#such a great theory

[egophiliac]

can't believe that skeleman has turned on us, and Halloween Prom is tomorrow.

(what a top-tier UM...we are about to be just totally obliterated in the absolute silliest way. what possible use could this power have outside of bringing us to the brink of utter holiday disaster.)

[creature-wizard]

Check your conspiracy theory. Does it sound anything like this?

There is an ancient global conspiracy plotting to create a one world government.

The one world government will be headed by a single leader.

The conspiracy intends to make everyone follow a religion it created.

The conspiracy is trying to destroy all true religion/spirituality.

The conspiracy deliberately stirs up conflict and starts wars.

The conspiracy deliberately does whatever it can to confuse, exhaust, and demoralize the people.

The conspiracy creates and/or manipulates art and entertainment to control and brainwash the masses.

The conspiracy uses mind-altering substances to manipulate and control people.

Progressive policies (EG, religious tolerance, equality) are part of the conspiracy.

Communism and collectivism are part of the conspiracy.

The conspiracy manipulates the economy to our detriment.

The conspiracy wants to do away with the gold standard.

The conspiracy wants to do away with the free market.

The conspiracy intends to tax the rich, which is bad because taxes are just legal theft.

Teaching people about the mistakes and atrocities committed by governments is part of the conspiracy.

The conspiracy creates new religions and spiritual movements to further their agendas.

All secret societies (EG, Freemasonry) are part of the conspiracy.

Presidents are manipulated puppets of the conspiracy.

The conspiracy manipulates anyone with a high political position.

The conspiracy grooms world leaders.

Agents of the conspiracy are planted everywhere, in all levels of society.

The conspiracy kills anyone who might expose their plans in ways that no one would suspect are actually murder.

The conspiracy follows/uses the Kabbalah.

Literally all of these were claimed in The Protocols of the Learned Elders of Zion, an antisemitic hoax used by the Okhrana to justify violence against Russian Jews. It was used by Nazi Germany to justify the Holocaust, and today it still serves as the blueprint for most conspiracy theories - even if modern conspiracy theorists try to hide it, downplay it, or rationalize it with another, equally absurd conspiracy theory.

[vulpixelates]

i know it will never happen but i so desperately desire an origins-type playable backstory thing in all games but especially veilguard. i feel like it added so much depth to origins and made you feel instantly connected to your character in a way that gets lost in games like inquisition where you fill in the blanks as you go except for the bare basics. like, i do enjoy the freedom to willy nilly decide where a character was before the events of the story from a creative perspective, but the playable origins were just so good! especially when you go back to where your warden is from and can engage differently with the arcs there

[clownowo]

Sisters :]

[patchwork-crow-writes]

God DAMN this is inspired. I'd like to add another thought to this as well, if that's alright!

The parallel you draw between dark fountains and fountain pens is almost too elegant to be real: using a sharp object (blade/pen), you stab into something (the earth/paper), which causes a dark substance (darkness/ink) to spread out, which is then channeled by the (knight/writer) to create a new world. It's freaking POETRY (well technically it's prose, but you know what I mean :P).

But I think you could also use this metaphor to help explain what the Roaring might be.

You also talk about the balance between fantasy and reality... or in this case, dark and light. And the same is true for artists in the real world. How many times do we lament that, if only we didn't have this inconvenient thing called reality to attend to, with all its obligations and responsibilities, we could be truly free to create as we wish, without earthy fetters to hold us back? Personally, I've lost count.

This is what the Knight represents: the will to create, no longer shackled to worldly concerns, who as you say is unwilling, or perhaps unable, to stop imposing their fantasy onto the real world.

But the thing about art and fantasy is, it needs reality in order to exist in the way it does. Both in the sense that these things are inspired by the real world, and that they act as a temporary escape hatch from that same real world.

So what happens when fantasy overrides reality? The darkness overtakes everything; the inkwell spills out onto the page. This is the Roaring: a state of being where fantasy has completely overrun reality, to the point of utter absurdity and meaninglessness.

