#takeshi mori
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staypuffedx · 9 months ago
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rally vincent and minnie may hopkins in gunsmith cats (1995-1996) dir. takeshi mori
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acquired-stardust · 12 days ago
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Gunsmith Cats OLM 1995
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your-local-simp-writers · 13 days ago
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A Quiet Kind of Love
Word Count: 991
Warnings: None Note: This is meant to take place a year before the main events of host club!!
Takeshi Morix Fem!Reader ︶꒦꒷♡꒷꒦︶︶꒦꒷♡꒷꒦︶︶꒦꒷♡꒷꒦︶︶꒦꒷♡꒷꒦︶
The kendo club was buzzing with energy as Y/N approached, clutching Mori’s forgotten notebook in her hand. She’d volunteered to bring it to him as an excuse to see him before their next class, but now that she was actually here, a hint of nervousness crept in. The faint sounds of wooden practice swords clashing mixed with laughter and loud chatter from the nearby track team warming up. The club room’s open doors allowed a rush of fresh winter air inside, bringing with it the familiar scents of the gym—slightly musty, mixed with wood and leather.
The kendo club was unusually lively today. Members were practicing in pairs, while others lingered by the benches, chatting and sharing snacks. Y/N noticed Mori instantly—he stood near the back, talking quietly with another member, his figure strong and grounded amidst the more animated crowd. Even from afar, he held an unshakeable calm, the kind of steady confidence that made him look perfectly at ease among the energy of his teammates.
One of Mori’s friends spotted her and grinned knowingly, nudging another member. “Hey, isn’t that Mori’s girl?” he whispered, a little too loudly, causing Y/N’s cheeks to flare red.
“Shut up,” another teammate replied, elbowing him. “Don’t embarrass her, she’s here for a reason.”
She took a steadying breath, then walked toward Mori, weaving her way past the chatting members and sparring pairs. She was nearly at the back of the room when Mori finally looked up, his gaze softening as he noticed her approaching. He inclined his head slightly, a small smile tugging at the corner of his lips. She couldn’t help but feel like everything around them faded a little.
“Y/N,” he greeted, his voice gentle but audible enough to cut through the noise. He took a step forward, shielding her from the bustling activity around them, creating an almost private bubble between them. His presence had a way of grounding her, calming her nerves even as her heart raced.
“Oh! Hi, Mori,” she stammered, immediately feeling her usual confident demeanor slipping away. “I… uh, I have your notebook. You left it behind in class.” She held it out, her fingers trembling slightly.
He accepted it, his fingers brushing against hers briefly. “Thank you. I would have missed it,” he said, his tone steady. His quiet gaze was fixed on her, and in that moment, the noise around them seemed to dim, the world shrinking down to just the two of them.
Before she could respond, a few of Mori’s teammates came over, waving at her cheerfully. One of them—a friend named Ryo—clapped Mori on the shoulder with a grin. “Wow, Y/N! You’ve saved Mori from another crisis, huh?”
Y/N laughed, her usual bubbly self peeking through. “Well, somebody has to look out for him!”
Another teammate chimed in, teasingly, “Hey, Mori, maybe you should leave stuff behind more often if it means Y/N will drop by. She livens up the place!”
Mori’s normally stoic expression softened slightly, a faint glimmer of amusement in his eyes as he listened to the banter. He didn’t say much, but the slight shift in his posture suggested he was relaxed and at ease, his usual reserved self letting down a guard he rarely showed anyone else.
Y/N shifted a bit, trying not to let her flustered smile turn into an awkward giggle. “I wouldn’t want him to forget anything important,” she replied, earning more laughs from the group. The noise and chatter around them made the moment feel normal and casual, though the spark between her and Mori was unmistakable.
Finally, Mori’s attention settled back on her, his gaze making her feel like she was the only one in the room. “Thank you again, Y/N. Really.” His tone was softer now, and for a brief moment, she forgot everyone else was there.
Realizing she might be overstaying her welcome, she cleared her throat. “Well, I should probably let you get back to practice,” she mumbled, her cheeks warming. She made a move to turn, but Mori took a small step forward, matching her pace and walking beside her toward the door.
A teammate raised an eyebrow, watching them with mild surprise. “Mori, leaving practice early?” he teased, but Mori didn’t respond, his focus entirely on her.
The two of them walked to the entrance in comfortable silence, and as they reached the door, Y/N turned to say a final goodbye. Mori held her gaze, and without another word, he leaned in, brushing a soft, warm kiss against her cheek.
Y/N’s eyes widened, her breath catching as he pulled back. She hadn’t expected that, not here in front of everyone, and especially not from him. Yet he looked completely unbothered, the hint of a smile still lingering as he stepped back.
