#street fighter 1987
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danthepest · 2 years ago
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To this day I can’t help but chuckle at how Birdie went from this
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To this
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Street Fighter used to be so wild, man.
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Happy Pride Month! Here's a list of my Stockman Orientations
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pocoslip · 18 days ago
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Thinking about which Akuma Figure I should get to display with my Casey Jones Figures
(Because Playmates Toys is never gonna make a Casey Jones and Akuma Two-Pack for their TMNT X Street Fighter Crossover Line)
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ortegatv · 2 years ago
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THIRD COMBAT OF OUR FIGHT CLUB !!!
LEONARDO VS RYU
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tsartomato · 3 months ago
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Street Fighter ZERO (Street Fighter 30th Anniversary Collection \ Steam)
After releasing the same Street Fighter 2 at least five times (with three more on the way) they finally decided to make a new game. The new game is a prequel set between the first and the second one. It features a roster of characters pulled from Street Fighter, Street Fighter 2, Final Fight, and adds a couple of newcomers. Not only this is a spin-off prequel, it’s also a very obscure game in…
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gamemories · 5 months ago
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the2dstagesfg · 3 months ago
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"England (Eagle's Stage)"
from "Street Fighter" Capcom/1987
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wanderersrest · 6 months ago
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An Abbreviated History of Mecha Part 3.2: Condition Green (1986-1990)
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Welcome back to An Abbreviated History of Mecha! Last time, we covered the first half of the 80's with a bit too much of a focus on the works of one Ryousuke Takahashi. If you remember from the last post, I also covered one series in particular: Legend of the Galactic Heroes. I'm bringing it up here so that it'll be fresh in your head: Galactic Heroes would be one of many Original Video Animation (OVA) series that would be released in this time.
It should also be noted that, unlike last time, there would be a new medium for mecha stories to flourish in: video games! While video games existed at least since the late 70's, it would be in the 80's where they would become mainstream.
Anyways, let's get down to business. Now, before I throw each and every one of you into the bay!!
The Five Star Stories (1986)
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Created by Mamoru Nagano, the Five Star Stories would be his first major solo project after leaving Sunrise due to the higher-ups constantly blue-balling him. Covering at least five books and a couple of OVAs, the Five Star Stories is one of the true classics of the canon of mecha.
Now if you want to get an inkling of what he did before the Five Star Stories? I'll cover that next time.
Metal Armor Dragonar (1987)
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Coming off the heels of Mobile Suit Gundam ZZ, Sunrise was eager to fill in the void that Gundam left in its wake. And that's where Metal Armor Dragonar comes in. While I felt weird referring to Layzner as being Gundam-like, here I don't. Dragonnar was made first and foremost to fill in for Gundam, especially after the lackluster performance of ZZ.
Robocop (1987)
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Also in 1987, we would see the release of Paul Verhoven's Robocop. Robocop is a part of that generation of 80's films where the original movie's deep scathing criticism would be watered down by corporate America's need to constantly make money off of each and every remotely popular series. And while that may be true, the original Robocop still holds up as a scathing criticism of American capitalism in the 80's.
Rockman/Megaman (1987)
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(I just found this gif on Tenor. If anyone knows who to source it to, please let me know.)
1987 would also see the release of Capcom's Megaman, one of the icons of the halcyon days of gaming. Sporting his arm-mounted Mega Buster, Mega Man would run through multiple stages in an attempt to stop Doctor Wily and his army of Robot Masters. Megaman would become one of the more iconic of Capcom's roster of characters, though over time he'd be left behind in favor of other characters like Ryu from Street Fighter, Dante from Devil May Cry, and my personal favorite, Rathalos from Monster Hunter. Fortunately, the Blue Bomber would never truly be forgotten, especially with the surprise release of Mega Man 11 in 2018.
Warhammer 40,000 (1987)
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Man, 1987 was a packed year for mecha, wasn't it.
In 1987, Games Workshop would release the first edition ruleset for Warhammer 40,000, the sci-fi spinoff to their popular Warhammer Fantasy setting. The grim dark future of the 41st millennium is filled to the brim with all sorts of mechanical monstrosities, from the hulking Imperial titans, to the crimson-robed tech priests of the Adeptus Mechanicus and the mechanical hordes of the Necron.
