#tales of mirrors

[allenvooreef]

More book binding adventures! I wrote this fantasy novel with a friend 14-ish years ago, and while I took quite some psychic damage re-reading it (the cringe is real lol) I still felt it deserved to take up some physical space on my book shelf. Old projects like these are still a cornerstone of the stuff I make today, after all! Case in point: my D&D lad Raiden was originally a character in this book 👀

I wanted to make this a proper book cloth cover with gold foil and the whole shebang - leaving no space for a cover illustration. But I so enjoyed making one for Danny Pan II earlier this year, of course I ended up drawing something anyway. Stay tuned for that soon!

Do you have any old writings you wish you could hold in your hands?

[meaniezucchini]

still you

[artistdove]

Somewhat official designs for each of my Mickey and Oswald Aus along with minor lore. For those that want basic info on each au, here's the link.

Between the Screen Au

Mirroring ear injuries due to Blot.

Mick has minor health injuries due to having the Blot in him during Epic Mickey, resulting in monthly check-ups and a paint monitor.

Mixed their outfits post Epic Mickey.

Oswald is co-leader of Wasteland and head of the Conversion Trolley Station, while Mickey still acts but occasionally works side jobs.

Tale of 2 Brothers

Style is based on the Beta pitch, so semi-angular basically.

Both have the Blot in them, so they can use paint or thinner with their hands. Old movesets from the Epic Mickey Beta trailer are present when they fight.

Oswald keeps his Blot arm hidden at all times unless around Ortensia, Gus, Mad Doctor, and the Blot. Mick eventually sees it.

Toons & Dungeons

Oswald is an Artificer/Sorcerer and Mickey is a Bard/Sorcerer.

Oswald has minor lighting spells while Mickey has various spells. Oswald has a gun that can shoot electricity, Energy/Paint, and Acid/Thinner. Mickey has a wand, Pan Flute, and Lute. Both carry a small hidden dagger.

Oswald was taken in by the Gremlins while Mick gets adopted by Yen Sid.

Rising Star

Outfits change over the years, so this is the main look.

1920s-60s they stay conservative with looks, but eventually let loose as times change.

Can be depicted smoking or drinking cuz they old.

Magic Island

Villagers inspired by Mickey and Oswald, so their names are different. Oswald = Clover while Mickey = Elias.

Clover is a Smug/Lazy Villager while Elias is a Jock/Peppy Villager. Idk if that makes sense (；・∀・).

Elias sleeps early while Clover stays up late.

Local Toon

Classic old looks. Nothing much to say, they are kids in this world and look like their first designs.

Toon High

Main designs until later arcs.

Oswald prefers loose cloths unless working on machines, which he wears tanks or snug clothes. Mickey likes active wear or normal teen clothes.

Later on, the two wear something of the other as a way to solidify their repaired brotherhood.

Ink & Mirrors

Actual plot is Mick and Ink!Oswald. Parallel plot is Oswald and Ink!Mickey.

Both are dealing with completely different issues. Ink!Oswald is hunting Mickey while Ink!Mickey is trying to help Oswald.

Ink!Oswald is stuck in a sort of limbo where his mind is like pre-Epic Mickey, mostly due to the false heart Bendy implanted into him. Ink!Mickey seems to have kept some of his self due to his heart, but Alice Angel mangled the poor mouse.

Mickey is constantly stressed as he tries to escape the studio and revert his brother. Paint barely works on these enemies so he is stuck using only thinner and electricity, leaving him heavily drained.

Oswald is alert 24/7 and trying to rescue others alongside fixing his brother. Having never used the brush before, he finds it a tad difficult to use correctly. It's also causing him to drip. He has a limp due to an attempt to use his leg as a weapon, which failed horribly.

P.D. Toons

Public Domain toons turned into ocs. They are still the original characters, but my own take.

Oswald is Oliver Hare and Mickey is Willy Fieldmouse.