Cosider the line from Ralsei's explanation of the Roaring:

The surviving darkners, crushed by the darkness, will turn into stone.

That doesn't seem to make too much sense on first reading, and I puzzled over what it could mean for a long time... but once you apply your Fountain pen metaphor, suddently it makes perfect sense. There needs to be contrast for fantasy to exist in the way it does. darkness impressed upon light, black ink projected onto white paper. It is that contrast that allows you to read the words of a fantastical novel, or admire a piece of art, or listen to beautiful music. Similarly, to properly appreciate the wonder of fantasty, you need the mundanity of reality to contrast it against.

Take away that contrast, and all you are left with is a meaningless nothing. The overflowing darkness of a spilt inkwell would completely engulf the words, breaking all narrative and rendering the entire medium completely incomprehensible. If Darkners help to impart meaning and narrative to a fantasy world, then them turning to stone is the point where they are no longer able to serve their function, because the medium has been completely overrun.

...now consider a rorschach test. Blots of ink on a page that don't appear to symbolise anything, but might suggest certain shapes or meanings without directly alluding to what those might be. In a world where nothing makes sense anymore, our subconscious might try to ascribe concrete meaning onto these, but fail. And thus the Titans - beings of darkness that defy concrete comprehension, their monstrous forms the stuff of nightmares.

In such a world, our primal fears and anxieties would overwhelm us, with no more comfort to be had in the stories that once were. Fantasy would no longer be an escape: all that would be left to us is the cold, hard light of reality, the true horror of having to see things as they really are. No meaning, no purpose, just a slow, joyless march towards death.

...wow, this went on a little longer than I was expecting! Sorry about that :P I hope this was interesting to read at least! Thanks for sharing!

Since we've got plenty of time to reflect, who do you the Knight is? (I'm very much hoping it's Papyrus)

Okay! So! 

While I uh, think that Jaru is super wrong on almost all his theories, I've got one major exception where I think he is correct, and that’s the identity of the Knight:

(This is kinda long, so going under the read more)

Namely, that the Knight is Gerson’s soul tied to a particular object and brought to life in the Dark World. Although for me personally, I’m going to tweak that idea quite a bit because I think it can actually tie in really nicely with my current theories on Ralsei’s identity and nature. 

We keep getting little references to Gerson brought up here and there in both chapters: there’s a drawing of a turtle monster in the abandoned classroom, done by Alvin. It’s presumably either Alvin himself or his dad, Gerson, and I’m guessing it’s the latter. We have books written by Gerson in multiple places, a memorial bench for him, and then Alvin’s conversation about him in the graveyard by his headstone. Alvin also mumbles something about “did I do the right thing?” to Gerson’s grave. As long as you initiate a conversation with Alvin, the game makes sure that you don't miss that extra bit, which is a little telling.

We know that Gerson was originally a historian, and then later turned to writing fiction, and wrote a beloved fiction series that fans still send his family letters about after his death. 

What do we know about the nature of the Dark Worlds? They’re basically imagination and fantasy brought to life. While they certainly seem to have a full history outside of what we experience, with characters that remember each other even from other Dark Worlds, they’re only “given form” when a dark fountain is opened. Any Lightner with determination can stab the earth, and a dark, inky substance can spew from it and give a world of fantasy its own form. The Darkners frequently talk about how Lightners give them direction and purpose in their lives.

So…question! How many of you have used a fountain pen?

I have used those before. They’re quite sharp, and using them very often feels like scratching or stabbing the paper. Black ink spews forth, and from this black ink…you can create whole worlds of fiction! Worlds that other people can interact with! 

We know that Gerson wrote beloved fiction well into his old age. What if he knew his time was coming, but still had stories to tell? What if he didn’t want to stop? Alvin says how his dust was sprinkled on a hammer and buried in the earth, and that this is considered the appropriate monster cultural ritual for helping a soul pass to the afterlife. But Alvin also appears to have done something that is still really troubling him. Maybe Alvin, either at his father's request or based on his own wants, didn’t actually follow the appropriate cultural funeral rites, and somehow helped his father’s soul attach to a different beloved object…a fountain pen that he’d use to write down his story ideas. And if that object gets brought to life with a dark fountain, you could get the Knight: the soul of a writer, filtered exclusively through their favorite writing tool, unwilling to stop creating.

