#such an amazing story for all sides really

[kudouusagi]

Animedia Uryuu Kyouko interview

Not skating but playing karuta!?

Q: What is the scene that you though "this is hot" the most during?

A: While they were playing Karuta! Please feel that true breath of life!

You'll be able to see all sorts of firsts!

You'll be able to see how Sakurayashiki and Nanjou interacted while they were young!

Just as the title says, you'll be able to see their morning routines!

You'll be able to see Hiromi-chan in love!

Click to read the rest of the interview

We asked Kyoko Uryu for secrets about the production of the OVA! 

--It's been just about 4 years from when the first season was aired on TV, and the OVA is going to be shown in theaters soon. How did you determine how production would go?

While we were making the first season, people would often say things like "I'd like to do this type of thing in season 2" so there was a strong desire to continue in the production team. So it was determined we'd make a season 2 very soon after we saw the reaction to season one. However, since it's an original anime without a work to base it off of, and the staff had plans to work on other projects, we figured it would take a while to make another season. We decided to produce an OVA before the second season, as we wanted to deliver something new in the meantime, and also as a gift to express our gratitude to the fans who would be waiting for a long time. That ended up taking quite a while too though......(sweat). Thank you so much for waiting......!

--Uryuu-san, please tell us your favorite part of the OVA, that's an "Omnibus story about their everyday lives"

We wanted to make something we couldn't do in the series, and we wanted to make it something that us as the staff would also want to see, so this is an episode we made from all of our ideas. I can't say much about the content yet because it would be spoilers, but I can tell you now that my personal favorite point is the theme song! Not only is it sung by Reki and Langa, the lyrics that Utsumi-san helped produce are amazing, so please listen to the full version on the OVA bonus CD!

--In the commercial currently available, we see Sakurayashiki and Nanjo in their highschool days. Was the part set in the past something you came up with after it was decided there would be an OVA?

Well, we had decided that they've been "frenemies since childhood" before this, but we started from wondering how these two would have been during their school days if they fight like children even as adults..... That's how we went about creating this story. We hope you enjoy seeing their former daily lives(?) that we aren't really able to depict in the main series.

--If there's a character that your impression of has changed, or you've found a new appeal because of the OVA, please tell us!

Kikuchi! Kikuchi is a mysterious character by nature, but I think you'll see a side of him that's completely different from the image you have of him from the TV series.

--Other than the second season that's already being made, there have been various collaborations and pilgrimage tours held for this series that's been loved for a long time. Is there anything that you personally want to see happen for SK8, Uryuu-san?

I feel like the fans of SK8 have a deep love for this series, so if I ever have the change, I'd like to have a tea party or something like that to talk with the fans about the series. I'll never forget about how enthusiastic the fans were at the talk event held during the pilgrimage tour last year (lol). Other than that, I'd like to be able to have a Canada episode someday and be able to hold a Canada pilgrimage tour...... of course before that I'd like to go to Canada with Utsumi-san for location scouting!

--Finally, please give a message to everyone waiting for the OVA to go one sale and the theater screening!

Thank you so much for waiting 4 whole years. 

The OVA is made for the fans who are overflowing with love for SK8, and I think it's packed full of rich content for them so please look forward to it!

The limited time theater screening will of course contain the OVA itself, but we also plan to deliver specially edited footage from the first season so that everyone in the theater can enjoy it together, as well as behind-the-scenes talks with the cast and director. There will be footage only shown in the theater so I hope everyone will enjoy it together before the OVA comes out. The OVA packaging will be just as elaborate, if not more than, the series packaging, so we hope you'll pick it up and watch it over and over again!

[startheskelaton]

I'm not sure how Nightflyer and Soundblsster met Sparkplug, but I guess they met her at Earth.

So I'll do my interpretation of how Nightflyer and Soundblaster got on Earth.

Nightflyer was at the palace as usual, going to his berth after he finishes all work for the day he overhears from his sire's chambers about space bridge and how it can take someone to a different planet.

Interested, he begs and pleades Soundblaster to help him try the space bridge, which Soundblaster soon agrees with, using this as an opportunity to get rid of Nightflyer.

So they sneak out and go to the room where the space bridge is kept, and they eventually find it after a few miss ups at which room is it and knocking a few guards or less.

They tried using the space bridge, but it went wrong, and they both ended on the same planet called Earth. They ended up in different places, Nightflyer ended up in the same forest where Optimus first arrived and met Spike, and he's amazed by Earth's beauty while Soundblaster ended up in near fancy human city as he wondered where the living FRAG he ended up.

And that's pretty much it. You can tell me how they actually ended up

Also, I think Nightflyer and Soundblaster would love Earth and its culture.

Nightflyer like Optimus from idw comic and maaaaaaaybe Repunzel from Tangled would fall in love with Earth's beauty and its creatures and plants since he never saw that back Cybertron where everything's metal. To his, this would be a dream come true since, like you said, he's into mutants and plants.

Soundblaster wouldn't like it at first, but then he sees humanity's arts, creativity, literature, museums, and many more humanity has to offer. Like Nightflyer, this would be a dream come true to him, too, since he's into art and literature.

.

.

Bonus: Back on Cybertron, Starscream and Shockwave panicking where the living Primus where their sons went and screaming at anyone while Slipscream tries to eat her energon cereal.

Anyway i really love your ocs and I wish to know more about them. I really love how you have progressed the story so far. I love it.

Actually the real answer is a good bit different, however I love the story you made, It was vary fun to read!

This is how it really went down.

Shockwave chose Nightflyer in particular to be the one to go to earth undercover, he did this because he knew that Night was so loyal to his family, that he wouldn't change sides if need be (this would be proven right later). Nightflyer was absolutely mortified when he was told that he needed to go to earth, not because he didn't like earth, but because he would have to go alone to make the plan look believable. Also he would have to purposefully crash his ship on the planet... but the alone thing was more of priority for him.

He dose make it to earth and makes the ship crash, making it look like he desperately trying to escape from Cybertron. He would be found and taken to the Autobot base (after checking him for tracking devices) where he would be questioned and checked to see if his arrival would bring more enemies to the planet. He was kinda blacked out for a while (because of the crash) when he was sent to Ratchet's med bay to undergo an emergency check up. And who just happened to be the reluctant medical assistant on hand? Sparkplug. She really had to fight her dad in order to stay and help with the exam (she really wanted to be part of something exciting, and a random hot guy falling from space was definitely exciting).

They properly met during tryouts for being put on a mission team. Nightflyer passed well (however he needed to hide his full potential as to not tip off that he was part of the Cybertonian guard). Sparkplug on the other hand passed with shockingly flying colors for a bot her size, however was immediately turned away by Megatron (this is because Sparkplug has been training most of her life to be qualified for off base missions, however is shot down by her dad each time at the qualifying tests. Like her late father, she's not one to take rejection lying down, so she has trained for years and gone to every try out. Much to Megatron's dismay, this has only forced her to get stronger then she would have been if he had passed her earlier).

At first Sparkplug is kinda spiteful against Night simply because he was able to go on missions despite being so new to the autobots, however something makes her look at him differently... she notices he's lying. She has no idea what about but she can feel it, something about his story is too perfect, he's moving up the ranks too quickly and cold outer shell doesn't fit with someone who wanted to break away from his original faction. So when she finds him in the library one night, she corners him, and he breaks... but not fully. He reveals his true personality to her, but not his mission. He is vary genuin about how he feels trapped by having to mask all the time, that no one would take his seriously if he was himself, and how he genuinely felt oppressed by the "the strong rule the weak" mentality of the Decepticons. In return, Sparkplug opens up about her strange existence and confusing expectations people have for her. That she needs to be a replacement but not a copy, to have prime's kindness but none of Megatron's anger, love herself for being special but listen to everyone talk about how freaky her existence is. And after that night... Sparks start to fly between the two.

Soundblaster met Sparkplug in the middle of space.

Eventually the time comes and the seekers (slipstream and company) show up on earth and it's revealed that Nightflyer was a spy the whole time. And a dangerous one at that, actually able to go up against a good amount of the autoboots. This breaks Sparkplug's heart because she talked to Nightflyer a LOT, she had no idea if any of that was real or not. It didn't help his case when he immediately sided with his sister, going back to being a deception due to his loyalty to his family.

However during this shit show, who arrives but the DJD, taking advantage to the situation to try and take Sparkplug in order to make her a new Megatron. Seeking a chance to be praised by Shockwave, Soundblaster is able to grab Sparkplug admits the chaos (capturing the last remints of Optimus prime would be extremely useful in manipulating the public or just making a super weapon) . However due to a mix of Skywarp's powers fucking up along with Slipstream's (she has the same power's as Skywarp), Soundblaster and Sparkplug are warped halfway across the universe. This now forces our characters to try and find Spark before anyone else can.

When coming to, Sparkplug is absolutely livid at Soundblaster and immediately attacks him. But due to the situation, they reluctantly come to an agrement, get somewhere where they can get back to Cybertron or earth, then fight about it then. This forces the two to work with one another to try and make it to intergalactic space station without dying. During this time, Sound only communicates through mores code, never speaking once. However him and Sparkplug have a good amount of conversations, slowly opening up to one another. They really hit it off when Sparkplug is able to relate to Soundblaster, but admit that he defiantly had it worse then her (nightflyer on the other hand saw himself and Soundblaster as equally out cased despite the huge power discrepancy). She's able to see him for who he is, what he was supposed to be, and who he wants to be... and this makes Soundblaster throw away his loyalty to the decepticons and decide to be loyal to Sparkplug herself.

OH MY GOD this was a long post, I could go on but I need to stop myself before this becomes an essay.

[sasheemo]

When We Collide

Chapter 14

Chapter Summary: You wake to Agatha's unsettling yet impossibly grounding presence, unspoken questions threatening to unravel a fragile moment. And just like that, walls begin to crack.

Word Count: 2.8k

A/N (very long, sorryyy): I still can’t believe it, but here we are. After exactly one month since the last chapter was published, I’m officially back! I can’t promise the creative block I’ve been struggling with for When We Collide is completely gone, but I’m really trying, and I’m so happy to continue this story.

