#stephanie berger

[dance-world]

Edvin Revazov and Tadzio and Lloyd Riggins as Gustav von Aschenbach - Hamburg Ballet’s production of Death in Venice - photo by Stephanie Berger

[kermodefan94-blog]

Kung Fu Panda 4. Movie Review.

In a way, this author doesn’t feel the best person equipped to talk about the drop in quality of the titular franchise here with this entirely unnecessary 4th instalment. Having seen every DreamWorks   Animation theatrical release’s first run for the last 20 years it’s not that the original Kung Fu Panda trilogy is awful. They are perfectly fine but don’t extend a great deal beyond that. It came…

[randomrichards]

KUNG FU PANDA 4:

Po teams with a thief

To take down Chameleon

With help from some crooks

[pixnflixnwrites]

Sonny Rollins by Stephanie Berger

[awardseason]

2023 Oscars — Nominees

Best Picture “All Quiet on the Western Front” “Avatar: The Way of Water” “The Banshees of Inisherin” “Elvis” “Everything Everywhere All at Once” “The Fabelmans” “TÁR” “Top Gun: Maverick” “Triangle of Sadness” “Women Talking”

Best Director Martin McDonagh (“The Banshees of Inisherin”) Dan Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) Steven Spielberg (“The Fabelmans”) Todd Field (“TÁR”) Ruben Östlund (“Triangle of Sadness”)

Best Actress Cate Blanchett (“TÁR”) Ana de Armas (“Blonde”) Andrea Riseborough (“To Leslie”) Michelle Williams (“The Fabelmans”) Michelle Yeoh (“Everything Everywhere All at Once”)

Best Actor Austin Butler (“Elvis”) Colin Farrell (“The Banshees of Inisherin”) Brendan Fraser (“The Whale”) Paul Mescal (“Aftersun”) Bill Nighy (“Living”)

Best Supporting Actress Angela Bassett (“Black Panther: Wakanda Forever”) Hong Chau (“The Whale”) Kerry Condon (“The Banshees of Inisherin”) Stephanie Hsu (“Everything Everywhere All at Once”) Jamie Lee Curtis (“Everything Everywhere All at Once”)

Best Supporting Actor Brendan Gleeson (“The Banshees of Inisherin”) Brian Tyree Henry (“Causeway”) Judd Hirsch (“The Fabelmans”) Barry Keoghan (“The Banshees of Inisherin”) Ke Huy Quan (“Everything Everywhere All at Once”)

Best International Feature Film “All Quiet on the Western Front” (Edward Berger, Germany) “Argentina, 1985” (Santiago Mitre, Argentina) “Close” (Lukas Dhont, Belgium) “EO” (Poland) “The Quiet Girl” (Ireland)

Best Adapted Screenplay Edward Berger, Ian Stokell, and Lesley Paterson (“All Quiet on the Western Front”) Rian Johnson (“Glass Onion: A Knives Out Mystery”) Kazuo Ishiguro (“Living”) Ehren Kruger, Christopher McQuarrie, and Eric Warren Singer (“Top Gun: Maverick”) Sarah Polley (“Women Talking”)

Best Original Screenplay Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) Todd Field (“TÁR”) Tony Kushner and Steven Spielberg (“The Fabelmans”) Martin McDonagh (“The Banshees of Inisherin”) Ruben Östlund (“Triangle of Sadness”)

Best Animated Feature “Guillermo del Toro’s Pinocchio” (ShadowMachine/Netflix) “Marcel the Shell with Shoes On” (A24) “Turning Red” (Pixar/Disney) “Puss in Boots: The Last Wish” (DreamWorks/Universal) “The Sea Beast” (Netflix)

Best Cinematography James Friend (“All Quiet on the Western Front”) Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”) Mandy Walker (“Elvis”) Roger Deakins (“Empire of Light”) Florian Hoffmeister (“Tár”)

Best Visual Effects “Avatar: The Way of Water” (20th Century/Disney) “All Quiet on the Western Front” (Netflix) “The Batman” (Warner Bros.) “Black Panther: Wakanda Forever” (Disney/Marvel) “Top Gun: Maverick” (Paramount)

Best Editing “Elvis” (Warner Bros.) “Everything Everywhere All at Once” (A24) “Top Gun: Maverick” (Paramount) “TÁR” (Focus Features) “The Banshees of Inisherin” (Searchlight Pictures)

Best Production Design “Avatar: The Way of Water” (20th Century Studios/Disney) “All Quiet on the Western Front” (Netflix) “Babylon” (Paramount) “Elvis” (Warner Bros.) “The Fabelmans” (Universal)

