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vidavalor · 1 day ago

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<<I looked up the etymology>>

*blush* You can't say these things to me when we're in public. 😂

<<And so our loops connect again with "Every Day.">>

Very true! The focus on mornings in S2 in the "Everyday" of S2 was also interesting to me. The first few episodes all begin with like "here we are again with Aziraphale trying to deal with his same daily round of these weird, lonely mornings" and The Final 15 is like welcome to the worst Friday morning that has ever existed lol. I guess my point is that the cycle of time is a thing during the week we're watching with things around everyday and the same daily round, etc. and that also shows us Aziraphale's diary.

Dawn is difficult for him because new days are micro-versions of the new dawn he feels stuck in trying to figure out how to start. He faces them alone because part of that new dawn would be figuring out how to make it so he can breakfast with that one, particular demon without them getting killed.

Diary and journal do seem to be quite a bit interconnected with some overlapping roots and connected words tied to daily/the dawn/daybreak, etc.. The PIE root dyeu is it a bit more the sky and heaven than technically God-- I know that, in some minds, those are the same things, but I think there might be a difference in meaning with relation to Good Omens. There's a disconnect between the awesome Voice of God who has been chatting with us and the evilness of the Heaven we've been watching.

There's also plenty of blasphemous wordplay throughout where characters are referring to those they love in different ways using terminology related to God or religious figures. With Crowley and Aziraphale, it's obviously deliciously dirty but, in the more general and innocent and direct paralleling plotline with the kids in S1, it's also just using the most famous palindrome word in the English language:

Dog, backwards, is God. The kid's gonna be alright. 😉

The ties between sky and heaven and the word diary does make Aziraphale choosing that word to call his record of his life on Earth a lot of fun. I've found that the words sky and heaven overlap in their etymologies as well because the sky is basically space but, as we know, space has always been where people thought the angels and the gods and such lived. It's something that makes me smile about Aziraphale writing in Demon's Guide that Baraqiel (Crowley) is the "Angel of The Sky."

It's true on a few levels. It's dry, since Crowley's a fallen angel who, like the other demons, was originally an angel of Heaven. It's also a nod to sky being space-- Crowley as the angel who made the stars. And the sky being an ancient way to refer to heaven... and heaven then becoming human figurative language for paradise? It then also seems to make it something of a C&A version of Gabriel's 'Beezlebub is my Heaven' moment. 😊

So, Aziraphale arrived in Edinburgh with a briefcase we never see him open and a hat that reads, among other things, "PRESS 66" on it, right?

And we might think that these are just Aziraphale's journalist cosplaying accessories but I think there are some hints that there's a bit more going on here than we might think-- all of it very relevant to The Finale.

We think that Aziraphale's arrival in Edinburgh is the first time that we see these things but, in true Good Omens form, the hat and briefcase are both actually glimpsed in a prior scene... rather significantly placed in that earlier scene, even.

Here they are, sitting together, the hat atop the briefcase, both in front of Jimbriel's once Fly-containing box, beside/behind the memory-wiped Muriel, in the scene below:

So, as Muriel is sitting there, not remembering Aziraphale, and as Aziraphale is sitting there, remembering Muriel and thinking all the things about the fact that they don't remember him at all? In the shot between them is the box into which Jim put his memory and brought it to Crowley and Aziraphale for safe keeping. In front of that box? Is Aziraphale's press hat and briefcase, seemingly drawing some connections between the journalist accessories and the memory plots in S2. Hmm...

What this scene also shows is that Aziraphale didn't just magic this stuff up as props when he arrived in Scotland. Even though we didn't see them in the car on the way up, they were there on the passenger seat for him to retrieve upon his arrival. He brought them with him from the shop. He packed them overnight and they were there, all ready to go, prior to Muriel's arrival, which coincided with Crowley coming over and moving the plants out of the car because Aziraphale planned to take it to Scotland. Why does this matter?

Because it might signal that there's more to the briefcase and the hat with its press credentials than we might initially suspect.

I think it would be safe to say that Aziraphale, by this point in the story, would be concerned that his memories were in danger.

He knows he's always been on a collision course with falling and this is all escalating pretty quickly in S2 in the two days prior to Aziraphale packing this press stuff and taking the car. Gabriel was The Supreme Archangel and he couldn't remember who he was and the archangels had shown up to threaten them and say that they're going to be spying on him even more closely, sending another angel to bug them the next day... the memory-wiped Muriel being quite an interesting choice, as that's sending quite a threatening message. Aziraphale also had roped Maggie and Nina into this and he knew he was likely going to have a confrontation with Heaven and Hell coming.

One of the first things he'd be concerned about would be his memories, right? and it's here where we can mention what we later learn about what Heaven can and cannot do regarding those memories... things that are new to us but that Aziraphale likely would have already known and factored into his plan, as we'll see.

Hints are given to this all season via Gabriel but it really becomes overt in this scene here:

This scene proves that Gabriel's memories aren't just in The Fly in S2-- they're also still in his mind. His memories are shown to be in two places at once. Gabriel's memories-- ones even directly related to the trauma he underwent-- actually began to come back before The Fly, in this scene. Gabriel felt safe and like he was talking with someone who could understand in this scene with Crowley so the memories began to come back for him.

The point here is that this scene shows that, when Gabriel "took his memories out" and put them into The Fly, what he was really doing was basically backing them up. He "uploaded" his memories into The Fly for safekeeping so he could retrieve them later, as a way to keep it so that they wouldn't be erased forever, but those same memories are still also on the "hard drive" of his mind. They were just mostly inaccessible to him for almost all of S2 because of trauma.

Before you say well, Gabriel might be a special case because he took his own memories out to avoid Heaven attacking him? Consider that Crowley didn't have a chance to do that-- but he tells Gabriel he knows how Gabriel feels.

Crowley has had the same experiences with his own memories. He's been able to bring some back at different times, without a lot of context, but a lot remains blocked. Crowley saying that he's been able to retrieve some memories means that those memories are still there in his mind, just very painful and difficult to access.

The idea might be that their memory loss is actually trauma-blocking. If Crowley's situation has the same effect as Gabriel's, it suggests that Heaven can't actually take people's memories-- they can only block them.

This would then be suggesting, as a lot in S2 did, that Gabriel didn't develop retrograde amnesia from taking his memories out-- he developed amnesia from the trauma he underwent.

When he felt safe enough to confront some of that trauma, the memories started to come back to him a bit.

What does this have to do with Aziraphale's briefcase, you ask?

It is connected because Gabriel's memory loss being from the trauma of Heaven trying to kill him, not from putting his memories into The Fly, proves that an angel could take his out their memories and not get amnesia from doing so.

Gabriel's story is showing that they could take out their memories whenever they want and still retain those memories also in their minds and be perfectly fine.

It's showing that Aziraphale could have backed up his memories in S2 without experiencing memory loss-- and the press hat and the briefcase are tied to just how he might have done that.

Aziraphale might have taken one look at Gabriel and his memory situation and the archangels circling the shop and thought that it would be a good idea to backup his memories and store them somewhere safe for if this all went pear-shaped.

What's interesting is that then, in a parallel shot to Aziraphale arriving in Edinburgh, we have this later scene when Aziraphale returns to London... note what's missing:

We see him park by the suit shop-- but no suitcase/briefcase this time. No hat. He's also taken off the raincoat. We never see them again for the rest of the season but we see a whole bunch of scenes that hint at where they are and why Aziraphale has left them in that location.

In this moment, we spend a strange amount of time on watching Aziraphale get out of the car and look around, hands-free, pat The Bentley, go for a little walk for a moment...

He talks to Nina, he goes back to the bookshop and greets Crowley and gets an armful of plants. The Bentley is largely the focus of the scene with Nina as well and its moving up in a scene that involves Nina and her bicycle-- another "mad 'American' woman on a bicycle", in parallel to Anathema in S1-- recalls Aziraphale miracling a bike rack onto the boot of The Bentley to transport Anathema's bike back to Jasmine Cottage. The key to getting Anathema and her bike safely home to her cottage was the bike rack Aziraphale made happen; the key to getting him and Crowley safely to the South Downs Cottage might be what Aziraphale stashed in the trunk of the car on his trip.

Here's where we can see that scenes before and around this involving Shax and Crowley show us pretty emphatically where the briefcase and the press hat are not located in the car...

They can't be on the passenger seat as they were on the way to Edinburgh because Shax wouldn't have been able to sit there when she got into the car on the drive back from Edinburgh. They also can't be in the backseat because the scene adjacent to Aziraphale's return to London is he and Crowley loading the plants back into the backseat. Crowley would have handed him his things if they were back there.

So, we have all of these shots of Aziraphale's return that are, among other things, emphasizing that the hat, the raincoat, and the briefcase are all not things he's taking out of The Bentley's trunk upon his return, even if they are his belongings and he brought them with him from the bookshop. He's intentionally leaving them all in the Crowley's car.

Aziraphale definitely did not leave his memories in a briefcase in The Resurrectionist Pub, even though that's the last place we saw the briefcase. How do we know that?

Because let's say that we're right here and Aziraphale did put his memories into the briefcase... either into something else that he then locked into the briefcase or just into the briefcase itself. What's the one problem with this?

He locked them in there for safekeeping, right? So...

He can't just leave the briefcase for Crowley-- he also needs to leave the key to the briefcase, yes? He needs to leave the combination somewhere... but he also has to hide that combination key. The briefcase wouldn't be very safe if just anyone could figure out how to open it, right? It needs to be something only Crowley can understand.

This is why Aziraphale is not a private detective in Edinburgh but a journalist because the key is in the hat.

How does one open the locked briefcase?

Press 66. 😉

The briefcase and the hat go together because the briefcase cannot be opened without the press credentials in the hat which, in very Good Omens and Crowley & Aziraphale form, look like they're one thing but are really another when you consider alternate meanings of words. Aziraphale knows that only Crowley would see Aziraphale's hat atop that briefcase and the 'Press 66' and work out that it's how to open the briefcase.

It would also be very Good Omens to nod to famous film Macguffins and then make them actually important in Good Omens' story. While a "what's in the briefcase?" thing here is very Pulp Fiction, the film that inspired the briefcase in Pulp Fiction is 1955's atomic noir Kiss Me Deadly, which is being referenced all over the place in S2.

The scene where Aziraphale picks Shax up from the side of the road is a homage to Kiss Me Deadly's opening scene, Gabriel's memory issues and his "I am in The Fly" note is similar to part of the central mystery of that film, and Kiss Me Deadly is the origin of the popularization of the word vavoom/va-va-voom.

Like basically every other film referenced in Good Omens, it's also known for innovative use when it comes to language-- particularly, coded cinematic language, in this case. Like North by Northwest, which is referenced in both parts of 1941 so far, Kiss Me Deadly found innovative ways to get around the Hays Code to tell its story. References to The Maltese Falcon in the story are also likely in relation to that story using etymology-based language to queer code aspects of its story, in a similar way to Good Omens, but also that The Maltese Falcon itself is a bit of a MacGuffin. In Good Omens, though, it seems like they're actually winking at those by making Macguffin-alluding things actually important parts of the story.