Oliver is the local trolley driver. Willy is a staff member for a local studio.

[toyastales]

A colorful bathroom

[vanalex]

[bookshelf-in-progress]

Reflection: A Retelling of “Snow White and the Seven Dwarves”

The mirror is a gift from the dwarves. Its frame of hammered gold is wrought with delicately-crafted birds and beasts, fruit and flowers. Its silver-backed surface, unlike those created by human craftsman, shows a true reflection.

The queen loves to gaze at herself in the mirror. It tells her that she is beautiful—skin like milk, hair like midnight, eyes as blue as a crystalline lake. She is young, healthy, graceful, charming—perfection in human form. Truly a queen worthy of this kingdom.

Then, one day, the mirror’s message changes. It shows that the queen has lines around her eyes, sunspots on her nose, wicked glints of silver in her night-black hair. The queen does all she can to hide the damage, spends hours before the mirror with cosmetics and concealers. To the rest of the world, the queen is as perfect as ever.

Yet every morning, the mirror tells the truth.

Worst of all, her husband has a little daughter—barely fourteen years old—who grows lovelier by the day. Every morning, the mirror says that before long, those who worshiped the queen’s beauty will transfer their devotion to the princess—and will be right to do so.

The queen's beauty would not seem so tarnished if the princess were not there for comparison. The queen tries to send the princess to an isolated estate—tells her husband it is better for the girl to grow up away from the corrupting influences of the court. But the girl is too dear to her father. She wastes away with homesickness, until her father the king orders her to come home for the sake of her health.

The queen tries neglecting the girl in ways the king won't notice—refusing to let her wash with good soap, denying her a maid, forbidding her fashionable clothes and hairstyles. Through it all, the mirror tells her that the girl’s beauty shines out brighter than ever.

Before long, the queen spends hours by the mirror each day, locked in a futile endeavor to restore what is lost forever. One moonlit night, she finds a dagger, and considers plunging it into her heart just to end this ceaseless torment, but the morning shows her a better path.

She will never be perfect, nor make the princess less so—but she can destroy perfection.

It would be easy to take this dagger to where the princess sleeps and shove it through her perfect heart, but the queen doesn't dare to mar her own beauty with blood-stained hands.

She gives the dagger to a loyal huntsman. He takes the girl into the forest—and returns holding a small, bloody heart.

That night before the mirror, the queen's smile makes her glow with a new kind of beauty.

*

People often tell the princess she is beautiful. She believes them, for she has never seen an ugly face. Old Sal’s missing tooth is an open door into her smile. The chambermaid’s freckles make a daytime constellation. The little stable boy’s one good eye glitters green as an emerald. Her stepmother owns a beautiful mirror, but the princess barely gazes at it. Why would she waste time examining her own familiar face in a world with so many other lovely faces to gaze upon?

One day in early spring, she asks to go berrying in the forest beyond the castle, as she once did with her mother. To her surprise, the queen permits it—the queen rarely allows the princess anything that might be a luxury. She even sends one of her huntsmen as protection.

In the eaves of the forest, the princess finds strawberries not far from the path, and she hastens to gather as many as she can. She invites the huntsman to join her, but he stands statue-like at the edge of the clearing, always on guard. Not wanting him to go without, the princess brings the berries to him, and offers him the largest, sweetest one.

As she does, she gazes at his face. Scars make mountain ranges along his cheeks and brow. His hair is edged with silver. The lines of his face are solid as stone. His deep gray eyes hold storm clouds.

“Oh, my,” the princess says in awe. “You are beautiful.”

The huntsman’s face disappears as he hides it in one of his hands. “I can’t,” he says, his voice rough with unshed tears. “I must betray my queen."

His other hands darts to the side, quick as a serpent, and the silver flash of a blade disappears into the undergrowth.

The huntsmen places both of his hands on the princess’ shoulders and crouches to look into her face. “You must run. The queen wants you dead. If you stay at the palace, she will find a way to kill you. You must flee into the forest and never return.”