Best Makeup and Hairstyling “Elvis” (Warner Bros.) “The Batman” (Warner Bros.) “Black Panther: Wakanda Forever” (Marvel/Disney) “All Quiet on the Western Front” (Netflix) “The Whale” (A24)

Best Costume Design “Elvis” (Warner Bros.) “Black Panther: Wakanda Forever” (Marvel/Disney) “Everything Everywhere All at Once” (A24) “Babylon” (Paramount) “Mrs. Harris Goes to Paris” (Focus Features)

Best Sound “Top Gun: Maverick” (Paramount) “Elvis” (Warner Bros.) “Avatar: The Way of Water” (20th Century/Disney) “All Quiet on the Western Front” (Netflix) “The Batman” (Warner Bros.)

Best Original Song “Hold My Hand” — Lady Gaga (“Top Gun: Maverick”) “Lift Me Up”— Rihanna (“Black Panther: Wakanda Forever”) “Naatu Naatu”— Kaala Bhairava, M.M. Keeravani, and Rahul Sipligunj (“RRR”) “Applause”— Diane Warren (“Tell It Like a Woman”) “This Is a Life”— David Byrne, Ryan Lott, and Mitski (“Everything Everywhere All at Once”)

Best Original Score Justin Hurwitz (“Babylon”) John Williams (“The Fabelmans”) Volker Bertelmann (“All Quiet on the Western Front”) Carter Burwell (“The Banshees of Inisherin”) Son Lux (“Everything Everywhere All at Once”)

Best Documentary Feature “All That Breathes” “All the Beauty and the Bloodshed” “Fire of Love” “A House Made of Splinters” “Navalny”

Best Documentary Short Subject “The Elephant Whisperers” “Haulout” “How Do You Measure a Year?” “The Martha Mitchell Effect” “Stranger at the Gate”

Best Live Action Short “An Irish Goodbye” “Ivalu” “Le Pupille” “Night Ride” “The Red Suitcase”

Best Animated Short “The Flying Sailor” “The Boy, the Mole, the Fox and the Horse” “Ice Merchants” “My Year of Dicks” “An Ostrich Told Me the World Is Fake and I Think I Believe It”

[miss-m-calling]

Dancers of the Tanztheater Wuppertal in Pina Bausch’s The Rite of Spring

Performed at the Brooklyn Academy of Music in 2017

Photos by Stephanie Berger

[citizenscreen]

Wit and wisdom x 3.

Carrie Fisher, Mike Nichols, and Nora Ephron at the 1999 Chaplin Award Gala. Photo by Stephanie Berger.

[richmond-rex]

The scrolling branches holding the main royal arms of [Henry VII and Elizabeth of York]'s marriage bed are echoed around the sides and ends of the lid of the couple’s tomb; they lie as on another bed with remembrances of their first, but this time with Renaissance cherubs to guard them.

One effect of this doubling of wedded bodies was to lengthen the duration of the marriage vows: what once expired at death now continued in the afterlife (...) Though it was common for a funerary monument to function as a memento mori, seldom had the imagined dialogue between the living and the dead been imbued with this degree of spousal intimacy.

Royal double tombs as a reflection of the royal body in which the body politic and natural body are mixed to forge royal power ��whereby the emotional texture of the relationship between king and queen becomes a means to persuade their subjects of their superhuman authority’ (...) In short, spousal love becomes part of the definition of monarchical identity and power.

“We will, that for the said sepulture of us and our dearest late wife the Queen, whose soul God pardon, be made a tomb of stone called touche, sufficient in largeur for us both. And upon the same, one image of our figure, and another of hers, either of them of copper and gilt, of such fashion, and in such manner, as shall be thought most convenient.”

A CLOSED DEATH OF THE SHARED GRAVE |

Pietro Torrigiano — Tomb of Henry VII and Elizabeth of York / Ezra Pound — The River-Merchant’s Wife: A Letter / Franz Kafka — The Castle / Stephanie Brooke — Imagery, Iconography and Heraldry; The Marriage Bed of Henry VII & Elizabeth of York: Dynasty, Design & Descent / Bastille — Remains / Donna L. Sadler — Stone Fidelity: Marriage and Emotion in Medieval Tomb Sculpture (review) / John Berger — And Our Faces, My Heart, Brief as Photos / Laura Gilpin — Selected Poems / Henry VII — The Last Will of Henry VII

[eggtrolls]

