I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.
I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.
This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.
When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.
And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.
It's unsustainable and untenable, and it's also the expectation our audiences have.
If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.
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Y'all ever cry when you think about how everyone in Eddie's life assumed he'll make a terrible parent without even offering him the help he needed to prove himself except for Buck?? He hears about Eddie's struggles with parenting and doesn't think 'you're a bad dad' he just thinks 'you need a bit of help' and then proceeds to make that happen for Eddie.
Calling Bobby to get permission to have Chris with them because Eddie doesn't get the time to, introducing Carla to go through the shitty red tapes he's been struggling to figure out, driving him to pick-up Chris after the earthquake, throwing a surprise Christmas party so that Eddie can be with Chris, and being the person Chris can turn to when he doesn't feel like talking to Eddie.
I don't think Buck realizes how much Eddie probably values all the things Buck has done for him to allow him to be the parent that he's always been capable of being. Buck downplays the things he does and probably thinks it's not much but for Eddie it's everything. It's everything Eddie didn't get from his partner or his parents. Buck just... does it for him, as easy as breathing.
This is why it was so, so easy for Eddie to choose Buck as the legal guardian for his Will but it was a shock for Buck. Buck doesn't know how integral he's been to Eddie being a good dad. For Eddie, it's easy because be knows Buck is already capable of stepping up. For Buck, it's surprising because doesn't think all the things he does matters.
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You know, the whole "soft uwu boy transmasc" stereotype can be very annoying because like. I might consider myself to kinda fall in that stereotype. And the way people talk about it is just,, gross?
Like I'm nonbinary but still consider myself partially a boy. And the way people talk about those stereotypes gives the impression that they just see us as girls or women lite. I'm just a gnc guy, but it makes me uncomfortable whenever those jokes are made.
I don't know why dunking on gnc men (cis or trans) is so common, but it just makes me feel icky. Like I'm not dressing like this to be your plaything or the butt of the joke, I'm just existing.
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speedrun of things that cause me agony in the wondla tv series trailer:
whyyy did they have to make the sanctuary so sterile and minimalistic? the book sanctuaries had this charming clunky 70s sci-fi design to them – they were blocky and durable and Eva's was tangibly lived-in, even worn in some places, because that was the point! they were an experiment that outlived their usefulness, but people kept living in them & they felt like it. this feels like Kim Kardashian's creepy white torture house.
"this... is me." has this line not become extremely passé in trailers, like almost to the point of parody?
that is NOT Muthr. idk who that is, but she is not mothering. it's like they took her book design and stripped away anything that may have been even slightly challenging to the cocomelon-smoothed zeitgeist of current animation. she's just so... nothing. she doesn't even look like a robot so much as like.. the lame soul design from pixar's soul. book Muthr looked WEIRD, but you can see the ways in which she's literally a synthetic + superhuman recreation of a Mother Figure: her head shape mirrors the beehive hairdo, her big eyes are saccharine sweet, she has four arms bc she always needs to do a million things at once, etc. i get that this version of Muthr was probably way easier to animate, and i don't even think they had to stick to the original design 100% as long as they still did something interesting for her, but. they didn't.
rip Eva's sick as hell hairstyle. :( seriously, her complicated braids were so important. bc 1) they were an homage to Dorothy's braids in the wizard of oz, the book to which the whole trilogy is a love letter. 2) they immediately gave her a unique visual identity as a character. 3) they contributed to the world of Wondla feeling genuinely strange and foreign to our current one. 4) they subtly spoke to things like Eva's boredom and loneliness and all the time she had to herself.
the paltry mini braids and single low bun they gave her instead are WEAK. again, they didn't have to follow the books to the letter, but. they did kinda need to give us something more memorable and distinctive than this.
i mean... there is ofc the obvious question of why'd they make her 16 instead of going on 13 like she was in the books? but also, perhaps even more crucially, why does she look like a whole ass adult woman? wondla is very much a coming of age story, and it's really good at capturing the messiness of that experience in every way down to its character design. this Eva doesn't look messy, she looks like an influencer. also i hate that current disneyesque cgi character design.
her outfit's like... fine. but it was so fucking cute in the books. cute and ultra utilitarian, and unlike anything i'd ever really seen before. can't a girl have a vest with a funky collar, cool billowy balloon sleeves, and scrunchy knee socks? do yknow how many kids would want to be Eva for halloween if they simply gave her an outfit that looked cuter? they're leaving money on the damn table.
she wasn't done with her training for life on the surface in the books, and that was important. :/ not that anything could've really prepared her, but the fact that she was so young made her terror and anger all the more palpable. i guess i don't think it's inherently terrible for her to be a bit older in adaptation, but idk, at least let her retain that trial by fire/still kind of a scared kid quality that's integral to her arc.
the placement of the 'wondla' letters on the page makes no sense. it's meant to be the wonderful wizard of oz (or the wonderful wizard of oz by l. frank baum. i forget which, but ONE of those for sure), so by all accounts the l and a shouldn't be right next to each other like that, there should be more space between those two letters.
now i don't fully remember, but i super don't think that 'Eva find me' note was in the books. Eva would've been way more obsessed with it if it was. in the books, she doesn't know the 'wondla' page was actually left for her, it's just this strange anomaly she finds that gives her hope, but she sort of creates that hope herself. its origin is an honest to god mystery until the second book, and therefore, the meaning that Eva gives it is what really comes to define it.
it's not just that no one had seen a human in a long time, most aliens on Orbona had never seen a human at all until Eva came along. that's a big difference! though, this audio does sound chopped up from multiple sentences, so maybe disregard this.
i don't like that they gave away the 'Orbona was once Earth' twist right off the bat. i know it's not a wholly original trope in sci-fi, but this is a middle-grade/family series, and it straight up blew my mind to see as a kid that hadn't ever really read true sci-fi before. and Orbona is SO bizarre, and Eva is SO desperate to find other humans, that the reveal is extra jarring and bleak, and it creates such powerful tension. why give the impact of that away in the trailer?? why not just let people think she's stuck on an alien planet until they get the full emotional gut punch when they actually watch it for themselves?
where's the lake in Lacus? :/ that was... kinda the basis of Lacus' culture and design and all. like ok i see some water, but Lacus should be almost more water than village.
Otto's design!! why god why.
why is Otto furry, why are his eyes Like That, etc.
nooo, don't show the ruins of New York in the trailer, that's for the audience to discover in horror along with Eva.
also why does Otto (i think that's him talking at least?) sound like that? thumbs down.
what are the. uh. shark tale-looking creatures running on water. they're very shark tale-looking (derogatory). they don't look like they belong in this series?? like did this footage just get misfiled?
egads it's coming out at the end of this month. i'm gonna watch it of course. but the whole time i'll be thinking about what could've been. and i'll reread the books, too. >:|
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