Before you dive in, I just want to take a moment to make a small dedication:

Over the past week, I’ve received an overwhelming amount of love and support that I never expected. Moots, strangers, and even anonymous readers stepped forward in the comments of my update posts on Tumblr or slid into my DMs to show their appreciation and encouragement. You know who you are. It’s because of all of you that, in just over 24 hours, I managed to write an entire chapter after being stuck for a whole month. You gave me an incredible boost of energy and motivation. So, this chapter is for you. To my moots, followers, and each dedicated reader of When We Collide. To everyone who messaged me privately or left a comment on a post or a fic. To those who, even without reaching out directly, have always supported me with their thoughts and good vibes, waiting patiently for an update and never abandoning this story. What you’ve done, and continue to do, for me is amazing. You’ve filled me with so much love and support, and I truly hope this chapter (and the ones to come—yes, they’re coming, hehe) can serve as a proper thank-you.

It’s true that writing should primarily be for yourself, but when you receive this kind of support and encouragement, it becomes something truly special to write for others too.

Let me know what you think of the chapter, and thank you from the bottom of my heart! 💜

PS: Spoiler—I literally felt my heart break while writing a certain piece of dialogue. Had to pause, pick up the pieces, and keep going. Sorry y’all, I couldn’t resist 💔

Chapter Index

Read on AO3

You stir awake to the faint glow of the early afternoon, the light filtering softly through the edges of the curtains. For a brief, suspended moment, your mind lingers in the haze of sleep, the kind where nothing feels quite real, and you’re not entirely sure where you are. Then the weight registers.

The warm, undeniable weight of someone pressed against you.

Your breath catches, your body locking in place as you become acutely, painfully aware of Agatha’s head resting on your shoulder.

Her dark hair brushes against your neck, faintly ticklish, while her arm lies draped across your waist.

You don’t dare move. Not even a twitch.

Every nerve in your body stands at attention, screaming for you to do something. But you lie there, frozen, your heart hammering so loudly you’re sure it’ll wake her. The thought of turning your head to look at her fills you with a mixture of terror and curiosity, and you’re too paralyzed to face either.

You try—really try—to focus on the practicalities. How did this even happen? You’d climbed into bed hours ago, stiff as a board, determined to keep your distance. You’d stayed on your side, curled up awkwardly, staring at the wall like it held the answers to every question you were too afraid to ask.

But then sleep had come. Or at least something like it—a restless tangle of half-dreams and unconscious movements, shifting and turning under the weight of the night’s tension. 

At some point, the gap between you must have closed. At some point, her arm must have found its way across you.

A thousand excuses rush through your mind, each more fragile than the last, as if rationalizing the moment could make the closeness disappear. But they all crumble, leaving behind one undeniable truth: you don’t want to move. Not really.

You tell yourself it’s fear. Fear of waking her. Fear of the look on her face if she realized the position you’re in. Confusion? Annoyance? Disgust? The thought twists your stomach into painful knots. But beneath the fear, another emotion lingers, quieter and far more dangerous.

It feels… good.

You hate how much you notice it, how your senses seem to betray you with every passing second. The softness of her hair brushing your neck, the heat of her body radiating against your side, the faint pressure of her arm resting on you—it all feels far too natural, far too easy, like some cruel joke the universe decided to play.

You squeeze your eyes shut, willing yourself to move, to shift, to put some distance between you. But your body doesn’t listen. You’re too hyper-aware of every tiny detail, of how close she is, of how safe she feels.

A shaky exhale escapes you, your chest rising just enough to disturb the delicate stillness between you. Agatha stirs slightly in her sleep, a soft sound escaping her lips as her arm tightens instinctively around you.

Your heart practically leaps into your throat.

You swallow hard, trying to convince yourself that this is normal. That there’s nothing strange or inappropriate about lying here like this. That it doesn’t mean anything. That it’s just an accident, a coincidence. That’s all.

It’s fine. Everything is fine. Except it’s not. 

Because no matter how much you want to believe that this is accidental, that she’s completely unaware, a small, traitorous part of you wonders what it would mean if she wasn’t.

You try to focus on the ceiling, on the faint creak of the house settling around you, on anything other than her. But it’s impossible. Because no matter how still you stay, no matter how hard you try to quiet your thoughts, Agatha’s presence fills every corner of the room—and every corner of you.

Your breath hitches as you finally, finally let yourself turn your head. It’s tentative at first, a small, hesitant shift of movement. 

Your chin almost brushes her forehead, and the nearness of her—so close you could count the faint freckles scattered across her skin—leaves you utterly undone. 

For a moment, you can’t think, can’t breathe. The sight of her like this, her face so close to yours, is enough to send your thoughts spiraling.

Your gaze moves carefully, tracing her features as if each one might dissolve into smoke if you looked too quickly.

Sharp and soft. The words loop in your mind like a mantra, and you can’t stop staring. The sharp lines of her jaw and cheekbones, the delicate curve of her lips—they blend danger and allure in a way that leaves you off-balance, like she was never meant to be anything less than both.

Your let your thoughts drift, unbidden, to what you know about her. And, perhaps more troubling, to what you don’t.

You’ve spent all your life in the same coven, shared the same spaces, breathed the same air, yet she’s always been distant. A figure just out of reach, admired and feared in equal measure by most.

You sift through your memories, trying to piece together fragments, to make sense of the person sprawled across you now.

Everyone has been speaking of Agatha’s power in hushed tones since you were children—the raw, unpredictable force of her magic. How it brims with potential but defies control. Even the older witches have always been wary of her, watching her like a storm poised on the horizon.

And then there’s the story. The one no one speaks of outright but that lingers in fragments, carried around by rumors and half-truths.

It was just over a couple of years ago. One of the daughters of your mother’s friends—a girl you barely knew, though her name still echoes through the village homes and halls—was found dead in the woods. Cold, lifeless. Drained.

The whispers said it was Agatha.

They claimed she had taken the girl’s power, siphoned it like a flame devouring a candlewick. That she left her there, alone in the woods, to die. 

But that girl wasn’t just anyone. She was Agatha’s best friend.

The rumors painted it as a calculated act of power, a way to send a message and solidify her place as the rightful heir to the coven’s legacy. They said her magic demanded sacrifice, and she hadn’t hesitated to give one.

But that version of the story never sat right with you.

Even more so now, with Agatha asleep beside you, her head resting on your shoulder, her breathing slow and even in sleep. The idea of this Agatha—the Agatha who clings to you in her slumber—being the monster the rumors describe feels impossible to reconcile.

You’ve always wondered if there was more to the story. If the truth had been buried beneath layers of fear, jealousy, and Evanora’s carefully orchestrated manipulations. 

Because if there’s one thing you know about Evanora Harkness, it’s that she’d burn the truth to ashes to protect her image.

The slow rise and fall of your chest brushes faintly against Agatha’s arm, jolting you back to the present. You exhale shakily, your gaze locking once again on her face.

She looks so… harmless. The thought slips into your mind unbidden, and you can’t stop yourself from clinging to it. Here, now, in your bed, tangled against you, she does look harmless. Innocent, even.

And yet… the stories remain. The danger, the sharpness, the fury—it’s still there, lurking just beneath her momentary serene exterior. 

You should move. You really should. Break the moment, pull away, regain the distance you’re supposed to have. But you don’t. You can’t. Because for all the danger and mystery that surrounds Agatha Harkness, there’s something else, too.

Something that keeps you rooted in place, your gaze drinking her in, feeling her presence in every breath you take.

The stillness is interrupted by a faint shift. Agatha stirs against you, her body shifting slightly as her fingers twitch where her hand rests near your waist. Her breathing changes, no longer the even, steady rhythm of sleep but something shallower, more conscious.

You freeze, your own breath caught in your chest. Her head lifts just a fraction before settling again, her hair brushing against your neck in a way that sends an involuntary shiver down your spine. For one agonizing moment, you wonder if she’ll pull away.

But she doesn’t.

Instead, Agatha lets out a soft exhale, her lashes fluttering as her eyes blink open, slow and heavy with sleep. There’s a beat—a single, suspended second where her gaze adjusts, flitting from the faint light of the room to you.

Her arm remains draped across your waist, though her fingers flex slightly, testing their place. Her lips twitch, just barely, into something resembling a smirk.

“Is this how you treat all your guests, or am I just special?” she murmurs, her voice husky and rough from sleep, the teasing lilt sharp enough to make your stomach flip.

The words pull you from your haze of panic into full-blown mortification, heat rising to your face as you open your mouth, then close it, scrambling for a response. 

“You—you asked me to stay!” you stammer, your voice breaking as you shift just a little, glaring at her. “Don’t twist this into—”

Agatha cuts you off with an expression so faux-innocent you want to scream, her tone light but laced with mockery. 

“Did I?” she muses, her brow quirking as though she’s genuinely pondering it. “Hmm. Doesn’t sound like me.”

Your jaw drops. 

Your heart hasn’t stopped pounding since she stirred, and her smirk only makes it worse. The audacity, the smugness. She’s so calm, like waking up tangled together is just another morning for her.

For you? It’s a waking nightmare—or at least, that’s the excuse you cling to as you try to suppress the heat that is completely taking hold of your whole body. Your fists clench at your sides, and your frustration boils over. 

“You did! You said—” you stop yourself, huffing in exasperation as her smirk turns into a full-blown grin. “Ugh, you’re impossible.”

“And you’re far too fun to annoy.” she counters shifting slightly, her arm sliding away from your waist as she props herself up on one elbow.

You bite back another retort, your face burning as you turn your head to look anywhere but at her. She’s infuriating. Smug and sharp-tongued and—close. Too close.

The silence stretches for a beat, and you take a deep breath, willing yourself to calm down. 

It doesn’t help that she’s still watching you, her gaze a quiet weight against your skin. You can feel it without looking—how her smirk lingers, how her eyes flicker between amusement and something unreadable.

She shifts again, finally breaking the silence. 

“Well,” she says softly, her voice still carrying that teasing lilt, “if this is how you handle all your guests, I can’t imagine they stay very long.”

Your breath hitches, and you glance at her despite yourself, catching the faintest flicker of something beneath her grin. She’s teasing, sure—but there’s an edge to it, a quiet discomfort she’s trying to mask.

You huff again, crossing your arms and refusing to let her get the last word. “Maybe they don’t. But you did ask me to stay, so if you have complaints, take it up with yourself.”

Her grin softens slightly, but she doesn’t respond. Instead, she leans back a little, her hand brushing against the blanket as she rests her weight on her palm. Her gaze flickers briefly to the window, her expression almost thoughtful.