There’s a post with this screenshot going around and a few people have rb’d it with “recommendations” but uh. Looking over the titles and the provided descriptions it’s pretty clear that almost none of these are actually on topic. One comment that ran for several paragraphs was about Al Shabaab in Somalia, a bunch more about the U.S.-based Symbionese Army, another about the Tamil Tigers, and then after this, the recommendations descended into ‘women writing anything ever about terrorism, including the KKK’, eventually devolved books about women doing terrorism written by men at which point I started to download a copy of The Anarchist Cookbook

Look at me. Take my hands. Do you realize you’re proving the original tweeter’s point to some extent? “I can’t find books by female authors on this SPECIFIC topic I’m interested in” and then you affirm that this is true by….not providing books by female authors on that specific topic(!!!) but with the air of someone who has successfully completed the assignment. Stop! No! Go directly to jail and do not collect 200 dollars!

It’s besides the point but here are actual book recommendations by actual female authors on actual West African jihadist groups: Boko Haram: Nigeria’s Islamist Insurgency by Virginia Comolli; Women and the War on Boko Haram by Hillary Matfess; A Geography of Jihad by Stephanie Zehnle; Their War Against Education by Lauren Seibert; By Day We Fear the Army, By Night the Jihadists by Corinne Dufka; The Silent Threat by Flore Berger

[jgroffdaily]

Behind the scenes of the Tony Awards rehearsal

© Stephanie Berger

[gatheringbones]

[“Conflicted feelings about both love and the “opposite sex” were built in to the liberal division of labor by gender. Jean-Jacques Rousseau, for example, one of the first philosophers to sentimentalize both individual self-reliance and female dependency, was radically ambivalent about love. While love derived its intensity from individualism, it also created a dependency that undermined individualism. The male lover tries to find a partner who represents the highest embodiment of female virtue and beauty. To be worthy of her, he must meet the highest ideals of male virtue and beauty. The paradox is this: What makes each individual unique in the other’s eyes is that each represents the best of a stereotype; what makes love complete is when each lover most fully conforms to the proper gender role.

As Berger puts it, the lover searches “for one single person to represent all that he is not, to confront him as his other half and his opposite” and thus to “make the world complete for him.” But he must also make the world complete for her by being all that she is not. In consequence, philosopher Elizabeth Rapaport explains: The lover is dependent, entirely, terribly dependent on his beloved for something he needs, the reciprocity of his love . . . [but] He will only be loved if she finds him pre-eminent. He must present himself in the guise in which she would see her beloved. This leads to a false presentation of the self and the chronic fear of exposure and loss of love.

Women, of course, face the same problem: The more successfully they attract a lover to their ideal gender qualities, the more they must suppress those aspects of their personality that do not fit the ideal. Each person loses his or her own half in the process of attracting “the other half.”

In the world of separate spheres, both men and women need love, but they seek and experience it very differently. For men who subscribe to the values of bourgeois individualism, love introduces an uncomfortable contradiction into their personal sense of autonomy and rationality. It is “a mysterious and irrational force irreconcilable with their otherwise highly rational, respectable existence.” Men tend to see love as not susceptible of conscious or rational control, as a force that hits with little warning and may pass just as suddenly—somewhat like a summer storm. (Indeed, it would be difficult to understand how men could make a rational decision to fall in love with a person who embodies all the traits that men are taught to hold in contempt in every other sphere of their lives.) While some men are captivated by this one socially acceptable chance to abandon rationality and calculation, and therefore fall in love over and over again,for most men the ideal is to get out of the storm, to resolve the uncertainty, to be able to stop doing this foreign, threatening, and above all distracting emotional work.

For women who accept their role in the liberal division of labor, however, love is both a rational choice and a pursuit that requires conscious, calculating behavior. Maleness represents a world of achievement, autonomy, and effectiveness. It is highly desirable to gain access to someone who represents that world, but it is also dangerous, because there is always the chance that a man will treat a woman the way he treats the rest of the world, as a prize to conquer and then leave behind. The woman must control her own emotional storms, harnessing both her own and her lover’s feelings to achieve definite ends.”]

stephanie coontz, from the way we never were: american families and the nostalgia trap, 1993

[dance-world]

Damiano Ottavio Bigi, Rainer Dahl, and Morena Nascimento in Pina Bausch’s …como el musguito en la piedra, ay si, si, si… - photo by Stephanie Berger

[clementinecompendium]

