#syncretic

[unholyleaf]

Isis of the Suebi In the book Germania, by Tacitus, he reports on the worship of Isis by the Suebi tribe. It's common belief that this interpretatio romana is likely in regards to the worship of Freyja/Frigg. It is my belief that Freyja and Isis are syncretic with one another. I incorperated some celtic and modern symbology into the art as well, such as the symbol of Awen, as I consider myself to be a druid, and the triple goddess symbol to represent unity of the goddesses/divine feminine.

[sheepskinnedgoat]

If you're comfortable answering, how would you describe Sophia and your relationship with her? ☺️

Oh gosh, well, lemme try.

Sophia is Wisdom. Not just a personification or an embodiment of it, but the path to it. I think through this Wisdom, we can strive for better things for ourselves and the collective of humanity and earth and the world around us. It could even bring an individual closer toward "transcendence" or something like that, where our soul finally finds it's full way back to ultimate Oneness spiritually? But first, Oneness comes materially; I feel like that's the Wisdom test, really.

Anyway, she's also like, the mom to our mom. Since I was raised by my grandmother, both Earth and Sophia give me "your grandma, but raises you like a practiced mom" feelings and so I cherish both very much. And to make things harder to formulate into words, Sophia in all her wise momness gave us a creator/crafter to give us earth and the universe and our entire existence.

And like a good mom, "bridges" the gap between the self still forming and the self still growing and the self that finds completion.

So I guess that's how I would describe my relationship with Sophia.

[mythohumanism]

“Radical centrism” (defined here as grocery shopping around the pol compass, either bc of a) “pragmatic” focus of efficacy over ideology or b) uncertainty about best ideology and thus a willingness to try anything to get to one’s goal) is a terrible name for what is clearly Radical Syncretic Politics (“RadSync”). Grocery shopping across the political spectrum is self-evidently not (necessarily) centrist. Syncretists don’t (all) get the bullet (can I say this on tumbler)

(Though obviously a Syncretist who uses policies from all across the compass to reinforce the status quo can exist, and describing that person as a syncretic centrist would make sense. But that would be as a subtype of a syncretist, NOT a “radical” centrist - point is, syncCents arent the only worldview that values pragmatism and anti-ideological sentiment)

Further; (I keep editing this bc I love this post), a True “radical centrist” would explicitly Reject syncretic politics! A radical “extremist” (pseudo-extremist? Exclusionary? Absolutist? Ideological?) anti-extremist would oppose any non-centrist politics. They would reject anything outside of the status quo, and they may even do so violently! See images below for the difference between a bog standard moderate (left) and a committed radical anti-extremist, or maybe “Neo-centrist” (right).

[mariakphotos]

[tribalephemeral]

Unitarian Panpsychist Prayer

Unitarian Panpsychist Prayer Universal Principle,Who goes by many names & all names & no names, who is all genders & no genders, who is eternal of eternities, who is infinity of infinites, who is all things & some things & no things & void, who is in any being at any time, who is present in all worlds, both real & imagined, help me this day to be my truest and most whole self, help me this day…

[wet-lick]

[mybuddyjimmy]

Syncretic

Syncretic [sin-KRET-ik]Part of speech: adjectiveOrigin: Greek, 19th century1. Combining disparate elements in one system, especially as in forms of religious observance, philosophical systems, or artistic creations.Examples of syncretic in a sentence“Mark’s mother is Jewish and his father is Episcopalian, so they celebrate a syncretic Christmas-Hanukkah in December.”“The Civic Pride Association…

[jahbillah]

On Biomusic

Science has been moving in complementary ways to art for centuries, including recently, with the introduction of biotechnology into the arts. The mix of eastern/western and holistic/analytical-technocratic thinking contributed to a multi-angular approach to human nature. The informatics that supports biotechnology became a craftsperson’s tool. According to Whitelaw, especially biotechnology…

[gallusrostromegalus]

In honor of the season, what are holidays like in the spirit world? Have they been infected by Christmas yet? I imagine they inherit some popular ones from the world of the living, but also the unique holidays of the afterlife must be wild.

You come to me, on the eve of the High Holiday of Halloween, and ask me about Christmas??

