#tate hate

[randomly-generated-posts-machine]

aren't you kids a little young to be tate fans ? yes. yes we are

[rebelsafoot]

i think about this bts photo a lot

[starlightseraph]

he’s so silly - part 2/?

[expelliarmus]

[theking-mustdie]

if there’s one aspect i could criticize about the writing of teen wolf it’s the in depth backstories of each character only to never talk about it again or develop it any further.

liam’s ied and past school? only used as a prop to further the plot and create conflict (angry man go punch!)

isaac’s abuse and claustrophobia? only mentioned/showed how it effects him one time outside flashbacks (motel california)

theo’s growing up and manipulation with the dread doctors? never mentioned, only lightly brushed over in incoherent flashbacks (yes it shows him being guilty for taking tara’s heart, but not the dread doctors effect on him and torture for him to get where he was)

stiles’ nogitsune trauma? only brought up as a joke after the fact (“i once had a demon living in my head LOL”)

derek hale’s past with grooming by kate? only used to show they know each other, not why what she did was wrong or harmful (doesn’t show the harmful nature of grooming and how derek’s trust would be forever altered because of kate’s abuse of his)

malia living like a coyote for the first ?17? years of her life because she “killed” her own family? “omg you can’t take her anywhere! she likes to eat deer🤣🤣”

allison’s mom killing herself cause she’d rather be anything but a werewolf? mentioned maybe a couple times afterwords

it seems as though they attempt to make the characters deep and thought-out but toss aside the trauma they have given them in order to further the new villian of the week and constant conflict. sometimes i wish that the characters made decisions in conjunction with their prior trauma or showed symptoms of how these events effected them because it’s no secret that they would. i understand that it’s a lot to ask for a super precise and detailed description of how every character is feeling, but with 24 episodes a season, tossing in a couple reflective scenes couldn’t have hurt. i fear that their constant need to one-up their villains took away from the personality and characterization of the show as it kept running.

(this is why i love this fandom so much, because yall do! thank you to the writers who write realistic ptsd or lingering effects of major events)

ok i’m done now thank you @thiamsxbitch for inspiring this rant

[r0tting-r0se]

how i look at my mom after she brings up my biology grade during dinner

[terrorbeauty]

[corderiitas]

[manicporcelaindoll]

like fym “a lot of men cheat on their wives after a miscarriage” that doesn’t help your case baby..

[insan3girlblog]

i’m so happy that summer is almost over i miss the violet harmon fall vibes sm

[theultimatefandomjumper]

more au stuff 👊🏽👊🏽💥💥💥💥💥💥

also some background info because idk how to chill tf out and dump a bunch of stuff without context 😓😓😓😓

Co-Parenting AU

- In this dimension, Fiddleford and Emma-May split up soon after their marriage and they make the collective decision to leave Tater Mcgucket in the custody of his father.

- For some reason, Fiddleford doubles down and joins Stanford at the shack to help with research as he takes care of Tate. Together, they make an odd unlabeled family and Stanford doesn't mind the company.

- Events in the original story play out and Fiddleford gets sucked into the portal and sees Bill being ��𝓻𝓮𝓪𝓴𝔂, he refuses to help anymore and distances himself from Ford, living in some motel in gravity falls.

- However, in this universe, Fiddleford made the memory-gun but never chose to use it with the hindsight of it getting in the way of his relationship with his son.

- He stays in this situation, working at Greasy's diner, until Stanley comes over and Stanford asks for him to hide the journals and gets sucked in with their argument.

- Word of this quickly gets to Fiddleford through Stanley as a last resort once he registers the little tidbits of evidence of his former presence in the shack. Together, Fiddleford and his highly intelligent son, Tater, help Stanley out to restore the portal and bring Stanford back and they all live together.

- Despite all of their efforts, they still end up getting Stanford back 30 years later, but things are a lot better.

[tens-converse]

hugs

[theoraeeken]

endless list of my favourite teen wolf scenes: 04x03, muted

[signorcerullo]

stiles and malia playlist: my boy only breaks his favorite toys by taylor swift

there was a litany of reasons why we could've playеd for keeps this time i know i'm just repeating myself put me back on my shelf but first, pull the string and i'll tell you that he runs because he loves me (he loves me) cause you should've seen him when he first saw me

[thetorturedlovergirl]

You better love the women on doctor who because if not I’m fucking coming to get you.

[moonluv2r]

need someone that looks like him asap💔