#specifically for me but if you relate go ahead

[ddarker-dreams]

As someone who loves writing and is somehow weak at it , I have to ask for advice. You've a captivating way of words , with a certain rhythm to them that snap in a unified tempo (I tend to relate literature with music). But enough of my bickering, what helps you to be such a good writer ? Are there any authors that inspire your style of writing.Have you taken any classes, or are you just someone who started to write since they were little ? Especially because you're incredible at replicating the attitudes/personality of characters . Is there a process you follow ?

Those are so many questions in one 😭 but again, thank you for putting pretty words out into the world

(I leave you this constipated looking horse)

aaa thank you so much!!! 😭😭😭

reading this ask made my day … i’ll go ahead and split up my response so i can best address your questions!! 

writing history

i’ve been obsessed with stories for my entire life tbh. ever since i was a little lock, after finishing a movie/tv show/what have you, it’d linger with me past the end credits. i’d spend hours thinking up new scenarios for the characters based on the rules of their world. i made stories throughout my childhood but it wasn’t until i was about 11 that i began dabbling with fanfiction. i’ve been writing rather consistently since then. 

writing inspiration(s) 

i’d say that the horror genre has influenced me the most over any particular author. i’ve always been fascinated by the macabre. there’s no other genre that’s so consistently captured my attention across every iteration of media (movies, tv shows, video games, books, music, etc). the stories are oftentimes unsightly, disturbing, and raw in how they convey their themes, which leaves a lasting impact. 

getting more specific, the gothic subgenre has been a primary inspiration to me these past few years. some of my favorite elements in gothic literature are isolation, omens, heightened emotions, repression, oppression, decay, and tragedy, to name a few. i try to create this sense of something being ‘off’ to keep the reader engaged as the story unravels. i start with what i’d personally find interesting and build from there. all of my stories were born from simple concepts that evolve as i flesh them out. 

additionally, my writing is very character-driven. i’ve learned the most about this strand of storytelling from my favorite author, fyodor dostoevsky. i could rave about the techniques he utilizes, but the two i find most important are;

stream-of-consciousness type inner monologues

dialectic exchanges between characters with opposing beliefs

this also influences how i go about characterization. putting characters under stress is a useful way to highlight who they are at their core. everything branches off that, whether it be what they do or don't say, their body language, etc. i often like putting characters in situations that serve as a personal challenge. whether their beliefs hold up under scrutiny or they start to bend — there are a lot of interesting paths to take.

ultimately, characterization takes time and will vary depending on the story you're writing.

i hope that any of this is helpful GJWNMEKFNW thank you once again for the words of encouragement !!!!

[smileinyourface73]

[sonknuxadow]

friends is not an option because this poll is for team chaotix family enjoyers and i also refuse to believe they dont see eachother as family at all

[asgardian--angels]

Planet's Fucked: What Can You Do To Help? (Long Post)

Since nobody is talking about the existential threat to the climate and the environment a second Trump term/Republican government control will cause, which to me supersedes literally every other issue, I wanted to just say my two cents, and some things you can do to help. I am a conservation biologist, whose field was hit substantially by the first Trump presidency. I study wild bees, birds, and plants.

In case anyone forgot what he did last time, he gagged scientists' ability to talk about climate change, he tried zeroing budgets for agencies like the NOAA, he attempted to gut protections in the Endangered Species Act (mainly by redefining 'take' in a way that would allow corporations to destroy habitat of imperiled species with no ramifications), he tried to do the same for the Migratory Bird Treaty Act (the law that offers official protection for native non-game birds), he sought to expand oil and coal extraction from federal protected lands, he shrunk the size of multiple national preserves, HE PULLED US OUT OF THE PARIS CLIMATE AGREEMENT, and more.

We are at a crucial tipping point in being able to slow the pace of climate change, where we decide what emissions scenario we will operate at, with existential consequences for both the environment and people. We are also in the middle of the Sixth Mass Extinction, with the rate of species extinctions far surpassing background rates due completely to human actions. What we do now will determine the fate of the environment for hundreds or thousands of years - from our ability to grow key food crops (goodbye corn belt! I hated you anyway but), to the pressure on coastal communities that will face the brunt of sea level rise and intensifying extreme weather events, to desertification, ocean acidification, wildfires, melting permafrost (yay, outbreaks of deadly frozen viruses!), and a breaking down of ecosystems and ecosystem services due to continued habitat loss and species declines, especially insect declines. The fact that the environment is clearly a low priority issue despite the very real existential threat to so many people, is beyond my ability to understand. I do partly blame the public education system for offering no mandatory environmental science curriculum or any at all in most places. What it means is that it will take the support of everyone who does care to make any amount of difference in this steeply uphill battle.

There are not enough environmental scientists to solve these issues, not if public support is not on our side and the majority of the general public is either uninformed or actively hostile towards climate science (or any conservation science).

So what can you, my fellow Americans, do to help mitigate and minimize the inevitable damage that lay ahead?

I'm not going to tell you to recycle more or take shorter showers. I'll be honest, that stuff is a drop in the bucket. What does matter on the individual level is restoring and protecting habitat, reducing threats to at-risk species, reducing pesticide use, improving agricultural practices, and pushing for policy changes. Restoring CONNECTIVITY to our landscape - corridors of contiguous habitat - will make all the difference for wildlife to be able to survive a changing climate and continued human population expansion.

**Caveat that I work in the northeast with pollinators and birds so I cannot provide specific organizations for some topics, including climate change focused NGOs. Scientists on tumblr who specialize in other fields, please add your own recommended resources. **

We need two things: FUNDING and MANPOWER.

You may surprised to find that an insane amount of conservation work is carried out by volunteers. We don't ever have the funds to pay most of the people who want to help. If you really really care, consider going into a conservation-related field as a career. It's rewarding, passionate work.

At the national level, please support:

The Nature Conservancy

Xerces Society for Invertebrate Conservation

Cornell Lab of Ornithology (including eBird)

National Audubon Society

Federal Duck Stamps (you don't need to be a hunter to buy one!)

These first four work to acquire and restore critical habitat, change environmental policy, and educate the public. There is almost certainly a Nature Conservancy-owned property within driving distance of you. Xerces plays a very large role in pollinator conservation, including sustainable agriculture, native bee monitoring programs, and the Bee City/Bee Campus USA programs. The Lab of O is one of the world's leaders in bird research and conservation. Audubon focuses on bird conservation. You can get annual memberships to these organizations and receive cool swag and/or a subscription to their publications which are well worth it. You can also volunteer your time; we need thousands of volunteers to do everything from conducting wildlife surveys, invasive species removal, providing outreach programming, managing habitat/clearing trails, planting trees, you name it. Federal Duck Stamps are the major revenue for wetland conservation; hunters need to buy them to hunt waterfowl but anyone can get them to collect!

THERE ARE DEFINITELY MORE, but these are a start.

Additionally, any federal or local organizations that seek to provide support and relief to those affected by hurricanes, sea level rise, any form of coastal climate change...

At the regional level:

These are a list of topics that affect major regions of the United States. Since I do not work in most of these areas I don't feel confident recommending specific organizations, but please seek resources relating to these as they are likely major conservation issues near you.

PRAIRIE CONSERVATION & PRAIRIE POTHOLE WETLANDS

DRYING OF THE COLORADO RIVER (good overview video linked)

PROTECTION OF ESTUARIES AND SALTMARSH, ESPECIALLY IN THE DELAWARE BAY AND LONG ISLAND (and mangroves further south, everglades etc; this includes restoring LIVING SHORELINES instead of concrete storm walls; also check out the likely-soon extinction of saltmarsh sparrows)

UNDAMMING MAJOR RIVERS (not just the Colorado; restoring salmon runs, restoring historic floodplains)

NATIVE POLLINATOR DECLINES (NOT honeybees. for fuck's sake. honeybees are non-native domesticated animals. don't you DARE get honeybee hives to 'save the bees')

WILDLIFE ALONG THE SOUTHERN BORDER (support the Mission Butterfly Center!)

INVASIVE PLANT AND ANIMAL SPECIES (this is everywhere but the specifics will differ regionally, dear lord please help Hawaii)

LOSS OF WETLANDS NATIONWIDE (some states have lost over 90% of their wetlands, I'm looking at you California, Ohio, Illinois)

INDUSTRIAL AGRICULTURE, esp in the CORN BELT and CALIFORNIA - this is an issue much bigger than each of us, but we can work incrementally to promote sustainable practices and create habitat in farmland-dominated areas. Support small, local farms, especially those that use soil regenerative practices, no-till agriculture, no pesticides/Integrated Pest Management/no neonicotinoids/at least non-persistent pesticides. We need more farmers enrolling in NRCS programs to put farmland in temporary or permanent wetland easements, or to rent the land for a 30-year solar farm cycle. We've lost over 99% of our prairies to corn and soybeans. Let's not make it 100%.

INDIGENOUS LAND-BACK EFFORTS/INDIGENOUS LAND MANAGEMENT/TEK (adding this because there have been increasing efforts not just for reparations but to also allow indigenous communities to steward and manage lands either fully independently or alongside western science, and it would have great benefits for both people and the land; I know others on here could speak much more on this. Please platform indigenous voices)

HARMFUL ALGAL BLOOMS (get your neighbors to stop dumping fertilizers on their lawn next to lakes, reduce agricultural runoff)

OCEAN PLASTIC (it's not straws, it's mostly commercial fishing line/trawling equipment and microplastics)

A lot of these are interconnected. And of course not a complete list.

At the state and local level:

You probably have the most power to make change at the local level!

Support or volunteer at your local nature centers, local/state land conservancy non-profits (find out who owns&manages the preserves you like to hike at!), state fish & game dept/non-game program, local Audubon chapters (they do a LOT). Participate in a Christmas Bird Count!

Join local garden clubs, which install and maintain town plantings - encourage them to use NATIVE plants. Join a community garden!

Get your college campus or city/town certified in the Bee Campus USA/Bee City USA programs from the Xerces Society

Check out your state's official plant nursery, forest society, natural heritage program, anything that you could become a member of, get plants from, or volunteer at.

Volunteer to be part of your town's conservation commission, which makes decisions about land management and funding

Attend classes or volunteer with your land grant university's cooperative extension (including master gardener programs)

Literally any volunteer effort aimed at improving the local environment, whether that's picking up litter, pulling invasive plants, installing a local garden, planting trees in a city park, ANYTHING. make a positive change in your own sphere. learn the local issues affecting your nearby ecosystems. I guarantee some lake or river nearby is polluted

MAKE HABITAT IN YOUR COMMUNITY. Biggest thing you can do. Use plants native to your area in your yard or garden. Ditch your lawn. Don't use pesticides (including mosquito spraying, tick spraying, Roundup, etc). Don't use fertilizers that will run off into drinking water. Leave the leaves in your yard. Get your school/college to plant native gardens. Plant native trees (most trees planted in yards are not native). Remove invasive plants in your yard.

On this last point, HERE ARE EASY ONLINE RESOURCES TO FIND NATIVE PLANTS and LEARN ABOUT NATIVE GARDENING:

Xerces Society Pollinator Conservation Resource Center

Pollinator Pathway

Audubon Native Plant Finder

Homegrown National Park (and Doug Tallamy's other books)

National Wildlife Federation Native Plant Finder (clunky but somewhat helpful)

Heather Holm (for prairie/midwest/northeast)

MonarchGard w/ Benjamin Vogt (for prairie/midwest)

Native Plant Trust (northeast & mid-atlantic)

Grow Native Massachusetts (northeast)

Habitat Gardening in Central New York (northeast)

There are many more - I'm not familiar with resources for western states. Print books are your biggest friend. Happy to provide a list of those.

Lastly, you can help scientists monitor species using citizen science. Contribute to iNaturalist, eBird, Bumblebee Watch, or any number of more geographically or taxonomically targeted programs (for instance, our state has a butterfly census carried out by citizen volunteers).

In short? Get curious, get educated, get involved. Notice your local nature, find out how it's threatened, and find out who's working to protect it that you can help with. The health of the planet, including our resilience to climate change, is determined by small local efforts to maintain and restore habitat. That is how we survive this. When government funding won't come, when we're beat back at every turn trying to get policy changed, it comes down to each individual person creating a safe refuge for nature.

Thanks for reading this far. Please feel free to add your own credible resources and organizations.

[thydungeongal]

GMing doesn't have to be a chore and can in fact be extremely fun and rewarding but there are certain learned behaviors and attitudes that make things harder on the GM. Here are just a few tips on how to make the job easier on the GM which also may have the side effect of making the game more fun for everyone:

Everyone should make an effort to learn the rules. The rules are not there to make the game unfun and they are not a necessary evil, they are there to help carry the game so the group doesn't have to do all the work. And everyone taking part in learning the rules means the GM doesn't always have to be the one to remember how a rule works.

To that end, drop the "GM is the final word on the rules" attitude. This places the GM on a pedestal and can actually run counter to the idea of players learning the rules. If the GM has carte blanche to run over the rules it disincentivices players learning the rules because they can't actually rely on the text, and now you're right back to the GM having to carry the whole game. It is entirely okay for players to remind the GM how the rules should work and the group should agree on a method for dealing with rules disputes, and spot rulings should not rely on the GM making a unilateral decision but should rely on some kind of consensus.

Communicate your desires to the group and be willing to compromise; respect each other's prep. You may want a game that focuses on a long-form narrative but the GM wants to run an episodic series of largely unrelated singleton adventures. The GM is the one who is bringing the game, so ultimately be willing to compromise on your vision of the game and respect their prep. Ultimately, if the GM does not want to run the exact type of game you want and you can't see yourself having fun in the type of game they want to run, you will be doing everyone a favor by recusing yourself from the game.

Related to the above, communicating your desires should be an ongoing process. End each session by talking about what you want to do next and where you think the game should go. This will also make it easier for the GM to prep ahead.

This relates to learning the rules: pick a game that actually supports the type of game you want to run. Trust me, whatever time you think you will save by sticking to a game you already know you will make back by not having to fight the rules all the time and actually letting the rules take an active part in carrying the game.

You can literally just use prewritten adventures. Not every campaign or adventure needs to be custom-tailored for your specific group. Using prewritten adventures means that someone's already done a lot of the prep for you.

And finally, don't prep any more than you need to: there is this persistent myth that GMs need to have the entire campaign and world planned from the word go to begin with. While there is nothing wrong with expansive worldbuilding as such, you don't need to prep anything beyond what is strictly necessary. If you're running a wide open sandbox you can get by with a rough sketch of the world and only write things in as they become relevant. If you're running a megadungeon your players don't have to know that you've only prepared the first level for the first session, as long as you have a cohesive broad strokes plan that is perfectly fine. If you're running an episodic campaign, well, you don't need to have anything beyond the next episode prepped at a time, but of course having a rough plan can help.

Of course a lot of this is very opinionated and game specific: some games actively resist authoritative GM prep and want to involve each player equally in setting up the situation, and that's actually great, and in those types of games you should remember that the game is explicitly telling everyone to be involved in the prep. And once again, listen to what the rules have to say: they're there to tell you what the game wants you to do.

