#tagging byler again

[katimanki]

you sound bitter bc the “art stealer” is getting more notes on posts than you. I know them irl. they also don’t claim the art as theirs, they’re just sharing it on this platform. the artwork they are posting is all over the internet, mainly Pinterest, without any indication who the artist is. they give credit when they know who the artist is. they literally changed the post to include credit as soon as you gave them the original artist’s instagram handle, despite you claiming that they did nothing.

I am aware that I sound very bitter. I am allowed to. You're saying that I am not allowed to feel bad or bitter when I see someone steal, and get interactions on their stolen posts? And yes, in this case they have reached higher notes than most of mine. But when I called this out the first time, they didn't, the elmax art had just around 100 and this el one had 14 notes.

I have seen stolen art on the Byler tag before that got zero notes. ZERO. And that also made me want to call that person out. I didn't, but I still think about digging up that post and doing it. So I don't know what to tell you, art theft makes me mad every time, but yes, in this instance the amount of notes has a part in my actions. Because now it's not just about the op deleting the post, because that doesn't delete it from this platform completely. It will stay here as long as there are reblogs of it.

You're really trying to justify art theft? Art theft is never justified. Just because the art has been stolen several times already and is all over pinterest as you say, DOES NOT make it okay for more people to be spreading it around. I highly doubt any artist posts their art on pinterest, (my art has been posted there and it was terrible) so it is safe to assume that if you find art on pinterest it is already stolen.

And just like op you're trying to justify art theft by saying, they don't claim it as their own. They only wanted to share it to this platform, you say? And that isn't stealing? When it's still posted without the artist knowing or conseting? Interesting. Well, that's not cool. It's not right. It is not justified, and it's still stealing, no matter what you say.

And you also say there's no indication to who the artist is. (You're also using the exact wording as the op did in DMs. I'm not gonna say it but I'm thinking it) The elmax art had the artist handle right in the middle of it. You call that "no indication"?

Also it took me about two minutes to figure out the original artists and to find the original posts. So it really is not that hard to find them. And if you can't, then don't post it. And even if you do, still don't repost other people's art because they aren't consenting to it. This is what the elmax art had in the description. Doesn't seem like your friend even checked out the artist after I told them who it is.

And fine, I admit saying they did nothing is not completely true. I was going to bed and trying not to ramble in the tags of that post. I'm sorry that I spread misinformation like that. They did do something, they added the artist credit to the description. But as we already established, that artist doesn't allow reposts. And also, if you don't know how tumblr works editing the original post after there are reblogs, only edits the original post, not the reblogs. So now there are reblogs of that art with no credit floating around tumblr.

Honestly I know that reasoning with people who have stolen art never works. My art has been stolen on Instagram and for two years I have asked for it to be taken down(yes the repost has more likes then mine, I am allowed to feel bad about that). I just really wish it never happened in the first place but the world can't be that perfect now can it?

[fruity-cleric]

lumax 🫶 scene based of this

[flowercrowngods]

based on this concept of steve and mike coming out to each other

🤍 also on ao3

The sun is setting in beautiful hues of pink and purple, tinging the town of Hawkins, Indiana, in a light of serenity and beauty it doesn’t really deserve. Steve’s hands are gripped tight around the steering wheel as he carefully scans the road and the houses he passes.

He almost misses the bike where it’s lying on the curb, carelessly discarded by the looks of it, and a tinge of worry shadows his frown. Worry that doesn’t quite dissipate when he spots the figure sitting on the roof, almost black against the lilac colour of the sky, but he breathes a sigh of relief. He considers grabbing the radio to let the others know he found Mike, but decides against it. Something tells him that maybe they’ll take a while. Something tells him there’s more to Will’s stunned silence and Mike’s sudden departure from where they were all hanging out at Steve’s after another successful Hellfire session. 

