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sidicecheilibri · 1 year ago

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I libri nominati da Rory Gilmore

1 – 1984, George Orwell

2 – Le Avventure di Huckelberry Finn, Mark Twain

3 – Alice nel Paese delle Meraviglie, Lewis Carrol

4 – Le Fantastiche Avventure di Kavalier e Clay, Michael Chabon

5 – Una Tragedia Americana, Theodore Dreiser

6 – Le Ceneri di Angela, Frank McCourt

7 – Anna Karenina, Lev Tolstoj

8 – Il Diario di Anna Frank

9 – La Guerra Archidamica, Donald Kagan

10 – L’Arte del Romanzo, Henry James

11 – L’Arte della Guerra, Sun Tzu

12 – Mentre Morivo, William Faulkner

13 – Espiazione, Ian McEvan

14 – Autobiografia di un Volto, Lucy Grealy

15 – Il Risveglio, Kate Chopin

16 – Babe, Dick King-Smith

17 – Contrattacco. La Guerra non Dichiarata Contro le Donne, Susan Faludi

18 – Balzac e la Piccola Sarta Cinese, Dai Sijie

19 – Bel Canto, Anne Pachett

20 – La Campana di Vetro, Sylvia Plath

21 – Amatissima, Toni Morrison

22 – Beowulf: una Nuova Traduzione, Seamus Heaney

23 – La Bhagavad Gita

24 – Il Piccolo Villaggio dei Sopravvissuti, Peter Duffy

25 – Bitch Rules. Consigli di Comune Buonsenso per donne Fuori dal Comune, Elizabeth Wurtzel

26 – Un Fulmine a Ciel Sereno ed altri Saggi, Mary McCarthy

27 – Il Mondo Nuovo, Adolf Huxley

28 – Brick Lane, Monica Ali

29 – Brigadoon, Alan Jay Lerner

30 – Candido, Voltaire

31 – I Racconti di Canterbury, Geoffrey Chaucer

32 – Carrie, Stephen King

33 – Catch-22, Joseph Heller

34 – Il Giovane Holden, J.D.Salinger

35 – La Tela di Carlotta, E.B.White

36 – Quelle Due, Lillian Hellman

37 – Christine, Stephen King

38 – Il Canto di Natale, Charles Dickens

39 – Arancia Meccanica, Anthony Burgess

40 – Il Codice dei Wooster, P.G.Wodehouse

41 – The Collected Stories, Eudora Welty

42 – La Commedia degli Errori, William Shakespeare

43 – Novelle, Dawn Powell

44 – Tutte le Poesie, Anne Sexton

45 – Racconti, Dorothy Parker

46 – Una Banda di Idioti, John Kennedy Toole

47 – Il03 al 09/03 Conte di Montecristo, Alexandre Dumas

48 – La Cugina Bette, Honore de Balzac

49 – Delitto e Castigo, Fedor Dostoevskij

50 – Il Petalo Cremisi e il Bianco, Michel Faber

51 – Il Crogiuolo, Arthur Miller

52 – Cujo, Stephen King

53 – Il Curioso Caso del Cane Ucciso a Mezzanotte, Mark Haddon

54 – La Figlia della Fortuna, Isabel Allende

55 – David e Lisa, Dr.Theodore Issac Rubin M.D

56 – David Copperfield, Charles Dickens

57 – Il Codice Da Vinci, Dan Brown

58 – Le Anime Morte, Nikolaj Gogol

59 – I Demoni, Fedor Dostoevskij

60 – Morte di un Commesso Viaggiatore, Arthur Miller

61 – Deenie, Judy Blume

62 – La Città Bianca e il Diavolo, Erik Larson

63 – The Dirt. Confessioni della Band più Oltraggiosa del Rock, Tommy Lee – Vince Neil – Mick Mars – Nikki Sixx