“The forest?” the princess asks in terror. She has often wandered in the eaves, but she has never dared the strange terrors that are said to lurk in its interior.

“There is nothing there that can harm such innocence,” the huntsman says. “You will find shelter.” He turns her around and pushes her toward the depths of the forest. “Now run! As fast and as far as you can!”

The shadows of the forest embrace her, and the flowers make a path at her feet. She crosses shallow rivers, climbs rocky slopes, winds through twisted groves of trees. She couldn’t return home even if she wanted to.

She had not been blind. She had seen something like ugliness in the queen’s face whenever they were alone. But hatred? Murder?

She nearly collapses with grief, but through the trees, she sees a wisp of smoke. A chimney. A roof over a tumbledown cottage. The princess runs through the open door, collapses on the floor, and is glad to find a safe place to weep.

Her father will think her dead, and she will not be there to comfort him. She will never again see any of the beautiful faces that fill the palace. The hundreds of hidden details that made the castle home are forever out of her reach. The huntsman saved her, but to what end? A lifetime of loneliness and misery? Is this truly a better fate than the quick death of a dagger through the heart?

She opens her eyes. She has looked too long at the sorrows in her heart. She must find solace from without.

She gazes upon the cottage.

And sees seven beautiful faces.

*

The dwarves love their princess. She is beautiful, not only because of her face, but because of the way her soul shines out through it. She is endlessly beautiful because she sees the beauty in everyone and everything.

There never was a girl so selfless. Her every waking moment is spent filling their days with a million small comforts. The cottage has never been so clean. The food has never been so lovingly prepared. There is nothing she would not do for them, and in return, they devote their lives to her service.

She needs their protection. One so naturally kind and innocent can’t recognize when strangers might have ill intent. One day, after being out in the woods, the seven dwarves return to the cottage to find the princess nearly strangled by a set of stays. When they revive her, she tells them of a ragged old woman (with such beautiful hands!) who asked for food and water and then repaid her generosity by giving a nearly-fatal gift. The eldest of the dwarves caught a glimpse of the stranger’s retreat, and saw enough of her form to suspect the queen.

The dwarves keep a closer guard on the princess, but six months later, a few minutes go by when all seven of them are away from home. They return to find the princess nearly killed by a poisoned comb in her hair. The story she tells is similar to the last one—an old woman in need of help repaid their kind princess with a gift meant to kill.

After that, the princess is never alone. The dwarf on guard duty always has the envied task, so lovely is it to be in her presence. A year, then two, go by with no signs of danger.

Then one winter morning, after a night of birthday feasting, all seven of the dwarves sleep late. The princess rises at her usual time, hoping to fix them a holiday breakfast. By the time the dwarves stumble out of bed, they find the princess sprawled across the kitchen floor—cold, pale and lifeless, with a poisoned apple in her hand.

They despise themselves for having failed her, but their love for the princess drives them to serve her the only way they can—by laying her body to rest. The cold, hard earth won’t take her, and they can’t bear to hide her away in the realm of death. Knowing that decay will not touch one so innocent, they place her in a coffin of glass and lay her in their garden, where her beauty can brighten the world in death as it did in life.

They keep a constant vigil, lost in loving grief. They ought to have known she would end this way. This is the fate of all innocence in this dark and sinful world—to be destroyed by wickedness. Even as they see this truth, they know that it is wrong. The world should not be this way, but what can they do? They wish and pray for better, but they can’t hope. How can innocence ever overcome such evil?

In the spring, when the last snow melts and the first snowbells bloom, the dwarves see movement in the woods beyond their cottage. A prince approaches on a snow-white horse. He is ruler of this forest and its mysterious ways—a king of kings, even more beautiful than their princess. His face shines with a wisdom that does nothing to defile the innocence of his heart.

He leaps from his horse, approaches the coffin, raises the lid, and takes the cold hand of the princess between his.

“Beloved,” he says, “arise.”