A fun thing to also note is that, due to both series having a big modelmaking scene, Warhammer 40k tends to see an overlap in fanbases with Mobile Suit Gundam. It certainly helps when both peddle in plastic crack, and as someone who is addicted to the Gundam variety, game respects game.
Patlabor (1988)
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Created in 1988 by the collective known as Headgear (which includes famed director Mamoru Oshii among its ranks), I would consider Patlabor to be one of the greatest love letters to mecha ever created. Patlabor is a series where a lot of worldbuilding was added to justify the existence of the giant robots that the creators love so dearly. Something to take note of while watching Patlabor is the general optimism the series brings to the table, even though the series is often grouped together with shows like Armored Trooper VOTOMs.
Most of the series would release between the the end of the decade, but one entry in this franchise would release during a rather rough moment in Japanese history. I'll cover it at some point when I get around to the 90's. Let's just say that if you know what the phrase "Kill Wyvern" is, you'll probably recognize what it'll be.
Also, not to toot my own horn or anything, but I did a write about Patlabor back in the day. So feel free to check that out as well if you have the time.
Cyberpunk 2020 (1988)
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(Footage from Cyberpunk 2077)
In 1988, Mike Pondsmith would release the first edition of the Cyberpunk 2020 ruleset, because this is the 80's and tabletop RPGs are kind of the thing (Satanic Panic notwithstanding). In a move that will surprise no one, this series would help to codify a lot of tropes associated with the cyberpunk genre, including at the very least the concept of cyber psychosis.
In 2012, former Internet darling company CD Projekt Red would announce that they would be working on a video game adaptation of Cyberpunk called Cyberpunk 2077. Let's just leave it at that, as I don't really have nice things to say about CD Projekt Red.
Dragon's Heaven (1988)
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From mechanical designer Makoto Kobayashi comes 1988's Dragon's Heaven. This extremely stylish and artistically unique OVA is a product of what happens when you give someone who's career started with building garage kits the budget to make an OVA. You want to know where the budget went to? It went into making the models for the main mecha of the OVA. Don't take my word for it? Here's Kenny Lauderdale talking about exactly that.
And in case anyone's wondering, Makoto Kobayashi has, in fact, worked on Gundam before. He's the one who designed Zeta Gundam's Baund-Doc and The O.
Ghost in the Shell (1988)
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Also releasing in 1988 is the manga Ghost in the Shell. Created by Masamune Shirow, Ghost in the Shell would become an important series in the worlds of cyberpunk and anime, especially with the film that would release in 1995 directed by Mamoru Oshii. Specifically, this movie along with Akira would be some of the first anime that would really show that people outside of Japan had an interest in anime. Ghost in the Shell would also come to be one of the more influential works out there, as it would be the basis for the Wachowski's iconic movie The Matrix.
Mobile Suit Gundam 0080: War in the Pocket (1989)
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1989 would be greeted with the introduction of two (of many) culturally important mecha OVAs. The first is Mobile Suit Gundam 0080: War in the Pocket, which is also the first Gundam series to be directed by someone not named Yoshiyuki Tomino. War in the Pocket would be a great reminder of why Gundam works as a story, but it would also be one of the Gundam stories with, in my humble opinion, the strongest anti-war messages of the franchise.
Gunbuster (1989)
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The other would be Studio Gainax's first official (meaning not the Daicon short) animated series, Gunbuster. Arguably one of the most hot-blooded mecha series out there, Gunbuster is a series that tries to ground itself with real world physics before going "eh," throwing it all in the waste paper basket, and deciding that all we need is HOT BLOOD. This would be the first of many of Gainax's hits, and it would be the first of what I'm going to be referring to from here on out as Gainax's Elite Four.
Conclusion
We've covered a lot of series, but you might be asking yourself things like: "What was going on with Nagano?"
Don't worry, my friends. We still have one more part for the 80's. And in case you're wondering why I saved this part for last, it's because Tomino's output in the 80's is pretty legendary due to how iconic pretty much every series is. Granted, not everyone talks about these series in this day and age, but anyone who's talked about mecha in any capacity will more than likely be able to recognize at least one of these series.