You watch her for a moment, your own irritation ebbing away as curiosity takes its place. She’s still infuriating, still impossible—but there’s something else, too. Something quieter. 

You should let it go. The tension, the moment—it’s already too much and you both literally just woke up. But the question lodges itself in your throat, unspoken words buzzing like a swarm. You don’t even mean to say it. It just… slips out. “What really happened that day?”

Agatha’s head tilts slightly, her eyes cutting back to yours in a sharp, measured motion. 

“What?” she asks, her tone casual, but there’s a sudden wariness in her gaze, the edge of a blade being drawn.

You hesitate, regretting the words almost immediately, but it’s too late now. 

“The girl.” you clarify, your voice quieter than you intended. “The one they say you… killed.”

The room seems to still, the air shifting as the words settle between you. 

Agatha doesn’t move, her expression unreadable, but the flicker of something raw flashes behind her eyes—a shadow that vanishes almost as quickly as it appears.

Her lips curve into a smirk that doesn’t quite reach her eyes. 

“Really?” she drawls, leaning back slightly, the picture of feigned nonchalance. “That’s what you want to talk about? Here? Now?”

Your stomach twists at the sharpness of her tone, but you don’t look away. 

“I just…” You pause, choosing your words carefully. “I just want to know the truth.”

Agatha lets out a soft, bitter laugh, shaking her head as she looks away again. 

“The truth…” she mutters, her voice low, almost mocking. “You’re the first person to actually ask me for it, you know?”

The words hit you like a slap, leaving you momentarily speechless. 

“Wait.” you say, your voice barely above a whisper. “No one’s ever—?”

“No.” Agatha cuts in sharply, her tone laced with dry amusement that barely conceals the bitterness beneath.“Why would they? They already think they know. They don’t need my version.” 

She scoffs, her lips curling into a sardonic smirk.

Your chest tightens painfully at the words, the weight of what she’s said settling over you like a heavy fog. If no one’s ever asked for her version of the story, if no one’s cared enough to hear the truth… then everything you’ve heard—the whispers, the rumors, the stories—might not be true. Or at least, not entirely.

Agatha’s gaze flickers back to you, piercing and unreadable, as if she can sense where your thoughts are heading. 

“I know what they say.” she continues, her voice quieter now, colder. “Some of it’s lies, some of it’s not.”

Your breath catches, her words hanging between you like a challenge, daring you to press further. And you do. 

“But if not all of it’s true…” you ask, your voice trembling slightly, “… then why?”

You hesitate, the question twisting in your chest before it finally escapes. “Why do you let them believe those things about you, hmm?”

That stops her cold.

Her gaze locks on you, her expression sharp and unyielding, but there’s something flickering beneath the surface—something fragile and dangerous and far too human.

For a moment, you swear you see something shatter behind the mask she wears so flawlessly. And when she finally speaks, her whispered answer tears through the silence like thunder.

“Because the truth is too awful.”

The words hang in the air, and for a moment, all you can do is stare at her. The rawness in her voice, the vulnerability she so desperately tries to hide, steals the breath from your lungs.

But you don’t back down. Not now.

“Maybe.” you say quietly, your voice softening but steady. “But I don’t think it’s worse than the lies, than the stories people tell.”

Her head tilts slightly, her eyes narrowing as she studies you. The tension in her shoulders doesn’t ease, but there’s something in her gaze—a flicker of hesitation, of consideration.

“You’re persistent.” she mutters, the edge returning to her voice, though it’s quieter now.

“And you’re exhausting.” you reply, trying to keep your tone casual despite the knot in your chest tightening with every passing second. “But since it looks like we’re stuck together—and you’re literally in my bed—you might as well tell me.”

You know the truth, though: you’re not really stuck together. Agatha could leave anytime she wanted—she’s clever, resourceful, and probably already thought of four different ways to slip out unnoticed, if she needed or wanted to.

But you also suspect that getting Agatha Harkness to open up requires more than simple patience. She needs to feel cornered—not with malice, but with intent. She has to know that someone is paying attention, that someone cares enough to ask, and that walking away won’t make the questions disappear. So you hold her gaze, refusing to let the moment slip away.

Agatha exhales sharply, the sound laced with frustration as she rubs a hand over her face. For a long, agonizing moment, you think she might retreat entirely. But then her hand falls, and she looks at you again.

And just like that, the walls begin to crack.

[vifilms]

i’m sick as fuck. ennalove, you’ve really outdone yourself with this one. the master of imagery, this solidified it. mel may have been the painter but you have illustrated this story so vividly with your strong affirmations of grace and love. the tone for this story beat the same with each word. all of it cohesive, every sentence tied to the next. truly, there’s never a time where i don’t enjoy your work.

seeing sevika painted in such a wonderful light, a soft light with comforting hues but you can still feel the rawness of everything and everyone she’s most. even if it is for the greater good and for the people of zaun, her home has changed — her life has changed. to show that struggle in the beginning, the push and pull of the tide, there’s the intertwine of canon into something even deeper. from an emotional standpoint, you seriously always knock sevika out of the park. i can hear her thoughts, i feel what she feels, her pain is as close to my heart as it is to hers. it’s intimate. i don’t think people understand how hard it is to execute that in writing. a numbing emotion can often feel thoughtless but there’s full intentionality in this and it’s felt in every word. the entire time i was reading this i just craved for more. the worlds you create in your work are stellar, sevika’s feelings don’t get lost in the shuffle and you can quite literally feel everything about them.

she’s wounded, hard but soft around the edges, she’s lost so much, and she’s ridiculed for things out of her control. the way your write sevika feels real and tangible. a woman who no longer has a home but has her heart beat for zaun and the cause she believes in even if she’s surrounded by people who don’t understand it. and they might never, and there’s heartbreaking tangibility in that feeling. it’s something all of us feel consistently. in some aspect, we can’t control circumstances out of our grip, all we can do is take our best foot forward.

…..but melvika.

the imagery and analogies between the stars and what they mean to each other? fucking amazing. how sevika says the stars is the only think she likes but then saying mel is the first person who is kind to her, the first person who appreciates her and the knowledge she has to offer. mel is sevika’s star and vice versa. maybe it’s just me but i’m just a sucker for people from completely different lives and coming together and all of it just works. it shouldn’t, it couldn’t, but somehow it does.

“yeah and there are so many of them, and it’s like every time you see them you’re seeing a completely different sky. and they’re cool because they only come out at night when they think nobody can see them, it’s like they’re shy. but i always see them because i’m always awake with them.” she rambles.

oh yes. this shit is so fucking good. the foreshadowing. always being present with one you love, and also — i always see them because i’m always with them — there’s so much weight in this line. there’s a thousand different ways it can be interpreted. personally it’s someone like sevika, being reserved, shy, or even cautious, not wanting to be seen or perceived because it’s never ended out well for yourself but when someone does for the first time, it’s the most beautiful thing to experience. what’s that saying? to be seen is to be loved. that’s what this little section screams to me. when someone loves you for the first time, not for a version of yourself you think you are or someone wants you to be, but they love you for you. it’s humbling, it aches, it’s more than overwhelming, but there’s nothing else like it in the world.

there’s true submission in love, and that’s where trust and partnership can blossom and grow, and that’s exactly how this fic made me feel. like there’s a blossom of hope on the other side of the tunnel. the people we love waiting on the other side for us. ready to restore a faith in humanity that we’ve lost.

always exquisite, enna. thank you for always challenging the way i write, making me see the craft in a different lense. it’s so hauntingly beautiful. as if a surgeon can suture a cracked heart back together just because they will it so. ennabear, your talent is always a pleasure to witness. i love your work so much. never stop, ever.

♡

✴︎ —PAINT THE AGES A HUNDRED SHADES OF GOLD ⊹₊⟡⋆

I DON’T WANNA TALK ABOUT LOVE ANYMORE ‘CAUSE IT’S GETTING TOO MUCH FOR ME …

cw: councilor!sevika x painter!mel, sevika is a lil sad and mean but she gets over it, sevika is also kind of a loser who can’t stop talking when she gets drunk, jinx and isha mentions because i’m evil and we know this, mel paints sevika nude, body worship, lots of comfort, oral sex, 18+

word count: 7.3k

it’s been months since sevika’s big move, and she fucking hates it to say the least.

all of these pilties are stuck up, even more than she remembers. which is a lot. she’s exhausted, she questions why she’s even a part of the council if all they do is ignore her. showing up every day and listening to them talk about her home and her people the way they do makes her sick.

they draft plans to raid the markets, shutting down anyone who isn’t licensed to be selling meat or rice or bread, but they refuse to let anyone get a license to sell those things. of course, she’s glad that she gets to eat three meals a day now, but with every bite she takes, she’s reminded of her home, and how starving they must be over there.

no matter how much she fights back, offers up a real plan that could make peace between the rivaling nations, they all just snicker and point fingers at her like she’s some sort of circus act.

and don’t ask her about how much she likes being called councilor sevika, because she doesn’t like it at all. she’s not a councilor, and maybe that’s a good thing, because it’s the last thing she’d ever wanna be.

still, she keeps her emotions under control. this is a huge opportunity to help get zaun on it’s feet and cut ties with piltover officially, she won’t spoil it by making a scene and giving up. no matter what, she’s gonna make an effort, even if it means being locked in a room with a group of rich pigs who’ve never felt that growing pit of hunger in their stomachs that make them so dizzy that they keel over on the streets.

that they die on the streets.

so yeah, it’s not easy, not even a little bit.

most of her nights are spent alone in her room. it’s nice, “small” compared to the rooms everyone else occupies, but still bigger than any house she’s ever seen in the undercity. it has large windows that let every bit of light in, but it’s still eerily dark at night compared to zaun.

in zaun, there are neon lights and buzzing street lamps that glow and flicker at every hour, so when it gets dark, the colorful lights bounce off of every inch of the city. you can see them in the reflections of the puddles, bright streaks of light flying up into the night from behind buildings and stretching until they’re out of sight.

here, in piltover, they have different kinds of lights. tiny, white holes in the sky called stars that shine when it gets dark. they have spotlights and statues and lanterns, but it gets lonely at night. everyone is at home, distancing from their friends and their jobs, getting sleep and resting up for whatever the next day will bring.

there isn’t really any rest in zaun, just a small wink of sleep whenever you catch it, and you’re up again. everyone’s grouchy and hungry and cold, but it makes for good shimmer sales, and the bar is a great place to find refuge when you need a break from it all.