A few teammates nearby saw the kiss, and their reactions ranged from shocked whispers to knowing smiles. A friend nearby chuckled, nudging his buddy. “Looks like Mori isn’t as reserved as we thought.”
Feeling her face heating up, Y/N stammered, “I… I’ll see you in class tomorrow!” She quickly turned, practically skipping out of the club room, her hand pressed to her cheek as if she could keep his warmth there a little longer.
As she walked down the hall, a huge grin spread across her face, her heart still fluttering with the memory of Mori’s quiet affection. Even though he’d barely said a word, his actions had spoken volumes, and she knew that was his way of showing her just how much she meant to him.
Back in the club room, Mori’s teammates surrounded him, grinning and asking questions about what had just happened. But he only gave them a calm smile, shrugging nonchalantly. His silent, affectionate gesture spoke volumes, and as he returned to practice, that small, quiet smile lingered on his face, visible only to those who truly knew him.
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winterfieldfrontiers · 7 months ago
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CONAN MOVIE 27 MV (SPOILERS ALERT)
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M27 GOING TO dethrone M26 with 13 BILLION!!
THE FILM WILL RELEASE IN WORLDWIDE STARTED WITH
ARAB AND TAIWAN - 30 MAY
KOREA AND SPAIN - JUNE
STAY TUNE!!
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hsylog · 5 months ago
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celluloidchronicles · 8 months ago
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悪い奴ほどよく眠る
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Warui Yatsu Hodo Yoku Nemuru | The Bad Sleep Well
🇯🇵 | Set 15, 1960
directed by Akira Kurosawa
writed by Hideo Oguni, Akira Kurosawa, Ejirō Hisaita, Shinobu Hashimoto, Ryūzō Kikushima
produced by Toho Company, Ltd., Kurosawa Production Co.
starring Toshirō Mifune, Masayuki Mori, Katamari Fujiwara, Takeshi Katō, Kyōko Nagawa
2h30 | Crime, Drama, Thriller
out of plan
Browse through collections
Japanese Movies | director Akira Kurosawa | writer Hideo Oguni | writer Akira Kurosawa | writer Ejirō Hisaita | writer Shinobu Hashimoto | writer Ryūzō Kikushima | studio Toho Company, Ltd. | studio Kurosawa Production Co. | actor Toshirō Mifune | actor Masayuki Mori | actor Katamari Fujiwara | actor Takeshi Katō | actress Kyōko Nagawa | Akira Kurosawa Collection
Browse through genres
 Crime | Drama | Thriller
Links
trakt.tv | letterboxd
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nakamorijuan · 6 months ago
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上田祐司 - タケシのパラダイス Yuuji Ueda - Takeshi No PARADISE POCKET MONSTERS - 10th Ending Theme
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wormgumz · 8 months ago
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2010
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asknarashikari · 2 years ago
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looks like Flint and Juuru met and also met an Ultraman
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[i swear, he was also from sentai]
Did a Google reverse image search. He's Takeshi Tsuruno, who played Ultraman Dyna. He's also the singer of Zenkaiger's OP ^^
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staypuffedx · 8 months ago
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gunsmith cats (1995-1996) dir. takeshi mori art direction by kazuo nagai
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roseunspindle · 2 years ago
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Favorite Manga I Read in 2022
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Finally read the entire series! 
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Did I need to re-read the whole thing just because I’d gotten volume 13? No but I did anyway. The art, the story, this is just a wonderful series. 
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Just re-reading through Death Note in general not fan translated has been really enjoyable and I do like the series. 
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I just love these (still need to try a recipe though)
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winterfieldfrontiers · 1 year ago
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2024, 90th Fujio F Fujiko Doraemon, 30th manga Conan, we ate.
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bungeegum28 · 1 month ago
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𝐚𝐧𝐢𝐦𝐞 Otaku no Video • おたくのビデオ (1991) 𝐰𝐫𝐢𝐭𝐭𝐞𝐧 𝐛𝐲 Toshio Okada, Hiroyuki Yamaga 𝐬𝐭𝐮𝐝𝐢𝐨 Gainax 𝐝𝐢𝐫. Takeshi Mori 𝐜𝐡𝐫. 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐫 Kenichi Sonoda
𝘴𝘰𝘶𝘳𝘤𝘦: 𝘮𝘺 𝘴𝘤𝘳𝘦𝘦𝘯𝘴𝘩𝘰𝘵𝘴
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tokumilfshowdown · 6 months ago
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hunn1e-bunn1e · 2 years ago
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🌹OHSHC🌹
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🍒Kasanoda Ritsu ➳
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🔮Nekozawa Umehito ➳
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🥋Morinozuka Takeshi ➳
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🍰Haninozuka Mitskuni ➳
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👓Ootori Kyoya ➳
Follow Through (os) ♂️❣
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👑Suoh Tamaki ➳
Leash & Collar (os) ♂️ 💞❣
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🍊Hitachin Hikaru ➳
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🥭Hitachin Kaoru ➳
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🧃Hitachin Twins ➳
Devil Twins' Property! (os) ♂️ 💞
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🎂Hanni & Mori
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🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•°•.🐇.•
Back to the Masterlist Hub?
