#stop anti asian racism

[enlightenedbeauties]

Public Service Announcement: There have been increased attacks against Asians in the U.S. and other countries, which is completely unacceptable! Here at Enlightened Beauties, we stand with our Asian brothers and sisters! Let us mourn the innocent lives lost due to anti-Asian hatred! End Anti-Asian Hate!! 🇯🇵🇹🇼🇰🇷🇻🇳🇭🇰🇹🇭🇵🇭🇸🇬🇱🇦🇰🇭🇨🇳

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[rhfffas]

absolutely love the fact shogun shows john blackthorne as the arrogant white supemacist that he is, oh he thinks Japanese are barbaric and Japan is a godforsaken land?

oh no he’s the one who understands zero Japanese words and zero Japanese manners, he’s the one who is homophobic while Japanese ppl think homosexuality is as normal as heterosexuality, he’s the one who thinks Japan needs to be partitioned and controlled by his WHITE ruler while Japan is thriving on its own.

i rly appreciate the way shogun tells the story honestly instead of the usual white Hollywood orientalist BS

[mxjackparker]

Stop Saying "The World's Oldest Profession".

An article about the racist origin of the phrase "the oldest profession" being linked to sex work.

You may have heard selling sex referred to as the world’s oldest profession. People who claim to be allies to sex workers will sometimes use this phrase in a positive way, to lend sex workers legitimacy by referencing how long sex work has existed for. In reality, this phrase has a deeply racist origin and sex workers have no need to be legitimized through appeals to the age of the profession.

[joshualunacreations]

In 2022, Corinne Tan was announced as the American Girl Doll of the Year and heavily promoted as a way of raising awareness about anti-Asian racism during COVID. But what message did her story send?

When Corinne Tan debuted, AsAms were offended by the synopsis and how it centered a white man in what's supposed to be a COVID racism story. Once I heard the book had been fast tracked for two live-action specials on HBO Max and Cartoon Network, I knew more harm was coming. In the rare instances Western media talks about anti-Asian racism, it's downplayed. Instead, narratives are used to reinforce the 1) Model Minority Myth, 2) Asian gender divide, and 3) "correct" levels of assimilation. Unsurprisingly, Corinne Tan’s story does all of these.

There's a place for stories about divorce and blended families, but this story isn't it. COVID racism is specifically about the threat of AAPI being verbally or physically assaulted by non-AAPI. The author's choice to emphasize conflict within an Asian family is inappropriate.

Instead of empathizing with David Tan's inability to work during the pandemic—a real problem that has devastated many AAPI families and businesses—it's the reason Judy divorces him. The story not only erases racism as a reason for AAPI pandemic joblessness, but victim-blames. It implies her parents have an antagonistic relationship because her dad isn't white and rich, and that makes him an inferior romantic partner. Despite referencing a slur meant for Asian men, the story never acknowledges that her dad experiences racism too.

Another appalling aspect is how Corinne, an 11-year-old girl, is responsible for teaching a grown white man to empathize with her experiences of racism—because her mom won't. Not only does Judy never talk to Arne about racism, she lets him gaslight Corinne in front of her. Judy seems fixated on wealth and achievement over her daughters' emotional safety. When the family lived with David, the walls were decorated with the daughters' artwork. In Arne's house, Judy is concerned with protecting the aesthetic chosen by Arne's professional decorator.

This is why the Eileen Gu poster becomes such a sticking point. While David encourages his daughters to embrace Chinese culture in everything, Judy seems to apply it only to her restaurant. Is it because Arne tells her he hoped marrying a chef would mean never buying takeout?

Meanwhile, Arne, a rich white businessman—who calls himself Goldilocks and whose behavior the author describes as "clueless" racism—gets sympathetic treatment. His fear of heights and dogs is equated to Corinne's fear of racists, as if it's a phobia to overcome via willpower.

Recall that the purpose of Corinne Tan's story is to educate about AAPI experiences with racism during COVID. Mattel, owner of American Girl, hired a panel of AsAm academics and consultants to tell her story with "authenticity and accuracy." So how did it turn out so harmful?

It's because the AsAm consultants for this project and many similar projects—like Dr. Jennifer Ho—are out-of-touch with our community. Insulated by wealth and/or whiteness they've chosen, they think they've acknowledged their privilege, but their work shows they're still reinforcing it.