I'm kidding, you're asking about holidays in general but my unsuspecting Agnostic Ass just got jumpscared by Mariah Carey, and I'm sensitive. It's not the season. Not for another 48 hours at least. Do Not Violate The Sacred Treaty.

.

..

...

Anyway, this ended up in my drafts for a few days, so: Christianity has not really gotten a foothold in soul society, but via cultural osmosis "Xmas" has. Nobody in a Shinto afterlife believes in monotheism, but they love a holiday and a Saint is practically a Kami anyway, but.... It's "Xmas" because the holiday in no way remotely resembles Christmas as practiced in the living world.

---

Scene: 4th Division hospital, a few days after Rukia is rescued and Aizen departed for Las Noches:

"-CHAD!!" Ichigo bellows, almost falling in through the doorway of the hospital room, wheezing.

"I am very sure you are not supposed to be out of bed." Chad frowned, looking up from the copy of the history of soul society Captain Komamura had lent him to read while he recovered.

It was strange, to be in the care of the very people he had thought to be senseless killers not two weeks ago, but he was finding the Shinigami a generally agreeable lot. Even if the captain that controlled the hospital reminded him unpleasantly of a nun with her chaste dress, soft voice and understated but constant threat of violence.

"YOU NEED YO HEAR THIS-! He- hee-" Ichigo stumbled over to his bed and curled up on his side overcome with giggles.

"... I'm beginning to think I am incorrect." Sighed the pale-haired man at the door, frowning down at Ichigo.

"Jushiro Ukitake, I don't think I've had the pleasure of your acquaintance yet, Mr.-?" The man introduced himself and offered Chad a hand.

"Uh. Yasutora. Sado Yasutora. But everyone calls me Chad." He mumbled, cautiously shaking hands with the stranger. "You're um. You're Miss Rukia 's boss, right?"

"Yes! I believe you are her friend with the pet parakeet and good throwing arm, yes?" Ukitake beamed at him and Chad was suddenly struck by the idea that he'd seen Ukitake at a family reunion before - Impossible, obviously, but the man had the intense aura of a distant uncle. "Good show that, she loves being hurled at an opponent!"

"Oh. Thank you." Chad mumbled, Ichigo finally catching his breath. "...What are you incorrect about?"

"Christmas, apparently." Ukitake frowned, and Ichigo dissolved into snickering again. "He says you're something of an expert on the actual mythology, I only have third-hand accounts, you see-"

"No!" Gasped Ichigo, reaching over to tug at Mr. Ukitake's sleeve. "You gotta tell him!"

"I am Catholic, yes." Chad nodded. "-go on. It can't be less accurate than the version Dr. Kurosaki- Uh, Ichigo's dad- gave me last year."

"Yeah it can-" Ichigo wheezed.

"Well, ah- Christmas is a birthday celebration for an important religious figure, right?" Ukitake tried.

"Yep!" Chad nodded, giving Ukitake a thumbs up.

"The birth of Rudolph, the Star-nosed reindeer?" Ukitake tried.

Chad stared at him blankly for a moment, before his thumbs-up slowly wilted into a thumbs down and Ichigo vibrated silently with hysterics. Chad opened and closed his mouth a few times, hand waving, then covered his mouth, searching for words. Eventually he reached out and gently put his hand on the captain's shoulder to explain as delicately as possible-

"...No." Said Chad.

Ichigo rolled off the bed with a dull thud.

"-I am, however, fascinated." Chad elaborated. "Please continue."

"...I'm really sorry that I am this ignorant of your religious dogma." Ukitake winced.

"It's- don't worry about it. Tell me what you think happens on Rudolph's birthday." Chad said, sitting back and pressing his hands together.

"Well- oh, how does it start? Right- there's the Monks- Saints? that give out presents to well-behaved children during the winter holidays- Saint Claus, Saint Nicolas and Saint Kringle. And they're all very old men, and with good judgement about who does and does not deserve presents, so they're called the three wise men!"

Ichigo made a noise like a teakettle from the floor.

"Oh. Oh no." Chad giggled.

"And they travel the entire world giving out presents, but that's A Lot of houses and it was taking them longer and longer so they prayed to... I forget the name Catholics have for Amaterasu. Guadalupe?"

Chad made a noise not unlike a violently squeezing a rubber duck, and started to shake.