In his words and actions, the dwarves find the answer to the riddle they have pondered in their long vigil of grief. In a world of wickedness, the salvation of Innocence is Love.

The princess opens her eyes. Takes a breath. Sits up and gazes upon the world she loves, upon the one who loved her back to life. Something of the prince’s wisdom is reflected in her, so that her beauty is almost painful to behold.

The dwarves rejoice, and the princess rejoices with them. She kisses each one atop the head, but does not release the hand of her prince.

Eager to serve one who served them so well, the dwarves cook her breakfast, and she eats with even more enthusiasm than she showed in her former life. Yet when the meal ends, she stands with her prince at the threshold of the cottage.

“I must return to my father,” the princess says.

The dwarves protest. What of the queen? What of the danger?

The princess looks at her prince with eyes full of love. “I have nothing to fear.”

*

The king rejoices at his daughter’s return—he has thought her dead for so many years. Grief has aged and weakened him, but there is beauty in his face that grows brighter with every minute he spends in the presence of the princess.

The princess tells him of her troubles since she went away, and the king is horrified by her words. “I knew my wife had lost her reason,” he says, “but not her heart! She must pay for her crimes!”

He moves toward the door as though he will administer justice this moment.

The prince stops him with a gentle hand upon his chest. “There is no need.”

*

The queen gazes at herself in the mirror. She never looks anywhere else. If there is a world beyond the edges of its frame, she has forgotten it. She sees only her own face, searches for the remaining scraps of beauty, tries desperately to erase the blemishes that grow ever more hateful with the passing of years.

Another face appears in the reflection—a face the queen thought she had destroyed long ago. It is lovelier than ever. The queen hides her face in her hands so she can not see the painful beauty of the princess.

“Come away from there,” the princess says. “Gaze with me upon the other beauties of the world.”

“And lose myself?” the queen shrieks. “That is what you have always wanted—to destroy my very self! To take all the honor and beauty that should be mine!”

“I wish to save you,” the princess says. “Come away.”

“Never!” the queen screams, clutching the mirror in two white-knuckled hands. “I have everything I need right here! You can’t take it from me!”

The princess touches the queen’s shoulder. The queen screams and shrinks away, hiding her face once more in her hands.

A man’s voice—painful in its beauty—says, “Beloved, she has made her choice.”

At long last, they leave. The queen looks in the mirror and sees no face but her own. No greater beauty remains nearby to shame her.

In the confines of her world’s silver surface, she is fairest of all.

*

The queen is locked away in the prison of her choosing.

The king stays to do what good he can for his kingdom, and the princess promises to return for him after he has fulfilled his purpose.

The prince places the princess on his snow-white horse, and they travel once more past the cottage of the dwarves, who are glad to see her so beautiful and beloved.

At last, the prince brings the princess to his kingdom at the heart of the forest.

The beauty she finds there is beyond words.

[tesnuzzik]

Vanity

[artist-ellen]

The finished illustration for Snow White

Can you spot the super subtle Mirror Mirror inspiration? I kind of love that movie and how much it committed to stylized fun costuming. And long time fans of my redesigns will spot a fashion reference to a previous redesign... really sneaky with all these details. ( > w -)

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram, tiktok or check out my coloring book available now \ („• ֊ •„) /

https://linktr.ee/ellen.artistic

[03owlyn]

Mirrored convictions fic by @albentelisa

[tnbc-thoughtsandheadcanons]

Happy International Women's Day to Sally Skellington, who has had not three, but FOUR books about her!

[lyselkatzfandomluvs]

Liú HâiKuan 劉海寬

Wb update 2024.02.14

Another piece he composed, Kingdom.

KuanKuan also shared the music score in the comments!

[allenvooreef]

Couldn't resist drawing a cover for Tales of Mirrors, even though I didn't end up using it in the binding of the book. Revisiting these old original characters after roughly 14 years was really fun, and it reminded me how far I've come. This is the kind of stuff past me was attempting to make but didn't have the skills for yet! Adding some of my old art for this novel below the cut. Also, did you spot the familiar face?