64 – La Divina Commedia, Dante Alighieri

65 – I Sublimi Segreti delle Ya-Ya Sisters, Rebecca Wells

66 – Don Chischiotte, Miguel de Cervantes

67 – A Spasso con Daisy, Alfred Uhvr

68 – Dr. Jeckill e Mr.Hide, Robert Louis Stevenson

69 – Tutti i Racconti e le Poesie, Edgar Allan Poe

70 – Eleanor Roosevelt, Blanche Wiesen Cook

71 – Electric Kool-Aid Acid Test, Tom Wolfe

72 – Lettere, Mark Dunn

73 – Eloise, Kay Thompson

74 �� Emily The Strange, Roger Reger

75 – Emma, Jane Austen

76 – Il Declino dell’Impero Whiting, Richard Russo

77 – Encyclopedia Brown: Boy Detective, Donald J.Sobol

78 – Ethan Frome, Edith Wharton

79 – Etica, Spinoza

80 – Europe Through the back door, 2003, Rick Steves

81 – Eva Luna, Isabel Allende

82 – Ogni cosa è Illuminata, Jonathan Safran Foer

83 – Stravaganza, Gary Krist

84 – Farhenheit 451, Ray Bradbury

85 – Farhenheit 9/11, Michael Moore

86 – La Caduta dell’Impero di Atene, Donald Kagan

87 – Fat Land, il Paese dei Ciccioni, Greg Critser

88 – Paura e Delirio a Las Vegas, Hunter S.Thompson

89 – La Compagnia dell’Anello, J.R.R.Tolkien

90 – Il Violinista sul Tetto, Joseph Stein

91 – Le Cinque Persone che Incontri in Cielo, Mitch Albom

92 – Finnegan’s Wake, James Joyce

93 – Fletch, Gregory McDonald

94 – Fiori per Algernon, Daniel Keyes

95 – La Fortezza della Solitudine, Jonathan Lethem

96 – La Fonte Meravigliosa, Ayn Rand

97 – Frankenstein, Mary Shelley

98 – Franny e Zooeey, J.D.Salinger

99 – Quel Pazzo Venerdì, Mary Rodgers

100 – Galapagos, Kurt Vonnegut

101 – Questioni di Genere, Judith Butler

102 – George W.Bushism: The Slate Book of Accidental Wit and Wisdom of our 43rd President, Jacob Weisberg

103 – Gidget, Fredrick Kohner

104 – Ragazze Interrotte, Susanna Kaysen

105 – The Gnostic Gospels, Elaine Pagels

106 – Il Padrino, Parte I, Mario Puzo

107 – Il Dio delle Piccole Cose, Arundhati Roy

108 – La Storia dei Tre Orsi, Alvin Granowsky

109 – Via Col Vento, Margaret Mitchell

110 – Il Buon Soldato, Ford Maddox Ford

111 – Il Gospel secondo Judy Bloom

112 – Il Laureato, Charles Webb

113 – Furore, John Steinbeck

114 – Il Grande Gatsby, F.Scott Fitzgerald

115 – Grandi Speranze, Charles Dickens

116 – Il Gruppo, Mary McCarthy

117 – Amleto, William Shakespeare

118 – Harry Potter e il Calice di Fuoco, J.K.Rowling

119 – Harry Potter e la Pietra Filosofale, J.K.Rowling

120 – L’Opera Struggente di un Formidabile Genio, Dave Eggers

121 – Cuore di Tenebra, Joseph Conrad

122 – Helter Skelter: La vera storia del Caso Charles Manson, Vincent Bugliosi e Curt Gentry