Anyway, the biggest fan theory about what's in the briefcase in Pulp Fiction is based around the combination to the briefcase being 666 in the film and the idea is that it's Marcellus Wallace's soul, which he sold to the devil. Famously, the audience never sees what's inside the briefcase. We might be saying here that the combination to Aziraphale's briefcase being 66 may be nodding to Pulp Fiction's briefcase a bit and hinting at the Satan in The Final 15 ideas. 66 is also tied to Route 66 and rock 'n roll in America, Buddy Holly, and the paralleling Gabriel & Beez flashback, maybe especially hinting at memory-related things happening with the briefcase.

I won't spoil you on what's in the briefcase in Kiss Me Deadly but let's just say that it goes along with Good Omens pretty well thematically... in a much, much darker way. The film being very bleak noir makes it very different in tone from Good Omens but the fact that the briefcase is actually is relevant to the story in the end of that film might also hint that Aziraphale's disappeared briefcase might wind up being important in The Finale, too.

Adding to this theory is also that another briefcase in The Bentley's trunk/boot was also something shown earlier in S2-- on a very significant night in Crowley & Aziraphale's history:

When Aziraphale is in Edinburgh, we see him intentionally hamming up his newspaper man persona and, in doing so, he takes the briefcase into The Resurrectionist Pub, right? Bit of foreshadowing there as to what will happen to Aziraphale and what will need to happen to bring him back?

Yes, we don't see the briefcase again after this scene but I doubt he left it in the pub because it would be useless to Crowley without the hat, on which Aziraphale has hidden the briefcase combination hidden in plain sight. Aziraphale was seen wearing the hat in one scene set after we last saw the briefcase, proving that both of them and the raincoat are in the trunk of The Bentley:

Aziraphale wore this whole get up to Edinburgh so that, if anyone was watching him, they'd think he was Muriel-like cosplaying a newspaper man. I mean... we know the trench coat is a little Columbo-esque, but why wouldn't he just be a private detective and not a journalist, if the goal was just to play a role to help solve the Gabriel mystery? Because he had to be a old movie-esque journalist so he could have the word press there in the credentials, only for its other meaning for the briefcase combination.

Aziraphale definitely had a whole other list of motivations for being the one to go to Edinburgh. He wanted Crowley to rest in the shop and to talk to Gabriel, he wanted to be the one to go tackle the mystery, and he wanted to work on his 1827 issues by going to the graveyard again... but we might find we can add to that list that he also realized it would be a good opportunity to hide his memories in a briefcase in The Bentley with actions that are right there, in plain sight of anyone who is watching-- including us 😉-- but might not be deemed suspicious.

Parallel-wise, the briefcase and The Bentley are the matchbox and the moving box and PRESS 66 is Aziraphale's equivalent to I AM IN THE FLY... all before Aziraphale and Crowley actually figured out what Gabriel and Beez did to protect Gabriel.

He's pressing on the press hat he's leaving for Mr. Six Shots of Espresso... 😂 The press card is in his hat, like a feather... Crowley's "it'd be a real feather in your cap wing" joke from the foreshadowing "I'll be damned"/"It's not so bad when you get used to it" scene in 1.01...

That demon doesn't know it yet but he's driving around with Aziraphale in the trunk because Aziraphale figured out how to get around the worst case scenario. He knew he was on a collision course with falling and he found a way to potentially dodge the memory loss by stashing his memories for Crowley in The Bentley.

His enthusiasm in Edinburgh is him barely able to contain his amusement at getting one over on anyone watching him who think they know what they're seeing but don't realize what he's actually up to.

No wonder why he was walking on air when he got back to London-- it was mission accomplished. He'd managed to leave Crowley the ability to bring him back, tucked away in the safest spot possible.

The bookseller who, like the others, is a metaphorical book/paper, left their out for Heaven and Hell trying to kill him for Crowley's safekeeping in a briefcase... the thing people use for...

...paperwork. 😂

But wait... there's one other big question, though, yes?

Why didn't Aziraphale tell Crowley this?

There absolutely was enough time and opportunity to tell Crowley he'd backed up his memories and left them in The Bentley's trunk.

The fact that this didn't come up seems wild, right, because they both know that Crowley has been having a steady anxiety attack about Heaven and Hell circling all week. We would think that, if Aziraphale had figured out this plan to circumvent that threat, the first thing he would have done would be to tell Crowley about it, yes?

Except... while I wrote this meta from the perspective of what the end result of Aziraphale's actions with the briefcase might be in The Finale, I don't actually think that was Aziraphale's own motivation for doing what he did.

Aziraphale didn't take out his memories and leave them in the briefcase in The Bentley for Crowley as a backup plan for them to elude a form of death for Aziraphale.

He left them there for Crowley to find and have after Aziraphale was already gone. Why else would Crowley need the combination on the credentials on the hat, right?

If Aziraphale had intended on his memories in the briefcase being a plan to save himself, he would have told Crowley about it so that Crowley would know. Instead, though, it's something of a suicide note. He left them for Crowley to find and have in the future.

I think The Bentley was even warning of this suicide ideation and showing concern upon the return to London for Aziraphale over what he had put in its trunk. The car is worried. [I love Good Omens-- when else am I going to type a sentence like that? 😂]

Aziraphale first parked it in front of Battye [madness] & Palm [to take]. It's a shop reflective of a lot of that depression and suicide ideation happening in Aziraphale's story and leading to his fall that I looked at in The Devil Takes The Hindmost.

The Bentley then drives itself-- and all Aziraphale's Aziraphaleness in the briefcase-- up a few feet. What is The Bentley then aligning Aziraphale with?

Death.

The car parked itself in front of the Give Me Death half of Give Me Coffee or Give Me Death...

... until Aziraphale told it to go back to where he parked it. Then, The Bentley backed up a few feet to Battye & Palm and all the madness that is the rest of the season. The car was foreshadowing the end, parking itself right along where it would be parked the last time we'd see it in S2.

The trunk is aligned with Give Me Death in The Final 15...

...fulfilling the foreshadowing of the end of S1.

#good omens #ineffable husbands #good omens meta #crowley #aziraphale #aziracrow #ineffable husbands speak #etymology

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yandere-wishes · 1 day ago

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DC series I want to write.

DC makes me so feral for so many characters lol. Will I get to all these in this lifetime? Probably not but hey a girl can dream!!

Fairy Tale AU: 2 parts out so far.

Villian Addict: Probs the most self-indulgent thing(s) I've ever written. It's literally about the reader being their henchwoman/Harley Quinn equivalent. And how they slowly start to fall dangerously in love with her.

Hero's Fangirl: I NEED to get Tim's part out, it's been gnawing at my brain like crazy!! Dick's part is literally just cute vibes there is no plot. Bruce's part is just pure angst and I'm frothing at the mouth to write it!!

DC comic HC: Pt1 out, Pt 2 & 3 soon to come.

Yandere! Batboys x Villian! Reader: just Batman x Catwoman in 5 different fonts. I've been seriously so enamored with the dynamic between Bruce and Selina (especially from the animated series) that I really want to explore the other batboys taking after their father and falling for a villain/anti-hero reader. I guess technically I did that with Yandere! Jason x reader

Especially a Yandere!Damian Wayne x Catgirl! Reader. It'd be so delicious to write an incarnation of Catwoman and Batman, exploring a macabre romance that bleeds from generation to generation. Some never-ending loop of doomed romance destined to happen.

Idk how well it relates but this story has been scratching my brain deliciously for the last couple of days. Hear me out Batsis! Reader x Harvey Dent. The twist is that she's so obsessed with her dad's (ex?) best friend but after they spend some time together, he starts to develop borderline-lethal feelings for her. Just a Yandere version of she fell first but he fell harder trope.

There are like 50+ other stuff for non-batfamily/bat-rogues characters I want to write but those are mostly one-shots. I should probs make a proper master for all these lol.

Anyway let me know if anyone ever wants to discuss these stories/wips or which ones you guys like more so I can get to work on them lol.

#this is me just rambling so I don't forget these ideas #just something to reference lol #batfamily #batfamily headcanons #batfamily x reader #bruce wayne x reader #harvey dent x reader #jason todd x reader #damian wayne x reader #dick grayson x reader #tim drake x reader #yandere #yancore #yandere x reader #yandere x you #genie rambles

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fangdokja · 3 days ago

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i keep rereading your yan marine corps! x fem reader. what was reader's role that she had to follow the marine's... adventure?

"You’ll never escape me—not when I’m the only one keeping you alive."

❤︎ Synopsis. In a world where death is mercy and survival means suffering, he claims you as his, promising protection through fear, control, and a twisted love that will leave you questioning if escape was ever truly possible.

♡ Book. A Heart Devoured (AHD) : A Dark Yandere Anthology

♡ Pairing. Yandere! Marine Corps x Fem. Reader

♡ Oneshot. #2 - The Devil Who Saved You

♡ Word Count. 3,153

♡ TW. dom + top + older yandere, non-con, possessiveness, psychological manipulation and conditioning, suggestive themes, fear play, emotional manipulation and abuse, psychological and emotional trauma, isolation, monitoring, lack of boundaries, non-con kissing and touching, forced relationship, BDSM, manipulation of circumstances, threats, descriptions of gore and human suffering, themes of violence and dystopia

♡ Note. Due to Tumblr content guidelines involving minors, some plot details of the original story were changed to fit the platform. If you want the true original story, please look at the author's official website or Ao3.

♡ A/N. I'm glad you enjoyed it :)). I'm surprised you're rereading it a bunch. But, I guess people do technically reread anyway. Sorry, slipped out of my mind. It just makes me happy seeing underrated works get credit, whether fandom or other stories I've written. So, thank you. Anyways. Technically, this was an ask. But it's a nice idea, and I've already had it in my drafts since before. I was just postponing lore dump with Yandere! Marine Corps, due to other works. Anyways. All I knew before, in all honesty, is that it's war time. But, time to pull out the fantasy skills and world build! Wooh! And to be honest, I'm hungry to write some gore crumbs like my familiar writing style, ahh. So, here, I present to you lore backstory (well technically part of the backstory). Hope you all enjoy it (also, sorry I talk a lot in notes).

♡ Music. Levee & Brick (Down to This) by Graffiti Ghosts

The world had fallen into an abyss so deep it seemed there was no end to its descent. The wars that came before—those waged for borders, ideologies, or resources—were merely preludes to this ultimate collapse. What erupted now was not war; it was annihilation. A calamity that turned cities into craters and humanity into prey. Every shred of civility burned away in the endless fires of desperation. The air was thick with the ash of the old world, a grim veil that painted the skies an eternal gray.

You had lived a different life once, one of relative normalcy in the dwindling days before the collapse. Back then, you had a future, a purpose, something as simple and human as hope. But that had been stripped away when the world’s powers unleashed devastation so complete it birthed horrors no living creature could comprehend. Technology had become a weapon of eradication, bioweapons and nanotech turning survivors into deformed creatures of flesh and steel, feral and mindless, hunting whatever moved. Rogue factions—remnants of militaries, mercenaries, and scavengers—rose like carrion birds, preying on the remnants of humanity.