"-So they pray for some help getting all the presents to the children, and Whoever She Is says they're doing good deeds, but she wants to see if they're REALLY worthy of that kind of miracle, so she sends them on a journey to recover some lost holy treasures, and on the way each of the holy men wrestles with and tames a demon representing some vice or another-"

"-I. I think you've gotten the Star of Bethlehem mixed up with The Journey West." Chad realized, hands pressed together in front of his face.

"Yes that's right! She marks the direction they're supposed to be going with a bright star! So they go West, following the star! "-Ok the three wise men traveling from the east following a star part is, in fact, accurate. What's this about demons?"

"It's some sort of allegory about how all the Saints are virtues so the demons represent the vices people fall into around the holiday- Being punitive or penurious and ruining good things for others. They all had weird names-" Ukitake frowned.

"What's going on?" Captain Kyorauku asked, sticking his head in the door.

"You'll know!" Ukitake chirped with excitement. "-What are the three demons the saints conquer in the Christmas myth?"

"Krampus the Child-beater, Scrooge the Miser, and... Ah fuck I always mispronounce the last one. He's green and he sucks? The Goonch?" Shunsui frowned.

"THE GOONCH?" Ichigo shrieked from the floor.

"I. I think you mean The Grinch." Chad said, experiencing a brand new combination of horror, delight and fascination that felt like the emotional equivalent of a shrimp color.

"That's him! Oscar The Grinch!" Shunsui nodded. "Why, its only August? Also, what's Kurosaki doing on the floor?

"We are apparently very misninformed about the mythlogical origins of Christmas. This amuses Kurosaki to the point of hysterics." Ukitake explained, lightly nudging Ichigo aside with his foot and sitting on the foot of Chad's bed.

"Your version is so much better." Chad said, vibrating with excitement. "What are these treasures they're supposed to get?"

"Oh you had to ask- Shunsui love, you were the one that heard it all from Captain Kuchiki when he did his tour in the living world."

"Oh for fuckssake of course it's Byakuya-" Ichigo groaned from the floor, and Ukitake gently kicked him in the ribs to shush him.

"Uhhhh... Let's see-" Shunsui scratched at his beard."There's Eight Lost Treasures, they're all magical bells that give anyone who rings them supernatural abilities- there's the Bell of Speed, Bell of Grace, Bell of Balance, Bell of Cunning, Bell of... ah fuck. I always forget the two in the middle... -Oh! Bell of destination- not like fate, like, always being able to find your way to where you're going. Bell of Affection, Bell that gives power over wind and Bell that gives power over lighting!"

Chad blinked at him, then slowly crumpled into a ball.

"...Mr. Yasutora?" Ukitake asked, gently touching his shoulder.

"This is amazing. I love it. I'm going to die." he whimpered, voice high and tight as he struggled to breathe from laughing.

"We may have already lost Mr. Kurosaki." Shunsui muttered, poking Ichigo's shoulder with his toe. "Anyway, they conquer the demons, get all the magical bells and make it to the distant city, aand Amaterasu says 'Great job!" Ukitake continued, enthusiastic as they approached his favorite part. "-But she says 'Here's your final test: I'm going to give a special gift to one of these creatures, you tell me which is the most deserving of my favor.' and then she turns them loose in some kind of farm with talking animals. They're all good and noble animals that have done many brave deeds- dogs saved children from drowning, horse that ran across a battlefield to deliver a message that stopped a war and so on- eventually the saints find a brand new baby fawn with a bright red nose. Since it was born just that morning, it's never done anything of note, and the other animals don't really like it because it's red nose means its kind of sickly and it cant see well so they don't want to play with it."

"YES!" Chad cheered, making the connection.

"Oh, that part is right?" Ukitake perked up.

"Not even remotely, but it's amazing. They pick the fawn right?

"That's right! The saints tell Amaterasu that the Baby deer Rudolph is the one that deserves her blessing, because while all the animals here are noble and good, no good deed is better than another, and of all the animals, the sickly little deer is the one that really needs her help."

"Oh no." Ichigo whimpered from the floor. "That's actually like. genuinely heartwarming."

