#success mechanism
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fastlane-freedom · 2 years ago
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Subconscious Mind is Not a “Mind” But a "Success Mechanism"
Subconscious Mind is Not a “Mind” But a “Success Mechanism”
The new science of cybernetics has furnished us with convincing proof that the so-called subconscious mind is not a “mind” at all, but a (success) mechanism—a goal-striving “servo-mechanism” consisting of the brain and nervous system, which is used by, and directed by the mind.  Before moving further, let’s understand the meaning of the below terminologies —————————————————– Cybernetics: The word…
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blueskittlesart · 3 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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reegis · 1 year ago
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For suggestions, Tim and Ivy? Anything with Tim and Ivy I love them so much
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like he doesnt have at least 3 guns and several handfuls of spare bullets jingling around in his pockets at any given time smh.. shameless…
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khanartist · 6 months ago
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[insert cool title later]
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clown-paws · 1 year ago
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> obsessed with these. obsessed with them.
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veilguards · 1 year ago
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KENDALL & LOGAN | when god is your father
other inquisitions, jorge luis borges / succession 1x10 / saint anthonys church, eduardo corral / succession 2x03 / at the dinner table with god and my father, william bearheart / succession 1x10 / lullaby on mount moriah, traci brimhall / succession 2x10 / the sun is also a star, nicola yoon
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clowndensation · 2 years ago
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the thing is roman is literally my primadonna girl my goodtime guy my empty husk of a man who's hollowed himself out to become a better receptacle for daddy's love. except daddy couldn't love him, because roman didn't do a good enough job scraping the last of his entrails out, so he had to go back in with a scalpal and a bucket, fake molars grinding against real ones, until all he's got left inside him are the pieces logan wanted him to keep.
but of course logan dies, and roman (hollow) is left with a hole that needs filling, and no idea what to fill it with. and he tries his family's love, but when has his siblings' love ever filled anything up? when has it done anything but hollow them all out even worse? and so he tries gerri's love, but he carved himself out wrong for that, and she won't fill him up anymore. and so he turns to the bloated corpse of his father, still warm, and he gorges himself on that.
and now roman (rotting) is finally something other than empty. and if every time he opens his mouth, he regurgitates logan roy, then all that means is that he gets to fill himself back up again afterwards. and roman roy (dying) would take the decaying carcass of his dad over the hollow failure of himself any day.
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ganondoodle · 3 months ago
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(idk if anyone wants to keep hearing my opinions on totk book stuff but-)
apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this
i dont think theres anything they can do or say that wont make be believe they either
are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all
something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)
given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??
are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )
(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)
#ganondoodles talks#zelda#ganondoodles rants#idk if others feel like that too but i cant shake the feeling there was something that either went horribly wrong during development-#-or the entire thing was neglected the whole time which is why its so .. i hesitate to even call it bare bones#...which is WILD given that its the supposed sequel to their best seeling zela game#like wtf where you doing#i get that the pressure can be immense but imo it wasnt that hard to make a sequel to thats better than totk#like i think it was harder to make totk like it is NOW bc it scraps and throws away so many things you could have easily used-#-as sequel material#its all so weird to me#my tin foil hat theory is still that they saw the success of the mario movie and immediately shifted everything to make more movies#bc it made so much money#and a movie is easier to make than a good game#so totk or botw2 at the time got the short end of the stick#which is why everything feels like .. so ... bare bones .. untested .. unfinished .. non sensical...#like an alpha build that got enough visual polish to look like a full game when its still an alpha build at its core#some main ideas like the abilities implemented and the basic map layers#mechanics functioning but untested on how it feels to play#like the sage controls and arrow fusing and ... contradictory game mechanics that dont work together#like the bulding WORKS but its clunky and underused- everything can be cheated so easily you dont even feel good cheating-#-bc it feels like the teacher just allowed you to mark your test with a green circle and you still got an A (or however USA grades work)#despite not even reading the questions- why attempt to solve a puzzle if you can just skip it#and how they tell you to be creative with it yet creativity gets punished and only efficiency is rewarded#which completely undermines the entire thing#...theres so much more you know i have ranted about it all before#ALSO rauru and sonia seemed like a rather newly wed couple to me- not one that had multiple kids that never appear-#since it only mentions rauru ..... if its only his then ... that doesnt explain anything bc zelda needs both sonia and rauru dna#................do sonau leave eggs to incubate somewhere heavenly or sth#watch out the springs where built to hatch rauru eggs bc they need the gods holy blessing bc they are oh so holy to hatch
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covertblizzard · 8 months ago