[eightmakesonebraincell]

ateez as pirates who fall for you (maknae line)

read hyung line here

genre: pirate!ateez x gn!reader (fem!reader for jongho), fluff, angst, continuation of the pirate trope brainrot (but i must say i went all out for the plots this time)

length: 14.4k

c/w: heavy and mature themes - mdni, explicit language (swearing), death, violence, blood & injuries, weapons, illegal acts (piracy, attempted murder), alcohol, near-drowning, angst bc i mean angst, specific c/w for mingi’s au: hurt/comfort, allusions to depression

a/n: i’m very sad i never got to use this joke somewhere so - why are pirates called pirates? because they just arrrr 🙈🙉🙊 also to those who like connecting dots and whatnot there are a few easter eggs related to hyung line 🥚 big thanks to yumi @sorryimananti-romantic for getting me through the last three months of trying to work and write bc it’s been a ship time ha ha 😬👍

taglist: at the end

san

pov: you run away with san and the cromer

through your waning breath, you reach a trembling hand up to cup san’s jaw

“s-san, don’t do it”

he lets out a racking sob as he shakes his head, expression marred with agony and torment that you can physically feel in his white-knuckled grasp that covers your own hand

the tears that drip off his jaw become lost to the ground, which is damp from moisture and your blood

you swallow the metallic taste in your mouth, “the cromer isn’t meant for changing fate.” it hurts to take a breath and you wince as you stutter. “it never goes th- the way you want it to…you know that by now”

san’s voice is broken and pained, “i don’t fucking care. it’s not going to stop me from trying”

he grips your hand even tighter when he starts to feel it fall away from his cheek

it’s becoming tiring to keep your eyes open

maybe you can rest…just for a little bit

san will forgive you, right?

you close your eyes

just for a little while

just until the pain stops

faintly, you think you can feel your body being jostled against something warm

but it’s far away

far away

far

san clutches your limp body as he lets out a primal wail of anguish

you cannot die

you will not die

he snatches the glowing hourglass and flips it with desperation screaming in every cell of his body

and then his world goes white.

you don’t notice when the footsteps behind you suddenly fall silent

you’re too busy reasoning with the captain, whose back you are facing as he walks ahead and leads your crew further into the dim tunnels of the cave

“it’s much safer if we go over the mountain. we’ll have the advantage of higher ground to ambush the horizon”

your captain, taesung, doesn’t look at you when he answers over his shoulder, “it’s much quicker through the tunnels. we don’t have the luxury of time if we want to attack their crew before they leave the island”

“and what if they attack - the horizon can easily ambush us as long as they’ve got the cave’s exit guarded”

you immediately turn around to look at san, knowing that he’ll support your argument

only to find that he’s not there

he’s several metres behind the back of the group and frozen to the spot

even in the shadowed darkness of the musty cave, you can clearly see the ashen and shaken features of his face

approaching him slowly, your fire torch held out in front of you, you gently call, “san?”

at the sound of your voice, his eyes lock onto yours

he looks terrified

san is lost in a distorted warp of visions

he can’t make sense of nor connect what he’s seeing

but there is blood

there’s so much blood

it’s everywhere

you’re there

it’s your blood

there’s someone screaming; raw with despair

he’s screaming

the ground digs into his knees and he feels wet and sticky from your blood but also his tears and there are so many tears and the walls are cold from moisture and it’s so dark and musty even with the smell of iron in the air and god you’re dying

you’re going to die

“san?” you repeat, now in front of him and tenderly cupping his jaw

and san has to stop you from dying

his pupils focus on you once again before he desperately tries to gain his bearings

he looks around with increasing franticness

he’s in a cave and the only light he can see comes from the torch you’re holding and the others shared amongst the crew

water drips from the ceiling and along the rugged walls towards the damp ground, filling the cave with a stale and mouldy smell

all his senses scream the same thing to him

it’s just like when you died

his own voice sounds foreign to him when he manages to choke out, “let’s listen to captain”

your eyebrows pinch together at san’s sudden compliance, especially more so when he lowers the volume of his next words so that you’re the only one who can hear his soft don’t argue with him

there’s something about the way he silently pleads with his eyes that makes you nod numbly

you slip the hand that isn’t holding the torch into his and prompt him to walk again with a light tug forward towards the rest of the crew, who are not too far ahead

when the both of you have nearly caught up, san readjusts his hand in your grasp so that his is atop of yours

and so you two walk, san leading you with a sturdy hand; a line of defence between you and the rest of the crew…and the depths of the cave

the thin sheet of cotton that you lay upon does little to soften the discomfort of the cave’s floor as you and the crew prepare for a few hours of sleep, but your pillow makes up for it

your head is cushioned by san’s thigh, who’s seated upright against the wall after offering to keep watch

he’s gazing down at you with a tender smile as he slowly runs his fingers through your hair like a soothing lullaby

your eyes scan his, still trying to catch any changes in his expression that could possibly explain his strange demeanour from earlier

you want to ask him what’s wrong but there’s only so much privacy you can get in a cave with the rest of your crew

instead, you give his hand a squeeze

san’s smile fades a little and you wonder whether it’s the illusion of the light and shadows from the torches that makes his face look so gaunt

his eyes flicker around guiltily and then he looks at you whilst reciprocating your squeeze

he’s mouthing something, you realise

do you trust me?

you tighten your fingers around his in reassurance

with my life

the dimpled caverns return to san’s cheeks, and then he’s whispering to you softly, “sleep”

you don’t recall dozing off, but you must not have been asleep for very long before you’re woken by a light shake to your shoulder

the groggy mumble that starts to leave your lips is hushed by a warm kiss on your forehead

you’re met with the sight of san holding a finger against his lips when you open your eyes and your brain struggles to comprehend what’s happening

there’s a faint glow coming from under his bulging shirt, which could only be one thing

the cromer

as your neurons start firing again, you come to the realisation that apart from you and san, nobody else is awake yet

quietly, he helps you up to your feet

the silent question he asked before you fell asleep replays in your head, and although it does nothing to clear up your confusion, it helps to ease your anxiety because you meant it when you mouthed your response

you trust san with your life

so you turn away from your crew members and start walking, each step deliberate and careful, your hand clutched safely within san’s while he retraces your steps from today

and when san deems you two far enough and out of immediate danger of being caught, he pulls the cromer out of his shirt to use as a makeshift torch

you both make a run for it

when you emerge out of the cave’s entrance hours later, thighs burning from the strain, you almost stumble to your hands and knees from the blinding brightness of the afternoon sun

san tightens his hold on you and urges, “this way, love”

together, you climb the outcrop on the left and disappear further into the mountains because you can’t afford to rest near the cave

few words are exchanged as san nimbly navigates the rickety ledges and overgrown roots, muscles flexing as he pushes forward and helps you with an extended hand

you realise soon after that whilst he leads you two away from the cave, he travels parallel to the edges of the mountain trees - a guideline that keeps the long port of the island just within sight

“san,” you finally break the silence to point towards an overhang you spot, “we should take a break”

he’s sweating from exertion and lack of sleep, so he nods with a grateful smile and leads you towards it

the rock provides a decent amount of shade and conceals you two well enough with the surrounding greenery

only when he sits with a sigh does he finally let go of your hand after hours of holding on

you know that he’s one for constant physical affection, but this…this feels different

it’s like he’s afraid that you will slip away the moment he lets go of you

you turn to look at him

“san, what exactly is going on?”

he’s quiet

he doesn’t know how to tell you - is there even a way to package his next words prettily?

letting out a stuttering breath, san puts it blankly on the table, “i saw you die in my arms”

you’re stunned into silence and your throat feels even drier than before

“was it…” you dare to ask, “was it going to happen in the cave?”

he nods, “i just suddenly saw it and it felt so real. it- it was dark and wet and the smell - the smell was just awful and-”

“hey, hey, san. it’s okay, we’re not in the cave anymore,” you soothe, pressing your forehead to his

you feel him relax under your touch before he tilts his head to kiss your lips

“yeah,” he sighs against you, “you’re right”

when you pull away, the faint glow under his shirt catches your eyes

“why did you bring the cromer?”

if it had only been you and san missing from the crew, taesung might not have bothered going after the two of you

but with the missing cromer too, the captain will spend the rest of his life tracking it down - tracking you two down - if that’s what it will take

taesung isn’t stupid enough to just let go of the cromer and the inexplicable power it holds to travel between dimensions

san shimmies the hourglass out of his shirt and holds it carefully in his hands, “i need a fail-proof safety net, just in case something goes wrong and…i still don’t end up saving you”

“a safety net?” an uneasy feeling settles in your stomach, “san? what are you not telling me?”

he runs his fingers along the metal casing over and over again as he avoids looking at you

“i…i’ve used it before,” san finally admits, “i used the cromer to bring you back to life”

without thinking, you blurt, “it’s only meant for travelling between dimensions. nobody knows what the repercussions are if you try to mess with fate!”

“well, i did it.” he snaps, “you’re here, alive, and i would do it again and again to save you”

at his words, you soften

because san didn’t just see you die

he lived through seeing you die

you can’t even begin to imagine if you had been the one to experience san die in your arms

“i’m sorry,” you apologise. “thank you for saving me, and for loving me”

san’s eyes are red when he looks at you, “i’m sorry, too, for snapping at you. i know this is a lot for you to process”

you shake your head with your own watery smile

“i’m alive, and i promise i’ll stay alive”

“and i promise i’ll keep you alive,” he nudges your cheek with a playful peck

you laugh, because san makes you happy even in the most uncertain of times, and you ask, “what’s the plan now?”

“find a ship that’s willing to get us the hell out of here”

he makes a move to stand and you place your hand on the ground to push yourself up to your feet too

except your hand shifts with your weight and you end up cutting your palm open on the sharp edge of the rocks

hissing, you draw your hand back towards your chest

“shit, let me have a look,” san drops to his knees and takes your hand in his

he gently blows away the soil and rubble around your wound as you wince

it’s nothing too serious, but it’s deep enough that blood immediately begins to pool in the broken skin and seep further out onto your palm

the glow of the cromer pulses

“san,” you start when you see the cogs moving in his head

he removes one hand to pull the cromer out and presents it to the both of you

“i’m not losing you to infection from a cut, not after everything that we’ve done so far to get to here,” he quips

there’s only time to let out an exasperated sigh before he’s taking your good hand to turn the cromer together

your world goes white

the next moment when you open your eyes after blinking, you’re still there resting under the overhang in the mountain forest

san’s sitting next to you, the only sign of the cromer a faint glow under his shirt

and your hand…

there’s no cut

your head whips towards san and his eyes widen when he sees the unbroken skin of your palm

san makes a move to stand, but this time, he gathers your hands and pulls you up with him

“it worked,” you breathe out once you’re on your feet

“it worked!” san repeats, engulfing you into a crushing hug

the amount of relief he feels is uncontainable, because the cut is reassurance that he can change fate with the cromer

in high spirits, san tucks it back into the safety of his shirt after wrapping it in a length of sash and then he secures it snugly under his belt

you two need to look the part of inconspicuous travellers, and a glowing hourglass would most definitely draw unwanted attention

you and san cut through the back streets and alleyways of the small village that separates the mountain and the coast, keeping an eye out for not only your crew members - or ex-crew, you suppose - but also the members of the horizon

“remember,” san whispers into your ear as you both approach port, “if anyone asks, i’m your husband and we’re travelling merchants”

you’re too nervous to answer but you nod anyway, letting san take the lead once again

with the confidence of somebody most definitely not lying, san strides up to a sailor who is yelling at his men to load the crates faster and spins a story right out of his ass

somehow, san manages to concoct a convincing recount of how your goods were stolen by thieves, leaving you both without any means of making money, so now you are left with no choice but to go back to your hometown which happens to be on the way to the ship’s destination, which you know because you overheard the sailors talking earlier

when the sailor glances in your direction, you try to nurse your expression into one of simultaneous distress and gratitude in hopes of selling the story even further

he simply stares at the both of you and you think that he’s going to turn down your request, but then the sailor gives a sweet smile and extends his hand out in greeting, “daeho. welcome aboard”

that’s how you and san find yourselves in the ship’s hold, legs crossed side by side on the wooden floor and surrounded by a multitude of crates and barrels

neither of you realise that you’re holding your breaths and it’s not due to the stale air in the poorly ventilated hold

only when the shout of “anchors aweigh” is heard and the ship slowly starts to pull away from the dock do you finally relax, the feeling of hope slowly seeping into your bodies

because all that’s left now is to wait for the ship to dock at the next port and then you and san can disappear and start a new life

at the notion of safety, your stomach finally calls for attention with a grumble

san teases, “sounds like someone needs a bit of food,” just as his stomach answers with a growl of its own

you break out into laughter and pull him up with you to snoop inside the crates for something edible

lifting the lid to one of the crates, you peer inside to find what looks like a layer of burlap

you reach down with a hand to remove the covering and dig deeper, only to jerk your arm back when you feel the burning pain of a cut

“oh fuck, what?” you hiss as you look into the crate again, “why the hell are there so many knives?”

san is beside you within a split second, already turning you around to cradle your hand in his

the cut extends across your palm and there’s something sickening yet eerily familiar about the way the blood rapidly starts to pool and seep past the broken skin

goosebumps spread across your body when it hits you

“san,” you look up at him with a trembling voice, hardly audible over the pounding of your heart, “it’s the same cut”

his eyes bore into yours with reflected horror when your words sink in

because if it really is the same cut, then that means-

san’s attention suddenly shifts to behind you and that’s the last thing you register before your head explodes with blinding pain

your world turns black.

there’s a ceaseless hammering in your skull when you regain some semblance of awareness and it takes all of your willpower not to let the throb drag you back into unconsciousness

you open your eyes with a groan, trying to clear your vision, only to find san still out cold on the floor beside you

you scrabble closer towards him and brush his fringe out of his eyes

“san,” you shake him a little, “san, wake up”

his mouth tightens into a grimace as he’s slowly brought back to consciousness at the sound of your voice

“fuck…they hit hard,” he props himself up with another curse before he asks you in a panic, “are you hurt?”

you start to shake your head but then think better of it, “my head hurts like a bitch, but i’m okay”

san pulls you into his chest and wraps his arms around you

you let yourself sink into the safety of his embrace, pretending that everything is okay even if just for a moment

“i’m sorry, i’m so sorry,” san repeats the apology into the crown of your head

you can’t do anything but return hushed whispers of comfort and hug him tighter

a sudden clang draws you out of his arms as you both turn in the direction of the sound

that’s when you realise you’re no longer in the hold

you’re in a cell

the brig of the ship is much darker and the air is suffocatingly musty from the lack of ventilation and the perpetually damp floors and walls

damp from what exactly, you really don’t want to know

you hear the heavy thud of boots amplifying as the person approaches your cell, your eyes straining to make out their face in the dark

they squat in front of your bars

the sweet smile on daeho’s face makes him look crazed now and you shrink back to put some distance between you two

“did you have a good rest?” he asks, sounding genuinely curious

at san’s seething growl of anger, daeho raises his hands up in faux surrender and states, “i just want the cromer”

“i don’t know what you’re talking about,” san glowers

the other man wriggles his fingers at san’s waist, “you’re not very good at hiding it in your shirt”

almost as if it knows it is being talked about, the cromer flashes from under the layers of cloth

“why didn’t you just take it from us earlier,” you bite out

daeho clicks his tongue with a disappointed smile, “but then where’s the fun in that?”

he stretches a hand out and waits with his palm upturned just outside of the cell bars

“now give it to me,” he demands

san stares in retaliation, not once looking away as he slowly reaches for the cromer

he takes it out of his shirt and unwraps the sash from around it, then starts to extend the hourglass out towards daeho’s hand

as you watch with bated breath, you notice the subtle tightening of san’s grip around the metal casing and you realise he intends to flip it

except you’re not the only one who comes to the same conclusion

you see the exact moment the facade drops from daeho’s face and is replaced by his true derangement

the hand by the pistol at his side starts to move

but so do you

this time, everything turns red as the scorching heat of pain paralyses your entire body

the cromer falls to the floor at the same time as you do

from outside the cell, daeho laughs viciously, but it’s drowned out by the agonising cry that comes out of san’s chest

san desperately gathers you in his arms, hands pressing against the bullet hole to stem the blood flow

but there is so much blood

it’s everywhere

the ground digs into his knees and he’s wet and sticky from your blood but also from his own tears and there are so many tears and even with the pungent smell of iron in the air he can still smell the mustiness of the cell and he can’t get enough oxygen into his lungs because god you’re dying

and he’s suddenly struck with the heart-wrenching thought

did he unwittingly condemn you to your own fate?

or is it like the cut on your palm - is he unable to change fate no matter what decisions he makes differently?