Book List: Aesthetics, Neuroaesthetics, & Philosophy of Art

Why Science Needs Art: From Historical to Modern Day Perspectives 1st Edition by Richard Roche (Author), Sean Commins (Author), Francesca Farina (Author)

Feeling Beauty: The Neuroscience of Aesthetic Experience by G. Gabrielle Starr (Author)

An Introduction to Neuroaesthetics: The Neuroscientific Approach to Aesthetic Experience, Artistic Creativity and Arts Appreciation 1st Edition by Jon O. Lauring (Editor)

Brain, Beauty, and Art: Essays Bringing Neuroaesthetics into Focus by Anjan Chatterjee (Editor), Eileen Cardilo (Editor)

Philosophy of Art: A Contemporary Introduction (Routledge Contemporary Introductions to Philosophy) by Noël Carroll (Author)

Philosophy of the Arts: An Introduction to Aesthetics 3rd Edition, by Gordon Graham (Author)

The Oxford Handbook of Aesthetics (Oxford Handbooks) Revised ed. Edition by Jerrold Levinson (Editor)

Aesthetics and the Philosophy of Art: The Analytic Tradition, An Anthology (Blackwell Philosophy Anthologies) 2nd Edition, by Peter Lamarque (Editor), Stein Haugom Olsen (Editor)

What Art Is by Arthur C. Danto (Author)

After the End of Art: Contemporary Art and the Pale of History - Updated Edition (Princeton Classics Book 10) by Arthur C. Danto (Author), Lydia Goehr (Foreword)

Ways of Seeing: Based on the BBC Television Series (Penguin Books for Art) by John Berger (Author)

Art and Its Significance: An Anthology of Aesthetic Theory, Third Edition 3rd Revised ed. Edition, by Stephen David Ross (Editor)

But Is It Art?: An Introduction to Art Theory by Cynthia Freeland (Author)

The Art Question by Nigel Warburton (Author)

Arguing About Art: Contemporary Philosophical Debates (Arguing About Philosophy) 3rd Edition by Alex Neill (Editor), Aaron Ridley (Editor)

Art Theory: A Very Short Introduction (Very Short Introductions) by Cynthia Freeland (Author)

Aesthetics: A Very Short Introduction (Very Short Introductions) Illustrated Edition, by Bence Nanay (Author)

The Cambridge Handbook of the Psychology of Aesthetics and the Arts (Cambridge Handbooks in Psychology) by Pablo P. L. Tinio (Editor), Jeffrey K. Smith (Editor)

Aesthetics: A Comprehensive Anthology (Blackwell Philosophy Anthologies) 2nd Edition, by Steven M. Cahn (Editor), Stephanie Ross (Editor), Sandra L. Shapshay (Editor)

Philosophies of Art and Beauty: Selected Readings in Aesthetics from Plato to Heidegger by Albert Hofstadter (Author, Editor), Richard Kuhns (Author, Editor)

Art, Aesthetics, and the Brain Illustrated Edition, by Joseph P. Huston (Editor), Marcos Nadal (Editor), Francisco Mora (Editor), Luigi F. Agnati (Editor), Camilo José Cela Conde (Editor)

[atotaltaitaitale]

.

Simon Berger Reverberation Solo Exhibition at Atelier Richelieu.

During Paris Photo week, just like Paris Fashion week, the city is filled with art exhibitions.

I was so thrilled to finally see Simon Berger art in situ. I found him thru social media in 2020 because he had done a piece in Grenoble and I loved his work. He reminded me of another of my all time favorite artist, Vhils. One breaks glass with a hammer, the other one carves concrete with a jackhammer.

What I like about this exhibitions around town, on top of seeing art, is that I get to find amazing buildings too. Atelier Richelieu was such a great place full of light to showcase those pieces.

Also a special note to Benjamin and Stephanie from Agence DS who were a delight to talk to. Telling us for example that Simon Berger started by accident when his windshield broke in 2019 (so not long before I found out about his art) and he started to experiment. We talked about different artists (they also represent Vhils); art scene can be overwhelming and quite snobbish sometimes but I had the best time there both times.