The broader problem is that racist and misogynist white men control media. Regardless of gender, sexuality, or marital status, AAPI are given media power only when they internalize and repeat white men’s messaging. This isn't limited to fiction—it affects real-life activism too.

A picture says a thousand words, and it speaks volumes that Stop AAPI Hate chose to literally center white men in the photo accompanying their hate crime data report summarizing the past two years. Of those "thousands of voices," it isn't hard to guess who's prioritized. Stop AAPI Hate pushes the same message as Corinne Tan's story: racist white men deserve more humanity and sympathy than actual AAPI male victims. Hating and erasing AAPI men is required to show that you're a "safe" Asian deserving of resources and support. (see my data thread about how hate crime data is manipulated to erase AAPI men as victims)

It's bad enough that an entire gender is being cut out from resources and empathy, but what Corinne Tan’s story reveals is another disturbing trend: AAPI youth are being groomed into normalizing having racist white men in their lives, specifically in their families and homes.

Corinne Tan is a middle grade story (ages 8-12). For its consulting, Mattel partnered with AAPI Youth Rising, a non-profit led by AAPI middle schoolers. At the time, Dr. Ho was president of the Association for Asian American Studies, which helps shape AsAm studies in schools. It's not a stretch to think Corinne's mom Judy, who puts Corinne in harm's way by refusing to address her white husband’s "clueless” racism, is reflective of the behavior of AAPI adults involved in Stop AAPI Hate and other AsAm orgs—they gave the story their stamp of approval.

Anti-Asian hate crimes against AAPI should've brought the community closer together. Instead, we've been segregated further, and the AAPI who hurt the community the most have hoarded the empathy, media attention, and resources for themselves. How can any of us heal like this?

(Please don’t repost or edit my art. Reblogs are always appreciated.)

If you enjoy my comics, please pledge to my Patreon or donate to my Paypal.

https://twitter.com/Joshua_Luna/status/1134522555744866304 https://patreon.com/joshualuna https://www.paypal.com/paypalme2/JoshuaLunaComics

[humanrightsconnected]

Happy Asian Pacific American Heritage Month! Find out today from the following 5 organizations how you can support the AAPI community!

➡️ 18 Million Rising (18MR) 

➡️ AAPI Women Lead

➡️ Asian American Federation (AAF)

➡️ Asian Americans Advancing Justice (AAJC)

➡️ The Asian American Foundation (TAAF)

📸 by Katie Godowski on Pexels

[icedsodapop]

I find it so interesting that when Mark Wahlberg's hate crimes got brought up in light of the SAG Awards, you can see the anti-woke assholes in the comments section saying that people should "let it go" since Mark Wahlberg "was a kid" when it happened, that "people can grow and learn from mistakes they made as a teen", and these assholes always bring up the fact that his victim, Johnny Trinh, forgave him.

But, it's soo interesting that Mark Wahlberg's defenders conveniently left out his other victim, Kristyn Atwood, a little Black girl who was part of the group of mostly Black middle-schoolers he and his friends pelted stones at, hurled racial slurs at. His other victim who defintely DOES NOT forgive him, who also was a kid herself in the fourth grade when Marky Mark and his buddies decided to assault her and her schoolmates.

These assholes said that Mark Wahlberg has grown and learn from his mistakes, but did he really? How would they know?? Did he really learn from his mistakes when he tried to expunge his criminal record to start his shitty burger chain? Did he personally apologize to Jess Coleman (who was 12 y/o then) and his siblings for harassing them while they were just walking home from school because they were Black? Has Marky Mark ever reckoned with how his white privilege had a part to play for his lenient sentencing (2 yrs jail, he served a mere 45 days), for his oppprtunity to move on? After all, Black and Brown people have been dealt harsher sentences for far less. And apart from paying lip service to George Floyd's murder and BLM, has Marky Mark actually donated to Black Lives Matter? Or Stop Asian Hate? Or any Black and AAPI advocacy groups? Or fuck, any gofundmes?? Has he advocated for defunding the police or gun control?

