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vexwerewolf · 7 months ago

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I’m suddenly getting swathes of Lancer hate across my feed… Has something happened in the fandom? “Union is ______ how could they paint them as even remotely good. They allow _____, and I hate the devs they are ______. The whole thing is just 40k with communist veneer”.

Like am I taking crazy pills…? I thought that all of the problems were literally like right there on the tin “we are a utopia in progress! We will obtain it by any means possible even if it means being everything we say we are not/fighting against. As the player you decide what is right. How much will you ignore for someone else’s idea of utopia?” Like doesn’t it mean all the tools to actually change are there and that is the HOPE aspect of all of this?

(Sorry if this in incoherent grammar is a weak point and I pulled something in my back simply standing up. Now I am sad and crook backed in spasmodic pain)

This isn't an argument I feel super enthusiastic about stepping into, because it gets the most annoying sort of people in your mentions eager to maliciously misrepresent what you say.

However, yeah, there are some pretty terrible readings of Union floating around. I'd invoke "media literacy" because think that a lot of this comes from people not really holistically engaging with the fictional future history of Lancer, but also from a sort of dogmatic purism that requires future societies to be flawless, else they're irredeemable.

It is important to note that ThirdComm is the direct descendant of two highly imperfect societies. FirstComm was formed as a response to the Three Great Traumas of discovering the Massif Vaults (and thus that they were the inheritors of a fallen world), the wars over the Massif Vaults, and the discovery of the lost colonies, all of which collectively showed humanity how close it had come to total extinction.

FirstComm decided that it had a responsibility to ensure that humanity never risked extinction again. It manifested this by trying to colonize every habitable planet it could find, pumping out ship after ship to seed the cosmos with as much human life as it possibly could. This led to problems when it encountered civilizations like the Karrakin Federation and the Aun, who had been carrying humanity's torch just fine by themselves, thank you very much.

SecComm was an Anthrochauvinist fascist state. The book defines it thusly:

We can see a lot of Anthrochauvinist historical romanticism in the mech naming schemes of Harrison Armory, SSC and IPS-N - the fact that Harrison Armory names its mechs after great military leaders of pre-Fall Earth history, IPS-N does the same with naval figures, and SSC uses the names of Earth animals. Even the GMS Everest is named for a mountain on Earth. It's very Cradle-centric.

Anthrochauvinism was, to be clear, largely just an excuse for colonialism and hegemony. Atrocities could easily be justified under by stating that whoever they're being committed against were a threat to the Continuance of Humanity - a term that SecComm got to define.

It's also at this point that we have to zoom in from broad sociopolitical points to address one very specific piece of history: the New Prosperity Agreement. This was signed to prevent the outbreak of a Second Union-Karrakin War, and mandated that the Karrakin Houses would maintain privileged levels of autonomy within Union, and that they would be granted colonial rights to the entire Dawnline Shore. This agreement, struck in 3007u, basically defines much of the current political situation today.

ThirdComm was a final and inevitable reaction to the atrocities, abuses and excesses of SecComm. The unspeakable horrors of Hercynia were the spark, but I need to stress how little Hercynia actually mattered in the larger Revolution - at the start of NRfaW, it's explicitly stated that almost nobody in the galaxy even knows where it is, let alone what happened there. The Revolution was a generalized response to SecComm's tyranny, with no single rallying cry.

The Revolution might also have failed entirely, but for a critical error by Harrison Armory: pissing off the Karrakin Trade Baronies. After getting kicked off Cradle, the Anthrochauvinist Party organised a fleet at Ras Shamra to try and retake Cradle. Simultaneously, however, they were attempting to secure protectorate agreements to steal worlds in the Dawnline Shore out from under the KTB. Putting these two together and making five, the KTB assumed that the fleet was pointed at Karrakis, and started the First Interest War.

The First Interest War initially favoured the KTB. They smashed the fleet above Ras Shamra and simultaneously conquered the moon of Creighton in the Dawnline Shore. However, they underestimated just how ruthless Harrison I was - he "retook" Creighton by relativistic bombardment, and then conquered four of the 12 worlds of the Dawnline Shore with mechanised chassis, a technology the KTB had not adopted and had no counter for.

To prevent further loss of life, Union was eventually forced to broker a peace agreement that saw Harrison I handing himself over to Union justice in return for Harrison Armory's continued sovereignty, and the KTB joining Union as a full member state.

So, with that historical context out of the way, let me get to the second part of this absurd essay I'm writing.

Third Committee Union isn't a civilization that arose from whole cloth. It's shaped by five thousand years of Union history, six thousand years of post-Fall history, and six thousand years of pre-Fall history before that. It is, ultimately, an extremely well-thought-out and well-worldbuilt fictional polity, in that all of its imperfections come from traceable root causes in its history.

Why does ThirdComm permit the abuses of the KTB? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with Harrison Armory and make horrific concessions.

Why does ThirdComm permit the expansionism and cryptochauvinism of the Armory? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with the KTB and make horrific concessions.

Nobody in CentComm likes that Harrison Armory are empire-building expansionists. Nobody in CentComm likes that the KTB has a hereditary nobility and enforces blockades against planets that rebel against it. The problem is that ThirdComm is, in historical terms, still relatively new. They've been around five hundred years, and compared to the 1600 years that SecComm was around and the 2800 years FirstComm existed for, that's not very much.

ThirdComm is attempting to decouple itself from the Cradle-first politics of its predecessor, and to amend the many, many atrocities committed in the name of Humanity. It is not easy to do any of these things. SecComm was defined almost entirely by the fact that if it didn't like what you were doing, it would send in the military as a first response. Every time ThirdComm chooses to do the same, its legitimacy erodes, because the mission of ThirdComm is to prove that diverse, vibrant and compassionate human civilization can exist without devolving into war and bloodshed. ThirdComm always tries diplomacy as a first response because if it doesn't, millions of people could die.

#lancer #lancer rpg #lancerrpg #lancer-rpg #union #lancer lore #lore #fictional history

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mostofthingsmostofthetime · 1 year ago

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Yes omg!!! The people who gush about how Katniss is such a tough, 'always practical & in control' type, badass in the books who has never had a "girlish" thought in her life just makes me think 'what series did you read?' because book Katniss is nothing like that.

i don’t understand how people can genuinely think that katniss “this would have happened anyway” everdeen settled in her relationship with peeta “my dandelion in the spring” mellark

#everlark #people have had ideas about how katniss should be Not Like Other Girls #that when she is like...actually i am like other girls #people go into a rage #because god forbid a girl be able to hunt her own dinner AND have a hot husband who baked bread to go along with it #like she was waxing poetic about bread boy's arms & eyelashes & sparking blond curls #she liked cuddling & holding he's hand #she was HUNGRY on that beach #and sometimes needed to be litrually sedated because she loves that boy so much #so please stop describing her like some macho robot who was only focussed on war/revolution #when she didn't want to even be the mockingjay #all the adults around her #+ gale #just manipulated/forced/guilt tripped her into it #(like don't get me wrong i understand why they wanted to end snow's regime but still she was a traumatised teen)#and she spends the majority of the series (not just mockingjay) worried about peeta & trying to keep him alive & safe #her whole plan in cf was litrually to kill everyone + herself so that peeta could be the winner #and she was legitimately annoyed that other tributes kept protecting peeta because it made it harder for her to dislike them lmfao #also katniss litrually dreamed about a world were peeta's children could be safe & happy #and lastly not only did she keep the pearl he gave her in cf #but she hides it to keep it safe as if it's peeta's life #and kisses it for comfort while imaging it's peeta #katniss settled?#katniss had no interest in romance?#everlark was rushed?#everlark was forced?#everlark came out of nowhere?#everlark dosn't make sense?#the epilogue was a hetronormative cookie cutter happy ending & was tottally out of place from the rest of the series?#no you just either have bad taste in men or no media literacy or your stuck in that 'romance = weak' ideology

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fortunxa · 1 month ago

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The symbol

Jinx x fem!reader

summary: “Piltover saw her as a terrorist, and Zaun’s rhetoric had twisted her into a martyr while she was still alive. She was a ghost haunting two cities, a myth both sides needed alive or dead.” Jinx. The loose cannon. The symbol.

cw: angst, >4k words, buckle up

author’s note: This whole fanfic is based off of ONE (1) clip of Jinx looking sad in the s2 trailer, call me dramatic.

⋆⁺₊⋆ ☾⋆⁺₊⋆

At first, it was animosity that sparked between Jinx and you—a collision of egos in a city that thrived on confrontation. You weren’t a stranger to her troublemaker reputation, nor were you safe from her seemingly endless pranks. Your every encounter was charged, filled with barbed comments and sharp glances. She reveled in your irritation, finding joy in ruffling your feathers.

Yet each time you clashed, you also learned a little more about each other. Your differences started sparking curiosity instead of just annoyance, and beneath the surface, something began to shift. There were moments when you caught a glimpse of the vulnerability that lurked behind Jinx’s bravado—a fleeting expression that hinted at a deeper story.

As the weeks turned into months, the sharp edges of your relationship began to soften. Your bickering became more playful, the insults laced with laughter rather than anger. Slowly, what had once been hatred turned into friendship. You became an unlikely duo, navigating the mayhem of Zaun side by side. Jinx introduced you to a world of spontaneity and mischief. She taught you how to embrace the chaos rather than fear it. In return, you grounded her, offering a safe space amidst the storms of her life—a place where she could let her guard down. Where she was wild, you were steady; and together, you balanced each other out.

It was only a matter of time before your friendship gave way to something more complex, of course. You spent countless nights together, talking until dawn, revealing pieces of yourselves you had long kept hidden, and sharing dreams that stretched beyond the gritty streets of Zaun.

Jinx carried a lot of scars, some visible, most hidden. You never pushed, never demanded to know the whole story, never made her relive it, never asked for more than she was ready to give. You had a quiet understanding of her, a patience that she found both infuriating and comforting. She wasn’t used to people sticking around, and she didn’t think she could care about someone like that again. But you made her believe, if only for a moment, that there was something more to life than just survival. You would sit beside her, stitching up wounds in silence, your touch gentle and reassuring. You knew how to handle her moods, the unpredictable bursts of frustration. You never tried to fix it. You just were. And somehow, that was enough.