"Amaterasu applauds them, because they've made the right choice, and she gives the power of the star to the baby deer so it very literally glows like a headlight, and She turns the eight magical bells into a herd of deer that all have the powers the bells they were made from had, so Rudolph has a family and the three wise men have a team of nine magical deer to pull the flying sleigh she gives them, and then they are able to deliver all the presents to all the children of the world in one night, and they do it every year on Rudolph's birthday, because he was the first one to receive a proper Christmas present!" Ukitake finished, giving Chad an excitable two thumbs up.

Chad, slowly tipped forward, faintly hissing with silent laughter, then rolled off the bed to join Ichigo on the floor. Ukitake peered after him with concern, until chad slowly raised a weak, shaking hand up to give Ukitake a thumbs up back.

"-What I can't figure is how the bucket of fried chicken fits into all that?" Shunsui pondered, and the boys shrieked with laughter.

[rue-with-the-tarot]

Pagan syncretism is the best. I love being able to worship whomever, whenever. I love being able to study occultism from around the world and put together a practice that is so unique and special to me. I love being able to worship gods from ancient societies like Greece. I love the even more ancient gods from Egypt. And we can go back further and revive the gods from Sumer! I love honoring spirits of the sun, and moon, of death, and love. I love being playful with the faeries, soaring with dragons, and meditating with bodhisattvas. If it is open to me, I am willing to learn and boy has it enriched my life tenfold! I don’t ever want to stop!

[serpentface]

The pelatoche, an apotropaic visual motif widely used in contemporary imperial Wardin.

Belief in curses and attachments by evil spirits is a significant part of the cultural schema. This includes a variant of 'evil eye' beliefs- the gaze has great symbolic power and is known to inflict a state of metaphysical vulnerability, in which the body or soul is susceptible to change and transformation. Though metaphysical vulnerability itself is neutral (it can result in both positive and negative change), most attempt to avoid this state of being as it leaves one vulnerable to curses and spiritual pollution. Because it is impossible to avoid a sinister gaze altogether, many wear clothing and jewelry with this motif to neutralize ill effects.

The core motif consists of a vertical humanoid eye. If given only one distinct tear duct, it faces upwards. If the iris is colored, it is most commonly blue, gray, or white. Blue and gray eyes are considered most potent at inflicting curses (and thus can be potent at deflecting them), and white pelatoche are usually made with inlaid pearl (a substance believed in of itself to have a shielding nature). Mirrored surfaces for the iris, pupil, or entire eye are also common as a means of reflecting curses.

There is great variety in how the pelatoche is depicted. The above representation is a clasp for a cloak, made of gold with inlaid blue glass, and on the relatively ornate and realistic end of the spectrum. If multiple pelatoche are depicted together it is almost always in sets of seven, and in this case may be referred to as odatochent, which roughly means 'the eyes of God'. Odatochent are believed to be particularly potent against evil spirits (rather than just evil gazes) and tend to be worn as jewelry, often very gaudy with each eye containing different inlaid jewels (which themselves may each have significance).

The eye being turned on its side in of itself is a form of deflection. The distinctly yonic look of many variants isn't an accident either, as depictions of genitalia are also believed to have apotropaic qualities.

The common name itself - pelatoche - partly derives from and refers to Pelennaumache (one of the seven faces of God, this one presiding over the sea and heavily associated with luck, curses and fortune). The other key Imperial Wardi apotropaic symbol is the skimmer-woman, which is related to Pelennaumache and depicted as a woman with blue eyes, albatross wings (or the body of an albatross) and exaggerated genitalia. The pelatoche is a syncretic fusion between preexisting traditions of apotropaic eye symbols brought to the region by the former Burri empire and the regionally native skimmer-woman motif.

A sketch of the apotropaic skimmer-woman as it might appear on an amulet

[my-name-is-apollo]

Why is Hera so hostile to Leto in a manner that she isn't with the other lovers of Zeus? I can't think of any other woman who was targeted so much by Hera. One could say she didn't want Leto to give birth because her children would be a competition to Hera's children, but why bother her even after she had already given birth? Is it because Leto herself is also a threat to Hera?

Sort of I guess?

I don't think Leto would ever be a threat to Hera's role as the queen of the gods but Hera might see her as a competitor for Zeus' affection, even though I think Zeus would not marry someone else and replace Hera.

