the cabbage jokes + the gan jin vs the zhangs
• the fights were amazing. there were a couple times when i couldn't really comprehend what was going on, but i think that might be because kyoshi's bending is just like that. they went in a direction that was far more graphic and brutal than the show, but i feel like that was completely vindicated because kyoshi lived a graphic and brutal life
• jianzhu was a REALLY interesting villain! the overarching theme of good vs evil within the avatar universe played well with him. he is a man that thinks only of the good that will come while doing evil deeds, and kelsang mirroring him as a man who thinks of the evil he is doing despite knowing it will be good in the end is really great. nice foiling avatar
• kyoshi's element training seemed to go a little fast for me, but that might be because aang took three seasons to master the elements. but i don't know, kyoshi going from being an inept bender to suddenly being proficient in everything with minimal training was a big jump, even though it took like 300 pages
• i LOVED kyoshi's origins !! her parents being daofeis + her mom being an air nomad was super unexpected but a great way for the story to go. it really helped set her avatar journey apart from korra and aang
• i fully subscribe to the theory that lao ge is guru pathik btw . also the fact that they couldn't find the avatar for multiple years and then just pointed at some guy and was like "yeah that's him" is HILARIOUS to me
ok that's all guys thanks for coming to my ted talk
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unreliablenarratorpoll · 2 years ago
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and here's the long awaited match-ups! for the sake of readability, here it is in text form:
Left Side:
1: The Narrator (Fight Club) VS Richard Papen (The Secret History)
2: Belgarath the Sorcerer (The Belgariad) VS Lain Iwakura (Serial Experiments Lain)
3: Kim Dokja (Omniscient Reader's Viewpoint) VS Greg Heffley (Diary of a Wimpy Kid)
4: Patrick Bateman (American Psycho) VS Drosselmeyer (Princess Tutu)
5: Kuruto Ryuki (AI: The Somnium Files – Nirvana Initiative) VS Ishmael (Moby Dick)
6: Amy Elliot-Dunne (Gone Girl) VS Victor Frankenstein (Frankenstein)
7: Mary Katherine Blackwood (We Have Always Lived in the Castle) VS Odysseus (The Odysseus)
8: Pi Patel (Life of Pi) VS Alice Liddel (Alice: Madness Returns)
9: Jamie Taylor (The Haunting of Bly Manor) VS Jonny d'Ville (The Mechanisms)
10: Harrowhark Nonagesimus (The Locked Tomb) VS Elena Gilbert (The Vampire Diaries)
11: Wei Wuxian (Mo Dao Zu Shi/Grandmaster of Demonic Cultivation) VS The Batter (OFF)
12: Charlotte Wiltshire (Hello Charlotte) VS Yuki Takeya (School-Live!)
13: Eleanor Vance (The Haunting of Hill House) VS Cloud Strife (Final Fantasy VII)
14: Louis de Point du Lac (Interview With The Vampire) VS Harrier Du Bois (Disco Elysium)
15: Katniss Everdeen (The Hunger Games) VS Will Navidson (House of Leaves)
16: Maebara Keiichi (Higurashi: When They Cry) VS Emperor Kuzco (The Emperor's New Groove)
Right Side:
17: Holden Caulfield (Catcher in the Rye) VS Ethan Frome (Ethan Frome)
18: Kayleigh (We Had To Remove This Post) VS Attolis Eugenides (Queen's Thief)
19: Percy Jackson (Percy Jackson and the Olympians) VS Mapleshade (Warriors)
20: The Narrator (Bobobo-bo Bo-bobo) VS Offred (The Handmaid's Tale)
21: Nick Carraway (The Great Gatsby) VS Zampanò (House of Leaves)
22: Steven Crain (The Haunting of Hill House) vs David Wong (John Dies At The End)
23: Renata Ghali (Planetfall) VS Johnny Truant (House of Leaves)
24: Mfer From Telltale Heart (The Tell-Tale Heart) VS Meursault (The Stranger)
25: Ted (I Have No Mouth and I Must Scream) VS The Narrator (The Stanley Parable)
26: Genly Ai (The Left Hand of Darkness) VS Hiroshi Odokawa (Odd Taxi)
27: Frankenstein's Monster (Frankenstein) VS Varric Tethras (Dragon Age 2)
28: Cadi My Friend Cadi (Real Life) VS John The Apostle (The Bible)
29: Pelafina Heather Lièvre (House of Leaves) VS Johnny Silverhand (Cyberpunk 2077)
30: Rodion Raskolnikov (Crime and Punishment) VS Marco (Animorphs)
31: Flannery Culp (The Basic Eight) VS Daniil Dankovsky (Pathologic)
32: Cecil Palmer (Welcome To Night Vale) VS Mr. Stevens (The Remains of the Day)
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