With a sigh, Steve cuts the engine and gets out of the car, keeping his eyes on Mike the whole time — ready for him to take off again, ready to go sit a while and wait for him to come back. But Mike doesn’t move, even after he shuts the door and approaches the Wheelers’ house. He doesn’t acknowledge Steve when he pulls himself up to the roof, easier this time than the first time he did this. 

There’s a snide comment in the air between them, a version of Mike that would have lashed out at him, made fun of and insulted him. But this one just sits there, hands in his lap, frown on his face, and stares ahead. 

“What do you want,” he asks eventually, though it doesn’t have the kind of heat that Steve expects. He barely even sounds like a teenager. Just sort of… dejected. Steve aches for him; just a little bit. 

“Just making sure you’re alright,” Steve says, shrugging, looking ahead as well so Mike doesn’t feel watched. Or seen, maybe. 

Because the thing is, Steve does see him. He sees the way he looks at Will sometimes, and the way his eyes fill with something that can only be described as yearning, or aching, followed by regret and fear. Which always, always turn into anger. Into frustration. Into snide comments and rolled eyes and walls that keep getting an inch added to them each day. It’s never directed at Will, that anger, and rarely at the rest of the Party, but Steve still sees it. Gets the worst of it and takes it, because he knows something about how that feels. 

He knows something about looking at someone like that, about feeling that fear, that regret, that worry that come with it. He knows something about never really daring to meet someone’s eyes for fear of what they would see. 

“I’m alright,” Mike says, sounding anything but. There’s a bitterness in his voice. Frustration in the way his thumb is picking at the skin of his fingers. Confusion in the tension of his shoulders, and Steve feels like he only needs to make one wrong move, say one wrong word, make a single sound that’s off key to the melody of this moment, and Mike will jump off the roof and take off again with his bike. 

So all he says, after a moment’s consideration, is, “Cool.” Like he believes him. Giving Mike room to breathe, room to pretend. He knows something about that, too. 

He knows and he sees and he feels. 

And suddenly he wants to say something he’s never said before, something he didn’t even get to tell Robin because she knew and saw and felt, too, taking something from him that he hasn’t yet been ready to reclaim for himself. 

And maybe it’s because he sees something of himself in the way Mike holds himself, in the way he snaps at anyone willing to listen, in the way he frowns in regret and barely meets anyone’s eyes except when it’s in challenge — and, most of all, in the way he never, never meets Will’s eyes. In the way he looks away when the other boy turns to him, and in the way his eyes will snap back and take in everything about his best friend when he’s not aware of it. 

Maybe it’s because the sky is pink and lilac and purple above them, allowing for a certain magic to happen, allowing for a bravery that doesn’t come easy to him; but as he sits on the roof next to Mike Wheeler, the only one of the Party he never really connected with, he closes his eyes against the breeze that catches in his hair and opens his jacket a little further, slithering beneath the fabric as if in a brief embrace, a nudge, a sign to take this leap, and takes a deep breath. 

His heart is picking up its pace inside his chest, taking this leap along wit him, and pulls up one of his legs to wrap his hands around it — just to have something to hold onto. 

He opens his mouth once, twice, three times, but the words never really come out. They don’t know how, and he’s beginning to tremble a little with it, tension building in his chest where the words are still locked away, hidden among layers of truth. 

Mike looks over with a frown and eyes him warily. It makes Steve want to laugh, this sudden change of pace, but he just keeps staring ahead; even when Mike asks, “Are you alright?” 

“Yeah,” Steve says. And then then dam is broken and breaking further, and with another deep breath, still not meeting Mike’s eyes, instead focusing on the tree tops in the distance that shine in hues of purple, he finally says, “I’m kind of dating Eddie Munson.” 

And just like that, it’s out. He’s out. 

He doesn’t know if the world still spins, if time still passes, if he still breathes, because for a moment there is only silence. Mike stops picking at the skin of his fingers, Steve stops trembling, and neither of them moves. 