You will see the tears of time.
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ourdreamsareneon · 16 days ago
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Piggy backing off my last post, if much like in 2016 you're going "I should just move to New Zealand" head my warning, little yanky
People are not going to like you. People will hear the accent and either think you're a Trump supporter or a stereotypical stoner valley dude with half a brain cell.
Learn a bit of Te Reo Maori. You don't have to learn a lot, just your basic greetings, but you should learn place names and pronunciation
There was a huge cover-up in 1948 when a group of American service men tried to stop Maori bar patrons from coming inside. Naturally, both white and Maori patrons beat the shit out of them. The fight involved hundreds of people. As far as we know, two people died in the Battle of Manners Street, both Americans. This was during an event called the American Invasion, where Aotearoa asked for British aid during the war and were sent Americans instead. Americans who were documented as mostly sitting around, being incredibly racist, and assaulting our wāhine. So maybe don't walk down Manners Street at night. It might be haunted, I dunno.
While you're looking at Te Reo, look a bit into Tapu and Noa. This is about things that are considered sacred, but it also just gives you good kiwi manners, like taking your shoes off when you go into someone's house and not sitting on tables.
Learn how to tō waha - shut up. All I hear from the Americans I've met living in Aotearoa is that the second they go home, they realise how loud Americans are. Take a deep breath, listen to nature, and lower your voice
Did you know ANZUS is no longer a mutual agreement of power because America got upset that Aotearoa is nuclear free and so didn't allow any US naval ships into port after 1984 because they had a policy of not confirming or denying if they have nuclear weapons on board? They're still kinda holding a grudge against us for it and disolved a whole allyship over it! All that to say, in 1987, we formalised our anti-nuclear stance, so whether travelling by air or by ocean, please keep all your W.M.Ds at home! (Bill Clinton reinstated our allyship in 1996 and gave us the status of "Major non-NATO ally" but that's the year my sister was born so I don't acknowledge it)
It's crazy that America is so anti-terrorism but when the French sunk the Rainbow Warrior in July 1985 and everyone, including their 'besties' Australia were like "yo bro the French just did a terrorism on New Zealand...that's like not cool right?" America refused to acknowledge it. Only in September, after France admitted guilt did America go "we hate terrorism grr" I don't know what my warning here is I kinda just remembered and went "huh." Don't do terrorism, but if you do it's okay because America will be chill with it?
While the two older halves of the ANZUS polycule were sending military forces into the Vietnam war, New Zealand just sent economic aid and medical aid. We're lovers, not fighters (#FreePalestine). We did, uhm... supply Agent Orange... but that was after America was like, "We'll kick you out of the polycule again," and that's just so much work. Peer pressure works on us. We're people pleasers.
There you go! Those are all my tips for relocating to the Better DownUnder! I could go on, but my therapist said I should avoid thinking about Bill Clinton and the Big Bad War on Terror if I want to make it to 30 ^_^ I hope this was helpful!!
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dragonpilot · 20 days ago
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Pumas F/o list!
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Primary
Jin Kazama (Tekken) NO SHARING
Vega (Street Fighter)
Souther (Fist of the North Star)
Shin (Fist of the North Star)
Richard Miller (Time Crisis)
Jotaro Kujo (Jojo's Bizarre Adventure)
Secondary
Agito Kanoh (Kengan Ashura)
Thorkell (Vinland Saga)
Haganezuka Hotaru (Demon Slayer)
Abel (Street Fighter)
Phoenix (Every Journey ; PKMN NextGen OC Story)
Tyler (Pokémon Concierge)
Joe Higashi (Fatal Fury)
Tarrlok (The Legend of Korra)
Nezu Masami (Kengan Ashura)
Casey Jones (TMNT 1987 + 2003)
Toyohiro Kanedaichi (Jojo's Bizarre Adventure)
Akira Yuki (Virtua Fighter)
Geese Howard (Fatal Fury)
Saw Paing Yoroizuka (Kengan Ashura)
Minor
Maximillion Pegasus (Yu-Gi-Oh!)