The twins are definitely a big reason why Hera begrudged Leto - it is outright stated in the Callimachus Hymn to Delos that the reason Hera especially targeted Leto was because she was told that Apollo would be dearer to Zeus than Ares is. Zeus is very proud of Artemis as well. As he himself puts it, he doesn't mind facing Hera's wrath for children like her.

But the continued hatred even after the birth of the twins (like sending Tityus to rape Leto) could have been for different reasons. This wasn't like one of those affairs Zeus would have with mortal women where he'd leave them behind once the child is conceived. Neither could Hera, despite her many attempts, get rid of Leto like she did with the other lovers. Not only did Leto give Zeus children that he loves dearly, she also stayed on Olympus despite Hera's hatred towards her (which isn't directed to any of Zeus' other divine mistresses, btw). It might have also been because Leto herself is dear to Zeus, if the way she's treated on Olympus is any proof. In the Homeric hymn to Apollo, Leto stands next to Zeus - in the Olympian assembly - to welcome their son. Hera is completely absent from the scene, as if Leto had taken her place even if temporarily. Now you could say this is because Apollo himself is such a powerful and glorious son in a way that no other son of Zeus is, so of course Leto would get such an honor (the hymn itself presents it this way).

But here's another instance - in the Iliad, when Hera goes to seduce Zeus, he is obviously very smitten but before getting into the action, he lists some of his lovers (I believe these were his favorite lovers, as a lot of others are not mentioned):

"for never has such desire for goddess or mortal woman so gripped and overwhelmed my heart, not even when I was seized by love for Ixion’s wife, who gave birth to Peirithous the gods’ rival in wisdom; or for Acrisius’ daughter, slim-ankled Danaë, who bore Perseus, greatest of warriors; or for the far-famed daughter of Phoenix, who gave me Minos and godlike Rhadamanthus; or for Semele mother of Dionysus, who brings men joy; or for Alcmene at Thebes, whose son was lion-hearted Heracles; or for Demeter of the lovely tresses; or for glorious Leto; or even for you yourself, as this love and sweet desire for you grips me now.’ (Book 14, trans. A. T. Murray)

Notice how when talking about most of them, he also mentions the children they bore to him but when Demeter and Leto are mentioned, he doesn't bring up their children at all despite them being some of the most accomplished kids of his. What's more, he takes Leto's name just before Hera's. I mean, this is an interpretation but it looks like not only did Zeus love Leto the most out of all his mistresses - giving her a place second to that of his wife, but also his love for her wasn't necessarily only because she gave him two amazing children.

Nonnus does something similar in the Dionysiaca (but this time Zeus is enamored with Persephone instead of Hera) but more notably, when Typhoeus attacks Olympus and Zeus is discouraged, Nike takes the form of Leto to encourage him and it's pretty telling of what Leto meant to Zeus.

One interesting similarity between Hera and Leto is that they both had a giant try to rape them. Porphyrion tried to violate Hera (Zeus inspired him to do this) and Tityus tried to violate Leto (upon Hera's order). Though both of them were killed, only Tityus got an eternal punishment in Tartarus of having his liver/heart eaten out by vultures so Zeus seems to have taken a greater offense at Tityus trying to assault Leto.

Again, I don't think Zeus would ever take anyone other than Hera as his permanent wife - she is irreplaceable to him. There's an entire myth about Hera leaving him and Zeus winning her back. Their relationship is obviously complex and involves all kinds of emotions including love and hate. But Leto is continually dear to him as well and that's something Hera can't do much about.

[cybergus]

October So Far (Mexico City 2024), by Abelardo Ojeda.

My Photoblog

[thrashkink-coven]

hey there, would you mind telling me a bit about Lilith and your practice with her? I’ve been trying to do some research on her modern worship, offerings, and signs, but it can be really difficult to find anything that’s serious when there are so many references to her in pop culture :/

Okay so Lilith is extremely, and I mean extremely complicated.

Contrary to popular belief, “Lucifer” isn’t actually a name, but a title. The name Lucifer means “light bringer” in reference to Venus as she appears in the morning, but any “light bringer” can be considered a Lucifer. Prometheus for example, the man who stole fire from the Gods to give light to humanity, is a Lucifer. And so, there are actually many different entities that have taken the role of a Lucifer throughout history and in various different retellings. Eosphorus is the name of the deity that was revered by the Greeks as Venus, but Lucifer is a title that many different figures have taken on depending on the context.