so sevika sleeps with all of her lights on. an attempt to remind her of home— although her home doesn’t have a queen sized bed, fluffy pillows and soft blankets, lamps, alarm clocks, fireplaces, clean water on their nightstands, and stars that shine through their windows.

the stars might be her favorite part about piltover. probably the only good thing about piltover. she doesn’t really know what they are or what they do, but they’re nice to look at late at night when she can’t manage to sleep.

every time she finds herself staring up at them, she sends a prayer or two up to janna. always one for the people, a prayer that even though they pretend to hate each other, and there sure are a few goons who are ready to slit her throat for never paying them back, she hopes they’re okay.

she hopes that ran and theiram have got the bar under control, that vi and ekko manage to keep the chaos limited, and most of all, that jinx and isha are doing alright.

ever since silco died, her whole world was flipped upside down and shaken vigorously. who knew that someday she’d be missing jinx? but she does. she cries at night for the blue haired girl, praying for her safety and her happiness, hoping that she’s managed to keep some of her creativity after everything that went down.

and of course for the more tolerable blue haired kid, isha.

she prays that isha is still attached at the hip to jinx, that her fluffy hair gets dyed that awful bright blue color as often as she wants it to, that she’s found some way to communicate with the world while her voice is at rest.

she’s got no clue as to where they could be. one second, she’s wishing jinx would leave her alone. that she’d pack up her inventions and make a home for them far away from sevika’s life. the next second, they’re gone. no warning, no heads up whatsoever, just completely taken from her life.

but if she wishes to find any wisp of happiness, she’s gonna have to push these thoughts to the back of her mind, only letting them front when she’s alone and awake and accompanied by the stars. they’re the only things who understand her.

——

if you listen closely, you might be able to hear the sound of mel’s thoughts buzzing around in her mind.

the past few months have given her some intense whiplash, but things are finally starting to straighten out. her life isn’t exactly normal, but she’s growing used to her… new self.

she spends most of her time perched at her easel, painting the canvas in beautiful colors that fall over various people or places. it’s therapeutic for her, whatever image or question or anger she has lingering in her head, she can work it out with the paints. when she’s done, she lines them up in front of her.

it helps her see things more clearly, like a thought that can’t float away, frozen in time for her to analyze further. some of them are just plain colors. gold, with white, yellow, and bronze streaks, an attempt to recreate the swirls that are painted on her own body.

sometimes she paints her mother, her eyebrows lowered in a scowl and her silvery gray hair crowning her head. jayce and viktor occasionally make an appearance, both of their faces lost in thought as they stare at various equations and formulas that she can’t quite make out.

sometimes she just sees miscellaneous things, quick visions that she needs to bring to life. countless canvases are covered in black, with that dark red fog reaching into it like vines. there’s also the hextech that makes the occasional appearance, but she can’t quite get that bright, rich blue color right.

a few times before, she’s attempted portraits, but she doesn’t prefer them. lest has been one of her closest friends during all of this, she can sit and pose for hours while mel works away at her figure on the canvas. they’ve also tried painting together, but mel prefers her alone time.

she’s tried recreating the pictures from her memory, but it never comes out as well. she covers the canvas in thick paint, a bronze, brown, and white, making up jayce’s features. but she always clouds his face with shiny white webs, and those glistening, rainbow stars. the ones that stole him away.

while she sits, her body stays stagnant, eyes racing around the blank canvas. she mixes the colors in her head before she even opens the tubes, her eyes proportion it all for her, so she rarely makes sketches anymore.

recently, she’s been more interested in staying in and shutting out the world. the occasional knock rings out against her door, but she can’t be bothered to investigate. she doesn’t wanna give her opinions anymore, doesn’t wanna lead all of topside to peace and gas the streets of the undercity. really, she never signed up for that. sure, she’s ambessa’s daughter, but she doesn’t care to be a leader anymore. not when all it does is get people hurt and killed.

but apparently it’s urgent this time, because the knocking persists.

“um, mel?” a timid voice asks. “i hate to bother you, but the council requires yo—”

she flings the door open, clad in her white robe and slippers. her hood hangs halfway over her head as she glares at the man, but he insists on escorting her to the council meeting. her feet gently pad against the floor as she walks through the long halls, already dreading having to play referee for a group of adults who should know better.

but ambessa is gone now, and these people need someone to give them any sort of direction.

the dome shaped room welcomes her, and although she dreads being there, the sun shining through the stained glass is gorgeous. she spies a few familiar faces sitting in their respective seats, and notices some new ones who were added after the war.

“but they need the money!” one councilor booms, one of the newer ones who mel doesn’t quite recognize yet. “you can’t just cut their funds and raise the tax prices, they—”

“councilor sevika, please.” someone says, talking over her voice. “what possibly could they need more money for? our city needs to be rebuilt, and it’s them who’s caused all of this destruction.”

mel observes quietly, noticing the tears that fill sevika’s eyes. she makes an assumption that they’re either out of sadness, anger, or exhaustion, but she can’t quite tell. one thing she does know, though, is that it isn’t fair.

it’s not fair to just drag a zaunite up to topside and force her to be the only one representing her nation. especially when she has to be locked in a room full of people who hate her, who think she’s nothing more than just undercity trash to mock and make fun of.

mel’s surprised that sevika has held her ground for this long. if that were her, she’d want to pack up and leave within a day, especially when she notices the snorts and sideways glances that she gets every time she opens her mouth.

“have you even been down there?” sevika asks. “have you seen the bodies lying on the streets? have you heard the sobs of the starving children?”

they all look at her, unable to imagine what hunger even is, much less an entire nation overcome by it. shoola offers a sympathetic frown, but it’s not enough for sevika. she’s exhausted, and the thought of seeing her home even more impoverished is killing her. worst of all, word on the street is that zaunites are beginning to call her a traitor.

she wishes that they could see how hard she’s working, how much she’s fighting for them behind the scenes. but she can’t exactly blame them, it must be hard to watch every leader they’ve ever had either fail at leading them to sovereignty or turn their backs on the people. must be worse to watch someone who they thought was on their side disappear into the council and watch as things just keep getting worse and worse down there.

and this makes sevika feel horrible.

it’s hard for her not to blame herself for this, especially because that’s what she’s used to. her job for years was to be silco’s right hand, so it was constantly her fault if something went wrong. that’s just how things are. if things don’t go her way, it must be her fault for not working harder to overcome it.

“i agree.” mel says plainly. “councilor sevika has firsthand knowledge of what it’s like for them, why shouldn’t we trust her?”

sevika is taken aback at this. she’s never seen someone so… rich looking… be this understanding toward her. but although it’s the bare minimum, she appreciates it. she’ll take whatever form of kindness she can get right now.

the other councilors stare at mel like she’s just grown three heads. obviously, they’ve never been told no a day in their life. sevika is glad that she gets to be present for the first time. some of them sputter and growl, some of them roll their eyes, but sevika just sinks back into her chair and decides to let them argue it out.

“i agree too.” councilor shoola says. “it’s only fair… unless, any of you would like to go down there and experience it for yourselves? then you could tell us all about their excess of funds.”

sevika sighs in relief, thanking janna or the universe or whatever god decided to help her out. she can’t exactly smile, at least not yet, but she manages a tiny grin, and decides that maybe she shouldn’t feel too bad about herself just yet.

mel is glad that sevika and shoola have at least a little bit of brains, but she’s starting to rethink having all of the others on the council. maybe they need to fire some, or at least add some more zaunites to level the playing field. although, she now knows that sevika can put up one hell of a fight, so maybe she doesn’t need it.

but the clock strikes two in the afternoon, and the councilors file out to get on with their day until they meet again tomorrow. sevika hangs back, waiting for everyone to leave before she returns to her office. but mel hangs back too, determined to talk to sevika more, to get to know her.

sevika pulls her cape over her shoulders, completely covering her figure before she exits the room. mel perks up and shoots her a questioning look.

“yes?” sevika asks.

“you’re brave.” mel says.

“no i’m not. d’you think it’s brave of me to leave my people starving and helpless down there while i have a real home and three meals a day?”

mel just stares blankly at her. that isn’t what she meant at all, but at the same time, she’s completely right. as much as she still believes that sevika is brave for putting up with the councilors, she should be calling everyone else brave, everyone in zaun who goes days without food. sevika is the luckiest of them all.

“that’s not what i meant.” mel explains. “i meant that you’re better than them because you stand your ground instead of just getting everything you want. you work hard for what you earn.”

sevika shrugs. “i guess you could say that.”

“do you miss it down there?”

“what do you think?” sevika grunts.

“i’d bet that you do, you just try not to show it in front of anyone.”

“yes, because showing weakness gets you killed.”

“not up here, it doesn’t. you should open up a little, it might be good for you.” mel suggests.

“i’ll pass.”

“i could help you.”

“i don’t need—”

“let me help you.” mel says, reaching out to grab sevika’s hand.

“help me how?” sevika asks.

“open up to me. tell me about your life. friends, family, past, anything.”

“okay… maybe.”

“okay, good.”

——

sevika has never been great at opening up to anyone, but mel is… understanding. as much as she hates to talk about her struggles to other people, mel is probably the best possible person to talk to. mel marched herself down sevika’s hall to her door, banging on it until sevika sleepily presented herself. she marched sevika down the hall and through the building until they reached her own suite, and she fed sevika more and more wine until she started to talk to her.

it started with just a confession. sevika was wine drunk and admitted that yes, she did miss her home, and that she hated topside. and then mel pressed for more, made her tell her specifically who she missed and what she missed about them.

the list of people who she missed was never ending. at the top— jinx and isha. in all honesty, mel is shocked to learn that sevika had anyone that she really considered family, much less a daughter or a niece. but sevika tells her all about them, how isha would beg to paint her nails or dye her hair, and how jinx finally had a sister who she could play with, instead of just being too young to do anything.

but when mel asks where they’ve gone, sevika freezes. she doesn’t know, and it’s not something she prefers to think about. dead is something she’d heavily considered, but that ending makes her too sad. as long as she doesn’t know that they’re dead, they’re not. at least not in her world.

she tells mel that she hopes they’re somewhere safe, somewhere that they can have fun together. like floating on a cloud, or living in outer space with the stars. maybe they are with the stars, and that’s why she loves them so much.

“you like the stars?” mel asks.

“that’s the only thing actually worth liking about this place, i think…” sevika slurs drunkenly.