[jtl-fics]

Fluent Freshman - Part 12

PREVIOUS

If there was one thing no one would ever guess about FF it is that he unapologetically LOVES Black Friday.

You may be thinking. Ugh Black Friday. Everyone is so rude and tired. The deals aren’t even that good. It can turn into a blood sport at the drop of a hat over a toaster that is 15% off.

You are correct.

That is why FF loves it.

It is the one shopping day of the year where every single one of his instincts are correct, valid, and useful. He has pulled his gran out of the way of elbow drops, he has avoided the gaze of a woman in PINK sweat pants who was looking for someone to steal a blender from, and he knows without a doubt that the cashier hates him already so there’s no need to worry about whether or not they hate him.

It’s like a breath of fresh air!

Everyone is just as antagonistic and awful as he thinks they are!

Shopping is actually the blood sport he always feels like it is!

So there he is standing in a line at the nearest store (Target) waiting to be let in with the masses who all look ready to stab one another for better positioning for a TV. The jokes on them though because his only goal is the grocery section and he deals with the threat of repeated stabbings for BREAKFAST.

He spots an IHOP in the distance and hopes his gran doesn’t feel too lonely. They’ve gotten buttermilk stacks together at the IHOP by the mall for years after the two of them finished Christmas Shopping.

Someone elbows him in the side to get his spot in line but FF does not really care. Again, he doubts any of these people are going to be racing him to the all purpose flour.

It’s 4 AM and the barricades come down.

There’s a rush of people pushing and shoving but FF just steps to the side and watches as they all rush in. He’d mostly stayed in the line because the throng of people made it easier to stay warm. He had left his jacket back at the house because the five hour energy might be making his skin feel super sensitive but he is pretty sure that if he wore his nylon jacket he would die.

The five hour energy also may be upping his anxiety just a little bit.

He walks into the store at a leisurely pace and while the crowd fights over the carts he grabs one of the baskets. He can feel the eyes of other shoppers all wondering if he has some insider knowledge on a good deal that would only require the basket or if it’s a matter of who gets to the back to receive the ‘redeem’ coupon.

He sees a few shoppers get lured in by his siren call and much like a siren following anything that FF is about to do will undoubtedly lead to their downfall.

But FF doesn’t care about that.

He cares about HIS downfall.

So he makes his way to the grocery section and ignores the six different shopping assistants who try and guide him to where he ‘should’ be shopping and each of them only give him increasingly confused looks when he states his intention to go to the grocery section every single time.

Is it easier to ignore their stares when the five hour energy have set his baseline heart rate to something that might be too fast to register as a heartbeat? Maybe.

It is easier to ignore the confusion on their faces when he can see both the past (he asked for TWO favors from Andrew in one day how is he still alive???) and the future (still malleable at the moment apparently. There’s even a future where Andrew actually just is trying to make overtures of friendship but he dismisses that one as INCREDIBLY unlikely and looks at the far more viable one where Andrew at least makes his death quick while he enjoys his great gran’s brownies.)

It’s good to set reasonable goals for yourself.

So he arrives at the grocery section which is deserted aside from one employee who may or may not be asleep against a shelf. FF looks and….not a shelf he needs so he is not about to wake that poor man up.

So he gets everything he needs for his great gran’s brownies (he’s trying to buy his life here so he is not about to assume he can use ANYTHING in the house), the ingredients for a good breakfast (because he really needs to eat something that is not a five hour energy or sugar for the sake of his poor stomach and he may as well get enough for everyone), and (since Captain Neil mentioned it & he is trying to buy his life here) the ingredients to bake another pie.

While he grabs cinnamon he checks to see if they have grandma’s love in stock but, alas, it continues to be unavailable commercially.