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jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"
#jason todd#kyle rayner#jaykyle#mypost#dc thoughts#vp of the club: maybe we should find some other people to do the job if they can't get along?#pres of the club: no they're both talented af and i want this to be raving success just knock their heads tgt and tell them to play nice or#i'll make them wear the get along shirt again#WAIT ONE SEC DONNA'S THE PRES and overseer she's pissed bcos kyle played the same role last year and he was chill then#wally's vp no 1 and backstage manager and he's thinking of kicking kyle out#dick's vp no 2 and main lead and he's thinking of kicking jason out bcos it's embarrassing and annoying to work with your younger siblings#kon helps kyle with props and bart is one of the actors and kon is jealous af about it he grumbles a little#roy is the fight scene choreographer#i'm trying to think of something for garth but the only thing that comes to mind i'm not sure are fitting enough#actor manager? weapon manager? oooh maybe pet manager if they have animals... human and pet manager???? hr department but including animals#ooooh maybe pet manager if they have animals#raven can play bart's love interest (in play) maybe (wally doesn't like it and neither does gar for very different reasons)#eddie deals with the contraptions they build for this bubble machines smoke machines lowering and raising anything mechanical#rose and cass helps with the weapons stuff they keep fighting too and roy is TIRED#connor plays the villain he didn't mean to or want to but he got dragged into it and he's really hot and gunned in for next years main lead#he doesnt want this#steph and mia are hair makeup costume department but bart and kon love to hangout and help too#jennie-lynn and bart are in-charge of socials#tim pops up a lot because so many of his friends (and brothers) are here and when he does he helps steph and mia#damian too pops up to help with pet management and sometimes prop art#this is much to dicks annoyance jason is already here can his little brothers LEAVE HIM ALONE SOMETIMES UGH#damian (taking cues from talia and bruce loverenemies dynamic and wanting an artist in-law): we should set jason and kyle up#dick: no / tim: hmm / dick: NO#i want to add the yj girls (cassie cissie greta anita) but i know too little about them right now but imagine they're there and the roles#are to be determined
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murdererofthumbs · 2 years ago
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Seeing reactions after this episode is actually slightly hysterical? It proves that this fandom can be so blind-sighted by characters relations, that they forget what show they are watching. Like, I have always been a self-proclaimed Roman-girl, because I find him compelling and extremely psychologically interesting, and like all of these characters, to a certain extent, I do empathise with him on the level of trauma that he went through. But why the fuck are people surprised that THIS is how he behaved in this episode is beyond me. Oh, suddenly Roman is dead to you because he behaved in the way that was very much consistent with who he is? That’s who all of these people are, like come on, what do we think we are watching here? You didn’t really think he will suddenly become a defender of democracy because it serves a greater good of the country? He was the one to fucking choose Mencken as a president, he cherry-picked him for Logan, because he knew that their views align, that Mencken will be a smart business decision. This whole thing is a transactional procedure - they needed to get someone who will be willing to serve their corrupt interests. Roman doesn’t see a problem in having fascist as a president, because he will never be touched by the consequences of having that kind of man in power. He is very much safe at the top of the mountain, and who the fuck cares what will happen to the peasants at the bottom of the chain? In this way, he imitates Logan the most, because in the end of the day, people are units to him, to all of them really, some of them are just more willing to admit this than others.
Also, like, “uuu, Roman was such a misogynist to Shiv this episode, he just didn’t listen to her at all”. Look, can we stop being delusional here for a second or is it some sort of selective memory situation? Roman is a misogynist. Kendall is a misogynist. Shiv, in fact, has a lot of internalised misogyny going on, and her being a woman never stopped her from pushing other women under the fucking bus, so let’s be real here for a second. And that is not to be said in defence of Roman, frankly nothing what I’m saying here is supposed to justify his behaviour in this or any other episode, but it’s more of like… reality check? I know that Roman’s self-destructive spiral and semi-decent behaviour at the beginning of this season might have clouded certain aspects of who he is, but please, go back to season 3 and count all the instances of him throwing misogynistic and, frequently incestuous jokes and innuendo, at Shiv? How many times he undermines her position on the basis of her being a woman? Or how Kendall, for that matter, uses similar arguments in 03x02? All the siblings use aspects of each other as weapons. Kendall is undermined because he is unstable, because he is a drug-addict, because he has a tendency of flying off on the cloud of mania, and crashing in the heap of depression. Shiv is crossed out because she is a woman, because she frankly has no real experience in the firm (which, although people might be super angry about that, because she is such a “girlboss” apparently, but this is a factual argument), because of her relationship to Tom and tendency to take several sides at the same time (with not much thought put into it). And Roman is frequently undermined because he is a freak and a pervert, because “there is something wrong with him”, because he is the weakest dog that is most easily manipulated, who crumples like a wet tissue if only to receive a bit of affection. They all weaponise their “weak” points against each other, because this dog-eats-dog mindset is focal to who they are as a family, to how they were brought up, to how Logan wanted them to be. So please, let’s not be surprised, when Roman suddenly uses misogyny as an argument against Shiv, because it’s not sudden at all, and it’s always been there.