“hmm, i guess they are pretty, aren’t they.” mel ponders.

“yeah and there are so many of them, and it’s like every time you see them you’re seeing a completely different sky. and they’re cool because they only come out at night when they think nobody can see them, it’s like they’re shy. but i always see them because i’m always awake with them.” she rambles.

mel can’t help but giggle. again, everything she said is exactly right, but she’s never seen it that way. sevika offers her a fresh new perspective, one that makes her ponder how much she knows about the world.

“sorry…” sevika whispers, suddenly aware that she’s drunkenly blabbering and probably making a fool of herself. she tries to blink herself sober but it doesn’t work.

“no worries. i like them too.” mel soothes.

“i think i should go.”

“already?” mel asks.

“it’s gett’n late. i have places to be tomorrow…” sevika sighs. mel stands and walks her to the door, grabbing on gently to her human arm in an attempt to stabilize the woman. she offers a sweet smile to sevika as she leaves, even takes her hand in her own for a second and squeezes it tightly, but sevika just stares at the floor.

“mel?” she asks finally, although in a timid voice.

“yes?”

“thanks for sticking up for me. i don’t know what those pigs would get up to without people like me and you.”

mel’s heart warms at this. sevika is so drunk that she’s starting to get sappy and sweet, and while it’s adorable, it’s clear that she needs to get home. but she’s glad that her effort isn’t going unnoticed, and she’s starting to really like sevika.

“of course.” she smiles again. “get some sleep for me, okay? don’t spend too much time with the stars.”

sevika curses herself for the warm feeling that wraps herself all around her, she hates that she’s being vulnerable and making friends. she just blames the feeling on the alcohol, but she knows that it’s not. because that light, warm feeling clings itself to her every time she sees mel.

it happens again when they coincidentally cross paths, mel on her way outside for some fresh air and sevika on her way to her room to sign papers until her fingers bleed. but she realizes for the first time that mel is so beautiful. she hasn’t spotted sevika yet, but the sunlight glowing in from the windows catches her golden streaked skin perfectly, and she’s shining. it’s like she’s a real life star, and sevika can’t peel her eyes away.

“oh, hi sevika.” mel grins.

“um… hi.” she responds, her heart suddenly beating faster than usual. “where are you going?”

“just outside. been cramped up inside all day and the smell of my paints are starting to give me a headache.”

“you paint?” sevika asks, although to anyone else the answer would be obvious.

“yeah, all the time. i’d love to show you someday.” she offers, already knowing that she’s gonna have to drag sevika by the arm and force her to visit.

“okay… yeah, that would be nice.” she says.

“what are you doing right now?” mel asks.

“i just have a lot of paperwork to fill out, letters to write, things to sign, you know how it is.”

“will you stop by later, then?”

“are you gonna make me?”

“probably. if you don’t show up by yourself.”

“alright, see you later then.”

——

sevika is dreading this outing. the more times she thinks about going back over to mel’s, the more anxious she gets. every time she’s been over there the past month, she’s ended up either drunk or blabbering on about stuff that doesn’t matter. or worse— drunk and blabbering. she always finds some way to make a fool of herself, and she doesn’t know how to stop. she just wishes it wasn’t so easy to open up to her, wishes that mel wasn’t so damn likable.

mel already knows she’s gonna have to drag sevika over to come look at her paintings. she always does. no matter how many times she tells the woman to come on her own terms, she finds herself stomping down to sevika’s door and forcing her to hang out. it’s cute, in mel’s mind, it’s like a date. so that’s what she finds herself doing tonight. cleaning up her suite a little, spinning one of her jazz records, and marching down to collect sevika.

she’s arranged her paintings in no particular order, but the array is beautiful. some are framed, some are smaller than others, some of them aren’t even finished. sevika feels so moved by this. she’s never seen anything so beautiful. not anything in real life, not mel herself, not even the stars are as beautiful as her paintings.

mel sits her down on the loveseat, pouring two glasses of wine and sitting down next to sevika, but sevika begs her to talk about her paintings. she’s dying to know how anyone could make anything look more beautiful than the stars. mel blushes at that compliment— it’s a lot coming from sevika for multiple reasons— but she decides that now it’s her turn to open up.

they sit an chat for hours, and before long, sevika feels as if she knows mel like the back of her hand. she now knows about jayce and viktor and what happened to them, about ambessa, her mother, the noxians, and the rest of her family. sevika’s oddly surprised. of course, she’s aware that mel is probably the strongest woman she knows, but she never would’ve guessed that she’s been through that much.

mel cries a bit, and sevika cries too, and they laugh about their emotions like old friends. for once in her life, sevika feels like maybe not everything sucks, and that maybe it’s okay to let herself fall for someone. she just hopes that mel feels the same way.

“sevika?” mel asks, still catching her breath after a fit of giggles.

“yeah?” she smiles.

“will you dance with me?”

“i don’t dance.” sevika says, laughing at the image of her dancing with someone. how silly.

“aww, come on! it’s just us and some jazz! you’ll be fine.” she reasons. “please?”

sevika rolls her eyes at mel’s outstretched hand, but she’s very tipsy and in a good mood, so how could she say no to the beautiful woman standing in front of her?

mel yanks her up by her arm, and sevika wastes no time following after her to the middle of the room where the big sky lights let the stars shine in. sevika scowls and tenses up a bit, but mel wraps her arms around sevika’s waist so gently, guiding sevika’s arm to press against her back. mel sways them back and forth a bit, and sevika soon loosens up and stares down at mel with a smile that puts all of the stars to shame.

“do you ever miss your arm?” mel asks.

“yeah, sometimes. i miss the one jinx made for me, i wish i didn’t take it for granted.” she responds, her mood quickly turning sad against her will.

“i could have one made for you.” mel offers.

sevika shakes her head and flattens her lips into a straight line. “they won’t let me have one on the council.”

it’s mel’s turn to roll her eyes now. “no, i’ll make you one that they’ll accept. they always listen to me, you know.” she grins.

“i guess that would be alright, as long as it’s not much of a hassle.”

“for you? nothing’s a hassle. don’t be silly.”

sevika’s eyebrows pull together in the middle and she pouts, tears quickly filling her eyes. nobody’s ever been this nice to her before. offering her a new limb, protection from the ruthless comments from the council, good wine, and a dance underneath the stars. she can’t help but cry, but she’s not afraid to anymore. with mel, she feels safe enough to be this vulnerable.

mel notices her sad expression, and she silently prays that she didn’t accidentally offend sevika, it’s the last thing she’d ever wanna do. “oh, what’s wrong? did i—”

sevika cuts her off with a kiss. she doesn’t wanna hear any apologies from mel, not after she’s been a literal angel to sevika this past week. mel’s lips are warm and welcoming, they taste sweet, like if gold was a flavor. she reaches her hands up and cradles the back of mel’s head, deepening the kiss.

mel is completely taken aback by this. she didn’t know that sevika had feelings for her. actually, she thought that sevika was sick of her. but she kisses sevika back, her lips are big and pouty and oh so soft. she also gets to feel sevika’s piercing up close, and the cold metal drags against the bottom of her lips ever so slightly. it’s a stark contrast, but a comforting one at that.

one thing leads to another, and they’re quickly back on the loveseat, lapping at each others tongues and giggling like kids and holding hands. sevika’s had tons of sex before, sure, but nothing comes close to this. she feels so special, so cared for, that she notices this strange, giddy feeling bubbling up in her chest.

little does she know, that feeling is called love.

she pins mel down to the seat, both of them breathless and high on this mysterious feeling— although it definitely has something to do with the liquor— and sevika almost cries again when mel spreads her legs beneath her white gown. the warm lamplight mixed with the starlight causes her to glow again, like she’s on fire, so sevika can’t help but kiss all over the gold patterns that paint her skin.

mel erupts into another fit of giggles, holding sevika’s shocked face in her hands. sevika tenses up slightly at her touch, but takes a deep breath and swallows all of her anxiety.

“can i?” sevika asks.

mel smiles and nods. “of course. you can do whatever you want to me.”

sevika shudders and reaches up mel’s dress, caressing her stomach and hips. mel is soft and malleable under her touch, and she’s golden. she reaches forward to tug her dress above her hips. sevika doesn’t think she’s ever seen such a beautiful sight, and mel absolutely adores sevika’s awestruck face.

the same golden markings that paint her face also trail down her abdomen, all the way to her ankles. there are thick streaks of gold that mirror each other on each side of her torso, twisting themselves into swirls and shapes. she also has small golden freckles littering her body, identical to the ones on her face. they look like stars.

best of all, as if sevika wasn’t already turned on enough, she has small, golden hairs that trail down from just beneath her belly button, only stopping when they crown her dripping hole. this woman is made of pure magic, and if sevika doesn’t get her mouth on her within the next millisecond, she thinks she might faint.

mel grabs sevika’s hand when she notices her hesitation, and this makes her snap back into the moment and start eating mel out. she starts slow, just some teasing, soft licks to her clit that make her shiver. mel moans so sweetly and beautifully and sevika feels like she’s floating.

sevika grips mel’s hand harder and harder as she keeps eating her out, and it’s times like these that she wishes she has two hands. one to hold mel’s with, and one to feel inside of her, pumping her full of her thick fingers. mel arches her back and thrusts up into sevika’s face, and they both nearly cum on the spot.

she pulls back for a second, a string of white slick connecting itself to sevika’s lips before dripping down her chin.

“sev, you’re doing so good, baby.” mel praises. “don’t stop, i’m so close.”

sevika speeds up her movements, determined to make mel cum. her big, silver eyes squeeze shut as her mouth works it’s magic, sucking on her clit and running her pointed tongue between mel’s folds to collect her slick.

but she doesn’t cum until sevika wraps her lips around her clit again, her piercing colliding with mel’s throbbing clit as she tips over the edge. a low whine is pulled from her throat, and sevika pulls back to admire the woman above her. mel yanks sevika up by her shirt, thanking her with a deep kiss. some of sevika’s lipstick is smudged, so mel wipes it off with her thumbs, as well as the wet slick that’s smeared all over her face.

sevika is suddenly very aware that she doesn’t need shimmer anymore, because she feels like mel’s sweet nectar is enough to get her high.

“i’m gonna need that new arm as soon as you can get it.” sevika says with her lips smashed against mel’s. “need to show you what else i can do.”