the sob that wrenches itself out of san hurts you more than anything

“i love you,” you say, because your words are numbered and you want them all to be san’s

he shakes his head furiously, “shut up, you’re going to be fine”

your words come out effortfully, “please, i want to hear you say it one last time”

“fuck,” san buries his face in your shoulder, “i love you so, so much. i can’t live without you”

he pulls back heartbroken, “i can still change this”

through your waning breath, you reach a trembling hand up to cup san’s jaw

“s-san, don’t do it”

he lets out a racking sob as he shakes his head again, expression marred with agony and torment that you can physically feel in his white-knuckled grasp that covers your own hand

the tears that drip off his jaw become lost to the damp ground

you swallow the metallic taste in your mouth, “the cromer isn’t meant for changing fate.” it hurts to take a breath and you wince as you stutter. “it never goes th- the way you want it to…you know that by now”

san’s voice is broken and pained, “i don’t fucking care. it’s not going to stop me from trying”

he grips your hand even tighter when he starts to feel it fall away from his cheek

it’s becoming tiring to keep your eyes open

maybe you can rest…just for a little bit

san will forgive you, right?

you close your eyes

just for a little while

just until the pain stops

faintly, you think you can feel your body being jostled against something warm

but it’s far away

far away

far

san clutches your limp body as he lets out a primal wail of anguish

you cannot die

you will not die

he snatches the glowing hourglass and flips it with desperation screaming in every cell of his body

and then his world goes white.

mingi

pov: you're the crew's surgeon

you have all the time in the world to yourself

the recent raid was successful - the other vessel had surrendered quickly without putting up a fight and your ship is now well stocked up from the loot of supplies

hongjoong has promised the crew shore leave, a vacation of sorts, and so you and the crew are travelling to port malthov, a haven island for pirates

it’ll take about a week to arrive

and without a foreseeable raid or run-in with enemy vessels, there is no need for your medical duties

which is a good thing, really

but it also means that you have a lot of time

and time is your worst enemy

time is time alone with your own thoughts, time alone with your internal demons, and right now, your mind is a sinkhole of them and you are the very thing being pulled into its depths

you’re sprawled out on the upper deck, arms and legs splayed like a physical manifestation of your efforts to reach the edges of the sinkhole and hold on

you think to yourself that it’s reassuring when you can see blood

because it’s visible, physical, and you can fix it

step one, rinse the area with clean water

step two, disinfect the wound

step three, remove any foreign objects or dead skin

step four, suture as required for nastier injuries

step five, wrap a clean cloth over, under, over, under, then fasten

there’s a procedure and it makes sense

but when it’s invisible, what do you do?

there are no medical diagrams, procedures or journals that teach you how to heal your own hurt

you may be the crew’s surgeon, but you wonder how qualified you truly are if you can’t even fix yourself

the skies are clear today and the sun shines down directly on your exposed skin

it’s uncomfortable but you don’t move, limbs feeling just a little too strung tight to cooperate

you don’t think you have the energy to do much more than to just lie there and exist

and the burn of the sunlight is kind of nice

it tells you that you’re still alive - even if the feeling of living is pain

that’s where mingi finds you twenty minutes later, his face upside down as he leans over to look at your face-

only to very nearly drop a block of wood right onto you

“oh, shit,” he fumbles as the multitude of items he is carrying to his chest falls and clatters onto the deck around your head

you jolt up to save yourself from a bruised forehead and eye him, curiosity well and truly piqued

with a huff, he piles everything in front of you, followed by himself as he sits cross-legged in front of you

he looks suspiciously hopeful and expectant

“can you carve me another dolphin?”

months ago, you had tried carving ornamental animals out of small scraps of wood left over from a hull repair

most of your carvings had turned out hideous and you had tossed them overboard, but mingi had not stopped following you and begging until you gave him one

you could barely even call it a dolphin, but for some reason, he has kept it since like it’s something valuable

“i already made you one,” you start

but he protests, “i lost him!”

you blink

nevermind. maybe not so valuable

“...you lost it?”

you’re not sure whether you’re disappointed or relieved that it’s forever gone to the void

“i lost him, yes. so can you please carve me a new one?”

you blink once more and he looks back at you with wide, pleading eyes

“fine, pass me the knife,” you finally relent

he grins, handing something that feels quite familiar into your outstretched hand

“are these my scalpels?!” you clutch them defensively to your chest. “mingi, i am not carving wood with these”

mingi breaks out into pleased laughter, crescent eyes and gaping mouth as he produces a pocket knife that you can actually use

“you’re ridiculous,” you tell him, setting your medical instruments safely to one side, but you don’t really mean it

you bring the blade of the pocket knife to the edge of the wood and start whittling away

you expect mingi to get up and leave you to your devices, except he doesn’t

he stays and asks you question after question about the carving

which part are you working on now?

how do you shape the tail?

what was the first thing you tried to carve?

if you could carve something else after this, what would it be?

and it goes on for hours - as the wood gradually takes shape of the animal, as the harsh sun lowers and is replaced by the cool breeze of evening

…as mingi fills up your sinkhole and you are no longer grasping at the edges to stay afloat

it happens without you even realising, but he lets you take refuge in him from your own thoughts

and later that night, when the crew are preparing to sleep for the night, mingi will place the newly-carved dolphin at the head of his hammock

he will itch to rummage through the small chest that holds his personal belongings and treasures

he will want to unwrap the small object he has hidden away at the very bottom of his chest and put it side by side with the dolphin

but he won’t, because otherwise you’ll see the two dolphins and realise that he was lying about having lost the first one, so he’ll opt to keep it hidden

mingi thinks that he might even ask you to carve him something else tomorrow

he’ll say that his dolphin needs somebody by its side

what he won’t say though, is that he knows you need somebody by your side

and if he can offer you a few hours of mindlessness while you carve with him beside you, then he’ll ask you to make him a whole aquarium of animals

but that’s tomorrow

for now, he lets you rest on him, and you find that it doesn’t seem quite as hard to exist anymore

because sometimes, even surgeons need their own healers

you don’t have another bad day that week

technically, they’re all still bad days, but they aren’t as bad

but as it is with your luck, it all comes back to drag you underwater when the arriba pulls into port malthov and lowers its anchor

of all days, your head feels foggy, your body feels empty and your lungs feel laboured

you’re not even sad

you’re just…hollow

and the worst part is that you have absolutely no reason to be feeling this way

being up in the crow’s nest for once has given you the perfect vantage point to watch as the majority of the crew precariously run off the gangplank with whoops and hollers, splitting off to explore the town

their excitement is infectious - to everybody but you

instead, you had offered to take over yeosang’s lookout duties so that he could go to the town’s tavern

you’ve already rotted the morning and most of the afternoon away and your stomach grumbles in protest at having skipped both meals

it knows that you probably won’t be eating dinner either

“y/n,” a voice calls out to you from the deck, “are you not going into town?”

you peer over the edge of the nest and find mingi’s small form, his head craned upwards in your direction

“lookout duties,” you simply say

but mingi calls your bluff

“the whole point of shore leave is that we all get time off. captain’s still on board to make sure our ship doesn’t catch on fire or some shit, don’t worry”

when you still don’t make a move, mingi starts to climb up the rigging and you startle to your feet

“heavens, okay, i’m coming down”

he’s banned from rigging duties for a reason

when you land on the upper deck, he looks awfully smug with himself

he asks, “can we go eat seafood? not fish, but like the good stuff”

“since when did you like seafood?”

“always?”

mingi did not always like seafood but you let it slide

he guides you across the gangplank and towards the bustling streets of the town, keeping you tucked closely into his side

almost like he knows you’re feeling more fragile than usual

you two come across a market and he tells you to find a table in the outdoor seating area

when he returns to you after a while, both his hands are stacked with platters of shrimp, some crabs and even a lobster

“mingi, what-?” you break out into an astounded laugh

you can’t even find it in yourself to finish your sentence because it looks like he’s bought enough food to feed half your crew

he sets the plates down in front of you, one by one, until you can barely see the table itself

and you watch, still incredulous, as he picks up a steamed shrimp, meticulously peeling off the shells that he discards onto his plate

…before placing the peeled shrimp onto the plate in front of you

“eat,” he encourages

mingi picks up another shrimp to peel, looking away from you so as not to pressure you

but he can’t help but look and smile widely when you do eventually bring the food up to your mouth and take a bite

it tastes good

shrimp has always been one of the things you miss the most when you’re sailing and as the salty taste of the ocean spreads across your tongue, you start to feel your appetite returning

by the time you’ve swallowed, there’s already another shrimp on your plate, peeled and ready for eating

mingi smiles knowingly when you groan around your next bite

the sun may have already started to disappear into the horizon, but right now with mingi’s plate piling up with discarded shells and yours with juicy shrimp meat, the hollow cavity in your chest slowly filling with warmth, the sun is only just starting to rise for you

and mingi will keep filling your plate until your sun has fully risen into the sky

because sometimes, healing needs the help of an extra pair of hands

the day before your crew is scheduled to leave port malthov, you find yourself sitting on the sandy shores of the coastline, far away from where the arriba is docked

the wind tugs at your hair and the hems of your clothing in the direction of the ocean

you wonder what it would be like to just let yourself go and float along with the wind

your thoughts are interrupted by the soft squeaks of bare feet in the sand approaching you and mingi lowers himself down to sit by your side

no matter where you hide, he somehow always finds you

you give him a small smile when he calls your name in greeting, but it’s all you can really manage to do

it’s hard for you to talk today

but he already knows that

“can i tell you a story?” mingi isn’t really asking you

without waiting for a response he knows you can’t give, he starts to talk

“i don’t think i’ve told you about the time when yunho and i went skinny-dipping at night. i swear we saw the kraken that night”

he has told you this story before

more times than you can count on your fingers and toes combined - to the point where you have some of his exact phrases and expressions memorised

mingi knows he’s told you this story before

but he drones on anyway, adding his usual touches of dramatic flair and exaggerated details - words that he hopes keep you grounded to the spot so that you don’t disappear with the wind

(“did you know that yunho’s chest goes red when he screams in fright?”)

you want to make silly little comments about his silly little story

you want to laugh in harmony with mingi’s own rumbling sounds

except you can’t

it’s like whatever you want to say goes through a paper shredder right before it comes out of your mouth

and mingi knows

but he is willing to take all the time in the world to tape your words back together, shredded piece by shredded piece, until he can make you feel heard and seen

and even if you don’t talk, he is there to do enough talking for the both of you

some things don’t need to be said - he understands either way

because sometimes, healing looks like walking backwards on any progress that’s been made and that’s okay

after all…mingi’s been there before, too

the arriba sets sail again and hongjoong allows the crew one last night of rest before your usual duties resume

the stock of fresh produce and meat won’t last for longer than a couple of days anyway, so you all feast your stomach’s fill of food and alcohol

someone brings out an accordion and you all gather together on the upper deck as jongho sings to the music, background filled with the lively rattling of shared plates and mugs being passed around

the air is chilly but it’s crisp and fresh whenever you take a breath of it into your lungs

where being with the multitude of your crew usually makes you feel lonely, tonight, it feels okay

and from beside you, mingi sings along quietly to the music

his voice is not like jongho’s, which is soulful, emotional and powerful

mingi’s voice is deep, honest and raw as he sings the lyrics to the song of a man who is drowning and yearning to be saved

he looks at you during the last bridge, when the key changes from sorrowful to hopeful and the words tell of a man who is saved by his lover

you smile back at him, genuinely content in this moment

and even if it is only briefly, even if you will still have bad days in the future, you think that today is a good day

because healing takes form in all different ways, and being loved is one of them

maybe one day, mingi will be able to confess that he loves you

when he’s confident that you’ll be able to accept his love

not in the way where he expects you to reciprocate the same feelings for him, no

but in the way where you are able to accept the fact that you are worthy of being loved

there are no medical diagrams, procedures or journals that teach you how to heal your own hurt

but you have mingi and he is making one for you

it’s written with the ink of love on the very pages of his own heart and he will not stop writing until the day you are well and truly happy

and even if it takes forever?

well

mingi’s got a huge fucking heart

and it’s all yours

wooyoung

pov: you find a stowaway on your ship

“we’re headed off course again”

“again?” you look at your helmsman with furrowed brows

yunho nods, sighing out his next words, “i can’t get a read on north. the needle keeps flickering”

you look at the compass that’s mounted at the helm and true to his words, the tip of the arrow seesaws back and forth over the cardinal point

a quick glance down tells you that the newer compass you’ve got in your pocket is also behaving in the same manner, needle twitching despite the practised steadiness of your hands

so you know for sure that it’s not a fault in the instrument at the helm itself

but even if it were to be faulty, you would never replace it

not when it’s one of the only things you have remaining of your parents after they perished at sea

“maybe we should ask him,” yunho suggests, beckoning his head towards the deck

although seonghwa hums thoughtfully, having joined you both at the helm mid-conversation, you look at him incredulously

“you trust that person?”

yunho shrugs, “it’s not like he’s given us a reason to not trust him”

well

considering said man had been found stowing away in the cargo five days after your ship had left alcarres, who then also tried to plead for mercy by reasoning that he was ‘valuable’, you think that there’s plenty of reasons to not trust him

yunho rectifies his argument once he sees the pinched expression on your face, “as in, since we’ve found him on board”

you close your eyes and exhale

admittedly, yunho has a point

and there’s been one too many times where the man has flippantly suggested navigational changes or casually observed shifts in the winds and waters - which all turned out to be accurate - for it to be sheer luck

you open your eyes and call out to the upper deck

“stowaway”

yunho winces as seonghwa chides you with a slight elbow to your side at your choice of name, or lack thereof

said man looks at you from where he’s helping san and yeosang swab the deck, mouth tightening with wariness

the last time you had spoken the same word, it was along with an order to throw him into the brig with his wrists bound behind his back

but considering that that was the extent of his punishment for stowing away on your ship and he is now mingling amongst your crew with minimal security measures on your orders too, really, he’s gotten off scot-free

the stowaway approaches the quarterdeck with hesitant steps

you jerk your head towards the helm, “help yunho navigate the rest of the way to vlasgar. just until we can dock and work out what’s wrong with the compasses''

despite the curtness of your order, his face scrunches up into an enthusiastic grin

“of course, captain!”

you’re taken aback by his demeanour because you’re trying to find a reason to distrust him

but he’s not giving it to you

you watch as the stowaway makes himself comfortable against the helm rails and easily slips into conversation and banter with yunho amidst intermittent pointers to adjust the rudder

seonghwa nudges you from behind, “give him a little credit”

you scratch your neck awkwardly before calling out to your helmsman

“keep me updated on the ship’s course”

yunho nods and then you clear your throat, quickly glancing at the stowaway

“and thanks…wooyoung.”

you turn and leave the quarterdeck before you can fully catch a glimpse of the delighted smile the man beams at you

because if he’s not giving you reasons to dislike him, then you’re going to ensure he doesn’t start giving you reasons to like him

except…wooyoung attacks when you least expect it

it’s the night before your crew reaches vlasgar, and true to his claims when he was first discovered onboard, wooyoung has proven his value by navigating your ship through the waters without the aid of the malfunctioning compass

his innate sense for shifts in the wind and waters, combined with his understanding of celestial navigation and use of dead reckoning has meant that he is extraordinarily precise with his route

honestly, he’s freakishly accurate to the point where it’s a little unsettling

at least that’s what you tell yourself

you and hongjoong have given the crew the night off from their usual duties in preparation for a few busy days of maintenance and intel-gathering once your ship docks at vlasgar

wooyoung offers to cook in the galley and whip up a meal as fancy as he can from the select ingredients on board

you don’t have a good reason to deny him, not when the rest of your crew looks at you with eager faces at the thought of a meal that isn’t just the usual salted meat, so you send mingi along to help him locate the ingredients

also to keep an eye on wooyoung to ensure he isn’t using this as an opportunity to poison your crew, but you’re not about to admit that aloud

and that’s exactly when wooyoung chooses to attack

he attacks your heart with his cooking

granted, the standards are rock bottom, but wooyoung utilises a deadly combination of rosemary, thyme and bay leaves to prepare a hearty broth with preserved beef

he serves hardtack on the side to be softened and eaten with the broth, and jongho even manages to catch a few fish that wooyoung then scores and grills with lemon slices over the fire

mingi must also be in good spirits because he takes out the reserve of dried fruits and nuts that he’s usually pedantic over and allows wooyoung to arrange them artfully in a wooden bowl as nibblers to go with the profusion of rum that will inevitably be downed tonight

the impressive spread of food is placed on the upper deck where the entire crew sit in a rough circle together

you take one bite into the beef and curse without realising

“fucking hell, what did he put in this?”