He stares at the whipped cream for so long that the employee asleep in the other aisle woke up and asked if he needed help and, startled, he dropped it in his basket. “No I’m good.” He says before power walking out of the grocery department and deciding to brave the Home Goods section to buy some incense so that he can hopefully channel the spirit of his great gran to assist him in this, the darkest of his baking hours.

He arrives at the check out stations and finds the shortest line .

He can feel eyes on him, inspecting his purchases, judging them, judging him, who the fuck goes grocery shopping during the Black Friday rush?

FF.

FF goes grocery shopping during the Black Friday rush.

The cashier looks for hidden cameras but FF has no such thing accompanying him today or ever (as far as he knows.)

After a moment the cashier must look at the ever growing line and decide that whatever scheme they think FF is up to isn’t worth trying to figure out. They offer a membership card, FF valiantly declines to get one despite the two attempts.

He is out the door with four bags of groceries that all have a target on them that feels a little too correct. It’s 6 AM now (he really did lose a lot of time at the whipped cream section) and he’s walking back to the house in Columbia.

He actually feels a little bit better since he at least got to experience his actual favorite blood sport (sorry Exy) and he even got another 2 five hour energies while he was in the check out line so he could replace some of the ones that he had gone through.

��Smith?”

He would like to thank the combined weight of the groceries for keeping his feet on the ground when he heard Captain Neil’s voice.

He turns and Captain Neil is looking at him wide-eyed in his running gear that Smith has seen him in. “You were shopping??” He asks.

FF nods and lifts up the four bags as evidence. “Why didn’t you pick up your phone?” He asks.

FF almost scoffs but he doesn’t, “You can’t be distracted when you’re in a Target on Black Friday. That’s how you take an elbow to the eye.” He responds because it’s like Captain Neil has never experienced the WWE-like environment of Black Friday shopping.

Captain Neil blinks at him.

“Text Andrew or me next time you’re going to go off into the night or just let us know beforehand. Andrew would have driven you.” Captain Neil says and grabs two of the bags out of FF’s hand. “C’mon let’s get back and maybe you can get some sleep.” Captain Neil sighs.

“I’m fine.” FF adjusts the bags so he has one in each hand.

Captain Neil does not say anything so FF assumes that he has accepted that.

***

FF had not been asleep on the couch when Neil had walked through the living room. Neil, in a move that had Andrew fully waking up, went back to the room to check his phone to see if FF had texted him an update on going out. All that greets Neil is the impersonal series of texts that mostly confirmed when practice times had been changed, when the bus was leaving, and spelling on various Spanish words.

FF isn’t a big text person.

He’s more of an in-person kind of friend.

Neil likes that about him most of the time.

“What.” Andrew asks face still half buried in Neil’s pillow.

“Smith isn’t on the couch.”

That has Andrew getting up despite the early hour and their activities the night before. Neil watches as Andrew grabs his own phone to scroll through but seems to come up with the same lack of communication that Neil does.

Andrew does do the extra step and hit the call button.

But all he gets is the confirmation that the VM has not been configured that has greeted them every time FF misses their calls. (Voicemails make FF anxious so when he got his new phone he just…never configured it.)

Neil knew that FF was not pleased with them and somehow the calm request to either stop fooling around or let him out had hit him and Andrew harder than any of the screaming demands that the two of them were usually met with from Nicky, Kevin, Aaron, or any of the other Foxes.

“You said he wasn’t mad.” Neil says.

“He nodded.” Andrew confirms.

“Maybe he went on a walk?” Neil tries as they come out to the living room. They look at the front door and find that it’s locked but it looks like Aaron’s keys are gone. “He probably is going to come back if he took Aaron’s keys since Aaron wouldn’t be the one he’d be irritated with.” Neil rationalizes.

“He didn’t bring his jacket.” Andrew says looking at the black jacket still on the hook by the door.

“We can go and see if we spot him.” Neil offers.

Andrew nods and Neil heads out first since Andrew is still in his sleeping clothes and will need some time.