I think what we have on our hands, is the same situation we had in 03x07 during Kendall’s birthday (and previous episode with Mencken), where some people are so outraged by Roman, and by his ability to shove the knife where it hurts, that they suddenly cross him out completely. Again, all these characters are bad people, there was never any doubt about that. They are compelling because of the complexities of their familial relationships, because of their childhood trauma and the consequences that this trauma has on them as adults. But they are still completely reprehensible as human beings, and I think some viewers forget about that and then get outraged when show about awful people features awful people. And I’m sure, either in next or final episode, something will happen and Roman will become sympathetic again, and he will regain his position as a “poor meow meow”, just as he did in the finale of season 3. Its always a fucking carousel with this character and people get sucked in and have their eye’s covered just to realise that nothing really changed, and nothing will change, because in this show people, at their core, remain the same.
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look-at-the-stars-tonight · 2 years ago
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I don’t care what the plot of the community movie is as long as it starts with a shot of Troy and Abed cuddled together in bed and sleepily singing “Troy and Abed in the morning” as they wake up
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shivroygirls · 1 year ago
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i know the end + succession (2018 - 2023)
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kelvingemstone · 2 years ago
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just like we don't know the roy family's past and it has only been hinted at through a veil of secrecy--the covering up of the aftermath of something truly horrible--we will not know the roy family's future. there will be no definitive ending, there will be no closing the file, there will be no way to stop thinking about it and no way to save it. we don't know what happened to rose, and we will never know what happened to her.
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utilitycaster · 1 year ago
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Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.
I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.
I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.
It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.
#i've felt this for a while but like. fundamentally? C3 is just...uniquely not set up for terribly satisfying shipping#even the ships I do like and that get small moments are relatively background#like 80% of quote unquote ship content is like. fanon goggles overlaying either parallel play or standard battle mechanics#which is fine! I think it's a different vibe and approach than the past 2 campaigns#i think especially in character creation; self-insert or easy for new players (c1)#followed by Morally Gray Campaign; Prove We Can Replicate This Success; Serious Characters (C2); followed by Let's Get Silly With It (C3)#which is less conducive to that profound connection of c1 or c2. which is not a bad thing!#but god. if you complain about the D&D show having too much d&d plot and not enough romance...yeah pal it's d&d not a dating sim#like I enjoy when there is romance in my fantasy but it's not a requirement. there is a genre full of romance. it is called romance.#i'm also thinking about this bc I need to watch wot s2 but i've been told that the fandom has gotten weird#like wow so moiraine/siuan is not the A plot? in a high fantasy Good vs. Evil series? WHO'D HAVE THOUGHT.#getting back to this...i'm also thinking about my own life and like. i moved to where i live not long pre-lockdown#and so i'm finding myself a resident of this area for 4+ years but with weaker connections than i'd have otherwise. and that's fine!#but psychologically i feel so weird about just starting to find my place bc it's been so long even though there's a good reason#and i wonder if the cast/Hells feels the same way ie why are we only just bonding now 70 eps in and so they're hesitant#that I Waited Too Long And Now It's Awkward feeling; that I Should Be Past This By Now fallacy#which. again. i think things early on could have been done differently but that time is past you need to live in the present now.#cr tag
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adambja · 1 year ago
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how do u quantum jump?
Hmm it's a simple topic but it's a huge one in my mind I don't wanna mention everything I know so
I will put some videos here
They got the best explanation and the most simple ones!
youtube
youtube
Enjoy baby 🫶🏻!
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anxsity · 2 years ago
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you are doing this to yourself
Heather Havrilesky, "Ask Polly: Help, I'm the Loneliest Person in the World!" // @.romanfuckingroy, "succession 'x-coded y-girl' diagnosis uquiz", roman-coded roman-girl result // Franny Choi, "Unlove Poem" // Silas Denver Melvin, "Love as an Act of Merciful Conquer"
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