——

it’s been three weeks since then, and sevika’s been coming over every night. she still has lots of work to do, but mel helps her with all of it. they sort through tall stacks of paperwork, taking turns sitting on the others lap and pouring each other more wine. sometimes they get distracted with sex, but they try their hardest to stay focused. occasionally mel will bring out her paints and work on something new, forcing sevika to stay focused while she’s at work.

they also spend their mornings together. if they don’t wake up in the other’s arms, they’ll sleepily march down to their door and bang on it until they reunite and hold each other again.

but this morning, sevika wakes up in mel’s bed alone. she reaches out for the woman with her arm, but that side of the bed is just cold and empty. sitting up, she glances around the room until she spies mel in her silky white cloak painting on the balcony.

“mel?” she asks groggily. “why’re you up so early?”

“just had to finish something, love.” she responds, smiling at her girlfriend’s half awake state. “you can go back to sleep if you’d like.”

“can i at least see what you’re working on?”

“not yet.” she smiles. “it’s a surprise.”

sevika groans and turns around to go back inside, but mel catches her arm and yanks her back for a kiss. sevika kisses over each of mel’s golden freckles, and then her lips, then her nose, her forehead, chin, and then lips again, before returning inside. mel giggles and tries to swat sevika’s back before she gets away, but she’s too slow and the effort is wasted.

back inside, sevika grabs onto mel’s pillow and stuffs her face into it, bringing a familiar comfort that lulls her back to sleep. she’s shaken awake a few hours later, though. it’s mel, very gently rattling sevika’s shoulder while caressing her hair. “sevika, babe, wake up.” she whispers.

“mmmmh?”

“i have a present for you.”

“hmmmm?”

“wake up so you can open it.”

“ughhhhh.”

“oh, please. don’t be so pouty. i want you to see it! quickly, quickly!” she urges, yanking sevika back to the balcony. the sun is slightly higher in the sky now, some of the orange in the sky is still fading away but the sky is painted in a light yellow color, it matches mel a little bit.

she hands her a giant white box with mel’s name on it, a small golden bow sitting directly on the top. “what is this?” sevika asks.

“open it and see!” mel smiles.

so she does. she flips the lock on the box and pulls it open, a smooth, golden arm staring back at her.

“what is this?” sevika asks again, this time in disbelief. she couldn’t tell how serious mel was about acquiring a new arm for her, so she didn’t think she’d be receiving a new one this quickly, or one this pretty.

it’s a lot more modern compared to her other two arms that she’s had in the past. it has a matte gold casing all around it, with shimmery gold patterns that resemble mel’s carved into it. it has all five fingers, but they’re not as pointy, more resembling her human fingers than her past arms. sevika is overcome with emotions, and she turns around to pull mel in for a hug, hiding her tears on her shoulder.

“do you like it?” mel asks.

“i love it.”

“will you teach me how to put it on you?”

“of course.” sevika promises, and with that, mel tugs her inside and makes her sit and show her. it takes a bit of fumbling. sevika isn’t great at explaining things, but she also can’t do much with only one arm, so lots of trial and error occurs during the process. but eventually it’s all screwed in, and the first thing sevika does is pull mel in for a real hug.

mel never really realized how strong sevika is, and how crushing her hugs are. at least, not until now. she knows that sevika can hold her somewhat tightly, but one arm doesn’t do much. now that she as two arms though, mel is struggling to breathe with the way sevika is crushing her. or maybe it’s just because sevika wants to show her girlfriend some love. and she’s definitely not crying.

“i have one more thing.” mel says, although most of it gets muffled by sevika’s chest.

“what is it?” she asks.

“come outside and look.”

sevika follows her outside, grabbing onto mel’s elbow with her new hand.

“close your eyes.” mel says, so sevika squeezes her eyes shut and tries her hardest not to peek. mel dashes over to retrieve the painting on her canvas that’s now fully dry, and then she holds it to face sevika.

“okay, now open them.”

she opens her eyes to see mel holding one of her new paintings— the one she wasn’t allowed to see yet. but now she’s aware of why she wasn’t allowed to see it, because the painting is of her.

it’s sevika. hunched over at mel’s desk with her reading glasses on and a pen in her hand, a glass of wine half empty on the table next to her. the colors in the painting are very warm, likely resembling the warm lamps that decorate mel’s suite. and the most surprising thing— there’s a smile on sevika’s face.

it’s not something she’s ever seen on herself before. for one, she’s never been one to smile in general, it’s just not something she was ever used to doing. photographs are also very rare in zaun, so the only way she could’ve seen it on herself is by smiling in front of a mirror, which is even more rare.

sevika doesn’t even know how to feel. she should cry, because nobody has ever been this kind to her before, and she’s overwhelmed with emotions from the arm, the painting, and just being around mel.

she should also be happy. nobody has ever understood her as much as mel does, and she feels so honored to be seen in her artistic lense. she should be glad that she gets to live up here, where everything is safe and pretty and valuable. she’s also still half asleep, and can’t exactly tell if she’s dreaming or not.

“what do you think?” mel asks after a while.

“i don’t know what i did to deserve this.” sevika says honestly. “is there some kind of special occasion that i don’t know about? or are you just spoiling me.”

“well, mostly the latter,” mel laughs. “but it is our one month anniversary, if that counts for anything.”

“i didn’t get you anything.” sevika frowns, suddenly feeling way out of mel’s league, almost insecure.

“that’s alright.” mel smiles. “your presence is enough.”

sevika rolls her eyes and manages a smile too, yanking mel forward and giving her a sweet kiss. one month isn’t much, but it’s been the happiest month of sevika’s life, and things are starting to look up for her. for zaun, too.

“well,” mel starts, pulling away from sevika’s lips. “there is one small thing you could do for me.”

“and that is…?”

“model for me so i can paint you?” she asks with a happy shrug of her shoulders.

“now? but you just painted me.”

“yes, i’m aware.” she laughs. “but i haven’t painted your new arm yet, and that was from a few days ago but you just look so adorable today. please?”

sevika smiles too. how could she say no to mel when she asks so nicely? “alright, fine.” she agrees.

“good, and take all of your clothes off, too.”

sevika freezes. although mel has seen her naked hundreds of times, she suddenly feels shy.

“don’t worry, it’s just for us.” mel soothes. “lay on the bed and i’ll position you.”

so sevika is left no choice but to follow the orders she was given. she strips herself of her clothes— which is much easier now that she has two arms— and lays down on the bed, looking up at mel with her big, watery eyes. mel walks over and pushes her backward until she’s propped up with just one elbow.

“is this comfortable?” mel asks.

“uh… y-yeah.” sevika responds.

mel pries sevika’s legs open, positioning them apart so that she has a full view of sevika’s dripping cunt from her easel. sevika whimpers, her eyes widening and sparkling as she looks up at mel.

“don’t be shy.” mel teases. “it’s just me.”

“i know, sorry…” sevika says with a sigh, making a mental note to loosen up.

“are you ready for me to start? we’re probably gonna be here all day.”

“yeah. ready.” sevika responds.

“okay, let me know if you need a break.”

mel isn’t too fond of painting from models, but she can feel her opinion changing as she sculpts sevika with the paint. her legs are easy. long and thick, and she gets to mimic the way they’re pressed open.

her torso is next, which is one of her favorite things about sevika. her abs are hard and sturdy, but they get slightly softened out by the rolls of her stomach. then mel moves up to her tits, painting two perfectly pointed brown circles accented with thick, dark nipples.

her neck comes after, and then her arms, and finally her face. mel has memorized every little expression sevika has, so she has a lot to choose from, but she chooses the one that sevika is wearing right now. a goofy, lovestruck smile, adorned with a slight blush sparkling on her cheeks.

her eyes are also fun, they’re so big and sparkly and metallic, mel can’t help but paint stars in them. and of course, her nose, her tooth gap, her piercing, and her hair. they all come together to make up the most perfect face that mel has ever seen.

she moves on to the arms next, painting one with her thick muscles and her warm brown skin, and the other with a shiny gold. her shoulders are slightly slanted, and they have bite marks and hickeys carved into them, which makes mel immensely proud of herself.

and finally, sevika’s glistening cunt. she paints each fold tenderly, a small circle at the top covered slightly by a thin, fleshy hood. she paints the slick in between her thighs that just keeps collecting with her finest white and silver paints.

and of course, her bush, because she wouldn’t dare to forget it. she curls each stroke of her brush until it perfectly mirrors sevika’s thick, dark curls, and then she trails them all the way up her lower stomach.

she finishes the background next, but it’s not much. she doesn’t want anything to take away from sevika’s beauty. but she makes sure to add a few stars surrounding her of various sizes and shades of gold.

sevika has been surprisingly patient throughout the whole thing, mel predicted that she’d be begging for snacks only ten minutes in. but mel finishes quickly and she’s beaming with excitement as soon as she’s done.

“do you wanna see it?” she asks.

“you’re done already?” sevika replies.

“yeah. you’re an easy model.”

“okay, yeah, let me see.” sevika smiles.

mel lifts up the canvas and presents it to sevika, and it’s somehow even more beautiful than the other painting. mel captures her so beautifully, sevika is so honored to be viewed that way. for the first time in her life, she truly feels beautiful. and mel can tell that she feels that way too, through the tears that threaten to spill in her eyes.

and just as sevika is about to tackle mel to the bed too, she notices something in the bottom corner. in a shimmery gold writing, the words “my star. -mel m.” are painted. sevika looks up at mel with a questioning glance and asks, “what’s that?”

“it’s my signature. the title of the painting and my name.”

“‘my star’?” sevika reads off.

“yeah, because that’s what you are. you’re my star, sevika. you’re so beautiful and bright.”

and those words echo in sevika’s mind for the rest of time, especially when sevika pins mel down and rides her face into the pillow a few seconds later. she’s right. she is mel’s star, isn’t she.

[out-there-tmblr]

Young Zaundads wip (23)

***

Silco's a little standoffish the next day, keeps a bit more space between them as they work, but it's a small tunnel and it's not big enough to keep his distance for long. By the afternoon they're working side-by-side again, shoulders brushing as they clear rubble.

"I've been thinking about last night," Vander says, using the gauntlets to break a large boulder into manageable pieces. He picks up the largest rock and takes it to the cart.

"You want to talk about that here?"

There's a loud metal clang as Vander drops his rock and it bounces off the side of the cart. He gestures at the tunnel around them, the grey-brown rock fading into black at the edge of the lantern's light. "What? You wanted to discuss the amazing views instead?"