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ouranbutworse · 3 months ago
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Anime-Manga Comparisons, episode 25.
Welcome to the beginning of the end! I’ll try not to cry too much, over the show or all the painful research. These two episodes had me holding four books simultaneously.
This episode starts out with the introduction of the 43rd Ouran School fair, as we watch a bunch of builders setting things up the day before, but of course, there’s a lot more to it in the manga that we don’t see here in the anime. Volume six of the manga starts fourteen days before the festival, and the hosts are battling to win the central salon of the school, alongside other clubs, most notably Takeshi Kuze’s football club. There’s a lot of build up to the festival, but it’s basically the whole book, and I don’t really want to get into it all. You can probably guess that the hosts win the central salon, though.
In the anime, Kyoya gives Haruhi some exposition on the school festival, and Hikaru appears with that goddamn carriage. Mori praises him for being able to stop the horses, and I assume would immediately take back that praise later on. His praise is so cute, though. I wish he’d praise me. And give me a pat on the head. It’d fix me. Haruhi makes snarky remarks, but softens up when Tamaki wants it to be the best fair yet. And then she immediately has to read out the title of ‘The Host Club Declares Dissolution’ in a very somber tone. Comedy gold!
During the opening festival we get some callbacks with the side characters; we see Kanako and Toru, and Kazukiyo and Kurakano dancing, and Kasanoda being fawned over by girls while his gang watches him proudly. I couldn’t find any of this happening in the manga, and the fair seems more like a laid back festival, with stalls and the individual classes having games, rather than the more elegant anime gala, but since I’m flipping through pages quickly I might just be missing things. I should also mention the parents here.
In volume six, with the fair, we meet Yuzuha and Hayato Hitachiin, the twins’ mum and dad. She’s a fashion designer and president of her own brand, and he’s an executive for a software development company who took her surname. The twins claim to be shy like their father, and Haruhi questions if she’s meant to laugh at that. Honey and Mori appear next and mention having little brothers (unknown to Haruhi up until then) and that their parents are also there, though we don’t get to see them, since they’re at the middle school for said younger brothers. We get to physically see Akira Morinozuka and Yorihisa Haninozuka later in the manga, (Yorihisa even gets a tiny role in episode 18 of the anime) but we never get appearances or names for their mothers. This is the same for Kyoya, too, who Tamaki tells Haruhi he’s off elsewhere with his parents, but we never see his mother or get a name for her.
Back to the anime, where a lady says she thinks the guys just enjoy being fawned over (true) and Tamaki slides in to agree with her and call himself and gang shameless, selfish creatures for wanting to spend time with ladies. Damn, my guy, chill, we’ve got to squeeze in your relationship with Haruhi into like forty minutes. This scene takes place during an extended carriage scene in the manga, where they let their usual guests ride, and then let the older ladies ride too.
All the others also get their manipulative moments, Mori buttoning Honey’s shirt, the twins giving a sob story, and Kyoya actually explaining how things work, and Haruhi snarks at each of them. Kyoya talking about the budget being overshot is also anime only, since the whole thing is building up to Tamaki leaving, which he doesn’t do in the manga.
Eclair Tonnerre is an anime exclusive, but I think there’s a bit to be said about her, and maybe even some comparisons to be drawn between her and manga character Michelle Monale, in that they’re both European girls with blue eyes and a connection to Tamaki’s mother. Michelle’s being that she resembles his mother, and Eclair’s being that she knows her. Tamaki fawning over them and serving them is what makes Haruhi realise her own jealousy and romantic feelings for him.
Even though Eclair’s a foreigner to the source material, I think her opera glasses are actually what makes her fit in as a silly Ouran character, she even uses them up close, and in the shower!
Yuzuru teleports into the room to be a foreboding figure who demands Tamaki call him chairman instead of father, which is actually kind of similar to the way the manga first introduces him. He’s watching the battle for the central salon, and pops in every so often to call his son foolish, or say it’s a pleasure to watch him cry. He’s almost like a villain here! But by the next episode, after the battle is over, we find out he’s been using thermotyping with an orange to send his son letters, and we find out he’s actually kind of silly when his facade drops, and he does care about his son.