123 – Enrico IV, Parte Prima, William Shakespeare

124 – Enrico IV, Parte Seconda, William Shakespeare

125 – Enrico V, William Shakespeare

126 – Alta Fedeltà, Nick Hornby

127 – La Storia del Declino e della Caduta dell’Impero Romano, Edward Gibbon

128 – Holidays on Ice: Storie, David Sedaris

129 – The Holy Barbarians, Lawrence Lipton

130 – La Casa di Sabbia e Nebbia, Andre Dubus III

131 – La Casa degli Spiriti, Isabel Allende

132 – Come Respirare Sott’acqua, Julie Orringer

133 – Come il Grinch Rubò il Natale, Dr.Seuss

134 – How the Light Gets In, M.J.Hyland

135 – Urlo, Allen Ginsberg

136 – Il Gobbo di Notre Dame, Victor Hugo

137 – Iliade, Omero

138 – Sono con la Band, Pamela des Barres

139 – A Sangue Freddo, Truman Capote

140 – Inferno, Dante

141 – …e l’Uomo Creò Satana, Jerome Lawrence e Robert E.Lee

142 – Ironweed, William J.Kennedy

143 – It takes a Village, Hilary Clinton

144 – Jane Eyre, Charlotte Bronte

145 – Il Circolo della Fortuna e della Felicità, Amy tan

146 – Giulio Cesare, William Shakespeare

147 – Il Celebre Ranocchio Saltatore della Contea di Calaveras, Mark Twain

148 – La Giungla, Upton Sinclair

149 – Just a Couple of Days, Tony Vigorito

150 – The Kitchen Boy, Robert Alexander

151 – Kitchen Confidential: Avventure Gastronomiche a New York, Anthony Bourdain

152 – Il Cacciatore di Aquiloni, Khaled Hosseini

153 – L’amante di Lady Chatterley, D.H.Lawrence

154 – L’Ultimo Impero: Saggi 1992-2000, Gore Vidal

155 – Foglie d’Erba, Walt Whitman

156 – La Leggenda di Bagger Vance, Steven Pressfield

157 – Meno di Zero, Bret Easton Ellis

158 – Lettere a un Giovane Poeta, Rainer Maria Rilke

159 – Balle! E tutti i Ballisti che Ce Le Stanno Raccontando, Al Franken

160 – Vita di Pi, Yann Martell

161 – La piccola Dorrit, Charles Dickens

162 – The little Locksmith, Katharine Butler Hathaway

163 – La piccola fiammiferaia, Hans Christian Andersen

164 – Piccole Donne, Louisa May Alcott

165 – Living History, Hilary Clinton

166 – Il signore delle Mosche, William Golding

167 – La Lotteria, ed altre storie, Shirley Jackson

168 – Amabili Resti, Alice Sebold

169 – Love Story, Eric Segal

170 – Macbeth, William Shakespeare

171 – Madame Bovary, Gustave Flaubert

172 – The Manticore, Robertson Davies

173 – Marathon Man, William Goldman

174 – Il Maestro e Margherita, Michail Bulgakov

175 – Memorie di una figlia per bene, Simone de Beauvoir

176 – Memorie del Generale W.T. Sherman, William Tecumseh Sherman

177 – L’uomo più divertente del mondo, David Sedaris

178 – The meaning of Consuelo, Judith Ortiz Cofer

179 – Mencken’s Chrestomathy, H.R. Mencken

180 – Le Allegre Comari di Windsor, William Shakespeare

181 – La Metamorfosi, Franz Kafka

182 – Middlesex, Jeoffrey Eugenides

183 – Anna dei Miracoli, William Gibson

184 – Moby Dick, Hermann Melville

185 – The Mojo Collection: The Ultimate Music Companion, Jim Irvin

186 – Moliere: la biografia, Hobart Chatfield Taylor

187 – A monetary history of the United States, Milton Friedman

188 – Monsieur Proust, Celeste Albaret

189 – A Month of Sundays: searching for the spirit and my sister, Julie Mars

190 – Festa Mobile, Ernest Hemingway

191 – Mrs Dalloway, Virginia Woolf

192 – Gli ammutinati del Bounty, Charles Nordhoff e James Norman Hall

193 – My Lai 4: A Report on the Massacre and Its Aftermath, Seymour M.Hersh

194 – My Life as Author and Editor, H.R.Mencken

195 – My life in orange: growing up with the guru, Tim Guest