In this hellscape, survival was no longer a matter of luck but of submission. Submission to those strong enough to carve their will into the earth and impose their dominion. He was one of those few. A towering force of unyielding violence, a soldier molded by decades of carnage, by a war that had reshaped him from a man into something closer to a machine of flesh and blood. The United Corps, once a venerated military institution, had fractured into splinter groups, each operating like a self-contained warlord’s regime. He was among their best—a leader, an executioner, a strategist, and now your captor.

You were assigned to him by pure chance—or perhaps cruel design. In this new order, value wasn’t measured by money or power but by the usefulness of flesh and mind. And you had been marked as useful. Perhaps it was your background—your knowledge, your resilience, or simply the misfortune of catching his attention when your convoy was intercepted by his unit. The corps didn’t merely take prisoners; they assessed, dissected, and consumed whatever remnants of humanity they deemed salvageable.

And he deemed you salvageable.

There were no illusions about the nature of his claim over you. It wasn’t love. It wasn’t mercy. It was obsession, possessive and cruel, born of a warped sense of necessity. “You belong to me now,” he had told you in that deep, unrelenting tone, the heat of his breath warming your face even as the chill of his words froze your soul. “Out there, they’ll rip you apart for the scraps on your bones. With me, you’ll live—if you behave.”

The battlefield was safer than the no-man’s land outside his dominion. That was the most damning truth. To run from him was to dive into a living nightmare where survival wasn’t a goal but a punishment. Outside his protection, death was not granted quickly.

You’d seen it. You’d heard the screams echoing through the wastelands, watched the crude factories churn with suffering. He’d forced you to look once, pressing your face against the window of a blood processing plant as tears streaked down your cheeks. “This is what’s waiting for you if you run,” he had whispered, his voice devoid of sympathy. “With me, you’re mine. Out there, you’re theirs. Decide.”

────────────

The smell hit you first. It wasn’t just the copper tang of blood; it was the rancid stench of rotting flesh mixed with chemicals—formaldehyde, acid, and something sour that clawed at the back of your throat. You gagged, instinctively raising a trembling hand to cover your nose, but he was quicker. His large, calloused fingers wrapped around your wrist, dragging your arm back down with enough force to make you whimper.

“Don’t look away,” he growled, his voice low and gravelly, vibrating like a distant explosion. “You need to see this.”

You didn’t want to see. You didn’t! But he held you there, his unyielding grip on your wrist a silent command. He stood just behind you, close enough that his breath fanned across the back of your neck, hot and suffocating.

The factory loomed before you like the mouth of some great beast, its jagged, rusted metal teeth glinting in the dim light of the sulfur-stained sky. The air outside had been foul, but inside, it was worse—a miasma of decay and despair.

The conveyor belts stretched endlessly, carrying bodies in various states of disassembly. Some were intact, their limbs hanging limply as they were dragged by crude metal hooks. Others were barely recognizable—mangled flesh and shattered bone mashed together in a grotesque parody of humanity. You tried to look away, to focus on the machinery, but even that was a nightmare of grinding gears slick with gore.

A loud, wet squelch drew your attention to a nearby station. A corpse—a woman, or at least what remained of her—was hoisted onto a steel slab. Her eyes were still open, glassy and staring, as if frozen in the moment of her death. A mechanical arm descended, its blade glinting dully under the flickering industrial lights. It carved into her chest with a precision that was almost surgical, splitting her ribcage open to reveal the organs beneath.

You felt bile rise in your throat as another arm extended, pincers gripping her heart. It yanked the organ free with a sickening suction sound, sending a spray of blood across the walls and floor. The heart was deposited into a waiting vat, where it joined dozens of others, floating in a viscous, murky liquid.

“They don’t waste anything,” he said, his tone devoid of emotion, as if he were explaining the workings of a simple machine. “Every part has a purpose. The skin for leather. The bones for tools. The organs for… whatever the hell they need them for.”

Your knees buckled, but he caught you, his arm snaking around your waist to keep you upright. “No,” he hissed, his breath hot and sharp against your ear. “You don’t get to faint. You’re going to watch. You’re going to understand.”

A scream tore through the air, high-pitched and raw, and you realized with horror that some of them weren’t dead. Your eyes darted to the source of the sound, landing on a man thrashing against his restraints as he was dragged toward another station. His legs were gone, severed at the thighs, and the stumps had been crudely cauterized to keep him alive.

“Please,” the man sobbed, his voice hoarse and desperate. “Please, just kill me. Just—”

The blade came down before he could finish, cleaving his remaining arm from his body. His scream turned guttural, the sound of a soul breaking, before it was cut off entirely by a needle plunging into his neck. The liquid injected was thick and black, spreading through his veins like oil. His body convulsed violently for a moment before going still.

You turned your head, choking on a sob, but he gripped your chin and forced you to face the scene again. His fingers dug into your skin, bruising and relentless.

“This is what happens without me,” he said, his voice a low snarl. “You think you can survive out there? Think you can make it without my protection? Look at them!” He shook you slightly, as if to drive the point home. “This is what you are without me—meat.”

Tears streamed down your face, hot and shameful, as you stared at the conveyor belts and the countless bodies reduced to parts. You couldn’t stop shaking, couldn’t stop the nausea that twisted your stomach into knots.

Another scream pierced the air, this one an elder's. Your head snapped toward the sound, and your heart plummeted. A thin figure, frail and sickly, was strapped to a table, his wide, terrified eyes fixed on the approaching machinery.

“No,” you whispered, your voice barely audible. “No, no, no…”

The machine didn’t care. The blades descended, and you squeezed your eyes shut, the image burned into your mind even as you tried to block it out.

He didn’t let you escape even that. His hand tightened on your jaw, forcing your eyes open. “Don’t you dare look away,” he growled. “This is reality. This is what’s waiting for you if you run.”

You broke then, sobbing uncontrollably, your body wracked with shuddering breaths. He held you there, unyielding, until you were too weak to fight. Only then did he pull you close, his grip on you shifting from punishing to possessive.

“That’s right,” he murmured, his tone softening in a way that was somehow more terrifying. “You understand now, don’t you? You’re mine. And as long as you’re mine, this will never happen to you.”

His lips brushed against your temple, a mockery of comfort as he whispered, “But if you ever forget, I’ll bring you back here. And I’ll make you watch again.”

────────────

The battlefield stretched like a bleeding wound across the earth, jagged trenches carved into the mud and ash. The remnants of what had once been cities were nothing more than skeletal buildings clawing at the smog-choked sky. The air was thick with the acrid tang of burning fuel and the gut-wrenching stench of charred flesh. Bomb craters bubbled with viscous, oily water that gleamed under the pale, radioactive sun. It was a place where hope had been smothered, where humanity’s last breaths came in choking, gurgling gasps.

He stood before you, his shadow long and oppressive, a monolith of muscle and bloodied steel. His armor—if you could call the piecemeal, blood-streaked remains of his tactical gear armor—clung to him like a second skin, the fabric worn thin and blackened with soot. In his hand, a rifle dangled lazily, as though he didn’t need it. And he didn’t. He was a weapon unto himself, his body and mind honed by decades of violence, cruelty, and war.

“Do you remember this place?” His voice was a low rumble, scraping against your nerves like a blade dragged across bone. His eyes, sharp and unyielding, bore into you with a force that made your knees weak. “Where I found you?”

You nodded faintly, though you didn’t trust your voice enough to speak. Your silence wasn’t just fear—it was a learned response, a survival tactic you’d mastered in the years since he’d claimed you.

“Do you know what they were going to do to you?” He crouched, bringing his face level with yours. His presence was suffocating, his frame dwarfing your own. His voice dropped lower, almost tender, as though sharing a secret. “No, you don’t. You only saw what they let you see. Let me show you the rest.”

He yanked you forward, his grip on your wrist unyielding, and led you toward the edge of the battlefield. The ground squelched beneath your feet, a revolting mixture of mud, blood, and something viscous that you didn’t want to identify. In the distance, the ruins of an old hospital came into view. The building leaned at an unnatural angle, its walls crumbling but still intact enough to conceal the horrors within.

“You’ve seen death,” he said, his tone conversational, as though discussing the weather. “But you haven’t seen what people do when death isn’t enough. When they want to break you first.”

The interior of the hospital reeked of antiseptic and decay. The sterile smell of chemicals clashed with the unmistakable odor of rot. The walls were streaked with dark stains, their origins uncomfortably clear as you stepped over discarded limbs, the flesh marbled with gangrene and crude surgical scars.

In the first room, a soldier lay strapped to a gurney, his body contorted unnaturally. His chest had been split open, ribs wrenched apart like the wings of a grotesque bird. His heart was missing, the cavity where it had once beat filled with a tangled mess of wires and tubing. The machinery whirred softly, pumping fluids through his veins and forcing his lungs to expand and contract in shallow, mechanical breaths. His eyes were still open, rolling wildly in their sockets as they locked onto you.

“He’s alive,” the man behind you whispered, his voice a mix of mockery and menace. “Barely. They like to see how far they can push the human body before it gives out. Sometimes they even stitch people back together, just to see how much more they can take.”

You gagged, your stomach lurching violently, but he grabbed your chin, forcing you to face the horror. “Don’t look away,” he commanded, his tone sharp and unyielding. “You need to understand. This is what was waiting for you.”

He dragged you into another room, this one colder, darker. Rows of tanks filled the space, each containing a murky, greenish fluid that distorted the shapes inside. At first, you thought they were bodies, but as you moved closer, you realized they were something worse. Limbs were fused together in impossible configurations, heads sprouted from torsos without necks, and eyes blinked independently in faces twisted beyond recognition. The creatures floated listlessly, their expressions a grotesque mix of agony and confusion.

“Human experimentation,” he explained, almost lazily. “They weren’t trying to kill you. They were going to use you. Turn you into something like this. A weapon. Or worse—a resource.”

You stumbled backward, but he caught you, his arm curling around your waist with a possessive strength that left no room for escape. He pressed his lips to your ear, his voice a dark caress. “I killed them all for you. Do you see now why you belong to me? Why you owe me your life?”

He pushed you onward, through rooms filled with horrors you couldn’t have imagined in your darkest nightmares. A man impaled on a series of metal rods, his skin flayed back to expose muscle and bone, still breathing through a series of tubes jammed into his throat. A woman with her limbs replaced by crude prosthetics, her mouth sewn shut but her eyes screaming. People of all ages locked in cages, their bodies twisted and deformed, their cries muffled by gags soaked in blood.

“This is what humanity has become,” he said, his voice cold and detached. “This is what I saved you from. You were a prize to them. A rare find. They would’ve broken you in ways you can’t even imagine.”

You fell to your knees, the weight of it all crashing down on you. He crouched beside you, his bloodied hand gripping your chin and forcing you to look at him. His eyes, sharp and unyielding, were filled with something dark, something terrifyingly close to affection.