I think it would make sense on a few logical and thematic levels:

It explains how the Knight is able to get around and open the fountains: the same way that Ralsei is able to do the weird things he does. They’re both Darkners carrying Lightner souls, so they can bend the rules.

It explains Queen’s insistence that Lightners are the ones that can create fountains, while King hates Lightners but seems to fully trust the Knight…a Darkner with a Lightner soul can meet both those people's expectations.  

It sets up the Knight as a foil to Ralsei: they’re both the same kind of special Dark World being, both believing that they are fulfilling their roles and serving the Lightners, but coming to vastly different conclusions about how to do that. 

It explains the Knight’s motivations: not that he’s actually trying to destroy the world or anything, but that he’s trying to serve the Lightners. He knows very well how much joy and positivity his fiction has brought to Lightners in the past. How could more of that be anything bad? This is his purpose, what he was made to do. Not doing it is virtually unthinkable.

And I think that in turn keeps him following in the footsteps of how Toby usually writes his villains…rarely if ever fully malicious, but utterly convinced that they’re doing the right thing, or that they have no choice in the matter. 

And of course that ties in with one of Deltarune’s themes: the balance between reality and fantasy. The Knight has no more ties with reality, and therefore is focused exclusively on creating more fantasy and having it supplant reality, upsetting the balance between them. 

And this is extremely speculative, but I've been thinking about how Toby mentioned that chapter three will be a bit of an odd one out, that it's more about trying weird things than advancing a lot of plot. Kind of an interesting thing to note since Kris just made a fountain that should take us into chapter three. If the Dark Worlds are in some way shaped by the will of the Lightner that makes them, then chapter three indicates that Kris's will manifests more as just...trying out stuff rather than something purposeful. Kris makes a fountain because they really want to keep up this special hangout with their friends. But the Knight? He's making narratives.

[midnight-the-goth-artist]

@chloesimaginationthings FNAF movie art makes me go insane/pos

Especially the theory that Garrett will posses the Marionette in the FNAF 2 movie,

Inspired by their original art post, I redrew it in my art style!

I do but don’t want this to happen-

I want it to bc ANGST but also give my boi Mike a break 😭

[ghostbsuter]

There was a teen in the cave.

A teen no one knows and looks like he could be a wayne, stands in the cave.

"Actually, I'm a wayne." He says with a shrug.

Bruce, Batman, carefully thinks of the implication.

"Not yet," The teen, Danny, doesn't say anything. Simple smiles. "You're not a wayne, yet. You will be. But not yet."

Then Bruce sighs, dropping the batman mask in order to take in the teen.

"Does future me know of the time travel?"

Dannys smile grows into a grin, deciding to take pity on the man. "You, grandbat, have..." He makes a vague gesture. "Theories, which none of your children ever confirmed."

The bat's mind short-circuits at the choice of words

Dick is sputtering incomprehensibly, there are Baffled expression all around.

Because.

Because that child isn't Bruce's, but one of theirs.

"Who is it?" Jason demands, hand clenching his gun uselessly.

Danny continues to smile, a hint of mischief now peeking out.

The cave is filled with theories, some yell, some sob, yet all eyes leave danny.

All but one pair.

She had known the moment his body language switched just enough for her to read.

She had known the moment he disappeared before the clan.

Had known when his hand found hers, shoulders bumping.

Her heart clenches, throat dry and memories of her childhood flooding to mind.

So she asks, voice soft and hesitant.

"Am I a good mother?"

And danny looks up at cass, adoration and pride laid out plain for her to see and accept.

"You're the best."

And so they both watch the clan together, silent and comfortable.