It’s both anticlimactic and momentous, this silence between them when their eyes meet. When the words unfold and grow wings, when Mike understands, his eyes growing big with something that Steve can’t quite read with how tense he is despite his best efforts. 

The silence stretches between them, surpassing comfort and overstaying its welcome, and suddenly it’s Steve who feels like he’s about to take off if Mike so much as twitches his brows. 

“You… What?” 

Forget it, Steve wants to say. Nothing. 

But also, I’m in love with Eddie Munson. And I used to be in love with Nancy. And that’s okay. Both of that, it’s okay. 

He ends up repeating his words, though, because they know what it’s like to be spoken now. “Eddie. I’m kind of dating Eddie.” 

“But…” It’s Mike now whose mouth is opening and closing without saying anything. Mike who’s blinking, trembling a little, twitching, picking at his skin again, moving further along his hand this time to pinch the skin between his thumb and pointer finger. Steve almost reaches out to stop him, but he doesn’t really dare to. 

“But?” he prompts after a while, not quite comfortable with this loaded kind of silence. 

“Eddie’s a boy.” 

But Tammy Thompson is a girl. 

“I know,” Steve says, his tone carefully neutral, wanting to see, to wait where Mike takes this, to hear what’s on his mind, to watch the wheels turn and the gears shift. He feels awfully raw and open, vulnerable with someone who hasn’t been treating that with care yet. But there’s something about this moment that feels bigger than his own fears, bigger than the light nausea settling in his gut; far more important than the way he wants to run and hide, away from the scrutiny. 

“And…” Mike continues, still battling the words inside his head. Steve wonders if there are too many or none at all. “But you… You loved Nancy.” 

Ah. Smart boy. “I did,” Steve says with a small smile. “And it was never a lie. But I found that… Yeah, I can kinda like boys, too, y’know? And that’s, like, okay.”

A beat. A frown. A confused, hopeful, small, “It is?” 

Steve just nods, smiling in reassurance and relief at equal measures. Silence settles once more, now that the sky has darkened into a deeper, darker blue; but it’s not as loaded this time, not as tense. It’s an invitation. An offering. A promise of I’m here, I’m with you, you can take as long as you need. To get down from the roof, to come back, to come out of wherever you think you need to hide from the world. 

Mike takes it. He stays, pulling up his leg, too, mirroring Steve’s pose and staring ahead, but not as far away. He seems alert, seems to be thinking rather than dwelling, seems to be gearing up for something. Steve watches and sees and knows, remaining patient beside him, his chin resting on his knee as Mike learns to deal with this new world that has been presented to him. This new world that comes with opportunities and chances and possibilities that are scary and big and difficult to make. 

“Y’know,” Mike starts at last, interrupting the silence, playing with it, his voice hushed and quiet to keep it from disappearing completely. “Lucas, when he had that championship game? He told us, Dustin and me, that we didn’t have to be the losers this time. The nerds. The outcasts. Different. And all I wanted was to scream at him, because…” 

Mike swallows his words, keeping them from tumbling out of his mouth, and Steve aches for him again. He wants to reach out, wants to say it’s okay, tell him it’s alright, to take his time. But he waits in silence, lets Mike find the bravery he needs on his own, and waits. 

“Because how could he say that, you know? How could he, when… Will wasn’t there. And all I did, all I ever did anymore, was miss him. And I loved El, I knew I did. And she was gone, too, but…” 

He trails off again, and this time Steve picks it up. To let him know he’s not alone. To let Mike know he understands what he’s saying. He understands. “But she’s not Will. You needed Will.” 

