#such a good title

[piosplayhouse]

LOVE AND PENIS: WINNING ANAL !!!!

[kabutoraiger]

the kind of next episode preview that makes me clap my hands together in pure delight

[yourmajestybee]

EVERYONE NEEDS TO LOOK AT HOW TO TRAIN YOUR DRAGON UNTRAINABLE THE STAGE PLAY RN

[lenaellsi]

there must be something 😳 I can do for you 😳 in return?

[gooseinsoup]

suggestion box

[golyadkin]

it's because i wouldn't let you kill the bounty hunter isn't it

[teamdarkdaily]

day 350: rouge!!!!!

[kooldewd123]

there's something to be said about the choice to use "prince" as the main signifier of military rank for the andalites. because it kinda obscures the truth of the situation, doesn't it? a group of kids getting magic powers from an alien prince sounds whimsical and delightful. a group of kids getting pulled into a war by an alien colonel sounds tragic and horrible. the slow reveal of what "prince" actually means over the course of the early books is perhaps the most underrated twist of the entire series, because it fundamentally recontextualizes the entire premise of the series without the reader even consciously realizing it.

[savagegood]

ice hockey nicknames be like:

also, assigned babygirl/angel/wifey by wikipedia:

update: new sidney crosby nicknames dropped over the weekend

[petite-madame]

Angel & Demon - (2024)

[arabella-s-arts]

Scenes/Things in Supernatural that genuinely don't make sense to me if Dean was straight:

The confession booth scene.

Sam just rolling with the fact that Dean's siren is a guy while still thinking sirens infect people through sex.

Dean being flustered by several men: Gunner Lawless, Aaron, Doctor Sexy, etc.

All the parallels between Destiel and other couples. (A big one being "last night on Earth" bc how do you do that accidentally.)

Having all the gay jokes be on Dean instead of Sam.

Paralleling Sam meeting his childhood celebrity crush with Dean meeting Gunner Lawless.

The boner Dean got when Cas cleaned up.

Dean gulping after Cas does an impression from a Western movie.

Charlie, a lesbian, calling Castiel "dreamy."

The way Mary looks at Dean and Cas when they hug.

Dean wondering why everyone assumes he's gay, while Sam not caring.

The logic that Charlie can't flirt with guys because she's only attracted to women, but then having Dean flirt with the guy for her.

Dean seeming disappointed when learning that Aaron's flirting was fake.

The amount of time Dean and Cas spend staring at each other.

Dean canonically having an orgy with Crowley.

A woman saying that she knows when someone's pining for someone else to Dean, just for us to learn that Dean was never in love with Amara.

The set design and script choices that lead to a cross in the background while Dean said "I do." to Cas after he came back to life.

That time when Dean wanted to say something and Cas was like, "It's okay, I heard your prayer." But Dean still looked like he wanted to say something important.

Amara: [about Dean] "I can see inside your heart. Feel the love you feel. Except, it’s cloaked in shame.”

If you want to have a more expansive list, @destiel-is-real-idgaf added to this one quite nicely.

[fuckyeahgoodomens]

[and-this-of-all-my-hopes]

Sometimes you just are trying to live out your day and then your brain thinks:

What if in the opening titles of Season 3 Aziraphale and Crowley aren’t walking together anymore.

[tragicblondie]

thinking about the ending of dragon age 2 as a mage hawke who sided with the mages at the end of the fifth blight, the warden defeats the archdemon and saves ferelden. they are paraded through denerim to the sounds of cheering crowds. if they don't survive, their memory lives on in a tale of great heroism and sacrifice for years to come. the inquisitor celebrates at skyhold with the rest of their companions after they beat corypheus, the threat finally ended, the inquisition a success.

but not hawke. you can fight with everything you have to support the mages, but there is no grand fanfare when it is over. the villain succumbs to corruption and dies unceremoniously - you don’t even get the satisfaction of striking the killing blow. you can’t get a round at the hanged man to celebrate. it’s time to go. you and your friends can never sit around your table at the hanged man again. you can’t be seen here when the templars come to clean up the mess. nothing will be the same. you have given seven years of your life trying to hold kirkwall together, accepted your accolades and played the part of champion, and you watch it fall apart anyway. and how much of that is your fault? this city has been stained in your blood since before you could remember, since before the blood was your own.

you lost your sister when you lost your first home. even so, you tried to live by the advice you gave fenris - when you stop running, you build a life. the estate that you clawed your family back into stands looming and empty. it is the last place you saw your mother alive, and you still can't bear to touch her things, and you will never even see her room again. bodahn and sandal are making preparations to leave for orlais, orana will find other work with the skills she's learned, and the house will remain, a hollow testament to your family's legacy. gamlen will hear only the stories. your brother fought by your side when it mattered, despite everything. even so, he will stay behind, and you might never see him again.

no, there is no time for a celebration. instead you get a cautious acknowledgement from the templars, a tense goodbye, and then you can never go home again. for the second time. you thought you could build a life, and you tried. you held on as long as you could, you made friends, you fell in love, you clung to the last vestiges of your family, but most of them will be forced to leave your side anyway. you won, but even that wasn't enough.

[jonnywaistcoat]

I’m not sure if you’ve gotten asks like this, but how do you make such good titles for your works, including the titles for chapters/episode within a work itself?

Honestly, I think the biggest help was the fact that I spent most of my uni time messing around with a light entertainment/pantomime society, which means I got really good at eye-rolling puns and cringy wordplay.

And the thing is, the secret of a good title is that it's basically a pun you say with a straight face. You want it to be short, punchy and have at least two (ideally three) possible levels of meaning that might refer to different characters, events or themes within the work.

Unfortunately, there is also a curse which comes with getting good at titles, which is you will develop a deep conviction that all works have a Perfect Title, and if you can't figure it out then the imperfect compromise will eat away at your soul like perfectionist acid until your very patient editor says "this title is fine" and you say "I just need more time!" and they say "you've had months" and you say "but I'm so close!" and they say "we're calling the book Family Business" and you say "that sounds like a mafia thriller" and they say "it's a perfectly good title" and you say "fine".

[beif0ngs]

ONE PIECE EGGHEAD OPENING ✖ TITLE CARDS