196 – Myra Waldo’s Travel and Motoring Guide to Europe, 1978, Myra Waldo

197 – La custode di mia sorella, Jodi Picoult

198 – Il Nudo e il Morto, Norman Mailer

199 – Il Nome della Rosa, Umberto Eco

200 – The Namesake, Jhumpa Lahiri

201 – Il Diario di una Tata, Emma McLaughlin

202 – Nervous System: Or, Losing my Mind in Literature, Jan Lars Jensen

203 – Nuove Poesie, Emily Dickinson

204 – The New Way Things Work, David Macaulay

205 – Nickel and Dimed, Barbara Ehrenreich

206 – Notte, Elie Wiesel

207 – Northanger Abbey, Jane Austen

208 – The Norton Anthology of Theory and Criticism, William E.Cain, Laurie A.Finke, Barbara E.Johnson, John P.McGowan

209 – Racconti 1930-1942, Dawn Powell

210 – Taccuino di un Vecchio Porco, Charles Bukowski

211 – Uomini e Topi, John Steinbeck

212 – Old School, Tobias Wolff

213 – Sulla Strada, Jack Kerouac

214 – Qualcuno Volò sul Nido del Cuculo, Ken Kesey

215 – Cent’Anni di Solitudine, Gabriel Garcia Marquez

216 – The Opposite of Fate: Memories of a Writing Life, Amy Tan

217 – La Notte dell’Oracolo, Paul Auster

218 – L’Ultimo degli Uomini, Margaret Atwood

219 – Otello, William Shakespeare

220 – Il Nostro Comune Amico, Charles Dickens

221 – The Outbreak of the Peloponnesian War, Donald Kagan

222 – La Mia Africa, Karen Blixen

223 – The Outsiders, S.E. Hinton

224 – Passaggio in India, E.M.Forster

225 – The Peace of Nicias and the Sicilian Expedition, Donald Kagan

226 – Noi Siamo Infinito, Stephen Chbosky

227 – Peyton Place, Grace Metalious

228 – Il Ritratto di Dorian Gray, Oscar Wilde

229 – Pigs at the Trough, Arianna Huffington

230 – Le Avventure di Pinocchio, Carlo Collodi

231 – Please Kill Me: Il Punk nelle Parole dei Suoi Protagonisti, Legs McNeil e Gillian McCain

232 – Una Vita da Lettore, Nick Hornby

233 – The Portable Dorothy Parker, Dorothy Parker

234 – The Portable Nietzche, Fredrich Nietzche

235 – The Price of Loyalty: George W.Bush, the White House, and the Education on Paul O’Neil, Ron Suskind

236 – Orgoglio e Pregiudizio, Jane Austen

237 – Property, Valerie Martin

238 – Pushkin, La Biografia, T.J.Binyon

239 – Pigmallione, G.B.Shaw

240 – Quattrocento, James Mckean

241 – A Quiet Storm, Rachel Howzell Hall

242 – Rapunzel, I Fratelli Grimm

243 – Il Corvo ed Altre Poesie, Edgar Allan Poe

244 – Il Filo del Rasoio, W.Somerset Maugham

245 – Leggere Lolita a Teheran, Azar Nafisi

246 – Rebecca, Daphne du Maurier

247 – Rebecca of Sunnybrook Farm, Kate Douglas Wiggin

248 – The Red Tent, Anita Diamant

#libro #libri da leggere #rory gilmore

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iamsantiii · 8 months ago

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McLaren Spider 600Lt🔵⚫

Colors: Faber Castell SuperSoft

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A post shared by Kevin Santiago (@_ssantiiagoo_)

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#traditional painting #traditional illustration #traditional drawing #traditional art #artedigital #arte #dibujo #design #outfit #comics #Spotify #Instagram

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strange-anni · 4 days ago

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So let's talk about Nancys room shall we?

youtube

In this scene in S1E3 Eleven explores the Wheelers house and then walks into Nancys room. So let us look at some of the things we find there and draw some tentative conclusions.