“But I shouldn’t!” Mike explodes suddenly, riled up because Steve adds fuel to the fire, because Steve has that same fire, too; and because they are so, so similar when they want to be. “And now he’s back and it should be fine, I shouldn’t be feeling like this, it doesn’t even make sense! How can I…” 

Steve looks at him, at his expression that is nothing but lost — completely and utterly. He’s seen it on the bathroom floor at the mall; high out of his mind as he was, he’ll never forget the way Robin looked at him, the sheer crestfallen expression. All that confusion, all that fear and frustration and, in the end, resignation. He’s seen it in the mirror, and he’s seen it in those pretty brown eyes that he just can’t get out of his head anymore. 

He offers, gently, “How can you need him when he’s right there? How can you love him when a year ago you loved El?”

And Mike just looks at him before he deflates completely, his shoulders falling along with his face. He nods. Shrugs. Looks away and hides his face behind his leg. 

Steve sighs softly, watching the boy and speaking the words he wants to say the sixteen year-old version of himself. “I don’t know,” he says truthfully. “I really don’t, and it sucks sometimes, having this need to, like, decide. Or understand. Or stop and be like the rest of them.” Like Robin and Eddie, or like the rest of the world. “But I like to think, sometimes, that maybe it’s a good thing. That there’s just… I don’t know, it sounds corny as hell, but like, there’s just so much love to give, we can’t even stick to only boys or girls, y’know.” 

“That does sound real corny as fuck, man,” Mike says, and back is that long suffering tone of his, back is that eye roll and the twitching elbow, ready to nudge Steve in the side. It’s still tinged with that vulnerability, not quite Mike yet, but it’s an offering.

One of many tonight, it seems.

Steve grins, a bit lopsided and raw, shoving Mike gently as he remembers something he overheard once. “Sorry, mister Heart of our group, but I don’t think you have any leg to stand on here.”

That makes Mike freeze, though, and he stares at Steve wide-eyed; caught. Exposed. Reminded.

“What did you say?”

“Uh,” Steve falters, not sure where he went wrong — or if he went wrong at all. “I overheard Will calling you that, talking about you to, uhm. Someone. I don’t know. Why, what’s— What’s wrong?”

“Nothing,” Mike says, way too quickly, pulling away again with everything he has, hiding behind those walls once more, and Steve feels whiplash from it.

“Mike,” he says, his voice quiet and gentle as he turns to face him completely.

“No.”

“It’s okay,” Steve says. Promises, as much as he can.

“Shut up!”

“You’re not wrong or bad or broken. It’s okay, you’re okay.”

“I said, shut up, Steve.”

“You should see the way he looks at you, too. You should go talk to him. You—“

Mike lashes out, finally coming out from behind those walls again, only to shove at Steve, to push him away — hard enough for him to lose his balance and almost fall off the roof, clenching one hand on the edge, the other in the rainwater gutter with a bitten-off curse.

“Shit, I’m sorry!” Mike reaches for him immediately, snapping out of whatever anger Steve caused, and pulling him back until he’s safe again, apologising over and over, dead to Steve’s promises that it’s alright. “Fuck, I’m so sorry, Steve, I’m so—“

He pulls Mike against his chest, finally reaching out to hold the boy who always pushes people away when they get too close — quite literally, too.

But he doesn’t shove this time, doesn’t move out of Steve’s grasp as the mumbled apologies become heaving sobs.

“It’s okay, you’re okay, you’re so okay, Mike,” Steve tells him over and over as he holds him. The sky above is almost black now and Steve lets Mike cry into his chest.

It takes a while for Mike to calm down, but Steve just holds him through it, ready to let go whenever Mike wants to pull back and snap out of it again — but he never does, and Steve feels a certain kind of affection for the boy that is usually reserved for Lucas or Dustin.

At last, when he’s calmed down, Mike pulls back a little. “Do you really… Does it… Is it really okay?”

Can it be okay? Can I really like both? Is that not just me, being broken and wrong and bad? Will I get the chance to not be alone?

Steve swallows hard, and his voice is hoarse when he says, “Yeah. It’s really okay. ‘N’ I’m with you, yeah? If someone gives you shit for it. Or if you need a reminder.”