Raihan (Pokémon)
Amiba (Fist of the North Star)
Garland (Final Fantasy 1)
Mokichi Robinson (Kengan Ashura)
Blader DJ (Beyblade)
Two-toed Ping (The Legend of Korra)
Zartan (GI Joe Sigma 6 + Renegades)
Questioning
Phoenix Wright (Ace Attorney)
Friends
Terry Bogard (Fatal Fury)
Shi-Long Lang (Ace Attorney)
Shinji Kasai (Fanganronpa)
Familial
Pocoloco (Jojo's Bizarre Adventure)
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danthepest · 2 years ago
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Some of my favourite artworks of Adon. Artworks are from:
Street Fighter
Street Fighter Alpha 3
Super Street Fighter IV
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usafphantom2 · 1 year ago
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The story of the SR-71 Blackbird crew that ‘gave the birdie’ to a French Air Force Mirage III pilot, lit the afterburners and outran him
‘I looked out the left window and saw a French Mirage III sitting ten feet off my left wing. He came up on our frequency and asked us for our Diplomatic Clearance Number. I had no idea what he was talking about, so I told him to stand by…,’ Lt. Colonel William Burk Jr., former SR-71 pilot.
The SR-71 reconnaissance aircraft was the world’s fastest jet-propelled aircraft and the most advanced member of the Blackbird family developed by Lockheed Aircraft Corporation’s clandestine “Skunk Works” division. Throughout its nearly 24-year career, the SR-71 remained the world’s highest-flying operational aircraft. From 80,000 feet, it could survey 100,000 square miles of Earth’s surface per hour. The aircraft was designed to fly deep into hostile territory, avoiding interception with its tremendous speed and high altitude.
During its operational lifetime, the SR-71 provided intelligence about the Yom Kippur War in 1973, the Israeli invasion of Lebanon in 1982, the US raid on Libya in 1986 and the revelation of Iranian Silkworm missile batteries in 1987. The USAF ceased SR-71 operations in January 1990.
That time an SR-71 Blackbird crew ‘gave the birdie’ to a French Air Force Mirage III pilot before lighting the afterburners and leaving the fighter jet behind
This model is available in multiple sizes from AirModels – CLICK HERE TO GET YOURS.
One of the most entertaining stories about flying the Blackbird comes from Lt. Colonel William Burk Jr., who shares about a particular mission he flew [according to SR-71 pilot Stormy Boudreaux, Tom Henichek was Burk’s RSO for that mission] over Lebanon back in 1982 in the book Skunk Works by Ben Rich.
‘In the fall of ’82, I flew from Mildenhall on a mission over Lebanon in response to the Marine barracks bombing. President Reagan ordered photo coverage of all the terrorist basis in the region. The French refused to allow us overfly, so our mission profile was to refuel off the south coast of England, a Mach 3 cruise leg down the coast of Portugal and Spain, left turn through the Straits of Gibraltar, refuel in the Western Mediterranean, right turn into Lebanon and fly right down main street Beirut, exit along the southern Mediterranean with another refueling over Malta, supersonic back out the straits, and return to England.
‘Because Syria had a Soviet SA-5 missile system just west of Damascus that we would be penetrating (we were unsure of Syria’s intentions in this conflict), we programmed to fly above 80,000 feet and at Mach 3 plus to be on the safe side, knowing that this advanced missile had the range and speed to nail us.
That time an SR-71 Blackbird crew ‘gave the birdie’ to a French Air Force Mirage III pilot before lighting the afterburners and leaving the fighter jet behind
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‘As we entered Lebanon’s airspace my Recon Systems Officer in the rear cockpit informed me that our defensive systems display showed we were being tracked by that SA-5. About 15 seconds later we got a warning of active guidance signals from the SA-5 site. We couldn’t tell whether there was an actual launch or the missile was still on the rails, but they were actively tracking us. We didn’t waste any time wondering, but climbed and pushed that throttle, and said a couple of “Hail Kellys.”
‘We completed our pass over Beirut and turned toward Malta, when I got a warning low-oil-pressure light on my right engine. Even though the engine was running fine I slowed down and lowered our altitude and made a direct line for England. We decided to cross France without clearance instead of going the roundabout way.