Returning to the anime, Kyoya talks with the chairman while Tamaki hangs from a chandelier (No, I don't know why he’s up there) and Yuzuru calls him ‘my boy’, which is sweet, especially considering what scene’s coming up soon. It’s nice to see Kyoya get some positive attention from a father figure who’s not a teenage boy with delusions. In the manga he also praises him, but earlier, during the thermotyping scene. Anime Kyoya calls Haruhi over, and Tamaki falls from the chandelier, and only the unnamed, boring background characters notice or care. It looked like a pretty heavy fall, but he’s climbing up a statue in the next frame, so he’s probably fine. Injuries only occur when needed for dramatic effect.
Haruhi says that Tamaki and Yuzuru don’t look that much alike, but to be fair, Haruhi, your father doesn’t have those giant brown autism creature eyes like you do, so don’t judge. She apologises for never paying her respects to him, and he tells her not to call him chairman, and instead offers her a rose and tells her to call him ‘uncle’, which is kind of weird, but I get that it’s the same as Tamaki’s ‘daddy’ schtick. Speaking of Tamaki, he’s climbing all over the statue in the background like a skittering spider. He falls into the fountain water (the water bill for this school must be astronomical, with all the fountains and multiple pools!) and Haruhi deadpans that the apple really doesn’t fall far from the tree. Now that Yuzuru has dropped his facade Tamaki can whine at him properly (still has to call him chairman, though) and now it’s time for everyone's favourite part of the episode!
There’s a deafening slap, and Haruhi turns to see Kyoya being slapped by his own father, Yoshio Ootori. This is another character being introduced for the first time in the anime who appeared earlier in the manga, though not much earlier. He’s first introduced in episode 23, volume 6, just one episode after Yuzuru. We’ve already briefly met him in the anime episode prior, but that episode in the manga is actually volume eight. In his first manga appearance he shows up to scold Fuyumi for merely stopping by to say hello to her baby brother, and gives Kyoya an awkward knock on the shoulder, kind of like you’d knock on a door. It’s not a punch or clap, a weird knock. Kyoya seems equally confused, but should be grateful it’s positive and not a slap to the cheek. Yoshio tells him, in a slightly manipulative way, that he’s rearranging his schedule to see the festival, and that Kyoya better not disappoint him and compares him to his brothers. Fuyumi looks disappointed or sad, or both, and I’m not sure if it’s because of how he just treated her, or if it’s because of him pitting Kyoya against his brothers. Both are equally likely, I think, especially since she brings that up again a few episodes later. Aside from that, Kyoya is actually pretty happy with the interaction. He’s competitive, after all.
Later on, during the festival, Kyoya gets a lot more praise from other guests, including from an older woman with black hair who’s standing next to Yoshio, but is not, apparently, Kyoya’s mother. Just some random woman. Right after Tamaki explained that Kyoya was with his parents. Since she doesn’t have a little intro card it’s kind of obvious it’s not her, but again, we never meet her at any point. She exists somewhere in the school at the festival, but apparently always just off screen. A wizard did it, etcetera, etcetera. Anyway, Unrelated Woman praises him for being smart, and Kyoya acts humble and praises his very talented companions instead. Yoshio also praises him for letting Tamaki retrieve the crown and win the battle. He admits being taken aback by the host club at first, but ultimately praises Kyoya and the club, and admits to a group that he wouldn’t mind naming Kyoya as the heir. Just six volumes in, and Kyoya’s already finished his personal story arc!
Back to the anime, and Kyoya has decidedly not finished his personal story arc. Haruhi and Tamaki look shocked to see him hurt, but Yuzuru keeps a calm face. Yoshio scolds his son for wasting his time, and doesn’t know about the host club at all until this moment, this is all a huge change between manga and anime, and the reason is to add to Tamaki’s reasons to leave. Kyoya also sounds like he’s going to cry when he picks up his glasses, which breaks my heart a little. Honey and Mori appear with the rest beside Yuzuru to give some hilariously weak exposition of “That’s Kyo-chan’s father, isn’t it?” “Yes.”, and in the next scene Yoshio walks over to Yuzuru and the rest of the club are gone. I assume they ran away cartoonishly from him. Yuzuru calls Kyoya exceptional and Yoshio’s treatment harsh, and then mentions that Yoshio has ‘troubles’ and the media will get wind of it soon, and asks if he’s taking out his anger on his son, which Yoshio just walks away from. It’s fine, he’s got two other sons and a daughter to take out the rest of his frustration on.