But that was before Jinx blew up half the council, and everything went to shit.

“You have the chance to rally the undercity together.” You can still recall Sevika’s words. “You’re a symbol.” And you almost scoffed at the idea. Your Jinx becoming a symbol for the city that villainized her to no end? They didn’t deserve that. How could they, after already dooming her once before? But sticking inaccurate labels was their forte. In the end, this one stuck, too.

And so Jinx disappeared beneath the weight of their faith.

For Zaunites, she had become more than just a rogue with a penchant for destruction—she really was a symbol, a rallying cry against the oppression of Piltover. They thought she fought for them, for a cause bigger than herself.

But she never asked for any of it. She never wanted to be anyone’s icon. You knew that better than anyone.

To her, it was just noise.

Your Jinx never cared about the revolution—not in the way people expected her to, anyway. She wasn’t in it for justice or freedom. Her motives were rooted in something far more personal: revenge. She had no grand vision, no dreams of liberation. All she had was the cold satisfaction of making Piltover suffer the way it made her suffer. She wanted to tear apart the illusion of perfection that cloaked the grand City of Progress, to make its citizens feel the same fear and destruction that had once consumed her. It was the only time she felt in control. In the chaos, she could forget the nightmares, the past, and even herself for a while. She could become the whirlwind, unstoppable and feared, rather than the broken girl who used to beg for things to make sense.

Yet now, Zaun saw her as its hero. Its champion. And Jinx couldn’t stand it. The citizens looked to her like she had some grand plan, like she would lead them to independence. The weight of their expectations pressed down on her, suffocating her more than any chain or cell ever could.

On the flip side, the enforcers wanted her dead. Posters with her face plastered the city, patrols hunted her down relentlessly, and there was nowhere left to hide. She was clever and cunning, but there were only so many laps she could run around them before her lungs would give out.

So, you did your best to push Jinx to stay one step ahead of everyone trying to either kill her or claim her. You dealt with the little things—finding safehouses when it was too dangerous to stay in one place, gathering supplies, and making sure she had somewhere to disappear when things got too heated. You were resourceful, calm under pressure, and always thinking ahead. But how could you be anything else in those dire times? You couldn’t afford to falter. Not now. Not when Jinx needed you to stay afloat. You had unwavering loyalty despite the harsh words that slipped past her lips when her emotions overflowed. Beneath it all, she was still the same girl—the one who still dreamed of something better, who still laughed with you in the quiet moments, who still loved you.

You could see her exhaustion, the way her mask would crack just a little when she came back home bruised from another close call with the enforcers. And you’d hold her during those times, let her cry and sob and shake in your arms. It was just the two of you—she was safe. But no matter how real and vulnerable she was in the small hours of the night, the morning always came, and with it, the chaos behind Jinx’s name.

And in that chaos, she would live. And in that chaos, she would die, little by little.

Piltover saw her as a terrorist, and Zaun’s rhetoric had twisted her into a martyr while she was still alive. She was a ghost haunting two cities, a myth both sides needed alive or dead.

And in all of it, Jinx wanted nothing more than to disappear—to vanish from the world she had once desperately tried to belong to. She wasn’t anyone’s leader or scapegoat—she didn’t even want to be remembered. She was just tired. Tired of running, tired of being the person they all demanded her to be. You could see it in the way she looked at you sometimes, like she wanted to say something, like she was planning a way out that didn’t involve pulling you down with her. But you had made your choice a long time ago. You weren’t going anywhere, you wouldn’t walk away from her.

“Whatever happens, I’m here,” you’d tell her when the world outside felt too loud. “I’m not leaving.” And the tension in Jinx’s body unwinded, even if just a little, as if those simple words were the only thing keeping her grounded. It was in those moments that you knew you were doing something right, even if you couldn’t fight her battles for her.

At night, when the adrenaline of violence faded, she was haunted by the memories—ghosts of those she’d lost, faces of the people she had once loved, and the echoes of a life she could never return to. The nightmares were relentless, dragging her back to the moment when everything fell apart. She would wake drenched in sweat, hands shaking, reaching for a gun or a bomb that wasn’t there. No amount of chaos in the streets could drown out the chaos in her own mind. The terror that gripped her in her dreams was not something she could outrun or fight. It clung to her like a second skin, a constant reminder that no matter how much destruction she caused, it would never be enough. She was still the broken girl beneath the explosions and the mayhem. Or that’s what she thought of herself, at least.

And there was no way out. Not anymore.

“It almost feels like the only way for you to find peace is through death,” you worriedly whispered once as you cradled her in your arms. “And I can’t have that,” you added, but Jinx’s mind was already reeling. Unbeknownst to you, she had thought about it more than once. Ending it all in one final explosion, letting the flames consume her just like they had consumed her heart so long ago. It would be easy. One pull of the trigger, one detonation, and it would all be over.

But even death had a bitter edge, and the question that haunted her, night after night, was whether even death would be enough to set her free. Or would they find a way to twist that, too, turning her final act into another legend for the revolution? Paint her as the glorious martyr who died for Zaun’s freedom?

Jinx didn’t know.

And that uncertainty kept her alive, if only for a little while longer, though she didn’t know why—she couldn’t even die on her own terms. The irony made her laugh sometimes, in the moments when the absurdity of it all was too much to bear.

If she was going to die, she would make sure they all remembered why she had never been their hero, why she had never fought for anyone but herself.

And so it started with a bang—because of course it did.

But this time felt different. There was something almost methodical about the way Jinx moved, the way she set her traps, as if she knew this was the last time she would walk these streets. The last time her bombs would rip through the orderly facade of the City of Progress.

She didn’t laugh as much that day. The usual gleam in her eyes was dimmer, her movements more controlled. The sun was setting, casting a harsh golden glow over Piltover’s spires as Jinx climbed to the top of a high rooftop, overlooking the heart of the city. This is where it will happen, she thought. The grand finale. She had spent weeks preparing. Every bomb was precisely placed, every escape route meticulously planned. The city was on high alert—word had spread that Jinx was planning something big. But no one knew exactly where, or when, the storm would hit.

The first explosion tore through the night just as the clock struck midnight. Fire lit up the streets below, throwing debris into the sky while the enforcers scrambled to contain the damage. Then came the second explosion, larger, closer to the city’s industrial district. Smoke filled the air as panic spread through Piltover like wildfire. The citizens ran in every direction, knowing that when Jinx was involved, no place was safe.

She stood on the rooftop, watching the chaos unfold beneath her. She felt nothing. No excitement, no satisfaction. This wasn’t the same thrill she used to chase. Her fingers hovered over the detonator for the final bomb—the biggest one, the one that would make the others look like fireworks. She had rigged it to collapse an entire section of the city, to leave Piltover scarred in a way it would never forget.

But tonight wasn’t about the explosion. It wasn’t about the destruction.

The enforcers were closing in. She could see them swarming through the streets below, moving toward her position. They had found her. They always did, eventually. Jinx glanced at the timer on the last bomb. She had set it for just long enough to make her escape—or so they would think. But the truth was, there wouldn’t be an escape tonight.

When the enforcers reached the rooftop, they found her standing there, framed against the night sky, the city burning below her. The air was thick with smoke, and in the chaos, they barely noticed the subtle smile that crossed her face.

“Time’s up,” she said softly, her voice lost in the wind.

She pressed the detonator.

The explosion was deafening, a wall of fire and debris engulfing the rooftop in an instant. The force of it sent the enforcers flying, tearing through the structures around them. When the dust settled, the building was gone—obliterated along with everything and everyone on it.

The news spread fast.

Jinx is dead.

There was no body left to recover, no remains to mourn, and no trace of her. Just the rubble of the building she had destroyed and the twisted wreckage of her devices. The enforcers confirmed it—there was no way she could have survived.

“Target neutralized” were the words bitterly spoken through the ranks with a cold efficiency. There was no name attached, but everyone knew who it was about. The official statement came shortly after: “A threat to the city has been eliminated.”

Days passed and Piltover began to rebuild, as it always did after Jinx’s attacks, the destruction slowly being replaced with gleaming new structures. Streets were cleared, debris removed, and life returned to a semblance of normalcy. There were no coffins for the fallen enforcers whose bodies were lost to the fire—only statues erected in their names, cold monuments serving as both tribute and reminder of the price paid for order. The city moved on—or at least tried to. Some celebrated, cautiously, though few were willing to believe the news completely. There had been too many close calls, too many times they thought they had her. But this time, it felt different. This time, the destruction had swallowed her whole, leaving behind an eerie silence where her chaotic laughter once echoed.

Zaun, on the other hand? That was a little bit more complicated. For the people who had seen her as a reckless force that harmed their city as much as Piltover did, her death came as a relief, and her absence promised a fragile peace, however fleeting. But to others, the more sensitive ones, tears had to be shed, heads shaking in disbelief. Candlelit vigils appeared in the undercity, graffiti of her wild grin painted on the walls. People would whisper, looking for the next symbol for their revolution—anything and anyone they could place their hopes on. Amidst this emotional turbulence, a third reaction emerged from the more organized factions who saw it as the opportunity they had been waiting for. With Jinx gone, they could finally rise to the storefront. The power vacuum left in her wake ignited their ambitions, and the streets buzzed with the promise of a new era, one that could either heal the wounds of the past or plunge the city into an even deeper turmoil.

The cities spoke of heroes and villains, grappling with the complexities of Jinx’s legacy—a legacy that blurred the lines between destruction and freedom, chaos and control.

That being said, everything unfolded exactly as she had predicted, but the victory felt almost hollow.

“It almost feels like the only way for you to find peace is through death.” And it really was, so she had faked it perfectly. The plan was reckless, audacious—everything she embodied. The explosion had served as the perfect cover, and in that moment of chaos, she had slipped through the cracks, hidden among the shadows of her own creation.

For Jinx, this was not just an escape; it was a calculated act of liberation. Her liberation. The city that had once been her playground had turned into a gilded cage, and she had grown tired of the endless games of cat and mouse.