“Don’t forget this,” he murmured, his thumb brushing over your cheek. “Don’t ever forget who saved you. Who you belong to. Because without me…” His voice trailed off as he gestured toward the carnage around you. “This is all you’d ever know.”

You sobbed, the sound muffled against his chest as he pulled you into his arms. His embrace was as suffocating as it was unyielding, a cage that you could never escape. And yet, in that moment, you clung to him, because the alternative was too horrifying to bear.

────────────

So you stayed.

Not because you trusted him. Not because you wanted him. But because the alternative was infinitely worse. And yet, staying came with its own horrors, its own chains. His obsession didn’t shield you from his cruelty; it only redirected it. He was a man who didn’t just command obedience—he demanded submission. Every glance, every word, every trembling breath was a reminder of your place beneath him. When he touched you, it wasn’t with gentleness. His hands were calloused and bruising, gripping and claiming, leaving marks that would never fade.

“Don’t look at me like that,” he would say when your eyes filled with defiance or despair. “You’re still alive because I allow it.”

The world outside was dead, a barren wasteland of mutilation and starvation, yet with him, the torment was suffocatingly personal. He didn’t just want your compliance; he wanted your surrender. His words were a scalpel, cutting into your psyche with surgical precision. He would pull you close, his breath hot against your ear, his voice low and gravelly as he whispered promises of protection intertwined with threats so visceral they made your stomach churn.

“You’re mine,” he’d say, his hand resting possessively on your throat. “Every inch of you. Every thought. Every breath. Try to take that away from me, and I’ll show you what real pain feels like.”

There were moments when his control slipped, when the line between protector and predator blurred beyond recognition. He would keep you close, his body a cage of muscle and violence, his gaze piercing through your facade of composure. The way his hands roamed wasn’t tender—it was invasive, a reminder that he could take whatever he wanted, whenever he wanted, and there was nothing you could do to stop him.

And yet, you didn’t resist. Couldn’t. Resistance wasn’t a choice. Not here. Not with him.

The world outside was unlivable. The world with him was unbearable. Between the two, you chose to endure.

────────────

If you want to be added or removed from the tag list, just comment on the MASTERLIST of A Heart Devoured (AHD): A Dark Yandere Anthology. Thank you.

General TAG LIST of “A Heart Devoured”: @definetlythinkimanalien , @floooring

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macgyvermedical · 1 day ago

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Preview of an idea I had. Might continue it, might not. It’s a story about a nurse living through a Second American Civil War around the year 2032. I want it to be episodic, told through nurse’s notes and the character’s private journal:

They killed Bradey on a rainy Wednesday in February.

That’s it. That’s how I’m starting this. It was raining and they shot him. Or. Well. It was drizzling. Not the point. The street was wet, and he was wearing a red cross made of duct tape on the back of his shirt. He’s fucking dead.

So I guess now that that happened. I guess. Um. I wanted to record some things. Just in case the same happens to me. Which it will- might. I don’t know yet.

The date is February 12, 2032. The Second American Civil War has been going on for 714 days. Officially. We all know it started before that. But like, if someone’s trying to line things up with a history book.

That’s where we’re at.

Most of the greater Seattle area gets electricity about 4 hours a day. Fuel ration is 2 gallons a week. The food situation is… well, I’ve lost 35 pounds. Which technically I had it to lose, but still fucking sucks when you’re not trying. Meds are a constant issue. So are sterile things. But at least with things that are supposed to be sterile you can make them clean enough if you have the things themselves. Meds… you either have or you don’t. There’s not a lot of them you can make yourself.

I wish I could tell you more about Bradey. Maybe I will someday. But to get things started he was a doctor. I ran his standalone urgent care out of the second floor of the Denny building for the last 5 years. Fee for service only. Sliding scale. Bradey hated insurance companies. And…. modernity in general. If he could have ridden a horse in the city and accepted chickens as payment he would have. Most people don’t have chickens here, though. Which, if I’m being honest, has turned out to be a real fucking shame.

I don’t have any of Bradey’s personal writings. Or, well, I do, technically. But they’re locked in his desk. Even if I could get them out I don’t read his cursive well enough to decipher them. Jackass. I’d be willing to trade a good few weeks’ fuel ration to an octogenarian locksmith with at least one good eye.

My handwriting’s not the best, but I realize all of my own notes are in a crappy old office laptop with like a quarter of a working battery. If the electricity situation gets any worse I want… Well, I want whoever wants it to have this. I don’t know. Maybe no one will. From now on everything goes on paper.

—-------------J. Shaw, RN—----------------------

#fiction #original character

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esquirlada · 2 days ago

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If you don't mind me, I'm going to ellaborate on my xeno proposal.

In paper both monsterfucking and xenobiology is the same. Xeno means a human fucks an entity with different biology (specifically in the genital area). Monsterfucking is a type of xeno, but the main takeaway is that the monster in the monsterfucking has to be considered dangerous. It doesn't matter if you think vampires are sexy or your werewolf boyfriend is a golden retriever, the entire point of monsterfucking is that there is (or was) a real danger, and wether that danger is still present (which is hot) or has been tamed (which is cute), the main implication is that the other is a creature one /should/ fear but doesn't (or still does, but the hornyness is stronger).

THAT is what's racist when applied to singers. They're not dangerous, they're not a threat, at least not in any way thats different from humans. They have armor (so do humans), they have surges (so do humans), they have immortals (so do humans). Calling them monsters implies they are inherently dangerous just for being singers. That on itself would probably be fine in another story where they fit another role, but the subject at hand is that they're written as explicitly as can be as indigenous people. People who, in the real world, historically have been called dangerous and monsters as a way to justify their colonization and genocide. Which is, by the way, exactly what Rosharan humans did to singers once they started to take their lands.

So, in the end, yes, a lot of this issue with the definition is political, and I know some people really don't like to think of it that way, but we like the Stormlight Archive because of it's politics. (Also, we're on Tumblr, come on). At the same time, there is a technical difference that's worth noting, and if it helps people change their minds, so be it.

Xenobiology is a neutral label. It just means two people fuck and one of them has non-human anatomy. Full disclosure, it is still a kink, just like monsterfucker. It implies that either the character or the person writing is into the difference itself. If you don't feel comfortable with that implication that's up to you, but if you were willing to use monsterfucking I guess we're past that point.

Of course, if you're not planning on using different anatomy for Rlain you don't need to label it either; humans are described as being perpetually in mateform from a singer's pov, so that leads me to believe their genitals are not much different. But if you don't want to follow canon and add a few things here and there, Xeno is your best friend.

Finally, back to the original point, just please, PLEASE think about the words you use and the implications they have in your fanwork. Thank you for reading this far.

calling renarin a monsterlover/monsterfucker cuz he’s into rlain feels. weird. like that feels Weird to y’all right. rlain isn’t a Monster he’s a dude person from a complex culture with his own views on loving a human, a species that is equally weird and unique to him as singers are to humans……

#rlainarin

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tiarathief · 9 months ago

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knight squad: if we had a 4 season run

i’ve been thinking a lot of thoughts about how amazing knight squad would have been with a proper four season run. i don’t think i would ever have the energy to write a full fanfic, but it’s been five years since the show’s conclusion, so i wanted to share some of my ideas. here’s a 2k outline on how i think the plot could have gone:

season 1

season 1 is already pretty god-tier in my opinion, so i wouldn’t change much! i think they covered a lot in terms of character and relationship development, and did a great job building an interesting plot that tied back in the finale.

one of the things i would change though is the whole presentation of ciara/princess, and how it’s done through her hair. i’ve seen some discussion about it floating around before, so some of y’all probably know where i’m getting at with this. i don’t know if it was intentional, but the implications of her straightened/relaxed hair being part of what makes her elegant is really questionable to me and i do find it racist. i do like her loose curls for ciara because being ciara is when she gets to let loose and be who she really is. but for the princess, i think they really could have done another style like braids, or have her hair tied up in a bun to represent how she is holding herself back, or have her hair wrapped. i also think they could have incorporated other ways to show the difference between the princess and ciara that don’t rely on hair – facial markings/face paint for the royal family, or the princess covers her face with a face veil.

also just. give her a name!!! for the fanfic writers if not for anyone else. i know it’s a kid’s show and they probably didn’t want to make it too confusing or something, but also kids are not that dumb.

in terms of character, in the show, arc adapts to being part of a team really well. personally, i would have drawn that out, and had a plot where arc needs to get used to being on a team after being a lone wolf for so long and learning how to trust the others to have his back. i think the writers almost went in that direction, because in the pilot when the phoenix squad is assigned to fight the stone knight, arc tells them to step back and says he has it, and ciara says “but we’re supposed to be a team!” but he ignores her. and it works out okay that time, but i expected it to come back later and it was just dropped. so this is something i would have developed over the course of the season, and then everyone coming together to save him from ryker in the season finale being the culmination of him realizing he has people to watch his back now and he isn’t alone.

season 2

okay so you know how i kept most of season 1? yeah we’re doing the opposite for season 2. we’re throwing pretty much all of it out. yEET. prudy and warwick are not going to find out right at the beginning of the season, we’re not getting the ciara and sage relationship development quite yet, no one is getting knighted, and there’s no weird superhero episode with trolls that are antisemitic caricatures.

however, there will be more plots centered around prudy and warwick. we get to see more of prudy’s giant background, and warwick struggling to live up to his family name and what being a magical wizard means. so there are episodes like the election episode and the one with warwick’s dad.

at the same time, we get more of the relationships in the phoenix squad, and arc and ciara will also start to realize how hard it is keeping their secrets from their best friends. they have some really close calls when it comes to balancing their secrets with their friendships.

arc and ciara also start having some romantic development in the latter half of the season, but it happens subtly. like people thinking they’re a couple leading to awkward denial, seeing the other dressed up for an event and having that “whoa” moment, being unusually jealous or protective, etc.

okay i really want an episode where there’s just a shit ton of miscommunication and the princess accidentally agrees to a date with warwick and he’s over the moon but ciara is panicking because she can’t break his heart while arc’s pretending he isn’t jealous

A TRUTH SPELL EPISODE. sort of combining both of the two big threads this season. arc gets hit by a truth spell by accident and they have to wait for it to wear off and it leads to all sort of chaos as arc and ciara try to make sure their secrets don’t get out so ciara is just covering his mouth and trying to make excuses. and then, at the end of the episode, he’s alone with prudy and warwick who have caught on that arc does have a secret and they’re grilling him, and he blurts out that he has feelings for ciara, which even he didn’t realize until he said it. the spell finally wears off and prudy and warwick are shocked enough to let him go, and he runs off only to bump into ciara (who had been called away for a princess-related thing), and she’s apologizing to him for having to leave him alone and asks if he revealed anything important to anyone, and he’s just like “....no.”

midway through the season, we also begin building up to the next overarching plot. it might be interesting to focus a bit on astorian court politics, which leads to the reveal of an internal conspiracy to take down dragonbloods and take over the throne. (note: the leader of this conspiracy was the one behind ciara’s mother being taken away.) sort of leads to the realization of how messed up it is that only dragonbloods have power in astoria. the season finale has them facing off against this antagonist, and they win, but the antagonist runs away.