Silco rolls his eyes but he smirks. "Point made."

"I was thinking. If we wanted to try that again," Vander holds up a hand to stall Silco's inevitable complaint, "maybe we could try it the other way around. Like… Swap who's doing what."

Silco glances down and seems to remember that he's carrying a chunk of rock. He takes it over to the cart and drops it in. Then he cautiously says, "Is that something you want?"

"I'm curious." Vander shrugs. He's never been great with words. "It's not… you know. A big thing but… yeah."

Silco watches him with those clever blue eyes. "Hmmm."

Vander doesn't bring it up again. He's quite happy to spend that night enjoying the comfort of their new bed, soft mattress beneath his knees and Silco sprawled out on the sheet, his thighs hooked over Vander's shoulders and cock warm in Vander's mouth. He likes the way Silco digs his heels into Vander's back. He likes the way Silco arches off the bed, fingers clawed into the sheet. Likes the way Silco chants his name, over and over, like there's nothing else in the world but them.

***

"Where are you off to?" Vander rumbles as Silco stands up from the table. Across from them, Felicia and Benzo keep recounting the story of the day, how Mattis dressed in a hurry and forgot his belt, and had his pants threatening to fall down all shift long.

Silco wraps a hand around Vander's neck, thumb sliding beneath his collar as Silco leans down to talk quietly. "I want to check something with the harbour master. I'll stop at Babette's on the way back, see if there's anything her workers need."

"Want me to come with?" Vander offers, but he suspects he already knows the answer. Silco's been restless tonight; he probably wants a break from the noise of the mess hall.

Silco shakes his head. "No need. I'll be back by curfew."

Vander turns back to the conversation and gets to hear how Mattis' pants fell down while he was swinging a pickaxe, giving everyone a view of his underwear.

"He didn't realise," Felicia says, grabbing her ale. "Not until he tried to step closer and nearly fell on his face!"

"Couldn't have happened to a nicer guy," Benzo adds with a mean grin. "I think there were a dozen miners reminding him to wear his belt tomorrow."

It's a good night. They don't talk about anything important – just little moments in their days, stupid jokes made at each other's expense – but it feels good to drink and laugh. Vander likes Silco, likes spending time with him, but Silco's not big on smalltalk or storytelling. Not unless it's a story with a clear message of how bad the mines can be.

It's not that Silco's wrong, because he's not. Vander gets it when he points things out, that things are unfair and more cruel than they need to be, but he lives it everyday. He doesn't want to spend every conversation talking about it as well.

"So," Felicia says, tossing her hair over her shoulder and then leaning in, "is the honeymoon over? Have the sex chems worn off? Are we going to get to see our friend Vander again?"

"Without Silco glued to your side?" Connol adds.

Vander frowns. "Do you not like him?" he asks, and there's a long look between Benzo and Connol that he really doesn't appreciate.

"I wouldn't say that," Benzo says.

"We don't know him very well." Felicia shrugs. "We like him enough but we really like you. And you're… different when he's around."

"Dopey," Connol says.

"Lovestruck," Benzo adds. "You spend more time watching him than talking to us."

Connol laughs. "And it's not hard to guess what you're thinking."

"Well, if I'm so missed, I'll make more of an effort to spend time with you," Vander promises and Connol gives him a sarcastic thumbs up gesture. "But I might get busy again. Silco's got a new project in mind."

"What?" Benzo asks. "Smuggling in every gas mask in the undercity isn't enough for him?"

Vander shrugs. The gas masks really have been popular. "He wants to set up a market."

"We already have the company store," Felicia replies. She sounds confused but it's better than being dismissive. "What would be the point?"

"We could buy goods that we'd never afford in Piltover. If they'd even sell it to us in the first place." Vander's never tried it himself but he's heard stories of stores that refuse to accept bronze. That will only sell if you have the exact price in gold and silver, while the miners and cannery workers are always paid in bronze. "It could be between here and riverside. Where there's space to build and land that no one cares about."

"Sounds Iike a lot of work."

"Yeah, well, the sex chems tell me he's worth it." Vander swallows the last of his ale and gets up to order another. When he gets back, the conversation has turned to teasing Benzo about the girl at the counter who keeps smiling at him.

When it's half an hour to curfew, Vander decides he'll surprise Silco and meet him at Babette's. It's the kind of idea that seems brilliant after too many ales.

It's pay week again, so Babette's tents are set up outside the mine gates. There's a colourful string of lanterns glowing in the dark, linking the tents together. He steps inside the biggest one, in the centre of the colourful cluster, and Bani and Wave nod at him.

"I'm looking for Silco," Vander says, doing his best to stand upright and not look like he's spent the last three hours drinking.

Bani laughs but Wave is more helpful. She leans a hand on Vander's wrist, her bangles clattering as she moves. "He's in Kane's tent. Under the blue lantern."

Vander doesn't know all of Babette's Workers. He can't picture what Kane looks like but he follows the instructions, and finds Silco sitting with his back to the door and a solid, blonde woman tilts his face up and swipes a tiny brush at his face.

"Sorry, honey," Kane says with a sweet smile. "I'll be with you in a minute."

"I'm here for Silco," Vander explains. "I'm just here to–"

Vander snaps his jaw shut when Silco turns around. His eyes are lined with something dark, making his eyelashes look thicker and darker. There's a streak of electric blue under his eyes, making his blue eyes mesmerizing. His lips are red and shiny, like they've spent half the night kissing. His skin is pale and flawless, and he looks too beautiful to be real, like some fairytale creature back when gods appeared to mortals.

Vander takes a few steps forward and then doesn't know what to do.

"I think he likes it," Kane says in a loud whisper.

Silco stands up and slowly walks towards him. He looks incredible. "Do you like it?"

Vander swallows. "I'd kiss you right now if I wasn't scared of messing it up."

"Let's go home." Silco smiles, looking very pleased with himself. "You can mess me up there."

***

[stormyoceans]

MONICA'S INCREDIBLY BIASED TOP 5 GL SHOWS OF 2024

1. the loyal pin. a period piece QL with a (believable) happy ending and a fairytale-like quality to it that was able to charm me from the very first episode. while the pace of the story can definitely be slow at times, i was personally just too absorbed in the world that this show created to mind it. the display of traditions, customs, and food from thai culture, along with the beautiful cinematography and the colorful cast of characters, all helped to achieve this fully immersive experience, giving the perfect frame for anin and pin’s romance. becky as anin was also a revelation.

2. ayaka-chan wa hiroko-senpai ni koishiteru. I ADORE THIS LITTLE SHOW WITH ALL MY HEART AND SOUL. i admit that, as a bisexual woman myself, i found the bisexual erasure pretty maddening at first, however i am willing to forgive it in the face of how bright, lively, sweet, and at the same time deep and full of emotion this series is. it’s an age difference office romance that actually addresses the generational gap between the leads by exploring how society’s view on queerness changed throughout the years, and it does so by being funny, delicate, and unapologetically lesbian.

3. reverse 4 you. this is where my bias comes through, because while this show is far from perfect, i have the biggest soft spot for it. in general i tend to really enjoy stories that feature any kind of time related powers, but compared to others the true strength of this series is the familial bond between wa and vi, which shines as much (if not more) than the romantic relationship between wa and four. i do feel like the story needed at least one more episode to wrap up the loose ends more neatly, as some things kinda left me baffled and pretty confused, but my love for this little family of three makes me willing to overlook everything else.

4. pluto. if my meter of judgement to make this list had only consisted in chemistry and performance, then this show would have definitely landed in the first three spots, as namtan and film are incredible in it (the bridge scene in episode 11 is one of the most memorable of the year for me), however some of the plot points don’t sit quite right with me, and the execution of others was a bit lacking, so i unfortunately had to detract a few points. still, i enjoyed the show a lot: it presented a unique story in an interesting way, there was never a dull moment, and not once i skipped the intro because the OST is just amazing.

5. the secret of us. this show being so low in the list doesn't sit quite right with me, but at the same time it doesn't have the originality or the effectiveness in storytelling that other ones have. what it has, however, are ling and orm showcasing fantastic chemistry and very natural acting, which elevated a plot that im not usually particularly fond of (exes meeting again years later) and gave a lot of personality to their characters. the happy ending also feels earned, and some of the side characters are very memorable.

+ honorable mention (because once again, im a cheater)

23.5. i wanted to do a quick shout-out to this show because i feel like the fandom tends to give it a way harsher judgement than it deserves. while the second half did have a few things that bothered me, i still find this show a very accurate representation of teenage emotions, and the way it depicts young queer love healed the part of me that didn't have this kind of series growing up. all in all, it brought me a lot of comfort, and im incredibly grateful for that.

[thepunkmuppet]

approaching The Confession Scene and what the fuck. this is genuinely tragic like I’ve always seen it as a meme, a joke, an iconic moment in fandom history, whatever, I’m a tumblr user, but now that I’m actually here it’s just fucking SAD

season 15 as a whole is NOT bad. it’s really not. but there’s zero destiel. they rarely speak at all unless it’s plot-related, one (1) episode pairs them together, frankly season seven was ten times more focused on their friendship and that’s INSANE because cas is only in like five fucking episodes of that one. they have a mini arc midway through the season which is very gorgeous and well-done, but it then goes absolutely nowhere and nothing at all is done to make it textually romantic.

by which I mean: no episodes have dean or cas reacting personally to sam and eileen’s relationship, or any other romantic relationship they come across. we’re never shown anything even remotely romantic even in an unrequited sense (no post-realisation awkwardness, no lingering shots of cas pining from afar, etc etc). it reads like a normal season of the show, which, yeah, I think those two are pretty fucking gay regardless, but they’re always textually written as a friendship, with no explicit cues to clue the audience in that there are canon romantic feelings. and that doesn’t change here, at all.

so I guess what I’m saying is the confession scene is purely just a moment of fan service. as stunning as the speech itself is, and as well as it fits cas’s character, the writers throughout the season didn’t actually give a fuck to make destiel ROMANTIC even in a one-sided way. film is a language and as much as misha does in his acting, even from castiel’s perspective they’re still framed as a friendship within the show itself RIGHT up until he says the words I love you. they weren’t interested in actually depicting a (even one-sided) queer love story, just wanted to give fans their “okay here it is we did it guys!” moment at the end, so that way they didn’t have to actually show an explicitly romantic gay love story, they could just say some words, kill cas off and boom it’s canon! here you go people we’ve been leading on, mocking and low-key gaslighting for eleven years!