‘We made it almost across, when I looked out the left window and saw a French Mirage III sitting ten feet off my left wing. He came up on our frequency and asked us for our Diplomatic Clearance Number. I had no idea what he was talking about, so I told him to stand by. I ask my backseater, who said, “Don’t worry about it. I just gave it to him.” What he had given him was “the bird” with his middle finger: I lit the afterburners and left that Mirage standing still. Two minutes later, we were crossing the Channel.’
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SR-71 Print
This print is available in multiple sizes from AircraftProfilePrints.com – CLICK HERE TO GET YOURS. SR-71A Blackbird 61-7972 “Skunkworks”
Photo credit: U.S. Air Force and French Air Force Via FAST Museum Twitter Account
Thanks to Linda Sheffield Miller from Habubrats Facebook Page for helping with this article
@Habubrats71 via X
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pocoslip · 1 year ago
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If Playmates are doing TMNT X Street Fighter Crossover Toys, can we get Casey Jones VS Akuma 2-Pack Please????
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justforbooks · 10 months ago
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When Carl Weathers auditioned for the role of Apollo Creed, the prizefighter who gives an untried contender a shot at his heavyweight title in Rocky (1976), he was asked to read opposite the film’s writer. “Now – I’m ignorant – and as I finish reading, I say, ‘Well, wait a minute, if you can get me a real actor to read with, I can do this a lot better.’”
Unbeknown to him, his scene partner was the newcomer Sylvester Stallone, who had not only written the script but was playing the title role. “Somehow I got the job,” said Weathers.
A 6ft 2in former NFL linebacker, Weathers, who has died aged 76, brought the full force of his charisma to a role that could in less skilful hands have prompted straightforward hisses and boos. There was a depth and kindness to him that no amount of on-screen braggadocio could conceal. He spoke, said one LA Times reporter, with the “overly concise diction of a TV evangelist”.
To prepare for the role of Apollo, Weathers watched old Muhammad Ali fights for inspiration. Shot for peanuts, the film grossed $225m, won three Oscars, including best picture, and spawned four sequels. A further three films in the spin-off Creed cycle featured Michael B Jordan as Apollo’s son Adonis.
Weathers was taken aback by the instant fame that Rocky brought him. The day after the film opened, he said, “I was out for a walk in Manhattan and street vendors are yelling, ‘Yo, Apollo.’ That is scary. You are not prepared for that.”
He reprised his role in the first three Rocky sequels. Rocky II (1979) begins immediately after the events of the original film, with both fighters in wheelchairs, coming face-to-swollen-face with one another in the hospital.
“Get up out of that chair, chump, and let’s finish this fight right now!” Apollo demands, having won only on a split decision after 15 rounds. Later, there is a moment of tenderness when Rocky, bandaged and slurring, wheels himself to Apollo’s hospital room late at night, nudges open his door, and asks whether Apollo really gave the match his all.
Though they decide initially against a rematch, Apollo becomes incensed by the hate mail he receives branding the fight a fake. Rocky II ends with the opponents bloodied on the canvas. Struggling to his feet, Rocky is declared the winner.
In Rocky III (1982), Apollo trains Rocky against a vicious new opponent, Clubber Lang (Mr T). The old adversaries get back in the ring at the end of that film for a friendly sparring match, the outcome of which remained a secret until Rocky revealed to Adonis in Creed (2015) that Apollo had clinched it. In Rocky IV (1985), Apollo is brutally trounced in a bout with the Russian boxer Ivan Drago (Dolph Lundgren). He dies in Rocky’s arms.
Weathers found many of the subsequent roles he was offered to be “pointless and meaningless”. But he enjoyed squaring off against another of that decade’s action heroes – Arnold Schwarzenegger – in the fantasy thriller Predator (1987).
In their first scene together, the men greet each other with a handshake that develops into an impromptu arm-wrestling contest. It is won by Schwarzenegger, his bicep bulging monstrously in close-up – a clear case of the more famous actor literally flexing his celebrity muscle.
Weathers later meets a sticky end during an encounter in the jungle with a shape-shifting alien. He loses an arm – his finger is still firing the trigger of his automatic weapon even as the limb falls to the ground – before expiring with a blood-curdling scream.