Neil had not expected to find FF walking back to the house with groceries for breakfast and the pie that Neil had mentioned hoping they could bake at the house.

“Is this for the pie?” He asks looking down at what was in the bags he was carrying as the walked back to the house. Neil managed to shoot off a quick text letting Andrew know that it was fine, FF just went grocery shopping.

FF just nods, “Got everything but Grandma’s love.” He says.

FF is a nice guy to brave the stores on a morning like this but FF also looks like he hasn’t slept a wink.

“Did you sleep at all last night?” Neil asks.

“I’m fine.” FF repeats.

Neil really is starting to understand his friends’ hatred for the phrase.

They get back to the house and Andrew is sat out in the living room. FF stops and blinks at the sight of him sitting there.

It is a well-known fact that Andrew does not willingly wake up early most days unless he has to. Neil is glad that Andrew has a friend that he’s coming to care about the way Andrew cares about FF.

Andrew gets up and yanks the bags out of FF’s hands. “Go to sleep. Today will be irritating if you’re half-asleep.” He says with a scowl and walks to the kitchen to put away the groceries FF had bought.

FF just looks at where Andrew had gone uncomprehendingly for a few moments and Neil figures he’s just tired. Neil feels guilty that him and Andrew messing around in the car like that had rendered FF unable to sleep and the two of them had agreed last night that from now on when FF is in the car they can talk all they want but hands stay on the wheel and eyes stay on the road.

FF is plopped down on the couch when Andrew and Neil come out of the kitchen after putting away the groceries (“These are the ingredients for brownies.” Andrew had noted as he put away melting chocolate.) and he’s looking through his flashcards again and not sleeping. He hears Andrew make a disgusted noise next to him and the next thing he knows Andrew is smacking the cards out of FF’s hands.

“Go. To. Sleep.” Andrew enunciates.

FF stares at him, then down at the flashcards. “I don’t think I can.” He says which is better than him lying and saying he wasn’t tired even if the truth had Andrew’s mouth stretch into a thin line that meant he was beating himself up for something.

“Try.” Andrew orders. “Just lay down and close your eyes. Nothing will happen to you while you’re sleeping.” He says.

FF blinks but nods turning on the couch and laying down. The blanket is still over on the lazy boy that Neil had set it on the night before and Andrew rolls his eyes before grabbing it and tossing it over FF.

“Thanks.” FF says before closing his eyes.

Neil looks to Andrew who nods and Neil accepts that there’s nothing else to be done for now and heads out on his run.

***

FF can admit that he’s a bit adrift in what Andrew and Captain Neil are doing right now.

He really should go grab another five hour energy because falling asleep IN FRONT of an irritated Andrew Minyard feels like a death sentence but “Nothing will happen to you while you’re sleeping.” And having a blanket thrown over him did not feel like a threat even if he can feel Andrew’s eyes watching him.

FF is tired and when he’s tired he tends to make stupid decisions. So FF lets himself drift off to sleep while the man who was likely going to move him to a secondary location sat and watched.

His dreams are not peaceful.

He’s running, can’t escape, an echo of words he should have considered before letting himself drift off and he knows he’s going to DIE.

He wakes up with a start to the smell of bacon, eggs, and hashed browns with Nicky standing over him. “Hey there sleeping beauty! I made you a plate!” He says and hands FF a plate of breakfast that smiles up at him with a bacon mouth, egg eyes, and hashed brown hair.

FF takes the plate and digs in immediately. He needs his strength.

“Today will be irritating if you’re half-asleep.”

Andrew Minyard was going to hunt him for SPORT.

NEXT

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As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly? (Cheesecookie whatever you did let me actually select you this time)

[artistdove]

Can't have too much Mickey and Oswald now can we, lol. I drew these a while ago, so designs for these alternate universe may/will change

Y'all are welcome to ask about them cuz these will collect dust

[toyastales]

Blue and brown bathroom

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.