Now standing on the edge of the city, Zaun stretches out before her like a memory she can’t quite shake. Her eyes trace the tangled streets below, the dark alleyways, the flickering lights, and the twisted pipes, burning the sight into memory. She inhales deeply, her nostrils filling up with the familiar smell of smoke and oil. A wave of nostalgia washes over her. She can almost hear the echoes of laughter and the distant sounds of explosions that had once filled her days with exhilaration. A tear wells up in her eye, but she blinks it away, wiping at her eyes quickly, almost angrily. Jinx doesn’t cry. Not for anyone. Not for anything.

Not anymore.

With a heavy heart, she grips the railing tighter, her knuckles turning white as the memories swirl like smoke around her before she relaxes—a conscious decision.

“I’ll miss you, you filthy, broken place.” She chuckles dryly. She had spent years running wild here, feeling untouchable. But now, it’s time to go. “You were everything, and yet, you were never enough.” The words hang in the air, a promise to herself that she would carry the spirit of Zaun wherever she went, even as she turns her back on it. Her heart clenches, a strange ache settling in her chest as she realizes this could be the last time she’d see it—the city that had been her home and her battlefield.

“Are you sure you want to do this?" you ask, your voice soft and gentle. “You’d be leaving everyone behind.” The blue-haired girl knows exactly who you mean by that.

Vi.

Jinx could almost see it—her paling face when she heard the news, the way her fists clenched and her heart broke, crumbling beneath the grief, believing that her little sister was gone forever. The thought cut deep, deeper than Jinx was ready to admit. Vi had been her everything once. And after everything they’d been through, after everything they’d lost, Jinx hated herself for causing her more pain, for inflicting yet another wound—and this time, it’s a wound that’ll never quite heal, the cruelest cut of them all. A part of her wanted to run back. To find Vi and tell her the truth. To stay.

But Jinx knew that wasn’t an option.

Not now.

So why does it feel like she’s tearing herself apart?

The soft touch of a hand on her shoulder brings her back to the present. She turns, meeting your gaze. You stand beside her, quiet but steady, the anchor she didn’t know she needed until she had found it. She takes a shuddering breath.

“Are you sure you’re ready?” you ask again, your voice filled with nothing but understanding. You know how hard this is for Jinx, how torn she really feels.

She swallows hard, glancing back at the city one more time. It all feels so distant, yet so close—like she can reach out and touch it, like she can run back and undo it all if she tries hard enough. But she can’t. She pictures Vi again, her strong, fierce sister who had always fought for her, always believed she could be saved. Jinx hated the thought of what this would do to her, of the hole it would leave in her heart. But deep down, she knew she couldn’t be the person Vi wanted her to be. Not yet. She had tried. She had failed. And now, she has to move on, even if it means breaking the last connection she has to her past.

“I don’t know if I’ll ever be ready,” Jinx whispers, her voice catching in her throat. You nod, your expression softening even further as your hand intertwines with hers, and the warmth of your touch reminds her why she’s leaving—for a chance to start over. To be something else, someone else, outside of the chaos and violence that had defined her for so long.

Vi would survive, like she always had. She would grieve, but she would move on. And in time, Jinx hoped that she’d understand why she had to go.

“I just don’t want her to hate me.” Her voice is small, almost fragile as the confession falls from her lips before she can stop it, the rawness of her words cutting through the silence. You frown as you take a step closer, pulling her into a gentle embrace.

“She won’t hate you,” you murmur against her hair. “She’ll hurt, she’ll be angry, but she’ll never hate you. Vi loves you, Jinx.” She leans into you, burying her face in your shoulder for a moment, letting herself feel the comfort she so desperately needs.

“I just wish I could explain.” The angry tears threaten to spill out again. “I wish I could tell her why I had to do this.”

“She knows.” You can only hug her tighter now, hoping it’ll keep her from falling apart.

Slowly, she pulls back, her breath still shaky but steadier now. “I guess it’s too late to change my mind, huh?” she asks with a weak smile, though her heart isn’t in it.

“This doesn’t have to be permanent, you know? We can always come back when the time is ready.” Jinx nods, but the guilt still gnaws at her, sharp and relentless.

Turning fully toward the road ahead, her hand finds yours again as she laces your fingers together like an unspoken promise. “Let’s go,” she says, her voice almost resolute as if she’s still trying to convince herself that this is the right thing to do.

Jinx’s heart aches for what she’s leaving behind as the both of you walk away from Zaun. But then she glances at you, walking calmly by her side, and—albeit briefly—she feels a sense of peace. For the first time in a long time, she isn’t running alone. She isn’t running from something either, despite the way it seems. She’s running toward something—a life she could build, not destroy, with someone who sees her for more than the broken pieces. Someone who’s willing to leave everything behind to be with her.

You give her hand another gentle squeeze, pulling her out of her thoughts. “We’re almost there,” you say softly, gesturing toward the darkened outskirts of the city where the world feels smaller, where the noise of Zaun fades into a distant hum. Beyond it, freedom awaits—freedom from the past, from the wreckage you’re leaving behind.

The night stretches out before you, vast and uncertain. Jinx had never been good with the unknown; she thrived on chaos, on knowing how to manipulate it. But this? Walking away from everything she’d ever known, stepping into a future that isn’t filled with explosions and destruction—it terrifies her.

But it’s also the only thing that makes sense anymore.

You lean closer, your warmth cutting through the chill of the night. “You don’t have to look back if you don’t want to.” She wants to look back. She wants to go back. But she knows it wouldn’t do any good. So she straightens up, fixing her cloak and pulling the hood further over her head.

“I’m not going to,” she replies, her voice firmer now. “I’ve spent enough time looking back.” You nod in understanding. You had talked about this moment for weeks now, about what it would mean for Jinx to truly let go of Zaun, of everything she had once believed she needed to hold on to. It isn’t easy, but it’s necessary.

Finally, you reach the edge, where the lights of the city flicker out entirely, swallowed by the darkness of the wilds beyond.

This is it. The point of no return.

Jinx turns to you, searching your face for strength, for the resolve she so desperately needs. And there it is, shining back at her. She feels the tension in her chest begin to loosen, the weight of her decision finally starting to lift. She can almost taste the adrenaline, the sweet rush of possibility that awaits her beyond the city’s borders—no rules, no limits, and most importantly, no one hunting her down.

The two of you step into the darkness together, the twisted streets and memories of Zaun falling away with each step until all that’s left is the quiet sound of your breathing, the crunch of gravel beneath your feet, and the sense that something new is beginning. She feels something unfamiliar, something almost foreign—hope. It flickers faintly deep inside her, small but real, growing with every step she takes.

Jinx doesn’t look back. She doesn’t need to. She’s finally moving forward.

And as you disappear into the night, a thought echoes in her mind, settling like a truth she can’t ignore.

Nothing ever stays dead.

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derinthescarletpescatarian · 5 months ago

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hey! I'm pretty new to your stories: currently reading curse words and loving it! (I started the first book with the mindset that I wouldn't be caught enough to miss some real life stuff because of reading... guess what, I missed some real life stuff reading.)

but now I have a question: the books have a pretty intricate plot with a lot of good payoffs for small things. which is very cool from a reader's point of view, but from the writer's one— can you maybe share some stuff about your process? especially in the early stages, how do you go from the initial spark of an idea and what this is about to a fully formed plot? would be cool if you're willing to share

anyway have a great day I'm off to start the third book hehe!

One thing to know about me is that I have just the worst possible imagination. Absolute pisspoor garbage imagination, nothing going on up there. When I want to plot, my process is simple:

Find a problem, then solve it.

Curse Words was born of several disparate story ideas coming together, but mostly I wanted to play with the magic system -- I wanted to write a story where spells were metaphysical parasites that possessed mages, and each mage could only cast their unique spell. The whole thing came about when reading The Princess Bride, specifically the chapter where Buttercup dreams of being a perfect baby and the doctor looking her over and regretfully informing her parents that she was born with mo heart -- I was possessed with this powerful impression of a slightly wacky doctor peering over the top of his rose tinted glasses to inform a pair of parents that their baby had a curse trapped in her heart. From there, it's find the problem, solve the problem.

I wanted to separate Kayden from his family and put him in an unfamiliar environment for the story so that he and the audience would be on a pretty similar level re: world information; isolated magic and a magic school is the easy way to do that. Okay, so why is this school isolated? Why is the curse thing not common knowledge? Why do the public fear curses and have such limited access to magic that it's not a part of Kayden's day-to-day, if it's so useful? Solve the problem; look at the economy. The unique nature of spells makes them difficult to scale up, and the unpredictable nature makes them inferior to technological solutions to problems in most large-scale issues. What does this say about how the Industrial Revolution would've affected the usefulness, and therefore the public perception, of magic? The logical conclusion is the Purity Revolution.

This school is gathering and teaching all these students; why? I wanted a clear division between witches like Kayden and a privileged elite that formed most of the school body; why are they different, how are the elite kids here, why are witches accepted and integrated into the student body? Solve the problem; look at the economy, the politics. Where are these rich kids getting their magic? Why pull in witches? One question answers the other. Why didn't Kayden and Kylie know that curses were spells in advance? Seems something that should be common knowledge. Look at the politics; tie that in. Logical conclusion: magic trap. We have this magic lake with a monster in it that we introduced super early for dramatic purposes and haven't explained yet. What can we do with that? Let's invent empowered water. Let's look at what that means for the creation of potions worldwide. Let's tie in the management of unmanageable spells. Let's elaborate on the structure our magic trap.

Now we have a channel of power. Curses parasitise witches; some are blessings, some are more trouble than they're worth. The school collects curses, domesticates them, makes them more useful, locks away or renders harmless that which it cannot make use of. More curses are collected over time, the school grows and grows and Refujeyo becomes stronger and stronger as they control more of the world's magic supply, but every system has a capacity. What's the effect of this infinite growth? Here we have a clear and unavoidable economic metaphor, so obvious that not centreing the story on this concept would basically be dishonest. Who's managing this collection, what does it say about the power of the school within mage society? How would such a school relate to the rest of Refujeyo; how would Refujeyo, collecting power like this, relate to and be viewed by other magical traditions, and by nonmagical society? Run through the reasoning, solve the problem.