wooyoung freezes mid-spoonful across from you in the circle

realising your words sound petrifying without context, you awkwardly amend them with your eyes glued to your bowl, “i could eat this every day,” before shoving another spoon of broth into your mouth to shut yourself up

there’s a chorus of teasing oooh’s at your words and somebody sing-songs, “captain likes youuu-r cooking”

“i don’t,” you scoff, completely ready to bite the bait and engage in this childish argument

but it’s him who comes to your defence

“it’s not my cooking, it’s just the spices that make a difference,” wooyoung insists

then he’s gesturing to the grilled fish and telling everyone to try, diverting the attention away from you

you accidentally make eye contact with him and initially flicker your eyes away out of embarrassment, but when you chance a peek back at him he’s still looking at you, his expression uncharacteristically calm and gentle when usually all you can hear these days is his raucous laughter bouncing across the deck

…not that you can recognise his laughter or anything

you stare at each other for a few more seconds before you lift up your bowl of beef broth and give him a little smile

you leave it up to him to interpret it however he wants

and just before you look away, you see the apples of his cheeks rounding with elation

wooyoung’s potentially earned himself a few points with his cooking (and perhaps with his unfailing happiness too), but maybe you’re just looking for excuses as to why you’re allowed to like him now

when you decide to take a walk in town long after midnight, your quarters having felt stuffy ever since you’d docked at vlasgar, you’re surprised to find that you’re not the only one still awake

“i’m going out for some air and maybe a drink, did you want to come?”

hongjoong shakes his head, “hwa’s gone out too, i’ll stay behind”

you pause, wondering whether it’d be rude if you didn’t extend the invitation to wooyoung, considering he’s literally two feet away

“what about you?” you end up offering

wooyoung excitedly hops up to his feet, “yeah, i’ll come with”

to your own surprise, you find that you’re not particularly disappointed by his response

the streets of vlasgar are empty, considering the late hour, and your leather shoes clack in unison against the cobblestones as you walk together

you’re not really sure what to say to fill the silence but wooyoung easily talks about anything and everything and you’re content to just listen

your feet eventually take you towards a small alehouse and you both settle down at one of the tables further away from the live music playing

the oil lamps flicker dimly along the wall, casting small dancing shadows on the surface of your mugs of ale

“my father never liked the taste of ale,” wooyoung suddenly muses after a swallow

you note the use of past tense

“is he…still around?” you ask tentatively

he makes a noise of refutation, the quietest he’s been tonight, before he reveals, “he took his own life”

“oh, wooyoung,” you breathe out

he curls his hands around his mug, “it’s already been two years, but it still hurts”

in a moment of empathy, you gently place your hand over his

your tone is bitter when you reply, “time doesn’t mean that it hurts any less, it just gets easier to pretend that it doesn’t”

he looks up at you, surprised by the touch of your hand but also by the sorrow reflected in your eyes

“have you also lost somebody?”

you nod at his question

“my parents,” you hesitate before adding, “their ship got swept under a rogue wave, the same night it turned into a tidal wave that destroyed the city of light”

wooyoung looks at you with wide eyes, “the one along the north coast? six- no, seven years ago?”

there’s not a single person who doesn’t know about it; when an apocalyptic wave had wiped out an entire city overnight

he places his other hand over yours when you nod again, creating a sandwich of comforting hands in the shared experience of loss and grief

you smile wistfully and he returns it

“well now that we’ve exchanged childhood trauma, care to tell me the real reason why you were on my ship, stowaway?” you half-joke

wooyoung laughs, each breath a pronounced cackle of joy, and you find the corners of your lips pulling themselves upwards too

“i’m being chased by a lunatic who’s out for my blood,” he deadpans

“that would have been nice to know before i let you join my crew”

wooyoung grins wickedly, “i’m part of your crew?”

“i’m definitely rethinking it,” you banter before you add on seriously, “only if you want to be”

he pulls his hands back to salute you loudly, “it would be my honour to be your human compass! jung wooyoung at your crew’s service!”

“shut the fuck up!” you hiss in embarrassment, but there’s no bite to your words and you’re laughing into your own hands

you tip back the remains of your ale and then beckon to wooyoung, “let’s head back, shall we?”

“yeah,” he gives you a dazzling smile

he pushes his chair back to stand up and you head towards the doors together

just as you walk past one of the tables, a man abruptly stands up and knocks into wooyoung’s shoulder harshly

your hand flies out to steady him as the man stares at wooyoung, then turns to leave without another word

“what’s his problem,” you mutter angrily. “are you okay?”

wooyoung reassures you with a placating squeeze to your arm before leading you out of the alehouse

as you retrace your steps back to the ship, you pass by a rickety stall that makes you falter

the wood of the table is rotting and standing on its last legs and there’s a roughly thatched roof propped up above its goods

even though the stall is enshrouded by the shadows of the clouded moonlight, you still wonder how you missed it on your way to the alehouse, considering it’s the only stall along the empty street, and with a vendor, no less

there’s an old woman bearing the burdens of living across her skin and in her posture, sitting hunched on an equally as weathered crate beside the table

you’re drawn towards it - by its ambience, seller or the familiar instruments lain on the table, you don’t know

the woman’s head is covered by a dusty shawl but you don’t miss the way her eyes bore beadily into wooyoung as you both approach

you reach out and skim your fingertips across the cool brass of the compasses on the table

a frown adorns your face when you notice there’s something strange about all of them

like the compass in your own pocket and the one mounted on your ship’s helm, the needles all swing indecisively over the north point, as if some unknown force is meddling with the magnetic field of the earth itself

you let out a little scoff of disbelief, “they’re all useless”

with a final glance at the table, you and wooyoung start to walk off

but then a raspy voice beckons at your backs, a ghost of a hand that tickles the hair on the nape of your necks, “the only time a compass is useless is when you have something better nearby”

unable to ignore the sensation, you look over your shoulder, “what do you mean by something better?”

a toothless smile; one that appears to know a secret that it doesn’t want to let you in on

“true north”

her cryptic answer alone is enough to tell you that you’re wasting your time

she doesn’t say anything else when you walk off for good this time after bidding her a tight-smiled farewell, not that you would have stopped either way if she did

wooyoung hurries to catch up to you

as he falls into step with you, he asks, “do you believe what she’s saying?”

“of course not, it doesn’t make any sense,” you glance at the tavern you’re walking past, telling you that the port is close now. “how can you have true north?”

wooyoung’s brows knit together, “well, there’s that old legend that says true north isn’t actually a direction, but a-”

he’s cut off by an amused voice behind you both

“so it really is you…jung wooyoung”

when you turn around, you’re met with the sight of a man donning a long, velvet coat and buckled shoes - articles of clothing very obviously pirated from the wealthy

it’s evident that he and wooyoung are acquainted in one way or another, but from the way wooyoung’s face loses its colour, they’re acquainted in a bad way

immediately, your hackles are raised

the man’s tone is saccharine as he continues, “when one of my men said that they had spotted you, i didn’t believe him”

“what do you want?” you snarl at the same time wooyoung murmurs next to you, “it’s the lunatic. jang hyunsoo”

hyunsoo cocks his head as he stares you dead in the eye, “i want him. dead.”

your face darkens, unwilling to back down, “and why are you so intent on killing him?”

“oh?” he raises an eyebrow in delight at your answer. “you must not know who he truly is”

sick of his bullshit, you reach down towards your belt to unsheath a throwing dagger and hold it in front of your body, “i don’t care who the fuck he is. he’s my crew member and that’s all that ma-”

“he’s the man that the legends speak of. blessed by the sea gods, bearer of the oceans’ wisdom - jung wooyoung is true north”

those two words again

you don’t understand why everyone you come across today seems to be so fixated on the idea of…

suddenly, you remember.

legends tell a story of true north - not a direction pointing to the earth’s axis, but a person

a man blessed by the gods of the sea with the power to be all-knowing when it comes to the waters

he possesses the innate ability to navigate without use of any instruments or celestial bodies; the wisdom of which passageways and courses to sail; the subconscious understanding of mother nature and her elements

the powers are passed down through his bloodline for generations, but the blessing does not stay sacred for long

human greed and coveting eventually lead to the murder of the bearer of true north at the time, and the powers are transferred to the murderer, permanently staining the bloodline and commencing the paradoxical cycle of sinning for a blessing

however, this does not go unpunished

the gods of the sea are enraged and in their uncontainable wrath they cause-

your memory ends there no matter how hard you try to recall the rest of the legend

wooyoung interrupts

“if you kill me, there’s no guarantee you’ll survive the consequences,” he tries to reason with the other. “just have a look at how close we are to sea”

you’re lost but hyunsoo sneers, “it’s not your power that i’m hungry for. it’s only fair that i spill your blood, after your father spilled the blood of my family”

at the mention of his father, wooyoung growls, “what the fuck do you think you’re saying”

“how do you think your father became true north? or better yet, let me jog your memory,” hyunsoo’s expression becomes hauntingly blank, “what happened seven years ago that wiped out a whole city because the sea gods had been angered?”

your breath hitches as you involuntarily whisper, the remaining piece of the puzzle slotting into memory, “...a tidal wave”

“yes,” he acknowledges your words but keeps his eyes drilling into wooyoung, “because true north - my father - was killed”

as were your parents by extension of the consequences

“killed by my father,” wooyoung concludes, voice frail as everything rapidly starts to reveal itself

one more revelation makes him look at you with a face of horror and remorse, “y/n…your parents…”

without hesitation, you push aside your own anguish for him

“wooyoung,” you warn, “it’s not your fault”

because you see it

the very moment his eyes start clouding over as he willingly takes on the burden of guilt wrongfully left behind by his deceased father - the same guilt that eventually took the man’s own life

wooyoung, who, with a heart and soul too pure, would rather take the blame himself than to push it onto somebody else

you step in front of him, knife raised in protection

because despite your best efforts, wooyoung had not only secretly stowed himself away on your ship but has also secretly stowed himself away in your heart

“what are you doing?” he tries to tug you behind him

there’s a teasing lilt in your voice as you stand steadfast, “stowaway, you’ve ruined navigating for me now - made it too easy for me and the crew. so you better fuckin’ take responsibility and be my compass for as long as i sail”

“how touching,” hyunsoo coos patronisingly before he draws the cutlass from his sheath, “looks like i’ll just have to kill the both of you”

you don’t stop wooyoung this time from stepping up to stand by your side, his own hands armed with dual daggers and his demeanour now iron-willed to fight

because if you’re prepared to fight for him, then wooyoung is prepared to fight twice as hard for you

tonight, either hyunsoo dies, or you both go down trying

the tension in the air is punctuated only by the slight scrape of your soles as you and wooyoung lower your stances and shift further onto your front feet

you had never believed in the sea gods until now, but you pray that they’re watching over you both

and indeed they are

they answer your prayers in the form of a deafening gunshot in the nearby tavern

hyunsoo flinches at the sudden commotion - only slightly, but the distraction in attentiveness is more than enough

now.

as you and wooyoung leap forward together in unison, weapons raised, the needles in your hearts’ compasses waver for one final time before they settle and point resolutely in one direction

your needle at wooyoung; wooyoung’s needle at you

because compasses will always point at true north and that’s exactly what you are to him and him to you

each other’s true north

jongho

pov: you're a mermaid who saves him

you follow the shadow of the ship’s hull, gliding effortlessly through the waters

you know that you shouldn’t be following so closely but it’s hard to refuse the temptation that comes hand in hand with storms

there’s a chance that vessels will toss cargo overboard as a last-ditch effort to save their ship from sinking

and if you’re really lucky, the vessel might sink entirely and you’ll be able to spend the next few days rummaging its ruins, scavenging for shiny treasures and intriguing objects

besides, what’s the worst that could happen?

no sailor or pirate in their right mind would think to cast a fishing net in this weather

you only have your carelessness and recklessness to blame, but regret won’t change anything about your current situation

you feel the strange lurch in your stomach as the fishing net you’re trapped inside is pulled out of the water, up along the side of the ship’s hull, until it levels with the gunwale

there’s someone standing there waiting

his face is still rounded and limbs still gangly with the telltale signs of youth

the fish around you jerk around desperately, a physical manifestation of your terror, while you lock eyes with the young teenager and grip at the net with white-knuckled fists

you are at his complete mercy

he stares in shock at your form, until you beg a single word

“please”

immediately, he draws a small pocket knife and starts to frantically cut through the net

there’s another questioning voice from somewhere on the deck that you can’t make out the words to, but from the way the boy in front of you picks up speed, you’re seconds away from being discovered

“come on, come on, come on,” the boy mutters through gritted teeth

there’s a slight jerk as he cuts through the strands of flax and a few fish slither their way out, the hole starting to become bigger

he lets out a hiss of pain when he accidentally slices through his own hand in his haste

but even then, he does not stop or falter

and then you hear it

the ripping of the material when the weight of yourself and the other fish tear the remainder of the net

you plummet into the ocean

and the last thing you see before the world above becomes blurred by the waters is the boy’s wide eyes peering over the ship’s edge as he watches you fall

jongho struggles to adjust his centre of gravity as the ropes stutter underneath him

he chances letting go of the rigging briefly with one hand so that he can wipe the rain out of his eyes, which is pouring down incessantly and obscuring his vision

overhead, the top sail continues to billow and flap in an angry dance as the rapidly shifting winds tangle it further

he swallows thickly and grips the rigging once again

he needs to climb up and untangle the damned sail, fast

one hand extending outwards to grab the running rigging, jongho supports himself on shaky legs so that he can unfurl the twisted edges of the sail from around the ropes

it’s difficult enough having to chase the mocking flits of the canvas in the gale, but it’s fucking hellish with the added lurching and pitching of the ship as it’s battered by the swells of the sea

he finally manages to get a good grip on the sail and tugs hard, feeling it give way and flush full as it catches the wind properly now that it’s free

except the force of it sends the material swelling right in his face and he slips

by some saving grace, the combined movement of another colossal wave sends his body careening through the air in a wide arch

he does not land on the upper deck in a heap of broken bones

instead, he plummets into the ocean

and the last thing jongho sees before he loses consciousness is the shimmer and flick of a tail

your body reacts instantaneously to the sudden intrusion of something plunging into the waters in front of you, your tail swishing to increase your distance

for a brief second your heart seizes up in fright at the thought of a harpoon

but then you see it - see him

apart from the young teen who had freed you years ago, you have never seen a human up close before

and certainly not one in the ocean; in your home

there is something about the man before you that is beautiful yet haunting

it is as if time and gravity have warped his very existence

you see a weak flail of legs, a desperate hand reaching for the surface, floating tendrils of hair, but even in the face of approaching death, his movements appear slow and graceful in the water

as the pockets of air and bubbles of foam dissipate from around him and cruelly escape upwards without him, the man stills - grand and slow as his form steadily starts to make a descent towards the sandy bottom of the ocean

in folklore amongst your merpeople, humans are as swift, sure and savage on land as they are aboard their monstrous vessels

and yet, watching the ethereal existence of this man before you, you realise that once humans are underwater, they are at the complete mercy of mother nature and her beings

you gingerly swim closer

when you wrap your arm around the man’s limp body, his skin is warm under your fingertips

you’re reminded of the fact that he is at your complete mercy

and so you swim.