And finally, these assholes act as if just because ONE victim forgave him, Mark Wahlberg's crimes are automatically absolved and we can all move on. That's not what forgiveness means? It's up to Johnny Trinh's perogative to forgive him and I respect that, but Trinh's decision to grant his attacker grace does not mean that Black people and other Asian people aren't allowed to be angry over Mark Walhberg's actions and the lack of consequences that followed them.

I keep thinking about Roxane Gay's interview with NPR on not forgiving Dylan Roof, how forgiveness is often weaponized against Black, Indigenous and other people of color. The idea that we have to let it go because it's in the past. But we can't let it go because what Mark Walhberg did is sadly not unique, he's just one of the many racist assholes who commited hate crimes against BIPOC, crimes that are still happening now.

And it's hypocritical to expect Black and Asian people to forgive and forget what Mark Walhberg has done, when the same grace was not afforded to Will Smith. So, who does "forgive and forget" actually serve?

[puzzlewagon]

my gf is the only true ally. she told me she refuses to listen to rap because they say the n word

[tvandfilmconfessions]

Perhaps the prospect of shooting an eight-member K-pop boy band could be a new professional challenge instead of something to bemoan.

The 2024 Met Gala should have been a strictly star-powered triumph for Stray Kids, when the current faces of Tommy Hilfiger set a historic first at fashion‘s biggest night out. Yet amid the glamour, Stray Kids fans — and, possibly, some of the members themselves — were left with the experience marred by their disrespectful treatment by red-carpet photographers, highlighting the systemic barriers still faced by non-Western artists in Hollywood.

The eight-member Billboard 200 chart-toppers attending the Met Gala marked the first time an entire group has hit the glitzy gala together. Making their Met Gala debut in custom-designed suits alongside Tommy Hilfiger himself, members Bang Chan, Changbin, Lee Know, Hyunjin, Felix, Han, Seungmin and I.N arrived at the Metropolitan Museum of Art collectively in navy jackets that would soon reveal the custom ‘fits in various shades of the clothing brand’s signature red, white and blues underneath.

But a few feet away, amid the flurry of camera flashes that surrounded all sides of the Gala entrance, derogatory comments from on-site photographers groaning about the group’s “robot” demeanor, annoyed that the reveal took place with their backs to one group of photogs, and thinking the band would only understand Korean reveal the thinly veiled prejudices that still plague the industry.

As The Daily Mail noted, some paps said people would get “confused” because the group took photos with their coats on and off — a racist stereotype that people of Asian descent are challenging to differentiate visually. One photographer can be heard making his peers laugh after joking that viewers would think “two K-pop bands” attended the 2024 Met Gala. (From this reporter’s findings from the last 48 hours, no one has made that mistake.)

The incident shed light on the unfair challenges international celebrities like Stray Kids face navigating less familiar territory in pursuit of global success.

Despite instances where SKZ easily and comfortably adapted to the American media landscape via live interviews like BUILD Series or People TV, last year’s MTV VMAs, or various Fashion Weeks, the singers still face barriers and a dismissive attitude toward their presence. It reflects a lack of understanding while underscoring the need for greater cultural sensitivity and inclusivity in entertainment.

Most of the Kids’ media experience is with Korean and Japanese events, which have systems and red carpets structured differently than in the States. At a typical K-pop event, press conference or awards show, there is a platform for artists to pose for photographers who are all collectively shooting together during a dedicated photo time. Guided by an MC, host or team leader like Bang Chan, the artists almost always coordinate their pose to their left, center and right for everyone to get a range of angles and shots. After that dedicated time, photogs are left to their own devices to get the best pics.

With this context, Stray Kids did attempt to show love to all sides of the photographers on the Met Gala carpet by staggering themselves so four members were more forward toward one side of the cameras and then turning around so the other four were more forward for the second group of photogs. Also of note: While the photographers knew Stray Kids were a K-pop act, members Bang Chan and Felix grew up in Australia and Seungmin spent some time living in Los Angeles; assuming that an English comment would slide past them (including “What’s Korean for ‘right���?,” which elicited laughs from the paps) is incredibly closed-minded.

While it is important to understand that photographers need usable and workable photos to fulfill their livelihoods, the diversity that Stray Kids bring to a function like the Met Gala should be celebrated rather than marginalized. Perhaps the prospect of shooting an eight-member boy band could be a new professional challenge instead of something to bemoan.