The first thing we see is a poster with what appears to be a big animal printed on it on Nancys door. At first glance it is not entirely clear what it is exactly but looking closer it seems to be a cat. It's rather abstract though. Like it's a not fully formed cat. Just the image of it. Plus they seem to have three colors. Red, orange and white (and possibly black). This makes it likely that this is a female cat. Male calicos do exist but are extremely rare (1 in 3000).

Next we see a small pin board on Nancys desk with with what reads like “Nemo”? Can this be right? Surely it's “Memo” isn't it?

More cat symbolism here. There is porcelain figure of a kitten directly next to the bed.

Plus there are two pillows. A pink one and blue one with the latter being slightly more in the front. This can have several meanings. First it could represent heterosexuality or heteronormativity if we go with traditional gender color coding. A pink one and a blue one belong together in bed. As far as we can tell this seems to be true for Nancy as she seems to be straight. It could also represent her having s*x with Steve. It was the first time for her. I will come back to this later.

Even more kitten symbolism here. This time it's two kittens on the side a of a musical box.

The song that is played is called “Wiegenlied” (“Cradle song”) and is also known as “Guten Abend, gut' Nacht” (“Good evening, good night”) It's very popular song to be used in music boxes.

Listen to it here

Johannes Brahms wrote the composition in 1868 but it is based on a poem first published in 1808 which itself was based on an old german poem from the Middle Ages. Nowadays it is one of the if not the most well known lullabys in Germany. When Brahms wrote the song he dedicated it to his friend Bertha Faber to celebrate the birth of her second son.

However the poem the first verse is based on was originally not meant to be a children's lullaby although that is what it's now known for. It's a general love poem not specifically meant for children. (It only got that association with children songs because of it's title and because it was placed into a collection with other children songs in “Des Knaben Wunderhorn” (“The boy's magical horn”) in 1808)

A quote by Brahms himself supports this as he wrote in a letter to the Fabers.

“Mrs. Bertha will understand that I wrote the song only for her little one; however she will also agree with me that as she sings Hans to sleep, her husband will sing to her, mumbling a love song.”

The first verse reads as follows:

In this case the roses are meant to be a protective cover. The cloves (And I want you to know that the word “Näglein” although in this case meant as cloves also holds kind of a double meaning as Näglein is also a diminutive of the word “Nagel” which translates to “nail”) are meant to be second protective layer as their essential oils are supposed to keep vermin and germs away. The last two lines are also often misunderstood especially by children as they would think that it is god will alone whether they wake up the next morning or not. That's not what it means though as it's supposed to be a more broadly believe that the future is in gods hands.

Later on Brahms also wrote a composition for the second verse which was published in 1849 by Georg Scherer. I don't have much to say about this other than the fact that his verse gives the whole song a much more Christmassy feel to it. The lines are pretty self-explanatory

Sources: German and English Wiki pages

That is the whole pinboard above her desk and there is much to discover. First we get a confirmation that that the “Nemo” we saw in the beginning is indeed “Memo” instead although it still looks like Nemo due to the “e” covering part of the “M”.

Next the pin board is covered with lots of photos and other things but there are also white and pink ribbons. They are placed in such a manner that it almost looks like a grid or possibly bars? Like prison bars? I will also go a step further and assume that the white/pink color combination could represent femininity like I assume the two pillows on her bed could stand for masculinity and femininity (or a man and a woman). However in the way that these ribbons are placed (like bars) it almost makes it look like they are caging something inside. Something that's desperate to come out as I don't think it's a coincidence that the photos which catch your eye the most and which are placed above the white/pink ribbons are the ones in which Nancy's wearing blue. In one of them she even almost looks like a boy.