(Cass doesn't question when she finds him, how and why. All she knows is that she's more attentive when out on patrol, looking and waiting.)

(This is how Cassandra Cain-Wayne returns one night from patrol, a child, barely out of toddler stage and clinging to her form.)

(This is how the Batclan officially meets one Daniel James Cain-Wayne, freshly washed and clothed, a cookie in hand and hiding shyly behind Cass.)

(When they meet, all they say is "Welcome home, danny," and "Good to see you again.", Danny doesn't necessarily get it, but that's okay. Maybe his new mom will explain it one day when he's bigger.)

[splankie]

is blowing up a volcano after ur first kiss couple goals

[divineandmajesticinone]

4 MINUTES (2024) I EP. 6 & EP. 7 "You're still afraid of dogs."

[beanghostprincess]

"Kuina's death is ridiculous" yes! That's the point! You do realize that falling down the stairs is a way of showing Zoro how fragile human lives are, right? You are aware that the point of Kuina's character is the unfairness of the world towards women in comparison to the privileges men have, like living in itself and fulfilling their dreams, right? You know that Kuina's death is "ridiculous and dumb" because it's meant to show that even the strongest person Zoro knew could die from something so little, right? You understand that the value Zoro gives to life is fucking immense, right? Right?? You realize Zoro can't seek revenge because nobody took her away from him and now the only thing he can do is become the world's greatest swordsman to avenge her death, right? You get that Zoro's character is an atheist because he doesn't believe in anyone and he can only rely on himself when it comes to Kuina's sudden death, right? You are aware that sometimes people die in the simplest of ways and that doesn't make them weak because death doesn't discriminate, right? You know that all of these things are what make Zoro's character so interesting and important, right? Right??? You know, right?

Well, of course you fucking don't because if you knew you wouldn't be saying her death is ridiculous <3

[shuyis]

It's not a coincidence

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[crystallizsch]

i really like how canonically yuu is genuinely supportive of grim wanting to be a great mage. if i recall correctly, even character voice lines point this out. and it seems like yuu dotes on grim a lot and defends him too??? yuu even encourages grim's ambitions whenever he declares wanting to be a great mage. and also when he does that boss-henchhuman dynamic. i mean yeah you can interpret it as yuu saying that being condescending and sarcastic as if they're talking to a child saying "when i grow up i want to be famous!" but like. i really think they're genuine when mc loves grim in their own way.

even if grim is usually a menace, he's become like family to yuu.

and i'm pretty sure grim feels the same way.

think about it this way. despite all the mess, all the unpredictability, the danger, and all the drama being in nrc. what's always the constant? yuu goes home at the end of the day to the ramshackle dorm (basically their home at this point considering they slowly but surely fix it up over time) and with who? “the great mage” grim. as the sole outcasts in that academy, they both sleep soundly knowing they will always have each other at the end of the day.

[dainesanddaffodils]

Me, Good Omens theory/speculation posting while I’ve still only consumed s2 through tumblr osmosis? More likely than you think

Anyway I hear bunches of y’all talking about Aziraphale getting into some sort of trouble with heaven next season - which I agree is very likely - but then it’s followed by ‘and I want Crowley to save him (again)’

No! We’ve seen 2 seasons of that already! We gotta flip the script in the final act!

I want - I desperately want - for Aziraphale to realize Crowley is in danger and go absolutely fucking feral. I want Aziraphale to be racing to save his love while “I Need A Hero” blares in the background!

and I need Crowley to witness Aziraphale rescuing him. I need Aziraphale showing up in the 11th hour, disheveled and out of breath - maybe even injured - backlit with a halo of light behind him, and the only thing he can manage to say is a desperate ‘are you okay?’

Please

[egophiliac]

LEON

LEON YOUR EYEBALLS

[infamous-if]

Dude, I aint gonna lie I can't sleep because my brain spiraled to Seven's secret and I've been scouring forums and reddit posts for like an hour. What have you done to me.

can i direct you to the "secret child" theory? that one is my favorite lololol