On a side note it was also bring your hubby to art exhibition weekend (I had to go back and show him) 😂

Simon Berger website here

[awardseason]

Oscars 2023 — Winners

Best Picture “All Quiet on the Western Front” “Avatar: The Way of Water” “The Banshees of Inisherin” “Elvis” “Everything Everywhere All at Once” — WINNER “The Fabelmans” “TÁR” “Top Gun: Maverick” “Triangle of Sadness” “Women Talking”

Best Director Martin McDonagh (“The Banshees of Inisherin”) Dan Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) — WINNER Steven Spielberg (“The Fabelmans”) Todd Field (“TÁR”) Ruben Östlund (“Triangle of Sadness”)

Best Actress Cate Blanchett (“TÁR”) Ana de Armas (“Blonde”) Andrea Riseborough (“To Leslie”) Michelle Williams (“The Fabelmans”) Michelle Yeoh (“Everything Everywhere All at Once”) — WINNER

Best Actor Austin Butler (“Elvis”) Colin Farrell (“The Banshees of Inisherin”) Brendan Fraser (“The Whale”) — WINNER Paul Mescal (“Aftersun”) Bill Nighy (“Living”)

Best Supporting Actress Angela Bassett (“Black Panther: Wakanda Forever”) Hong Chau (“The Whale”) Kerry Condon (“The Banshees of Inisherin”) Stephanie Hsu (“Everything Everywhere All at Once”) Jamie Lee Curtis (“Everything Everywhere All at Once”) — WINNER

Best Supporting Actor Brendan Gleeson (“The Banshees of Inisherin”) Brian Tyree Henry (“Causeway”) Judd Hirsch (“The Fabelmans”) Barry Keoghan (“The Banshees of Inisherin”) Ke Huy Quan (“Everything Everywhere All at Once”) — WINNER

Best International Feature Film “All Quiet on the Western Front” (Edward Berger, Germany) — WINNER “Argentina, 1985” (Santiago Mitre, Argentina) “Close” (Lukas Dhont, Belgium) “EO” (Poland) “The Quiet Girl” (Ireland)

Best Adapted Screenplay Edward Berger, Ian Stokell, and Lesley Paterson (“All Quiet on the Western Front”) Rian Johnson (“Glass Onion: A Knives Out Mystery”) Kazuo Ishiguro (“Living”) Ehren Kruger, Christopher McQuarrie, and Eric Warren Singer (“Top Gun: Maverick”) Sarah Polley (“Women Talking”) — WINNER

Best Original Screenplay Daniel Kwan and Daniel Scheinert (“Everything Everywhere All at Once”) — WINNER Todd Field (“TÁR”) Tony Kushner and Steven Spielberg (“The Fabelmans”) Martin McDonagh (“The Banshees of Inisherin”) Ruben Östlund (“Triangle of Sadness”)

Best Animated Feature “Guillermo del Toro’s Pinocchio” — WINNER “Marcel the Shell with Shoes On”  “Turning Red”  “Puss in Boots: The Last Wish”  “The Sea Beast” 

Best Cinematography James Friend (“All Quiet on the Western Front”) — WINNER Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”) Mandy Walker (“Elvis”) Roger Deakins (“Empire of Light”) Florian Hoffmeister (“Tár”)

Best Visual Effects “Avatar: The Way of Water” — WINNER “All Quiet on the Western Front” “The Batman” “Black Panther: Wakanda Forever” “Top Gun: Maverick”

Best Editing “Elvis”  “Everything Everywhere All at Once”— WINNER “Top Gun: Maverick”  “TÁR”  “The Banshees of Inisherin”

Best Production Design “Avatar: The Way of Water” “All Quiet on the Western Front” — WINNER “Babylon”  “Elvis” “The Fabelmans”

Best Makeup and Hairstyling “Elvis”  “The Batman”  “Black Panther: Wakanda Forever”  “All Quiet on the Western Front” “The Whale” — WINNER

Best Costume Design “Elvis” “Black Panther: Wakanda Forever” (Ruth E. Carter) — WINNER “Everything Everywhere All at Once”  “Babylon”  “Mrs. Harris Goes to Paris”

Best Sound “Top Gun: Maverick” — WINNER “Elvis”  “Avatar: The Way of Water”  “All Quiet on the Western Front”  “The Batman”

Best Original Song “Hold My Hand” — Lady Gaga (“Top Gun: Maverick”) “Lift Me Up”— Rihanna (“Black Panther: Wakanda Forever”) “Naatu Naatu”— Kaala Bhairava, M.M. Keeravani, and Rahul Sipligunj (“RRR”) — WINNER “Applause”— Diane Warren (“Tell It Like a Woman”) “This Is a Life”— David Byrne, Ryan Lott, and Mitski (“Everything Everywhere All at Once”)

Best Original Score Justin Hurwitz (“Babylon”) John Williams (“The Fabelmans”) Volker Bertelmann (“All Quiet on the Western Front”) — WINNER Carter Burwell (“The Banshees of Inisherin”) Son Lux (“Everything Everywhere All at Once”)