I also want to give some attention to the photo in to left corner. It's showing us young Barb dressed as a clown and young Nancy dressed like a bunny. There are many characters in the series associated with bunnies. Holly for example, little Janes room in Terrys house has lots of bunny imagery or later on Henry Creel. Jonathan too but for him this is a bad memory as he was forced to kill a rabbit by his father on his 10th birthday. Nancy in this case is not just associated with bunnies. She literally is one although that seems to be a thing from the past. In S4 when her mother shows her Mr. Rabbit one of her old plushies she decides against keeping it as he will be loved more in another home.

Oh and of cause, she does seem to think the blue and yellow should get together. I know what ya'll are thinking but I don't think this is about byler only. More likely is that it is meant in a broader manner such as both ends of the spectrum should come together.

I've already marked this in the picture above but I do find the saying interesting. From what we can see here it reads “You are part of the problem” but that's not what it says in it's entirety. It is really hard to see but I think in it's entirety it reads “If you are not part of the solution, you are part of the problem” That of cause raises the question, what solution for what problem exactly?

This one is eerie. As my screenshot is not the best please look at this post from bobokhan. What we see here is a cake which reads “Happy birthday Virgina We love you” at least as far as I can tell. This of cause is reminiscent of another person called Virgina who we've only seen much later in the fourth season. If and what these two have in common I do not know.

Tentative Conclusions

It is interesting to see that Nancy seems to surrounded by cat imagery. None of these seem to be a fully grown though, if you don't count the more abstract one which I won't since this is also in instance of a cat that is not a full image of one. What I think this means is that there is a potential there for Nancy to either become one or acquire some cat characteristics. This however has not yet come to pass (from a standpoint of season 1) although it may come to pass later. At this point in time she is a “Nemo” (Nobody.) A bit of a blank slate in this regard.

Furthermore there is the imagery of the blue and pink pillows on the bed as well as the white and pink ribbons on the pin board. I think these images refer mostly to sexuality and gender. Like the pink and white ribbons are reminiscent of (prison) bars trying to hold back a more masculine version or attitude behind them. Although this prison of femininity (white and pink) is not fully capable of holding it back. In regards to the pillows I still think it may depict Nancy being straight but as she is more associated with blue she is the one that blue pillow represents which in turn means she does have more dominant tendencies as the blue pillow is slightly in the front.

Last but not least there is the lullaby in the music box which in reference to Nancy alone does not make a whole lot of sense. This imagery does not reflect her at all. However it is still important as we see El listening to it for bit while seeming to get a bit distressed as if the song were about to trigger a memory but then doesn't. It's almost like it still means something to her which she is not comfortable with.

Interestingly enough at the end of season 4 we see El in the exact colors which are seemingly holding Nancy back here. El's wearing a white shirt with a pink border on the sleeves. Apparently these colors are not a prison to El. Instead she seems to embrace them.

#stranger things #stranger things theory #Nancy Wheeler #my meta #it's most likely not new to you #but i still wanted to make this post #if you only care about nancy you can stop reading here #however some of these things in here make much more sense #when seen in relation to another character #you can read my follow up post for this #Youtube

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fahrni · 1 year ago

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The Musk Files - Down the Rabbit Hole

The latest bad press for Space Karen and his mismanagement of Twitter.

To think Reddit CEO Steve Huffman thinks Musk has done a great job running Twitter with less is shocking.

I’m not sure how anyone labels this guy a genius. He’s a huckster, racist, masochist, and anti-Semite among other things.

If you still believe in him dig deep and ask why you believe that. The answer should scare you or at least make you think about your values as a human being.

Enjoy the links.