And Mike — puffy eyed, snotty nosed, so, so young — looks at him with those trusting eyes and nods, like he believes Steve. Like he trusts him. Like he hopes.

“Just don’t fucking shove me off your roof again.”

Ans just like that, the spell is broken, the tension is lifted, and silence has left them, as Mike almost chokes on a laugh and shoves at him again, lightly this time, before jumping off the roof so Steve can’t retaliate.

“Asshole,” he mutters, shaking his head as he, too, jumps off the roof, dusting off his pants as he watches Mike grabbing his bike. “Hey, Micycle,” he calls, cackling when Mike flips him the bird. “You want a ride back?”

Mike stops, considering as Steve casually flicks his keys into the air and catches them expertly. “What kinda music do you got?”

“The Clash, ‘cause Eddie hates them.”

“Yeah, that’s because they suck!”

Steve snorts, opening the driver’s side door. “Y’know, they’re one of Will’s favourites, actually.”

He watches Mike freeze with a grin on his face, knowing there’s no way the boy would take the bike.

“You’re so annoying,” Mike sighs as he brings his bike close to the garage and carefully lays it on the grass this time before hurrying over to Steve, getting in on the front, rolling his eyes when Steve cackles. “I don’t know why Eddie would date you—“

His words are drowned out when Steve turns up Train in Vain, drumming along on the steering wheel with a shit eating grin. Though the atmosphere is wildly different now, the spell broken and the bubble burst, it’s undeniable that something happened between them. Something big, something important.

Something that makes Mike’s annoyed, long-suffering expression be broken by the smile he’s trying to hide. It makes Steve laugh, elated and feeling something that’s much, much bigger than he himself ever could be.

It’s going to be okay. So, so okay.

Before they know it, they’re pulling up to Steve’s and he turns off the car, is about to get out when Mike makes him still again.

“Hey, Steve?”

“Hm?”

“I think it’s cool. You and Eddie.”

He smiles, relief and fondness washing over him. “Yeah?”

“Yeah.”

“Thanks.” He reaches over and ruffles Mike’s hair — a wild mane these days, but they could make it work with some care and some products. “Now go get your man, lover boy.”

“God, you suck so much, you’re so annoying!”

Steve’s cackling again when the passenger door slams shut and Mike lets himself into his house.

He spots a figure in the dark, their face lighting up when they take a drag of a cigarette — and Steve’s heart stumbles in his chest. He scrambles to get out, attempting to look calm and collected, even though Eddie always manages to see right through him.

“Hello, stranger,” he says, leaning against the wall beside Eddie, hiding away in the dark, where the world won’t see their shoulders touch, or their fingers tentatively playing with each other before they can’t take it no longer and lace their hands, holding on tight.

“Hi,” Eddie breathes. “How’d it go?”

“Fine, I think. But, uhm… I told him. About me. About us. That, uh. That okay?”

Even in the dark, Steve can feel eyes on him, but he just stares ahead, opting instead to give his warm hand a squeeze. He smiles when Eddie’s thumb begins to draw patterns on his palm.

“Hmm. Very. You think they’ll be okay?”

“Yeah,” Steve breathes, stealing Eddie’s cigarette from his mouth and pulling it between his own lips. “Yeah, I think they will be.”

[emblazons]

"I don't want things to change."

MIKE WHEELER & WILL BYERS IN S03E08 - The Battle of Starcourt

[stranger-theory]

"Bylers want El depressed."

she already feels this way. she already feels alone and unhappy with Mike. if she feels like this with the guy she's dating, why not assume she'd be happier without that guy? why not assume it would be better for the girl who doesn't know how to work a romantic relationship to just not be in that relationship? why is it us who want to hurt her and not someone who wants her to stay in this relationship?

we have to use our brains, people.