The club checks on Kyoya, and Honey says you should never hit someone who’s wearing glasses. I actually went back to look at episode 18 and Yasuchika was wearing his glasses during their two fights, so Honey should either revoke his comment or apologise in hindsight. Then again, Chika is only wearing glasses to distinguish himself from Honey, so maybe it’s okay in those circumstances.
Haruhi asks if he was slapped because he’s in the host club and Kyoya brushes her off and says he’s been expecting it. Tamaki is saddened that he caused it, and Yuzuru gives him a foreboding warning that whims have consequences, don’t come cheaply, and life is hard.
Tamaki watches Haruhi talk with some guests, Yuzuru tells him to think about what he wants before it’s too late, and then She appears.
Shizue Suoh is introduced being flanked by what looks to be the same people as the manga, which is always nice to see. Tamaki is delighted and runs to greet her like a puppy, but while his heart is warm, hers is ice cold. Haruhi ‘awws’ over how sweet Tamaki is, but Honey says he hates her. It’s a little jarring, but his voice is so cute that it just ends up silly. Shizue scolds Tamaki for trying to touch her and physically recoils in the manga, but just walks past him in the anime. She calls him a filthy child in both, though. When she calls Eclair over to greet him she’s introduced via a cleavage shot. That’s how I’d also like to be introduced to people.
An unknown amount of time passes as Honey questions if he’s never coming back from escorting Eclair, and when the twins question who she even is. Kyoya’s back to playing minesweeper on his laptop, and Renge appears to give exposition, and then Kyoya takes over, the selfish bitch. Tamaki takes Eclair on a gondola ride… in the school… and she’s rude about the art club’s paintings. She asks him to play piano instead. Haruhi appears to be in an adjoining room to the music room, and we see a quick flashback of Eclair and Anne-Sophie, and then she talks about the host club family and reminds Tamaki that Kyoya got slapped. The only two incidents we actually see are both Kyoya centred, but Tamaki immediately thinks about Haruhi, too, wondering if she’d be better off not in the club. The other four aren’t even a footnote, really.
Haruhi enters, scolding him for being gone from the group, and he makes the “A” sound. Not even an “Ah.” Just the singular letter. Eclair smugly asks if Haruhi is jealous, and Tamaki fawns over it, and Eclair gets a lightbulb moment! The anime actually does a really great job of callbacks, I like it a lot. What I don’t like is how Eclair is so forceful with him and offers to make a family with him. He’s seventeen, lady!
Honey and Mori say Haruhi looks great, the twins say she’s not bad, and Kyoya just glances at her. I guess that’s the highest praise he can muster. Haruhi is obviously jealous over Tamaki being with Eclair, and the to-the-side quartet (still coming up with insults for these guys, even to the end) are not convinced. Haruhi asks why Shizue is so cold to her own grandson, and they answer. This was already explained a little in the twins’ episode, when they tell Tamaki they know about him, but it seems to be the first time we get this explanation in the manga, as far as I can tell. Earlier, Haruhi asked Tamaki where his parents were, along with everyone else’s, and when he said his dad was with Kyoya’s, she asked about his mother, and he said she’s in France, he thinks. It’s the first implication of his family situation being fractured, I think. When Manga Shizue walks away from Tamaki, he’s visibly upset, but it’s over him worried he’s upset her. What a sweet, silly boy.
Also in the manga, Tamaki simply leaves the room to talk with his father, and that’s when Haruhi finally asks about his family, comparing it to a soap opera, and the twins agree.
The story is the same in both, Yuzuru is forced to marry someone by Shizue, but then falls in love with Anne-Sophie and has Tamaki with her. He divorces his wife and begs Shizue to let him bring his new family to Japan, but she won’t allow it, and Anne-Sophie was sickly and couldn’t stay in Japan, so she raises Tamaki for fourteen years, until her family business goes under, and Shizue makes her offer, to send Tamaki away to Japan, leave Anne-Sophie behind with monetary support from the Suohs, and never contact him again. Pretty damn harsh! In the anime Shizue gets to voice her own evil offer, but in the manga Kyoya does it instead. Haruhi is shocked by this story, as is everyone else watching for the first time, I assume. The anime adds an extra flashback scene of little Haru and her father, sans the long red hair, looking at what I now realise is a crematorium chimney, as she realises she’ll never see her mother again. It’s a welcome addition, but I’m still crying. Kyoya kindly comforts her, pointing out that all that backstory made Tamaki who he is, and that he’ll always have his real, unrelated family. Then Tamaki enters to ruin the whole moment and announce he’s engaged and leaving the club.
Episode 25… don’t make me finish this!
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