Why would the school only approach Kayden as a teenager, after his curse caused problems? Surely the school would want to collect as many curses as if could as early as possible. There has to be a reason why they waited. This is a good one because it flows directly from the complex political relationships between Refujeyo and commonfolk politics that have to exist, AND ties neatly into critical character motivations that have to exist for book 1's main twist to function (notably, Malas Aksoy's actions). Sort this out for book 1 and accidentally create a critical political point for the rest of the entire series.

I started writing book 1 with the idea of the court case and subsequent twist about Kayden's curse being the big mystery, but Kayden still needs something to actually do at school. We have this mage who we threw in to rescue Kayden and Kylie from the lake, and had Max hero worship her for flavour; she seems to be becoming central to a lot of interactions for some reason. A lot of dramatic stuff is therefore automatically happening in her presence, but why is this incredibly accomplished and intelligent mage fucking up so much? We've established her as careful and thorough. We need a reason for all these accidents beyond random chance. Someone's sabotaging her -- why? Let's look at our established characters and figure out who has means and motive, and who the most fun red herrings would be.

How could a place like Refujeyo, such a complex and time-consuming project that would have to involve the cooperation of so very many mages, even get built? How would it survive long enough to be powerful? When and where did this happen? We've already established the Purity Revolution; maybe there was something more coordinated than just random undirected economic forces. We've established some incredibly powerful mage families and the old system of apprenticeship and inheritance; we know that the most powerful family in Refujeyo used to have a prophecy and owned a very powerful place that helps prophecies specifically. They could coordinate something, given enough motivation and the help of enough other powerful mages. What kind of motivation? Let's go back to the Purity Revolution. If tech develops alongside magic without central oversight of some kind, what could magic enhance? What problems could be foreseen that would make this kind of investment worth it? How does Refujeyo save the world?

Tie this into our power channel. Refujeyo's attempt to save the world endangers the world due to infinite growth and power being passively collected by those who benefit from the dangerous status quo. It fits our economy metaphor, because they're essentially the same thing, just putting in magic instead of money as a means of power.

Find a problem, then solve it.

The important thing with this method is to keep your solutions cohesive. If you come up with a new different reason for every thing, your plot will look scattered and disorganised. We don't want to look like we're just pulling the story out of our arse. I mean, we are pulling the story out of our arse, that's what writing fiction is, but it's a big part of our job to help our audience suspend their disbelief on that. Whenever possible, you should look for answers that solve multiple things and weave disparate parts of the story together; this is especially true when they relate to the core plot or central theme of your story.

Also, leave gaps for reader inference. You don't have to answer every single question, you just need to make sure that some plausible answer exists for every single question. Sometimes this involves saying less, not more, and letting the audience figure it out.

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holybibly · 7 months ago

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This is a little preview of my new series and yes, bunnies, this is a whole series from me. I hope everyone is ready for an erotic dystopia?

Decadent dystopian erotica with majestic dragons - second teaser for today

Glass House Ateez x reader

Everything changed in an instant.

The king was dead, and thousands of dragons took to the burning skies. The old world was over, and a 'new age' was in the making—an age of gods and monsters.

A thousand years ago, the fires of revolution blazed across the face of the world. Dragons—the creatures of ancient legends and children's fairy tales—reduced the once prosperous world to ashes in a matter of minutes. Rivers of black blood coursed through the veins of the streets, flooding the cities and lands in their wake. The sky was a blaze of purple flames and electric shocks. The church was reduced to rubble, and the royal family was executed in a public display. In the eyes of the dead, the unspoken horror in front of these majestic creatures remained forever, and in the sparks of the flames, they shimmered like precious sea stones.

There was a bitter smell of burning flesh and ash in the air. It was the smell of dreams on fire—the smell of a future in decay.

It was the beginning of the end of ancient life. The beginning of a new world. The Age of Immortality has begun.

All the legends turned out to be true; dragons did exist. They had always lived close to us, lurking in the velvety darkness of the night, waiting for the hour. Waiting for the hour to come when the power would be in their hands. Dangerous, unbridled, wild creatures of magic and the elements, predators at the top of the food chain. They had come into the world to rule, not to obey, and now, at long last, their time had come.

The world was at anarchy. Dragons were killing, raping, and enslaving races and lands as if it were an amusing child's game. They drank blood as black as the night from golden bowls, and they ate our succulent flesh as our bones cracked under the pressure of their razor-sharp teeth. They would hold orgies in the midst of the torn corpses and revel in their omnipotence. Those were the days of darkness. A time of terror, when the very word danger was a synonym for life itself. And so it went for several years, until the ultimate power fell into the clutches of the deadly Children of the Night, the oldest of all dragons.

The majestic Hala.

Eternal as the moon itself and deadly as the uncharted depths of the ocean, they inspired burning terror in all who encountered them. To their people, they were nothing more than a myth, a legend written on fragments of tablets. Forefathers, ancestors—they had hundreds of names, but each one inspired more fear than the last. They were predators among predators, bristling with animal dominance and primal, unbridled sexuality. They exuded power and sinfulness. They were the ones who defined the rules and set the boundaries of what was permissible.

With the arrival of Hala, a new phase in the history of the world began.

Humanity was enslaved, and dragons became the dominant species. As the years went by, the human population began to decline rapidly, with fewer and fewer humans, until "our" species reached the status of gatherers. Angelicus Nova, or Angel Stars, was what we came to be called. Human existence took on a strange religious orientation; we were worshipped, idolized, and adored, but despite all this, humans remained nothing more than a rare exchangeable currency, nothing more than an expensive trinket that was prestigious to own and could be broken with a flick of the wrist.

The human being also became one of the ways in which money flowed endlessly. These institutions were known as "glass houses." Gateway to heaven. They would be the equivalent of strip clubs or luxury escort houses if you and I were in the old world. The rules were the same: "Look, but don't touch." Girls and boys were expensive pieces of family jewelry that rested under the glass of fancy display cases. Our masters showed us off to the greedy eyes of the world with all the pride and ostentation that dragons have.

In spite of their possessive, animalistic nature, dragons were nothing more than swaggering bastards with inflated egos and delusions of grandeur.

Humans could be anything as long as dragons owned us—a muse, an innamorata, a nymph, an angel, a siren, or even a goddess—but like everything else in the universe, we came at a price.

The 'glass houses' were only in operation at night. During the day, all the 'jewels' rested and tidied up after tiring hours of contemplation of the world through the bluish glass of the display window. Nice, obliging workers in starched white collars were busy with the cleaning, scrubbing the baroque decorations of the vetrines with great care from a mixture of sperm, drool, and other secretions. You looked at it with an almost reverent awe, finding it disgusting to the point of bordering on the pornographically beautiful.

You could see it as real art—crude and original, but art nonetheless. There was something particularly mesmerizing about it, almost hypnotic, about the way the thick, pearly sperm dripped slowly from the golden flowers.

Of all the glass houses that ever existed, "Eros" was the most beautiful. It was the jewel in the crown of the New Empire, and you were its goddess. There were rumors that the Hala themselves were customers of 'Eros'. But rumors were only rumors. If they were ever to visit your 'home', you would know about it, for they would be where all men ended up—at your feet.

You were content with the life that you were living. There was no tragedy and no misery, no abusive family or abusive peers, no bullying and harassment at school—no, you had it all great. You were born here at Eros—the growth and blossoming of a beautiful flower. Your whole life has been within the confines of glass rooms and silk sheets, but unlike your dreamy friends, you weren't in need of rescue.

Your name is Aphrodite. Born in the radiance of the Creator. A goddess among goddesses, carved out of marble and mother of pearl. Your hair falls to the ground in waterfalls of pearls and silk. Your eyes are the eerie silvery moonlight in half-darkness, the deadly attraction of jewels in velvet lashes. Your lips are the succulent, juicy, forbidden fruit that every man would like to taste. The pain of your kiss is going to be the last pleasure of life.

You are not a delicate, pure lily; you are not a passionate, fiery rose; you are a narcissus reveling in the crystal of mountain waters. You love yourself to pain, to death, to despair, and in all the New Empire, there was none more beautiful than you.

Original sin. The primordial beauty. You are desire in all it manifests and begins to manifest.

The naked goddess, clad in snow-white fur like armor, is the goddess of love and ecstasy.

You've never been conceptualized; you've always been enigmatic.

You have been the object of worship. Your beauty has been sung in songs, and your love has been professed in a thousand languages. "Eros" was the site of visits from the mightiest and most powerful dragons of the New Empire. They all crawled at your feet, stroking their thick, greased with their cum cocks, greedily as they burned your skin with their golden gaze. They licked the deceptively thin glass of your display case with their long, sometimes split tongues, leaving muddy streaks on the perfect surface of the glass. The mighty and great dragons, unaccustomed to humiliation and submission, urinated like bitches in heat at the mere sight of your bare shoulders and long neck covered with diamond serpents, their eyes shining like stars in the twilight of your silken chambers. They would drip their sperm onto the icy marble floor until it collected in small, glistening puddles, and then they would lick it up as if it were the sweetest nectar in the world. Ambrosia in the truest sense.

Behind the glass walls of Eros, they were dominators, predators, and the rulers of this world through fear and pain, but here in this garden of Eros, they were nothing more than whores—shameless and needy. Slaves to your beauty, desperate to please you.

Their moans are always a delight to you. The moaning of your name.

The scenarios have been repeated to the point of being painful. Sugar-sweet subs with outstretched tongues and pretty, tear-stained faces. Dominant alphas with sweat-glistening skin and eyes rolling with pleasure.

Dragons fucked other dragons; orgies and bacchanals were staged; they were subjugated and subdued. They growled, moaned, squealed, and purred; some were fucked like a port slut, and some were licked for hours until they passed out from hyperstimulation. Some masturbated in front of your window, enjoying the fact that you were there to watch them, and there were others who would spend their heat and ruts in front of your window.

The list could go on and on: bondage, darkphilia, breeding, voyeurism, humiliation, objectification, and breathing games.

You were saturated with this game.

There were so many ways in which you could spend your evenings in the company of others. It was all designed to excite you, to make you beg, and to make you plead. Each of your visitors secretly hoped that one day you would strip off your luxurious furs and assume the position that was right for them—submissive, naked, and ready to accept whatever it was they were giving you.

It was an act of power; it was a position of strength, but here you were the strength. You were power.