warwick and prudy find out about arc and ciara’s secrets at the end of the season!

also sage and buttercup are canon. because this is my plot outline and i say so.

season 3

this season begins with warwick and prudy learning what it means to be secret keepers, even though they’re struggling a bit. arc and ciara and understandably frustrated, but when it matters, warwick and prudy do come through, and they get better about it over time.

warwick and prudy are also trying to figure out their roles on the team, especially as they feel like they’re the weaker links.

meanwhile, ciara is stepping into her role as the princess and trying to force actual change regarding the dragonblood laws in astoria, having learned from the events of last season.

arc is supporting her, but he’s also starting to feel a bit homesick. we get at least a couple episodes centered around seagate when phoenix squad takes a trip to his hometown which is in the process of rebuilding in the aftermath of ryker. they get caught up in a pirate plot!

they also discover that ryker’s army hasn’t entirely been dissolved, and some of them still hope to bring ryker back.

arc and ciara starting to have some legit romantic development as they realize their feelings. throw in a fake dating episode because it would be cute. they also kiss at least once during this development period - for quest purposes of course, and it’s “completely platonic” (it isn’t, both feel things). both of them are too scared of ruining their relationship as friends to pursue more though, and they’re worried about how it would affect their team.

prudy and warwick do not think their squad will be affected and are very much rooting for this!!!

ciara also starts becoming friends with sage (although they would never admit it)! bonding as the princess, and respecting her more as a classmate. phoenix squad and kraken squad work together more often.

despite their attempts to prevent it, last season’s antagonist returns and helps bring ryker back. the villains team up, vowing to not just take over astoria, but destroy it.

the season ends with astoria learning about the danger of ryker coming back and needing more knights, so phoenix squad, kraken squad, and unicorn squad are all knighted. ciara passes her laws against dragonbloods being the only ones allowed to be knights, and their secrets come out to the kingdom.

arc and ciara’s relationship development also reaches the natural conclusion and they officially become a couple after a scare during the final battle where they realize they could have lost each other.

season 4

season four shifts a bit in vibes because all the secrets are out and everyone has officially been knighted, so ideally we would have gotten some fancier new set locations

phoenix squad and kraken squad are officially knighted, but that doesn’t prevent their rivalry. however, this leads to issues, and they quickly realize they’re no longer in training and they genuinely need to have each other’s backs.

arc and ciara are also adjusting to working together while dating. they’re both really protective and keep trying to look out for each other on the battlefield, and it leads to some slip ups at first because they feel like they’re out of sync and maybe they worked better as friends. but they ultimately realize they help make each other better, and fighting together becomes even better because they’ll always have each other’s backs

we bring in the plot with ciara’s mom - eliza comes back with evidence that their mother is still alive and out there. phoenix squad follows up on the lead, and eventually they find her mother and bring her home. however, their mother doesn’t remember anything which is why she never came back even after she escaped her confinement, so they have to find a way to bring her memories back.

but is everything as it seems? ciara is unsure her mother is the same woman she remembers. she catches her mother sneaking out, and she worries that her mother has turned traitor. but it’s revealed that her mother is actually protecting a secret - a dragon egg, for the last dragon in astoria.

pet dragon for the squad!!! it imprints the most on ciara and sage, and they grudgingly co-parent. arc and buttercup are definitely not jealous of their partners spending so much time together (they absolutely are).

slobwick also hates the baby dragon for taking his place as beloved adorable pet. however slobwick is an evil furby and we should not feel bad for him.

fizzwick has begun training as a knight with his own squad! prudy and warwick end up teaching every now and then (as do the others at times, but this is mostly for them), and they are determined to be good role models. however, they have no idea how to keep up with the Kids These Days, and end up learning some things about valuing themselves and their own self-worth.

also, prudence and warwick do get their own romantic plots during this time! whether they stick around or are minor remains the question….

meanwhile, the ryker plot continues to develop, leading to some dramatic, escalating clashes. this time, ciara believes they need to work more with the other five kingdoms. we return to seagate, as well as visit other locations and have other kingdom representatives come to astoria for a summit meeting. there are lots of disagreements, and ends up one kingdom is working against them, their ruler being a puppet who is actually the astorian court official from season 2. at the end of the day, the remaining four realize they must unite to bring peace.

the series conclusion ends with a dramatic final battle working with the other squads and kingdoms as they take down ryker and the other antagonist once and for all, restoring peace.

close out on phoenix squad, reaffirming their promise to always be there for each other and protect the kingdom as they look forward to the future.

#if anyone wants to discuss any of this PLEASE hit me up #knight squad #knight squad day #knight squad anniversary #arc #ciara #warwick #prudence #sage #buttercup #technically i guess this is some writing?#scrapped #shona

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magniloquent-raven · 4 months ago

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Day 4: Supportive Boyfriends

and for my next (LATE, SO LATE) @bucktommypositivityweek contribution. KITTEN FIC.

(read on ao3)

The 118 doesn't have a baby box.

In fact there aren't any in the state of California at all. Buck looked it up, after Maddie's postpartum episode. When half his family was missing and there wasn't much he could do besides wait and... think about things.

So he thought about safe haven laws. Read up on the training seminars for first responders who want to be better equipped to deal with hand-offs. Read a bunch of other stuff he sort of wishes he hadn't. Spent the next week haunted by articles about abandoned children.

He considered talking to Bobby about it. Only partly to ask him if they should get a box for the firehouse. Partly because Buck wasn't sure how he felt about the whole thing, and Bobby always seemed to have answers. But he never worked up the nerve to broach the subject.

And now. Bobby's not captain anymore, and Buck really can't imagine Gerrard giving a shit about any of this.

So, they don't have a box. But.

Well, this isn't a human baby. It's not like the same rules apply.

Buck has to wonder if wires got crossed somewhere, because. Someone left a kitten. Outside the firehouse.

Buck was just going to grab something—he can't remember what—from his Jeep, when he spotted an unlabelled cardboard box on the pavement, up against the side of the building. His first thought was bomb.

Until it meowed at him. A tiny, high-pitched peep of a meow.

Kind of scared the shit out of him, if he's being honest.

There's only one. All alone in the box. A poofy grey thing wriggling around half buried in an off-white towel. Like a very ambitious dust bunny with big round blue eyes and skinny legs. It wobbles slowly over a fold in the towel with all the effort of someone scaling a mountain.

Buck crouches next to the box, and pokes a finger inside.

"Hey, buddy," he murmurs, holding very still while the kitten inches towards his hand and squeaks. It's unclear whether there are teeth in that little maw. That means it's really young, right? Too young to be left alone for very long.

Shit, how is he going to explain this to Gerrard? He's still got, like, 12 hours left on his shift, but someone has to feed this thing. How long can kittens go without food?

Oh, it does have teeth. Really teeny ones. They're ineffectively poking his knuckle.

Buck fishes his phone out of his jacket—with the hand that isn't currently being drooled on—intending to go to Google for answers. How to figure out how old a kitten is. How often do kittens need to be fed. Do cats get separation anxiety. He has a million questions.

Only he doesn't pull up his browser. He calls Tommy.

It's a whim. Barely a seed of an idea. But when he unlocked his phone the first thing he saw was their text history (he'd been complaining about Gerrard off-and-on all morning, and Tommy had been sending random updates about all the chores he'd been getting done—his last message was a picture of a mop with no context) and he just thought... Tommy will know what to do. Not in so many words, more a feeling. Comfort and certainty, just from seeing Tommy's picture in a little bubble at the top of his screen.

"Evan?" Tommy answers almost immediately, and there's a subtle undercurrent of worry in his tone. Buck winces. Right, calling out of the blue while he's at work would look. Bad.

"I'm okay!" He says quickly, all in one breath. Then pauses. The kitten squints up at him, meowing again, long and loud. Its whole fluffy face scrunches with the effort.

"...What was that?"

"Uh. That would be why I called, actually."

—

Gerrard is less of an obstacle than Buck feared he'd be. Because he's holed up in his office doing paperwork when Buck sneaks in with the kitten, and Buck's decided he has no intention of letting him know the cat was ever here.

Tommy promised he'd come get her.

Buck didn't even really ask, and wasn't planning on asking. Didn't have any plan whatsoever, in fact. He just wanted to know if Tommy knew anything about taking care of kittens, and suddenly Tommy's voluntarily sacrificing the rest of his day off to scope out vets and pet supply stores and whatever else Buck's helpless little friend might need.

He hung up hours ago and his insides still feel warm and goopy about it. He can't stop thinking about the gentle fondness that softened Tommy's voice after Buck explained the situation. Buck would wrap himself up in it like a blanket if he could.

Tommy's getting so kissed when he shows up.

In the meantime, Buck's sitting upstairs, working his way through the dozen or so tabs he opened up after googling kitten care.

He thinks the one he found might be around three weeks old (ears not quite unfurled, can't sheathe claws yet, legs unsteady but mobile). And possibly a girl. She did not care for being picked up and turned over, and the indignant squirming made it difficult to tell what's going on down there. But he's almost certain he's right.

She was shrieking up a storm about it, and he was worried if he took any longer she'd alert Gerrard. (She didn't. She did, however, draw the attention of about half the firehouse.)

"You are disgustingly cute," Chimney coos, scratching under her chin with the tip of one finger. She's lifted her head as high as she can and her eyes are squinted happily. Buck can hear her purring from across the room. "Yes you are. Hen, can you get a picture of this?"

Hen pulls out her phone. "Sure... why?" She asks, leaning over his shoulder to snap a picture and eye him with mild suspicion.

"Jee. She'll wanna see when I tell her about my day."

Her expression softens to a smile. "I'll text it to you." She taps her screen a couple times. "Just had to make sure you weren't planning on calendar campaigning again."

Chimney grins. "Nah, my calendar days are behind me. The only person who gets shirtless pictures of me now is my wife."

"Gross," Buck says without conviction. He narrows his eyes at the site he's scrolling through, swiping away a Join Our Mailing List! popup. "You guys don't think she's cold do you? Are her ears warm? It's only, like, 70 today and we don't know how long she was out there."

Hen and Chim exchange glances, and then, disturbingly in sync, look from the cat to Buck. Chim gives her ear a perfunctory poke, which she does not appreciate as much as chin scritches, "She's fine, man."

Hen waves a hand at Buck when he opens his mouth again, "We're medical professionals. And in my medically professional opinion. She's fine."

"Okay, but—"

"Hey guys, look who stopped b—uhhh. Is that a cat?" Eddie slows to a stop at the top of the stairs, blinking at the kitten on the couch. "When did we get a cat?"

"Couple hours ago," Buck says, still frowning at Hen and Chimney. "Where have you been?"

"I found him polishing the engine."

Buck shoots out of his seat. "Tommy!"