the moment jongho regains consciousness, his chest involuntarily contracts in an attempt to take a huge, stuttering breath

he curls onto his side instead, one hand scrabbling in the wet sand and his other arm crushed between the ground and his upper body as he hacks up his lungs with retching motions

the salt water burns even more coming back up than it did going down and his eyes sting with tears

when the convulsions cease, jongho closes his eyes and rests his forehead against the cool sand, trying to regain his breath-

and bearings

the jarring clarity has him sitting up abruptly as he tries to recall where he is and what he’s doing

there was the storm

the tangled sail

him climbing up the riggings

falling down, down, down

and then…

you

your eyes widen when the man’s unfocused gaze suddenly sweeps the waters and lands on the small part of your face that is exposed and peering at him

instinctively, you duck underwater, the notion of hiding your existence from humans ingrained into you

but even though he only sees a glimpse of you, jongho would recognise you from anywhere

it’s hard to forget when he’s kept his eyes peeled on the waters since that day, hoping to see you once again

he can’t believe that the mermaid he once saved would end up being his saviour

but he guesses that’s what people call fate - an alignment of miracles

he glances around at his surroundings to find himself in the safety of a small cove

you dare to emerge your curious eyes again when you see the form of the man stand up with his gaze on the sand, seemingly in search of something

he fumbles along the edge of the coast, reaching down several times to grasp things too small for you to discern

it seems that he becomes satisfied with what he has found, because he then sets them all down in the wet sand - right where the tide kisses the shore in a teasing game of chase - and takes several steps backwards so that he is no longer close to the waters

the man scratches the back of his head as he gestures vaguely to the pile, appearing to want to say something before thinking better of it and turning around to pick at the driftwood further inland

you wait, trying to gauge his actions

but when it becomes clear to you that he is not attempting to catch you off guard, you cautiously swim closer to shore

you are able to rest your forearms comfortably on the shoreline’s sand from how close you get

and then you see it

a small pile of glossy pebbles and patterned shells

a peace offering of pretty things he could find that he thought you might like

you duck under the water again, but this time to hide your shy smile as opposed to an act of instinctual self-preservation

jongho looks at the hefty pile of dried wood that he has gathered in the meantime, deeming it enough to keep a fire going for the inevitable night he will have to spend at the cove

he’s tried his hardest not to look out to the waters, wanting to gain your trust

but he can’t help it this time when his eyes are drawn to the little mound of his sincerity in the sand

…only to find it untouched, and you nowhere to be seen

he tries not to feel disappointed

after all, you have no reason to trust him

so he sets his mind on starting a fire before the sun sets completely instead, trying to ignore the growing dryness in his throat

when he finally nurses a spark into a flame an hour later, jongho almost misses it in his fatigued state

but it’s unmistakable when he walks closer

gone is his own pile of pebbles and shells

in its stead is a jumbled collection of broken combs, rusted locks and a glass bottle

a peace offering of peculiar things you had found that you thought he might need

jongho doesn’t know it, but as he bends down to carefully gather every gift and safekeep them closer to his fire, he is not the only one with a bashful smile on his face

you tell yourself it’s purely curiosity and displaced familiarity that makes you linger and return to the cove the very next morning

you’re well aware what the risks are if you fall in love with a human

how many stories have you heard of mermaids and mermen alike, falling for a human, only for their love to be unilateral or rejected?

their tails slowly lose their lustre as gradual paralysis takes over until they lose complete control

quite literally drowning within their own body, they eventually sink to the bottom of the ocean to perish with the decaying wreckages of sunken ships…

and the countless corpses of sailors, pirates and other unfortunate souls alike

it’s ironic

no matter how much folklore makes out humans and merpeople to be different, you all end up the same in the face of death; buried in the soil of the earth or buried in the sand of the ocean bottom

side by side

jongho stands in that very ocean right now, sleeves and pants rolled up to keep them as dry as possible as he crouches over with the water up to his thighs

he would try to fashion a fishing hook or harpoon of some sort, but with the possibility that you may be close by in the waters, he doesn’t want to risk using anything that could hurt you

so he resorts to using his bare hands

you’ve been watching from the safety of the water for well over half an hour now, curious and slightly endeared by his clumsy attempts to grab at something

you’re not sure what, but you can see the fish as they dart teasingly through his legs and from out of his reach

for beings that are supposedly apex predators, this human doesn’t seem intimidating at all

so, very cautiously, you swim up closer to him

jongho feels himself freezing at the sight of you approaching - not because he’s afraid of you, but because he’s afraid he’ll scare you away

he holds his breath as you hesitate and linger just out of his reach, then swim up and bump his leg playfully with your tail as you circle around him once

he’s reminded of a puppy wanting to sniff out somebody unfamiliar and his eyes follow your form with rounded fondness

“hi,” he breathes out softly, “i’m jongho”

your tail swishes with sudden movement, splashing him with water and he giggles

you can hear it clearly even from under water and your heart nearly stops

if this man - if jongho - was a siren, the sounds of his happiness would be his song of calling

you want to hear it again

jongho sucks in a breath when you dare to emerge from the water’s surface, presenting him with a fish held carefully between your lips and one more in each of your hands

he’s a little dumbfounded at how easily you managed to catch them as he gently takes the one from in between your teeth

the still-flailing fish in his hands is peppered with two tiny neat rows of puncture holes where you had carefully bitten into it

he finds it so fucking cute, especially when you continue to peer up at him with expectant eyes, wanting to know if it was the fish that he was trying to catch this whole time

he wants to thank you, and not just for the fish

so he fumbles through his words when he asks, “would you like to eat with me? unless…” he trails off, “unless you don’t eat fish because…”

are mermaids technically fish?

did he really just offer you the mermaid equivalent of human flesh to eat?

before jongho can panic and try to salvage the situation, you give him a shy smile and nod

jongho makes a fire as close to the shore as possible without the wood at risk of becoming wet

as he spears the fish onto sticks so that he can hold them over the flames, you gather the courage to slide out of the shallow waters so that you can lay on the damp sand closer to him

whilst you can for short periods, you rarely ever fully emerge out of the waters because you leave yourself vulnerable without the full mobility of your body

but jongho makes you feel safe enough to do so

and he must at least partially recognise the amount of trust you are placing in him because he looks at you in awe, the unveiled beauty of your tail now in full display

your scales are a kaleidoscope of cerulean, mauve and periwinkle, reflecting onto the sand below you in a magical dance with each of your slight movements

he notices that the gradient peters out into shades of salmon and coral the closer the scales are to your waist and he cannot tear his eyes away from you

jongho thinks to himself that you were created by the hands of the sea god, who then named the word beautiful after you

and even then, the word does not seem to do you justice

“why are you staring?”

your voice is simultaneously bashful and teasing, yet jongho is utterly mortified that your first words to him are ones exposing his smitten behaviour

his brain kickstarts in panic and he blurts out the first thing that comes to mind

“if your tail gets too close to fire, will you start smelling like grilled fish?”

for a split second, your expression contorts into one of pure horror, before the absurdity of his question breaks down the remainder of your reservations and you lose yourself in laughter

a pretty blush settles over the round of jongho’s cheeks and then he is also laughing with you

together, where the land and sea unite, the sounds of your shared happiness fill the air

his song of calling chimes melodiously in your heart even as you swim away for the night

but the dangerous thing about a siren’s song is that you don’t realise you’ve become captivated…

until it’s too late

you’re looking down at the object in your hands as you swim for the cove

it’s cream-coloured and smooth to touch, with several blunt tips extending from one side

you’ve always wondered what it is and so you decide to see if jongho will know

you don’t notice the large rock formation jutting out of the seabed until it’s almost right in front of you and at the last second, you flex your tail to manoeuvre yourself around it

except you must miscalculate your distance because you end up grazing yourself on the sharp edges of the rock

it doesn’t puncture your scales but it certainly catches you off guard - your organs and senses work in a way that ensures you never collide into anything so long as you are underwater

so then, why?

you look down and your heart drops

tentatively, you spin around once, eyes never leaving their focus

you realise it’s not a trick of the lighting or the water

your scales have started to lose their shimmer

jongho is beginning to think that you won’t show up today when you finally do, one of your treasures cradled in your hands and a smile on your face that doesn’t quite reach your eyes

(you weren’t going to show up, not after realising that you need to stop yourself from falling further in love with jongho if you want to live, but you decide to be selfish one last time and say goodbye, even if you’re the only one who knows it’s a goodbye)

“what’s that?” he gestures towards your hands with his chin as you slide your upper body out of the shallow waters, leaving your tail to be submerged when the waves come in

you uncurl your fingers with a shrug

“it’s a comb,” he answers his own question as he turns it over in his hand, “made out of animal bone, i think”

you look at him curiously as he sits down, unbothered about wetting his clothes, and you ask, “what’s a comb?”

jongho brings it up to his head and pretends to move it up and down

“you run it through your hair to untangle it”

he pauses as his eyes flicker to your hair then back to your face

“i can…show you how to use it…if you want?” he offers

just once, you’ll allow yourself to get close to him just this once

when you nod and sit up, jongho shifts himself so that he is behind you

you try not to shiver when you feel the heat of his chest enveloping your back as he reaches forward to gently gather the hair from around your face and neck

he steadies your head with one of his hands, the other bringing the teeth of the comb through the slight waves of your hair

his touch is soft and loving in the way he tries not to tug too hard when he encounters a knot

his fingertips skim against you intimately but with an innocence that betrays the fact that he has never brushed somebody’s hair before

you feel your shoulders relaxing into his touch and your eyes close, blissfully - and perhaps deliberately - ignorant to the fading radiance of your body

“are you feeling okay?” jongho’s voice sounds even more alluring when it’s right next to your ear and you can’t help but shudder this time. “you seem paler than usual”

he brings a hand down to your waist and turns you towards him so that he can see you better

you try to formulate an answer, “i…”

i think i’m in love with you

of course, you would never tell him that

but before you can tell him that you’re fine, you become distracted by the glimpse of something on his hand that’s still resting on your waist

a scar

“is that- how did you get this?”

you run your thumb lightly over the taut, white line that runs from his wrist to the knuckle of his index finger

as you’re suddenly reminded of the familiar memory of a teenager with rounded cheeks and gangly limbs, the man beside you with those very same eyes looks at you fondly

“i cut myself trying to free a mermaid from a fishing net”

your gaze is unfocused as you process the information

the effects of the shattering revelation are immediate and a terrifying numbness starts to creep up your tail

because what you didn’t know - what nobody in folklore knew - was that the effects of paralysis and onset of death are accelerated when you fall in love with someone again for the second time

years ago, your heart had been claimed by the young man who had freed you at his own expense

you had managed to survive the heartbreak due to the briefness of your encounter, your paralysis fading and tail regaining its beauty when you never saw him again

but the effects of your unilateral love have not vanished entirely as you and your merpeople have believed it to

they have simply lay dormant like a disease, waiting for the right time to resurface when your feelings are rekindled

and so now it snowballs and gains traction at a speed that cannot be stopped, racing to catch up on the numerous years that you have cheated death where you thought you did not love jongho

“why is your tail turning grey?” the voice of the man you love is pinched with muted panic

you never thought you would ever be afraid of your own tail; your own body

yet, when you look down to see the monochrome advancing up each layer of your scales, you are absolutely petrified

your tail is starting to look like a stone statue and you know it won’t be long until that’s exactly what you become - motionless and unmoving

“y/n! why is your tail grey?!” jongho repeats with a shout, in full blown panic due to your lack of response

you can’t- won’t die in front of him

your lower body is almost deadweight with immobility and you bite back tears as you’re forced to crawl pathetically towards the water with your arms

jongho scrabbles to his feet as he hovers next to you, hands wanting to help but not quite touching you because he’s not sure what’s happening and he doesn’t know what he can do for you and you look like you’re in pain but he doesn’t know why-

“don’t!” you bark out sharply

he freezes in shock

you’re frightened and angry and you want to yell at something, someone, but…

you could never yell at jongho

with a much softer, albeit shaky voice, you tell him, “don’t look for me”

and before you can hear the pained noise that escapes jongho’s lips, you drag yourself back into the water

except a few metres after you’ve submerge yourself, the unthinkable happens

you. cannot. breathe.

you’re drowning.

jongho doesn’t care if you’ll hate him forever, doesn’t care if this is the last time you’ll choose to see him, but he will not just stand and watch when it looks like you are leaving to die alone

his body moves with the decisions of his heart before his mind tells him otherwise

he dives into the water after you

the world distorts around him; a moment of weightlessness as the waters easily shift to accommodate his body; the bubbling sound of air pockets reverberating inside his very skull; the shock of cold that overrides every other bodily sense

jongho forces his eyes open with numerous blinks until he can see you

your form is eerily still, and yet, you remain bewitching

he kicks his legs desperately with one arm outstretched and as soon as you are within reach, he tugs you into his chest

you’re limp to touch, lips slack and parted as if the very essence of your soul is escaping through your mouth

jongho will not let you die

lungs starting to burn and heartbeat pounding in his ears, he presses his lips against yours

a kiss of life- 

he closes his eyes

-and love

but you don’t respond

jongho ignores his instincts even as his body screams to part from you and kick upwards for a breath

instead, he moves his jaws to kiss you even harder

and then he feels it

he almost sobs into you when your lips twitch weakly against his

with renewed vigour, you’re sealing your mouth around his bottom lip as you respond, capturing him in a real kiss

below your joined lips, your scales start to bloom with their full brilliance once again

your tail shimmers brighter than before, reflecting intricate patterns of fractals with each slight ripple of the water as you open your eyes to the sight of jongho’s face, beautifully swathed in the incandescence of the rainbow

you can move again

you flick your tail, jongho’s arms still firmly around your waist and you both burst upwards, breaking the water’s surface with spluttering breaths

he desperately treads you both backwards towards the shore even though you can easily hold your own now

“jongho, you-”

he takes one look at you before he cuts your words off and plunges himself back underwater, stunning you into stupor, until he re-emerges with another splutter

“your tail!” he yells with overwhelming relief, face still scrunched as he tries to sweep his fringe up and wipe the water from out of his eyes

“yeah…” voice muted as you process the fact that you’re still alive, “my tail…”

“fuck, you scared me”

jongho’s eyes are bloodshot as they stare into yours, and you know for a fact that they aren’t just red from the irritation of salt water

you bring up a hand to rest it on his chest, right where his heart still thumps rapidly under your touch, and you apologise with a small smile, “sorry…i scared me, too”

he huffs a little before looking at you earnestly

“don’t ever do that again”

the water is now shallow enough that jongho can stand, but it’s deep enough that you can still drift effortlessly

it’s the perfect harmony where land and sea unite; where a human and a mermaid interact

where you, the enchanter, and jongho, the enchanted, find a balance of love

“i won’t,” you promise

on land, humans tell a story of a mermaid who falls in love with a man

a mermaid who is ready to give up her voice in exchange for her happily ever after

but in the sea, merpeople tell a story of a man who falls in love with a mermaid

a man who is ready to give up his life in exchange for his happily ever after

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[marvelandponder]

one amazing thing about the Owl House finale is that it finally contextualized for me one of the central metaphors of the show. Spoilers for the series finale Watching and Dreaming ahead.

we good? no one spoiling themselves? beauty

for a long time now, I thought we had a pretty standard coming-of-age metaphor dichotomized by the show's central antagonists. you've got your protestant witch hunter Belos who introduces a maturity and ugliness to Luz's narrative; he clearly represents a particular, restricting form of adulthood, and just when Belos becomes his most threatening, boom, enter the Collector, Luz's dangerously naïve inner child to ruin all her development on the Boiling Isles. Seems simple enough

what I didn't anticipate was just how specific and personal their roles in the story actually are to Luz once you have the full context from the series finale

look again

this story - this whole series - is about the grief that a neurodivergent kid experienced at a young age, introducing the cruelty of loss and adulthood before she was ready to handle it. and, how to reclaim a more whole understanding of herself as she rebuilds her life with people who get her