idk man it’s just so disappointing. I knew it was and I know everyone has been talking about it for years now but my GOD it’s so bad 😭 I can’t even tell you how bizzare it is to have seen destiel confession meme on here and in various fandom video essays EVERY DAY FOR FOUR PLUS YEARS and now here I am, watching it go down in real time with full context, having watched over 300 episodes of this show, invested, obsessed, and REALLY FUCKING UPSET AAAAHHH

EDIT: forgot to mention this originally. the actual concept of cas’s moment of perfect happiness killing him, while kind of stolen from buffy, is AMAZING. and the literal perfect opportunity to have a building textual confirmation of his feelings throughout the season, where he realises what that moment will be, and it ends in the tragic confession of his love. like that’s insane that’s perfect. but no it just comes out of nowhere so oh fucking well whatever I guess! they’re canon so we should all be happy! I hate this stupid bumhole show AUGH no one talk to me ever :(

[raycatz]

some more LU things that throw me for a loop,,

An artist I follow, wilimia, started a LU dnd AU, and then mentioned wanting to make it it's own thing. Shortly after, they received an ask,

"I'd be down for un lu-ing the dnd boys cause I got lu blocked ad hate how it affects most links meet aus, so yeah. If you do that I'd reach non lu audience. Most loz fandom doesn't follow lu blogs"

and idk, I get it, but it's also hard to read. So much of Wilimia's art is LU. It seems like something they found, and still do, find joy in creating for--and for years, too--longer than I've been in the fandom. "Most loz fandom doesn't follow lu blogs." Most loz fandom wouldn't have any interest in the majority of the art Wilimia's shared? Anon would prefer it to be non-lu? It reads to me a little like putting down or dismissing the art just because it's LU. Wilimia's art is amazing. I admire it so much. Their ideas are wonderful, too. And like many other pieces of LU fanart, there's a lot of exploration of comparing and contrasting the games, or analyzing the games, borrowing the LU cast, without explicit connection to the events of the comic itself. So much incredible creativity missed, because it is LU. LU's not for everyone. To each their own, I guess.

But I feel like so much interesting insight into the games is lost if LU fanwork is disregarded simply for being LU.

I also struggle with feeling like I have to choose an audience. I have ideas for pre-LU comics that would tell stories of fun moments from the games, during an adventure--but I want to use the LU heroes because I care more for those interpretations of Link. I'm blending my own game experience and opinion of that Link with what's been provided by the fandom.

I think the stories are fun and worth sharing! However, what tag do I use? It's the Linked Universe design and character, but it's also me, but it's also not Linksmeet or the LU adventure, really. It's LU, it's not LU, it's gen loz, it's both. And yet you'd get scolded for posting LU in the gen loz tags. I feel as though I must choose a side.

For example: there's a moment in OoS where a woman asks you to help her in exchange for a shovel. I got the shovel and then immediately dug up the entire map chunk surrounding her house. It would make for a good comic! But do I make it LU inspired or gen loz? I'd probably use a slightly more generic design for Link (Legend) anyways because he would be younger. Honestly, I could probably get away with barely changing the design at all, tag it as gen loz, and be praised for it.

There's a huge double standard when it comes to LU and Linksmeets. Both argue that not everyone has played all the games. All the interpretations and designs are unique and, at times, should be read as their own aus without worrying too much about adherence to the game or specific comic canon. Characterization and knowledge varies by writer. At the same time, no one person owns specific design elements or traits. Don't worry too much about being too similar. Let people make what they want. Every new instance adds to the wider understanding of the character and is therefore valuable.

Yet, by the people who dislike LU and its fandom and favor other Linksmeets, in LU fandom it's seen as an excuse, and in Linksmeets and gen loz it's seen as a strength.

The character of my comic could barely be LU Legend, and yet if it is LU even in name only, it is disregarded and unwelcome. The character could draw strong influence from Jojo's designs or LU fandom, and if I change one thing only but claim it as my own, it would be praised and defended.

Analysis and discussion in the LU fandom (especially from around 2020) brought me a better appreciation and understanding of the heroes and game similarities then any other kind of online fan created material had.

So for my mini comic- and going off of the anon's ask- what do I do?

I want my work to be seen. I feel like it is valuable to be seen by anyone who enjoys the games. I want to inspire people who see the comic to think more about the games and to create. I don't particularly care through what lense they connect with my gen loz / nebulously LU work--if they apply the situation to their own game experience, gen loz, or to any Linksmeet--if my work has connected with someone- has broadened someone's understanding of a game or character- then my goal has been met. Obviously use the correct tags and credit where credit it due, but if I am making pre-adventure or gen loz stuff, then I want to inspire. Write fic! Add the headcanon to your own! Just like- if you make something based off an idea of mine, include me! We are all building off of each other's stories. It is all inspiration. It's all the same soup.

There is no Linksmeet element. And yet, in my heart, I know the character will become some personal variation of LU Legend, influenced by a variety of fanwork, because that's the interpretation I favor.

If it's tagged gen loz it reaches the broader loz and Linksmeets audiences. If it's tagged LU then it stays within the sub fandom I know and care for. The thing is--it's a pre-adventure story, so it's not solidly one or the other. I don't want to tag it gen loz and have LU fans feel they aren't allowed to think of it as LU Legend. I don't want to tag it as LU and have it be missed by so many people, or have gen loz / linksmeet fans feel they aren't allowed to think to think of it as their own characters either. However, also, why should I be creating for an audience who would disregard so much of my and other's works?

Mina of Mina's Linkverse's recent posts have thrown me for a loop again. She's shared a headcanon post about Twilight Princess Link that delves into how Link, given his background in Ordon, might feel about turning into a wolf. What struggles, but also acceptance and joy, can be found in it. It's beautiful. I'd love to add it as another perspective into my understanding of TP Link--both solely within the game context and also more broadly across a variety of Linksmeets. It's one more way to further appreciate things I already enjoy. However, Mina opened the post with "Dont tag as L/U". Okay, don't tag, but am I allowed to borrow this and apply it to LU Twilight? I relate to it most strongly through that lense. It's a general loz post, and LU is loz. What if I were to apply it to Mina's Fangs, or Em's Wolf, or Frulle's Twilight? If I were to write a LU fic or draw a comic and tagged Mina as inspiration would she take offense? Would it be less of an offense if it was anything but?

Am I as a LU fan allowed to take inspiration from this and put it into LU fanwork? What about LU fanwork that goes more strongly into exploring these themes or situations from the games instead of the comic itself?

It just feels kind of feels like a whole perspective or group is being excluded. I feel like I am being excluded and that I am unwelcome. But, maybe that's just me being an entitled LU fan who thinks everything belongs to them and needs to learn to stay in their lane.

I've considered making multiple versions of the same comic. One that uses the LU design and tag, and one that does not, so that I'm able to reach and be appreciated by both audiences. But, I don't want to have to choose. There would be no difference in the comic but character design and name. And yet, that's all the means necessary to be completely disregarded.

[russellius]

the story behind George signing the dad's shirt twice:

and the final result:

[sysig]

Wake up somewhere better, maybe (Patreon)

[genekies]

tag vent

[spitedemon]

and ofc people on the dragon age subreddit are getting very angry about leaked footage of inquisition choices that carry into veilguard. i’m not even gonna say that their anger is misplaced or isn’t justified, i just can’t fathom having the energy anymore to be mad like that about anything

[suns-blood]

Fuck if I think about the lore for too long the Implications start to loom over me and then I want to do nothing except lay down

[determinedowl23]

So obsessed with when a Nintendo game releases and the fans just go “nah…… I could do it better” and make some of the greatest aus known to mankind

[hauntingblue]

WE STILL GOT ARCANEEEEE

[goldentigerfestival]

Yuri's dialogue (JP) is so fascinating to study, like... the repetitive use of certain words/phrases that others use sparingly but he uses constantly. the way it feels like his vocabulary is more expansive than what he uses, but he defaults to a "comfort" level of speech. the way it mixes in with his sort of "street talk" words and the sheer level of informality. the way his "street talk" phrasing is contrasted by the tone of his voice (on that note, people I know who also know JP are also very endeared by these aspects of him so I KNOW IT'S NOT JUST ME!!!).

'cause the thing is, he uses phrases that yeah, other people do use, but he uses a handful over and over and over (contrast to other characters' sparing use of repetition). it's actually... really refreshing? it sounds more relatable and less "video game/anime/JRPG/RPG" writing or something, idk. like closer to how a real person would speak.

I do my best in my translations not to make things sound too stiff across the board, but Yuri makes it so easy. it's why I'm so interested in translating all his lines in Vesperia, like... the actual, original tone for him with his original wording because it's smth Eng only players don't get to experience ('cause even if you listen with JP audio, if you don't know the language, ofc you're gonna miss out on context. it's nobody's fault for not knowing, just... they unfortunately miss out). the thing is, there are a lot of times when the lines in and of themselves are not contextually incorrect in the English ver (usually the situation for smaller scenes, because they altered the text outright for more important stuff which was the stuff that originally set me off, but there were also plenty of cases of just vocal tone shifting with the correct context that still gave off the wrong impression), but Yuri's tone is shifted away from the original in Eng even though it's completely and perfectly translatable.

I am by no means about to translate the entire game because let's face it, I really don't care that much for Vesperia on the whole. I'm kinda stuck with it because Yuri's there lo and behold I actually am WAY more engaged in his stories in Rays, Link and Asteria because it's an amazing character put into circumstances where he actually gets to shine and feels more alive, which Vesperia did not provide nearly as well with its very disjointed story. also, Tales gachas have banger stories that are arguably better than the mainline games, and they regularly make Yuri a very central character to the gachas. Crestoria was also about to do it until they pulled the plug on that game and I'm pretty confident something interesting has been lost to the world. also I just generally don't have the energy or motivation to do that, so... I'll only be focusing on Yuri's lines, especially because his stuff is where the bulk of the messing around was. he's just insanely fun to translate for and I love burying myself head first into his speech.

will I actually finish this project? dunno. will I get around to posting it? whatever I get done (so all of it if I complete it), and if I decide to call it quits then I'll post what I have at the time I decide that. will it take a long time? probably, but I can always mention stuff along the way...