He only half-hears Eddie muttering, "Favouritism," as he scuttles around the chair to meet Tommy halfway between the stairs and the sitting area. Tommy has just enough time to smile—and it warms Buck, like it always does, with a spark caught in his chest for safekeeping—and say hi before Buck's on him, palms clapped on either side of his face, smushing their lips together.

He makes a bit of a show of it, dramatically swooping in, because he knows the big smacking MWAH will make Tommy laugh, and he likes the way that feels rumbling against his chest.

Buck taps their noses together. "Hey," he says, savouring the mirth sparkling in Tommy's eyes for a second before kissing him again, properly this time.

His brain goes sort of fuzzy when Tommy's palm cups the back of his neck.

Someone in the distance wolf-whistles.

When they finally come up for air Tommy asks, "What was that for?" a little breathlessly, which is doing things to Buck.

"Mmn...y'know. For being you."

Tommy raises his eyebrows, kiss-reddened lips curling fondly. "Okay."

"Hey, Tommy. Good to see you," Chim calls in a very pointed way.

Right, public setting. Workplace. Friends watching. Buck exhales slowly, and tries to think about anything other than how much he wants to bite that bit of clavicle peeking out of the collar of Tommy's shirt. Like the fact that Tommy's hands are warm, and he's sort of rubbing his fingertips over the short stubbly bits of hair on the back of Buck's head, and Buck's lips are still tingling a little, and—no wait, not that either.

Tommy pulls away first, which is probably for the best, but also very sad. The corner of his mouth twitches like he can see Buck thinking it. He curls his index finger and gently taps Buck's chin with the knuckle before he turns to the group.

"Howie," he says, not even pretending to be contrite in the face of Chim's mock-judgement. "Hen."

"Tommy." Hen fails to contain her smirk.

Some time during all the kissing, Eddie moved over to the couch. He's sat next to the kitten, watching her attempt to groom her paw with all the grace of a toddler who's only a little bit sure they know how to hold a brush. She keeps starting and stopping at random intervals, sometimes licking the cushion beside her, sometimes sticking her tongue out at thin air.

She's so cute it makes Buck's chest hurt. It's a little much while he's still loopy from making out with his boyfriend.

Then Tommy goes and crouches next to the couch so he can get eye-level with the kitten while she sniffs his hand, talking to her all calm and soft with smile-lines crinkling his cheeks, and. Buck might need to lie down for a bit. Like, on top of Tommy, preferably.

The kitten seems to like him too, and he really can't blame her when she crawls up Tommy's sleeve to perch on his shoulder.

She looks so much smaller cuddled up on Tommy. He reaches up to steady her, and she's almost entirely obscured by his hand.

God, is it wrong that he's getting a little hot under the collar about that? He just looks so strong and competent and at the same time, like, gentle. Buck knows how it feels to be touched tenderly by those hands, and apparently just seeing it happen does not affect him any less. In fact it's only added dimensions to his desires.

"I should probably get going," Tommy says, bringing Buck back down to Earth with a resounding splat.

He opens his mouth to protest, then closes it. He's right. The last thing Buck wants is for Tommy to have another run-in with Gerrard, and they don't know how long the old bastard's gonna be occupied.

"Mhm, run while you still can," Chimney pipes up. "Before our dear old captain smells an opportunity to ruin someone's day."

"He does seem to have a sixth sense for that," Eddie adds sullenly. Buck makes a note to ask him what that was about. Later.

"I'll walk you out," Buck says, trying not to sound like a pouting child. He's fairly certain he fails, because Tommy laces their fingers together and gives his hand a comforting squeeze.

He says his goodbyes, the whole time being careful not to dislodge the kitten while she crawls across his shoulders.

Buck goes through the list of kitten care basics he memorized as they make their way to the parking lot. It's...more than he thought it was, honestly. It starts to feel overwhelming as he goes on, and on, and on. He's running out of time to get it all out, and he feels like it's just now sinking in his huge this responsibility that he's dumping in Tommy's lap is.

"You're sure you don't mind taking her?" The question bursts out of Buck before they make it to Tommy's car. "W-we didn't really, I mean. We talked about it over the phone, but..."

"Yeah, now that I've seen her she does seem like a real handful."

The kitten yawns, and curls up into a tiny grey ball in the crook of Tommy's neck.

Well. Alright.

"It's just, t-they need a lot of attention when they're that young, and I kinda just, just dropped this on you."

"Evan." Tommy gives him a look. "Are you worried that you baby-trapped me?"

Okay, when he puts it like that. Maybe a little bit. But also now he's having complicated yearning feelings that he really should not be having this early in the relationship.

Buck's pretty sure he looks like a deer in the headlights right now, because Tommy's doing his damnedest to pretend he isn't laughing at him.

He tugs Buck's hand, leading him the rest of the way to his car.

The backseat is full of cat stuff. Containers of milk-replacement powders, and a shiny plastic litter box, and toys, so many toys, baggies of fake mice and feathery things, just. So much stuff. Piles of it.

"I called up a friend who used to foster kittens. She had a lot of advice. And then I got a little carried away."

"I, uh. See that," Buck laughs breathlessly.

"Over the phone, you sounded like this meant a lot to you? And I think I got really attached to the idea of...this. Taking care of her for you. With you." He sounds hesitant, like he's trying not to say too much, and Buck can't stand it—

"I love you so much," he says in a rush.

"Well, good," Tommy purses his lips around a smile, eyes bright and crinkled at the corners. He reaches up to his shoulder, like he's absent-mindedly checking to see if the kitten's still there. "Wouldn't want her to grow up in a broken home."

Buck huffs a laugh.

"And I love you too."

#bucktommy #bucktommy fic #evan buckley #tommy kinard #911 abc #a raven's writing desk #technically also inspired by a tumblr post but #just the general idea of buck finding a kitten while he's at work?#i was originally gonna have gerrard feature and have some ''oh no we have to hide the kitten'' hijinks #but i didnt feel like bringing him into it lmao #wanted to focus more on the Supportive Boyfriend Tommy angle and them being like well i guess we're dads now lmao

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civetfish · 1 year ago

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Nerd-to-nerd communication

Something super pointless and self-indulgent I've had on the backburner for a while. I love trying to make the pieces they gave us fit together!

Al-AN and Robin would absolutely bond over learning about each other's biology. I could talk about this forever but I'll get into all of the headcanons I have for these two in another post eventually

Below the cut is another version with some extra bits and pieces and the transcription

Transcript :

Architect Anatomy A. Architect "Brain" - Doesn't "store" information so much as allow for easy communication with the network B. Brainstem - connects the information received to the central nervous/circulatory system C. "Heart" - Circulatory system pumps the bioluminescent fluid to other organ systems and surface veins. Each node connects to a vast vasculature network D. "Kidneys" - Organs that filter the bioluminescent "blood" and other bodily fluids, absorbing and distributing collected material E. Nerve Center - Receives raw sensory data and filters it. Filtering can be unconscious or intentional

F. "Respiratory" Tract - Intakes gases or liquids and filters out material for use. Disposes of waste on exhale. Provides cooling to internal systems

The respiratory tract functions less like a set of lungs and more akin to a computer's cooling system, with the ability to absorb material from the environment to use in other parts of the body. It also would likely help the architect's body analyze the environment it is currently exposed to on a molecular level. It is also truly unidirectional, with the intake vents near the "collarbone" and the exhaust vents on both sides of the abdomen

The architect organ cache in-game felt like it was definitely not a complete model of the internal organs, so I wanted to come up with something to fill some more space. I also just really liked the idea of Al-An being capable of something similar to breathing, without having a respiratory system in the traditional sense. Feel free to use any of this in your own headcanons if you would like :)

BONUS - a gif of all the layers!

#EDIT - UPDATE IN THE REBLOGS #The skeletal structure of the architects cause me so much anguish #Ily al-an but your HIPS don't have JOINTS #This was so fun #I mention this in the keep reading but feel free to use this anatomy speculation stuff in your own work!#I want to get into more of my headcanons for how his body works but I might do that through writing. Ill link my ao3 if I do lol #subnautica below zero #subnautica #sbz #al an subnautica #al an #robin ayou #subnautica below 0 #al-an #spec bio #<< technically I guess #Do you think he sounds like an overheating pc when he's embarrassed #SMALL EDIT : HELLO?? I didnt realise Aci had made a video analyzing al-an's body and AUGH I WISH I HAD SEEN IT!!#He brings up some really good points and ideas abt his physiologyyyyy

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clowningaroundmars · 9 months ago

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heeyyy yaaalllll

so i was thinking to myself, i love punkflower. i really do.

what if there was a hobie in miles' universe and he didnt have to do the whole long distance relationship across dimensions thing, though? just keep his lil secret crush on spiderpunk a secret and keep it pushing, only to literally bump into his own hobie brown in 1610 one day?

wouldnt that be cool, guys?

wouldnt it? :)

wouldnt :) it :) be :) so :) cool? :) and so cute too?

update: >part 2 here<

Miles was late.

It was his first day back, the very beginning of his junior year at Visions Academy and he was late. God damn.

His parents were really gonna kill him this time, no doubt about it. There weren't even any good Spiderman excuses he could use to weasel his way out of getting into trouble this time! He'd just have to cross his fingers and pray that his chemistry teacher for this year wasn't a total hardass like last year's English teacher.

Maybe he could make up some dumb excuse this time, try to wriggle his way into the professor's good graces with some blatant lie. Anyways, whose dumb idea was it to put him in a class so damn far from the entrance doors so early in the mor--

BRRRRRRING!

Miles tore around a corner just as the final bell rang throughout the mostly-empty hallways, inciting panic in his chest and making him nearly launch himself down another hallway just to get to his class.

In his haste, he nearly knocked over a very tall and very... familiar looking person that happened to be in Miles' trajectory. Luckily, bodies didn't end up colliding but the shock of having a person fly so quickly into their line of sight shocked the both of them into skidding to a sudden stop.

The tall person ended up dropping a textbook and what seemed like an enormous packet of papers, because sheets scattered absolutely everywhere, almost like snow.

Ugh. Of course.

They both stared down at the mess in the middle of the hallway floor for a beat.

Then, Miles exhaled a laugh, shaking his head.

"Aw man, I-I'm sorry! I just uh... here, lemme just--"

They both bent down to quickly scoop up the papers as Miles stuttered and spoke a hundred miles a minute, trying to apologize for the heart-stopping scare he caused. Just as Miles shuffled the papers together in his hands, he finally looked up at the unlucky student he almost football-tackled first thing in the morning... and nearly dropped the papers onto the floor again.

Kneeled right in front of him with papers and a textbook tucked under a skinny arm, long fingers nervously plucking up what was left of the rest of the packet, was none other than... Hobie Brown.

Oh. God.

This Hobie didn't seem to be Miles' Hobie, though.

(Miles' temperature rose a bit as he quickly thought: wait, my Hobie? That's not right, either.)

Instead of large freeform locs that tapered off like wicks, he was sporting long uniform locs that were piled up high in a loose ponytail on his head, most likely due to the school policy that stated boys needed to have hair above the nape of their neck. Miles kinda wondered about that policy, if he ever decided to grow out his hair; would pulling his hair up be enough? Or would they police his hair length and force him to cut it all off?