No one would ever have the temerity to lay a hand on you. Goddesses are always untouchable.

You entertained yourselves by teasing them, mocking them, and fanning their flames of desire and passion. Dragons are creatures that are very dependent on their emotions and their desires; they feed on their power and their magic, but when they do not get what they want, it burns them from the inside; it breaks and crumbles them, like a cookie that has been bitten.

It was delicious, but you were full. Thank you, next.

You never denied that you were a sadist; you had a taste for pain; maybe it was a kind of revenge for the destruction of your family; maybe not. They came to you for that feeling; the dragons wanted to be punished and tamed, and the feeling of pain made them cum harder. As they say, Orgasm is a little death.

You could play this game for hours on end, letting the fur expose your boobs and pressing it against the cold glass as you went. It was magnificent—tall and plump, as if it had been milked with milk—with pink nipples the color of magnolia blossoms. There was something animalistically seductive about it—an appeal to their natural reproductive instincts—that evil thought of possible pregnancy. Their whimpering made you laugh, and the sounds they made were so sweet—desperate pleas and long, long moans.

"Let me taste you; I want it so much. I was a good boy, such a good boy."

There were other days when you would let your hands run over the bare skin of your thighs, leaving long red streaks that stood in erotic contrast to the silk of your pale skin. You smeared the clear, shimmering liquid of your juices along the line of your neck, in that most exciting place for dragons, where their teeth locked in a mating mark, as if branding their mate in the most perverse of affiliations.

"Tell me I belong to you; please say it. I'll do anything you don't want. Own me, use me; I want to be your toy.".

Sometimes other girls would be brought into your shop window to put on an erotic show. Exquisite nymphs and rosy-cheeked Lolitas would explore your tender skin with their soft, wet tongues, leaving traces of hungry kisses, until at last their lips would close on the most intimate spot between your thighs.

On days like this, the whole of 'Eros' would shake with furious, jealous growls and thunderclaps. Dragons were terrible possessive, and even though the "scene" itself would excite the hell out of them, the jealousy would burn through their veins from the inside out, like a deadly poison.

"You belong to me, and only to me. You are mine, mine and mine alone. I will tear this girl apart, and we will fuck in her blood until there are no more conscious thoughts left in your pretty little head, until you remember nothing but my name.".

But no matter what their words were to you, you didn't have a care in the world. Nobody would dare touch the goddess, and if they tried, they would not only lose their hands but also get killed.

That was the law of the New Empire—all the people who were left were protected and sheltered in an incredible way. There were very few of you, and if there had been any harm to even one of you, it would have been a real tragedy. Only once has there been a breach of that law, and the consequences have been terrible. No one wants a repeat.

In any case, your life in the Garden of Eros was a pleasure. Maybe it was some kind of perverse way of looking at the world and love, but you didn't have any desire to change anything; everything was great.

Have you ever wondered if there might be another version of you out there? Perhaps, somewhere in a parallel universe, humans would still exist as the dominant species, their countries and cities would be prosperous, and you would be living a different life—a normal one. There, in that other universe, that other Aphrodite—no, not Aphrodite—you would have an ordinary name, not a divine one, something cute, something sweet, and always with a hint of shyness. It is probably there that you would have experienced your first love, that you would dream of a prince who would take you off into the sunset, and that "and they lived happily ever after." You would have been embarrassed to talk about sex, and you would have blushed horribly if his fingers had been in your knickers. But you weren't her. And she wasn't you. You don't want to be saved from sinning; you want to become one of them. You want to experience forbidden pleasures. You want to subjugate and dominate.

You're not in need of a prince; you've already had a king, or rather, eight kings. The day will come when everything you have ever dreamed of will come true, even if you haven't met any of the Hala yet.

You want power; you want to sit on a golden throne in a castle high up in the sky, and so it shall be. They say that love is a great strength, but they fail to mention that it is also the greatest weakness. And you, like no one else, know how to use it to your advantage.

This is not a pink fairy tale. There are no rainbow ponies pooping rainbows and eating fairy dust. No, this is a rotten world. It is full of debauchery, violence, and sex. You could say, "Come and rescue me. I'm waiting for you," but no, you have to rephrase it as "I'm waiting for you to crawl on your knees and lick my heels, and from that moment on, I will own you.".

Yes, that sounds much better.

It's already eight o'clock; time to get ready; you're leaving soon.

Ladies and gentlemen, welcome to the most famous glass house in the New Empire. Tonight we have wet aesthetic cunnilingus as our main course, and for dessert, a mind-blowing orgasm. You have a choice of starters. Drinks are on the house. We accept cash and checks. If you wish, you can leave a tip for one of our "jewels.".

Our hope is that your time at Eros will be an unforgettable experience.

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tanadrin · 11 days ago

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The impression I get from Revolutions is that in the 19th century there was a real uncertainty about the empirical question of how to achieve socialist aims in politics. On the one side you had forces like the Russian Narodists, who eschewed engagement with the system (and "the system" was, in the Russian context, Tsarist autocracy), fearing that to do so would be to legitimize the system and allow the desire for reform to be coopted, and thus allow it to be stalled out. This was framed in somewhat Romantic terms, with language about, like, the "vitality" of the "revolutionary spirit," but I think the underlying concern is one I'm sympathetic to, even if I would use different language to describe it. And, after all, the system you want to build is pretty politically and socially divorced from the circumstances around you, and it's hard to envision how you get from the current system to that one, in any kind of reasonable timeframe, by purely incremental reform.

On the other hand, you had agitators like Martov and also social democrats willing to work within the (limited, and definitely undemocratic) parliamentary systems that European states were grudgingly establishing, or even the pretty powerless zemstvas in Russia, but whose engagement of the system also came in the form of, like, strikes and demanding concessions from bosses and capitalists, which is something that a lot of anarchists and Narodist and others on the "anti-engagement" side thought was a waste of time, and tended to grant the legitimacy of the position of these bosses at the top of the hierarchy. Equality and freedom and the like wasn't something you should be granted, it was something you should take. At its most extreme, this dichotomy expressed itself in political terrorism: 19th century anarchists really thought that killing a king or a tsar (or even a president) might spark a national revolution and cause the whole system to come crumbling down.

But the course of the 19th century, especially the latter 19th century, pretty much answered these questions. For one, assassinations just provoked brutal crackdowns that tended to destroy radical organizations. For two, the labor movement proved effective. Wildly effective, in fact. For three, the fears of arch-conservatives proved correct: a little bit of parliamentarism was a foot in the door for genuine democracy, and once your foot was in the door you could keep pushing, and revolution was still an option on the table if progress stalled out too hard or for too long.

And yet I also have the suspicion that the long 19th century was a period where revolution was an unusually effective tactic, and that in the centuries before and the century-and-change since, it has proved to be a much dicier proposition. Revolutions are of course hard to kick off even under ideal circumstances--you can miss your chance one day because it rains and people stay home, or a protest over one pastor getting evicted can bring down your whole regime. But autocracy is brittle, the 19th century (and early 20th) was a period of extremely rapid social change and an extremely entrenched reactionary ruling class, and the alternative a lot of revolutionaries had in mind--liberal parliamentary democracy--can actually be surprisingly stable once it gets entrenched.

Revolutions that switch out one strongman for another, or install more oligarchic republican forms, or otherwise create governments with weak legitimacy can instead devolve into a generation of political chaos. But by the 19th century, Europe was starting to converge on a pretty durable model of governance, one pioneered in Britain (which managed to avoid revolution entirely throughout the period!). And I think in this framework participation in the system is both easier to justify and is inarguably more effective than abstention. Abstention, in both its more peacefully separatist and its aggressive kill-the-king-and-hope-everything-collapses forms, proved too utopian; building a parallel drop-in replacement for the state is simply too vast a coordination problem, and the whole reason states exist in the first place is that they solve big coordination problems (even if in deeply suboptimal ways). You can secede to form your own little community in the wilderness, if that's the flavor you want your anarchism or agrarian socialism to have, and if it is, more power to you--but if you want to remake society, rather than just remove yourself from it, ultimately you have to confront and engage with the channels of power that already exist.

#revolutions podcast

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kaeyacollection · 9 months ago

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Who's ready for my Master Gaslight Gatekeep Girlboss Crepus Theory!!

I originally posted this over at Hoyolab and people there seemed to really like my favorite joke theory that Crepus just tries to gaslight the whole of Mondstadt right after obtaining Kaeya

Majority of this will be the same but with little tweaks for the wonderful tumblr audience

This joke stems from Kaeya's introduction:

and the use of the word "rumored"

Cause it's not like it said beyond Teyvat or the seven nations just Mondstadt

And I mean like c'mon how many families are living off the grid in Mondstadt

(Actually... Don't answer that I forgot Glory's boyfriend is just

Out there in the bush with Razor...)

Initially I had the idea of Crepus walking around the markets one day carrying Kaeya with Diluc beside him running into Varka who asks:

"Who's the boy?"

"You mean my son?"

"Not Diluc the boy you're carrying"

"I have two sons? You know this??"

But then the Caribert quest came out mentioning Kaeya ran away from home near immediately and was dragged home by Crepus just as fast and it became even funnier

Cause imagine you're by the docks one day and richest man in town gets off the boat with no cargo but instead a tiny child you may not have seen before that Crepus seems to be very cross with at the moment and threatening to turn him into a leash kid if he runs off again

In a small town that loves gossip do you know how fast that information is spreading? Cause I do and Varka's knocking on Crepus's door 30 minutes later like:

"Is this what we're doing? We're just taking kids now?"

Both paths lead to Varka asking where Kaeya comes from and getting hit with a

"I think you're a bit too old to still be confused about the birds and the bees Varka"

Varka getting frustrated to the point he just starts demanding Kaeya tell him what's up

Love to see him following in his fathers footsteps of stressing Varka the fuck out

And upon hearing how his birth father left for juice and didn't return Varka went

"Good! That was ALL I needed to know!!"

Follow ups on if his father intended to abandon him or got lost in the storm and needed a search party?

Don't care!! You weren't kidnapped!!

Welcome to the knights! 🤝

Which bringing it back to it only being a rumor

In a town of alcoholics, who's gonna call out the one guy with the winery?