Daring Fireball

There are some moments in this video interview that are just cringe-inducing. Even just the awkward pauses. (Faber, to my mind, did a hell of a job — Musk is obviously a very difficult person to interview.) I’m starting to get real Bobby Fischer vibes from Musk — a genius, yes, but descending into conspirational hateful madness. But Fischer became a recluse; Musk is one of the most prominent people in the world.

Vox

In the past five days, Musk has doubled down on a conspiracy theory about the Allen, Texas, shooter; tweeted that billionaire philanthropist George Soros (who has long been the target of antisemitic conspiracy theories online) wants to “erode the very fabric of civilization” and “hates humanity;” and promoted a quickly debunked rumor that falsely claimed Washington Post journalist Taylor Lorenz was related to the founder of the Internet Archive.

The Atlantic

Twitter has long been described, even by its most ardent users, as a hellsite. But under Elon Musk, Twitter has evolved into a platform that is indistinguishable from the wastelands of alternative social-media sites such as Truth Social and Parler. It is now a right-wing social network.

France 24

Researchers have documented an explosion of hate and misinformation on Twitter since the Tesla billionaire took over in October 2022 – and now experts say communicating about climate science on the social network on which many of them rely is getting harder.

Platformer

Their high-profile event on Twitter Spaces, where DeSantis had just announced his run for president, had been plagued by technical glitches. The first audio livestream cut out before DeSantis could get his news out.

Daily Kos

Billionaire conspiracy promoter Elon Musk spent $44 billion on Twitter to implement his special brand of “free speech,” essentially bringing back all the Nazis, conspiracy theorists, and all-around deplorables that were once moderated out of the platform, relegated to darker corners of the internet.

The Daily Beast

Twitter is failing to remove 99 percent of hate speech posted by Twitter Blue users, new research has found, and instead may be boosting paid accounts that spew racism and homophobia.

Ben & Jerry’s

We’ve watched with great concern the developments at Twitter following Elon Musk’s purchase of the social media platform. Hate speech is up dramatically while content moderation has become all but non-existent. In addition to the changes on the platform that have led to an increase in hate speech, Musk himself has doubled down on dangerous anti-democratic lies and white nationalist hate speech. The platform has become a threatening and even dangerous space for people from so many backgrounds, including people who are Black, Brown, trans, gay, women, people with disabilities, Jewish, Muslim and the list goes on. This is unconscionable in addition to being plain bad business.

Erin Reed

As Pride Month began, Elon Musk stated his intention to lobby for the criminalization of gender-affirming healthcare for transgender minors - a move that is unequivocally harmful and contradicts all major medical organizations in the United States and standards of care.

Ars Technica

Twitter’s US advertising revenue plunged 59 percent year-over-year during a recent five-week period, The New York Times reported today. The firm’s US ad “revenue for the five weeks from April 1 to the first week of May was $88 million, down 59 percent from a year earlier, according to an internal presentation obtained by The New York Times.”

The Business Journals

Judge orders sheriff to evict Twitter from Boulder office

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heavenboy09 · 2 years ago

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Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To A Very Lovely & Radiant Redheaded Actress👩‍🦰 Of TV 📺 & Movies 🎥

She is an American actress. She made her feature film debut in the independent comedy-drama film The Brothers McMullen (1995), and the following year, she was cast as Nikki Faber on the ABC sitcom Spin City. She later starred in the short-lived sitcoms The Fighting Fitzgeralds (2001) and Lost at Home (2003), and appeared in several films, most notably the sports drama film Friday Night Lights (2004) and the thriller film The Last Winter (2006).

She starred as Tami Taylor on the NBC/DirecTV drama series Friday Night Lights from 2006 to 2011. For this role, she received positive reviews from critics and was nominated for two Emmy Awards for Outstanding Lead Actress in a Drama Series.

She starred as country singer Rayna Jaymes in the ABC/CMT musical drama series Nashville from 2012 to 2018, for which she was nominated for another Emmy Award for Outstanding Lead Actress in a Drama Series and a Golden Globe Award for Best Actress – Television Series Drama.