Well, turns out the answer was literally right in front of him. Another shock to the system right after the first one.

That was Miles' excuse, really. It was just so dang early in the morning and he really really wasn't thinking when he opened his mouth and basically shouted "Hobie?!"

It honest to god sounded like it echoed in the hallway.

He slapped a hand over his mouth, immediately chastising himself for the stupid mistake he made, mentally kicking himself. Stupid, stupid, stupid!! He wasn't supposed to know this guy obviously, they hadn't even met in their dimension yet!

Hobie, for his part, didn't seem perturbed by this at all though. He took the papers from Miles' hands and straightened himself back up to his full height, offering a hand so that Miles could stand up too.

He shrugged shyly and hid behind a couple locs that happened to fall back into his face, holding the books and papers closer to his chest.

"Uhmmn yeah, sorry. I-I'm runnin' late to my first class so I can't really give any autographs right now. Maybe later... if we see each other, ok?"

Miles blinked owlishly. Did he just say... autographs?

And wait a minute... was this Hobie... American?

Miles' poor little sleep-deprived mind was being blown again and again. He really didn't know if he was ever going to recover from this.

Hobie started to back up and walk away so Miles held his hands up to stop him. "Wait wait wait, autographs? I'm not uh-- sorry, this is weird," he laughed, rubbing his neck. "Nah, man. That's cool. I don't really want any autographs. Are you uh-- are you famous, actually?"

It was this Hobie's turn to blink owlishly now, hesitating a bit. A non-pierced eyebrow was raised as he said, "I... I kinda am...?"

He turned and pointed out the giant window of the hallway that they happened to be standing by, and Miles craned his neck to peer outside.

It smacked him right in the face once his eyes landed on it: a giant billboard fixed atop a neighboring building that depicted Hobie Brown in a luxurious-looking perfume ad. He sported the same locs as he did in real life, wearing shiny-looking makeup and giving the viewer the fiercest, smokiest look Miles has ever seen from a model in a hot minute. He was clutching deep purple satin, wrapped in it, basking in it. A single perfume bottle with a deep purple bow on the neck was photoshopped next to him, matching the overall vibe of the ad.

Miles was rooted to the spot, absolutely gobsmacked. How in the world did he miss that?!

Distantly, a small echo of a conversation he had in what seemed like a lifetime ago floated up from a memory. "I was briefly a runway model" pulsed in his neural pathways for a quick second.

Slowly, the gears started turning in his head. Slowly, he turned back to his dimension's Hobie Brown, who was giving him a strange sort of look.

Miles awkwardly tried to gather himself up, waving his hands around as he struggled for a non-weird explanation to his very weird behavior.

"I-I mean-- ahahaha! Yeah I mean, obviously you're famous! I was just y'know-- playin' with you. Pulling your leg and all that, I guess... heh."

The strange dubious look on Hobie's face didn't budge. "...Right."

Miles coughed conspicuously, trying to change the subject. "But uh yeah, haven't seen you around this school much then! Are you... you in a different grade than me or...?"

The corner of Hobie's mouth twitched suddenly, and for a split second Miles wondered if he said something wrong.

But then Hobie chuckled a bit. "No, I don't think so? This is my first day here. Like... ever. So I'm not really surprised you haven't seen me before. I just transferred over."

Miles practically sighed in relief and nodded, hands in his pockets. "Right! Right, very cool. Welcome to Visions then, I guess. Uh... I'm Miles! Miles Morales. Nice to meet ya!"

He goofily stuck a hand out, which Hobie actually accepted. They shook hands for a second, and then Miles was suddenly taken aback by how cold his hand was against his own skin. It was a definite contrast to the warm and lanky body he remembered practically draped across his own, back in Mumbattan.

He forced those particular memories away for now.

This Hobie was smiling down at him, sad eyes set inside a seemingly genuine expression of fondness. "Cool. I'm Hobie. But, uh, it seems like you already knew that, so."

"Aha, yeah yeah! It just-- honestly it's just the shock of, uh, running into a major celeb in the middle of my school that really got to me, I think. Sorry. I probably look like a total weirdo right now!"

Hobie shook his head, and Miles took the opportunity to really study this guy now that the shock was over and the vibe was more chill. This Hobie was just as long and lanky as the punk anarchist Miles was already well acquainted with, but he held himself completely differently. Where Spider-Hobie was all confident strut and careless swagger, this Hobie seemed to be all reserved grace and... sadness? He definitely reminded Miles of a willow tree drooping down into a lake, beautiful but tragic at the same time.

Okay Miles, get it together, he thought, stop thinking this guy is beautiful. I mean, he is beautiful yeah... but c'mon man, focus!

Hobie's non-pierced lips were moving now, finishing a sentence that Miles most definitely did not catch.

Then, Hobie looked at him expectantly.

Oh shit. He just asked a question didn't he? Fuck.

"Uh, sorry... one more time?" Miles grinned as wide as he could, apologetic. Nice going, Morales, the humorless voice in his head chimed in. Definitely not convincing this guy you're an alien from outer space or anything!

Hobie huffed a laugh and cleared his throat. "Sorry, my fault. Sometimes I mumble and... yeah. Mom says I need to work on that," he sighed, then continued, "I was just wondering if you knew where room 301 was?"

Miles nearly jumped with the force of the realization that just hit him.

"301? Mr. Moriarty's class?"

"Y-yeah, that's the one," Hobie smiled, twirling a loc on one finger and tugging it a bit. Then he tucked it back behind his ear. "I'm actually so lost it's not even funny, I'm godawful at directions and like, navigating. I've been looking for it for like 20 minutes now--"

"That's where my first class is too! AP chem!"

Hobie seemed to brighten up a bit at that, straightening his posture up from his own self-conscious hunch. "Oh cool! We should probably get going then, if we don't wanna be more late than we already are."

Without thinking, Miles places a hand on Hobie's shoulder and steers them both towards a classroom right at the end of the hallway they were in.

"Of course, right this way! Pretty lucky you ran into me, huh? I can help you find your other classes later on if you want, too."

For the first time since nearly crashing into him, Miles looked up at Hobie and saw genuine happiness in his eyes as they grinned at each other and walked down the hall together.

"...Yeah," Hobie said, nodding slowly. "Yeah that'd be pretty cool. Thanks!"

♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧♤♧

Their chemistry teacher ended up not being a total hardass after all! Especially when Miles rolled up with none other than Famous Model Hobie in tow, immediately causing a ripple of whispers amongst the students sat at their desks.

Mr. Moriarty was a short and stumpy old man with a kind face and a severely receding hairline. He took one look at Hobie after squinting at his attendance sheet, accepted Miles' quick explanation that they were late because Hobie's minty fresh enrollment got him all lost in these maze-like hallways, and excused their tardiness with a wave of a hand.

"It's the first day and you were very kind to help a new student out, Mr. Morales. You're both excused for today, but try not to make a habit of it, alright?"

Miles bobbed his head as he picked his way past rows of desks. "Absolutely, sir. No problem at all. Thanks a bunch!"

Hobie stuck close to him, and smiled a bit as the only two desks left empty in the whole room happened to be right next to each other, right up in the back of the class. Nice.

They took their seats and exchanged a couple of glances as they pulled out their notebooks, barely listening to their professor's quick introduction and class syllabus. Well, Miles was barely listening, anyways. He was too caught up in the euphoria of running into a dimensional variant of one of his friends, in Visions Academy no less! His mind started to wander a bit. Did a 1610 Gwen exist too? a 1610 Pavitr? Were they also here at Visions? And what was with these random stares he and Hobie were getting from their fellow classmates right now?

Every now and then a student's head would swivel back to glance in their direction, awestruck looks evident on their faces.

How famous was Hobie anyway?

Of course, there was that giant billboard conveniently placed within view of the school's back hallways near a busy intersection, but Miles really started to think. He sneakily pulled out his phone and swiped down to the lowest brightness he could in case the classroom's fluorescent lighting wasn't enough to hide the phone screen's own light.

He kept his face straight forward, eyes flicking to and from his typing that he was trying to conceal behind the student sitting in front of him. He typed Hobie Brown model, Hobie Brown perfume ad, Hobie Brown supermodel, getting absolutely nothing every single time. Well, nothing that looked like the Hobie Brown sitting next to him, who happened to be dutifully scribbling down some notes in his notebook. Miles looked down at his own empty sheet of paper and quickly copied his new friend, whipping out a pencil and hurrying to catch up with the lecture on the whiteboard before the professor moved on.

Groan. What gives? Was Hobie this super accomplished, totally famous supermodel or not? Maybe he wasn't on social media, oddly enough. Maybe he just started an illustrious career and happened to be famous only in Brooklyn right now? No, that didn't make sense. If he was some small-time influencer or whatever, people would not be asking for autographs so often that Hobie would just automatically assume anyone who recognized him wanted one. And the looks on these other kids' faces convinced Miles that... maybe something was missing. Maybe he's just not searching up the right terms?

Agh, if only Spiderman business didn't keep him totally detached from reality sometimes. He really felt like he and the rest of the world were on totally different planets. If he had any friends besides Ganke, he probably would've heard about Hobie by now.

He bit his lip in concentration, trying to multitask between forming theories and keeping up with the lesson in the front of the classroom.

Then, out of the corner of his eye, he noticed a pair of eyes staring straight at him that didn't belong to the other classmates he barely even knew. He glanced over at Hobie, who quickly looked away.

Was that... an embarrassed look on his face just now? Miles scratched at his jaw a bit, more confused than before.

That was weird. Whatever. Anyways...

Before long, class was over and the bell rang. Miles and Hobie both meandered slowly up to the door and hung around the outside, leaning against the wall as they compared schedules before they had to make their way to their next class.

"Dang," Miles lamented, clutching his own schedule and moving to slot it into the cover of his binder. "Looks like we don't share any more classes besides 1st period..."

Hobie stopped his hand and squinted at the sheet again, glancing back at his own. "Uhmm... nah, actually. I think we might have 6th period together? Right after lunch."

"Do we share a lunch period too, actually?" Miles asked excitedly.

Hobie made a small noise of triumph, a smile playing over his lips. "Yeah! 1st, lunch and then 6th. Okay. Better than nothing, right?"

Miles chuckled, shoving his schedule into the plastic and tucking it under his arm. "Definitely. We can eat together at the cafeteria if you want! I'll walk you to your next class though, since it's basically right around the corner."

Hobie shrugged his own backpack back onto his shoulder and shoved his hands into his trouser pockets. His eyes were cast downwards as he grinned at the floor and said, "yeah, if you don't mind... that'd be pretty cool."

This guy sure does like the word cool, Miles thought, and away to Hobie's next class they both went. They both ignored the various whispers and stares in their direction. Miles was already used to it by now.

They walked together amiably, in near lockstep for a little while before Hobie finally spoke up again.

"... So... if you don't mind me asking... why are you so nice to me if you didn't know I was famous, then?"