Why do I bring up Lucifer? Because he and Lilith are very similar in that regard. Our earliest mentions of Lilith throughout history paint her not as an individual but as a species of night demon that frequently takes the form of an owl, she was known to bring crib death and miscarriage.

In the myth, Inanna and the Huluppu tree, a huluppu tree (a type of willow) is planted by the banks of the Euphrates River. The tree is tended and nurtured by the goddess Inanna, who plans to use its wood to craft a throne and a bed for herself. However, as the tree grows, it becomes infested with three troublesome creatures:

A serpent that makes its home at the roots of the tree. (What troublesome serpents have been portrayed in another mythology having to do with magical trees? HMM!)

The Anzu bird (sometimes described as a mythical lion-headed eagle) that builds its nest in the branches.

The Lilitu (a female demon or spirit) that makes her lair in the trunk.

Inanna, distressed by these creatures occupying her tree, calls for help from her brother, the sun god Utu (or Shamash). When Utu does not assist her, she turns to the hero Gilgamesh. Gilgamesh comes to her aid and, with his great strength, drives away the serpent, the Anzu bird, and the Lilitu. He uproots the huluppu tree and uses its wood to craft a throne and a bed for Inanna, fulfilling her original intention. Consider that it is a human, not the God of the sun, who helps Inanna with this problem. Interesting.

The inclusion of these three very specific creatures occupying this important tree tended to by the Goddess of love, to her dismay, are very important. Especially when he consider how Inanna’s visual depictions have been syncretized with Lilith. The idea of a serpent (perhaps a Lucifer) , an Anzu bird (described quite similarly to some depictions of abrahamic angels, specifically those like the cherubim) and a Lilith being “driven away” from this mythical tree are notable, especially because these are all symbols associated with Inanna herself.

Inanna, one of the most complex deities in Mesopotamian mythology, embodies aspects of fertility, love, war, and the underworld. Inanna's association with snakes can be seen in her connection to the underworld and her transformative journeys. In her descent into the underworld, Inanna removes one magical garment as she continues into the deathly realm. Just as the snake sheds its skin, Inanna sheds her power and identity as she descends, only to be reborn and restored.

Inanna is frequently depicted with wings, highlighting her divine nature and authority. The Anzu bird in the Huluppu Tree myth, while initially a source of trouble, also connects to the theme of overcoming chaos, which aligns with Inanna's role as a powerful deity who brings order.

Lilith, often depicted as a demoness, represents untamed feminine power, independence, and sometimes chaos. In later Jewish mythology, she is considered a night demon, but her roots trace back to earlier Mesopotamian beliefs. Her inclusion in Jewish mythology is summed up in the verse Isaiah 34:14: "Wildcats shall meet with hyenas, goat-demons shall call to each other; there too Lilith shall repose, and find a place to rest." (Hm… I wonder WHERE she will find a place to rest? Perhaps in a… magical tree?)

In Jewish mysticism, the feminine side of the tree of life is what creates the potential for evil. Even though it is the lightest, brightest, goodest form of feminine energy, for some reason, every time, disobedience pops up no matter what we do. It is an aspect of the feminine itself.

In the Huluppu Tree myth, Lilith (or a Lilitu) makes her home in the tree that Inanna nurtures. This connection reflects Inanna's association with both nurturing and taming wild, untamed aspects of the feminine. Lilith's presence in the tree also highlights the tension between order and chaos, which Inanna must navigate and control.

So what does this all mean?

Each creature in the tree draw direct parallels to the Goddess of Love herself. These can be interpreted as perversions of her divine nature, that she herself cannot be-rid of on her own. Inanna the Goddess of WAR couldn’t get an owl, a big bird, and a snake out of a tree??? Why? Likewise, why did the divinities refuse to help her? Why did she have to seek out a human specifically, to get those unwelcome guests out of her tree? And if it is so that Inanna just doesn’t really like owls and snakes, why is she represented with them (and generally just hanging out with them) so often?