Korean artists have been attending the Met Gala for over a decade, with guests like PSY and Siwon of Super Junior attending more than 10 years ago and, more recently, seeing the likes of BLACKPINK‘s Jennie coming for her second Met Gala this year. Considering fashion’s consistent and growing affinity for K-pop partnerships, even more K-pop groups are likely to attend in the future.

Whether the comments were heard or not, Stray Kids moved with grace and poise on the carpet, and their presence alone reminds us of the importance of inviting and embracing different cultures, people and perspectives.

From the reality show that created their group in 2017, Stray Kids have had an unwavering determination to defy expectations and rise above adversity. Despite obstacles, the band’s overarching talent, humility, and tireless spirit to continue forward are not only recognized by one of the world’s most prestigious events but increasingly felt across the different Billboard charts. As they continue to break boundaries and challenge norms, Stray Kids can show how they won’t just make waves in the music industry, but help reshape long-held perceptions and inspire greater change. 

[mallgothchloe97]

How can you claim to be mall goth and you are a bigot?!

Like that makes no fucking sense.

You’re not part of any alternative scene if you are bigot.

Bigotry is not allowed in the Mall Goth scene!🖕🖕🖕

[yooniesim]

Collective and final post should've just been an apology and a promise to do better. But I guess that's just too much to hope for.

[this-world-of-beautiful-monsters]

Say it with me now:

FUUUUUUUUUUUUUUUUUUUUUUUUUCK

I’m going to try and figure out who died, maybe track down some resources, but it’s pretty much a live-update situation.

[thewokecatgirl]

believe me when i say i really support poc as the protagonists in television! but chop socky chooks is one of the exceptions! BECAUSE THE SHOW PROMOTES RACIAL STEREOTYPES!!! TWO OF THE MAIN CHARACTERS, CHICK P (THE WOMAN) AND CHUCKIE CHAN (THE GLASSES GUY) ARE WALKING CHINESE STEREOTYPES, WHEREAS K.O. JOE (THE BIG GUY WITH AN AFRO) IS LITERALLY A BLACK STEREOTYPE!!! THIS RACISM IS UNACCEPTABLE!!! I SUPPOSE 2008 WAS A DIFFERENT TIME!!! BUT NOW WE HAVE BECOME MORE EDUCATED AND WOKE AS A SOCIETY!!! THE ONLY GOOD THING I CAN SAY ABOUT THE SHOW IS THAT IT DIDN'T EVEN MAKE IT TO A YEAR, AND I HOPE TV CHANNELS ARE NO LONGER AIRING THIS RACIST SHOW!!!

[humanrightsconnected]

Last Thursday marked two years since the Atlanta spa shootings that killed eight people, including six women of Asian descent. As we observe today the International Day for the Elimination of Racial Discrimination, discover 5 ways to counter racism against the Asian American and Pacific Islander (AAPI) community. 

[sistersatan]

(via GIPHY)

[lady-shadow-and-darkness]

The idea that discrimination against a certain community allows the discriminated community to again discriminate against the community the discriminating individuals belong to needs to stop. You being discriminated against does not give you the right to wish the same, or worse, death upon the other community. You need to understand that communities are made up of individuals with different ideologies and beliefs.

And that includes acknowledging things like white racism. If you don't want to acknowledge it, you're no better than the racists you claim to be opposing.

Don't you want a better world? Treat people how you want to be treated unless they provoke you first. And don't throw out disgusting insults like "kill yourself" online, that might actually kill someone suicidal. Their blood is on YOUR hands.

[queen-of-wisdom]

You know what? Shout out to all the undesirable, stereotypical Asians.

Shout out to the Asians with 'boring' straight black hair and dark brown eyes. Shout out to the Asians who have a yellowish skin. Shout out to all the Asians with monolids and to the ones with no facial hair. Shout out to the Asians who DO play multiple instruments, are good in school and are chronical people pleaser. Shout out to the Asians who eat 'disgusting' food, for the ones who traditionally eat bats, dogs and cats. And a BIG shout out to the Asian women who are sexualized, to the ones who DID marry older white men. I love you all and there is no shame in being that way.