It was an innocent enough question, but it kinda caught Miles off guard nonetheless.

He laughed nervously. "Uhh ahaha, whaddya mean? I did know you were famous! I just... y'know my brain doesn't work the best real early in the morning. I'm, uh. Sometimes I can be pretty weird, if you haven't noticed by now."

Hobie nodded slowly, digesting this information for a bit. "Yeah, you did recognize me in the first place, I guess. It's just weird, you're like... the first person I met that doesn't look at me like I'm made out of solid gold, though. That's all..."

They exchanged glances again, and Miles' brain was working into overdrive, thinking of an appropriate response.

Before he could open his mouth, they finally reached their destination and Hobie bumped Miles' shoulder with his arm, smiling.

"So, thanks. For, uh... this. All this."

Miles raised a brow at him. "Oh yeah, this is nothing. I just walked you over to your next class, no biggie. My class is right over here anyways, so--"

Hobie laughed and shook his head, the expression lighting up his facial features unlike anything Miles has seen on that face yet.

"No, Miles. Not just this. I mean, like..." Hobie dipped his head, a bashful sort of move. "I mean, like, being nice to me. Like forreal. I really appreciate this."

They looked at each other for a moment, something real warm growing in Miles' chest all of a sudden, something... familiar.

He was just about to casually brush the gratitude off a second time with a dorky quip, before some girl's screechy voice interrupted their private little moment out of nowhere. It honestly startled them both, and the nice warm atmosphere dissipated immediately.

"Oh. My. GOD!! Is that Hobie Jones? Like actually?!"

She giggled and bounded up to them, blatantly ignoring Miles to insert herself between them and crowd into Hobie's space. She coquettishly asked for a selfie with him, promising to tag him on social media. The sudden commotion unfortunately attracted some other students who then took their cue to also bother Hobie for autographs, selfies, throwing compliments left and right.

Miles backed up out of the crowd, eyes still on Hobie as he watched the poor guy metaphorically slip on a mask, the very same that Miles saw when they first met not 2 hours ago. It was a sad, detached sort of look, and Hobie was forced to hunch in on himself to meet his fellow students' heights as they snapped selfie after selfie. His lips formed a smile all the while. His eyes did not.

A pang of sympathy hit Miles as he slowly turned away and made his way down to his own classroom without so much as a goodbye. He shrugged to himself, shaking his head. Yeah, he knew how that felt, just trying to mind your own business and live your life, do what you have to do-- and being stopped by nearly every living being within a 50 ft radius wanting their photo ops and their babies kissed.

Miles smiled to himself as he shouldered his way past other students and sauntered into his class, right on time. The bell rang as he reached his desk, and he pulled out another notebook out of his bag before the realization finally hit him with the force of a truck.

Wait... Hobie JONES?!

Miles quickly glanced around at his surroundings and mentally kicked himself yet again for choosing a seat so close to the teacher's desk, almost right up at the front. Damnit!

But the teacher wasn't in the classroom just yet, most likely making a quick run down to the printer down the hall to make copies of the class syllabus or something.

Okay, Morales. Gotta be quick.

He hastily pulled out his phone yet again, one eye on the door. He quickly typed in Hobie Jones model in his browser's search box, letting out a breath as search results loaded up and gave him exactly what he was looking for this entire time.

Bingo.

Hobie's face popped up in the image search previews, all sorts of cool and striking photoshoots lit up in all kinds of different ways. And the very first link at the top of the page? Hobie's own Flickstagram.

With a shaky hand, Miles tapped the link and impatiently waited for it to load, for his phone to get with the program and just open the damn app already. He kept glancing every so often at the door yet again, praying that the printer or copier-- or whatever-the-hell that was keeping the professor away from the class-- would keep them away for just a second longer.

He finally cast his gaze back down onto his own Flickstagram app and his heart nearly dropped out of his chest.

At the top, right next to Hobie's own smoldering profile picture was his username: hobiemjones

hobiemjones... hobie m jones. Hobie M. Jones.

M.J.

Miles exhaled again and tucked his phone away in shock just as the classroom door opened yet again and all the students quieted down. This class's teacher made their way over to their desk, piles of papers in hand. They started to pass them out to the students in the front row, introducing themself and then going over the usual attendance policies.

Miles accepted the syllabus sheets with trembling hands, turning to pass them over his shoulder once he got his own, his mind running a hundred miles a minute.

Peter talked nonstop about his wife, whenever he managed to stop talking about his baby, that is. It was always MJ this, MJ that. Flashes of a middle-aged man staring forlornly at a picture of his then-ex wife-- grieving the one who got away-- raced across his mind's eye. His universe's own MJ standing at a podium, strong but deeply hurt as she addressed all of Brooklyn after Spiderman's funeral.

"She wanted kids and I... just wasn't ready," echoed over and over in Miles' mind. Of course, they're together now. But the way Peter talked about his divorce... oh god.

Wait... was Miles ready for kids? Were he and Hobie going to have a messy on-and-off again relationship that ended up with them having to care for a spider-baby just like Mayday?! Maybe even multiple spider-babies?!?!?

Miles loosened his tie a bit, sweating profusely.

The fact that neither Hobie nor Miles were equipped with the parts to make a baby together flew right over his head. No... instead, his mind skipped straight to marriage, messy emotional fights and inevitable breakups. How was he gonna juggle school, work, Spiderman stuff and a relationship all at once?!

Without realizing, Miles started hyperventilating.

No no no no no, cool it Miles. COOL IT. Don't be weird. Miles mentally slapped himself and tried to even out his breathing as he leaned back in his seat and wiped some sweat off his brow.

He just proved to Miguel O' Hara and the entire multiverse this past spring that he can do his own thing, canon events be damned. Miles Morales was no victim to fate. Maybe all of the other spider-people had their own MJs. But maybe in this universe, MJ and Spiderman were... just friends. Good friends! ...Yeah, yeah, just friends...

The idea floated around in Miles' head throughout the entire rest of the class, but it didn't really make the tightness in his chest loosen up any at all.

Once the bell rang again and everyone started packing their things up, Miles dawdled a bit by the door, fumbling with his phone as his classmates filed out of the room. If he was late enough, maybe he'd completely miss Hobie in the hallways and not have to see him at all. Miles double-checked, triple-checked his schedule again and again, mapping out an eventual escape route through the halls in case Hobie's path did intercept Miles'.

God, Miles thought ruefully, checking the hour on his phone for the 15th time in a row and smiling awkwardly at his teacher's questioning glance. You're being so fucking weird about this right now!

The rational part of his brain kicked in and presented a quick slideshow of other calmer, more reasonable explanations as to why he really shouldn't be avoiding his new friend like the plague all of a sudden.

1. Hobie probably doesn't and won't like me, it stated. There is literally no proof that Hobie Jones is even into guys. Or me, Miles Morales.

2. Even if Hobie Jones is into guys-- or me, Miles Morales-- that does not mean the endgame is automatically marriage. No sir, no proof of that at all!

3. Canon events were officially disproven. Kinda. Mostly. Sort of?

C'mon, bro. Just man up and get out there. You're gonna be late for the next class soon anyways.

Right. He inhaled deeply and steeled himself.

"Okay well, uh. Have a nice day Mx. Gonzalez! See ya... tomorrow." Miles cringed inwardly at how lame that sounded, but his teacher didn't seem to notice as they bid him a nice day as well.

With his heart in his stomach, Miles slowly made his way into the hallway and started walking at a brisk pace, keeping his eyeline straight in front of him, trying to reach his next class on the floor below quickly but manageably. It was when he reached the stairs that his heart sank even lower.

Hobie was standing right next to the stairwell, glaring at the school map placed on the wall off to the left, fingertips on his chin as he mumbled to himself. He was glancing up and down between the map and his schedule in his hand, clearly befuddled.

Damn, he really is bad at navigating, Miles mused, once he recovered.

But as luck would have it, tragedy struck right then. Miles being pretty much the only other kid in the hallway attracted Hobie's attention, and even though Miles' feet kept him moving, he almost tripped on air once Hobie perked up upon seeing him.

"Miles!" Hobie grinned and waved him over, clearly happy to see him.

Oh noooo. Miles was not as happy to see him.

Without thinking, he launched himself down the flight of stairs, hopping over the railing and landing loudly on the 1st floor. Once steady, he basically sprinted over to his 3rd period class, completely missing the way Hobie's sunny grin slowly disappeared and his hand lowered back down to his side.

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Lunchtime came and went. Miles ate his packed lunch at his usual perch on top of the school building, where he always hid while trying to avoid the rest of the student body. He managed to pick a good spot away from prying eyes, and it never failed him.

Hobie ate alone, at a table tucked into the corner of the cafeteria despite being invited to several other tables. He sat and chewed sadly, locs back in front of his eyes, posture hunched over and defeated.

6th period came and went. Miles purposefully kept his gaze averted as Hobie walked in 5 minutes late. They sat at opposite ends of the room, never acknowledging each other's existence.

The school day ended and Miles made his way back to the dorms, sighing with relief once he glanced out the window and saw giant rainclouds rolling in over the horizon. Man, was he glad he got to bunk up on campus with his best friend! He greeted Ganke, kicked off his shoes and climbed up onto his bunkbed, laying back with a sigh. Maybe tomorrow he'd confront Hobie about his erratic behavior and apologize. Maybe.

But that was a problem for future Miles...

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Outside, the rain started falling fast and hard.

Outside, Hobie M. Jones waited miserably by the curb with an umbrella in hand, getting drenched by the water nonetheless. He checked his phone for the 15th time and sniffled angrily, pocketing it and gripping onto his umbrella handle.

Late. Again.

His mother was late to pick him up, as usual.

He swiped at a tear rolling down his cheek and finally loosened his ponytail, letting his locs fall all around his face.

Once she arrived, his mother was going to inevitably ask him how his day was, look only slightly concerned about his angry tears and ask if he made any new friends anyways, despite knowing the answer.

No, mom, Hobie would say as he kept his eyes glued to the car window.

No. I didn't make any friends.

#spiderverse #clown horn #miles morales #hobie brown #heeyyyyyyy... im back. again :) with some angst this tiiimmee ahaha #hope yall dont hate me for this lil meet-cute turning out the way it did 😅#it just.... turned into angst i guess #we all know peter parker and mj are always a tragedy before a theyre a romance yanno what i mean?#soooo yup. miles is no different tbqh #do they end up together tho? WHO KNOWS!!!#maybe they do get together and have their lil spider babies in the end! LOL #also yeah i know mj already exists in 1610 #but lets uhhhhh pretend that EVERY spiderman has an mj. just like they have a gwen! ahaha #or maybe............ hobie jones isnt even an mj after all!! *foreboding music*#YOU decide!#anyways yeah... hope yall liked this one too LMFAO #i'm really in my fic writing era now jfc #who knows what i'll show up with next time?!?! :)#thx 4 reading as always ♡#punkflower #← i hesitate to tag this bc its technically not PUNKflower yanno what i mean #buttttt well. adding it in there anyways. hope yall dont mind

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