Lilith, the serpent, and the Anzu bird reflect aspects of the divine mother that she herself cannot even tame. Lilith as the night owl also reflects an aspect of knowledge and wisdom, as owls can see in the dark and hunt strategically. Even though she is portrayed as an enemy of Inanna, Inanna never once can or even tries to harm her. Inanna being the Goddess of fertility, and Lilith being the demon that causes miscarriage, show that they are natural opposites, yet still derived from the same divine source, and never combative towards each other.

Similarly, Lucifer’s first ever depiction was as his role as Venus, the same astrological planet as what is associated with Inanna. In Christianity, Lucifer played the role of the serpent who convinced Eve, another archetype of divine femininity, to eat the forbidden fruit of knowledge. Interestingly enough, Lilith is never actually portrayed eating the fruit. Does she posses a divine knowledge that is inherent to her qualities as a night owl, to the point where she didn’t need to eat the fruit to have the wisdom to disobey Adam? Does she possess a knowledge that is inherent to the divine feminine force from which she was created? Is this because she was created from the divine forces of femininity itself and not derived from man, as Eve was? If this is the case, that even though Eve ate the apple, she did not become a Lilith, that stands to imply that there is an inherent quality about being derived from a human man, that repels or deflects that inherent feminine rebellious quality. Instead, being replaced with the the ability to submit.

Knowledge applied with the associations of night and mystery, create a feminine energy that cannot submit, and this is likely Inanna’s fault herself, as she very notably has a big issue with respecting any authority higher than herself, even death herself (as her big sister)

From a symbolic standpoint this tells us a couple things about Venusian energy in general.

1.) Regardless of how hard it tries to behave, it is inherently chaotic

2.) It has many faces, some of which do not jive with eachother, but even so, they continue to coexist, even if not in the same places

3.) It is a creator and a destroyer.

4.) It has a very rough time with the concept of submission.

Okay YAP fest, what’s the point?

Lilith is a great example of how the dark feminine exists within the light feminine as an inevitability. Lilith is not so much associated with war, the strategic enactment of violence., but rather the inherent unpredictability of femininity. Women both create life and snuff it, women can decide to procreate or to have an abortion. Lamashtu and Lilith respectively were invoked for abortive purposes.

And of course, Lilith’s adoption by feminist spaces as a self actualized protector of individuality and feminine rage also invoke heavy associations with Inanna as the Goddess of war. So in my interpretation, Lilith is that part of Inanna that went a little unchecked for a little too long. That combined with the themes of Lucifer’s liberation, paint a very interesting narrative about how femininity as a divine force shows up in obscure ways, perhaps even negative ways, whilst still being just as divine and inherent. To recognize Lilith as the antithesis of all of these things, is to see her as the unwavering aspect of femininity that cannot be tamed, even by femininity herself. The snake, the reborn, will always cause chaos at the root of the feminine energy. The Anzu bird, the angels, are susceptible to that same corruption. And the Lilith herself will always find a home within that feminine energy, unless of course, she is snuffed by the will of a man who doesn’t respect her. Still, she does not die, just searches for another place to rest.

Wow this was really long. SO. Lilith is the entity that embodies our biggest fears about femininity and the inherent knowledge that women posses. Women know how to create life, and women have the ultimate authority in ending it. To honour Lilith as a Goddess rather than a troublesome demon, is to recognize that even the parts of femininity that femininity herself can’t control are divine in nature. The knowledge that she possesses makes women incapable of submission. And the Gods themselves are aware of this, and do not interfere with her, because she is a Goddess herself carrying out an important function, even if it doesn’t adhere to what they might like. Basically, rebellion is an inevitability to any feminine creature that possesses knowledge. It is unavoidable.

It’s incredibly difficult to find anything about the worship of Lilith because for a long time she wasn’t given her flowers as a divinity. Even Inanna herself tried to get her to fuck off. You can honour her quite similarly to the way Artemis and Athena were worshipped, alongside Inanna or Aphrodite of course. As the dark, mysterious, yet inexplicably wise mother of demons, she is the creative force behind destruction. She’s the aspect that exists in all of these Goddesses, that most of us would rather not think about. She is a woman who cannot be held in captivity, if you tell her to procreate, she will cause miscarriage. If you tell her to obey, she will become even more rebellious. The more you repress her, the stronger she becomes. No matter how oppressed women become, no matter how subservient, so long as they have any connection to the divine feminine, they will have a Lilith inside of them.