Here's some add ons that got sparked from the comment section 😘

Bonus panels would have included Varka showing up with Rosaria one day mimicking Crepus about "wHaT you ForGot I haD a Kid" sparking a trend within the community of just adopting random children to the point posters are made saying "In Barbatos name: See a child Take a child"

Alice seeing it and pulling a "when in rome" tucking both Albedo and Diluc(who is yelling he is an adult) under her arms and telling Klee if she ever sees someone in need of a mom let her know she'll send over the paperwork right away

And then the last bonus: Venti wakes up, walks in through the gate while playing a tune, and stops when he sees the poster, not sure if he needs to start yet another revolution, or if this one is fine actually

I imagine the posters had to be taken down because visitors were losing their kids left and right and the solution of parents pinning a note saying "not dead & still want custody" to their kids shirt didn't catch on but the saying still lives strong in the hearts of Mondstadt's citizens I mean look Bennett and his 27 dads Mondstadt may have a lot of orphans but the demand is even higher

Comment on original post:

"I have a headcanon where Kaeya fooled first Crepus, then the rest of Mondstadt but.this is too funny!! I want to see this happening!"

Which prompted one of my new favorite lines at the end:

"Wait by fool Crepus first do you mean like Crepus finding him out in the storm bringing him inside to ask him where he lives and Kaeya's just

"? I live here? You adopted me? Are you feeling okay?"

Cause I'm absolutely cry laughing over this that's so good but that also means when Kaeya runs away Crepus is just

"hey no no l'm not misplacing you a second time come home" "

#Kaeya may have wandered away from his last family (believes Crepus) but that sure as fuck wasn't gonna happen a second time #Kaeya #kaeya alberich #crepus ragnvindr #Crepus #dawn family #genshin impact #Genshin #thats right now I get to be the one with the many tags trying to get this out there lmao #dont worry I wont do this often here this blog is primarily a trap to get you guys to check out a very talented lore blog #uh I mean...#to show you various fan works of Kaeya?#hey what's that pinned post up there?#god I hope this is formatted right I havent made a tumblr post since we had post headers #and god damn did it keep fighting me #also it's like 5 a.m. if you see any mistakes...#that's tomorrow's problem

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cosmerelists · 1 month ago

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Favorite Video Game Genres of Cosmere Characters

As requested by @thesternest :)

1. Silence

Silence: Don't know why, really, but I like casual games, games that are just like real life. Silence: Something about doing your daily life, but in game form--very relaxing. William Anne: Uh, mama? I think "Silent Hill" is a survival-horror game. Silence: It is? How so?

2. Marasi

Marasi: [Looks around nervously] Marasi: I...well, I like first-person shooters. Marasi: I-I just like to pretend I'm in the Roughs, like Wax! Marasi: I don't want to be Wax in real life or anything, but...it can be fun in a game!

3. Dalinar

Dalinar: In real life, war is a terrible necessity. Dalinar: In games, war is fun. Dalinar: ... Dalinar: I like tactical RPGs.

4. Vin

Vin: Huge fan of platform games. Vin: Jumping from ledge to ledge, controlling my speed and trajectory, occasionally swinging from hooks or managing double jumps... Vin: It's just like moving through the city as a Mistborn! Elend: Your high-score is RIDICULOUS, Vin! Vin: I'm also REALLY good at it.

5. Yumi

Yumi: I wasn't allowed video games for a long time, but now that I can play them... Yumi: [eyes sparking] I've become a HUGE fan of visual novels! Yumi: It's like Seasons of Regret, only *I* can be the one making the choices!

6. Leshwi

Leshwi: Like many Fused and Singers, I find myself quite taken with Rhythm games. Leshwi: Now that it is no longer appropriate for me to fight the Windrunners, I do like to challenge them to Dance Dance Revolution instead. Kaladin: OH COME ON I DEFINITELY HAD THAT Leshwi: I always win.

7. Steris

Steris: I used to think games were a waste of time, but then Wax introduced me to these construction simulators. Steris: My city is a paradise with excellent infrastructure, logical layout, and plenty of greenspace. Wayne: You should try to mod that makes a tsunami hit your city! Steris: Oh please, I beat that mod yesterday on my first try.

8. Navani

Navani: Recently, I've gotten into Tower Defense games. Sibling: I can defend myself, thank you very much.

9. Vivenna

Vivenna: Love a good roguelike. Vivenna: It's something about trying it over and over again until you're perfect. Vivenna: The victory is sooo sweet when you've worked hard to achieve it, dying many times. Siri: Oh me too!! I especially like Hades--the art is AMAZING. Vivenna: (scoffs) You mean a rogue-lite? Siri: I'm telling you--you should try one! Getting powerups in between runs is pretty sweet. Vivenna: Hedging out a difficult victory after hours of blood, sweat and tears is also fun! Siri: If you say so...

10. Lightsong

Lightsong: Soooo addicted to Candy Crush. Lighsong: Can't even tell you why. Llarimar: Perhaps your divine eye is drawn to the bright colors. Lightsong: Whatever makes you feel better, Scoot.

11. Adolin

Adolin: Lately I've become completely engrossed with life simulators. Adolin: I make my character get up, make breakfast, go to work, go on dates, learn the piano... Adolin: WHY IS IT SO ADDICTING?? Shallan: This may be a sign that your actual life is incredibly stressful and the allure of a simple, daily life is drawing you in? Adolin: No, that doesn't sound right... Shallan: You want to date a bisexual vampire? Adolin: ...That could be it.

12. Rlain

Rlain: I'm quite taken with these cozy farming games. Rlain: You just build a nice farm, meet the villagers, explore around. Renarin: Rlain, please, it's been six hours! Rlain: Just one more day...

13. Tress

Tress: I've been enjoying survival games! Tress: It's fun to gather and cook and build a base! Tress: A little bit unrealistic, because the rain doesn't make anything explode, but I guess they wanted to make it easier than real life, not harder.

14. Shallan

Shallan: It has to be MMOs for me. Shallan: I like a game where I can do pretty much anything I want. Shallan: Advance the story, collect every type of mushroom, fill in the whole map... Shallan: Plus, I like leveling every class and giving each one their own outfit and personality. Veil: You named the rogue after me, I see. Shallan: It's a compliment.

15. Kelsier

Kelsier: There's only one type of game for me: and that's a game where the name of the, uh, game is survival. Kelsier: And I especially like it when you have to survive as a team. Kelsier: Especially against great odds--like lots and lots of real-life players. Kelsier: Yup, yup. Kelsier: It's all about Fornite for me.

#cosmere #cosmerelists #Dalinar #Shallan #Adolin #Rlain #Leshwi #Vin #Kelsier #Shadow #Tress #Yumi #Vivenna #Lightsong

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actual-changeling · 11 months ago

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y'know what i'd love to see as a cold open in season three? various demons and angels collaborating with each other in secret.

you can't tell me that somehow gabriel & beez and crowley & aziraphale are the only ones who ever thought hey maybe this system fucking sucks, especially because aziraphale is still neck deep in the denial puddle. there is nothing actively preventing them from meeting, they share a fucking elevator they can use without any restrictions. everyone in heaven is left to their own devices and lonely but they are left to their own devices. no one is watching them. no one CARES because within the system the mere thought of collaborating with the enemy is just. not taken seriously.

there are no back channels, gabriel tells michael, but they both know that there ARE back channels and that they're using them, it's exactly the same thing crowley and aziraphale are doing on earth, deny everything upfront but have secrets underneath.

the goals might differ since angels and demons don't really give a fuck about humans, but the organization is the same.

give me michael and ligur trying to undermine their bosses, give me random angels meeting with demons and exchanging information, give me a group of spies trying to come up with functional plans against new policies.

give me operatives on earth refusing to kill one another when they meet because why should they? if the world ends they might as well start another revolution because what is the point in destroying one half of all existing celestial beings?

earth was saved by humans being fundamentally human, now give me the whole of creation being saved by people who are fundamentally people, angel or demon or human. god created everyone in her image, so when it comes down to it, it's the same spark of life burning in each of them.

#alex talks good omens #good omens #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable husbands #ineffable wives #ineffable spouses #good omens meta #alex's meta minisodes

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impossiblesuitcase · 1 year ago

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Cinder is jealous. She's jealous of her step-sisters. They have pretty clothes and soft hands and a doting mother. She has none of which. Her sister Peony is her only human friend and even seeing her in a ballgown sparks "envy" in Cinder, because Peony gets a dress and can go to the ball. Cinder can't.

She doesn't believe she could be pretty. She's too clunky, she's not curvy. She pins it down to being cyborg or just naturally inadequate. Cinder doesn't have nice clothes or fancy things. Kai gives her gloves and they are "the most beautiful thing she had ever owned." And then they are ruined, like all the pretty things in her life. She has to survive, endure, and with that she doesn't have time for prettiness.

But Kai's first impression of her is that she's "cute" and "pretty." He calls her pretty in public, and he calls her pretty in his private thoughts. "Your pretty new mechanic in the lobby", "the pretty young mechanic at the market." He finds her gorgeous with her glamour, and his "knees threatened to buckle" in her beauty. Everyone else thought she was gorgeous, but no one was swooning the way he was. The glamour had amplified the attraction he'd already had towards her.

Thorne, upon seeing a cyborg stumble into his jail cell, has the first instinct to flirt with her. Not recoil, because of her metal and skin, but flirt because she's a girl and that's his favourite pastime. And what distinguished her from the many other pretty girls he normally flirted with? To him, "her irritation made her prettier". Her disgruntled personality, who she is, is her prettiness.

Adri tells Cinder that if she can't cry, she can't feel love. She does love, she loves so much, but she doesn't have time to grieve her sister or her anonymity or her freedom when she has a revolution to start. She has to tough it out.

When she's bound up in Kai's arms she feels safe, delicate, "almost like a princess."

Cinder pretends she doesn't have a crush on Kai because having a crush on a celebrity is "preadolescent," the trademark of immature, lovesick teenage girls. How can she be girly when she's a grimy mechanic? She "doesn't know the first thing about makeup", because do you think Adri would have ever let her buy some to try? Would Cinder have even bothered, believing nothing could improve a cyborg?