Belos is designed to infect the titan carcass like a disease. a cancer. it's super goddamn significant that the titan is King's dad (King, who became Luz's younger brother). they set up Belos not just to be another fascist kids' cartoon villain (although yeah, he do be doing some of that), but to specifically become a force that oppressed the weirdness from the one place that understood Luz. the Iles. the dad. And by the end of the story, Belos's goopy body-horror isn't just for show, he's just like the cancer or other terminal disease that took Luz's dad from her

he's the thing Luz hasn't processed in season 1 that comes in at the end like a warning. he's the threat that forces Luz to grapple with her own humanity, feeling somehow (often completely unjustifiably) harmful to those around her, through the grief she doesn't want to be a burden or the weirdness (neurodivergence) others don't understand. he's the force that says there is something wrong with you, Luz, give in to your grief, this is what you can't face. this is the lie you've been telling to those closest to you: that you're okay

then you have the Collector. (notable that he's a collector, and we see Luz's mom and dad had quite the collection of nerdy memorabilia)

the Collector is the child too young to understand death. Too young to understand consequences, or why their playmates don't feel like playing anymore with someone so weird and maybe a bit too involved in their own world. The Collector is Luz's inner child, that kid we see right before the "worst week ever" — the one who didn't and couldn't understand what was about to happen even as it was going down. unapologetically weird, a bit destructive and short-sighted, but wholly colourful, wholly themselves. that's why the Collector wants to live out Luz's adventures, but without all the depth. just the fun escapist fantasy

but don't think I forgot the internal conflict! :D

because Camila's role also gets an added depth too: Camila was framed at the outset of the series as someone who loved Luz, but wanted her to fit inside a box that she just didn't. later, Luz completely misconstrued her mom's breakdown when she learned that Luz chose to run away. as many people have pointed out by now, Luz misremembers the actual dialogue that Camila says: Camila only wanted her daughter safe, not to lose her. Luz meanwhile felt like she had to choose to destroy this part of herself, or give up her connection with her mom altogether

but we know now Camila actually deeply relates to Luz. she may not understand Luz's fascination with horrific things like on the boiling isles (very akin to a kid getting more grim hobbies in the wake of a death, like Luz's taxidermy), but she loves Luz for who she is. all of her. she never wanted Luz to change

Luz was the one framing the central conflict of the show as go back to her mom or stay in the boiling isles. Luz was the one who felt like she had to punish herself by rejecting the one place where she felt like herself. once Camila realizes what's been going on, and how deeply connected it is to the loss of Luz's dad, she knows Luz is trying to make a "very bad choice for herself." And she won't let that happen (what a great mom!!)

But Luz does have one real choice ahead of her

because of the inner child who once again has to confront death (this time, Luz's own), Luz is able to connect with a father figure, the titan, the one place she feels understood. in the form of a power-up that makes her into a fantasy witch straight out of the Good Witch Azura, the one place she got joy after that huge loss, the titan gives her the strength to face the cancer—a force draining everything good in her life from her and making her question she deserves it in the first place—but only if she can choose herself

and that means choosing happiness, choosing found family, choosing love and friendship and self-discovery in the place she feels most at home! every bond she's forged, everything she's worked for, it all comes down to choosing to face grief and move on in life with weirdos who stick together.

hoot hoot, that's some good metaphor

[raven-at-the-writing-desk]

the elitism in magic education

HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***

Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the lens through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).

To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This is already one HUGE barrier for entry. We now have more to consider.

Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand-me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.

Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. Idia even says in book 6 that Riddle has an “artificially large” pool of magic due to how young Riddle started his magic training, meaning that the wealthy has the resources to just produce “better” mages. The rich also have more money to throw into items to help with magical training, such as bigger and better magestones (which must sell for substantial amount in the first place since Ruggie tries to save some to pawn off later in Vargas Camp) to keep mages healthier for longer (since magestones help absorb blot). This keeps power concentrated in an already elevated class. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.

Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:

Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.

Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).

Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.

Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.

The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)

Kalim is the heir to a massive family fortune and trading business. He also has relatives (by marriage, I believe) who are royals.

Jamil, as Kalim's attendant, is also from a reasonably well-off family; they receive benefits unique to being closely tied with the Asims, such as exposure to elite society and lessons to acquire various skills, albeit these benefits comes with being in the lower social position of a servant.

Vil's father is an A-list celebrity, and Vil is also one himself.

We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.

Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.

Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.

Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.

Silver is Lilia's adopted son and is actually a prince himself.

Sebek's parents are dentists. They must make mad money. His grandfather is also a respected knight that served alongside Lilia.

Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.

We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but Ruggie confirms in his Birthday Boy vignettes that a majority of the students at NRC are decently well-off. This single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.

Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.

Back on the topic of bloodlines and family, what about Kalim, who has an extensive family? There will be no shortage of Asim mages going to NRC just because of legacy (Jamil even alludes to the fact that the previous Scarabia dorm leader was an Asim relative, and his recommendation is what got Kalim the dorm leader seat). And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.

Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their "pitiful" education and states that they were clearly "born to parents with no great magical capability". It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.

This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. The magic police force in particular are described as “elite” and members are REQUIRED to be mages or else you don’t qualify. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.

Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to do much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Riddle also has dialogue that implies students dropped out of NRC prior to his reign (and since then, no Heartslabyul students have left). Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs of bigger questions.

What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.

Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.

THIS ACTUALLY RELATES BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”, and we see them constantly misusing their power by fighting each other over very petty things (even if it’s against the rules to do so). But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.

When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.

Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.

I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.

Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.

Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.

What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). Both the spell and the incantation are references to the song Honest John sings in Pinocchio, Hi- Diddle-Dee-Dee. And… well, the whole UM in of itself is one big cruel joke given his circumstances now.

I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…

But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, thus his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness even when he has been crushed under the weight of an unglamorous life.

I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…

Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔

Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.

Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.

Fellow and Kalim have a notable similarity as well, and this is where I feel they can connect. They are both older brothers to a child or children who are magicless. Fellow only has one, and Kalim has many—but the number here isn’t what is important. What is important is that Fellow and Kalim think the world of their siblings and want to support them. To that end, Fellow is willing to be cruel and step on others, and Kalim is all sunshine to keep their spirits up. Fellow has suffered through great poverty and insults and Kalim has survived so many attempts on his life, yet they’ve developed distinctly different approaches to the worlds that have embraced them. Kalim’s wealth could afford him protection and luxuries, so he’s able to live carefree with others tending to his needs. The same isn’t true for Fellow, and so he came out far more spiteful and resentful.

Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other boys certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).

At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.

Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.

All of this is to say that Rollo was right all along about magic, he never misses—

[libraford]

Here's what's going on in Ohio right now. Heavy stuff ahead.

First, I want to apologize for the misinformation in my original post. I am still learning about legislative processes. To correct: the changes to ODH and OMHAS in regards to gender therapy are not a bill, they are changes in regulations.

This is important because citizens CAN affect rule changes. There is an open commentary period where your submissions get counted and can affect how they write new regulations.

Disclaimer: I am not a lawyer, legal advocate, or medical professional. I'm just a dude who had to have it all explained to me.

The first one is Ohio Mental Health and Addiction Services. The rules proposed would make the already prohibitive process of gender transition even harder. In order to diagnose and treat gender dysphoria, a hospital needs to have a board certified psychologist per patient, a board certified endocrinologist familiar with the age group being diagnosed per patient, and a medical ethicist overseeing the hospital's plan for transition. 'Board certified' does not guarantee that the specialist is trans-friendly. It must include a detransition plan. Hospitals would have to report compliance annually. The professionals must have a contractual relationship with the patient, but do not need to offer in-person care. (In this instance, I'll get to that in the next rule change.)

This rule also deems it impermissible to prescribe gender transition care (this includes hormones, puberty blockers, or drugs) for anyone under the age of 21 without the approval of the professionals mentioned and 6 months of therapy.

There is an exception for intersex people, who may have their sex assigned to them without their consent.

The open comment period for this ends January 19 at 5pm.

Send an email to MH-SOT-rules@mha.ohio.gov with the subject title: "Comments on Gender Transition Care Rules."

The second one is Ohio Department of Health and it repeats a lot of the same as the first one. However, the focus is more on the regulation of doctors and paperwork. Anyone seeking transition will be put into a registry with their name redacted, but demographics like age, agab, specific diagnosis (difficult to achieve with the new regulations mentioned above), and any medications (not just related to gender transition, but any medications at all). Any cessation of care must be reported within 30 days.

This is a lot of paperwork and can overburden hospitals.

That 30 days cessation is important because if a person transfers doctors or if a clinic closes and the paperwork isn't filed, it may count as a 'detransition' when tallying demographics, even if that is not the case.

But what's curious is that the ODH regulations DO require in-person care. The rules are contradictory and vague.

The comment period for this ends Feb 5th.

Send a comment through the ODH website

Here are some important things that were mentioned at the meeting:

This is a good time to be personal with your statements. If this would disrupt your life in any way, please say so. "I fear that" "I believe this" "I worry that"- these are great ways to start your comment. An example one person gave is "I worry that this change in regulations would force me and my daughter to move out of state.'

With that being said, anything that you send to these sites will be public record, so be cautious about what you reveal about yourself in your comment.

If you are in need of help, please reach out to one of these resources:

Trans Ohio Emergency Fund Resource Page

Kaleidoscope Youth Center

If you are in need of legal advice on how to navigate all this, please call

888-LGBT-LAW

This is not everything. There is unfortunately more because Ohio decided to break a record this month with anti-trans motions. But today I'm focusing on things that we can take action on.

[ruegarding]

Wait what's the tea on Wotg makin' Percabeth even worse? /gen /nf

tldr; rick is continuing his trend of having annabeth imply that she thinks her bf is stupid (u can see what i mean by trend here). this is coupled w a lot of ableism: acting like percy is too stupid to function and removing annabeth's disabilities so she can be a girl boss while refusing to address their mental health. this is supposed to make percabeth look cute, somehow, but instead comes off as mean-spirited at best.

first, to establish context, percy's incredibly overworked,

(he's also on the swim team) and bc of this percy is falling asleep in class and waking up in a panic. this is never addressed seriously despite being a series abt disability. as if that wasn't enough, percy also is never shown to enjoy any of his classes and is frequently written to be stuggling w his grades, just in case u forgot he was stupid (he also is written w the ableist stereotype of being lazy abt school work, too, instead of, you know, disabled). his main motivation is that annabeth will be successful with or without him so he better not be a stupid failure.

completely ignoring percy was the one who wanted to go to nru. also, zero mentions for the accommodation percy is receiving for his disabilities (nor annabeth's, but she's written like they don't exist so).

and then percy says that annabeth's friend, hana, doesn't like him bc she doesn't think he's good enough for annabeth, going on to think yeah that's fair. this is never addressed bc it's supposed to be a cute percabeth and #girl boss annabeth moment. then percy makes a joke (?) that annabeth's friends are gossiping abt how annabeth can stand to date him when he's too stupid to understand architecture when percabeth walks away to talk. this is not a percabeth win and i'm genuinely not sure how anyone on rick's team thought it was.

then there's this:

just in case u forgot, percy is the stupid one and annabeth is the smart one. teehee.

and, in relation to ignoring their mental health, annabeth talks abt putting spider webs all over hecate's mansion (bc she wants to make a haunted house), which rick says is ok bc it's not spiders. except part of annabeth's huge traumatic fight w arachne was being covered in spiderwebs that literally pulled her into tartarus. so. weird plotline. similarly, percy has a bit abt having nightmares abt cereberus, which is equally stupid. i talked abt it here. not necessarily percabeth but worth mentioning for context. oh, and percy also bodily-fluid-bends later in the book w no comment except annabeth's shocked expression. correction: while percy does bodily-fluid-bend w no fanfare, annabeth is not there. percy poison-bends in front of annabeth w no comment.

rick then keeps poking fun at how percy and annabeth would make great parents. which. they're seventeen. btw. but yeah anyway percy would make a great dad bc he's got the funny dad jokes (bc he's stupid. haha get it). annabeth would make a great mom bc she's soooooo nurturing what w taking care of a puppy who decides to call her mom and taking care of her stupid idiot useless boyfriend. i wish this was a joke. more on this later.

the line "[annabeth] looked surprised—me comforting her, kind of switching things up" is self explanatory and written specifically to piss me off.

this passage,

which sucks for many reasons, but especially bc this is rick trying to rewrite book canon w show canon despite very easy ways to include this without acting like percy is an idiot who just didn't notice for the past THREE BOOK SERIES (like a war that took place recently where chiron was injured idk just an idea). instead, percy has to take the fall for rick's error and annabeth has to act like her bf is the stupidest person on earth.

btw, did i mention that annabeth is ahead in her classes and percy sucks at school? teehee.

wow, it's like annabeth's dyslexia isn't even there!

now, it may seem that i'm exaggerating percy's incompetence.

this is a real quote from the book.

so is this!

and this.

and—u get the point. rick is acting like percy hasn't outsmarted his opponents bc his personality is stupid and annabeth's personality is reduced down to having the brain cell.

then, percy has a moment where his empathy shines thru and he's allowed to succeed at something (for the first time in the book), except he has to put himself down to make annabeth feel better. bc we can't have percy feeling good abt himself since it makes annabeth look bad. or something. idk.

again, there is no exploration of percy's self-esteem or their myriad of trauma.

to make up for all the times percy was treated like an idiot, annabeth says percy is "a pretty smart guy,"

which is a surprise to her despite them having known each other for five years.

furthermore, rick is writing percy w a sort of incompetence towards household tasks that is, quite frankly, sexist. here is a good post on how it mirrors weaponized incompetence and here is another one abt the disturbing nature of mom-ifying annabeth. i should make it clear annabeth provides percy food in multiple scenes while percy does adjacent to nothing. she also tucks him into bed like a child in one scene and gets nicknamed "mom" by a dog that pees on her (AND she cleans up the pee while percy does nothing).

so, wottg is essentially 300 pages of mean-spirited bullying from all sides. none of the humor shines through these jokes, none of the facetiousness, like hey isn't it funny that percy is really smart but sometimes completely oblivious, is there. there is no comedic disparity between percy's power and skill and his ability to trip over his feet bc there are no impressive feats of power and skill (anything that would count are immediately brushed off). comments abt percy learning to tie his own shoes w his newfound octopus tentacles don't land in a book where he's acting like he cannot have thoughts without annabeth. and there's no grace to be given bc at no point in any of this handled as a serious exploration of percy's insecurities despite the ample opportunity to do so.

then, when percy isn't being hounded w vitriol, annabeth is being reduced to a sexist caricature of a woman. it does not make percabeth look good in any way.

finally, i need to make it clear that however bad this breakdown makes the books seem, it is worse. i summarized and skipped over a ton of stuff for my own sanity.

[reds-skull]

CW FLASHING IN THE VIDEO (3rd from the bottom)

This is it. 3 months in the works, the comic (and video) are finally done.

A little over a year ago, I uploaded the first work in Revenant AU, Ghost's origin comic. I never thought I'd write a whole series for this, but I'm so glad I did. I got a whole new hobby out of it, haha.

I already began working on part 2, but this for me marks the start of it. I'm really excited to get back into this world!

Under the cut there are some comments on the comic I thought some people might be interested in (don't wanna make this post longer than it already is lol). I will upload the frames from the video separately, with comments on it there.

Bottom line is, thank you for letting me just go wild with this :)

Okay, I'm mostly gonna talk about the part where Fate shows Makarov the 141+Farah. Makarov doesn't see the Fate of people as literal images, he often has to interpret odd symbolism in the flashes he gets from the Weave of Fate.

I decided to go for a style I saw in a collection of calling cards in MW3, mainly from this one:

You can really see it in the faces and pitch-black cel shading.

I'll be going in order of appearance, starting with Farah.

Obviously, each of the "flashes" shows the Reaping of each person, Farah being crushed under rubble. Behind her is a helo of green gas, which symbolizes the Russian experimental gas. The motifs around her are more interesting imo - they're taken from the Urzik flag (and yeah apparently it's "Urzik" and not "Urzikstani"... according to the wiki at least). Wings, plants (feels to me like a pomegranate and some sort of crop, but I couldn't find what it is specifically), and a moon, upside down.