Lilith’s representation of a succubus expands upon her associations as a woman who does what women do, (men thought women were sex objects for a long time) but not for the sake of cooperation, but for her own means. Lilith is very much a woman, capable of doing what all women and feminine goddesses can do. She simply chooses not to, similarly to how Artemis simply chooses not to procreate. The element of choice, (hello again, Lucifer) always being an option to women is, from a patriarchal standpoint, really scary for men.

So how do you worship her? Worshipping Lilith, like Lucifer, is technically paradoxical. Lucifer wants us to worship ourselves. If he accepts worship it’s because you’re using him as a metaphor for yourself. Lucifer believes in no man submitting to no God, so he won’t take on the role of the usual “authority”. Lilith is quite similar, to worship her is to worship the wise and rebellious spirit that exists in the feminine- yourself. Self honouring acts honour Lilith, just as they honour Lucifer. It’s important to remember that Lilith isn’t just rebellion for the sake of arguing, she isn’t a contrarian. She is self actualization that just happens to not go with the status quo. She does what she wants, if that pisses you off: cope. She’s not inherently against men or procreation, or even women who are submissive. She is the constant exception. The random variable that always pops up whenever we deal with feminine deities. So for me, I honour her as an extension. of every existing goddess. Within Inanna, there is a Lilith, as there is within Aphrodite, Hera, Artemis, Athena, etc etc.

Wow this was long as fuck but I hope it provided a little bit of insight as to why Lilith is so fucking confusing. Regardless of which contexts you feel are the most true, Lilith, like all deities will continue to evolve with time. Just as the narrative around Medusa has gradually changed into her being a victim instead of a monster, Lilith has shifted from being a demon that just kills babies to the ultimate personification of feminine independence. All of these interpretations are correct in the right context, you just have to figure out which context best applies to you.

OKAY if you actually read this far here’s a flower 🌹

[st-just]

I've definitely posted this exact thought before but I can't find it, so - it's just an overwhelming and absolute world-historic W for liberalism that even the trads and revivalists conceive of 'culture' as meaning holidays and cuisines and maybe language or religion, and not legal codes or political organization or modes of sustenance or-

[prolibytherium]

There's a LOT of things people do wrong when constructing fantasy beliefs in pantheons of gods, but one of the more specific is having only one god related to fertility and it kind of being just a horny sex thing.

Like you'll have one in the entire bunch whose sphere is listed as fertility and it's basically like Yeah this is the sex one. She's always depicted naked (but not TOO naked because censorship and/or the writer's own skittishness). She's going to have the exact body type epitomized in contemporary western beauty standards and there's usually no chance in hell that she's gonna be fat (unless MAYBE they're referencing 'venus' figurines). Her thing is fertility, which means having sex and making babies. Might be a goddess of beauty or love or marriage too, because these are kinda sex things, but that's probably it. And yeah that sort of thing is virtually nonexistent in real life.

Like the concept of fertility is so fundamentally important to the function of most societies in human history in ways that it is just Not in industrialized imperial core countries. Most people are getting food from stores, and not having to worry about harvesting crops or breeding livestock or foraging for food or having enough animals to hunt, so fertility only really comes up as a concern if you're trying to have kids (and there is certainly societal pressure to have children, but your wellbeing and survival is rarely going to Depend on it). And I think writing only from that perspective and not even trying to learn about WHY fertility is so conceptually important is why you see this trend.

There's no absolute universal statement about how people believe in gods but it's broadly accurate that systems with many deities will Usually have more than one deity associated with fertility, and these associations will certainly include human reproduction but also the fertility of livestock/hunted animals, plants, the land itself.

Some fertility deities may also be heavily associated with seasonal changes or environmental factors that agriculture or foraging is dependent on (spring/summer/fall, seasonal rains, seasonal flooding, rain itself, sunlight, good soil, rivers, wetlands, etc). Some certainly might be related to love, marriage, sex, and beauty, but that's VERY RARELY going to be the sole way the concept of fertility is embodied. And they'll often will have other associations not directly about fertility, or related to fertility in culturally specific ways.