Best Documentary Feature “All That Breathes” “All the Beauty and the Bloodshed” “Fire of Love” “A House Made of Splinters” “Navalny” — WINNER

Best Documentary Short Subject “The Elephant Whisperers” — WINNER “Haulout” “How Do You Measure a Year?” “The Martha Mitchell Effect” “Stranger at the Gate”

Best Live Action Short “An Irish Goodbye” — WINNER “Ivalu” “Le Pupille” “Night Ride” “The Red Suitcase”

Best Animated Short “The Flying Sailor” “The Boy, the Mole, the Fox and the Horse” — WINNER “Ice Merchants” “My Year of Dicks” “An Ostrich Told Me the World Is Fake and I Think I Believe It”

[autistpride]

How many of these famous autists do you recognize? And this isn't even a complete list!

So many amazing wonderful people are autistic. I will never understand why people hate us so much.

Actors/actresses/entertainment:

Chloe Hayden

Talia Grant

Rachel Barcellona

Sir Anthony Hopkins

Dan Akroyd

David Byrne

Darryl Hannah

Courtney Love

Jerry Seinfeld

Roseanne Barr

Jennifer Cook

Chuggaaconroy

Stephanie Davis

Rick Glassman

Paula Hamilton

Dan Harmon

Paige Layle

Matthew Labyorteaux

Wentworth Miller

Desi Napoles

Freddie Odom Jr

Kim Peek

Sue Ann Pien

Henry Rodriguez

Scott Steindorff

Ian Terry

Tara Palmer -Tomkinson

Albert Rutecki

Billy West

Alexis Wineman- Miss America contestant

Athletes:

Jessica- Jane Applegate

Michael Brannigan

David Campion

Brenna Clark

Ulysse Delsaux

Tommy Dis Brisay

Jim Eisenreich

Todd Hodgetts

John Howard

Anthony Ianni

Lisa Llorens

Clay Matzo

Frankie Macdonald

Jason McElwain

Chris Morgan

Max Park

Cody Ware

Amani Williams

Samuel Von Einem

Musicians:

Susan Boyle

Elizabeth Ibby Grace

David Byrne

Johnny Dean

Tony DeBlois

Christopher Dufley

Jody Dipiazza

Pertti Kurikka

James Jagow

Ladyhawke

Kodi Lee

Left at London

Red Lewis Clark

Abz Love

Thristan Mendoza

Heidi Mortenson

Hikari Oe

Matt Savage

Graham Sierota

SpaceGhostPurp

Mark Tinley

Donald Triplett

Aleksander Vinter

Comedians:

Hannah Gatsby

Robert White

Bethany Black

Scientists/inventors/mathematians/Researchers:

Damian Milton

Bram Cohen

Michelle Dawson

Carl Sagan

Writers:

Neil Gaimen

Mel Bags

Kage Baker

Amy Swequenza

M. Remi Yergeau

Sean Barron

Lydia X Z Brown

Matt Burning

Dani Bowman

Nicole Cliffe

Laura Kate Dale

Aoife Dooley

Corrine Duyvus

Marianne Eloise

Jory Flemming

Temple Grandin

John R Hall

Naomi Higashida

Helan Hoang

Liane Holliday Willey

Luke Jackson

Rosie King

Thomas A McKean

Johnathan Mitchell

Jack Monroe

Caiseal Mor

Morenike Giwa- Onaiwu

Jasmine O'Neill

Brant Page Hanson

Dawn Prince-Hughs

Sue Robin

Stephen Shore

Andreas Souvitos

Sarah Stup

Susanna Tamaro

Chuck Tingle

Donna Williams

Leaders:

Julia Bascom

Ari Ne'eman

Sarah Marie Acevedo

Sharon Davenport

Joshua Collins

Conner Cummings

Kevin Healy

Poom Jenson

Amy Knight

Jared O'Mara

David Nelson

Shaun Neumeier

Master Sgt. Shale Norwitz

Jim Sinclair

Judy Singer

Dr. Vernon Smith

Artists:

Miina Akkijjyrkka

Danny Beath

Deborah Berger

Larry John Bissonnette

Patrick Francis

Goby

Jorge Gutierrez

Lina Long

Johnathan Lerman

Julian Martin

Haley Moss

Morgan Harper Nichols

Tim Sharp

Gilles Tehin

Willem Van Genk

Richard Wawro

Poets:

David Eastham

Christopher Knowles

David Miedzianik

Henriette Seth F