I'm skipping ahead a bit, but I've had the idea to make a drawing of Gaz in the Hanged Man pose since I started the AU basically. I tried sketching it once, and it went bad so I gave up lol. But I decided to come back to that here, and add some sort of tarot connection to all of them. I know practically nothing about tarot, googled the meanings of each, they fit well enough, I called it a day lol.

So Farah is the Moon, upside down.

Price is next, showing him taking control of the brain of someone. I didn't use the flag of the UK for the 141 (it'd be kinda boring...), instead I took the Taskforce 141 logo, and broke it down to different elements.

I took the laurels for Price, both framing his illustration and sitting above his head like a crown. I decided he will be the Emperor.

Next up is Gaz, the Hanged Man of course. Gaz gets both the wings and the stars (I changed mine to 4-pointed because... I like them better). Pretty clear why, both symbols relate to the sky. The illustrations kinda follow a rough day cycle, if that makes sense. Farah being night, with the moon. Price with his golden and purple color palette, twilight. Gaz being sunrise, and Ghost and Soap, day. This is why Gaz has a sun behind him.

Ghost was fun because he's the only inhuman one out of the group. I'll let you think what that implies, that even in Fate's Weave, Ghost is an outlier... Ghost gets the skull, and the card "Death". That one was easy, but what I did add is blood flowing down the skulls, like tear tracks...

Soap, the problem child, gave me the most issues as always. For once, it wasn't his fucking face, it was the flames behind him, and overall contrast and readability issues. Soap's illustration is probably packed with the most "hidden" details, though they're obvious if you've read the fic and Konchar's side story. The headless man behind Soap is Konchar himself, holding 4 chains with dog tags on them. The 4 soldiers from Soap's squad, who he killed before Soap was Reaped. Soap's pose is from the moment he came to his senses, after getting shot in the head and destroying a large part of Verdansk. He has 4 swords, pointing at him and downwards, so his card is 4 of Swords, upside down.

Between Soap and Ghost is a circle and a triangle. I'll explain that in the post concerning the video, since that's where I got that from.

If you read all of this, thank you so much! There will be another post for you to read in a moment lol

[the-oracleof-delphi]

PAC: Messages From the Universe

Pile One - slice of cake on a plate

:: Right off the bat, your self-esteem needs a boost. If you operate with the belief that you are lacking in someway, or you are not good enough, or you do not deserve the good that you have achieved till now - then my dear Pile Ones I am afraid you will continue attracting people who will diminish your worth and reinforce the negative beliefs that you have within yourself.

:: It seems like you have been looking for validation in the wrong places. You have put certain people on a pedestal when they don't deserve to be. You are not seeing the full picture, or it is being intentionally hidden from you. Whatever it is, your message in this reading is to give yourself the validation that you are craving from the external world or a specific person.

:: The world is but a mirror, whatever you project it will reflect. If you see yourself as worthy, you will find people who see your worth and those who cannot tolerate your light will exit your life. Hence, love yourself and you will find people who love you.

Pile Two - a flower wreath

:: Dear Pile Two, you are looking for stability, you are looking to build a legacy - a family perhaps? But it seems like the universe is blocking your attempts to create that stability. Your offers are being rejected, your paths blocked. You feel dejected, in general.

:: But just know, there are bigger things happening behind the scenes. Something more grander than you can ever imagine. Things that are better suited for you. People hate to hear this, but all you have to do right now is to be a bit more patient. Another thing coming to my mind is, if you think that people who have wronged you have gone scot-free, you are wrong - justice is being served behind closed doors and they are getting their karma, even if you cannot see it.

:: Lastly, you may be spending too much of your time thinking. Do not stress too much. Let your mind rest. Do not let your thoughts take control of you - stay grounded in reality. If possible, engage in physical exercise or some form of sport.

Pile Three - a single slice of cheesecake

:: You are ready. Pile Three, it seems like you were working very hard for something. Everything you did till now would somehow culminate into this. And now that you have almost completed it, you are faltering for some reason. Why is that, you are ready. It’s just the nerves before the big achievement.

:: The thing can be career-related but also something that you are emotionally invested in. If it is career, then perhaps it is a career that was also your childhood dream. You are on the verge of fulfilling it - I'm getting completing a degree, clearing an exam, just something you have worked very hard for - but now you are having doubts. Do not have any doubts, Pile Three! You are perfectly capable and deserving of whatever is coming to you. And believe me when I say it, what lies ahead is going to be very fulfilling for you.

:: You will gain stability, money, respect - just don't second guess yourself. Good luck, Pile Three! Everything is alright. Also, if you have a specific love interest in mind, know the feelings are reciprocated - what happens next is upto you. :)

Credits: Icons - @saizun @buriedteen divider - @strangergraphics

[writingquestionsanswered]

Tips for writers with ADHD that get major writers block/burnout

Writers with ADHD and Writer's Block/Burnout

Tip #1 - Troubleshoot the Problem - I want to start here, in the most obvious place, because even for writers with ADHD, writer's block is often the result of a specific issue that can be surmounted once identified. My post 5 Reasons You Lost Interest in Your WIP, Plus Fixes! addresses some of the most common ones. It's worth checking to see if something on there resonates with you as a potential obstacle to progress.

Tip #2 - De-Stress Your Writing Time - Human brains are wired to respond in specific ways to perceived threats... fight, flight, or freeze. Quite often, what we call "writer's block" is actually your brain having a freeze response to writing because it's causing you stress and is therefore perceived as a threat.

So, anything you can do to de-stress your writing time can help. Troubleshooting the problem as in #1 is a good start. Set reasonable goals and deadlines... you can estimate your available writing time and calculate that with your estimated WPM to see if it's even possible for you to hit your word count goal. Go easy on yourself when you don't reach goals... celebrate even the smallest of wins, because negative thinking makes writing more stressful. Do what you can to set up an inviting writing space, light a candle (safely), play soft music, use ambient lighting, have your favorite beverage and snack at hand.

Tip #3 - "Gamify" Your Writing - Turning your writing goals into game achievements can make writing fun, which is another great way to de-stress it. You can usually find free game board templates online, or you can create your own. I like to set mine up like this:

You can set as many tasks as you want (within reason) for each goal, and your prizes can be anything from a handful of candy to buying something you really want, or doing something you really want to do. Whatever works for your budget that motivates you to get the tasks done.

Tip #4 - Do an Immersive Writing Sprint Session - YouTube is a wonderland of helpful videos for writers... not just easily digestible writing advice and research information, but also writing music, ambience rooms, and one of my favorites, immersive writing sessions. These are themed ambience rooms with ambient video, music, and sound effects, but they also have a writing sprint timer on the screen, so you are encouraged to write for however long (usually 10 to 20 minutes), then you get a five or ten-minute break before the next sprint starts. These can be a really great way to get into the zone if you're struggling otherwise.

Tip #5 - Eliminate Distractions - When you have ADHD, pretty much anything can be a distraction. If my desk is messy, I'll pause mid-sentence to clean it rather than write. If there's something on my desk I can fidget with or play with, I'll do that. If my phone is handy, I'll pick it up and start scrolling through social media. If I'm listening to music with words, I'll go look up the lyrics and fall down some weird tangentially related rabbit hole. If I'm hungry or thirsty, I'll get up fifty times to get a small snack or drink. So, I clean my desk ahead of time and remove anything I might be tempted to fiddle with. I only play instrumental music (usually an ambience room). I put my phone on silent or leave it in another room.

Literally anything I can do to head my usual distractions off at the pass. For me, it actually makes a big difference. Try keeping a running list of things that distract you while writing during a week of writing sessions. Then, go through the list and write solutions. This helps you build a pre-writing session distraction elimination routine.

I hope something here will work for you! I may do a part two to this soon, so keep an eye out!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[disneyprincemuke]

family day * fem!driver

her siblings are in attendance for her race, wreaking havoc wherever their sister steps foot in

pairings: sebastian vettel x fem!driver, oscar piastri x fem!driver, max verstappen x fem!driver, alex albon x fem!driver, logan sargeant x fem!driver

warnings: siblings is the warning

notes: i tried to make this as anonymous friendly as possible but it's deemed very difficult when there are too many nameless characters... LOLSIE

(series masterlist) | (📂 the rookie season)

"oh my god. that's fernando alonso!"

the squeaky voice amidst all the chaos in the paddocks makes her snap her head, only catching her younger brother starting his run for the older driver up ahead.

her hand darts into the air, grabbing him by the back of his shirt's collar. she yanks him back towards her, stumbling back steps but still managing his stability to stand tall. "where do you think you're going, dalton?"

"dude. that's fernando alonso. i've got to say hi!" he points excitedly towards the man towards the aston martin home. he tries to swat her grip on him off, the front hem of his shirt pressed up against his neck. "come on!"

"this is my first year here, you're not embarrassing me by acting like a crazed fan."

"i'm not acting like a crazed fan. he's my hero!"

"you weren't even interested in the sport until last year when i told you i'm moving up to f1."

"he doesn't have to know that."

"but he will."

"he will not."

oscar sighs, reaching forward to forcefully remove her hands from the deathly grip it had on the mclaren shirt that dalton had on. "come on, kid. i'll take you to him."

"no, you're not," she repeats, physically moving him away from the australian. she turns away from oscar and puts her hands on her hips. she points a stern finger towards her brother. "you're not to talk to any of the drivers without me."

his mouth moves, mocking her as she tells him off with a roll of his eyes. "fine, whatever."

"i have to go meet seb for a team meeting. please behave," she pleads, palms pressed together. she looks at oscar with an expectant stare and glances at dalton. "like, seriously. i have enough on my plate today."

oscar nods, scrunching up his nose to reassure her. he gives her a thumbs up while his arm slings over the younger boy's shoulders. "i got it. don't worry about us."

"i'm serious, oscar!" she widens her eyes and takes a step forward. the two boys flinch with a step backwards, throwing their hands up in the air to fend her off. she turns to her brother once more. "i can't babysit you guys today; i'll be working! it doesn't help i've got dumb, dumber and dumbest for siblings."

"hey, you're related to us! you're the leader of the dumbs," he scoffs, arms folding over his chest in frustration.

oscar puts a hand on her shoulder, shaking her body slightly to calm her down. he retracts his hand when her stare cuts to him. "i'll find them and i'll show them around."

her stare lingers without another word. finally, she slouches slightly and she drops her arms to the side. she unclenches her fists. "okay. my meeting shouldn't take too long. i'll text you when i'm done."

a small smile finally stretches her lips. she turns around to start walking towards her team home.

she only takes a small step forward before paranoia engulfs her again. "seriously, no talking to the other drivers without me!"

oscar gives her two thumbs up, waving her off as she gets further down the pathway.

oscar squeezes the boy in his arms and pats his chest. a mischievous smile on his face, turning the other way towards the stretch of racing homes. "how'd you like to meet fernando alonso, kid?"

"oh, don't stress," sebastian waves her off, tapping his phone against his palm. he's walking slowly with the driver next to him, head turning as he searches for the siblings she's losing her mind over. "i'm sure oscar is taking care of them."

"no, he's not! they went to meet fernando and max behind my back when i specifically told them not to!" she screams over the music, pushing through the crowd to find the group wreaking havoc on behalf of her name.

she's desperate to find them. she's tiptoeing and craning her neck in attempts to spot them in the crowd. but with her lack of height, it's deemed almost impossible to complete her mission.

"how do you even know that?" he chuckles, glancing at her frantic state. truth is, he spotted her group of siblings with the bright orange-dressed driver just a few seconds ago.

"because i saw dalton's instagram story! he's posted a selfie with fernando!"

"okay. well, i found them." sebastian grabs her arm, dragging her towards a quieter area.

there, in fact, stands all her siblings with a couple of drivers. and the main source of all her stress, oscar piastri.

"hey, (y/n)!" max beckons her over, beaming with a wide smile and faltering laughter. "you never told us your siblings were so funny! i can see where they get it from."

"that's because they're not funny," she frowns, taking a spot next to the red bull driver who's moved slightly to include her in their circle. "i'm the only one blessed with humour in my family."

alex throws his head back, giggling. with several siblings of his own, he definitely can feel for her. especially being the oldest. "well, they're a delight to be with. they should attend more races, you know!"

"i agree with alex," ciara points at him with a knowing nod. and a smirk that drives her crazy. "it's kinda fun being here."

she scrunches her nose, shaking her head mockingly. "you wish. you've still got school to attend and i have better people to give my race passes to and it's not you."

"so, (y/n), ciara was telling us about your first boyfriend," alex laughs, covering his mouth to cover the smile growing on his face. "was he ugly?"

"he was ugly," dalton confirms with a frown on his face, flashes of his oldest sister's ex-boyfriend flashing in his head. "a total douchebag."

"how would you know, you were like 9."

"you've had a boyfriend!" sebastian grins, staring at her with an open smile. "you never told me about that! i thought you've never had one."

"he is ugly," oscar adds on, shrugging at alex when he receives a shocked stare. he reaches for his phone in his back pocket, stepping to the middle of their circle. "let me show you guys!"

"we dated for 6 months, it doesn't count!" she scrambles forward, trying to swat the phone away from oscar's hands. "don't show them!"

max tilts his head. "why, how ugly was he?"

"considerably," ciara laughs, nodding as she purses her lips together.

"who was ugly?" logan pops up behind alex, furrowing his eyebrows at the female wrestling oscar for his phone.

the height difference always plays a part: oscar simply holds the phone up with extended arms as she tries to physically climb hin to get ahold of it.

"her ex-boyfriend," max grins, clearly enjoying the chaos that her siblings have brought him this race weekend.

"she won't kill you, here you go," oscar laughs, tossing his phone towards the dutch leaning on the wall.

"he was nice, okay!" she defends, finally detaching herself from oscar. she stares at max, hands stiffly extended down in embarrassment as the phone gets passed around the circle. "and i was 16! come on!"

"i'm not judging," max shrugs, though eyes still stuck to the screen in his hands. alex is leaned in towards the phone, glancing up at her then back to the phone again as he tries to form an opinion. "but i would have done better if i was a girl as pretty as you."

"aw, he thinks you're pretty! dude!" dalton teases, punching his sister's back very gently.

she throws her head back and groans when sebastian joins the huddle around the phone. "not the point!"

sebastian's face contorts to a look of disbelief. he looks up at her, nose scrunched up and mouth agape. "and what did you look like when you were 16 again?"

"here." ciara extends her hand with her phone, clearly prepared for somebody to ask that question.

sebastian takes it into his hands, ignoring the girl's pleads to not take the phone. he pushes it next to oscar's phone, the three drivers now forming their final verdicts.

max pouts his lips out. "definitely too pretty for him."

"that's what we told her." logan looks down at his feet and shakes his head in disappointment.

the conversation that they used to have over the phone briefly flashes through his mind as she defended her young relationship. oscar would then roll his eyes over the phone screen and simply tell her to fuck off.

"well, you're in the big leagues now! it won't take long for you to bag a famous boyfriend," oscar teases, pulling her in for a side hug. "he'll be cute this time, we'll make sure of it."

max nods, lips pressed together as he agrees with oscar. "you won't even be allowed to get hit on by ugly guys anymore now that we're here."

the girl shied away behind ciara, very silent this whole time, pokes her head out and chuckles. "sounds like they're trying to set you up with somebody already."

"blythe, please!"

"i hope you guys enjoyed media day," she shrugs, swinging her bag over her shoulder. she puts a hand on her hip and flicks her head towards the exit of the paddocks. "first and last race you'll be attending, by the way."

"hater," ciara scoffs, scrambling to get up from her position on the floor. she straightens her shirt and sighs. "but i guess it was kinda fun."

blythe sends ciara and stern glare. "it was fun. your colleagues are all very nice. i hope they're treating you well?"

"they're very protective," she shrugs with a shy smile.