In 2016, She had a recurring role as socialite Faye Resnick in the first season of FX true crime anthology series American Crime Story. In 2018, she starred as Abby Clark in the Fox procedural drama series 9-1-1 as a main role in the first season and a guest in the third season, and received a Golden Globe Award nomination for Best Actress – Miniseries or Television Film for her performance as Debra Newell in the Bravo true crime anthology series Dirty John. In 2021, She starred in the HBO satire comedy-drama series The White Lotus alongside Jennifer Coolidge and Steve Zahn, for which she was nominated for an Emmy Award for Outstanding Supporting Actress in a Limited or Anthology Series or Movie.

Please Wish This Outstanding Redheaded 👩‍🦰 Actress A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊

The 1 & Only

Ms. Constance Elaine Britton 👩‍🦰 aka Connie Britton

#Connie Britton #Spotify

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adamwatchesmovies · 2 years ago

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Wedding Crashers (2005)

Wedding Crashers shouldn’t work, particularly all these years later when society’s attitudes have changed so much… but it does. This is a problematic film for many reasons but when a comedy makes you laugh hard, all those issues don't seem nearly as important.

John Beckwith (Owen Wilson) and Jeremy Grey (Vince Vaughn) have a hobby: “crashing” wedding parties. Passing themselves off as distant relatives, they go in, make the grandparents laugh, entertain the kids with balloon animals, deliver heartwarming toasts and wind up in bed with a new woman every time. When John falls for Claire (Rachel McAdams), he insists he and his bud accept her father’s invitation to visit for the weekend. Jeremy accepts but this means confronting Claire’s obsessive sister Gloria (Isla Fisher).

Our protagonists are a couple of bros who go to weddings and lie to women to get into their beds but there’s more to them than this shallow exterior. If all John and Jeremy wanted was sex, there would be easier ways to go about it. At their core, these friends love to party and excel at it. Although they are intruders, they make themselves fit in and people are glad to have them on their big day. Clearly, John and Claire have a connection. Too bad she’s already got a boyfriend (Bradley Cooper as Sack). Even if she didn’t, how is he going to get out of all those stories he’s fed her earlier? As for Jeremy, he’s bitten off more than he can chew with Gloria. If you're hung on the idea of them being creeps, consider that this film is all about them getting their comeuppance, growing up and seeing the error of their ways.

Wedding Crashers has all the elements of the R-Rated comedy genre it helped spring back to life. The jerk boyfriend whose relationship with the love interest seems impossible but is necessary for the plot to happen, for example. There’s more to a movie than whether or not it reinvents the wheel. In a comedy, the most important thing is how funny it is, and this film is full of laughs. Owen Wilson and Vince Vaughn play off each other so well you swear they’ve been doing it for years. When this adventure begins to drive a wedge between them, you care. Isla Fisher is equally funny, in a no-holds-barred-she’d-be-scary-if-she-weren’t-so-hot kinda way. She and Vaughn have many great moments together, as do Rachel McAdams and Wilson. The chemistry between our romantic leads is there (demented as it may be sometimes), which ensures a coating of sweetness above the many raunchy moments.

That said, several scenes have not aged well. In fact, even the premise hasn't held up. The predatory gay stereotype played by Keir O'Donnell is deeply uncomfortable. At one point, Jeremy is raped by the woman he will eventually fall in love with, which is a pretty big "yikes!". Even with all of the scenes proving John and Jeremy love weddings... you would never see this film made today, for good reason. In a way, the memorable scenes give this great re-watch value or maybe this is the kind of film that's best left in the past.

I admire Wedding Crashers for going all the way with its characters (check out Claire's foul-mouthed grandma, played by Ellen Albertini Dow) and for successfully juggling its different tones. Maybe Wedding Crashers is the kind of movie you secretly like. Don't worry, I won't tell anyone. (On DVD, November 26, 2017)