[ectonurites]

Byler Week Day 5 — Secret Identities

very loosely interpreting the prompt for today but i've had this idea for a while and... secret identities, Superheroes, that works. anyone who knows me well probably could have seen something like this coming LMAO

also trying to draw Robin & Superboy costumes that look thrown together and home-made when i have spent so much time drawing their actual designs was a challenge

[yourelosingains]

-   the evolution of elmax is something that’s so personal to me.

[astrobei]

it's my time coming

Will scowls. “Not funny,” he says for a third time. “Go away.” Mike drops the stick unceremoniously. It falls to the damp forest floor, tumbling over itself before coming to a stop, splashing a few drops of water onto the hem of Will’s pants. “Okay fine,” Mike says. “I’ll bite. What’s your deal?” The other fact of the matter is this: tomorrow, Will is going to walk into the Upside Down and not look back. Tomorrow, he is either going to kill Vecna or die trying — and Mike is not going with him.

Even the actual apocalypse had to end sometime, but Will didn’t exactly expect it to happen like this.

[apocalyptic-byler]

i have tears in my eyes

[lunabug2004]

I want to start this by saying I'm not completely anti-Mileven. I do think it's possible that Mileven could be endgame and I'd still be mostly happy. Some stuff wouldn't really make sense to me but it's whatever, I can probably live with that. That being said,

if Mileven is endgame, it'd be so terribly boring.

The same thing over and over, with them being separated and brought back together every single season, and then also the whole "I love you" issue being recycled from s3 to s4 for no apparent reason. The same couple people thought were adorable by the end of season 1 are not going to be the couple everyone thinks is adorable by the end of s5. I'm sorry but by this point, Mileven are the most boring choice of an endgame couple.

[miwiromantics]

ok but uhh I don’t know if this has been pointed out but:

This.

And this.

Are the same right.

(Edit: I’ve been having this in my drafts for almost a year omg…anyways finally posted lol.)

[blueeandyellowmakesgreen]

yall know i love my ronance content but a part of me is also really happy for nancy for finally having a platonic girl friend her age. i imagine ever since barb, shes had a lot of walls she had to put up, and maybe robin practically tearing it down and letting herself in is just what she needed and wanted, so nancy just.. let her. idk im looking forward to more of them in the next season. nancy deserves that

[the-party-of-losers]

hey so. can people tag these AI generated Byler kisses with an AI-related tag please? even if you're just reblogging them?

I'm genuinely so so SO glad that so many people seem to be getting much joy from these creations, but AI generated videos in general make me PHYSICALLY uncomfortable. I'm honestly not sure why, I'm guessing it's an uncanny valley thing or possibly a sensory thing (I have the 'tism), but it truly doesn't even matter if it's my favourite boys kissing, I literally feel nauseous when I see uncanny videos like this, and I've been seeing them a fair bit recently for obvious reasons

to be 100% clear, I'm not asking anybody to stop making them or sharing them, I am sincerely so glad that they can bring people happiness! I only ask, if you see this, to tag them with some kind of AI-related tag so I don't see them from now on

[emblazons]

tfw: you're in love with a Wheeler in a happy relationship

Jonathan Byers in S02E02 - Trick or Treat, Freak Will Byers in S04E09 - The Piggyback

[smoosnoom]

(go on and) kiss the boy

“So,” Mike starts, drawing out the word, and Will turns to him. “Any ideas on how to spend the next fifteen minutes?” It’s teasing, suggestive when he wiggles his eyebrows, and it’s so unexpected that Will lets out a surprised laugh, unabashed, and it’s so easy, how the tension falls away, and it’s only them again. “You’re ridiculous,” Will shakes his head, smiling, but Mike looks proud of himself anyway. He points out, “I don’t hear you complaining.” Will scoffs, nudging at him with an elbow. “Whatever,” he smoothly replies. Mike grins.

Will, Mike, and the numerous attempts at their first kiss.

[henrysglock]

bylers how are we feeling in the club tonight. because i feel. hm.