During his down-time on Predator, the actor developed with the film’s producer Joel Silver a lead role for himself as a Detroit detective in his own shoot-’em-up adventure, Action Jackson (1988), though a hoped-for franchise never materialised.
He acquitted himself well in the Adam Sandler golfing comedy Happy Gilmore (1996) as a pro golfer whose hand is bitten off by an alligator; in one scene, he sits at a grand piano on a golf course playing We’ve Only Just Begun. He reprised the role in Sandler’s Little Nicky (2000) but was even funnier as a tight-fisted, cost-cutting version of himself in four episodes of the sitcom Arrested Development between 2004 and 2013.
Weathers was born in New Orleans, the eldest son of a labourer father. He won a sports scholarship to St Augustine high school, then attended Long Beach Poly high school and Long Beach City College. He made it to San Diego State University on a football scholarship and graduated with a degree in theatre.
His professional football career began in 1970 with a single season with the Oakland Raiders. After being dismissed for being “too sensitive”, he played for two years with the British Columbia Lions in the Canadian Football League. “How good was I? I was good enough to make it … But I was never dedicated enough. I was never in love with football.” Acting, he said, was “a lot more fun, and I ache a lot less.”
He retired from football in 1974 and won supporting roles in television series such as The Six Million Dollar Man (1975) and Starsky and Hutch (1976), and with Pam Grier in the blaxploitation thrillers Bucktown and Friday Foster (both 1975).
After Rocky, he starred with Burt Reynolds and Kris Kristofferson in the football comedy Semi-Tough (1977); with Robert Shaw and Harrison Ford in the Guns of Navarone sequel Force 10 from Navarone (1978); and alongside Charles Bronson and Lee Marvin in the thriller Death Hunt (1981). He also wrote and performed the 1981 soul single You Ought to Be With Me.
Television work was plentiful, though attempts to fashion a long-running TV vehicle for him were hit-and-miss. In Fortune Dane (1986), he played a political troubleshooter battling white-collar crime; the show lasted six episodes. Its producer Barney Rosenzweig called Weathers “one of the more intelligent people I’ve ever been in business with. But he’s a physical animal. He’s gorgeous … The guy looks like a Greek god.”
He was a regular on Street Justice (1991-93), In the Heat of the Night (1993-95), inspired by the 1967 Sidney Poitier film of the same name, and Chicago Justice (2017).
Weathers also provided the voice of Combat Carl in Toy Story 4 (2019) and played the bounty hunter Greef Karga in the Star Wars spin-off series The Mandalorian (2019-23).
Weathers’ three marriages ended in divorce. He is survived by two sons, Jason and Matthew, from his first marriage, to Mary Ann Castle in 1973.
🔔 Carl Weathers, actor, born 14 January 1948; died 1 February 2024
Daily inspiration. Discover more photos at Just for Books…?
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lemmylemons · 9 months ago
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I feel like a lot of people have a high expectation that everything has to unproblematic and if the franchise has a few bad apples then it’s automatically bad. Like yeah I get that having a lot of problematic things being involved in the series isn’t a good look for it but we shouldn’t come to assume that something will meet our expectations and be completely unproblematic no matter what.
There's gonna be a few bad apples in every series, and I think a series should be unproblamatic, but sometimes they're just not gonna happen.
Like, Street Fighter, for example, it's from 1987, like it's from Japan from a different time. A big thing I find with street fighter, especially early art and such, is the blatant stereotyping, SPECIFICALLY with Balrog.
The SF2 animated movie literally gave him donut lips. Like that's not okay.
They've grown and changed from that, but a LOT of artists within the fandom draw him with the donut lips or draw him in a style that isn't okay. I've seen people just full-on draw him completely white.
There's always gonna be problematic people within a fandom, there's always gonna be a shit desicion by a company - you don't have to stop liking a fandom, but there are SOME fandoms that shouldn't have been created or even popular in the first place BECAUSE of their problematic nature; BIGGEST ex, Alfred's Playhouse (it was trending on Tiktok awhile back, it certainly was something else...)
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