She dreams of "going to the ball and dancing with the prince." And when Iko teases her, Cinder says, "we all have our weaknesses". It is a weakness to be in love, because someone like Kai couldn't love her. She imagines being at the ball, "jealous of the girls who swooned to catch Prince Kai's attention." Jealous that they can be open with their attraction, jealous that he would pick them over her.

But he loves her. And when he does, she can't process the feeling "of being desired". She wants to carve 'C + K' into a wall, then berates herself for such "whimsy." Because deep down, she's always wanted to be wanted, and that truth is her weakness. But war doesn't last forever, and soon, she has no reason to hide that. There's no reason it would be a weakness.

Cinder is comfortable in baggy cargo pants and messy hair but she also dreams of wearing a beautiful ballgown. She loves her coronation dress. She calls the empress crown 'stunning.'

She never becomes obsessed with frills or glitter, but she slowly leans into soft, pretty things. She has a necklace from Kai and her engagement ring. It's sparkly and yet, Cinder, the so-called 'tough, aloof tomboy' thinks it makes her metal hand look "elegant". Maybe she starts wearing bracelets and earrings because they don't bother her when she isn't working on something mechanical. She doesn't even notice until Thorne jokes that she wears more metal in jewellery than the whole metal of her hand.

Maybe she buys herself a new set of tools with pink and blue iridescent handles simply because finds them pretty. Maybe when her friends tease her about how in love she is, she starts to acknowledge it.

Cinder is not some stereotype of a leading female character who is strong and as such cannot be feminine or soft or emotional. Was she given the chance to be?

Let her be soft. Let her be delicate. Let her pretty.

#tlc #the lunar chronicles #lunar chronicles #linh cinder #selene blackburn #emperor kai #kaider #carswell thorne #ive had this sitting in my drafts for years #dont know why i never finished #i clearly had too much to say

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spreadwardiard · 7 months ago

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Megatron Does NOT Drunk Call His Ex

Rating: Teen and Up Audiences

Megatron/Orion Pax, Megatron/Optimus Prime

Summary: Megatron laments his break up while watching Orion Pax's coronation as Prime on the holoscreen.

Notes: I wanted to try my hand at the whole 'drunk calling your ex' trope, and had some fun with it. Takes place in that time between the disasterous senate meeting and optimus being formally named prime by the government. This is TFP/ Aligned

Megatron scowled as he smashed his digits roughly against the keypad to his door. The numerals on the far left section of the pad were stuck again, not wanting to register his touch. He swiftly punched the mechanism in annoyance, and then tried again. Percussive maintenance did its job and the pin finally registered.

He tried not to think about how Orion had complained about the lock for at least a vorn before… Megatron grumbled at himself to stop that thought. Thinking about Orion Pax brought nothing but pain, but even Megatron knew that nothing would stop the onslaught of thoughts, memories and feelings that were certain to come for him in the night.

It was a battle he had lost many times before, ever since their separation. It was easier to call it that, rather than what it really was: a break up. One he hadn’t actually even wanted to happen. One that was his fault-

Megatron took in a deep vent, tried to reorient his thoughts to anything but Orion Pax. How the slag was he supposed to do that when he fragger’s coronation as Prime was scheduled to air any klik now? He hadn’t even seen the mech in what felt like ages… not since the argument.

Frag… He’d already lost the battle, and it had hardly even begun. Megatron’s scowl deepened as he admitted defeat, and against his better judgement, grabbed a bottle of his finest high grade. He grimaced as he actually looked at the bottle in his servo, decorated in golden filigree and ornately etched glyphs. It was the bottle Orion had given him in preparation for their Rites. The thought stung like acid rain.

He snorted out a forced laugh. The idea of he and Orion binding their sparks seemed laughably distant now. How fitting that he consume the high grade now, for Orion’s big hurrah. He didn’t even grab a cube to pour it in. He wouldn’t need one, he knew himself. The bottle would be empty before the night was over.

Megatron popped the lid and brought the bottle to his derma, prepared for a harsh, but effective, high grade to assault his glossa. He hated that it was delicious, that Orion had probably paid more for this bottle than Megatron spent on fuels for half a vorn. He hated that it was supposed to be special… shared between them… that he had ruined it.

At least his revolution was still going strong. The betrayal of Orion Pax may have hurt Megatron personally, but it ultimately strengthened the resolve of his followers. It was a bitter victory, he thought as he slunk back into his sofa, limp as an old thermal sheet.

If he hadn’t lost his temper and let his paranoia get the better of him, he’d be at that coronation with Orion, not having to watch it on the holoscreen. He took another drink, as large as his intake would allow, before he turned on the screen, and found the correct broadcast.

The newsmech drawled on about the excitement happening in Trion Square. Thousands of mechs had arrived to meet the newly designated Prime. Megatron snorted again as the crowd cheered in excitement. They were imagining a glorious leader to light their darkest hour, but all Megatron could envision was the dorky archivist that used to recharge in his arms and who couldn’t remember to fuel himself.

The bottle was at his derma before the grief that followed the previous thought could hit him. It settled hot in his tanks, and he forced a smile at the knowledge that liquid relief would be imminent. Once the warmth set in, the dulling of his processor would soon follow, and that aching emptiness wouldn’t be so painful.

He missed Orion Pax and now that nearly a dozen stellar cycles had passed, he would finally get to see him again. On the holoscreen… But that was better than nothing, right?

The newsmech continued their useless prattle, and Megatron watched lazily as the cameras panned the crowd, every so often freezing on the ornately draped balcony that he assumed Orion would appear from. Even from his out of date holoscreen, he could tell how exquisite the embroidery on the drapery was. It must have taken vorns to do by servo. It looked distastefully splendent next to the polished golden accents that Iacon was known for.

How many drinks had he had already? His processor was starting to feel a bit foggy. He couldn’t remember. He took another. It didn’t matter anyway. It wouldn’t change what he’d done. It wouldn’t bring back what he’d carelessly thrown away in a foolish fit of paranoia.

Megatron was ruthless with his words that cycle. He tore into Orion like a vicious beast. Orion visibly crumbled at his accusations of betrayal, and when he accused him of using their relationship as a means to gain power, Orion looked as if Megatron had stabbed him through his spark chamber. He would never forget the pain that had flashed through Orion’s field…

He was such a slagging fool… It wasn’t until after Orion went off the grid to seek out the Matrix that Megatron put it all together. Orion had never betrayed him at all. The entire situation was carefully orchestrated by the Council to drive a wedge between them, and it had succeeded in that aim. Now, Orion was their puppet, without Megatron there to fend them off and it was all his fault.

Megatron tore his optics from the holoscreen and looked at the bottle in his servos. It felt too light, and it took him a moment to register that he’d already drank nearly half of it. Orion hadn’t even appeared yet… It wasn’t his fault this stuff was so slagging good. Besides… this was a ‘drink to forget’ sort of night, and he sure as slag hadn’t forgotten scrap yet. Megatron took another drink.

It was harder to focus on the holoscreen. The newsmech was now apologizing for delays. Megatron couldn’t stop a laugh at that. Typical Orion Pax; late for literally everything. He’d have been late to his own forging if that were possible.

Slag… he felt heavy as a load of cement… What the frag was in this? He hauled the bottle up to his helm, and shuttered his optics, before squinting at the glyphs. He couldn’t focus on them, they just appeared as far off, fuzzy and jumbled nonsense. There was about a third of the bottle left…. Maybe he’d had enough?

He should apologize. Megatron knew that. He’d thought about it time and time again, usually when he was like this and had nothing else to distract him from his woes, but his pride refused to allow that. He never had been good at admitting when he was wrong, and was even worse when it came to apologizing for it.

What would he even say? Where even was he to start? ‘I’m sorry’ didn’t feel sincere enough, and anything beyond that was likely to just be excuses for his behavior. He deserved this… what he’d said was inexcusable.

Megatron ex-vented heavily. His frame felt like dead weight, and the longer he allowed it to melt into his sofa, the more annoying the constant pinging in his hip strut was. How long had it been alerting him of his discomfort now? He wasn’t paying attention. The ache in his spark was worse anyway. He took another drink.

It wasn’t fair. He wished he could share the enthusiasm shown by the crowd on the holoscreen, but how could that even be possible? With Orion now under the watchful optics of the Primacy, he was as good as lost. The Prime may have had power of his own, but they always followed the will of the Council. Orion would be no different. The Council had too much sway, too much power, for one mech to defy them alone.

The pinging of discomfort in his hip was becoming too much to ignore. He shifted his mass to the side just enough to allow gravity to crash his upper frame into the sofa cushions. The high grade sloshed dangerously in its bottle, but miraculously did not spill from his sudden readjustment, even as he pulled his legs up with him and shifted for relief.

The holoscreen was mostly forgotten. Instead, he pulled up his HUD and braced for the inevitable sting as he selected an image from his gallery, of Orion Pax lounging in berth. He had a datapad in his servo, and a soft, gentle smile on his face as he read aloud some poetry from the collection he’d been browsing. The poem had been romantic, though Megatron couldn’t remember it now. Orion had only read it to him once, and afterwards they’d ended up indulging in each other’s frames.

Megatron remembered the interfacing, not the poem, and it stung more than he would admit even to himself. He wished he would have saved a memory file so he could hear Orion recite it over and over again. He wished he could hear him recite anything right now. He hadn’t heard his voice since-

He cut himself off by forcibly closing the image, which, unfortunately, landed him right at Orion’s commlink. He stared at it for several kliks, toyed with the idea of calling before shooting that idea down with a slovenly scoff. No, the time for that had long passed, and Orion would be too busy to answer anyway, if he even wanted to. He’d convinced himself long ago that Orion had likely already blocked him from contacting him anyway.

He closed out of his HUD and shuttered his optics. His frame was running hot from the high grade, and his fans finally kicked in to dispel the excess heat. Slag… he must look as pitiful as he felt. The great and mighty Megatron, The Champion of the Pits, brought to his knees over a slagging break-up. He was patheti-

His self degradation was cut off by a loud and sudden ping. It was a comm request, marked urgent. It was from Orion. It flashed at him across his HUD in bold, red glyphs, but that was impossible. There was no way it was real… His mind was playing tricks on him again.