"and oscar's a menace as always? i don't expect anything less from him, having grown up with three sisters as well." blythe glances at dalton trailing behind them.

the younger boy is now silent, dragging his feet against the floor and shoulders slumped as he follows them blindly.

"i swear he has a crush on you, dude," ciara giggles, bumping shoulders with her older sister. "you've gotta ask him or something."

she furrows her eyebrows. the thought of oscar being romantically interested in her is absolutely absurd. "oscar has a girlfriend, ciara. god forbid i be friends with a guy and keep it platonic."

ciara shrugs, "either he wants to hit or he thinks you're ugly - it's the rule of thumb. matt rife said it."

"just end the conversation before you get into a fight," blythe sighs tiredly, putting her hands up to separate the two. "it was a good day. thank you for giving us your passes this weekend."

"absolutely," she smiles. she hangs back a couple of steps and wraps her hand around dalton's arm. "i hope you enjoyed today. you met charles too, right?"

dalton nods, eyes half closed. "you were right - he is very pretty up close," he says softly, voice sore from all the excited screaming he's done all day. "my favourite is still sebastian."

she rubs his arm gently, giggling at his short responses. "okay, let's get you guys back to the hotel for some dinner and a good night's rest. that's only 1 day out of 3."

taglist: @wcnorris @treehouse-mouse @laura-naruto-fan1998 @mindless-rock @inejismywife

[agirlwithglam]

S.M.A.R.T goals:

How to set and achieve your goals

What does SMART stand for?

S - specific. don't just set vague goals like "i wanna get fit" or "i wanna get abs". how are you gonna know when/ where to start? if you want to get fit: your goal could be "go to the gym for 30 mins everyday" or "i want to run 5k in under 30 mins". whatever works for you. some other examples: -> if your big goal is to get high marks on your next test: your "mini" goals/ steps should be to study everyday for at least 30-60mins. -> if your big goal is to get money/ become rich: your steps/ mini goals should be to save $___ daily first. and also figure out a way you can make a mini business/ get a job.

M - measurable. make sure that your goals are measurable- meaning that you should be able to track them. some examples: -> if your goal is to read more: then create or find a habit tracker or something so everyday when you read, you can mark it down for that day. ! recommended resource: James Clear's habit tracker journal- you can find it on amazon.

A - Achievable keep your goals realistic and attainable. if you know you dont have the time/ energy to read a whole book in 1 week, dont do it- otherwise you'll get easily discouraged. the goldilocks principle: don't make it too easy, where it doesn't give you a challenge, but don't make it too hard either, otherwise you'll get easily discouraged.

R - Relevant basically a WHY. why do you want/ need to accomplish this goal? have a motivation which drives you. make sure your goal is relevant to you in some sort of way. example: -> if you want to learn a language such as spanish, why do you wanna learn it? because you want to travel to Spain one day? to be able to communicate with someone? even if the purpose is as simple as "wanting to be bilingual cus it makes me feel cool and impressive" - if that motivates you, then go ahead!

T - time bound your goals need to have some sort of deadline or urgency attached to it- otherwise you could take all the time you want to start and procrastinate as much as you want. having a deadline for the goal will motivate you to take action sooner, than later.

how to use SMART goals effectively:

decide on the goal. (something that you actually need/ want to accomplish.)

break it down into smaller steps. (very small. so small that you can start working on whatever it is NOW.) you want to get high marks on your test? lets break it down. study 30 mins everyday -> walk to desk -> get material out -> identify what you need to study -> find your weaker topics & write it out -> create a planner or smth -> start studying. // need help? find videos online, go thru material again, find study tips, etc.

write them down. (helps you stay accountable. also people who write their goals down are 42% more likely to achieve them than people who don't write it down.)

create an action plan. (relates to the 2nd point. outline the necessary steps to take, identify resources, set milestones, plan for potential obstacles.)

monitor and evaluate progress. (regularly review your goals, mistakes, and progress. what could you do better to be more efficient and quicker? how can you learn from your mistakes?)

stay committed and flexible. (you really need to be committed to achieve the goals, you shouldn't just start off super excited, doing great in the first week then slacking off. you've made a commitment to YOURSELF. respect yourself enough to stick to it! but also be flexible with your goals. if you're reeeallyy not able to do it one day, plan to do a bit more the next day. stay focussed and don't get discouraged by setbacks.)

celebrate achievements. (recognise when you've hit a major milestone, and celebrate it! this helps you maintain motivation and a sense of accomplishment. and reward yourself!!)

random additional tips:

visualisation. (such a strong form of manifestation. everyday visualise yourself with your goals, feeling all the emotions and thoughts that come with it! visualisation can also really boost your motivation and drive to achieve it.)

PRIORITIES. (remember that also, all goals aren't equally important. prioritise the ones that really matter. this doesn't mean that you can't focus on the other goals, just make sure the ones that need more attention, get more attention.)

positive language. (use kind and encouraging words towards yourself. know and understand that you are that girl who can achieve ANYTHING she sets her mind to.)

seek support. (ask friends and family or a mentor for help. if you want, be careful tho, share your goals with them to help you stay accountable. and if you know a person who's achieved your goals, GET ADVICE FROM THEM! where better to get advice from than someone who's been through what you're going through?)

stay organised. (self explanatory. just stay organised. messy space = messy mind. clean space = clean mind.)

maintain balance. (of course your goals are important, but so is the age you're currently at. especially if you're a teenage, DONT WASTE THESE YEARS!! get out of the house! make friends! go to parties! LIVE LIFE TO ITS FULLEST. also make sure that you get the adequate rest needed!)

write about your journey. (write about the struggles, the obstacles, how you overcame them, insights you got on this journey, etc. trust me, it'll be so interesting and helpful to read when you're older.)

[ravens-two]

PAC: How will 2024 be like for you?

This reading includes:

the general energy of 2024 for you

advice for the year

synchronicities and symbols for 2024

The extended reading includes:

the biggest blessings for this year

your elder futhark rune of the year

a little moodboard

Disclaimer: this is just for entertainment purposes, and as a pick-a-card reading it may not resonate for everyone.

TIPS | BOOK A READING WITH ME | PATREON | LINKTREE | SUGGEST A PAC TOPIC

Pile 1

Knight of Swords, Ten of Pentacles, Knight of Pentacles

"Sometimes it seems that going is just too rough/And things go wrong no matter what I do"

Hello, pile 1, I get the feeling that 2023 didn't treat you that well. There's this feeling of coming out of chaos - the image you picked, your song, even the Knight of Swords seems to be fighting with a murder of crows. I truly get this sense that you come out of the old year almost battered and bruised, but absolutely fucking ready to make 2024 your year. Some of you are even a bit angry - it's that feeling right between anger and passion. I feel a sense of desperation here, it's like you need to get things right this time. For some of you I think that this is related to a relationship (be it romantic, a friendship, or even family), for others I think that this is more work/school related. The specific example that came to me is that you were supposed to finish your degree last year, but you couldn't for some reason and now you really need to whatever it takes to finish it. With the Ten of Pentacles here I see you being successful with whatever this might be for you, even if you have a lot of work ahead of you.

In general, this is a year for acquiring knowledge. If that's your thing I see you reading a lot, maybe even getting into the classics. Maybe that's something that you've always wanted to do, but never had the time. Even if you're not much of a reader I still get the feeling that you'll be reading more this year, it could even be for your job or school. For others of you I see you learning or mastering a language. I have a very specific message that someone is learning a language that is related to their family. It's like, maybe your family immigrated from Italy, let's say, and you never learned Italian, I see you learning it this year. No matter what this is about, this year is all about learning - practical things and life experience too! And I see you having a lot of experiences this year. I see that some of you are coming out of your shell and trying out new things. Going out more, making new friends, exploring new places, that sort of thing.

I also think that this is a year where you will be working on your goals. If you've been dreaming about a promotion or getting into a certain university I see you starting to plan for it and working towards your goals. The vibe is like moving on from the dreaming stage to the acting stage. If you're into manifestation this is also a message for that. Your manifestations are starting to become "real".

Advice: the biggest advice for you this year pile 1, is to put in the work. You need to find a way to keep yourself motivated (this is also a year of learning discipline) and do the work. It doesn't matter if it's hard or boring or that you don't feel like it. It's time to take charge of your life and do the work to become who you want to become. This even applies to relationships, you can't expect to have ride or die friends, for example, if you're not ready to be ride or die for them as well. I wonder if your rune will be Gebo, because this is definitely that give and take energy. You will get exactly what you put in. Take advantage of that pile 1. I also need to note though, that you shouldn't run yourself into the ground. Rest when you need to and take care of yourself. Also, eat well, pile 1! It's time to create better/healthier eating habits.

Synchronicities: clouds, the sun, the color blue, lipstick stains on glass, 15th of April, 111, 555, butterflies, pearls, snow, pine trees

Pile 2

Four of Cups, Three of Cups, Ace of Swords

"All the things that I ran from/I now bring as close to me as I can"

Pile 2, the biggest vibe for you for this 2024 is that you will finally be able to reframe your life and find joy in the little things. You are moving on from the dissatisfaction that comes from constantly imagining something better and learning to be present in the moment and appreciate things as they are. Instead of constantly looking to the side and imagine life as you wish it could be, you will start to love the life you have. There's a sense of being responsible for your own fate here. Like pile 1, if you want change you need to change. This seems more internal though. You are changing your way of thinking, your unconscious bias, working with your shadow basically. Honestly, I am really proud of you pile 2. This is so hard to do, yet so rewarding as well. This is also the year that you stop running. Instead of avoiding your problems/responsibilities you now know that you need to confront you or they will never stop chasing you.

I also see a big focus both on relationships and honoring your feelings. I think that instead of focusing on work like the previous pile, this year your focus is on building stronger relationships with your loved ones and spending time together with them. Enjoying life in the company of others basically. I actually heard the expression "dolce fare niente", which is basically "the pleasure of doing nothing". I think that this is also something that you are embracing. Being able to do nothing, just sitting with your loved ones and watch the world around you. I'm also picking up that one of your goals is spending less time on social media - and one of the advantages will be that you no longer feel the need to compare yourself and your life to other people.

When it comes to honoring your feelings, you will be able to enforce better boundaries, even with yourself. You will learn that if you don't feel comfortable in a certain situation you can leave. Allowing yourself to say no. Again, a year of change, self-development and self-care. Again, congratulations pile 2, this will be hard but so good for you.

Advice: your advice here is to keep an open mind. Don't be too quick to judge yourself or others and take the time to see a situation from various points of view. Your mind will be quite sharp this year and I feel like you'll need it. Be ready to receive divine inspiration. Again, open yourself to new ideas and different ways to see something. I see that some of you are artists, for those of you this is especially important for your art. If you feel like your art isn't "right" at the moment that's the problem. You need to study a different art movement, put yourself in another character's shoes, to turn your whole world upside down and re-learn how to function in it. Also, try to be as truthful as possible, because I get the feeling that any lies that you tell this year might come back to bite you in the ass.

Synchronicities: roses, the moon, the color red, lip gloss, moon charms, the sea, sunsets, tuxedo cats, angels, wings, 18th of June, 888, 434, carnations

Pile 3

World, Hierophant, Three of Pentacles

"No stop signs/Speed limit/Nobody's gonna slow me down"

Pile 3, no one can stop you in 2024. You know exactly what you want and how to get there. I get the feeling that this is a year of achievements for you. Some of you are finishing high school or university. Others are getting their first job or a promotion. Whatever it is, the effort that you put in the past year(s) is paying off and you are seeing the fruits of your labour this year. Your energy is very Capricornian, this might actually be your zodiac sign, but not necessarily. If you have a plan for something that you want to accomplish this year, I can tell you right now that it's probably going to be very successful. I'm even seeing that someone or a couple of people here might go viral? Or at least, you will be very talked about in your community/school/city. You will be known for something that you are doing/will be doing this year. You're getting recognition for your work basically. I advise you to check your natal charts, because I feel like your 10th house use being activated this year. 

I'm getting a very specific message that some of you are learning how to take advantage of a strong hierarchical system. I'm getting two very different things here. For some of you this seems related to activism. You're learning how to use the current power structure to do your activism and to make changes. It almost feels like you're exploiting it, but in a good way. For others, this seems more related to work, maybe even school, but it seems more like a workplace environment. And basically you're doing the same thing, you're using the rules to your advantage. Instead of feeling bound by them and wanting to "destroy" them you're finally learning how to get what you want by following them. This is really intriguing. For others, this is more about learning discipline, and how useful it can be for your life. Whilst for others it's about building a better relationship with power structures and people in power. You might have some trauma with people in power and you'll be making positive headway on it during this year. 

For those of you that are learning a skill - I actually got witchcraft for some of you - this year you're getting into the "classics". Basically what I mean by this is that instead of making things up as you go, you're going to try a different approach and try to learn the theory. Again, for the magick example, instead of experimenting and doing things your own way you might pick a up a book about the history of magick or about magickal theory. I also see that some of you are traveling as well!

Advice: pile 3, it's time to learn how to ask for help. You are not a burden to other people and must of the time they will actually be delighted to help you, because it means that you trust them and believe in their skills. Ask for help with personal things and also in your work! There's no shame in not knowing something or not being 100% sure on how to do something. I see that you guys are very perfectionist and you might have felt that you need to always rely on yourself, but that's not the truth. It can actually be beneficial for you to ask for help and to ask questions in your workplace. Also, pile 3, you also need to learn how to work in a team. I feel like you will be prompted to do this a lot this year, almost as a test. I know that you're super capable and maybe your work would be better if you did it all by yourself, but the truth is maybe you'll get something completely original and different by working with other people.

Synchronicities: rainbows, the color gold, marigolds, flower crowns, mushrooms, snakes, snake tattoos, 24th of August, September, fairy rings, fairies, 555, 222, the desert

Pile 4

Six of Pentacles, Eight of Swords, Magician

"You're not mean, you're just born to be seen"

Pile 4, I immediately get the feeling that you're very good at giving, but not that good at taking. It's almost like you feel guilty, as if you were never good enough, so you need to give much more than what you are allowed to take. This is what's changing for you this year. You'll start to realize that you are allowed to receive as much as you give, and start to have a better dynamic in your relationships. This could be due to childhood trauma or a toxic relationship that did some damage to your self-esteem. But, this year you'll start to see yourself for who you truly are. I also see you enforcing better boundaries and starting to say no when you really don't feel like/can't do something.

Be careful when signing any contracts this year, because you might miss something important that could potentially get you in trouble. If it seems too good to be true, it probably is. Also, don't let people pressure you into being generous. The specific example I'm getting is like someone approaching you and being way too nice, sharing a lot of life details and expecting you to do the same. Just because they shared those things, and they seem nice, it doesn't mean you have to do the same - especially if it gives you a weird feeling.

I also think that you have been feeling stuck in your life for a while now, it could be related to work or your health mainly. I see that some of you this is specifically about mental health. But, in 2024 you will begin to see that you aren't actually stuck. There's always something that you can change, even if it's your perspective on something. Don't let your intrusive thoughts dictate your life, this is especially for my people with anxiety and OCD. You aren't your thoughts. Your thoughts are not you. The first step towards freedom is being able to see the facts. You're taking stock of your life, of yourself, and taking the first steps towards freedom this year. I see that this is also going to be a year of big changes for you, pile 4. Like pile 2, this is mostly about internal changes. Just like I told pile 2, I'm very proud of you pile 4. Changing the way you think and see the world is not an easy thing.

Advice: the biggest advice for you this year is to get back your power. Realize that you are the only one who is in control of your life. Sure, we all operate under specific circumstances and those are difficult to change, but what you do in those circumstances is only up to you. Don't let anyone step over you or tell you that you are not good enough. That couldn't be further from the truth. Recognize your power, your skills, your beauty and don't let anyone take it from you. This is a year of gaining independence.

Synchronicities: solar eclipse, glitter, city lights, clocks, feathers, night sky, "sky full of song" by Florence + the Machine, 666, 888, 3rd of March, rain, heart charms