His optics darted to the holoscreen. Orion was supposed to have made his debut some time ago, but even with his optical inputs distorted from the drink, he could plainly see that Orion Pax was not where he was supposed to be. The ornately decorated balcony was still empty, and several important looking mechs shuffled around in distress at Orion’s truancy.

Megatron’s intake went dry, and that aching emptiness in his chassis returned full force as he, against his better judgement, accepted the incoming request. He tried to speak, but found his vocalizer needed rebooting.

“Megatron?... Please, don’t hang up…” It was him… He sounded different than Megatron remembered. The reverberation of his voice was slightly off, like his vocalizer was now housed in a larger frame, but the voice was unmistakably Orion.

Megatron wanted to respond, but his rebooting vocalizer prevented him from uttering more than a distorted and shaky “Hmmm?”

“Thank Primus, you accepted my call. I was worried you wouldn’t wish to speak with me. I’m sorry I didn’t contact you sooner. There was so much happening, I hardly had a moment to myself befor-” It almost didn’t feel real. He’d so deeply convinced himself that he and Orion were too damaged for him to ever reach out. He had been certain that Orion had blocked him from contact.

“...and after that I was taken to this strange tunnel system where they placed me in some purification pool…” Orion was rambling, but it didn’t matter. It just felt good to hear his voice again. It slid into Megatron’s processor like the richest of energon, and he was starving.

“... -fter that I was chased by a small hoard of hibernating scraplets. I genuinely thought that I was going to offline down there…” This whole thing felt far too good to be true. Orion didn’t sound upset with him at all. There was anxiety in his tone, and judging by the speed of which he was speaking, he had a lot to say that he wanted, or needed to say quickly, but there was no anger or resentment, like Megatron expected.

“...-atrix of Leadership…” Slag… he wasn’t actually paying attention to what Orion had been saying this whole time, the high grade had only allowed him to process the smooth timbre of his voice. He tried to think back over what he’d heard, something about a pool of scraplets in a tunnel? . Slag… he still wasn’t paying attenti-

“Megatron… are you listening to me?” He flinched at the question. He was really regretting drinking as much as he had. If he’d have known Orion was going to comm him, he wouldn’t have had nearly as much. Megatron wet his derma before replying.

“I’m listening.” He sounded weak, and he knew it. He hoped Orion didn’t catch the waver in his tone, his tell that he wasn’t being entirely truthful.

Orion audibly sighed, but whether it was in annoyance or relief, Megatron couldn’t tell.

“I know, I’m rambling, I’m sorry. What I’m trying to say is that the Matrix makes me feel things far more intensely than I did before. All it lets me think about is you, and our last meeting… how I fragged everything up that cycle… How much I miss you. I’m sor-”

It took him several kliks to actually process what Orion was saying. Did he say: missed? He felt his spark practically jump in its chamber. Was that actually what he’d heard? That couldn’t be right… not after the cruel things he’d said.

“You miss me?” Orion went silent, and Megatron realized that he’d cut him off, mid-sentence, likely in the middle of something important. Something that he, again, wasn’t listening to. He grimaced at his stupid mistake.

“Yes, I did say that.” Megatron tried to sit up, but found he only had the strength to roll onto his back. His frame was too heavy for him to hoist up. He draped his arm over his optics instead, to quell the spinning as his processor tried to adjust to his movement. He definitely had too much. The high grade was flooding his frame now. It was a struggle just to keep his optics open.

“Will you say it again?” He cursed himself for how desperate his request must sound. Orion was silent for several kliks, but the time felt like eons as Megatron waited.

“Have you been drinking?”

Megatron groaned at the question, and that seemed to suffice as an answer for Orion.

“I miss you, Megatronus.” He let out an ex-vent that he wasn’t aware he was even holding in. Maybe all hope wasn’t lost after all? Maybe he hadn’t completely destroyed the bond he held so dear to his spark.

“I miss you too…” Megatron’s words slurred together and came out a jumbled mess. He barely got them out. The bottle he forgot he was holding fell from his servos, and he flinched at the sound of it crashing into the floor, the remainder of its content’s splattering across the tiles.

“Primus… you are absolutely slagged…” Orion laughed softly, and it sounded like bells to his audials. The soothing sound reminded him of cycles long past, when they were happy together.

“I miss you, Orion.” That wasn’t what he’d meant to say… He meant to ask Orion what the slag was in that fancy high grade to make him act like this. He’d be embarrassed if he weren’t fighting a system shutdown with all of his might.

“Mega…” Orion’s voice wavered, and the pet name burrowed into his audials. Megatron wondered if he was going to cut the link. He wouldn’t blame him for doing so. He’d fumbled this opportunity in a grand fashion. “Can I come see you? Please?”

Megatron almost couldn’t process that request. It was so far off from what he was expecting Orion to say that the glyphs simply didn’t make sense for several kliks.

“Where are you?” Wasn’t Orion supposed to be doing that important thing right now? In Iacon? Halfway across the planet from him? Megatron turned his helm just enough to see the holoscreen. The balcony was still empty. The crowd was still in place.

“I’m in Kaon… I-I fled my coronation and I… I didn’t know who else to run t-”

“Please…” He didn’t even attempt to hide the desperation in his tone, he was too tired at this point. His frame may have been in the process of powering down, but his spark thrummed in a mixture of disbelief, longing and joy.

“Give me just a few kliks… I won’t be long.” Orion laughed again, clearly with relief and again Megatron was soothed by the sound more than he would care to ever admit. “Thank you, Mega. I was afraid you would turn me away. I was afraid we were…. Over.”

“I don’t want us to be.” Megatron mumbled and vented softly. His processing subroutines were shutting down faster than he could reboot them. Orion said something after that, but Megatron could no longer process his vocals into anything that made sense. But at that moment, it didn’t matter. The blackout took him as Orion continued to croon softly to him.

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Megatron came online slowly in the morning. His helm was aching, but not as badly as he expected. He sank into his berth comfortably, and that helped to ease the discomfort his frame should have been feeling. After rolling onto his side, he slowly shuttered his optics, half expecting to be struck with pain, but pleasantly surprised that he was granted a painless view of his berth-side table.

There was a nearly empty energon cube sitting precariously close to the edge of the table, with a straw sticking out of if. He couldn’t remember getting a cube before he shutdown… Come to think of it… he didn’t remember much of anything that happened after he fell sideways onto the sofa last cycle.

He slowly sat up, while scratching the back of his helm as he tried to remember how the slag he’d gotten into his berth to begin with. He made a point of not recharging here. It was too big without Orion beside him.

Orion!

Orion had commed him last night! The ache in his processor surged as the memory of their conversation struck him all once. Orion called him and he bungled the entire conversation, but Orion had asked to see him.

Against his better judgement, Megatron swung his legs out of berth. His left pede hitting the rim of something, and sending it careening against the berth-side table: a trash bin, likely set there in case he purged during the night. As he stood, the scent of fuel preparation struck his olfactory sensors. It smelled like fried mineral cakes and thickened energon syrup, the scent of the warmed syrup almost sickeningly sweet. His intake watered, and his tanks clenched in discomfort at their emptiness.

There was no way… that had to have been a dream, a recharge flux from the high grade and the torture of watching Orion’s coronation. A hallucination created to torment him for his mistakes.. Right?? There was no way Orion had really come and put him to berth, with a drink… right?

He lurched towards the door, pausing only long enough for it to register him and open before stumbling out into his living quarters. He could hear the fuels sizzling in his prep station. Slung over the back of the sofa was a thermal sheet, folded, with a pillow resting on top.

It must be Soundwave… he must have checked in on the security feeds and saw him passed out on the sofa, and had come to clean up the mess. That had to be it… Even so, it he found more difficult to draw in a vent the closer he came to the dividing wall separating his living space from his fuel preparation area.

“Megatron? Are you online?”

Megatron paused in his steps as the unmistakable voice filled his audials. His intake went dry the moment he tried to speak, and he found himself at a loss for words. It wasn’t all a dream. Orion had called him. He had wanted to see him. He was here… Right there, on the other side of the wall.

He rounded the corner, needing to see it to truly believe it. Orion stood with his back towards him, obviously engrossed in the meal he was preparing. His frame was new…. He no longer wore a civilian model. He was taller, with a much sturdier chassis than before, and his arms thick with armor and weaponry. It was clearly the make of a warframe, but his colors were the same, familiar red and blue.

He finally felt like he could vent again, and when he did so, Orion turned his helm with a hopeful grin on his face. Their optics met, and Megatron had to rest his weight upon the wall to keep upright. He was beautiful.

“Orion…” It was all he could say as a million thoughts and words tried to bombard him at once. There was so much he wanted to say, so much he needed to apologize for, so many questions he wanted to ask.

Orion shut off the flame on the unit, and slid something onto a plate before turning around fully.

“I know there are many things we need to discuss. But I hope that it can wait until after breakfast. I made your favorite.” Orion held up one of the plates, stacked with mineral cakes, to emphasize his point, and as if on queue, Megatron’s systems loudly pinged a low fuel warning.

Orion laughed. “I guess I still have perfect timing. Sit down, I’ll bring it to you.”

It was like they hadn’t fought at all… Megatron sat at the table, forcing a reboot to his vocalizer. Orion sat a hefty plate of mineral cakes in front of him, followed by utensils and the thickened syrup, ready to be poured.

Orion sat down across from him, and reached across the table, where Megatron eagerly met him with his own servo, curling their digits together, as they used to do before meals in the past. His palm was warm, and it radiated down his frame, directly to his spark. Megatron looked up to see Orion smiling at him, in what appeared to be relief.

Megatron returned the smile, before withdrawing his servo, his nerves now eased. Things were going to be okay, better than okay, if the cakes were anything to judge it by. Orion’s field tentatively reached out to his own, and he replied with his own. It was a quiet reunion, but it let him know that their love still stood strong, and that knowledge allowed him to fully enjoy his refueling.

Afterwards, they would work out the rest, together.

#spreadwardiard #megop #megaop #tfp megaop #megatron #orion pax #optimus prime #maccadam #transformers #transformers prime #literally just my spin on the drunk calling your ex trope #i thought it was FUNNY #i love a depressed megatron #but also love my happy ending fixitsXD #i hope yall enjoy reading as much as I did writing it!

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